Satin Fabric Quotes

We've searched our database for all the quotes and captions related to Satin Fabric. Here they are! All 27 of them:

The most confident of women are those who believe in every scrap of fabric they wear. They are the ones who are as happy wih their drawers as they are with their gowns. You can tell the difference between a woman who wraps herself in beautiful silks and satins and she who wears...otherwise.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
His thumb went back and forth over the satin, as if he were rubbing her hip as he had when they’d been together, and he moved his leg over so that it was on top of the skirting. It wasn’t the same, though. There was no body underneath, and the fabric smelled like lemons, not her skin. And he was, after all, alone in this room that was not theirs. “God, I miss you,” he said in a voice that cracked. “Every night. Every day…
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
Of course," Tom said softly, "you could leave in your wedding dress, and go with me straight to the railway carriage... where I could help you remove it." A quicksilver shiver chased through her. "Would you prefer that?" His palm smoothed over the satin of her upper sleeve, and then he rubbed an edge of the fabric gently between his thumb and forefinger. "As a man who likes to unwrap his own presents... yes.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Susannah Buxton, costume designer: This dress (above) was made of original beading so delicate that it couldn't be worn again. The red dress (right) is made from a turn-of-the-century Spanish evening dress. We sourced beautiful silk chiffon and had it pleated for the cap sleeves and bands across the front. We built layers for the final effect, with embroidered lace laid over the deep-red satin under-dress. We used evening gloves from the costume house selection, which are "dipped down" - that is, run through with dyes to take the brightness out of the fabric.
Jessica Fellowes (The World of Downton Abbey)
The rough fabric of my cotton nightgown chafes so I lie very still. Once, during a training exercise, they gave me a satin blouse in place of my coarse uniform. For a few moments, I was completely her—eighteen-year-old Raven Rogen, my Authentic—down to the fabric. The slippery material felt like cool fingertips on a hot day. All I could think was: She wears clothes like this every single day. I
Heather Hildenbrand (Imitation (Clone Chronicles #1))
I never did understand the prospect of spending coin for pleasure, but my sister loved to shop. She ran her fingers lovingly over the fabrics on sale: silks and velvets and satins imported from England, Italy, and even the Far East. She buried her nose in bouquets of dried lavender and rosemary, and closed her eyes as she savored the tart taste of mustard on the doughy pretzel she had bought. Such sensuous enjoyment.
S. Jae-Jones (Wintersong (Wintersong, #1))
Penny smoothed her gloved hands along the sheer silk netting that overlaid an underdress of ivory satin. The gauzy fabric was patterned with tiny pink roses connected by curling tendrils of green. The cap sleeves were fashioned from satin petals layered over creamy lace. A wide band of green velvet cinched her waist, and the daring neckline revealed the perfect amount of cleavage. "Emma works miracles," she said. "The beauty is all in the wearer," Emma said graciously.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Possibly nobody ever talked like that in real life, it was all a fabrication from the beginning. Still, it’s amazing how easily it comes back to mind, this corny and falsely gay sexual banter. I can see now what it’s for, what it was always for: to keep the core of yourself out of reach, enclosed, protected. I’m sad now, the way we’re talking is infinitely sad: faded music, faded paper flowers, worn satin, an echo of an echo. All gone away, no longer possible. Without warning I begin to cry.
Margaret Atwood (The Handmaid's Tale)
As for my clothes, they suit the life I lead. The current fashions are impractical for an active person. Skirts so tight one must toddle like an infant, bodices boned so firmly it is impossible to draw a deep breath…And bustles! Of all the idiotic contrivances foisted upon helpless womankind, the bustle is certainly the worst. I wear them, since it is impossible to have a gown made without them, but at least I can insist on sensible dark fabrics and a minimum of ornament. What a fool I should look in puffs and frills and crimson satin—or a gown trimmed with dead birds, like one I saw!
Elizabeth Peters (Crocodile on the Sandbank (Amelia Peabody, #1))
Liam was wrenched out of sleep the next morning by Kim banging on the attic door and shouting his name. His instincts had him on his feet and wrenching open the door before his brain even knew he was awake. He found Kim in the hall, her eyes blazing, in a big black T-shirt with a Guinness logo on it. Kim had obviously slept in the rumpled T-shirt, which she must have found in Liam’s dresser drawer. Liam knew she’d be warm and very naked beneath it, and then he realized he was naked himself, prepared to shift. One part of him was shifting already. “Gods, Kim, why are you out here yelling like a banshee?” Kim held up a small bit of satin fabric, her eyes wide with fury. “Who packed this? It was a man, wasn’t it?” “Probably. Why?” She shook the red satin patch. “This is a thong. Have you ever worn a thong? Do you know how it feels to have a string up your ass all day?” Liam sensed the rest of his family listening: Connor sitting up in bed behind him, Sean in the hall below, Dylan behind him in the same clothes he’d worn last night, which meant he’d slept next door. “What’s wrong with a thong?” Liam asked her. “I bet it’s sexy on you.” He pictured it, and immediately clamped down on his imagination. Gods. “Oh, right,” Kim said. “I’m standing in a courtroom, trying to think on my feet while the prosecution is laughing its butt off at me, but that’s all right— at least my underwear is sexy.
Jennifer Ashley (Pride Mates (Shifters Unbound, #1))
In order to conform to the current Empire style in fashion, the modiste had raised the waistline so that it fell just beneath Esme's small rounded breasts. Mrs. Benson had embellished further by adding a slender grosgrain ribbon there that matched the exact shade of tiny embroidered golden flowers scattered over the gown's ivory satin. Next she had shortened the sleeves so they were now small puffed caps edged against the arms with more narrow golden ribbon. As for the long length of material that had once run from shoulder to heel, she'd removed it and used the excess fabric to create a sweeping train that ended in a spectacular half circle that trailed after Esme as she walked. The entire hem was further enlivened by small appliquéd white lace rosettes, whose effect was nothing short of ethereal. On her feet, Esme wore a soft pair of ivory satin slippers with gold and diamond buckles that had been a last-minute gift from Mallory and Adam. On her hands were long white silk gloves that ended just above her elbows; her lustrous dark hair was pinned and styled in an elaborate upsweep with a few soft curls left to brush in dainty wisps against her forehead and cheeks. Carefully draped over head was a waist-length veil of the finest Brussels lace, which had been another present, this one from Claire, and in her hands she held creamy pink hothouse roses and crisp green holly leaves banded together inside a wide white satin ribbon.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him.
Marcel Proust (Jean Santeuil)
The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Take your cloak off,” she said quickly. “Trying to undress me?” Falco asked. He slid out of his cloak and looked questioningly at Cass. “Hold it up,” she ordered. She adjusted his hands so that the cloak shielded her, and fumbled to undo the bindings around her chest. She began to sweat as she unknotted the laces; in the dark, images of Agnese and Luca floated in front of her, their faces cold with disapproval. “You all right in there?” Falco asked. “You’re thrashing about like you’re performing a self-exorcism.” Cass emerged a minute later, red faced but triumphant. She waved her ivory-colored stays above her head. “Now,” she said, “I can breathe.” Falco plucked the fabric from her hand. He fingered it and feigned surprise. “Good Lord. What is this thing made of?” he asked. “Steel?” “Whalebone.” Cass clasped a hand over her mouth to stifle a yelp as Falco tossed her stays over the edge of the Rialto Bridge. “Consider yourself liberated,” he said. “Do you feel better?” Cass couldn’t respond. She couldn’t describe it, the way it felt to be able to inhale and exhale completely, like for once she was using all of her lungs. Her satin chemise curled and folded against her bare chest, giving her the sensation of being both cold and hot at the same time. Falco touched his forehead to hers again. His nose brushed against the side of her cheek. Cass’s heart sped up. But this time, he didn’t try to kiss her. He just held her in the dark, his mouth so close to hers that their breath mingled together like mist off the canals.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Did I interrupt something? A sordid little tryst, perhaps?” “You must be joking.” Cass was in no mood for humor. Besides, the closest she’d ever been to a tryst was when he’d fallen on top of her in the street earlier that day. “Always. Sadly, you don’t seem like the type of girl who would be up for a midnight…encounter.” Falco’s eyes drifted downward. “Too bad.” Cass realized her cloak had fallen open, exposing the white nightgown she wore underneath. She pulled the velvet fabric tight around her body. Then the shrubbery rippled once more with unfamiliar movement. Cass’s heart froze. “We should get out of here,” she said. “It’s not safe.” “Not safe?” Falco raised an eyebrow. “Why? Because it’s dark and you might accidentally trip over your own two feet? I feel quite safe. In fact, I was just settling in to do some reading.” Cass furrowed her brow. “Reading?” Falco wagged her journal in front of her. “This is yours, I presume.” A slow smile spread across his face. “Let’s find out exactly what you’ve been doing, shall we?” “Give it back!” Cass reached for the journal, but Falco easily dodged her. He opened the leather-bound book to a random page and cleared his throat. Clutching a hand to his chest, he pretended to read aloud in a high-pitched voice. “Oh, how I love the way his fingers explore my soft flesh. The way his eyes see into my very soul.” This time, Cass managed to snatch the book out of his hands. “That is not what it says.” “I guess that means you won’t be keeping me warm tonight?” Falco quirked an eyebrow. Before she could muster up a response, he laughed. “Then again, the accommodations probably wouldn’t meet your standards. You’ve probably never slept on anything but the finest satins, have you?” Cass hoped the darkness camouflaged her scarlet cheeks. Who was this boy to talk to her the way he did? “Is that why you’re here? Looking for a date?” Cass gestured toward a row of pointed headstones. “I do believe you’re in luck. I see some ladies who won’t be able to refuse you.” The words flew out of her mouth before she could rethink them. “Funny. And correct. Sort of. I was actually just looking for a place to get a little rest.” For a second, the smile dropped from his face, and an expression passed across it that Cass couldn’t identify. “Sleep in a graveyard?” Cass frowned. “You can’t be serious.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I don’t care what he thinks—I don’t care what you think. My sins are clear enough to me. I have my own commandments. Thou shalt not break the heart of the one you love (though you could argue I learned that a little too late for it to be useful). Thou shalt not diminish thy life for fear of the wrath of men. Thou shalt not curb thy tongue. And, of course, thou shalt never wear satin in the rain if thou can help it—ruins the fabric.
Kelly Gardiner (Goddess)
You think I would take a wild lily and trim it to appear an English rose? You shall meet the ton as a bright Italian star." Callie couldn't help but chuckle. "Capital. Shall we choose some fabrics?" The words sent the cluster of women around them into a flurry, rolling out yards of muslins and satins, jaconet and crepe, velvet and gros de Naples in every imaginable color and pattern. "Which do you like?" Callie asked. Juliana turned her attention to the pile of fabrics, a bemused smile on her face. Mariana approached and locked their arms together. Leaning close, she said, "I adore that mulberry crepe. It would go beautifully with your hair." Turning to Callie she said, "And you, sister?" Callie cocked her head in the direction of a willow green satin, and said, "If you don't leave here with an evening dress in satin, I shall be very disappointed." Juliana laughed. "Well, then I shall have to have it! And I do like that rose muslin." Madame Hebert lifted the bolt and passed it to a seamstress. "Excellent choice, signorina. May I suggest the gold satin as well? For evening, of course.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
I love a lounging pajama." You also love a marabou mule slipper and a satin robe with a train. "It is elegant." It is insane. "It is sophisticated." Sure, if you're Nora Charles. It isn't 1940. "Yeah, but look at yourself." I look in the mirror. The silk and cashmere blend fabric has just the right amount of drape to conceal the lumpier parts of me without clinging, but enough weight to seem more substantial than sleepwear. The color is somewhere halfway between cream and ballerina pink, a color I would never pick, but is a lovely counterpoint to my pale skin and dark hair. All in all, I look fairly adorable for this hour, certainly good enough to warrant a little morning attention. "Told you so." Yeah, yeah. "Didn't I give you a matching robe for that?" Don't push it. "I'm just saying." Fine. I grab the matching robe. It has a wide band of gathered elastic in the back that hits right above my tush, giving me shape, even though the robe isn't tied. Made of the same fabric as the pajamas, it doesn't add bulk the way most robes do, but instead almost serves as the same elegant look a long trench provides. "HA!" You are such a bad gloater. "Too bad. You look utterly shaggable.' Well I hope so, since I'm pretty sure Brian doesn't think he is coming over for an actual meeting.
Stacey Ballis (Out to Lunch)
Aren’t the embroideries beautiful? I was inspired by a Chinese Ming dynasty Qípáo when I designed this ensemble.” Before he could continue, I said, “My mother wore qípáos at formal functions. She has a cheongsam with a thousand brocade butterflies embroidered on a red satin fabric.
Young (Unbridled (A Harem Boy's Saga, #2))
He smirks when he reaches my underwear. I smile when he slides a hand over the satin fabric. “It was laundry day.” He removes the rest of the dress, and neither one of us moves. “I’ve wasted more study time than I’d like to admit wondering if you were wearing anything or not.” “That's funny,” I say. “I fantasized about stabbing you in the eye with your pen.” His touch halts. “Wait, what?” I laugh. “You don't want to know.” He
Rachel Schneider (Taking Mine (Breaking Habits #1))
Remember what I told you, Nerissa.  Spare no expense when it comes to dressing her.  I want her out of those hideous colors and fabrics she's in now, and into something that will show her coloring to greatest advantage." "Silks, satins, velvets?" "Yes, and the finest, most expensive ones Madame has."  Lucien's enigmatic black eyes had gleamed with sly delight before he'd turned away and, his forefinger tapping his lips once, twice, continued on.  "And dramatic colors only — no pastels for that girl, no more washed out yellows and wretched browns that only make her look sallow and ill.  She's no English rose and shouldn't be dressed like one.  No, I want her in blazing scarlet, brilliant turquoise, emerald green, magenta — loud, startling hues that will flatter her exotic coloring and make every man at the ball unable to take his eyes off her."  He'd given a dangerous little smile.  "Especially Charles . . ." Nerissa had returned his grin.  "Especially Charles." "Just take care, my dear, that he does not learn of the purchases you'll make for the girl at Madame Perrot's.  Let him think the shopping trip is for you, and that Amy is along as . . . as training to be a lady's maid.  Ah, yes.  That will throw him off the scent quite nicely, I think — as well as make him seriously begin to question, if he has not already, whether he wants her to be a lady's maid or his lady."  He had grinned then, as delighted with his machinations as he must've been when he'd brought Gareth and Juliet together.  "It is imperative that he is, shall we say, pleasantly surprised when he sees his little friend at Friday night's ball . . ." Even
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Cyra, the phoenix, who’d finally regained the ability to assume a human form, stood at the front in a deep red satin dress flowing over a slightly pudgy body that caught the fabric in some of her belly folds. She was clearly not interested in Spanx. I was glad for it. She was a badass who’d nearly taken Austin down. I was glad she wasn’t forcing herself to be uncomfortable in order to fit a certain body mold. I’d always hated Spanx.
K.F. Breene (Magical Midlife Love (Leveling Up, #4))
To her mind, the owner of a spite house should spend her days reclining upon a sleek settee. One upholstered in satin, or possibly velvet brocade. Whichever fabric most clearly told observers I am a woman of both ineffable power and ineffable pettiness, and thus bought a fancy elongated chair-thing.
Olivia Dade (At First Spite (Harlot's Bay #1))
An especially smooth type of Chinese silk also became popular in Europe. Shiploads of the stuff left from a Chinese port that Arab traders called Zaytun, which sounded to British ears like “satin,” so that’s what they called the fabric that came from there.
Jacob Goldstein (Money: The True Story of a Made-Up Thing)
For long seconds, neither of them moved. The only sound in the forest was the wind luffing through the trees, their labored breathing, and the soft thud of their heartbeats. Then Call muttered something beneath his breath. Gathering his long limbs, he lifted himself away from her and regained his feet. His shaft was still hard, big and thick and jutting forward through his open fly as if they hadn’t just made wildly passionate love. Call rid himself of the condom, zipped his faded jeans, and turned to find her groping for her sweater, pulling it on to cover her naked breasts. Swearing, he reached down and snatched up her jeans and pink satin panties, which were tangled together and refused to come apart. “Here.” She blushed as he unwound the fabric, handing her first the panties, then the jeans, which she hurriedly pulled on. She didn’t look at him. Her cheeks were hot and her lacy pink bra still lay embarrassingly on the ground. She snatched it up and stuffed it into the pocket of her jeans. Charity swallowed, made herself turn and face him, tried to muster some sort of smile. “I…um…I don’t suppose we can blame this on your relief at finding me alive and safe.” He shook his head, his eyes still fixed on her face. “I don’t think so.” “Just lust then, I suppose.” He shrugged those wide shoulders and she wished he would put his shirt back on so she didn’t have to remember all that smooth muscle moving beneath her hands. “So it’s just a one-night stand.” His head came up. Eyes as blue as the sky bored into her. “In case you haven’t noticed, the sun is still up.” “The sun is always up in this place. What does that have to do with anything?” He pulled on his shirt and she suddenly wished he were bare-chested again. “It has to do with the fact that the night hasn’t even begun.” Her eyebrows shot up. “You’re not…you’re not saying what I think you are.” “I’m saying exactly what you think I am. If you believe what just happened is anything besides a warm-up, sugar, you had better think again. If I wasn’t worried that Maude might sent the Mounties up here to find us if we don’t get back soon, we’d start over again right here.” “B-but you said…we both said--” “I know exactly what we said. It’s a little late to be worrying about that now.” He looked at her and his deep voice softened. “Besides, I never really believed one night with you would be enough.” Relief trickled through her. Whatever was happening between them, it wasn’t over yet. She gave him a reluctant smile. “I never believed it either.” “Come on.” Call reached out and caught her hand. “It’s Friday. We’ve got the whole weekend ahead of us. Maybe by Monday, we’ll have had enough of each other.” “Maybe,” she said. But Charity didn’t really believe it and from the burning glance Call gave her, she didn’t think he did either.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
I tried to imagine her in my grandfather’s clothes. Everything about her was feminine and tailored and perfect. Everything about her felt the opposite of me. I could imagine me in my grandfather’s clothes. But not her. I wanted you. I wanted you growing in my body, I wanted you in my arms, I wanted you over my shoulder— She got quiet. And then the wanting was gone, wasn’t it? She shook her head. More time passed before she spoke again. It wasn’t gone. Just different. You’re going to learn this. I mean, I hope you learn this. Love changes and changes. Then it changes again. Today, the love is me wanting to see you in that dress, she said. I want to see me in you because Me in that dress was over a long time ago. Sixteen was gone. Then seventeen, eighteen—all of it. I pulled the dress closer to me—lace over silk and satin, tea length, mandarin collared. A tailor had cinched the waist and let out the hips. He’d lifted the hem to see if there was extra fabric there to lengthen it. When there was only just enough, he used satin binding over the raw edge to squeeze the last of the length from it. My grandmother was so proud of his work. As I stood in his shop turning for the two of them, the tailor nodded approvingly and my grandmother dabbed at her eyes.
Jacqueline Woodson (Red at the Bone)