Sawing Logs Quotes

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When I saw my wife again standing by the tracks as the train came in by the piled logs at the station, I wished I had died before I had ever loved anyone but her.
Ernest Hemingway (A Moveable Feast)
I once saw the world’s ugliest baby drown. But then I realized, “That’s not a baby, that’s a log. And it’s not drowning, it’s burning.” I wonder what it did to deserve that? It was probably a heretic.
Jarod Kintz (This Book is Not for Sale)
I was walking along the bank of a stream when I saw a mother otter with her cubs, a very endearing sight, I'm sure you'll agree. And even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen. Mother and children dining upon mother and children. And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett
Hear my soul speak: The very instant that I saw you did My heart fly to your service, there resides to make me slave to it, and for your sake Am I this patient log-man.
William Shakespeare (The Tempest)
Lea stood upon a fallen log ahead of us, staring ahead. Mouse walked up to her. Gggrrrr rawf arrrgggrrrrarrrr," I said. Mouse gave me an impatient glance, and somehow--I don't know if it was something in his body language or what--I became aware that he was telling me to sit down and shut up or he'd come over and make me. I sat down. Something in me really didn't like that idea, but when I looked around, I saw that everyone else had done it too, and that made me feel better. Mouse said, again in what sounded like perfectly clear English, "Funny. Now restore them." Lea turned to look at the big dog and said, "Do you dare to give me commands, hound?" Not your hound," Mouse said. I didn't know how he was doing it. His mouth wasn't moving or anything. "Restore them before I rip your ass off. Literally rip it off." The Leanansidhe tilted her head back and let out a low laugh. "You are far from your sources of power here, my dear demon." I live with a wizard. I cheat." He took a step toward her and his lips peeled up from his fangs in unmistakable hostility. "You want to restore them? Or do I kill you and get them back that way?" Lea narrowed her eyes. Then she said, "You're bluffing." One of the big dog's huge, clawed paws dug at the ground, as if bracing him for a leap, and his growl seemed to . . . I looked down and checked. It didn't seem to shake the ground. The ground was actually shaking for several feet in every direction of the dog. Motes of blue light began to fall from his jaws, thickly enough that it looked quite a bit like he was foaming at the mouth. "Try me." The Leanansidhe shook her head slowly. Then she said, "How did Dresden ever win you?" He didn't," Mouse said. "I won him.
Jim Butcher (Changes (The Dresden Files, #12))
Call me a socialist or any blame thing you want to, as long as you grab hold of the other end of the cross-cut saw with me and help slash the big logs of Poverty and Intolerance to pieces.
Sinclair Lewis (It Can't Happen Here)
The Cold Within" Six humans trapped in happenstance In dark and bitter cold, Each one possessed a stick of wood, Or so the story's told. The first woman held hers back For of the faces around the fire, She noticed one was black. The next man looking across the way Saw not one of his church, And couldn't bring himself to give The fire his stick of birch. The third one sat in tattered clothes He gave his coat a hitch, Why should his log be put to use, To warm the idle rich? The rich man just sat back and thought Of the wealth he had in store, And how to keep what he had earned, From the lazy, shiftless poor. The black man's face bespoke revenge As the fire passed from sight, For all he saw in his stick of wood Was a chance to spite the white. The last man of this forlorn group Did naught except for gain, Giving only to those who gave, Was how he played the game. The logs held tight in death's still hands Was proof of human sin, They didn't die from the cold without, They died from the cold within.
James Patrick Kinney
...one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I'm sure you'll agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen. Mother and children dining upon mother and children. And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
The Patrician took a sip of his beer. “I have told this to few people, gentlemen, and I suspect I never will again, but one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I’m sure you will agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged on to a half-submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature’s wonders, gentlemen: mother and children dining on mother and children. And that’s when I first learned about evil. It is built into the nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
The Elm Log By Alexander Solzhenitsyn We were sawing firewood when we picked up an elm log and gave a cry of amazement. It was a full year since we had chopped down the trunk, dragged it along behind a tractor and sawn it up into logs, which we had then thrown on to barges and wagons, rolled into stacks and piled up on the ground - and yet this elm log had still not given up! A fresh green shoot had sprouted from it with a promise of a thick, leafy branch, or even a whole new elm tree. We placed the log on the sawing-horse, as though on an executioner's block, but we could not bring ourselves to bite into it with our saw. How could we? That log cherished life as dearly as we did; indeed, its urge to live was even stronger than ours.
Aleksandr Solzhenitsyn (Stories and Prose Poems)
When icicles hang by the wall, And Dick the shepherd blows his nail, And Tom bears logs into the hall, And milk comes frozen home in pail, When blood is nipp'd, and ways be foul, Then nightly sings the staring owl, To-whit! To-who!—a merry note, While greasy Joan doth keel the pot. When all aloud the wind doe blow, And coughing drowns the parson's saw, And birds sit brooding in the snow, And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl, To-whit! To-who!—a merry note, While greasy Joan doth keel the pot.
William Shakespeare (Love's Labour's Lost)
Actually, this is a poem my father once showed me, a long time ago. It has been bastardized many times, in many ways, but this is the original: The Cold Within Six men trapped by happenstance, in bleak and bitter cold Each possessed a stick of wood, or so the story's told. Their dying fire in need of logs, the first man held his back For of the faces round the fire, he noticed one was black. One man looking cross the way, saw one not of his church And could not bring himself to give the fire his stick of birch. The third one sat in tattered clothes, he gave his coat a hitch Why should his log be put to use to warm the idle rich? The rich man just sat back and thought of the wealth he had in store And how to keep what he had earned from the lazy, shiftless poor. The black man's face bespoke revenge as the fire passed from his sight, For all he saw in his stick of wood was a chance to spite the white. And the last man of this forlorn group did naught except for gain, Giving only to those who gave, was how he played the game The logs held tight, in death's still hands, was proof of human sin They didn't die from the cold without, they died from the cold within.
James Patrick Kinney
Most people now are looking for a better place, which means that a lot of them will end up in a worse one. I think this is what Nathan learned from his time in the army and the war. He saw a lot of places, and he came home. I think he gave up the idea that there is a better place somewhere else. There is no “better place” than this, not in this world. And it is by the place we’ve got, and our love for it and our keeping of it, that this world is joined to Heaven. . . . “Something better! Everybody’s talking about something better. The important thing is to feel good and be proud of what you got, don’t matter if it ain’t nothing but a log pen.” Those thoughts come to me in the night, those thoughts and thoughts of becoming sick or helpless, of the nursing home, of lingering death. I gnaw again the old bones of the fear of what is to come, and grieve . . . over . . . (those) who have gone before. Finally, as a gift, as a mercy, I remember to pray, “thy will be done,” and then again I am free and can go to sleep.
Wendell Berry (Hannah Coulter)
Time was a river, not a log to be sawed into lengths.
Margaret A. Robinson (A Woman of Her Tribe)
Because we knew that grunge was the sound of a screaming saw blade—a spawning salmon flicking gravel. It looked like a clearcut. And if you cracked grunge open you would find a moldy fifth wheel trailer inside.
Melissa Anne Peterson (Jimmy James Blood)
Finding the Father My friend, this body offers to carry us for nothing– as the ocean carries logs. So on some days the body wails with its great energy; it smashes up the boulders, lifting small crabs, that flow around the sides. Someone knocks on the door. We do not have time to dress. He wants us to go with him through the blowing and rainy streets, to the dark house. We will go there, the body says, and there find the father whom we have never met, who wandered out in a snowstorm the night we were born, and who then lost his memory, and has lived since longing for his child, whom he saw only once… while he worked as a shoemaker, as a cattle herder in Australia, as a restaurant cook who painted at night. When you light the lamp you will see him. He sits there behind the door… the eyebrows so heavy, the forehead so light… lonely in his whole body, waiting for you.
Robert Bly (Iron John: A Book About Men)
They lay in silence, strapped to their couches and ready for launch. Beck looked at Watney’s empty couch and saw Vogel doing the same. Martinez ran a self-check on the nose cone OMS thrusters. They were no longer safe for use. He noted the malfunction in his log.
Andy Weir (The Martian)
As the curtain closed, as the echoes stood up to leave: He wouldn’t of done it for any other reason—he didn’t want to have anybody to have to take the risk just for—I guess not, old fellow, because there wasn’t anybody but him left—He did it because—I guess not—because everybody left and he knows he can’t run them logs down by himself—He did it because . . . he finally saw how it was . . . because . . . he finally saw that there wasn’t any sense. Because of rust, of rot. Of push, of squeeze. Because there is really no strength beyond the strength of those around you. Because of weakness. Because of no grit, no grit anywhere at all and labor availeth not. Because all is vanity and vexation of the spirit. Because of that drum on the donkey forever breaking down. Of bruises from springbacks. Of sinus headaches and ingrown toenails. Of rain and the seas are still not full. Because of everything coming so thick and so fast for so long for so very long for finally too long. . .
Ken Kesey (Sometimes a Great Notion)
Logging is most dangerous if you’re impatient; saws and axes, peavys and cant dogs—these tools belong in patient hands.
John Irving (A Prayer for Owen Meany)
A small wax and sawdust log burned on the grate. A carton of five more sat ready on the hearth. He got up from the sofa and put them all in the fireplace. He watched until they flamed. Then he finished his soda and made for the patio door. On the way, he saw the pies lined up on the sideboard. He stacked them in his arms, all six, one for every ten times she had ever betrayed him.
Raymond Carver (What We Talk About When We Talk About Love)
On a small square, wood is being cut for the city school. Cords of healthy, crisp timber are piled high and melt slowly, one log after another, under the saws and axes of workmen. Ah, timber, trustworthy, honest, true matter of reality, bright and completely decent, the embodiment of the decency and prose of life! However deep you look into its core, you cannot find anything that is not apparent on its evenly smiling surface, shining with that warm, assured glow of its fibrous pulp woven in a likeness of the human body. In each fresh section of a cut log a new face og the human body. In each fresh section of a cut log a new face appears, always smiling and golden. Oh, the strange complexion of timber, warm eithout exaltation, completely sound, fragrant, and pleasant!
Bruno Schulz (The Street of Crocodiles)
This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear. I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.
Henry David Thoreau (The Journal, 1837-1861)
With the gun which was too big for him, the breech-loader which did not even belong to him but to Major de Spain and which he had fired only once, at a stump on the first day to learn the recoil and how to reload it with the paper shells, he stood against a big gum tree beside a little bayou whose black still water crept without motion out of a cane-brake, across a small clearing and into the cane again, where, invisible, a bird, the big woodpecker called Lord-to-God by negroes, clattered at a dead trunk. It was a stand like any other stand, dissimilar only in incidentals to the one where he had stood each morning for two weeks; a territory new to him yet no less familiar than that other one which after two weeks he had come to believe he knew a little--the same solitude, the same loneliness through which frail and timorous man had merely passed without altering it, leaving no mark nor scar, which looked exactly as it must have looked when the first ancestor of Sam fathers' Chickasaw predecessors crept into it and looked about him, club or stone axe or bone arrow drawn and ready, different only because, squatting at the edge of the kitchen, he had smelled the dogs huddled and cringing beneath it and saw the raked ear and side of the bitch that, as Sam had said, had to be brave once in order to keep on calling herself a dog, and saw yesterday in the earth beside the gutted log, the print of the living foot. He heard no dogs at all. He never did certainly hear them. He only heard the drumming of the woodpecker stop short off, and knew that the bear was looking at him. he did not move, holding the useless gun which he knew now he would never fire at it, now or ever, tasting in his saliva that taint of brass which he had smelled in the huddled dogs when he peered under the kitchen.
William Faulkner (Go Down, Moses)
THEY WERE DIVORCED IN THE fall. I wish it could have been otherwise. The clarity of those autumn days affected them both. For Nedra, it was as if her eyes had been finally opened; she saw everything, she was filled with a great, unhurried strength. It was still warm enough to sit outdoors. Viri walked, the old dog wandering behind him. The fading grass, the trees, the very light made him dizzy, as if he were an invalid or starving. He caught the aroma of his own life passing. All during the proceedings, they lived as they always had, as if nothing were going on. The judge who gave her the final decree pronounced her name wrong. He was tall and decaying, the pores visible in his cheeks. He misread a number of things; no one corrected him. It was November. Their last night together they sat listening to music—it was Mendelssohn—like a dying composer and his wife. The room was peaceful, filled with beautiful sound. The last logs burned. “Would you like some ouzo?” she asked. “I don’t think there is any.” “We drank it all?” “Some time ago.
James Salter (Light Years (Vintage International))
The sawdust flew. A slightly sweet fragrance floated in the immediate area. It was a sweet but subtle aroma, neither the scent of pine nor willow, but one from the past that had been forgotten, only to reappear now after all these years, fresher than ever. The workmen occasionally scooped up a handful of sawdust, which they put into their mouths and swallowed. Before that they had chewed on pieces of green bark that they had stripped from the cut wood. It had the same fragrance and it freshened their mouths, so at first that was what they had used. Now even though they were no longer chewing the bark with which they felt such a bond, the stack of corded wood was a very appealing sight. From time to time they gave the logs a friendly slap or kick. Each time they sawed off a section, which rolled to the ground from the sawhorse, they would say: 'Off with you - go over there and lie down where you belong.' What they were thinking was that big pieces of lumber like this should be used to make tables or chairs or to repair a house or make window frames; wood like this was hard to find. But now they were cutting it into kindling to be burned in stoves, a sad ending for good wood like this. They could see a comparison with their own lives, and this was a saddening thought. ("North China")
Xiao Hong (Selected Stories of Xiao Hong (Panda Books))
I had lain quiet and still, but I remembered the ravening hunger that was in me always: to climb into my father’s lap, to rise and run and shout, snatch the draughts from the board and batter them against the walls. To stare at the logs until they burst into flame, to shake him for every secret, as fruits are shaken from a tree. But if I had done even one of those things there would have been no mercy. He would have burnt me down to ash. The moon lay on my son’s forehead. I saw the smudges that water and cloth had not quite scrubbed away. Why should he be peaceful? I never was, nor his father either, when I knew him. The difference was that he was not afraid to be burnt.
Madeline Miller (Circe)
I know who you are,” the Chicano said to Thomas. “You’re that Indian guy did all the talking.” “Yeah,” one of the African men said. “You’re that storyteller. Tell us some stories, chief, give us the scoop.” Thomas looked at these five men who shared his skin color, at the white man who shared this bus which was going to deliver them into a new kind of reservation, barrio, ghetto, logging-town tin shack. He then looked out the window, through the steel grates on the windows, at the freedom just outside the glass. He saw wheat fields, bodies of water, and bodies of dark-skinned workers pulling fruit from trees and sweat from thin air. Thomas closed his eyes and told this story.
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
When the valley surrounding St. Cloud's was cleared and the second growth (scrub pine and random, unmanaged softwoods) sprang up everywhere, like swamp weed, and when there were no more logs to send downriver, from Three Mile Falls to St. Cloud's--because there were no more trees--that was when the Ramses Paper Company introduced Maine to the twentieth century by closing down the saw mill and the lumberyard along the river at St. Cloud's and moving camp downstream. . .There were no Ramses Paper Company people left behind, but there were people. . . Not one of the neglected officers of the Catholic Church of St. Cloud's stayed; there were more souls to save by following the Ramses Paper Company downstream.
John Irving
The answer was obvious. The useless finger ends must be cut off at once, so they could no longer get in the way and hit things. I tried tentatively to cut through the smallest finger with a new pair of secateurs, but it hurt. So I purchased a set of fretsaw blades at the village shop, put the little finger in my Black & Decker folding table’s vice and gently sawed through the dead skin and bone just above the live skin line. The moment I felt pain or spotted blood, I moved the saw further into the dead zone. I also turned the finger around several times to cut it from different sides, like sawing a log. This worked well and the little finger’s end knuckle finally dropped off after some two hours of work. Over that week I removed the other three longer fingers, one each day, and finally the thumb, which took two days.
Ranulph Fiennes (Mad, Bad and Dangerous to Know: Updated and revised to celebrate the author's 75th year)
The bones said death was comin', and the bones never lied. Eva Savoie leaned back in the rocking chair and pushed it into motion on the uneven wide-plank floor of the one-room cabin. Her grand pere Julien had built the place more than a century ago, pulling heavy cypress logs from the bayou and sawing them, one by one, into the thick planks she still walked across ever day. She had never known Julien Savoie, but she knew of him. The curse that had stalked her family for three generations had started with her grandfather and what he'd done all those years ago. What he'd brought with him to Whiskey Bayou with blood on his hands. What had driven her daddy to shoot her mama, and then himself, before either turned forty-five. What had led Eva's brother, Antoine, to drown in the bayou only a half mile from this cabin, leaving a wife and infant son behind. What stalked Eva now.
Susannah Sandlin (Wild Man's Curse (Wilds of the Bayou, 1))
Royce found Hadrian splitting logs near the stockade gate. He was naked to the waist except for the small silver medallion that dangled from his neck as he bent forward to place another wedge. He had a solid sweat worked up along with a sizable pile of wood. “Been meddling, have you?” Royce asked, looking around at the hive of activity. “You must admit they didn’t have much in the way of a defense plan,” Hadrian said, pausing to wipe the sweat from his forehead. Royce smiled at him. “You just can’t help yourself, can you?” “And you? Did you find the doorknob?” Hadrian picked up a jug and downed several swallows, drinking so quickly some of the water dripped down his chin. He poured some in his palm and rinsed his face, running his fingers through his hair. “I didn’t even get close enough to see a door.” “Well, look on the bright side”—Hadrian smiled—“at least you weren’t captured and condemned to death this time.” “That’s the bright side?” “What can I say? I’m a glass-half-full kinda guy.” There he is,” Russell Bothwick shouted, pointing. “That’s Royce over there.” “What’s going on?” Royce asked as throngs of people suddenly moved toward him from the field and the castle interior. “I mentioned that you saw the thing and now they want to know what it looks like,” Hadrian explained. “What did you think? They were coming to lynch you?” He shrugged. “What can I say? I’m a glass-half-empty kinda guy.” “Half empty?” Hadrian chuckled. “Was there ever any drink in that glass?
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
I dreamed I was standing on an island in a swamp full of alligators. I could see their backs floating in the water, like logs. And then I saw Kasey swimming toward me, blissfully unaware of the predators that surrounded her. So I pulled out a rifle and shot any alligator that got close to her. Then Kasey was with me on the island, braiding my hair and singing me Christmas carols. And a battered doll walked over to us, but Kasey couldn't see her. And the doll pointed at Kasey and looked at me and said, "Your sister is crazy.
Katie Alender (Bad Girls Don't Die (Bad Girls Don't Die, #1))
The stove door squeaked. A log thudded onto the coals. Nightshirt flapping around his long johns, Magnar approached the bed and motioned her to the window. “Come.” “I’m in my nightgown,” she whispered. If he wasn’t careful, he’d wake his nieces with his unseemly behavior. “Come.” “Well, all right, you saw it this morning.” She sidestepped around the trundle bed. He exhaled on the middle pane and wiped it with his cuff. She didn’t have to look; the glow of the night told the story. The snows had begun. “Su-sah-nah stay.” He smiled.
Catherine Richmond (Spring for Susannah)
... and being part of Stan 'Twitter is much more fun than logging on just to frown at politicians or congratulate acquaintances on their new jobs. When I'm doom-scrolling through a timeline full of terrible news and inane bickering, it's a treat to come across all-caps excitement or an ultra-niche joke. Or to wake up and find that there is a conversation going on and that I understand it, and that people are excited about something and I am too. This is the type of thing that can buoy a person for an hour or so at a time. In the same way that holidays give shape to formless years, album promotion and single releases give color to the days that line up one after another. There is a reason to stay up late. There is a reason to wake up early. There is something to do at lunch when you feel like you'd like to cry and take a nap. There are people who swear they hacked into an airport security camera, and aren't you interested to see what they saw, even if you find that totally weird and ultimately quite scary? I like Stan Twitter because it is so peculiar, even as millions of people participate in it and it should have become generic.
Kaitlyn Tiffany (Everything I Need I Get from You)
Grenouille sat on the logs, his legs outstretched and his back leaned against the wall of the shed. He had closed his eyes and did not stir. He saw nothing, he heard nothing, he felt nothing. He only smelt the aroma of the wood rising up around him to be captured under the bonnet of the eaves. He drank in the aroma, he drowned in it, impregnating himself through his innermost pores, until he became wood himself; he lay on the cord of wood like a wooden puppet, like Pinocchio, as if dead, until after a long while, perhaps a half-hour or more, he gagged up the word ‘wood’. He vomited the word up, as if he were filled with wood to his ears, as if buried in wood to his neck, as if his stomach, his gorge, his nose were spilling over with wood. And that brought him to himself, rescued him only moments before the overpowering presence of the wood, its aroma, was about to suffocate him. He shook himself, slid down off the logs, and tottered away as if on wooden legs. Days later he was still completely fuddled by the intense olfactory experience, and whenever the memory of it rose up too powerfully within him he would mutter imploringly, over and over, ‘Wood, wood.
Patrick Süskind (Perfume: The Story of a Murderer)
For amusement he tried by looking ahead to decide whether the muddy object he saw lying on the water’s edge was a log of wood or an alligator. Only very soon he had to give that up. No fun in it. Always alligator. One of them flopped into the river and all but capsized the canoe. But this excitement was over directly. Then in a long empty reach he was very grateful to a troop of monkeys who came right down on the bank and made an insulting hullabaloo on his passage. Such was the way in which he was approaching greatness as genuine as any man ever achieved. Principally, he longed for sunset;
Joseph Conrad (Joseph Conrad: The Complete Novels)
Ma went up to the gate, and pushed against it to open it. But it did not open very far, because there was Sukey, standing against it. Ma said: “Sukey, get over!” She reached across the gate and slapped Sukey’s shoulder. Just then one of the dancing little bits of light from the lantern jumped between the bars of the gate, and Laura saw long, shaggy, black fur, and two little, glittering eyes. Sukey had thin, short, brown fur. Sukey had large, gentle eyes. Ma said, “Laura, walk back to the house.” So Laura turned around and began to walk toward the house. Ma came behind her. When they had gone part way, Ma snatched her up, lantern and all, and ran. Ma ran with her into the house, and slammed the door. Then Laura said, “Ma, was it a bear?” “Yes, Laura,” Ma said. “It was a bear.” Laura began to cry. She hung on to Ma and sobbed, “Oh, will he eat Sukey?” “No,” Ma said, hugging her. “Sukey is safe in the barn. Think, Laura--all those big, heavy logs in the barn walls. And the door is heavy and solid, made to keep bears out. No, the bear cannot get in and eat Sukey.” Laura felt better then. “But he could have hurt us, couldn’t he?” she asked. “He didn’t hurt us,” Ma said. “You were a good girl, Laura, to do exactly as I told you, and to do it quickly, without asking why.” Ma was trembling, and she began to laugh a little. “To think,” she said, “I’ve slapped a bear!
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
Right up until he looked around at a Bon Iver concert and saw a thousand copies of himself, and realised that he belonged to a group, a group of people who more than any other—at least in theory—hate everything about belonging to a group. He was a hipster. As a hipster he hated hipsters, and especially male hipsters. There was something insubstantial, unmanly, about that dreamy, idealistic striving for the natural, the original, the authentic; about a hipster trying to look like a lumberjack who lived in a log cabin and grew and shot his own food, but who was still an overprotected little boy who thought modern life, quite rightly, had stripped away all his masculinity, leaving him with a feeling of being helpless
Jo Nesbø (Knife (Harry Hole, #12))
Because this is my land. I can feel it, tremendous, still primeval, looming, musing downward upon the tent, the camp—this whole puny evanescent clutter of human sojourn which after our two weeks will vanish, and in another week will be completely healed, traceless in this unmarked solitude. It is mine, though I have never owned a foot of it, and never will. I have never wanted to, not even after I saw that it is doomed, not even after I began to watch it retreat year by year before the onslaught of axe and saw and log-lines and then dynamite and plow. Because there was never any one for me to acquire and possess it from because it had belonged to no one man. It belonged to all; we had only to use it well, humbly, and with pride.
William Faulkner (Big Woods)
Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Wild animals enjoying one another and taking pleasure in their world is so immediate and so real, yet this reality is utterly absent from textbooks and academic papers about animals and ecology. There is a truth revealed here, absurd in its simplicity. This insight is not that science is wrong or bad. On the contrary: science, done well, deepens our intimacy with the world. But there is a danger in an exclusively scientific way of thinking. The forest is turned into a diagram; animals become mere mechanisms; nature's workings become clever graphs. Today's conviviality of squirrels seems a refutation of such narrowness. Nature is not a machine. These animals feel. They are alive; they are our cousins, with the shared experience kinship implies. And they appear to enjoy the sun, a phenomenon that occurs nowhere in the curriculum of modern biology. Sadly, modern science is too often unable or unwilling to visualize or feel what others experience. Certainly science's "objective" gambit can be helpful in understanding parts of nature and in freeing us from some cultural preconceptions. Our modern scientific taste for dispassion when analyzing animal behaviour formed in reaction to the Victorian naturalists and their predecessors who saw all nature as an allegory confirming their cultural values. But a gambit is just an opening move, not a coherent vision of the whole game. Science's objectivity sheds some assumptions but takes on others that, dressed up in academic rigor, can produce hubris and callousness about the world. The danger comes when we confuse the limited scope of our scientific methods with the true scope of the world. It may be useful or expedient to describe nature as a flow diagram or an animal as a machine, but such utility should not be confused with a confirmation that our limited assumptions reflect the shape of the world. Not coincidentally, the hubris of narrowly applied science serves the needs of the industrial economy. Machines are bought, sold, and discarded; joyful cousins are not. Two days ago, on Christmas Eve, the U.S. Forest Service opened to commercial logging three hundred thousand acres of old growth in the Tongass National Forest, more than a billion square-meter mandalas. Arrows moved on a flowchart, graphs of quantified timber shifted. Modern forest science integrated seamlessly with global commodity markets—language and values needed no translation. Scientific models and metaphors of machines are helpful but limited. They cannot tell us all that we need to know. What lies beyond the theories we impose on nature? This year I have tried to put down scientific tools and to listen: to come to nature without a hypothesis, without a scheme for data extraction, without a lesson plan to convey answers to students, without machines or probes. I have glimpsed how rich science is but simultaneously how limited in scope and in spirit. It is unfortunate that the practice of listening generally has no place in the formal training of scientists. In this absence science needlessly fails. We are poorer for this, and possibly more hurtful. What Christmas Eve gifts might a listening culture give its forests? What was the insight that brushed past me as the squirrels basked? It was not to turn away from science. My experience of animals is richer for knowing their stories, and science is a powerful way to deepen this understanding. Rather, I realized that all stories are partly wrapped in fiction—the fiction of simplifying assumptions, of cultural myopia and of storytellers' pride. I learned to revel in the stories but not to mistake them for the bright, ineffable nature of the world.
David George Haskell (The Forest Unseen: A Year’s Watch in Nature)
I hadn’t expected Ivan to write back. It felt magical, like hearing from a dead person. I almost started to cry. Then I did “finger” and saw that Ivan was actually logged on to the Harvard network. He was physically here. Such relief—like some vital element had been restored to the atmosphere. He was finally here again, like last year, and he must have been planning to see me; that was why there had been hope and futurity in his tone. I wondered if I should write back to him, but I decided to wait for him to call, as I was sure that he would. — With the passage of time, this expectation came to strike me as insane. Of course he wasn’t going to call. If he had hoped to see me, he would have told me he was coming. He was here to visit his girlfriend, to have sex with his girlfriend, to do any number of things and to see any number of people, but not me. I was literally the one person he would be least likely to want to see, out of everyone on the planet, including all the people he had never met.
Elif Batuman (Either/Or)
I stood with my job-book beneath my arm in which were logged the hours and the days and the years and wherein was ledgered down each sack of mortar and each perch of stone and I stood alone in that whitened forecourt beyond which waited the God of all being and I stood in the full folly of my own righteousness and I took the book from under my arm and I thumbed through it a final time as if to reassure myself and when I did I saw that the pages were yellowed and crumbling and the ink faded and the accounts no longer clear and suddenly I thought to myself fool fool do you not see what will be asked of you? How He will lean down perhaps the better to see you, regarding perhaps with something akin to wonder that which is his own handiwork, He whom the firmament itself has not power to puzzle. Gazing into your soul beyond bone or flesh to its uttermost nativity in stone and star and in the unformed magma at the core of creation. And ask as you stand there alone with your book—perhaps not even unkindly—this single question: Where are the others? Where are the others?
Cormac McCarthy (The Stonemason: A Play in Five Acts)
We met with no Indians, but we found the places on the neighboring hills where they had lain to watch our proceedings. There was an art in their contrivance of those places, that seems worth mention. It being winter, a fire was necessary for them; but a common fire on the surface of the ground would by its light have discovered their position at a distance. They had therefore dug holes in the ground about three feet diameter, and somewhat deeper; we saw where they had with their hatchets cut off the charcoal from the sides of burnt logs lying in the woods. With these coals they had made small fires in the bottom of the holes, and we observ'd among the weeds and grass the prints of their bodies, made by their laying all round, with their legs hanging down in the holes to keep their feet warm, which, with them, is an essential point. This kind of fire, so manag'd, could not discover them, either by its light, flame, sparks, or even smoke: it appear'd that their number was not great, and it seems they saw we were too many to be attacked by them with prospect of advantage.
Benjamin Franklin (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
...seeing as he sat down on the log the crooked print, the warped indentation in the wet ground which while he looked at it continued to fill with water until it was level full and the water began to overflow and the sides of the print began to dissolve away. Even as he looked up he saw the next one, and, moving, the one beyond it; moving, not hurrying, running, but merely keeping pace with them as they appeared before him as though they were being shaped out of thin air just one constant pace short of where he would lose them forever and be lost forever himself, tireless, eager, without doubt or dread, panting a little above the strong rapid little hammer of his heart, emerging suddenly into a little glade and the wilderness coalesced. It rushed, soundless, and solidified––the tree, the bush, the compass and the watch glinting where a ray of sunlight touched them. Then he saw the bear. It did not emerge, appear: it was just there, immobile, fixed in the green and windless noon's hot dappling, not as big as he had dreamed it but as big as he had expected, bigger, dimensionless against the dappled obscurity, looking at him.
William Faulkner (Go Down, Moses)
If it means I get to spend the rest of my life with you.” She gave me a shy smile. “We’ll have to see,” she said. “We just met, you know.” “I’m in love with you.” Her lower lip started to tremble. “You’re sure about that?” “Yes. I am. Because it’s true.” She smiled at me, but I also saw that she was crying. “I’m sorry for breaking things off with you,” she said. “For disappearing from your life. I just—” “It’s OK,” I said. “I understand why you did it now.” She looked relieved. “You do?” I nodded. “You did the right thing.” “You think so?” “We won, didn’t we?” She smiled at me, and I smiled back. “Listen,” I said. “We can take things as slow as you like. I’m really a nice guy, once you get to know me. I swear.” She laughed and wiped away a few of her tears, but she didn’t say anything. “Did I mention that I’m also extremely rich?” I said. “Of course, so are you, so I don’t suppose that’s a big selling point.” “You don’t need to sell me on anything, Wade,” she said. “You’re my best friend. My favorite person.” With what appeared to be some effort, she looked me in the eye. “I’ve really missed you, you know that?” My heart felt like it was on fire. I took a moment to work up my courage; then I reached out and took her hand. We sat there awhile, holding hands, reveling in the strange new sensation of actually touching one another. Some time later, she leaned over and kissed me. It felt just like all those songs and poems had promised it would. It felt wonderful. Like being struck by lightning. It occurred to me then that for the first time in as long as I could remember, I had absolutely no desire to log back into the OASIS. For Susan and Libby
Ernest Cline (Ready Player One (Ready Player One, #1))
During his twenty-year professional baseball career, Seaver aimed to pitch “the best I possibly can day after day, year after year.” Here is how that intention gave meaning and structure to all his lower-order goals: Pitching . . . determines what I eat, when I go to bed, what I do when I’m awake. It determines how I spend my life when I’m not pitching. If it means I have to come to Florida and can’t get tanned because I might get a burn that would keep me from throwing for a few days, then I never go shirtless in the sun. . . . If it means I have to remind myself to pet dogs with my left hand or throw logs on the fire with my left hand, then I do that, too. If it means in the winter I eat cottage cheese instead of chocolate chip cookies in order to keep my weight down, then I eat cottage cheese. The life Seaver described sounds grim. But that’s not how Seaver saw things: “Pitching is what makes me happy. I’ve devoted my life to it. . . . I’ve made up my mind what I want to do. I’m happy when I pitch well so I only do things that help me be happy.” What I mean by passion is not just that you have something you care about. What I mean is that you care about that same ultimate goal in an abiding, loyal, steady way. You are not capricious. Each day, you wake up thinking of the questions you fell asleep thinking about. You are, in a sense, pointing in the same direction, ever eager to take even the smallest step forward than to take a step to the side, toward some other destination. At the extreme, one might call your focus obsessive. Most of your actions derive their significance from their allegiance to your ultimate concern, your life philosophy. You have your priorities in order.
Angela Duckworth (Grit: The Power of Passion and Perseverance)
In that sleep and in sleeps to follow the judge did visit. Who would come other? A great shambling mutant, silent and serene. Whatever his antecedents he was something wholly other than their sum, nor was there system by which to divide him back into his origins for he would not go. Whoever would seek out his history through what unraveling of loins and ledgerbooks must stand at last darkened and dumb at the shore of a void without terminus or origin and whatever science he might bring to bear upon the dusty primal matter blowing down out of the millennia will discover no trace of any ultimate atavistic egg by which to reckon his commencing. In the white and empty room he stood in his bespoken suit with his hat in his hand and he peered down with his small and lashless pig’s eyes wherein this child just sixteen years on earth could read whole bodies of decisions not accountable to the courts of men and he saw his own name which nowhere else could he have ciphered out at all logged into the records as a thing already accomplished, a traveler known in jurisdictions existing only in the claims of certain pensioners or on old dated maps. In his delirium he ransacked the linens of his pallet for arms but there were none. The judge smiled. The fool was no longer there but another man and this other man he could never see in his entirety but he seemed an artisan and a worker in metal. The judge enshadowed him where he crouched at his trade but he was a coldforger who worked with hammer and die, perhaps under some indictment and an exile from men’s fires, hammering out like his own conjectural destiny all through the night of his becoming some coinage for a dawn that would not be. It is this false moneyer with his gravers and burins who seeks favor with the judge and he is at contriving from cold slag brute in the crucible a face that will pass, an image that will render this residual specie current in the markets where men barter. Of this is the judge judge and the night does not end.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
It occurred to her that she had never thanked Arin for bringing her piano here. She found him in the library and meant to say what she had come to say, yet when she saw him studying a map near the fire, lit by an upward shower of sparks as one log fell on another, she remembered her promise precisely because of how she longed to forget it. She blurted something that had nothing to do with anything. “Do you know how to make honeyed half-moons?” “Do I…?” He lowered the map. “Kestrel, I hate to disappoint you, but I was never a cook.” “You know how to make tea.” He laughed. “You do realize that boiling water is within the capabilities of anybody?” “Oh.” Kestrel moved to leave, feeling foolish. What had possessed her to ask such a ridiculous question anyway? “I mean, yes,” Arin said. “Yes, I know how to make half-moons.” “Really?” “Ah…no. But we can try.” They went into the kitchens. A glance from Arin cleared the room, and then it was only the two of them, dumping flour onto the wooden worktable, Arin palming a jar of honey out of a cabinet. Kestrel cracked an egg into a bowl and knew why she had asked for this. So that she could pretend that there had been no war, there were no sides, and that this was her life. The half-moons came out as hard as rocks. “Hmm.” Arin inspected one. “I could use these as weapons.” She laughed before she could tell herself it wasn’t funny. “Actually, they’re about the size of your weapon of choice,” he said. “Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Once upon a time, through a strange country, there rode some goodly knights, and their path lay by a deep wood, where tangled briars grew very thick and strong, and tore the flesh of them that lost their way therein. And the leaves of the trees that grew in the wood were very dark and thick, so that no ray of light came through the branches to lighten the gloom and sadness. And, as they passed by that dark wood, one knight of those that rode, missing his comrades, wandered far away, and returned to them no more; and they, sorely grieving, rode on without him, mourning him as one dead. Now, when they reached the fair castle towards which they had been journeying, they stayed there many days, and made merry; and one night, as they sat in cheerful ease around the logs that burned in the great hall, and drank a loving measure, there came the comrade they had lost, and greeted them. His clothes were ragged, like a beggar’s, and many sad wounds were on his sweet flesh, but upon his face there shone a great radiance of deep joy. And they questioned him, asking him what had befallen him: and he told them how in the dark wood he had lost his way, and had wandered many days and nights, till, torn and bleeding, he had lain him down to die. Then, when he was nigh unto death, lo! through the savage gloom there came to him a stately maiden, and took him by the hand and led him on through devious paths, unknown to any man, until upon the darkness of the wood there dawned a light such as the light of day was unto but as a little lamp unto the sun; and, in that wondrous light, our way-worn knight saw as in a dream a vision, and so glorious, so fair the vision seemed, that of his bleeding wounds he thought no more, but stood as one entranced, whose joy is deep as is the sea, whereof no man can tell the depth. And the vision faded, and the knight, kneeling upon the ground, thanked the good saint who into that sad wood had strayed his steps, so he had seen the vision that lay there hid. And the name of the dark forest was Sorrow; but of the vision that the good knight saw therein we may not speak nor tell.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
I went straight upstairs to my bedroom after Marlboro Man and I said good night. I had to finish packing…and I had to tend to my face, which was causing me more discomfort by the minute. I looked in the bathroom mirror; my face was sunburn red. Irritated. Inflamed. Oh no. What had Prison Matron Cindy done to me? What should I do? I washed my face with cool water and a gentle cleaner and looked in the mirror. It was worse. I looked like a freako lobster face. It would be a great match for the cherry red suit I planned to wear to the rehearsal dinner the next night. But my white dress for Saturday? That was another story. I slept like a log and woke up early the next morning, opening my eyes and forgetting for a blissful four seconds about the facial trauma I’d endured the day before. I quickly brought my hands to my face; it felt tight and rough. I leaped out of bed and ran to the bathroom, flipping on the light and looking in the mirror to survey the state of my face. The redness had subsided; I noticed that immediately. This was a good development. Encouraging. But upon closer examination, I could see the beginning stages of pruney lines around my chin and nose. My stomach lurched; it was the day of the rehearsal. It was the day I’d see not just my friends and family who, I was certain, would love me no matter what grotesque skin condition I’d contracted since the last time we saw one another, but also many, many people I’d never met before--ranching neighbors, cousins, business associates, and college friends of Marlboro Man’s. I wasn’t thrilled at the possibility that their first impression of me might be something that involved scales. I wanted to be fresh. Dewy. Resplendent. Not rough and dry and irritated. Not now. Not this weekend. I examined the damage in the mirror and deduced that the plutonium Cindy the Prison Matron had swabbed on my face the day before had actually been some kind of acid peel. The burn came first. Logic would follow that what my face would want to do next would be to, well, peel. This could be bad. This could be real, real bad. What if I could speed along that process? Maybe if I could feed the beast’s desire to slough, it would leave me alone--at least for the next forty-eight hours. All I wanted was forty-eight hours. I didn’t think it was too much to ask.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
If one could nominate an absolutely tragic day in human history, it would be the occasion that is now commemorated by the vapid and annoying holiday known as “Hannukah.” For once, instead of Christianity plagiarizing from Judaism, the Jews borrow shamelessly from Christians in the pathetic hope of a celebration that coincides with “Christmas,” which is itself a quasi-Christian annexation, complete with burning logs and holly and mistletoe, of a pagan Northland solstice originally illuminated by the Aurora Borealis. Here is the terminus to which banal “multiculturalism” has brought us. But it was nothing remotely multicultural that induced Judah Maccabeus to reconsecrate the Temple in Jerusalem in 165 BC, and to establish the date which the soft celebrants of Hannukah now so emptily commemorate. The Maccabees, who founded the Hasmonean dynasty, were forcibly restoring Mosaic fundamentalism against the many Jews of Palestine and elsewhere who had become attracted by Hellenism. These true early multiculturalists had become bored by “the law,” offended by circumcision, interested by Greek literature, drawn by the physical and intellectual exercises of the gymnasium, and rather adept at philosophy. They could feel the pull exerted by Athens, even if only by way of Rome and by the memory of Alexander’s time, and were impatient with the stark fear and superstition mandated by the Pentateuch. They obviously seemed too cosmopolitan to the votaries of the old Temple—and it must have been easy to accuse them of “dual loyalty” when they agreed to have a temple of Zeus on the site where smoky and bloody altars used to propitiate the unsmiling deity of yore. At any rate, when the father of Judah Maccabeus saw a Jew about to make a Hellenic offering on the old altar, he lost no time in murdering him. Over the next few years of the Maccabean “revolt,” many more assimilated Jews were slain, or forcibly circumcised, or both, and the women who had flirted with the new Hellenic dispensation suffered even worse. Since the Romans eventually preferred the violent and dogmatic Maccabees to the less militarized and fanatical Jews who had shone in their togas in the Mediterranean light, the scene was set for the uneasy collusion between the old-garb ultra-Orthodox Sanhedrin and the imperial governorate. This lugubrious relationship was eventually to lead to Christianity (yet another Jewish heresy) and thus ineluctably to the birth of Islam. We could have been spared the whole thing.
Christopher Hitchens (God is Not Great: How Religion Poisons Everything)
Seeing is of course very much a matter of verbalization. Unless I call my attention to what passes before my eyes, I simply won’t see it. It is, as Ruskin says, “not merely unnoticed, but in the full clear sense of the word, unseen.” If Tinker Mountain erupted, I’d be likely to notice. But if I want to notice the lesser cataclysms of valley life, I have to maintain in my head a running description of the present…when I see this way I analyze and pry. I hurl over logs and roll away stones; I study the bank a square foot at a time, probing and tilting my head. Some days when the mist covers the mountains, when the muskrats won’t show and the microscope’s mirror shatters, I want to climb up the blank blue dome as a man would storm the inside of a circus tent, wildly, dangling, and with a steel knife, claw a rent in the top, peep, and if I must, fall. But there is another kind of seeing that involves a letting go. When I see this way I sway transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk without a camera, my own shutter opens, and the moment’s light prints on my own silver gut. It was sunny one evening last summer at Tinker Creek; the sun was low in the sky, upstream. I was sitting on the sycamore log bridge with the sunset at my back, watching the shiners the size of minnows who were feeding over the muddy bottom…again and again, one fish, then another, turned for a split second and flash! the sun shot out from its silver side. I couldn’t watch for it. It was always just happening somewhere else…so I blurred my eyes and gazed towards the brim of my hat and saw a new world. I saw the pale white circles roll up, roll up like the world’s turning, mute and perfect, and I saw the linear flashes, gleaming silver, like stars being born at random down a rolling scroll of time. Something broke and something opened. I filled up like a new wineskin. I breathed an air like light; I saw a light like water. I was the lip of a fountain the creek filled forever; I was ether, the leaf in the zephyr; I was flesh-flake, feather, bone. When I see this way, I see truly.
Annie Dillard (Pilgrim at Tinker Creek)
Driving from Denver, the deforestation we saw was absolutely amazing,” Emma added. “Deforestation?” “Not a tree in sight for as far as the eye could see. I guessed they were all cut down for your log cabins. We all took pictures out the bus window, American greed.
Mike Faricy (Bombshell (Dev Haskell Mystery, #4))
How much for a picture with the girl?” one of the men called, nodding at Lily. Another man whistled and others chortled. Oren stiffened. He tipped up his derby, and his eyebrows narrowed into a scowl. “I’ve got two rules here today, boys.” Lily stifled a smile. She’d heard Oren’s lecture plenty of times. She could only imagine what he’d say if he found out about Jimmy Neil’s attack of the night before. He’d never let her go anywhere by herself again. Oren pulled his corncob pipe out of his mouth and pointed the stem at the men. “One—you keep your filthy hands off Lily, and I’ll keep my hands off your puny chicken necks.” Except for the rhythmic ring of hammer on anvil coming from the crudely built log cabin that served as a shop for the camp blacksmith, silence descended over the clearing. “Two,” Oren continued, “you keep your shifty eyes off Lily, and I’ll keep from blowing a hole through your pea-brain heads.” With that, he toed the rifle, which he always laid on the ground in front of the tripod. She saw no need to tell them Oren had never shot anyone, at least not yet.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Wade drops down off his bed—a bed handmade by a local boy down the road, a real autistic type who doesn’t do well with people but can make a set of fresh-cut logs sing beneath saw and sandpaper. He groans and winces. He’s old now, and feels the movements of the morning especially keenly; often he feels like a beater car that takes a while to start up. But this, this has him starting up—regardless of the arthritis squeezing his knees and the popcorn crackle of his back.
Chuck Wendig (Zeroes)
The only light available in the dark of the night was that given off by the fire itself, and that was hardly comforting, nor was it really illuminating, because by this time the air was so full of sand and ash that it created a fog that made the light turn back on itself, creating an eerie glow that seemed to taunt the dying and surviving alike like the open mouth of hell.  For his part, Tisdale was not at all reluctant to choose water over fire.  He continued his account: “I ran into the water, prostrated myself, and put my face in the water and threw water over my back and head. The heat was so intense that I could not keep my head out of the water for but a few seconds at a time, for the space of nearly an hour. Saw-logs in the river caught fire and burned in the water. A cow came to me, and rubbed her neck against me, and bawled most piteously. I heard men, women and children crying for help, but was utterly powerless to help anyone. What was my experience was the experience of others.
Charles River Editors (The Deadly Night of October 8, 1871: The Great Chicago Fire and the Peshtigo Fire)
Master,” she called out. “I’ve brought breakfast!”   Honus noted that she was carefully carrying a large leaf, folded to make a package. She sat on the ground close to him, and with a bit of drama, opened her makeshift bundle. When Honus saw what it contained, he shrank back in revulsion.   “Wood grubs!” said Yim. “I found a log full of them.” She picked up a finger-sized larva from the writhing mass on the leaf. Holding it by its dark round head, she placed its plump white body between her teeth. Then she bit down to burst the skin and suck its contents before discarding the head and limp body.   Honus felt the blood drain from his face.   Yim looked at him in surprise. “Haven’t you ever tasted them?” she asked. “They’re like mushrooms, only creamy.” Yim lifted another from the leaf and held it out. “Here, try one.”   As far as Honus was concerned, she might as well have been holding an adder. When he backed away, a look of amusement came to Yim’s face. “I thought Sarfs were brave.”   “That’s disgusting!” exclaimed Honus.   “No, that’s breakfast. I take it you’re not having any.” Yim placed the grub in her mouth and made quick work of it.   “How can you eat caterpillars?” asked Honus, as he backed farther away.   “They’re wood grubs,” Yim replied. “Caterpillars aren’t in season.”   Honus turned his back to Yim, but he could still hear her eat. He felt she was exaggerating the sucking sounds for his benefit. Then Yim giggled and said, “If I ever have to fight you, I’ll know how to arm myself.
Morgan Howell (A Woman Worth Ten Coppers (Shadowed Path, #1))
He had never seen dogs fight as these wolfish creatures fought, and his first experience taught him an unforgetable lesson. It is true, it was a vicarious experience, else he would not have lived to profit by it. Curly was the victim. They were camped near the log store, where she, in her friendly way, made advances to a husky dog the size of a full-grown wolf, though not half so large as she. There was no warning, only a leap in like a flash, a metallic clip of teeth, a leap out equally swift, and Curly’s face was ripped open from eye to jaw. It was the wolf manner of fighting, to strike and leap away; but there was more to it than this. Thirty or forty huskies ran to the spot and surrounded the combatants in an intent and silent circle. Buck did not comprehend that silent intentness, nor the eager way with which they were licking their chops. Curly rushed her antagonist, who struck again and leaped aside. He met her next rush with his chest, in a peculiar fashion that tumbled her off her feet. She never regained them, This was what the onlooking huskies had waited for. They closed in upon her, snarling and yelping, and she was buried, screaming with agony, beneath the bristling mass of bodies. So sudden was it, and so unexpected, that Buck was taken aback. He saw Spitz run out his scarlet tongue in a way he had of laughing; and he saw Francois, swinging an axe, spring into the mess of dogs. Three men with clubs were helping him to scatter them. It did not take long. Two minutes from the time Curly went down, the last of her assailants were clubbed off. But she lay there limp and lifeless in the bloody, trampled snow, almost literally torn to pieces, the swart half-breed standing over her and cursing horribly. The scene often came back to Buck to trouble him in his sleep. So that was the way. No fair play. Once down, that was the end of you. Well, he would see to it that he never went down. Spitz ran out his tongue and laughed again, and from that moment Buck hated him with a bitter and deathless hatred.
Jack London (The Call of the Wild)
The IWW recruited workers in most Pacific Northwest industries but focused their protests where they saw the greatest abuses – timber. The IWW confronted mill owners over wages, hours, safety and living conditions in logging camps. But what began as a typical conflict between employee and employer, evolved into a clash over a far more fundamental issue – freedom of speech. The Free Speech Fight, as it became known, spread across the region between 1909 and 1919.
David J Jepsen (Contested Boundaries: A New Pacific Northwest History)
advance notice to the person up ahead in case there is something underhand going on. You and Joe cautiously walk towards the light, not making a sound as you do so. Once you’re near enough, you stop behind a tree and peer at the man sitting by the roaring fire. He’s sitting on a log and, beside him, is a rucksack. You frown. The man seems to look familiar, and it doesn’t take long for you to realize why. You whisper to Joe. “I think this is the same man we saw earlier today, the one who met Leo!” Joe nods. “Yes, it could be, especially since that rucksack looks like the one that the lion tamer was carrying.” Suddenly, the man glances in their direction. Fortunately, he turns away a few moments later, seemingly satisfied that no one is nearby. He then reaches for the rucksack and removes something from it.
Paul Moxham (Danger in Monrovia (FREE KIDS MIDDLE GRADE MYSTERY ADVENTURE ACTION BOOK FOR CHILDREN AGES 6-15) (Choose Your Own Way 1))
I scanned the lunch crowd for date possibilities of my own, but I saw only the same faces I’d seen since elementary school, and none of them would want to go with a girl on the Dog Log. Who could blame them? I saw the neon sign again—DOG LOG, DOG LOG, DOG LOG—and felt the corners of my eyes moisten, so I blinked and blinked and then pretended I had an eyelash caught in my eye. When I finally looked up, I saw an unfamiliar head of messy brown hair by the vending machines. It was a boy I’d never seen before. Even though he was standing in the crowd, he wasn’t part of it. He was leaning against the wall, reading a book.
Erin Entrada Kelly (Blackbird Fly)
The Five Tribes not only physically displaced other Indian nations in Indian Territory; they erased the history of southern Plains people and drafted a new history of Indian Territory. For example, in 1955, the Chickasaws built their council house, a sixteen-by-twenty-five-foot log house. Here, the Chickasaws rewrote their constitution and took their first actions as a sovereign legislature, under the first Chickasaw governor, Cyrus Harris. Although the log house was quickly replaced (within the next year or so) by a brick iteration, the log house serves a particular purpose in the pantheon of Chickasaw public history. In 1911, the Wapanucka Press, an Oklahoma-based newspaper, interviewed someone (presumably a representative of the Chickasaw Nation) about the story of the log house’s origins. The paper reported, ‘Slaves of the Chickasaws toiled in the dense oak forests cutting down the finest trees and hewing them into shape…Thick undergrowth was cleared from a knoll…paths were cut from bottom meadows.’ Rough-hewn and surrounded by overgrown foliage, the log house is meant to evoke the idea that the Chickasaws encountered a ‘wilderness’ in early Indian Territory. The reader is meant to believe that, as civilizers, the Chickasaws shaped this wilderness into the modern space that it became. This idea of ‘civilization’ is based on Euro-American colonizer’ ideas of advanced societies. The Cherokee Nation alleges on its website that ‘upon earliest contact with European explorers in the 1500s, Cherokee Nation was identified as one of the most advanced among Native American tribes.’ Although the Cherokees were asserting their longevity as a people and their pride in their culture, here they use a European measurement of their merit. In the nineteenth century, the Five Tribes succeeded at crafting a perception of difference. The western Indians certainly saw them as settlers. The special agent to the Comanches reported that they were angry that tribes such as the Creeks and Choctaws ‘have extended their occupation and improvements to the country heretofore used by themselves as a hunting ground,’ expressing that they saw the Five tribes as unlawful settlers, just like whites, and themselves as the dispossessed indigenous peoples of the region.
Alaina E. Roberts (I've Been Here All the While: Black Freedom on Native Land)
was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I’m sure you will agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged on to a half-submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters who scrambled over themselves to feed on the delicacy. One of nature’s wonders, gentlemen: mother and children dining upon mother and children. And that’s when I first learned about evil. It is built in to the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett (Unseen Academicals (Discworld, #37))
Grant spent the first part of the night under a tree a few hundred yards from the river bank. His injured ankle was still aching badly, and the cold rain drenched his face and body. The general decided to limp back to the log cabin near the Landing. He reached the building in a few minutes, but found it was being used as an emergency hospital. Several doctors busily dressed wounds or sawed off arms and legs as the case called for. Wounded and delirious soldiers screamed and shrieked in their agony, while orderlies carried outside the amputated limbs. After a few minutes of this, Grant decided he preferred the rain, and he returned to the comparative sanity of his tree.
O. Edward Cunningham (Shiloh and the Western Campaign of 1862)
But the stupid orderlies, who had spent their time during the preliminary negotiations gawking at Guta washing the kitchen windows, grabbed the old man like a log when they were called in—and dropped him on the floor. Redrick went crazy. Then the jerk of a doctor volunteered an explanation of what was going on. Redrick listened for a minute or two and suddenly exploded without any warning like a hydrogen bomb. The assistant who told the story did not remember how he ended up on the street. The red devil got them all down the stairs, all five of them, and not one left under his own power. They all shot out of the foyer like cannonballs. Two ended up unconscious on the sidewalk and Redrick chased the other three for four blocks. Then he returned and bashed in all the windows on the institute car—the driver had made a run for it when he saw what was happening.
Arkady Strugatsky (Roadside Picnic)
You can geo-target a small buy. Or you can geo-target a big buy. We decided to geo-target an extremely big buy—in just one zip code: Anthony Weiner’s neighborhood. Every time Anthony opened his computer, we wanted him to see us. Every time he logged off, we wanted to be the last thing he saw. So we bought essentially all of the banner ads in Anthony’s zip code with the implicit message: If you run, this is going to happen everywhere and it’s not going to just say “Bloomberg for Mayor.” We already had “Weiner’s Naughty Hottie$” and “Weiner’s a Pucking Goof-Off” to work with. And it was still early.
Bradley Tusk (The Fixer: My Adventures Saving Startups from Death by Politics)
...passersby shouting, “hey is this the place?”; yes, this is the place; this is the place—until it isn’t; her house—until it isn’t; no water and therefore no house, no paper, no town at all, one way or the other, no matter what; but then some other town, some other house, some house elsewhere... ...on their porch; on the porch of some new house, theirs but not this, not this one at all; not this sun-drowned farm with its camel and rider sleeping side by side together beneath the roasted earth; not this house, with its puncheon log where the words were written, where they had lived once, and yes, been happy—she saw everything, she saw it all.
Téa Obreht (Inland)
I saw a log with eyes!’ ‘The log’s all right,’ said Frodo. ‘There are many in the River. But leave out the eyes!
J.R.R. Tolkien
There lived a group of monkeys on a big mango tree. One of them was very naughty and loved fiddling with things. There was construction going on in a village. The monkeys arrived there when the villagers were away for lunch. The naughty monkey saw a partly sawed log with a wedge in it. He wondered what would happen if he removed the wedge. He managed to pull out the wedge, but the gap in the log closed and the monkey’s leg was trapped. He cried in pain and managed to free his leg, but it was already severely hurt. Moral: Do not interfere in someone else’s business.
Vishnu Sharma (108 Animal Stories (Illustrated))
Beauty, she realised as her heart hammered, was not social or subjective. True beauty was catastrophic, irresistible as the rushing tides, crashing over and through all feeble attempts to say what was fair and what was not. Like the woodland vista that made the breath catch and the spirit soar, beauty was an irresistible force of nature, and to try to tell which particular branch – which particular leaf – was most appealing was to miss the forest for the trees. No single thing she saw in Lady Ceistyl was more beautiful than any other. Nor could the fey be reduced to separate features, complimented on any one part. And even were Elly to try, no words were rich enough, no paint held hues that could capture the colour Lady Ceistyl brought with her as she appeared beside the watching wolf atop the fallen log.
L. J. Amber (Song of the Wild Knight – Part One: Song of the Squire)
He did not add that he had also bucked logs, worked in a cannery and a furniture factory, robbed gas stations, rolled drunks, and lived in half a hundred arid furnished rooms, pretended the vacuum was freedom, wakened almost daily to the fear that time was a dry wind brushing away his youth and his strength, and slept through as many nightmares as there were nights to dream. He just sat and smiled at Denny and saw what time had done to him and wondered, now comfortably, why he was so bothered by time. It happens to everybody this way, he thought, we sit here and get older and die and nothing happens.
Don Carpenter (Hard Rain Falling)
Scott ejected the disc. The Club Red disc was by far the superior, which left Scott wondering what the missing disc showed. He dug out Melon’s interview with Richard Levin to make sure he had it right, and reread the handwritten note: R. Levin—deliv sec vid—2 discs— EV # H6218B Scott decided to phone Cowly. “Joyce? Hey, it’s Scott James. Hope you don’t mind. I have a question about these discs.” “Sure. What’s up?” “I was wondering why you gave me only one of the Club Red discs and not both.” Cowly was silent for a moment. “I gave you two discs.” “Yeah, you did. One from Tyler’s and one from Club Red, but there are supposed to be two from Club Red. Melon has a note here saying two discs were logged.” Cowly was silent some more. “I don’t know what to tell you. There was only the one disc from Club Red. We have the LAX stuff, the disc from Tyler’s, and the disc from Club Red.” “Melon’s note says there were two.” “I hear you. Those things were screened, you know? All we got was a confirmation of arrival and departure times. Nobody saw anything unusual.” “Why is it missing?” She sounded exasperated. “Shit happens. Things get lost, misplaced, people take stuff and forget they have it. I’ll check, okay? These things happen, Scott. Is there anything else?” “No. Thanks.” Scott felt miserable. He hung up, put away the discs, and stretched out on the couch. Maggie came over, sniffed for a spot, and lay down beside the couch. He rested his hand on her back. “You’re the only good part of this.” Thump thump.
Robert Crais (Suspect (Scott James & Maggie, #1))
It was very hard for him to admit it to himself, but having her around had brought him a strange comfort, and he had no idea why. Looking out for her made him feel better somehow. Making sure she was fed and protected against danger—that seemed to work for him, too. It was a lot of trouble, actually. If she hadn’t been around, he wouldn’t go to as much bother with meals. Three out of four nights he’d just open a can of something, but because she’d been sick and needed a hot meal he’d put his best foot forward. Plus, she needed to put on another few pounds. He had spent a lot of time wondering if searching for him, sleeping in her car and probably skipping meals had made her thin and weak. Knowing she was going to be there when he got home, pestering and bothering him, made him hurry a little bit through his work, his chores. He couldn’t figure out why—he was damn sure not going to go over all that old business about the war, about Bobby. Just thinking about that stuff put a boulder in his gut and made his head ache. And yet, he had a ridiculous fear that this phone call to her sister would result in her saying, “I have to go home now.” But there was no use worrying about it—she’s going to leave soon no matter what the sister says. It’s not as though she’d camp out in his cabin through the holidays—she had people at home. Never mind her grousing about her sister, at least she had a sister who loved her, cared about her. And what had she said when she asked for a ride to town? Just a little while longer… It was the first relationship he’d had in about four years. Old Raleigh didn’t count—that had been pure servitude. If the man hadn’t left him part of a mountain, Ian would never have suspected Raleigh was even slightly grateful for the caretaking in the last months. Ian saw people regularly—he worked for the moving company when the weather was good, had his firewood route, went places like the library, had a meal out now and then. People were nice to him, and he was cordial in return. But he never got close; there had been no relationships. No one poked at him like she did, making him smile in spite of himself. That business with the puma—her opening the outhouse door and yelling at him like that—he knew what that was about. She was afraid he’d get hurt by the cat and risked her own skin to warn him. Been a long damn time since he felt anyone really cared about him at all. Maybe that was it, he thought. Marcie thinks she cares, and it’s because I was important to Bobby. If we’d just met somehow, it wouldn’t be like this. But that didn’t matter to him right now. He liked the feeling, alien though it was. He’d be back for her in two and a half hours and while he was delivering a half a cord to some dentist in Fortuna he’d watch the time so he wouldn’t be late getting back to pick her up. And with every split log he stacked, he’d be hoping her family wouldn’t find a way to get her home right away. *
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Could it be possible?—as by the match with which Stuyvesant and I lighted our cigars, we saw my watch—ten o’clock! “Stuyvesant,” I whispered, “we are in for an adventure sure enough. I don’t know exactly where we are, but the horses are about used up, and I’m frozen.” He turned and boldly told the party our situation, trying to make it out as a jolly good joke. The ladies did not appreciate it, except little Lucy. She did not say much, but evidently thought it a most delightful experience of romantic reality. Adelaide and Mrs. Grayson were really alarmed, and I am pretty sure that as we drove on again, I heard Cousin Daisy repeating parts of Eastman’s Snow Storm: “But cold and dead by the sunken log, Are they who came from the town.” We pushed on for another half hour, which seemed a whole night time, and then pulled up before a farmhouse, in which the inmates were a long while under blankets. A rascally cur screeched and yelped at us. That, however, and our united voices calling for about ten minutes, aroused someone, for we heard a sash frostily resist lifting, and a male nightmare full voice say, “What in the devil do you want?” Stuyvesant asked for the necessary information, and we learned that we were twelve miles from our destination and four from the nearest village. The window dropped with a bang, but the word reached me, too, something like “jam,” or “slam,” or “ram.” “Ho! Halloo!” sang out Stuyvesant in alarm, “where in the mischief are you driving, Earnest? Here we are over the runners in a drift.” The fact is, I had my eyes on a dark, irregular building just ahead, and I was trying to make out if it was a poorhouse or a jail.
Philip van Doren Stern (The Civil War Christmas Album)
Hunter, I have no brothers. You are my brother. My wife is dead. My child is dead. My parents are dead. Must I lose another to the tosi tivo?” Hunter took a deep, jagged breath and slowly exhaled. “Red Buffalo, when my woman takes your hand in friendship, you are welcome in my lodge. Until then, walk a road of sorrow. It is the path you chose.” “I never chose to walk apart from you, never.” Though it took all his strength of will to do it, Hunter brushed Red Buffalo’s hand from his arm. “Walk a new way. Take a wife. You don’t have to be alone unless you wish to be.” With a slight motion of his head, Hunter directed Red Buffalo’s gaze toward the maiden who lingered on the far side of the fire, adding wood to the flames. When she glanced up and saw Red Buffalo staring at her, she blushed and grew so flustered that she dropped the logs she held in her arms. “Bright Star?” Red Buffalo whispered. Hunter walked away, leaving Red Buffalo to take it from there.
Catherine Anderson (Comanche Moon (Comanche, #1))
Looking down over the railing, Prince Nesvitsky could see the splashing low waves of the fast-moving Enns as they rippled and swirled, chasing each other and crashing against the bridge-supports. Then looking back along the bridge he saw the same kind of formless living tidal wave of soldiers, with their covered shakos,7 knapsacks, bayonets, long muskets, and beneath the shakos the broad faces and sunken cheeks of men reduced to an apathetic weariness, their legs tramping across the boards of the bridge through a thick layer of sticky mud. Sometimes amid the featureless waves of soldiers, like a fleck of white foam on the waves of the Enns, an officer in his cloak would wriggle through, his face looking quite different from those of the soldiers around him. Sometimes, like a splinter of wood borne on the current, an individual would be swirled across the bridge amid the waves of infantrymen – a hussar walking without his horse, an orderly or a civilian. Sometimes a baggage-wagon belonging to a company commander or some other officer would struggle across like a floating log, hemmed in on all sides, piled up high and draped with leather covers.
Leo Tolstoy
After your Highnesses ended the war of the Moors who reigned in Europe, and finished the war of the great city of Granada, where this present year [1492] on the 2nd January I saw the royal banners of Your Highnesses planted by force of arms on the towers of the Alhambra, which is the fortress of the said city, I saw the Moorish sultan issue from the gates of the said city, and kiss the royal hands of Your Highnesses …
Christopher Columbus (The Four Voyages: Being His Own Log-Book, Letters and Dispatches with Connecting Narratives)
1801 - August: Cane Ridge, North America (Barton Stone)   Impressed by the revivals in 1800, Barton Stone (1772-1844), a Presbyterian minister, organised similar meetings in 1801 in his area at Cane Ridge, north‑east of Lexington.  A huge crowd of around 12,500 attended in over 125 wagons including people from Ohio and Tennessee.  At that time Lexington, the largest town in Kentucky, had less than 1,800 citizens.  Presbyterian, Methodist and Baptist preachers and circuit riders formed preaching teams, speaking simultaneously in different parts of the camp grounds, all aiming for conversions.   James Finley, later a Methodist circuit rider, described it:    The noise was like the roar of Niagara.  The vast sea of human being seemed to be agitated as if by a storm.  I counted seven ministers, all preaching at one time, some on stumps, others in wagons and one standing on a tree which had, in falling, lodged against another. ...  I stepped up on a log where I could have a better view of the surging sea of humanity.  The scene that then presented itself to my mind was indescribable.  At one time I saw at least five hundred swept down in a moment as if a battery of a thousand guns had been opened upon them, and then immediately followed shrieks and shouts that rent the very heavens.
Geoff Waugh (Revival Fires: History's Mighty Revivals)
For example, in his log entry for October 12, 1492, Columbus wrote, “I warned my men to take nothing from the people without giving something in exchange”36—a passage left out by both Koning and Zinn. But Zinn’s most crucial omissions are in the passage from Columbus’s log that he quotes in the very first paragraph of his People’s History. There he uses ellipses to cover up the fact that he has left out enough of Columbus’s words to deceive his readers about what the discoverer of America actually meant. The omission right before “They would make fine servants” is particularly dishonest. Here’s the nub of what Zinn left out: “I saw some who bore marks of wounds on their bodies, and I made signs to them to ask how this came about, and they indicated to me that people came from other islands, which are near, and wished to capture them, and they defended themselves. And I believed and still believe that they come here from the mainland to take them for slaves.
Mary Grabar (Debunking Howard Zinn: Exposing the Fake History That Turned a Generation against America)
we saw them holding the metal skewers over their fire, roasting. Fine, then. We’d have a fire also. A large bonfire. Our fire would dwarf their fire. It would be magnificent. We’d brought logs from the woodpile and ancient copies of the New York Observer we’d found for kindling. Thanks to Rafe, a can of gasoline. (Marshmallows were for babies, right? Also, we didn’t have any.) Juicy had won the latest contest and brought an item to destroy, so we stacked up a glorious pile. I set his chosen object on the top of it: an antique wooden pig in a baby bonnet. With very long lashes.
Lydia Millet (A Children's Bible)
41. Among the Rewards of My Sloth . . . . . . is that the tree in our backyard that we had cut down because it was mostly dead and waiting to pierce the asphalt-shingled roof and, more urgently maybe, the neighbor’s (and always, yes, mourn a tree by my hand felled, for it is a home, dead or not) is still, about three and a half months later, sprawled in many parts of the backyard. Probably about one hundred little and not so little logs chucked in a pile out near the black walnut tree, very much alive. And a brush pile about the size of a Cadillac Escalade leaning up against the building you’d be very generous to call a garage, twisting slowly apart on its cracked foundation. Sometimes the brush pile and logs would make me feel like a piece of shit, perhaps especially when Stephanie looked wistfully out into that yard, remembering, I imagine, when she could visualize a garden there. Not to mention my mother, who, when I first got this house in Bloomington, Indiana, in a kind of terror I have to think is informed by some unspoken knowledge (black husband, brown kids in the early seventies kind of knowledge), pleaded with my brother and uncle to convince me to mow my grass lest the neighbors burn my house down. (Of which, let it be known, there was no danger in my case. Despite the Confederate flags in the windows three doors down. You should see his yard. By the way, if you haven’t seen the movie A Man Named Pearl, you should.) Anyway, I’d think, very much pervious to all of the above despite my affect to the contrary, we’ll get a splitting maul and wood chipper and turn a lot of that wood into good mulch, which turns into good soil, trying to make myself feel better about myself. But today, going out back to grab some wood for the stove, past my mess, there was a racket blasting from that thicket like the most rambunctious playground you’ve ever heard, and getting closer, looking inside, I saw maybe one hundred birds hopping around in this enormous temporary nest, sharing a song I never would’ve heard and been struck dumb with glee by had I had my shit more together.
Ross Gay (The Book of Delights: Essays)
You couldn’t know what someone else saw when logged onto Facebook, what shaped their reality. Some people were selling illegal drugs; some people were getting radicalized by the Islamic State; some people were not people at all, but bots trying to manipulate public conversations. Only Facebook had the power to understand and police it all—and they weren’t. And yet, there was not much legislators could do.
Sarah Frier (No Filter: The inside story of Instagram)
The old-fashioned southern woman was my favorite client. When I saw her name on my log this morning, I’d cleared the rest of my appointments. It had more to do with how she treated me than the extra money I always earned doing the odd tasks she conveniently thought up while I was doing my normal job.
Niki Embers (Love Like Crazy: Jesse's Story (Crazy Love Series Book 1))
He stood and walked to her. Beside her a bucket stood on the sand, filled with the little silver fish from the previous night. She gestured at the bucket, offering him some of the fish, and he saw that her hand was a thick mass of shiny dark brown, her fingers long tubes of lighter hollow brown, with bulbs at their ends. Like tubes of seaweed. And her coat was a brown frond of kelp, and her face a wrinkled brown bulb, popped by the slit of her mouth; and her eyes were polyps, smooth and wet. An animated bundle of seaweed. He knew this was wrong, but there she sat, and the sun was bright and it was hard to think. Many things inside his head has broken or gone away. He felt no particular emotion. He sat on the sand beside her fishing pole, trying to think. There was a thick tendril that fell from her lower back to her driftwood log, attaching her to it. He found he was puzzled. „Were you here lat night?” he croaked. The old woman cackled. „A wild one. The stars fell and the fish tried to become birds again. Spring.
Kim Stanley Robinson (A Short, Sharp Shock)
We tramped over, and as we stepped from the thick trees, we all stopped and stared. Then Corey raced forward, arms raised. “It’s a road. Oh my God. A road!” He dropped to his knees by the roadside. “Oww.” Daniel helped him back to his feet. “The knee is good,” I said. “But the knee is not completely healed. Be careful.” “It’s a road,” Corey said, pointing. “A dirt road,” Hayley muttered. “So? We’ve been slogging through the forest for two days. What do you want? A six-lane highway?” “That’d be nice.” “Yeah, until you raced out, screaming for help, and got mowed down by a logging truck.” He walked into the middle and turned, waving his arms. “It’s a road!” I patted his back. “It’s a lovely road. Now, which way do we go?” Corey looked one way, the brown ribbon extending into emptiness. He looked the other way, saw the same thing and his shoulders slumped. “Damn.
Kelley Armstrong (The Calling (Darkness Rising, #2))
Jewel and I come up from the field, following the path in single file. Although I am fifteen feet ahead of him, anyone watching us from the cottonhouse can see Jewel’s frayed and broken straw hat a full head above my own. The path runs straight as a plumb-line, worn smooth by feet and baked brick-hard by July, between the green rows of laidby cotton, to the cottonhouse in the center of the field, where it turns and circles the cottonhouse at four soft right angles and goes on across the field again, worn so by feet in fading precision. The cottonhouse is of rough logs, from between which the chinking has long fallen. Square, with a broken roof set at a single pitch, it leans in empty and shimmering dilapidation in the sunlight, a single broad window in two opposite walls giving onto the approaches of the path. When we reach it I turn and follow the path which circles the house. Jewel, fifteen feet behind me, looking straight ahead, steps in a single stride through the window. Still staring straight ahead, his pale eyes like wood set into his wooden face, he crosses the floor in four strides with the rigid gravity of a cigar store Indian dressed in patched overalls and endued with life from the hips down, and steps in a single stride through the opposite window and into the path again just as I come around the corner. In single file and five feet apart and Jewel now in front, we go on up the path toward the foot of the bluff. Tull’s wagon stands beside the spring, hitched to the rail, the reins wrapped about the seat stanchion. In the wagon bed are two chairs. Jewel stops at the spring and takes the gourd from the willow branch and drinks. I pass him and mount the path, beginning to hear Cash’s saw. When I reach the top he has quit sawing. Standing in a litter of chips, he is fitting two of the boards together. Between the shadow spaces they are yellow as gold, like soft gold, bearing on their flanks in smooth undulations the marks of the adze blade: a good carpenter, Cash is. He holds the two planks on the trestle, fitted along the edges in a quarter of the finished box. He kneels and squints along the edge of them, then he lowers them and takes up the adze. A good carpenter. Addie Bundren could not want a better one, a better box to lie in. It will give her confidence and comfort. I go on to the house, followed by the                                     Chuck.   Chuck.   Chuck.of the adze.
William Faulkner (As I Lay Dying)
Nellie the horse and her trips to town, or a cow named Molly Blue, or the Indian who came out of the woods. I wish you could have known Arleta’s grandma, Mabel. You would have loved her. She was born well over one hundred years ago on a little farm in Michigan. What a long, long time ago! Is it hard to imagine anyone that old ever being a little girl? But of course she was, and she remembered very well. Arleta never saw the little log house where Grandma Mabel was born, but she could imagine how it looked. It had one big room that was warmed by a fireplace and a big cookstove. Her brothers slept in a loft overhead, and Mabel slept in a trundle bed beside her parents’ bed. (A trundle bed is a little cot that slides under a bigger bed during the day.) The cabin sat in a small clearing in the woods, and even though there were no neighbors close by, the family felt safe and protected in its little home. By the time Mabel was ready to go to school, the log cabin had been replaced by the big farmhouse that still stood two generations later when Arleta was a little girl. Arleta’s trips to Grandma Mabel’s old home were so much fun. She explored from the attic to the root cellar, from the barn to the meadow brook. Everywhere she looked, she found a story! The attic was dusty and creaky, but what marvelous things it contained: a funny-looking wire thing that turned out to be something to wear, the button basket—a
Arleta Richardson (In Grandma's Attic (Grandma's Attic, #1))
To take a different example, whether it is less costly for loggers to use a chain saw or handsaw depends on the price of the chain saw and the handsaw, the amount of labor required with each, and the wages of different kinds of labor. The enterprise doing the logging has an incentive to acquire the relevant technical knowledge and to combine it with the information transmitted by prices in order to minimize costs.
Milton Friedman (Free to Choose: A Personal Statement)
I saw in the logs that you’ve ordered engineering crews to modify the HADES IV missiles.
Ken Lozito (Nemesis (First Colony, #2))
This period saw the establishment of the first Swedish colony in America. On March 1, 1638, a large party of Swedes, who had crossed the ocean under the command of the celebrated Peter Minuit, took possession of land on the banks of the Delaware River. They called their settlement (on the site that later became Wilmington) Fort Christina, after their royal princess, and the colony which they were founding New Sweden. The first Lutheran congregation in America was established here by the Reverend Reorus Porkillus and five years later, the colonists from Delaware pushed into what is now Pennsylvania, where they founded the settlement of Upland, on the site where Chester now stands. Among the gifts these first Swedish colonists brought to America were the log cabin and the steam bath. The new colony, which never numbered more than 200 Swedes, did not long survive. In 1655, it was attacked and captured by the Dutch, who incorporated New Sweden into what was then New Netherland.
Ewan Butler (Scandinavia: A History)
A newspaper, the first that had appeared, “The Rocky Mountain News,” was started whilst I was in Denver. The first number was full of scathing articles against the gamblers and blacklegs generally: in fact, the paper was run in the interest of the Vigilance Committee and law and order. The composing offices were in a log shanty, and the printers had to set the type with their six-shooters and double-barrelled guns lying on the benches beside them. I saw three of these men killed whilst they were peacefully carrying on their work. The editor’s name was Byers, and I knew him well. He never showed outside his door whilst these articles were appearing. The rowdies were always on the lookout for him, and directly he made any movement to leave his house half a dozen bullets would bury themselves in the woodwork. He stood this state of siege until the Vigilance Committee succeeded in clearing out the gang, when he became a great man in the town, very wealthy, and a State senator.
John Nelson (Fifty Years On The Trail: The True Story of John Y. Nelson, Frontiersman, Scout, and Guide)