Sarah Connor Quotes

We've searched our database for all the quotes and captions related to Sarah Connor. Here they are! All 31 of them:

Just so we're clear. You've been claimed, that kiss was my brand, and now you're mine." - Mason Connor
Sarah Curtis (Pursuing (Alluring, #3))
Message me when you're home safe' -- Connor 'I'm home' -- Bryce
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
[Connor, prepared to sacrifice himself to save Sarah] God, I pray, give me the strength to live the next hour well.
Pamela Clare (Defiant (MacKinnon's Rangers, #3))
That right there, Katie, is proof to me that he’ll make you happy. And that is what I want most for you.” “You are a good man, Tavish O’Connor.
Sarah M. Eden (Hope Springs (Longing for Home, #2))
I fell in love with a brown-eyed angel in the middle of a football field, and I hadn't even talked to her yet. All it took was her laugh." - Mason Connor
Sarah Curtis (Pursuing (Alluring, #3))
Patience is a virtue Savannah, to tolerate delay. It implies self control and forbearance, as opposed to wanting what we want when we want it. Something to think about. . . Catherine Weaver (Character), "Terminator: The Sarah Connor Chronicles
Catherine Weaver
A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.” “Like in Terminator, when Reese saves Sarah Connor from the Terminator and he says, ‘Come with me if you want to live.’ Freaking amazing line.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Know thyself and thou shall know all the mysteries of the gods and the universe.
Various
I can't decide what I love more. The sight of you with your lips so close to my cock or you looking up at me with laughter in your eyes."- Mason Connor
Sarah Curtis (Pursuing (Alluring, #3))
The last thing in the world I want to do is hurt you. I just want to spend the rest of my life loving you." - Mason Connor
Sarah Curtis (Pursuing (Alluring, #3))
Do you feel that? Feel me wrapped around you, holding you tight. That's me, holding on, not letting you go. And I'm going to keep holding on, so when you do fall, I'll be there to cushion the blow. And I promise you, Angel, you won't even feel the landing." - Mason Connor
Sarah Curtis (Pursuing (Alluring, #3))
Though his countenance was solemn, there was a glint of amusement in his eyes. "Major MacKinnon, won't you join us?" "But, my lord, he is clad in outlawed rebel attire. The Dress Act expressly forbids--" "I am not blind, Colonel, and I am familiar with our laws." Sarah fought back a smile. Colonel Haviland lowered his voice, leaned toward Uncle William. "He was invited to pay respects to your niece, my lord, and he has the gall to--" "I _am_ payin' my respects to the lass!" Connor's deep voice filled the room, cutting Colonel Haviland off altogether.
Pamela Clare (Defiant (MacKinnon's Rangers, #3))
Dissatisfaction began to grow so great in Parker that there was no containing it outside of a tattoo. It had to be his back. There was no help for it. A dim half-formed inspiration began to work in his mind. He visualized having a tattoo put there that Sarah Ruth would not be able to resist—a religious subject.
Flannery O'Connor (The Complete Stories)
I love you, Katie Macauley.” He swallowed with effort. “I have almost from the very beginning. The longer I know you, the more I—” The pain of regret and worry forestalled any further admissions. “I need to go sit with the girls,” he said. “The O’Connors are going to look after you. I promise I’ll be back. I promise.
Sarah M. Eden (Hope Springs (Longing for Home, #2))
The best thing about flying first class....was that you could be as nutty as a fruitcake and were still treated like the Queen of Sheba.
Sarah-Kate Lynch (Finding Tom Connor)
At his desk, pen in hand, none was more articulate than Thomas. As soon as he found himself shut into the car with Sarah Ham, terror seized his tongue.
Flannery O'Connor (The Complete Stories)
To quote Sarah Connor: ‘You’re all dead already.’ You, your friends, your customers—all of you. You poisoned your own planet, destroyed its climate, defiled its ecosystem, and killed off all of its biodiversity.” He pointed at each of us. “You’re going to be extinct soon, too, by your hands. And you know it. That’s why most of you spend every second you can wired up to the OASIS. You’ve already given up, and now you’re all just waiting around to die.
Ernest Cline (Ready Player Two (Ready Player One, #2))
They had such a good meet-cute,” I croak. “What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is. “A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.” “Like in Terminator, when Reese saves Sarah Connor from the Terminator and he says, ‘Come with me if you want to live.’ Freaking amazing line.” “I mean, sure, I guess that’s technically a meet-cute…I was thinking more like It Happened One Night. We should add that to our list.” “Is that in color or black-and-white?” “Black-and-white.” Peter groans and falls back against the couch cushions. “It’s too bad we don’t have a meet-cute,” I muse. “You jumped me in the hallway at school. I think that’s pretty cute.” “But we already knew each other, so it doesn’t really count.” I frown. “We don’t even remember how we met. How sad.” “I remember meeting you for the first time.” “Nuh-uh. Liar!” “Hey just because you don’t remember something doesn’t mean I don’t. I remember a lot of things.” “Okay, so how did we meet?” I challenge. I’m sure that whatever comes out of his mouth next will be a lie. Peter opens his mouth, then snaps it shut. “I’m not telling.” “See! You just can’t think of anything.” “No, you don’t deserve to know, because you don’t believe me.” I roll my eyes. “So full of it.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
There is a certain embarrassment about being a storyteller in these times when stories are considered not quite as satisfying as statements and statements not quite as satisfying as statistics; but in the long run, a people is known, not by its statements or its statistics, but by the stories it tells. —FLANNERY O’CONNOR9
Sarah Arthur (The God-Hungry Imagination: The Art of Storytelling for Postmodern Youth Ministry)
The ultimate irony in this vast struggle (available to audience members who want to think about it but easily ignored by those who accept the semi-happy ending ) is the irony in many time loop (or ontological paradox) stories: John Connor has created himself (though he has not gone as far as the character in Robert Heinlein’s “All You Zombies” who is both his own father and mother). Far worse, by saving his mother’s life and ensuring the destruction of the Terminator, John Connor has created Skynet just as surely as Skynet has created John Connor by trying to kill him. Both Connor and Skynet exist in a time loop without outside causality. The Terminator’s surviving arm makes Skynet possible, but it is never invented, only found and back-engineered. Kyle Reese comes across time for Sarah Connor because of a picture and because John Connor asks him to, but neither the picture nor John Connor would exist if Reese had not already gone back in time. The simplest way to save the world is to let the Terminator kill Sarah Connor. Then (in all probability), no one would find a piece of the advanced technology, and Skynet could not be built. But, Cameron’s plot suggests, the “perils to come that would result from our hubris and blind faith in technology” may be inescapable, a time loop, a feedback loop, leading directly if not necessarily inevitably to destruction."Fighting the History Wars on the Big Screen: From the Terminator to Avatar" from The Films of James Cameron
Ace G. Pilkington
The silence of the apartment pressed on Ithan. He’d never lived on his own. He’d always had the constant chaos and closeness of the Den, the insanity of his college dorm, or the hotels he’d stayed at with the CCU sunball team. This place might as well have been another planet. He rubbed at his chest, as if it’d erase the tightness. He’d known precisely why he’d disobeyed Sabine’s order this spring when Bryce had screamed for help. The sound of her pleading had been unbearable. And when she’d mentioned children at risk, something had exploded in his brain. He had no regrets about what he’d done. But could he endure its consequences? Not the beating—he could weather that shit any day. But being here, alone, adrift… He hadn’t felt like this since Connor and the others had died. Since he’d walked away from his sunball team and stopped answering their calls. He had no idea what the Hel he’d do now. Perhaps the answer wasn’t some big, life-altering thing. Maybe it could be as simple as putting one foot in front of the other. That’s how you wound up following someone like Amelie, a voice that sounded an awful lot like Connor growled. Make better choices this time, pup. Assess. Decide what you want. But for now…one foot in front of the other. He could do that. If just for today.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
You’ve known Bryce for what—a few months? We were friends for five years. So don’t fucking talk about me, my brother, or her as if you know anything about us. You don’t know shit, Umbra Mortis.” “I know you were a dick to her for two years. I watched you stand by while Amelie Ravenscroft tormented her. Grow the fuck up.” Ithan barred his teeth. Hunt barred his own right back. Syrinx hopped to his feet and whined, demanding more food. Hunt couldn’t help his exasperated laugh. “Fine, fine,” he said to the chimera, reaching for the container of kibble. Ithan’s eyes burned him like a brand. Hunt had seen that same take-no-shit face during televised sunball games. “Connor was in love with her for those five years, you know.” The wolf headed over to the couch and plopped onto the cushions. “Five years, and by the end of it, he’d only managed to get her to agree to go on a date with him.” Hunt kept his face unreadable as Syrinx devoured his second—potentially third—breakfast. “So?” Ithan turned on the morning news before propping his feet on the coffee table and interlacing his hands behind his head. “You’re at month five, bro. Good luck to you.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Maybe she was crazy, but she wasn’t stupid. She’d seen Terminator 2. She wasn’t going out like Sarah Connor.
Lev Grossman (The Magician King (The Magicians, #2))
My name’s Tavish O’Connor,” he said. “And it’s very pleased I am to meet you.” Katie held her ground and kept her peace. There was nothing that irritated an arrogant man more than a woman who showed no interest in him. Tavish’s smile remained in place. “Might you see your way to telling me what it is I’m to call you?” Katie didn’t trust this mysterious Tavish O’Connor and his twinkling blue eyes, not for one moment. Handsome he was. Talkative to be sure. But she’d not give him credit for more than that. “Come now,” he said. “It seems we’re to take you on to Hope Springs. Wouldn’t do to be calling you Miss for the next two hours.
Sarah M. Eden (Longing for Home)
I can lend her my clothes,” Tavish said, his tone thoughtful to the point of drama. “Of course, I’d have nothing to wear then, myself.” Katie refused to blush at that comment. Indeed, she set herself quite firmly on ignoring it. Mrs. O’Connor rolled her eyes, something Katie had rarely seen a grown person do. The childlike gesture made Katie smile inside despite the awful day she was having. “Miss Macauley’s been through enough tonight without being subjected to that,” Mrs. O’Connor said. “You leave your clothes on and quit trying to embarrass the poor thing.” “Trying to make her smile was all I was hoping for.
Sarah M. Eden (Longing for Home)
He turned her hand over and pressed a kiss to her palm. She blushed red as a strawberry. “Keep doing that, Tavish O’Connor, and I’ll begin to suspect you fancy me.” He loved when she teased him back. The first few weeks he’d known her, she had been far too serious. “What do I need to do to get you from ‘suspecting’ to ‘believing’?
Sarah M. Eden (Hope Springs (Longing for Home, #2))
There are far better distractions than putting up preserves,” he whispered to her. Her entire face heated even as a tiny smile echoed from her heart. “Do you never stop flirting, Tavish O’Connor?” “Of course. But I needed to see that smile of yours, Sweet Katie.” He spoke quietly, his breath tickling the hair near her temple. “Everything’s right in my world when you smile.
Sarah M. Eden (Hope Springs (Longing for Home, #2))
as Flannery O’Connor put it, “In the act of writing, one sees that the way a thing is made, controls and is inseparable from the whole meaning of it. The form of a story gives it meaning which any other form would change.”6
Sarah Arthur (The God-Hungry Imagination: The Art of Storytelling for Postmodern Youth Ministry)
It was like watching The Terminator. Sadly, we were the Sarah Connors in this remake. Tracy’s
Mark Tufo (Zombie Fallout)
You’re not Sarah Connor, and the Terminator is now governor of California
Margarita Montimore (Oona Out of Order)
He’d had the audacity, the ignorance, to question her love for Danika and Connor. His claws and fangs retracted. That wolf inside ceased baying.
Sarah J. Maas (Crescent City Ebook Bundle: A 2-book bundle)