Sange Maa Quotes

Vengeance incarnate. Wrath's bruised heart. She would bow for no one. Hunt's lightning sang at the sight of that beautiful, brutal face.

Bryce stared at the fire, her face still splattered with the Archangel’s blood. And finally, she lifted her eyes. Right to the camera. To the world watching. Vengeance incarnate. Wrath’s bruised heart. She would bow for no one. Hunt’s lightning sang at the sight of that brutal, beautiful face.

... He'd been about to turn away when she lifted her face to the moon and sang. It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande, or anywhere else on the continent This language was ancient, each word full of power and rage and agony. She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself. And the the song finished, its end as butal and sudden as Nehemia's death had been. She stood there a few moments, silent and unmoving.

A door opened at the far end of the hall, followed by rushing, light steps. He rose a heartbeat before a joyous “Aedion!” sang over the stones. Evangeline was beaming, clad head to toe in green woolen clothes bordered with white fur, her red-gold hair hanging in two plaits. Like the mountain girls of Terrasen. Her scars stretched wide as she grinned, and Aedion threw open his arms just before she launched herself on him. “They said you arrived late last night, but you left before first light, and I was worried I’d miss you again—” Aedion pressed a kiss to the top of her head. “You look like you’ve grown a full foot since I last saw you.

My darkness sang his own a lullaby

The salt and the sea and the breeze tugged on me, sang to me.

Her voice was soft, ethereal, the sound of a lullaby half-remembered. The songs she sang, one by one, held Celaena in place. Songs of distant lands, of forgotten legends, of lovers forever waiting to be reunited.

The first prick stung—holy gods, with the salt and iron, it hurt. She clamped her teeth together, mastered it, welcomed it. That was what the salt was for with this manner of tattoo, Rowan had told her. To remind the bearer of the loss. Good—good, was all she could think as the pain spiderwebbed through her back. Good. And when Rowan made the next mark, she opened her mouth and began her prayers. They were prayers she should have said ten years ago: an even-keeled torrent of words in the Old Language, telling the gods of her parents’ death, her uncle’s death, Marion’s death—four lives wiped out in those two days. With each sting of Rowan’s needle, she beseeched the faceless immortals to take the souls of her loved ones into their paradise and keep them safe. She told them of their worth—told them of the good deeds and loving words and brave acts they’d performed. Never pausing for more than a breath, she chanted the prayers she owed them as daughter and friend and heir. For the hours Rowan worked, his movements falling into the rhythm of her words, she chanted and sang. He did not speak, his mallet and needles the drum to her chanting, weaving their work together. He did not disgrace her by offering water when her voice turned hoarse, her throat so ravaged she had to whisper. In Terrasen she would sing from sunrise to sunset, on her knees in gravel without food or drink or rest. Here she would sing until the markings were done, the agony in her back her offering to the gods. When it was done her back was raw and throbbing, and it took her a few attempts to rise from the table. Rowan followed her into the nearby night-dark field, kneeling with her in the grass as she tilted her face up to the moon and sang the final song, the sacred song of her household, the Fae lament she’d owed them for ten years. Rowan did not utter a word while she sang, her voice broken and raw. He remained in the field with her until dawn, as permanent as the markings on her back. Three lines of text scrolled over her three largest scars, the story of her love and loss now written on her: one line for her parents and uncle; one line for Lady Marion; and one line for her court and her people. On the smaller, shorter scars, were the stories of Nehemia and of Sam. Her beloved dead. No longer would they be locked away in her heart. No longer would she be ashamed.

I scrambled onto the bed, lunging for him, feeling what was his arm, then his stomach, then his shoulders. His skin was freezing as I gripped his shoulders and shouted his name. No response, and I slid a hand up his neck, to his mouth- to make sure he was still breathing, that this wasn't his power floating away from him- Icy breath hit my palm. And bracing myself, I rose up on my knees, aiming blindly and slapping him. My palm stung- but he didn't move. I hit him again, pulling on that bond between us, shouting his name down it like it was a tunnel, banging on that wall of ebony adamant within his mind, roaring at it. A crack in the dark. And then his hands were on me, flipping me, pinning me with expert skill to the mattress, a taloned hand at my throat. I went still. 'Rhysand.' I breathed. Rhys, I said, through the bond, putting a hand against that inner shield. The dark shuddered. I threw my own power out- black to black, soothing his darkness, the rough edges, willing it to calm, to soften. My darkness sang his own a lullaby, a song my wet nurse had hummed when my mother had shoved me into her arms to go back to attending parties. 'It was a dream,' I said. His hand was so cold. 'It was a dream.' Again, the dark paused. I sent my own veils of night brushing up against it, running star-flecked hands down it. And for a heartbeat, the inky blackness cleared enough that I saw his face above me: drawn, lips pale, violet eyes wide- scanning. 'Feyre,' I said. 'I'm Feyre.' His breathing was jagged, uneven. I gripped the wrist that held my throat- held, but didn't hurt. 'You were dreaming.' I willed that darkness inside myself to echo it, to sing those raging fears to sleep, to brush up against that ebony wall within his mind, gentle and soft... Then, like snow shaken from a tree, his darkness fell away, taking mine with it. Moonlight poured in- and the sounds of the city.

So there are no dirges in Terrasen that are sung in a different language?” “No,” he said, drawing out the word as he pondered. “But I once heard that in the high court of Terrasen, when the nobility died, they sang their laments in the language of the Fae.” Chaol’s blood froze and he almost tripped, but he managed to keep walking and say, “Would these songs have been known by everyone—not just the nobility?” “Oh, no,” Sensel said, only half-listening as he recited whatever history was in his head. “Those songs were sacred to the court. Only those of noble blood ever learned or sang them. They were taught and sung in secret, their dead buried by the light of the moon, when no other ears could hear them. At least, that’s what rumor claimed. I’ll admit to my own morbid curiosity in that I’d hoped to hear them ten years ago, but by the time the slaughter had ended, there was no one left in those noble houses to sing them.” No one, except … You will always be my enemy.

You never asked about your present.' 'I assumed I wasn't getting one from you.' He pushed off the door frame and shut the door behind him. He took up all the air in the room just by standing there. 'Why?' She shrugged. 'I just did.' He pulled a small box from his jacket and set it on the bed between them. 'Surprise.' Cassian swallowed as she approached, the only sign that this meant something to him. Nesta's hands turned sweaty as she picked the box up, examining it. She didn't open it yet, though. 'I am sorry for how I behaved last Solstice. For how awful I was.' He'd gotten her a present then, too. And she hadn't cared, had been so wretched she'd wanted to hurt him for it. For caring. 'I know,' he said thickly. 'I forgave you a long time ago.' She still couldn't look at him, even as he said, 'Open it.' Her hands shook a little as she did, finding a silver ball nestled in the black velvet box. It was the size of a chicken egg, round save for one area that had been flattened so it might be set upon a surface and not roll. 'What is it?' 'Touch the top. Just a tap.' Throwing a puzzled glance at him, she did so. Music exploded into the room. Nesta leaped back, a hand at her chest as he laughed. But- music was playing from the silver orb. And not just any music, but the waltzes from the ball the other night, pure and free of any crowd chattering, as if she were sitting in a theatre to hear them. 'This isn't the Veritas orb,' she managed to say as the waltz poured out of the ball, so clear and perfect her blood sang again. 'No, it's a Symphonia, a rare device from Helion's court. It can trap music within itself, and play it back for you. It was originally invented to help compose music, but it never caught on, for some reason.' 'How did you get the crowd noise out when you trapped the sound the other night?' she marvelled. His cheeks stained with colour. 'I went back the next day. Asked the musicians at the Hewn City to play it all again for me, plus some of their favourites.' He nodded to the ball. 'And then I went to some of your favourite taverns and found those musicians and had them play...' He trailed off at her bowed head. The tears she couldn't stop. She didn't try to fight them as the music poured into the room. He had done all of this for her. Had found a way for her to have music- always. 'Nesta,' he breathed.

They had entombed her in darkness and iron. She slept, for they had forced her to—had wafted curling, sweet smoke through the cleverly hidden airholes in the slab of iron above. Around. Beneath. A coffin built by an ancient queen to trap the sun inside. Draped with iron, encased in it, she slept. Dreamed. Drifted through seas, through darkness, through fire. A princess of nothing. Nameless. The princess sang to the darkness, to the flame. And they sang back. There was no beginning or end or middle. Only the song, and the sea, and the iron sarcophagus that had become her bower. Until they were gone. Until blinding light flooded the slumbering, warm dark. Until the wind swept in, crisp and scented with rain. She could not feel it on her face. Not with the death-mask still chained to it. Her eyes cracked open. The light burned away all shape and color after so long in the dim depths. But a face appeared before her—above her. Peering over the lid that had been hauled aside. Dark, flowing hair. Moon-pale skin. Lips as red as blood. The ancient queen’s mouth parted in a smile. Teeth as white as bone. “You’re awake. Good.” Lovely and cold, it was a voice that could devour the stars. From somewhere, from the blinding light, rough and scar-flecked hands reached into the coffin. Grasped the chains binding her. The queen’s huntsman; the queen’s blade. He hauled the princess upright, her body a distant, aching thing. She did not want to slide back into this body. Struggled against it, clawing for the flame and the darkness that now ebbed away from her like a morning tide. But the huntsman yanked her closer to that cruel, beautiful face watching with a spider’s smile. And he held her still as that ancient queen purred, “Let’s begin.

She tried it on either side, backward, angled—but nothing. Just the same blank stone wall, illuminated by a shaft of moonlight from some vent above. She pushed against the stone, feeling for any door, any moveable panel. “But it’s the Eye of Elena! ‘It is only with the eye that one can see rightly’! What other eye is there?” “You could rip out your own and see if it fits,” Mort sang from the doorway.

Chaol had told himself that he was only following Celaena to make sure she didn’t hurt herself or anyone else, but as she’d neared the royal mausoleum, he followed for other reasons. The night provided good cover, but the moon was bright enough to keep him back, far enough away so she wouldn’t see or hear his approach. But then he saw where she had stopped, and realized he had no right to be here for this. He’d been about to turn away when she lifted her face to the moon and sang. It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande or anywhere else on the continent. This language was ancient, each word full of power and rage and agony. She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself.

You know what?” Bryce said. “Who cares about any of them? My father, the Avallen Fae—screw them.” Only with Hunt could she be dismissive about this. He’d have her back, no matter what. “At least, until we get my parents onto that train.” “You still haven’t given me a convincing plan for how that will happen. For all we know, they’re learning about this on the news.” “Oh, my phone would already be exploding if my mother had heard.” She ran a hand through her hair. “Maybe I should ask Fury to sneak into their hotel and disable their phones.” “Is it bad if I think she should go one step further and tie them up, throw them in the trunk of a car, and drive them home so they get there before the news breaks? Because that’s what Fury will likely do if you send her to that hotel.” Bryce laughed, and the sound sang through her like silver bells. “Okay, no Fury.” She looped her arm through Hunt’s, savoring the muscled mass of him as she steered them toward the low gate and sidewalk beyond. “Let’s watch old episodes of Beach House Hookeup and come up with ways to trick my parents.” One of his wings brushed along her back in the softest caresses. Every inch it touched lit up like firstlight. “Sounds like a normal Tuesday night.” They meandered home, and despite Bryce’s flippant words, she found herself slipping into a state of roiling darkness and thoughts like shooting stars.

And then Rhysand appeared. He had released the damper on his power, on who he was. His power filled the throne room, the castle, the mountain. The world. It had no end and no beginning. No wings. No weapons. No sign of the warrior. Nothing but the elegant, cruel High Lord the world believed him to be. His hands were in his pockets, his black tunic seeming to gobble up the light. And on his head sat a crown of stars. No sign of the male who had been drinking on the roof; no sign of the fallen prince kneeling on his bed. The full impact of him threatened to sweep me away. Here- here was the most powerful High Lord ever born. The face of dreams and nightmares. Rhys's eyes met mine briefly from across the room as he strolled between the pillars. To the throne that was his by blood and sacrifice and might. My own blood sang at the power that thrummed from him, at the sheer beauty of him.

Ruhn shook his head. “The sword doesn’t work like that. Aside from being picky about who draws it, the sword has no power without the knife.” “The knife?” Hunt asked. Ruhn drew the sword, the metal whining, and laid it on the table between them. Bryce leaned back, away from it, as a bead of starlight sang down the fuller and sparkled at the tip. “Fancy,” Hunt said, earning a glare from Ruhn, who had raised a brow at Bryce, no doubt expecting some kind of reverence from her at a sword that was older than this city, older than the Vanir’s first step in Midgard. “The sword was part of a pair,” Ruhn said to him. “A long-bladed knife was forged from the iridium mined from the same meteorite, which fell on our old world.” The world the Fae had left to travel through the Northern Rift and into Midgard. “But we lost the knife eons ago. Even the Fae Archives have no record of how it might have been lost, but it seems to have been sometime during the First Wars.” “It’s another of the Fae’s countless inane prophecies,” Bryce muttered. “When knife and sword are reunited, so shall our people be.” “It’s

the sword has no power without the knife.” “The knife?” Hunt asked. Ruhn drew the sword, the metal whining, and laid it on the table between them. Bryce leaned back, away from it, as a bead of starlight sang down the fuller and sparkled at the tip.

You hear it, too,” she panted. Hear—I couldn’t hear, but just feel— Amren’s small figure darted around a tent, wearing what looked to be Varian’s shirt. It came down to her knees, and its owner was indeed behind her, bare-chested as Rhys was, and wide-eyed. Amren’s bare feet were splattered in mud and grass. “It came here—its power. I can feel it—slithering around. Looking.” “The Cauldron,” Varian said, brows narrowing. “But—it’s aware?” “We pried too deep,” Amren said. “Battle aside, it knows where we are as much as we now know its location.” Nesta raised a hand. “Listen.” And I heard it then. It was a song and invitation, a cluster of notes sung by a voice that was male and female, young and old, haunting and alluring and— “I can’t hear anything,” Rhys said. “You were not Made,” Amren snapped. But we were. The three of us … Again, the Cauldron sang its siren song. My very bones recoiled. “What does it want?” I felt it pulling away—felt it sliding off into the night. Azriel stepped out of a shadow. “What is that,” he hissed. My brows rose. “You hear it?” A shake of the head. “No—but the shadows, the wind … They recoil.” The Cauldron sang again. Distant—withdrawing. “I think it’s leaving,” I whispered. Cassian stumbled and staggered for us a moment later, a hand braced on his chest, Mor on his heels. She did not so much as look at me, nor I her, as Rhys told them. Standing together in the dead of night— The Cauldron sang one final note—then went silent. The presence, the weight … vanished. Amren loosed a sigh. “Hybern knows where we are by now. The Cauldron likely wanted to have a look for itself. After we taunted it.” I rubbed at my face. “Let’s pray that’s the last we see of it.” Varian angled his head. “So you three … because you were Made, you can hear it? Sense it?” “It would appear so,” Amren said, looking inclined to tug him back to wherever they’d been, to finish what they’d no doubt still been in the middle of doing. But Azriel asked softly, “What about Elain?

It is punishable by death to speak of or to encourage magic. It is an affront to the gods, and an affront to me that you sang such a song in my hall.” Rena Goldsmith just stared at him, her eyes bright. She hadn’t struggled when his men grabbed her after the performance or even screamed when they’d beheaded her companion. As if she’d been expecting this. “Any last words?” A queer, calm rage settled over her lined face, and she lifted her chin. “I have worked for ten years to become famous enough to gain an invitation to this castle. Ten years, so I could come here to sing the songs of magic that you tried to wipe out. So I could sing those songs, and you would know that we are still here—that you may outlaw magic, that you may slaughter thousands, but we who keep the old ways still remember.

The music took form behind Nesta’s eyes as the priestesses sang lyrics in languages so old, no one voiced them anymore. She saw what the song spoke of: mossy earth and golden sun, clear rivers and the deep shadows of an ancient forest. The harp strummed, and mountains rolled ahead, as if a veil had been cleared with the stroke of those strings, and she was flying toward it—toward a massive, mist-veiled mountain, the land barren save for moss and stones and a gray, stormy sea around it. The mountain itself held two peaks at its very top, and the stones jutting from its sides were carved in strange, ancient symbols, as old as the song itself.

Am I so blind?” Celaena dumped her leather satchel on the floor, the books and papers spilling across the stones. “It appears so!” Mort sang.

Those songs were sacred to the court. Only those of noble blood ever learned or sang them. They were taught and sung in secret, their dead buried by the light of the moon, when no other ears could hear them.

But I once heard that in the high court of Terrasen, when the nobility died, they sang their laments in the language of the Fae.

But it’s the Eye of Elena! ‘It is only with the eye that one can see rightly’! What other eye is there?” “You could rip out your own and see if it fits,” Mort sang from the doorway.

But blade met cloth and rotting flesh and ancient bone. And for the first time, perhaps the only time in that world, a Reaper bled. It screamed, the sound as piercing as a hawk’s cry. The others keened in horror and rage. The Starsword sang with light, her power flowing into it. Activating it. And nothing had ever felt so right, so easy, as plunging the blade into the bony chest of the wounded Reaper. It arced, bellowing, black blood spurting from its withered lips. The others screamed then. So loud she thought the sewer might come down, so loud she nearly dropped the blade to cover her ears. The Reapers surged, but Cormac appeared before her in a plume of shadows. He grabbed her around the middle, nearly tackling her, and they were gone. Wind roared and the world spun out from beneath her, but— They landed inside the Aux training center. Ruhn was coughing on the floor beside her, the polished pine scrubbed clean except where the three of them dripped sewer water. “You can fucking teleport?” Bryce gasped out, twisting to where Cormac stood. But Cormac’s gaze was on the Starsword, his face ashen. Bryce peered at the blade she clenched in a white-knuckled grip. As if her hand refused to let go. With shaking fingers, she put it back into its sheath. Dimmed its light. But the Starsword still sang, and Bryce had no idea what to make of it. Of the blade that had slain that which was unkillable.

Hours later, the King of Adarlan stood at the back of the dungeon chamber as his secret guards dragged Rena Goldsmith forward. The butcher’s block at the center of the room was already soaked with blood. Her companion’s headless corpse lay a few feet away, his blood trickling toward the drain in the floor. Perrington and Roland stood silent beside the king, watching, waiting. The guards shoved the singer to her knees before the stained stone. One of them grabbed a fistful of her red-gold hair and yanked, forcing her to look at the king as he stepped forward. “It is punishable by death to speak of or to encourage magic. It is an affront to the gods, and an affront to me that you sang such a song in my hall.” Rena Goldsmith just stared at him, her eyes bright. She hadn’t struggled when his men grabbed her after the performance or even screamed when they’d beheaded her companion. As if she’d been expecting this. “Any last words?” A queer, calm rage settled over her lined face, and she lifted her chin. “I have worked for ten years to become famous enough to gain an invitation to this castle. Ten years, so I could come here to sing the songs of magic that you tried to wipe out. So I could sing those songs, and you would know that we are still here—that you may outlaw magic, that you may slaughter thousands, but we who keep the old ways still remember.” Behind him, Roland snorted. “Enough,” the king said, and snapped his fingers. The guards shoved her head down on the block. “My daughter was sixteen,” she went on. Tears ran over the bridge of her nose and onto the block, but her voice remained strong and loud. “Sixteen, when you burned her. Her name was Kaleen, and she had eyes like thunderclouds. I still hear her voice in my dreams.” The king jerked his chin to the executioner, who stepped forward. “My sister was thirty-six. Her name was Liessa, and she had two boys who were her joy.” The executioner raised his ax. “My neighbor and his wife were seventy. Their names were Jon and Estrel. They were killed because they dared try to protect my daughter when your men came for her.” Rena Goldsmith was still reciting her list of the dead when the ax fell.

Vengeance incarnate. Wrath’s bruised heart. She would bow for no one. Hunt’s lightning sang at the sight of that brutal, beautiful face.

kneeling with her in the grass as she tilted her face up to the moon and sang the final song, the sacred song of her household, the Fae lament she’d owed them for ten years.

Bryce stared at the fire, her face still splattered with the Archangel’s blood. And finally, she lifted her eyes. Right to the camera. To the world watching. Vengeance incarnate. Wrath’s bruised heart. She would bow for no one. Hunt’s lightning sang at the sight of that brutal, beautiful face.

Bryce walked calmly to the hidden supply closet. Pulled out a red plastic container. And dumped the entire gallon of gasoline on the Governor’s dismembered corpse. “Holy fuck,” Ruhn whispered, over and over. “Holy fuck.” The rest of the room didn’t so much as breathe too loudly. Even Sandriel had no words as Bryce grabbed a pack of matches from a drawer in her desk. She struck one, and tossed it onto the Governor’s body. Flames erupted. The fireproofing enchantments on the art around her shimmered. There would be no chance of salvation. Of healing. Not for Micah. Not after what he had done to Danika Fendyr. To the Pack of Devils. And Lehabah. Bryce stared at the fire, her face still splattered with the Archangel’s blood. And finally, she lifted her eyes. Right to the camera. To the world watching. Vengeance incarnate. Wrath’s bruised heart. She would bow for no one. Hunt’s lightning sang at the sight of that brutal, beautiful face. Time sped up, the flames devouring Micah’s body, crisping his wings to cinders. They spat him out as ashes. Sirens wailed outside the gallery as the Auxiliary pulled up at last. Bryce slammed the front door shut as the first of the Fae units and wolf packs appeared. No one, not even Sandriel, spoke a word as Bryce took out the vacuum from the supply closet. And erased the last trace of Micah from the world.

There, in the center of the chamber, sat a small, golden harp. Cold leached through Nesta, clarifying her thoughts enough to realize where she stood. That the music of the priestesses had lulled her into a trance, that her own bones and the stone of the mountain surrounding her had been her scrying tools, and she had drifted to this place … The Harp gleamed in the darkness, as if it possessed its own sun within the metal and strings. Play me, it seemed to whisper. Let me sing again. Join your voice with mine. Her hand reached toward the strings. Yes. The Harp sighed, a low purr rolling off it as Nesta’s hand neared. We shall open doors and pathways; we shall move through space and eons together. Our music will free us of earthly rules and borders. Yes. She’d play the Harp, and there would be nothing but music until the stars died out. Play. I have so long wished to play, it said, and she could have sworn she heard a smile within the sound. What might my song unlock in here? A cold, humorless laugh skittered along Nesta’s bones. It sang again, Play, play— The song halted, and the vision shattered. Nesta’s knees gave out as the room swept in, and she collapsed onto the pew, earning an alarmed look from Gwyn through the crowd. Her heart thundered, her mouth was dry as sand, and she forced herself to rise to her feet again. To listen to the end of the service as she pieced it all together, realized what she had discovered in her unwitting scrying.

Fight, fight, fight, her blood sang—do not let him cage you. Your mother went down fighting. She was a witch, and you are a witch, and you do not yield—you do not yield—

A large main room, with a small, shut door in the back. Floor-to-ceiling shelves lined the walls, crammed with bric-a-brac; books, shells, dolls, herbs, pottery, shoes, crystals, more books, jewels... From the ceiling and wood rafters hung all manner of chains, dead birds, dresses, ribbons, gnarled bits of wood, strands of pearls... A junk shop- of some immortal horder. And that hoarder... In the gloom of the cottage, there sat a large spinning wheel, cracked and dulled with age. And before that ancient spinning wheel, her back to me, sat the Weaver. Her thick hair was of richest onyx, tumbling down to her slender waist as she worked the wheel, snow-white hands feeding and pulling the thread around a thorn-sharp spindle. She looked young- her grey gown simple but elegant, sparkling faintly in the dim forest light through the windows as she sang in a voice of glittering gold.

This wasn’t just a breaking of her body. But a breaking of her—of the fire she’d come to love. To destroy the part of her that sang.

No,” he said, drawing out the word as he pondered. “But I once heard that in the high court of Terrasen, when the nobility died, they sang their laments in the language of the Fae.