Saving Private Ryan Quotes

We've searched our database for all the quotes and captions related to Saving Private Ryan. Here they are! All 13 of them:

She ripped the wild bun down from the crown of her head, and then brushed her long hair with her fingers. I couldn’t stop staring while she rewrapped it and tied it back again. I imagined that this was what she looked like in the morning, and then had to think about the first ten minutes of Saving Private Ryan to keep my dick from getting hard.
Jamie McGuire (Walking Disaster (Beautiful, #2))
The more men I kill, the more far away from home I feel -- Saving Private Ryan
Tom Hanks
Zigzag... don't bunch up. Weave like a drunk on New Year's... Got it?
Max Allan Collins (Saving Private Ryan)
Apparently while my squad and I were on our way here, skipping through the French countryside, picking daisies, having picnics, and laying farmer's daughters, the Army must have turned into a democracy.
Robert Rodat (Saving Private Ryan)
Sometimes I wonder if I've changed so much, my wife is even gonna recognize me whenever it is I get back to her, and how I'll ever be able to, tell about days like today. Ahh, Ryan. I don't know anything about Ryan, I don't care. The man means nothing to me; he's just a name. But if, you know, if going to Rem"al, and finding him so he can go home, if that earns me the right to get back to my wife, well then, then that's my mission.
Max Allan Collins
Hollywood has colored our view of sharpshooters. We imagine them as militarized serial killers; at best they’re the odd man out on a squad of regular guys, the one described as having ice water in his veins—see Barry Pepper’s Scripture-quoting sniper in Steven Spielberg’s Saving Private Ryan. And the idea persists that killing from a distance, from hidden nests, is somehow dishonorable or unfair . . . but skilled marksmen have been used by every army since the invention of firearms (and before that the bow and arrow: think of the English archers bringing down French knights at Agincourt, or Robin Hood’s Merry Men downing royal soldiers from hidden forest hideouts!). The use of snipers isn’t a violation of the Geneva Convention, but the stereotype persists: snipers are cold-blooded, remote, pitiless. As Eleanor Roosevelt said when meeting Lyudmila Pavlichenko: If you have a good view of the faces of your enemies through your sights and still fire to kill, how can ordinary people approve of you?
Kate Quinn (The Diamond Eye)
Absurdly, dead fish by the hundreds were washing ashore, their peaceful world disrupted by man's squabble.
Max Allan Collins (Saving Private Ryan)
But my point applies to a broader audience. Indulge me in one more thought experiment, a familiar one: You will be stranded on a desert island, and you can take just 10 books and 10 music CDs. What do you choose? My prediction is that even people who don’t listen to classical music regularly will take Bach, Mozart, and Beethoven. Even people who haven’t picked up Shakespeare in years will take the collected works of Shakespeare. When we want something we can go back to again and again, we choose the same giants that the experts choose. My proposition about the literature, music, and visual arts of the last half century is that hardly any of it has enough substance to satisfy, over time. The post-1950 West has unquestionably produced some wonderful entertainments, and I do not mean wonderful slightingly. The Simpsons is wickedly smart, Saving Private Ryan is gripping, Groundhog Day is a brilliant moral fable. The West’s popular culture is for my money the only contemporary culture worth patronizing, with its best stories more compelling and revealing than the ones written by authors who purport to write serious novels, and its best popular music with more energy and charm than anything the academic composers turn out. It is a mixed bag, with the irredeemably vulgar side by side, sometimes intermingled, with the wittiest and most thoughtful work. But the quality is often first-rate—as well it might be. The people producing the best work include some who in another age could have been a Caravaggio or Brahms or Racine, and perhaps dozens of others good enough to have made their way onto the roster of significant figures. Why not be satisfied with wonderful entertainments?
Charles Murray (Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences, 800 B.C. to 1950)
I’m the kind of patriot whom people on the Acela corridor laugh at. I choke up when I hear Lee Greenwood’s cheesy anthem “Proud to Be an American.” When I was sixteen, I vowed that every time I met a veteran, I would go out of my way to shake his or her hand, even if I had to awkwardly interject to do so. To this day, I refuse to watch Saving Private Ryan around anyone but my closest friends, because I can’t stop from crying during the final scene. Mamaw and Papaw taught me that we live in the best and greatest country on earth. This fact gave meaning to my childhood. Whenever times were tough—when I felt overwhelmed by the drama and the tumult of my youth—I knew that better days were ahead because I lived in a country that allowed me to make the good choices that others hadn’t. When I think today about my life and how genuinely incredible it is—a gorgeous, kind, brilliant life partner; the financial security that I dreamed about as a child; great friends and exciting new experiences—I feel overwhelming appreciation for these United States. I know it’s corny, but it’s the way I feel. If Mamaw’s second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to their neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters—about one-third—believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure—which means that a majority of white conservatives aren’t certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor—which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up: His accent—clean, perfect, neutral—is foreign; his credentials are so impressive that they’re frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right—adversity familiar to many of us—but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we’re not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren’t. He wears suits to his job while we wear overalls, if we’re lucky enough to have a job at all. His wife tells us that we shouldn’t be feeding our children certain foods, and we hate her for it—not because we think she’s wrong but because we know she’s right.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
It couldn’t have been that bad that he had to hurt you, Leo.” “Oh no, it was bad. It was the fucking first twenty minutes of Saving Private Ryan bad, Jax.” Day paced as he listened to his brother go on about God accepting responsibility for his own actions. “Jax, don’t get me wrong, I’m highly pissed off with my partner. I’m pissed off to the highest of pisstivity. But I still have to know that he’s okay. That crazy brother of his really landed some hard blows on him and God didn’t fight back at all.” “Because it’s his baby brother. That I do get,” Jax said softly. “But I can’t check on him, Leo, because believe me, there is nothing here to clue me in on where he may have went.” Jax paused before speaking again. “I must say I’m curious how he got all that heavy furniture out of here if he was in as bad a shape as you say.” “Well, that wouldn’t be too hard to do. A lot of people owe God favors—both of us actually. If God called someone for help, they’d drop everything and come to help.” Day took a deep breath. “The same as I would if he had called me.” Day’s voice was strained from the hurt in his chest and he had no doubt that Jax was picking up on it. “That asshole,” Jax snapped. “Whoa, big brother. Don’t go cursing away your do-gooder image. You know you’re not a vulgar-language type of person…leave that for us heathens.” Day laughed humorlessly. Day heard his brother laugh an irritated chuckle at him for trying to lighten the situation. “Fine. But, after he apologizes numerous times, I’m going to give him a piece of my mind,” Jax said. Day did smile that time. He had no doubt his brother would do just that.
A.E. Via
What were you arguing about?” When Jack simply shrugged, Parker let out a groan. “For fuck’s sake, you two agreed to a ceasefire. I even made you sign that agreement never to discuss it!” Jack’s sputtered defense was one Parker had heard too many times before. “I’m sorry, but it’s bullshit! Saving Private Ryan is an epic movie, and one of these days that asshole is gonna have to admit it. I refuse to hear a bad word about—” “I don’t want to hear it. I swear, I had
Anonymous
World War II defined a generation. Howard Mansfield’s book I Will Tell No War Stories tells a moving personal and family story, and, in doing so, tells the story of that generation and of America itself. This is a wonderful book. — Robert Rodat, screenwriter, Saving Private Ryan
Howard Mansfield (I Will Tell No War Stories: What Our Fathers Left Unsaid about World War II)
Saving Private Ryan (1998) Directed By: Steven Spielberg Starring: Tom Hanks, Tom Sizemore
Jamerson INC (100 Movies To See Before You Die!)