Sap Open Quotes

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Every time you feel lost, confused, think about trees, remember how they grow. Remember that a tree with lots of branches and few roots will get toppled by the first strong wind, while the sap hardly moves in a tree with many roots and few branches. Roots and branches must grow in equal measure, you have to stand both inside of things and above them, because only then will you be able to offer shade and shelter, only then will you be able to cover yourself with leaves and fruit at the proper season. And later on, when so many roads open up before you, you don't know which to take, don't pick one at random; sit down and wait. Breathe deeply, trustingly, the way you breathed on the day when you came into the world, don't let anything distract you, wait and wait some more. Stay still, be quiet, and listen to your heart. Then, when it speaks, get up and go where it takes you.
Susanna Tamaro (Follow Your Heart)
Every piece of wood in your house—from the windowsills to the furniture to the rafters—was once part of a living being, thriving in the open and pulsing with sap. If you look at these wooden objects across the grain, you might be able to trace out the boundaries of a couple of rings. The delicate shape of those lines tells you the story of a couple of years. If you know how to listen, each ring describes how the rain fell and the wind blew and the sun appeared every day at dawn.
Hope Jahren (Lab Girl)
This morning the green fists of the peonies are getting ready to break my heart as the sun rises, as the sun strokes them with his old, buttery fingers and they open — pools of lace, white and pink — and all day the black ants climb over them, boring their deep and mysterious holes into the curls, craving the sweet sap, taking it away to their dark, underground cities — and all day under the shifty wind, as in a dance to the great wedding, the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holding all that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary, blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever?
Mary Oliver
With the land and possession of America rapidly passing into the hands of a favored few; with great corporations taking the place of individual effort; with the small shops going down before the great factories and department stores; with thousands of men and women in idleness and want; with wages constantly tending to a lower level; ... with bribery and corruption openly charged, constantly reiterated by the press, and universally believed; and above all and more than all, with the knowledge that the servants of the people, elected to correct abuses, are bought and sold in legislative halls at the bidding of corporations and individuals: with all these notorious evils sapping the foundations of popular government and destroying personal liberty, some rude awakening must come. And if it shall come, ... when you then look abroad over the ruin and desolation, remember the long years in which the storm was rising, and do not blame the thunderbolt.
Clarence Darrow
Mess up my climate, I’ll fuck with your lives. Your lives are a nothing to me. I’ll yank daffodils out of the ground in December. I’ll block up your front door in April with snow and blow down that tree so it cracks your roof open. I’ll carpet your house with the river. But I’ll be the reason your own sap’s reviving. I’ll mainline the light to your veins.
Ali Smith (Spring (Seasonal #3))
Not a breath, not a sound—except at intervals the muffled crackling of stones that the cold was reducing to sand—disturbed the solitude and silence surrounding Janine. After a moment, however, it seemed to her that the sky above her was moving in a sort of slow gyration. In the vast reaches of the dry, cold night, thousands of stars were constantly appearing, and their sparkling icicles, loosened at once, began to slip gradually towards the horizon. Janine could not tear herself away from contemplating those drifting flares. She was turning with them, and the apparently stationary progress little by little identified her with the core of her being, where cold and desire were now vying with each other. Before her the stars were falling one by one and being snuffed out among the stones of the desert, and each time Janine opened a little more to the night. Breathing deeply, she forgot the cold, the dead weight of others, the craziness or stuffiness of life, the long anguish of living and dying. After so many years of mad, aimless fleeing from fear, she had come to a stop at last. At the same time, she seemed to recover her roots and the sap again rose in her body, which had ceased trembling. Her whole belly pressed against the parapet as she strained towards the moving sky; she was merely waiting for her fluttering heart to calm down and establish silence within her. The last stars of the constellations dropped their clusters a little lower on the desert horizon and became still. Then, with unbearable gentleness, the water of night began to fill Janine, drowned the cold, rose gradually from the hidden core of her being and overflowed in wave after wave, rising up even to her mouth full of moans. The next moment, the whole sky stretched out over her, fallen on her back on the cold earth.
Albert Camus (Exile and the Kingdom)
The season developed and matured. Another year's instalment of flowers, leaves, nightingales, thrushes, finches, and such ephemeral creatures, took up their positions where only a year ago others had stood in their place when these were nothing more than germs and inorganic particles. Rays from the sunrise drew forth the buds and stretched them into long stalks, lifted up sap in noiseless streams, opened petals, and sucked out scents in invisible jets and breathings.
Thomas Hardy (Tess of the D'Urbervilles)
She came upon a bankside of lavender crocuses. The sun was on them for the moment, and they were opened flat, great five-pointed, seven-pointed lilac stars, with burning centres, burning with a strange lavender flame, as she had seen some metal burn lilac-flamed in the laboratory of the hospital at Islington. All down and oak-dry bankside they burned their great exposed stars. And she felt like going down on her knees and bending her forehead to the earth in an oriental submission, they were so royal, so lovely, so supreme. She came again to them in the morning, when the sky was grey, and they were closed, sharp clubs, wonderfully fragile on their stems of sap, among leaves and old grass and wild periwinkle. They had wonderful dark stripes running up their cheeks, the crocuses, like the clear proud stripes on a badger’s face, or on some proud cat. She took a handful of the sappy, shut, striped flames. In her room they opened into a grand bowl of lilac fire.
D.H. Lawrence (The Lost Girl)
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it. The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now. “Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.” My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament. “I haven't been wearing any cologne.” “Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.” “What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words. “I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.” His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed. “Citrus?” he asked. “Like lemons?” “Oranges mostly. And a little lime, too.” He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed. “What you smell are my pheromones, Anna.” A small, nervous laugh burst from my throat. “Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again. “People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.” I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone. “Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...” “Would you like to know your own scent?” he asked me. My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura. “Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.” He made no attempt to move out of the doorway. “You smell like pears with freesia undertones.” “Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
Wendy Higgins (Sweet Evil (Sweet, #1))
LSD was good to me. Opening me up to another dimension, it helped me see what life was for, and the purpose of my yearnings... In a conscious way, it stripped away my fear of being criticized and freed me from the petty judgements I often doled out. Dissolving my ego, it magnified what was truly important, and unmasked those things that sapped my vital energy and distracted me from the path of divine beauty.
Flea (Acid for the Children)
Sports, politics, and religion are the three passions of the badly educated. They are the Midwest's open sores. Ugly to see, a source of constant discontent, they sap the body's strength. Appalling quantities of money, time, and energy are wasted on them. The rural mind is narrow, passionate, and reckless on these matters. Greed, however shortsighted and direct, will not alone account for it. I have known men, for instance, who for years have voted squarely against their interests. Nor have I ever noticed that their surly Christian views prevented them from urging forward the smithereening, say, of Russia, China, Cuba, or Korea. And they tend to back their country like they back their local team: they have a fanatical desire to win; yelling is their forte; and if things go badly, they are inclined to sack the coach.
William H. Gass (In the Heart of the Heart of the Country and Other Stories)
...how time packs new years over the old ones but how those old years are still in there, like the earliest, tightest rings centering a tree, the most hidden, enclosed in darkness and shielded from weather. But then a saw screams in and the tree topples and the circles are stricken by the sun and the sap glistens and the stump is laid open for the world to see.
Tom Franklin, Crooked Letter Crooked Letter
Since once again, Lord - though this time not in the forests of the Aisne but in the steppes of Asia - I have neither bread, nor wine, nor altar, I will raise myself beyond these symbols, up to the pure majesty of the Real itself; I, your priest, will make the whole earth my altar and on it will offer you all the labours and sufferings of the world. Over there, on the horizon, the sun has just touched with light the outermost fringe of the eastern sky. Once again, beneath this moving sheet of fire, the living surface of the earth wakes and trembles, and once again begins its fearful travail. I will place on my paten, O God, the harvest to be won by this renewal of labour. Into my chalice I shall pour all the sap which is to be pressed out this day from the earth’s fruits. My paten and my chalice are the depths of a soul laid widely open to all the forces which in a moment will rise up from every corner of the earth and converge upon the Spirit. Grant me the remembrance and the mystic presence of all those whom the light is now awakening to the new day . . . Over every living thing which is to spring up, to grow, to flower, to ripen during this day say again the words: ‘This is my Body’. And over every death-force which waits in readiness to corrode, to wither, to cut down, speak again your commanding words which express the supreme mystery of faith: ‘This is my Blood’.
Pierre Teilhard de Chardin (The Divine Milieu)
You know why trees smell the way they do?" Murphy asked, looking up from her hammering. "Sap?" Logan guessed. "Chlorophyll?" Murphy shook her head. "Stars. Trees breathe in starlight year after year, and it goes deep into their bones. So when you cut a tree open, you smell a hundred years' worth of light. Ancient starlight that took millions of years to reach earth. That's why trees smell so beautiful and old.
Frances O'Roark Dowell (Where I'd Like to Be)
The conservatism of a religion—its orthodoxy—is the inert coagulum of a once highly reactive sap. A rising religious movement is all change and experiment—open to new views and techniques from all quarters.
Eric Hoffer (The True Believer: Thoughts on the Nature of Mass Movements)
Sometime in the second century bce a discovery was made that would eventually sap the basis of Nabatean wealth, so that by the mid first century ce the overland route through Petra had largely ended. A Greek helmsman named Hippalus discovered the existence of the monsoon that allowed boats to sail directly between Aden and India. This opened up an alternative means to bring spices and perfumes from the east to the west (Rome especially) that entailed bypassing the overland routes controlled by the Nabateans.
Philip F. Esler (Babatha's Orchard: The Yadin Papyri and an Ancient Jewish Family Tale Retold)
We are small worms, Zorba, very small worms on the tiniest leaf of a gigantic tree. This tiny leaf is our earth; the other leaves are the stars you see moving at night. We drag ourselves along on our tiny leaf, eagerly ferreting around in it. We smell it: it has an odor. We taste it: it can be eaten. We strike it: it resounds, shouting like a living thing. Some of us human beings, the most fearless, reach the edge of the leaf. We bend over this edge with open eyes and ears, observing chaos below. We shudder. We divine the terrible drop beneath us, occasionally hear a sound made by the gigantic tree’s other leaves, sense the sap rising from the roots, swelling our hearts. In this way, leaning over the abyss, we realize with all our body and soul that we are being overcome by terror. What begins at that moment is—” I stopped. I had wanted to say, “What begins at that moment is poetry,” but Zorba would not have understood, so I kept silent. “What begins?” asked Zorba eagerly. “Why did you stop?” “At that moment, Zorba, begins the great danger,” I replied. “Some become dazed and delirious; others, growing afraid, take great pains to discover an answer that will brace their heart. These say, ‘God.’ Still others, calmly, bravely, look down at the drop from the leaf’s edge and say, ‘I like it.’ 
Nikos Kazantzakis (Zorba the Greek)
87. Just maybe These cool Himalayan winds that burst open the tender shoots of the deodar and drink the fragrance of its sap hurry southwards to me. I embrace them, my love for what if by the tiniest chance they had touched you? Cloud Messenger, Kalidasa, 400 CE?
Anusha Rao (How to Love in Sanskrit)
But Kit had always felt something loosen inside him when he opened a book. It was the feeling of opening the door to the first spring day after a hard winter; it was a green sap, blue sky, fresh breeze kind of feeling. Like you had lightning bugs flickering on inside you.
Amy Barry (Kit McBride Gets a Wife (The McBrides of Montana, #1))
Whenever I am back in the neighborhood, I sometimes pass my apartment from the street. I like to believe, stupidly, that if I were to open the front door again, in the back I would find my roses, huge from their seaweed tea and the many days of six hours' sunlight, perhaps growing legs, ready to push down the building and walk out to the street, striking cars out of the way and slicing the blacktop to ribbons. I want to think that they would miss me, their erstwhile tormentor, the one who pushed them so hard to grow, cutting and soaking them in the blazing sun from spring to winter. From the street, from across the river, where I live now without them, I can feel them still, the sap pulsing in their veins, pushing their way to the sky. But the creature that grew legs and walked away from the garden was me. I was not their gardener. They were mine.
Alexander Chee (How to Write an Autobiographical Novel)
Trees of ice grow blue fruits the size of peaches, encased in a frozen crust. Some have fallen and split open like candy apples. The scent is that of honey and spice and sap. The leaves of the trees give off a haunting sound not unlike wind chimes when the air blows through the branches.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Do you think Americans are just too open and outgoing for their own good? Do Europeans still make fun of Americans on this count?' David asked. Foucault replied, 'Yes, I have heard Europeans scoff at American friendliness, the American way of 'being nice', but they are mistaken. We spend a lot of time with strangers, so why not enjoy it? We probably spend at least three-fourths of our time in very short encounters with people, in chance encounters. This way of relating to people, then, is very important. Why buy hostility with your groceries? Be friendly with the checker and the stock clerk! Antagonism against each other only saps the energy that could and should be directed against the systems of power that oppress us.
Simeon Wade (Foucault in California [A True Story—Wherein the Great French Philosopher Drops Acid in the Valley of Death])
I have enjoyed greatly the second blooming that comes when you finish the life of the emotions and of personal relations; and suddenly find--at the age of fifty, say-- that a whole new life has opened before you, filled with things you can think about, study, or read about You find that you like going to picture exhibitions, concerts and the opera, with the same enthusiasm as when you went at twenty or twenty-five. For a period, your personal life has absorbed all your energies, but now you are free again to look around you. You can enjoy leisure; you can enjoy *things.* You are still young enough to enjoy going to foreign places, though you can't perhaps put up with living quite as rough as you used to. It is as if a fresh sap of ideas and thoughts was rising in you.
Agatha Christie (Agatha Christie: An Autobiography)
You ask me,’ a thoughtful Crumpet had once said in the smoking-room of the Drones Club, ‘why it is that at the mention of his Uncle Fred’s name Pongo Twistleton blenches to the core and calls for a couple of quick ones. I will tell you. It is because this uncle is pure dynamite. Every time he is in Pongo’s midst, with the sap running strongly in his veins, he subjects the unfortunate young egg to some soul-testing experience, luring him out into the open and there, right in the public eye, proceeding to step high, wide and plentiful. For though well stricken in years the old blister becomes on these occasions as young as he feels, which seems to be about twenty-two. I don’t know if you happen to know what the word “excesses” means, but those are what he invariably commits, when on the loose. Get Pongo to tell you some time about that day they had together at the dog races.
P.G. Wodehouse (Uncle Dynamite)
Taste this tree, even if her elixir is to your distaste. Misunderstood, yes at times, though she knows her sap is divine. Climb the bark, go deep with her, and open up to her divine elixir. In this moment of infinite embrace, you may never know unless you taste the infinity of ecstasy and sanctity. Open to her love, Mother Nature heals. Oh, what a thrill. Heal with us, be with us, listen Her mystery is calling for you, me, we- us, to listen.
Ulonda Faye (Sutras of the Heart: Spiritual Poetry to Nourish the Soul)
She went to the wood next day. It was a grey, still afternoon, with the dark-green dogs’-mercury spreading under the hazel copse, and all the trees making a silent effort to open their buds. Today she could almost feel it in her own body, the huge heave of the sap in the massive trees, upwards, up, up to the bud-tips, there to push into little flamey oak-leaves, bronze as blood. It was like a tide running turgid upward, and spreading on the sky.
D.H. Lawrence
A botanist would have been stumped, coming across a tree like this one. Yet, if we are to judge a tree by its fruit, it was clearly an avocado. I picked the fruit, sliced it open, and tasted it to make sure. There was no doubt in my mind. If it looks like an avocado and tastes like an avocado, it has got to be an avocado. However, the tree itself had a white bark like that of a birch and its sap tasted like birch juice. Its leaves were delicate like that of a cypress, while its trunk and the root system reminded me of a baobab. Could it be that someone had grafted an avocado on to a baobab tree? And if so, why the bark so white and the leaves so, well, feathery, and delicate yet bold like a dragonfly’s wing? Why is there not another tree like it nearby? Where had the seed of this tree come from? I had no answer. So, I put the seed of the fruit in my pocket and took it home with me to see if I could make it grow.
Uguïsse Packard
Like a Small Cafi, That's Love" Like a small cafe on the street of strange.— that's love... its doors open to all. Like a cafe that expands and commas with the w.then if it pours with rain its customers increase, if the weather's fm, they are few and weary... I am here, stranger, sitting in the comer. (What color .e your eyes? What is your name? How shall I call to you as you pass hy, as I sit waiting for you?) A small caa, that's love. I order two glass. of wine and drink to my health and yours. I am carrying two caps and umbrella. It is raining now. It is raining more than ever, and you do not come hA I say to myself at last: Perhaps she who I was waiting for was waiting for me, or was waiting for some other ma, or was waiting for us, and did not find him/me. She would sap Here I am waiting for you. (What color are your eyes? What is your name? What kind of wine do you prefer? How shall I call to you when you pass hyl) A small that's love...
Mahmoud Darwish (كزهر اللوز أو أبعد)
Rand noticed trees split open as if struck by lightning. “The cold,” Lan answered when he asked. “Sometimes the winter is so cold here the sap freezes, and trees burst. There are nights when you can hear them cracking like fireworks, and the air is so sharp you think that might shatter, too. There are more than usual, this winter past.” Rand shook his head. Trees bursting? And that was during an ordinary winter. What must this winter have been like? Surely like nothing he could imagine.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Arin was becoming the sort of person her father admired. Remorseless. Able to make a decision, walk through it, and close it behind him. Kestrel felt that Arin was a shadow of herself--or rather of who she was supposed to be. General Trajan’s daughter would not be in this positon. She would not be frightened. Her feet ground into the rocks. Then she heard something, and stopped. When the first note opened into the cold dark, Kestrel didn’t understand what it was. A sound of pure, low, belled beauty. She waited, and it came again. Song. It welled like sap from a tree, golden beads on wood. Then a rich glide. A singer testing his range. Loosening. Arin’s voice lifted beyond the garden wall. It poured around her fear, and into it. The wordless warmth of music took a familiar shape. A lullaby. Enai had sung it to Kestrel long ago, and Arin sang it to her now. Maybe he had seen her in his garden, or heard her restless walk. Kestrel didn’t know how he knew that she needed his comfort as much as she needed the stone wall between them. Yet when she song stopped and the night resonated with a silence that was itself a kind of music, Kestrel was no longer afraid. And she believed Arin. She believed everything he had ever said to her. She believed his silence on the other side of the wall, which said that he would stay there as long as she needed. When Kestrel went inside, she carried his song with her. It was a candle that lit her way and kept watch while she slept.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The hardest part was coming to terms with the constant dispiriting discovery that there is always more hill. The thing about being on a hill, as opposed to standing back from it, is that you can almost never see exactly what’s to come. Between the curtain of trees at every side, the ever-receding contour of rising slope before you, and your own plodding weariness, you gradually lose track of how far you have come. Each time you haul yourself up to what you think must surely be the crest, you find that there is in fact more hill beyond, sloped at an angle that kept it from view before, and that beyond that slope there is another, and beyond that another and another, and beyond each of those more still, until it seems impossible that any hill could run on this long. Eventually you reach a height where you can see the tops of the topmost trees, with nothing but clear sky beyond, and your faltering spirit stirs—nearly there now!—but this is a pitiless deception. The elusive summit continually retreats by whatever distance you press forward, so that each time the canopy parts enough to give a view you are dismayed to see that the topmost trees are as remote, as unattainable, as before. Still you stagger on. What else can you do? When, after ages and ages, you finally reach the telltale world of truly high ground, where the chilled air smells of pine sap and the vegetation is gnarled and tough and wind bent, and push through to the mountain’s open pinnacle, you are, alas, past caring. You sprawl face down on a sloping pavement of gneiss, pressed to the rock by the weight of your pack, and lie there for some minutes, reflecting in a distant, out-of-body way that you have never before looked this closely at lichen, not in fact looked this closely at anything in the natural world since you were four years old and had your first magnifying glass. Finally, with a weary puff, you roll over, unhook yourself from your pack, struggle to your feet, and realize—again in a remote, light-headed, curiously not-there way—that the view is sensational: a boundless vista of wooded mountains, unmarked by human hand, marching off in every direction. This really could be heaven.
Bill Bryson
Are you some kind of tree police?” Joshua asked without opening his eyes. “Do you feel as if you have some kind of civic duty to come out here and—and—annoy the hell out of me?” “Well—yes—I do have a civic duty to stop you—that is—if you needed stopping. If you’d kept to simple tree assault, I would have just kept watching. It was fairly entertaining, in a train wreck kind of way. You’ve moved up to tree homicide.” “Homicide?” Joshua opened his eyes to give the man an annoyed glare. “That implies intent. At most, this is tree slaughter. Maybe even just reckless endangerment—it might not be dead.” They eyed the tree in silence. His kick had sheered the tree trunk off five inches from the roots, leaving behind a jagged white stump, flowing with sap. “No, that’s dead,” the man said. “Yeah.” Joshua had to agree. It occurred to Joshua that this person might be undercover cop or some off-duty park ranger or a very lost Canadian Mountie or something. He’d seen Joshua destroy a piece of public property worth hundreds of dollars. The man might try to arrest him. That wouldn’t end well for either one of them.
Wen Spencer (The Black Wolves of Boston (Black Wolves of Boston))
Solitary Swedish Houses" A mix-max of black spruce and smoking moonbeams. Here’s the croft lying low and not a sign of life. Till the morning dew murmurs and an old man opens – with a shaky hand – his window and lets out an owl. Further off, the new building stands steaming with the laundry butterfly fluttering at the corner in the middle of a dying wood where the mouldering reads through spectacles of sap the proceedings of the bark-drillers. Summer with flaxen-haired rain or one solitary thunder-cloud above a barking dog. The seed is kicking inside the earth. Agitated voices, faces fly in the telephone wires on stunted rapid wings across the moorland miles. The house on an island in the river brooding on its stony foundations. Perpetual smoke – they’re burning the forest’s secret papers. The rain wheels in the sky. The light coils in the river. Houses on the slope supervise the waterfall’s white oxen. Autumn with a gang of starlings holding dawn in check. The people move stiffly in the lamplight’s theatre. Let them feel without alarm the camouflaged wings and God’s energy coiled up in the dark.
Tomas Tranströmer (Samlade dikter: 1954–1996)
When Nanabozho, the Anishinaabe Original Man, our teacher, part man, part manido, walked through the world, he took note of who was flourishing and who was not, of who was mindful of the Original Instructions and who was not. He was dismayed when he came upon villages where the gardens were not being tended, where the fishnets were not repaired and the children were not being taught the way to live. Instead of seeing piles of firewood and caches of corn, he found the people lying beneath maple trees with their mouths wide open, catching the thick, sweet syrup of the generous trees. They had become lazy and took for granted the gifts of the Creator. They did not do their ceremonies or care for one another. He knew his responsibility, so he went to the river and dipped up many buckets of water. He poured the water straight into the maple trees to dilute the syrup. Today, maple sap flows like a stream of water with only a trace of sweetness to remind the people both of possibility and of responsibility. And so it is that it takes forty gallons of sap to make a gallon of syrup.* * Adapted from oral tradition and Ritzenthaler and Ritzenthaler, 1983.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
For Obama, drones not only opened the door to withdrawing troops from Afghanistan and Iraq; they were a way to avoid getting drawn into future entanglements, military or diplomatic, which would sap the nation and distract from his domestic agenda. “It allows you to be disengaged,” Nasr said. “We don’t need to be in Iraq, we don’t need to invest in the Arab Spring. We don’t need to worry about any of this; all we need to do is to kill the terrorists. It’s a different philosophy of foreign policy. It’s surgical, it’s clinical, it’s clean.” “Basically,” Nasr said, “he’s the drone president.
Mark Landler (Alter Egos: Hillary Clinton, Barack Obama, and the Twilight Struggle Over American Power)
Her eyes, unusually weird and open, held me. Held God. He flowed in as I've seen the countryside flow in. Seen men. .... She sprang up. .... Fell to her knees, and began swaying, swaying. Her body was tortured with something it could not let out. Like boiling sap it flooded arms and fingers till she shook them as if it burned her. It found her throat, and spattered inarticulately in plaintive, convulsive sounds, mingled with calls to Christ Jesus. And then she sang, brokenly. ... A child's voice, uncertain, ... It seemed to me as though she were pounding her head in anguish upon the ground.
Jean Toomer (Cane)
The retreat of the state from the function on which its claims to legitimation were founded for the better part of the past century throws the issue of legitimation wide open again. A new citizenship consensus (‘constitutional patriotism’, to deploy Jürgen Habermas’s term) cannot be presently built in the way it used to be built not so long ago: through the assurance of constitutional protection against the vagaries of the market, notorious for playing havoc with social standings and for sapping rights to social esteem and personal dignity. The integrity of the political body in its currently most common form of a nation-state is in trouble, and so an alternative legitimation is urgently needed and sought. In
Zygmunt Bauman (Liquid Times: Living in an Age of Uncertainty)
The devastation of the lumberjacks appeared more atrocious at this time of year when everything is getting ready to come back to life. In the warm air some twigs were already growing, some buds were opening, and each branch that had been chopped was crying with sap. I advanced slowly, not feeling so sad because I was exalted by the pain of the countryside, feeling a bit gray perhaps by the strong vegetal odor that the dying trees and the earth exhaled. I was barely sensitive to the contrast of these dead trees with the renewal of springtime. In this state the park was more open to receive light which bathed and gilded both what was dead and what was alive. However, from far away the tragic song of the axes filled the air with a funeral solemnity, secretly
André Gide (Isabelle)
IT is not impossible that among the English readers of this book there may be one who in 1915 and 1916 was in one of those trenches that were woven like a web among the ruins of Monchy-au-Bois. In that case he had opposite him at that time the 73rd Hanoverian Fusiliers, who wear as their distinctive badge a brassard with ' Gibraltar ' inscribed on it in gold, in memory of the defence of that fortress under General Elliot; for this, besides Waterloo, has its place in the regiment's history. At the time I refer to I was a nineteen-year-old lieutenant in command of a platoon, and my part of the line was easily recognizable from the English side by a row of tall shell-stripped trees that rose from the ruins of Monchy. My left flank was bounded by the sunken road leading to Berles-au-Bois, which was in the hands of the English ; my right was marked by a sap running out from our lines, one that helped us many a time to make our presence felt by means of bombs and rifle-grenades. I daresay this reader remembers, too, the white tom-cat, lamed in one foot by a stray bullet, who had his headquarters in No-man's-land. He used often to pay me a visit at night in my dugout. This creature, the sole living being that was on visiting terms with both sides, always made on me an impression of extreme mystery. This charm of mystery which lay over all that belonged to the other side, to that danger zone full of unseen figures, is one of the strongest impressions that the war has left with me. At that time, before the battle of the Somme, which opened a new chapter in the history of the war, the struggle had not taken on that grim and mathematical aspect which cast over its landscapes a deeper and deeper gloom. There was more rest for the soldier than in the later years when he was thrown into one murderous battle after another ; and so it is that many of those days come back to my memory now with a light on them that is almost peaceful.
Ernst Jünger (Storm of Steel)
Just as hunger, not greed, has a legitimate purpose, so the sexual instinct has been implanted by Nature solely for the propagation of the species, not for the kindling of insatiable longings,” he said. “Destroy wrong desires now; otherwise they will remain with you after the astral body has been separated from its physical casing. Even when the flesh is weak, the mind should be constantly resistant. If temptation assails you with cruel force, overcome it by impersonal analysis and indomitable will. Every natural passion can be mastered. “Conserve your powers. Be like the capacious ocean, absorbing quietly all the tributary rivers of the senses. Daily renewed sense yearnings sap your inner peace; they are like openings in a reservoir that permit vital waters to be wasted in the desert soil of materialism. The forceful, activating impulse of wrong desire is the greatest enemy to the happiness of man. Roam in the world as a lion of self-control; don’t let the frogs of sense weakness kick you around!” A
Paramahansa Yogananda (Autobiography of a Yogi (Complete Edition))
Plants Fed On by Fawns" All the flowers: the pleated leaves of the hellebore; And the false blossom of the calla, a leaf like a petal— The white flesh of a woman bathing— a leaf over- Shadowing the small flowers hidden in the spadix; And fly poison, tender little flower, whose cursed root Pounded into a fine white powder will destroy flies. But why kill flies? They do not trouble me. They Are like the fruit the birds feed on. They are like The wind in the trees, or the sap that threads all things, The blue blood moving through branch and vine, Through the wings of dead things and living things.... If I lift my hand? If I write to you? The letters Can be stored in a box. Can they constitute the shape Of a love? Can the paper be ground? Can the box Be altar and garden plot and bed? Can there rise From the bed the form of a two-headed creature, A figure that looks both forward and back, keeping Watch always, one head sleeping while the other wakes, The bird head sleeping while the lion head wakes, And then the changing of the guard?.... No, The flies do not trouble me. They are like the stars At night. Common and beautiful. They are like My thoughts. I stood at midnight in the orchard. There were so many stars, and yet the stars, The very blackness of the night, though perfectly Cold and clear, seemed to me to be insubstantial, The whole veil of things seemed less substantial Than the thing that moved in the dark behind me, An unseen bird or beast, something shifting in its sleep, Half-singing and then forgetting it was singing: Be thou always ravished by love, starlight running Down and pulling back the veil of the heart, And then the water that does not exist opening up Before one, dark as wine, and the unveiled figure Of the self stepping unclothed, sweetly stripped Of its leaf, into starlight and the shadow of night, The cold water warm around the narrow ankles, The body at its most weightless, a thing so durable It will— like the carved stone figures holding up The temple roof— stand and remember its gods Long after those gods have been forsaken.
Brigit Pegeen Kelly (The Orchard (American Poets Continuum))
I was shown a questionnaire drawn up by the Ministry of the Interior, which it was proposed to put to people whom it was deemed desirable to sterilise. At least three-quarters of the questions asked would have defeated my own good mother. One I recall was: "Why does a ship made of steel float in the water?" If this system had been introduced before my birth, I am pretty sure I should never have been born at all! Let us, for God's sake, throw open the windows and let the fresh air blow away nonsense of this nature ! Put the young men into the Army, whence they will return refreshed and cleansed of eight years of scholastic slime ! In the olden days we were an energetic people; but gradually we developed into a people of poets and thinkers. Poets do not matter, for no one takes them seriously ; but the world is greatly overburdened with "thinkers". I keep a bust of Scharnhorst on my table ; it is he who started our people back on the road to sanity. The world at large welcomed this Germany of poetsand thinkers, because it knew how they sapped our virility.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
It was a wondrous sight. The wood was green as mosses of the Icy Glen; the trees stood high and haughty, feeling their living sap; the industrious earth beneath was as a weaver’s loom, with a gorgeous carpet on it, whereof the ground-vine tendrils formed the warp and woof, and the living flowers the figures. All the trees, with all their laden branches; all the shrubs, and ferns, and grasses; the message-carrying air; all these unceasingly were active. Through the lacings of the leaves, the great sun seemed a flying shuttle weaving the unwearied verdure. Oh, busy weaver! unseen weaver!—pause!—one word!—whither flows the fabric? what palace may it deck? wherefore all these ceaseless toilings? Speak, weaver!—stay thy hand!—but one single word with thee! Nay—the shuttle flies—the figures float from forth the loom; the fresher-rushing carpet for ever slides away. The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world’s loom, thy subtlest thinkings may be overheard afar.
Herman Melville
While the indecisive customer hovered over an array of perfumes that Nettle had brought out for her, the American girls browsed among the shelves of perfumes, colognes, pomades, waxes, creams, soaps, and other items intended for beauty care. There were bath oils in stoppered crystal bottles, , and tins of herbal unguents, and tiny boxes of violet pastilles to freshen the breath. Lower shelves held treasure troves of scented candles and inks, sachets filled with clove-saturated smelling salts, potpourri bowls, and jars of pastes and balms. Nettle noticed, however, that while the younger girl, Daisy, viewed the assortment with only mild interest, the older one, Lillian, had stopped before a row of oils and extracts that contained pure scent. Rose, frangipani, jasmine, bergamot, and so forth. Lifting the amber glass bottles, she opened them carefully and inhaled with visible appreciation. Eventually the blond woman made her choice, purchased a flacon of perfume, and left the shop, a small bell ringing cheerfully as the door closed. Lillian, who had turned to glance at the departing woman, murmured thoughtfully, "I wonder why it is that so many light-haired women smell of amber..." "You mean amber perfume?" Daisy asked. "No- their skin itself. Amber, and sometimes honey..." "What on earth do you mean?" the younger girl asked with a bemused laugh. "People don't smell like anything, except when they need to wash." The pair regarded each other with what appeared to be mutual surprise. "Yes, they do," Lillian said. "Everyone has a smell... don't say you've never noticed? The way some people's skin is like bitter almond, or violet, while others..." "Others have a scent like plum, or palm sap, or fresh hay," Nettle commented. Lillian glanced at him with a satisfied smile. "Yes, exactly!" Nettle removed his spectacles and polished them with care, while his mind swarmed with questions. Could it be? Was it possible that this girl could actually detect a person's intrinsic scent? He himself could- but it was a rare gift, and not one that he had ever known a woman to have.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Any parent would be dismayed to think that this was their child’s experience of learning, of socializing, and of herself. Maya is an introvert; she is out of her element in a noisy and overstimulating classroom where lessons are taught in large groups. Her teacher told me that she’d do much better in a school with a calm atmosphere where she could work with other kids who are “equally hardworking and attentive to detail,” and where a larger portion of the day would involve independent work. Maya needs to learn to assert herself in groups, of course, but will experiences like the one I witnessed teach her this skill? The truth is that many schools are designed for extroverts. Introverts need different kinds of instruction from extroverts, write College of William and Mary education scholars Jill Burruss and Lisa Kaenzig. And too often, “very little is made available to that learner except constant advice on becoming more social and gregarious.” We tend to forget that there’s nothing sacrosanct about learning in large group classrooms, and that we organize students this way not because it’s the best way to learn but because it’s cost-efficient, and what else would we do with our children while the grown-ups are at work? If your child prefers to work autonomously and socialize one-on-one, there’s nothing wrong with her; she just happens not to fit the prevailing model. The purpose of school should be to prepare kids for the rest of their lives, but too often what kids need to be prepared for is surviving the school day itself. The school environment can be highly unnatural, especially from the perspective of an introverted child who loves to work intensely on projects he cares about, and hang out with one or two friends at a time. In the morning, the door to the bus opens and discharges its occupants in a noisy, jostling mass. Academic classes are dominated by group discussions in which a teacher prods him to speak up. He eats lunch in the cacophonous din of the cafeteria, where he has to jockey for a place at a crowded table. Worst of all, there’s little time to think or create. The structure of the day is almost guaranteed to sap his energy rather than stimulate it. Why do we accept this one-size-fits-all situation as a given when we know perfectly well that adults don’t organize themselves this way? We often marvel at how introverted, geeky kids “blossom” into secure and happy adults. We liken it to a metamorphosis. However, maybe it’s not the children who change but their environments. As adults, they get to select the careers, spouses, and social circles that suit them. They don’t have to live in whatever culture they’re plunked into. Research from a field known as “person-environment fit” shows that people flourish when, in the words of psychologist Brian Little, they’re “engaged in occupations, roles or settings that are concordant with their personalities.” The inverse is also true: kids stop learning when they feel emotionally threatened.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Western red cedar (Thuja plicata) is a kind of wonder wood. Its low density makes it easy to shape, whether with a chisel, a plane, or a handsaw. Its open cell structure makes it light and buoyant, and in rowing lightness means speed. Its tight, even grain makes it strong but flexible, easy to bend yet disinclined to twist, warp, or cup. It is free of pitch or sap, but its fibers contain chemicals called thujaplicins that act as natural preservatives, making it highly resistant to rot while at the same time lending it its lovely scent. It is beautiful to look at, it takes a finish well, and it can be polished to a high degree of luster, essential for providing the smooth, friction-free racing bottom a good shell requires.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Sense yearnings sap your inner peace; they are like openings in a reservoir that permit vital waters to be wasted in the desert soil of materialism.
Paramahansa Yogananda (Autobiography of a Yogi)
Advantages of the ASP I have already explained how the ASP is advantageous with regard to its compactness and ease of carry, but there are other advantages. Carrying an impact weapon gives you the ability to counter a threat with less than lethal force, which may save you a long stint in prison. The compact ASP has advantages over the 28-inch stick of the traditional Filipino martial arts. When you are chest-to-chest against an opponent, it's difficult to hit him decisively with a 26-28 inch long stick. Filipino martial artists practice raising the arm and twisting the wrist to snap the tip into an opponent's head, but these flicking strikes can't be counted on to drop an attacker. Also, because of the stick's light weight, space and distance are needed to wind up and generate power. At very close range the short, heavy stick –such as a blackjack, sap, or an 8-inch steel bar-- is a better weapon. The striking tip of the ASP is made of steel, and the middle section is high-grade aluminum. This solid construction means that the ASP hits hard. The unexpanded ASP can be used like a metal yawara (palm stick), which is devastating in close. The Knife The second weapon in Steel Baton EDC is a knife carried at the neck. The knife should be compact and relatively light so that it is comfortable enough for neck carry. Get a light beaded chain that will break away, so that you aren't strangled with your own neck lanyard. The knife should have a straight handle without loops or fingerholes, because you want to be able to access the knife with either hand in an instant, without having to thread your fingers into holes or work to secure a grip. Avoid folding knives. You want a knife that you can draw in an instant. No matter how much you practice drawing and opening your knife, or even if you get an automatic (switchblade) or assisted opener, you will always be slower getting the folding knife open and into action, particularly under stress. Keep in mind that “under stress” may mean somebody socking you in the face repeatedly. Once again, you want open carry. Open carry is almost always legal and is more easily accessible if you are under attack. You can get a neodymium magnet and put it in the gap between the seam of your shirt, in between the buttons. The magnet will attract the steel blade of your knife so that the knife will stay centered and not flop around if you're moving. My recommended knives for neck carry are the Cold Steel Super Edge and the Cold Steel Hide Out. The Super Edge is small, light, and inconspicuous. It also comes in useful as a day-to-day utility tool, opening packages, trimming threads, removing tags, and so on. Get the Rambo knife image out of your mind. You only need a small knife to deter an attacker, because nobody wants to get cut. And if your life is on the line, you can still do serious damage with a small blade.
Darrin Cook (Steel Baton EDC: 2nd Edition)
The men on the ramparts watched in horror as they realized that the first wave of soldiers was actually comprised entirely of captured villagers from the outlying settlements—poor, imprisoned farmers forced under pain of death to push forward massive siege engines, catapults, and ballistae, assigned the cruel task of bringing destruction and mayhem to their own kinsmen. The soldiers reluctantly opened fire on these wretched saps, but even an endless stream of arrows couldn’t stem the tide of heavy equipment being brought up to the massive moat surrounding the city. To their amazement, the defenders then saw the invading barbarians shoving their prisoners into the moat—using their bodies as a living bridge over which they rolled their infernal contraptions.
Ben Thompson (Badass: A Relentless Onslaught of the Toughest Warlords, Vikings, Samurai, Pirates, Gunfighters, and Military Commanders to Ever Live (Badass Series))
Quick spinning seasons Where everything speeds Achingly open spaces Free for next year’s trees Identities distilled To essence Sapping slowly Dissolving memory Hinting of patiently Waiting eternity All living things decay They cannot stay. Be Carefully To gain your Salvation Cleave The bonds That bind. Reflect, refract The undying light Though we may grieve There is no staying grief We are life’s loves Labours lost That leaf Then leave
Peter Pink-Howitt (Ethics of Life: freedom and diversity)
The swamp goblins were difficult to find, she told Glenna, for they moved their kingdom once every thirteen moons by riding the currents of underground rivers ‘til they found a blooming hawthorn tree. There they lived deep beneath its roots, sapping the tree’s life force until it withered. When spring came, the kingdom dislodged in search of another hawthorn. Upon finding a new tree, the earth cracked open to reveal their foul waters for one day, the perfect time to snatch the goblet.
T. Rae Mitchell (Fate's Fables Collection (Fate's Fables #1-8))
Her fingers stiffened, going wide, and suddenly her veins ran brilliant green in her arms. Drops of sap burst trickling from her eyes and nose in rivulets down her face like tears, the bright fresh sweet smell horribly wrong. Her mouth hung open in a silent cry, and then tiny white rootlets crept out from beneath her nails, like an oak-tree growing overnight. They climbed with sudden horrible speed all over the manacles, hardening into grey wood even as they went, and with a noise like ice breaking in midsummer, the chains broke. I did nothing. There was no time to do anything: it happened quicker than I could even see it. One moment Kasia was chained, the next she was leaping for me. She was impossibly strong, flinging me to the ground. I caught her shoulders and held her off with a scream. Sap was running from her face, staining her dress, and it fell on me with a pattering like rain. It crawled over my skin, beading up against my protection spell. Her lips peeled back from her teeth in a snarl. Her hands closed around my throat like brands, hot, burning hot, and those strangling rootlets began to crawl over me. I looked up into Kasia’s face, hungry for one last sight of her, but the Wood looked out of her eyes at me: black rage, full of smoke, burning, roots planted too deep to uproot.
Naomi Novik (Uprooted)
In time, no doubt, the inevitable memorial committee would form, and solemn scholars would comb his works for quotations suitable to chisel in stone. Statute books and official histories would celebrate his administrative achievements: the Monroe Doctrine reaffirmed, the Old World banished from the New World, the great Canal being cut; peace established in the Far East; the Open Door swinging freely in Manchuria and Morocco; Cuba liberated (and returned to self-government just in time for his departure); the Philippines pacified; the Navy hugely strengthened, known literally around the world; the Army, shorn of its old deadwood generals, feeling the green sap of younger replacements; capital and labor balanced off, the lynch rate declining, the gospel
Edmund Morris (Theodore Rex)
in that direction towered hundreds of metres above them. Climbing it would sap their energy and expose them to great risks. The trekking team therefore decided to start out east in the hope that the valley that they were in would eventually veer round. Shortly after starting out, the trio found the tail section of the plane, which was still largely intact. It contained luggage with extra clothing, cigarettes and even some snacks. They spent their first night in the tail in relative comfort. But the following night they had to sleep out in the open, fully exposed to the harsh cold. They very nearly froze to death. The valley showed no sign of turning in a convenient direction and so the three men returned the next day to the tail with the plan of salvaging some large batteries they had found and using them to power the radio transmitter in the fuselage.
Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
I have enjoyed greatly the second blooming that comes when you finish the life of the emotions and of personal relations; and suddenly find - at the age of fifty, say - that a whole new life has opened before you, filled with things you can think about, study, or read about...It is as if a fresh sap of ideas and thoughts was rising in you. - , "An Autobiography", 1977
Agatha Christie
There are some plants that are born and grow quickly. Others are late and stunted. Our love was like the former. It burst forth with such drive and so much sap that in a short while it was the broadest, leafiest and most luxuriant creation in the forest. I can’t tell you for certain the number of days that this growth took. I do remember that on a certain night the flower, or the kiss if you want to call it that, began to bud, a kiss that she gave me trembling – poor thing – trembling with fear, because it was by the gate in the yard. That single kiss united us – just as the moment was brief, so was the love ardent, the prologue to a life of delights, terrors, remorse, pleasures that ended in pain, afflictions that opened up into joy – a patient and systematic hypocrisy, the only check rein on an unchecked passion – a life of agitation, rage, despair, and jealousy, which, one hour, would pay for fully and more than enough, but another hour would come and swallow it all up along with everything else, leaving on the surface agitation and all the remains, and the remains of the remains, which are aversion and satiety.
Machado de Assis
Similarly, to be a hacker you have to get a basic thrill from solving problems, sharpening your skills, and exercising your intelligence. If you aren’t the kind of person that feels this way naturally, you’ll need to become one in order to make it as a hacker. Otherwise you’ll find your hacking energy is sapped by distractions like sex, money, and social approval. (You also have to develop a kind of faith in your own learning capacity — a belief that even though you may not know all of what you need to solve a problem, if you tackle just a piece of it and learn from that, you’ll learn enough to solve the next piece — and so on, until you’re done.)
Eric S. Raymond (The Cathedral & the Bazaar: Musings on Linux and Open Source by an Accidental Revolutionary)
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it. The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now. “Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.” My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament. “I haven't been wearing any cologne.” “Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.” “What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words. “I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.” His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed. “Citrus?” he asked. “Like lemons?” “Oranges mostly. And a little lime, too.” He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed. “What you smell are my pheromones, Anna.” A small, nervous laugh burst from my throat. “Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again. “People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.” I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone. “Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...” “Would you like to know your own scent?” he asked me. My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura. “Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.” He made no attempt to move out of the doorway. “You smell like pears with freesia undertones.” “Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
-Wendy Higgins, Sweet evil
opening to reveal toothless maws. He knocked their disease-weakened arms away and fought onward. When Roan reached the top of the human pyramid, he was exhausted, his knees trembling, his back sore. Even his bones felt weary, the constant use of his power sapping them of all strength. Three plague victims were trying to grasp the stone, but their dark skin was slippery with sweat from the fever burning through their bodies. Hearing Roan’s approach, they turned, their lips contorted with pain. “Help me,” one said, his
David Estes (Fatemarked (The Fatemarked Epic, #1))
Dear creature, be good. Dear creature, make Lord G. happy. I am like a builder, madam. I am digging for a foundation. There is a good deal of rubbishy humours to remove; a little swampiness of soil: And I am only removing it, and digging deeper, to make my foundation sure. Take care, take care, niece: You may dig too deep. There may be springs: You may open, and never be able to stop them, till they have sapped your foundation. Take care, niece.
Samuel Richardson (Complete Works of Samuel Richardson)
Replying, I attempted to make my companion understand the meaning of sacred terror. "We are small worms, Zorba, very small worms on the tiniest leaf of a gigantic tree. This tiny leaf is our earth; the other leaves are the stars you see moving at night. We drag ourselves along on our tiny lea, eagerly ferreting around in it. We smell it: it has an odor. We taste it: it can be eaten. We strike it: it resounds, shouting like a living thing. Some of us human beings, the most fearless, reach the edge of the leaf. We bend over this edge with open eyes and ears, observing chaos below. We shudder. We divine the terrible drop beneath us, occasionally hear a sound made by the gigantic tree's other leaves, sense the sap rising from the roots, swelling our hearts. In this way, leaning over the abyss, we realize with all our body and soul that we are being overcome by terror. What begins at that moment is-" I stopped. I had wanted to say, "What begins at that moment is poetry," but Zorba would not have understood, so I kept silent. "What begins?" asked Zorba eagerly. "Why did you stop?" "At that moment, Zorba, begins the great danger," I replied. "Some become dazed and delirious; others, growing afraid, take great pains to discover an answer that will brace their heart. These say, 'God.' Still others, calmly, bravely, look down at the drop from the leaf's edge and say, 'I like it.'" Zorba thought for a long time, probing deeply in order to understand. "I look down at death continually," he said at last. "I look at it and am not afraid. Never, however, do I say, 'I like it.' No, I do not like it, not at all. I am free, am I not? I don't sign!
Nikos Kazantzakis (Zorba the Greek)
putting off. Feeling good is great, but there is a power to completion that goes beyond good feeling into the whole of life. What I’ve come to see is that the act of completing something, no matter how large or how small, puts you into harmony with the universe. If I say to you, “I’ll call you today,” I have created a new force in the universe, a new agreement about how things will be. If I then make good on my agreement and call you today, I line myself up in harmony with those forces. If I don’t call you today, I leave a loose end, an open circuit, an unresolved story line. By not calling you, I communicate something that affects my life and our relationship: my word is no good, and you are not worth my effort to keep my word. My experience has been that each incompletion saps my energy and clouds my relationship with the people on the other end. The act of completion restores my energy and clears the air that circulates through my relationships. Further, though, each act of completion celebrates our connection to the universe
Gay Hendricks (Five Wishes: How Answering One Simple Question Can Make Your Dreams Come True)
The Roman Catholic Church was then, as it is now, a great democracy. There was no peasant so humble that he might not become a priest, and no priest so obscure that he might not become Pope of Christendom. . . . What kept government alive in the Middle Ages was this constant rise of the sap from the bottom, from the rank and file of the great body of the people through the open channels of the priesthood. —President Woodrow Wilson, The New Freedom, 1913
William J. Slattery (Heroism and Genius: How Catholic Priests Helped Build?and Can Help Rebuild?Western Civilization)
She smelled fresh air and opened her eyes to discover the night. It whispered to her with the same sensual power as the ebb and flow of Mikhail’s blood. Trees swayed overhead; the wind cooled her body, yet fanned her need. “This is our world, little one. Feel its beauty, hear its call.” It was all like a dazzling dream, as if they were drifting with the faint mist, a part of the night itself. The stars overhead played hide-and-seek through the canopy of leaves and branches. The moon was elusive, wandering behind floating clouds. Everywhere Raven heard the sounds of life. It was in the sap of the trees, the rustle of small animals, the beat of wings, the echoing, savage cry of a night hunter as it missed its prey. Mikhail raised his head and called, a wild sound of joy. It was answered. Raven could feel the rapture in the wolves’ rejoinders. It filled her heart, and in her, the wildness grew. He carried her through a maze of paths, deep into the mountains, until they were at the entrance of a downward-sloping cave. “Hear it,” he ordered as he passed into the murky shadows. “Hear the earth sing to you.
Christine Feehan (Dark Prince (Dark, #1))
We tend to forget that there’s nothing sacrosanct about learning in large group classrooms, and that we organize students this way not because it’s the best way to learn but because it’s cost-efficient, and what else would we do with our children while the grown-ups are at work? If your child prefers to work autonomously and socialize one-on-one, there’s nothing wrong with her; she just happens not to fit the prevailing model. The purpose of school should be to prepare kids for the rest of their lives, but too often what kids need to be prepared for is surviving the school day itself. The school environment can be highly unnatural, especially from the perspective of an introverted child who loves to work intensely on projects he cares about, and hang out with one or two friends at a time. In the morning, the door to the bus opens and discharges its occupants in a noisy, jostling mass. Academic classes are dominated by group discussions in which a teacher prods him to speak up. He eats lunch in the cacophonous din of the cafeteria, where he has to jockey for a place at a crowded table. Worst of all, there’s little time to think or create. The structure of the day is almost guaranteed to sap his energy rather than stimulate it.
Susan Cain