Sandy Shores Quotes

We've searched our database for all the quotes and captions related to Sandy Shores. Here they are! All 39 of them:

He kissed me wildly, overwhelming me like a giant wave rushing to shore. I was soon lost in the turbulent grasp of his embrace and yet…I knew I was safe. His wild kiss drove me, pushed me, asked me questions I was unwilling to consider. But I was cherished by this dark Poseidon, and though he had the power to crush me utterly, to drown me in the purple depths of his wake, he held me aloft, separate. His passionate kiss changed. It gentled and soothed and entreated. Together we drifted towards a safe harbor. The god of the sea set me down securely on a sandy beach and steadied me as I trembled. Effervescent tingles shot through my limbs delighting me with surges of sparkling sensation like sandy toes tickled by bubbly waves. Finally, the waves moved away and I felt my Poseidon watching me from a distance. We looked at each other knowing we were forever changed by the experience. We both knew that I would always belong to the sea and that I would never be able to part from it and be whole again.
Colleen Houck
THE BAGPIPE WHO DIDN'T SAY NO It was nine o'clock at midnight at a quarter after three When a turtle met a bagpipe on the shoreside by the sea, And the turtle said, "My dearie, May I sit with you? I'm weary." And the bagpipe didn't say no. Said the turtle to the bagpipe, "I have walked this lonely shore, I have talked to waves and pebbles--but I've never loved before. Will you marry me today, dear? Is it 'No' you're going to say dear?" But the bagpipe didn't say no. Said the turtle to his darling, "Please excuse me if I stare, But you have the plaidest skin, dear, And you have the strangest hair. If I begged you pretty please, love, Could I give you just one squeeze, love?" And the bagpipe didn't say no. Said the turtle to the bagpipe, "Ah, you love me. Then confess! Let me whisper in your dainty ear and hold you to my chest." And he cuddled her and teased her And so lovingly he squeezed her. And the bagpipe said, "Aaooga." Said the turtle to the bagpipe, "Did you honk or bray or neigh? For 'Aaooga' when your kissed is such a heartless thing to say. Is it that I have offended? Is it that our love is ended?" And the bagpipe didn't say no. Said the turtle to the bagpipe, "Shall i leave you, darling wife? Shall i waddle off to Woedom? Shall i crawl out of your life? Shall I move, depart and go, dear-- Oh, I beg you tell me 'No' dear!" But the bagpipe didn't say no. So the turtle crept off crying and he ne'er came back no more, And he left the bagpipe lying on that smooth and sandy shore. And some night when tide is low there, Just walk up and say, "Hello, there," And politely ask the bagpipe if this story's really so. I assure you, darling children, the bagpipe won't say "No.
Shel Silverstein
When I go down by the sandy shore I can think of nothing I want more Than to live by the booming sea As the seagulls flutter round about me I can run about--when the tide is out With the wind and the sand and the sea all about And the seagulls are swirling and diving for fish Oh-to live by the sea is my only wish.
Jacqueline Kennedy Onassis
When I was a child, an angel came to say, A true friend is coming my warrior to sweep you away, It won’t be easy the path because it leads through hell, But if you’re faithful, it will be the greatest story to tell, You will move God’s daughters to a place of hope, Your story will teach everyone there is nothing they can’t cope, You will suffer a lot, but not one tear will you waste, Because for all that you do for me, you will be graced, For I am bringing you someone that wants to travel your trail, Someone you already met when you passed through heaven’s veil, A warrior, a friend that whispers your heart’s song, Someone that will run with you and pull your spirit along, Don’t you see the timing was love's fated throw, Because I put you both there to help one another grow, I am the writer of all great stories your chapters were written by me, You suffered, you cried because I needed you to see, That your faith in my ending goes far beyond two, It was going to change more hearts than both of you knew, So hush my child and wait for my loving hand, The last chapter is not written and still in the sand, It is up to you to finish, before the tide washes it away, All that is in your heart, I’ve put there for you to say, This is not about winning, loss or pain, I made you the way you are because true love stories are insane, I wrote you in heaven as I sat on its sandy shore, You know with all of my heart I loved you both more, There is no better ending two people seeing each other's heart, Together your spirits will never drift apart, Because two kindred spirits is what I made you to be, The waves and beach crashing together because of-- ME.
Shannon L. Alder
A bay is a noun only if water is dead. When bay is a noun, it is defined by humans, trapped between its shores and contained by the word. But the verb wiikwegamaa—to be a bay—releases the water from bondage and lets it live. “To be a bay” holds the wonder that, for this moment, the living water has decided to shelter itself between these shores, conversing with cedar roots and a flock of baby mergansers. Because it could do otherwise—become a stream or an ocean or a waterfall, and there are verbs for that, too. To be a hill, to be a sandy beach, to be a Saturday, all are possible verbs in a world where everything is alive. Water, land, and even a day, the language a mirror for seeing the animacy of the world, the life that pulses through all things, through pines and nuthatches and mushrooms. This is the language I hear in the woods; this is the language that lets us speak of what wells up all around us.[…] This is the grammar of animacy.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
The distant sea, lapping the sandy shore with measured sound; the nearer cries of the donkey-boys; the unusual scenes moving before her like pictures, which she cared not in her laziness to have fully explained before they passed away; the stroll down to the beach to breathe the sea-air, soft and warm on the sandy shore even at the end of November; the great long misty sea-line touching the tender-coloured sky; the white sail of a distant boat turning silver in some pale sunbeam: - it seemed as if she could dream her life away in such luxury of pensiveness, in which she made her present all in all, from not daring to think of the past, or wishing to contemplate the future.
Elizabeth Gaskell (North and South)
For I was reared in the great city, pent with cloisters dim, and saw naught lovely but the sky and stars. But thou, my babe! Shalt wander like a breeze By lakes and sandy shores, beneath the crags Of ancient mountains, and beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shall thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters, who from eternity doth teach Himself in all, and al things in himself Great universal teacher! He shall mold Thy spirit and by giving , make it ask.
Samuel Taylor Coleridge
At some point in the night she had a dream. Or it was possible that she was partially awake, and was only remembering a dream? She was alone among the rocks on a dark coast beside the sea. The water surged upward and fell back languidly, and in the distance she heard surf breaking slowly on a sandy shore. It was comforting to be this close to the surface of the ocean and gaze at the intimate nocturnal details of its swelling and ebbing. And as she listened to the faraway breakers rolling up onto the beach, she became aware of another sound entwined with the intermittent crash of waves: a vast horizontal whisper across the bossom of the sea, carrying an ever-repeated phrase, regular as a lighthouse flashing: Dawn will be breaking soon. She listened a long time: again and again the scarcely audible words were whispered across the moving water. A great weight was being lifted slowly from her; little by little her happiness became more complete, and she awoke. Then she lay for a few minutes marveling the dream, and once again fell asleep.
Paul Bowles (Up Above the World)
Beginning to slow down, my mother walked at a steady pace, cutting through the village and heading down to the sandy shore. The strength in her was admirable as she continued to carry me, even as she struggled to trek through the deep sand.
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
We had a little slave boy whom we had hired from some one, there in Hannibal. He was from the Eastern Shore of Maryland, and had been brought away from his family and his friends, half way across the American continent, and sold. He was a cheery spirit, innocent and gentle, and the noisiest creature that ever was, perhaps. All day long he was singing, whistling, yelling, whooping, laughing - it was maddening, devastating, unendurable. At last, one day, I lost all my temper, and went raging to my mother, and said Sandy had been singing for an hour without a single break, and I couldn't stand it, and wouldn't she please shut him up. The tears came into her eyes, and her lip trembled, and she said something like this - 'Poor thing, when he sings, it shows that he is not remembering, and that comforts me; but when he is still, I am afraid he is thinking, and I cannot bear it. He will never see his mother again; if he can sing, I must not hinder it, but be thankful for it. If you were older, you would understand me; then that friendless child's noise would make you glad.' It was a simple speech, and made up of small words, but it went home, and Sandy's noise was not a trouble to me any more.
Mark Twain (The Autobiography of Mark Twain)
I recall those beautiful summer mornings with my parents by the sandy beach of Belek. My father used to teach me how to ride waves. I remember him constantly emphasizing the fact that no wave, no matter how big it is should stir enough fear inside me to keep me glued to the shore. He used to repeat those words while glancing at my mother with a smile that could set the whole sea on fire. My mother, sitting on the beach, too afraid of the deep blue sea, contented herself with building sand castles, ones my father would step on trying to drag her hopelessly into water. Step on your sand castle and dive deep. Dive deep into the unknown. Life is damn too short for building sand castles.
Malak El Halabi
Wind waves on the lake break hard against the sharp rocks, but wash gently on sandy shores.
Tom Gillaspy (Fly Like An Eagle)
I lost Ike,' Aunt Josephine said, 'and I lost Lake Lachrymose. I mean, I didn't really lose it, of course. It's still down in the valley. But I grew up on its shores. I used to swim in it every day. I know which beaches were sandy and which were rocky. I knew all the islands in the middle of its waters and all the caves alongside it's shore. Lake Lachrymose felt like a friend to me. But when it took poor Ike away from me I was too afraid to go near it anymore. I stopped swimming in it. I never went to the beach again. I even put away all my books about it. The only way I can bear to look at it is from the Wide Window in the Library.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
Being pool-trained, I'm used to seeing four sides and a bottom. When that clarity is removed I get nervous. I imagine things. Sharks, the slippery sides of large fish, shaggy pieces of sunken frigates, dark corroded iron, currents. I can swim along the shore, my usual stroke rolled and tipped by the waves, the ribbed sandy bottom wiggling beneath me, but eventually I get spooked by the open-ended horizon, the cloudy blue thought of that sheer drop-the continental shelf.
Leanne Shapton (Swimming Studies)
If there was a predominant season in heaven, Jenny Flanigan believed it would be summer. The long days and warm nights felt endless no matter how rushed the rest of the year was. With summer came the sense that all of life slowed to smell the deep green grass, to watch fireflies dance on an evening breeze, or to hear the gentle lap of lake water against the sandy shore. Summer was barbecues and quiet conversation in the fading light of a nine o'clock sunset. It was cutoffs and flip-flops and afternoons on Lake Monroe.
Karen Kingsbury (Summer (Sunrise, #2))
Water was not my element. It dragged at my clothes as I swam. A little farther, I told myself. I could hear him coming, his arms stronger than mine from a lifetime of lifting marble. I felt the water shiver near my foot where he had grabbed and almost caught me. I looked back, and saw how close he was and how far the shore behind. Then his hand seized my ankle and yanked, pulling me to him like a rope, hand over hand, and then he had me up and by the throat, his face pressed to mine. I think he expected me to fight and claw. I didn’t fight. I seized him close around the ribs, holding my wrists so he could not get free. The sudden weight pulled us both under. He kicked and flailed back to the surface, but I was heavier than he had thought, and the waves slopped at our mouths. Let it be now, I prayed. At first I thought it was just the cold of the water. It crept up my fingers and my arms, which stiffed around him. He struggled and fought, but my hands were fused together and nothing he tried could break them. Then it was in my legs too, and my belly and my chest, and no matter how he kicked, he could not haul us back up to the air. He hit at me, but it was watery and weak and I felt nothing, just the solid circle of my arms, and the inexorable drag of my body. He had no chance, really. He was only flesh. We fell through the darkness, and the coolness slid up my neck and bled the color from my lips and cheeks. I thought of Paphos and how clever she was. I thought of her stone sister, peaceful on her couch. We fell through the currents and I thought of how the crabs would come for him, climbing over my pale shoulders. The ocean floor was sandy and soft as pillows. I settled into it and slept.
Madeline Miller (Galatea)
Surely it is obvious enough, if one looks at the whole world, that it is becoming daily better cultivated and more fully peopled than anciently. All places are now accessible, all are well known, all open to commerce; most pleasant farms have obliterated all traces of what were once dreary and dangerous wastes; cultivated fields have subdued forests; flocks and herds have expelled wild beasts; sandy deserts are sown; rocks are planted; marshes are drained; and where once were hardly solitary cottages, there are now large cities. No longer are (savage) islands dreaded, nor their rocky shores feared; everywhere are houses, and inhabitants, and settled government, and civilized life. What most frequently meets our view (and occasions complaint), is our teeming population: our numbers are burdensome to the world, which can hardly supply us from its natural elements; our wants grow more and more keen, and our complaints more bitter in all mouths, whilst Nature fails in affording us her usual sustenance. In very deed, pestilence, and famine, and wars, and earthquakes have to be regarded as a remedy for nations, as the means of pruning the luxuriance of the human race. . . .
Tertullian (A Treatise On The Soul)
But thou, my babe! shalt wander like a breeze By lakes and sandy shores, beneath the crags Of ancient mountain, and beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shalt thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters, who from eternity doth teach Himself in all, and all things in himself. Great universal Teacher! he shall mould Thy spirit, and by giving make it ask.
Samuel Taylor Coleridge
She's selling CDs on the corner, fifty cents to any stoner, any homeboy with a boner. Sleet and worse - the weather's awful. Will she live? It's very doubtful. Life out here is never healthful. She puts a CD in her Sony. It's the about the pony and a pie with pepperoni and a mom with warm, clean hands who doesn't bring home guys from bands or make some sickening demands. The cold wind bites like icy snakes. She tries to move but merely shakes. Some thief leans down and simply takes. Her next CD's called Land Of Food. No one there can be tattooed or mumble things that might be crude and everything to eat is free, there's always a big Christmas tree and crystal bowls of potpourri. She's weak but still she play one more: She's on a beach with friends galore. They scamper down the sandy shore to watch the towering waves cascade and marvel at the cute mermaids who call to her and serenade. She can't resist. the water's fine. The rocks are like a kind of shrine. The foam goes down like scarlet wine. One cop stands up and says, "She's gone." The other shakes his head and yawns. It's barely 10:00, and life goes on.
Ron Koertge (Lies, Knives, and Girls in Red Dresses)
If you never knew the worlds in my mind your sense of loss would be small pity and we’ll forget this on the trail. Take what you’re given and turn away the screwed face. I do not deserve it, no matter how narrow the strand of your private shore. If you will do your best I’ll meet your eye. It’s the clutch of arrows in hand that I do not trust bent to the smile hitching my way. We aren’t meeting in sorrow or some other suture bridging scars. We haven’t danced the same thin ice and my sympathy for your troubles I give freely without thought of reciprocity or scales on balance. It’s the decent thing, that’s all. Even if that thing is a stranger to so many. But there will be secrets you never knew and I would not choose any other way. All my arrows are buried and the sandy reach is broad and all that’s private cools pinned on the altar. Even the drips are gone, that child of wants with a mind full of worlds and his reddened tears. The days I feel mortal I so hate. The days in my worlds, are where I live for ever, and should dawn ever arrive I will to its light awaken as one reborn. Poet’s Night iii.iv The Malazan Book of the Fallen Fisher kel Tath
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
Heaven’s Door" I’d search the world for Heaven’s Door, Over mountains and valleys, each sandy shore. I’d find the stairway, soaring through clouds, I'd climb each step, without making a sound. I’d arrive at the door of glimmering gold, I’d slip through unnoticed, not stirring a soul. I’d gasp at its beauty, at its rivers and trees, I’d stray from the paths, I’d hide among leaves. I’d tiptoe unseen, under sun and sky blue, I’d search every corner until I found you. I’d capture a tear, catch a glimpse of your hair, As you danced and you twirled, without any care. You’d smile and you’d laugh, like a bird you’d be free, I’d try not to cry, you’re there without me. I’d stay my hand from touching your face, From calling your name, to feel your embrace. You’d open your mouth and your voice would be pure, I’d treasure the sound, no more pain you’d endure. I’d stay ‘til the sunset, when I’d have to leave, A pain in my heart, my spirit in grief. I’d blow you a kiss, let it drift to the sky, I’d whisper ‘I love you’ and bid you goodbye. I'd pass through the door, I’d descend out of view, Knowing that one day, some day, I’d again be with you. - Elsie
Tillie Cole (Sweet Soul (Sweet Home, #4; Carillo Boys, #3))
She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.
Alice Sebold (The Lovely Bones)
Billos ran. He tore down the shore, bounded up on the rock, and dove into the air. The warm water engulfed him. A boiling heat knocked the wind from his lungs. The shock alone might kill him. But it was pleasure that surged through his body, not pain. The sensations coursed through his bones in great unrelenting waves. Elyon. How he was certain, he did not know. But he knew. Elyon was in this lake with him. Billos opened his eyes. Gold light drifted by. He lost all sense of direction. The water pressed in on every inch of his body, as intense as any acid, but one that burned with pleasure instead of pain. He sank into the water, opened his mouth and laughed. He wanted more, much more. He wanted to suck the water in and drink it. Without thinking, he did just that. The liquid hit his lungs. Billos pulled up, panicked. He tried to hack the water from his lungs, but inhaled more instead. No pain. He carefully sucked more water and breathed it out slowly. Then again, deep and hard. Out with a soft whoosh. He was breathing the water! Billos shrieked with laughter. He swam into the lake, deeper and deeper. The power contained in this lake was far greater than anything he'd ever imagined. "I made this, Billos." Billos whipped his body around, searching for the words' source. "Elyon?" His voice was muffled, hardly a voice at all. "Do you like it?" "Yes!" Billos said. He might have spoken; he might have shouted--he didn't know. He only knew that his whole body screamed it. Billos looked around. "Elyon?" "Why do you doubt me, Billos?" In that single moment the full weight of Billos's foolishness crashed on him like a sledgehammer. "I see you, Billos." "I made you." "I love you." The words crashed over him, reaching into the deepest folds of his flesh, caressing each hidden synapse, flowing through every vein, as though he had been given a transfusion. "I choose you, Billos." Billos began to weep. The feeling was more intense than any pain he had ever felt. The current pulled at him, tugging him up through the colors. His body trembled with pleasure. He wanted to speak, to yell, to tell the whole world that he was the most fortunate person in the universe. That he was loved by Elyon. Elyon himself. "Never leave me, Billos." "Never! I will never leave you." The current pushed him through the water and then above the surface not ten meters from the shore. He stood on the sandy bottom. For a moment he had such clarity of mind that he was sure he could understand the very fabric of space if he put his mind to it. He was chosen. He was loved.
Ted Dekker (Renegade (The Lost Books, #3))
To Zinkoff and to all the kids in this brick-and-hoagie town, summer is like a great warm shallow lake. Some frolic and splash. Some strike out for the distant shore, too far away to see. Some just stand there, digging their toes into the sandy bottom. It is warm and sunny and lazy and you can leave your feet if you want to, because in the warm waters of summer, everybody floats.
Jerry Spinelli (Loser)
A beautiful, majestic, and awe-inspiring sea awaits you. And you are welcome to enter however you see fit - to wade, to walk lightly, to swim for your life, or to sail. The decision is yours. No one will stop you from returning to the sandy towel on the shore if you desire. But I’d like to think you chose to come to the sea for a reason. You have been called to the sea. There is something here that you need, and it has awaited your arrival for quite some time.
Stephen Lovegrove (How to Find Yourself, Love Yourself, & Be Yourself: The Secret Instruction Manual for Being Human)
As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.
C.G. Jung (The Red Book: Liber Novus)
sandy-haired, friendly, smiling, small-town attorney of Pennington, had been born in 1950 in a roach-infested Newark slum. His father had been a construction worker fully employed through World War II and Korea creating new factories, dockyards and government offices along the Jersey Shore. But with the ending of the Korean War, work had dried up. Cal was five when his mother walked out of the loveless union and left the boy to be raised by his father. The latter was a hard man, quick with his fists, the only law on many blue-collar jobs. But he was not a bad man and tried to live by the straight and narrow, and to raise his toddler son to love Old Glory, the Constitution and Joe DiMaggio. Within two years, Dexter Senior had acquired a trailer home so that he could move where the work was available. And that was how the boy was raised, moving from construction site to site, attending whichever school would take him, and then moving on. It was the age of Elvis Presley, Del Shannon, Roy Orbison and the Beatles, over from a country Cal had never heard of. It was also the age of Kennedy, the Cold War and Vietnam. His formal education was fractured to the point of near nonexistence, but he became wise in other ways: streetwise, fight-wise. Like his departed mother, he did not grow tall, topping out at five feet eight inches. Nor was he heavy and muscular like his father, but his lean frame packed fearsome stamina and his fists a killer punch. By seventeen, it looked as if his life would follow that of his father, shoveling dirt or driving a dump truck on building sites. Unless . . . In January 1968 he turned eighteen, and the Vietcong launched the Têt Offensive. He was watching TV in a bar in Camden. There was a documentary telling him about recruitment. It mentioned that if you shaped up, the Army would give you an education. The next day, he walked into the U.S. Army office in Camden and signed on. The master sergeant was bored. He spent his life listening to youths doing everything in their power to get out of going to Vietnam. “I want to volunteer,” said the youth in front of him. The master sergeant drew a form toward him, keeping eye contact like a ferret that does not want the rabbit to get away. Trying to be kindly, he suggested
Frederick Forsyth (The Cobra)
By the shore of Gitche Gumee, By the shining Big-Sea-Water, At the doorway of his wigwam, In the pleasant Summer morning, Hiawatha stood and waited. All the air was full of freshness, All the earth was bright and joyous, And before him, through the sunshine, Westward toward the neighboring forest Passed in golden swarms the Ahmo, Passed the bees, the honey-makers, Burning, singing in the sunshine. Bright above him shone the heavens, Level spread the lake before him; From its bosom leaped the sturgeon, Sparkling, flashing in the sunshine; On its margin the great forest Stood reflected in the water, Every tree-top had its shadow, Motionless beneath the water. From the brow of Hiawatha Gone was every trace of sorrow, As the fog from off the water, As the mist from off the meadow. With a smile of joy and triumph, With a look of exultation, As of one who in a vision Sees what is to be, but is not, Stood and waited Hiawatha. Toward the sun his hands were lifted, Both the palms spread out against it, And between the parted fingers Fell the sunshine on his features, Flecked with light his naked shoulders, As it falls and flecks an oak-tree Through the rifted leaves and branches. O'er the water floating, flying, Something in the hazy distance, Something in the mists of morning, Loomed and lifted from the water, Now seemed floating, now seemed flying, Coming nearer, nearer, nearer. Was it Shingebis the diver? Or the pelican, the Shada? Or the heron, the Shuh-shuh-gah? Or the white goose, Waw-be-wawa, With the water dripping, flashing, From its glossy neck and feathers? It was neither goose nor diver, Neither pelican nor heron, O'er the water floating, flying, Through the shining mist of morning, But a birch canoe with paddles, Rising, sinking on the water, Dripping, flashing in the sunshine; And within it came a people From the distant land of Wabun, From the farthest realms of morning Came the Black-Robe chief, the Prophet, He the Priest of Prayer, the Pale-face, With his guides and his companions. And the noble Hiawatha, With his hands aloft extended, Held aloft in sign of welcome, Waited, full of exultation, Till the birch canoe with paddles Grated on the shining pebbles, Stranded on the sandy margin, Till the Black-Robe chief, the Pale-face, With the cross upon his bosom, Landed on the sandy margin. Then the joyous Hiawatha Cried aloud and spake in this wise: "Beautiful is the sun, O strangers, When you come so far to see us! All our town in peace awaits you, All our doors stand open for you; You shall enter all our wigwams, For the heart's right hand we give you. "Never bloomed the earth so gayly, Never shone the sun so brightly, As to-day they shine and blossom When you come so far to see us! Never was our lake so tranquil, Nor so free from rocks, and sand-bars; For your birch canoe in passing Has removed both rock and sand-bar. "Never before had our tobacco Such a sweet and pleasant flavor, Never the broad leaves of our cornfields Were so beautiful to look on, As they seem to us this morning, When you come so far to see us!' And the Black-Robe chief made answer, Stammered in his speech a little, Speaking words yet unfamiliar: "Peace be with you, Hiawatha, Peace be with you and your people, Peace of prayer, and peace of pardon, Peace of Christ, and joy of Mary!" Then the generous Hiawatha Led the strangers to his wigwam, Seated them on skins of bison, Seated them on skins of ermine, And the careful old Nokomis
Longfellow Henry Wadsworth (The Complete Poetical Works Longfellow)
The Common Perch, _Perca flavescens_, which name describes well the gleaming, golden reflections of its scales as it is drawn out of the water, its red gills standing out in vain in the thin element, is one of the handsomest and most regularly formed of our fishes, and at such a moment as this reminds us of the fish in the picture which wished to be restored to its native element until it had grown larger; and indeed most of this species that are caught are not half grown. In the ponds there is a light-colored and slender kind, which swim in shoals of many hundreds in the sunny water, in company with the shiner, averaging not more than six or seven inches in length, while only a few larger specimens are found in the deepest water, which prey upon their weaker brethren. I have often attracted these small perch to the shore at evening, by rippling the water with my fingers, and they may sometimes be caught while attempting to pass inside your hands. It is a tough and heedless fish, biting from impulse, without nibbling, and from impulse refraining to bite, and sculling indifferently past. It rather prefers the clear water and sandy bottoms, though here it has not much choice. It is a true fish, such as the angler loves to put into his basket or hang at the top of his willow twig, in shady afternoons along the banks of the stream. So many unquestionable fishes he counts, and so many shiners, which he counts and then throws away. Old Josselyn in his "New England's Rarities," published in 1672, mentions the Perch or River Partridge.
Henry David Thoreau (A Week on the Concord and Merrimack Rivers (Writings of Henry D. Thoreau))
I woke up as the first light began to bring an orange glow to the tops of the whispering pines (and sky) above me at 5:43 but lay still to avoid waking Hope for another half-hour. She had suffered through a tough and mostly sleepless night, and I wanted to give her every second I could as the next week promised to be very stressful for her (and me), and that was if everything went according to plan. At a few minutes after six, she either sensed the growing light or my wakefulness and shifted to give me a wet kiss. We both moved down towards the slit in the bottom of my Hennessy hammock and dropped out and down onto the pine needles to explore the morning. Both of us went a ways into the woods to take care of early morning elimination, and we met back by the hammock to discuss breakfast. I shook out some Tyler kibble (a modified GORP recipe) for me and an equal amount of Hope’s kibble for her. As soon as we had scarfed down the basic snack, we picked our way down the sloping shore to the water’s edge, jumped down into the warm water (relative to the cool morning air at any rate) for a swim as the sun came up, lighting the tips of the tallest pines on the opposite shore. Hope and I were bandit camping (a term that I had learned soon after arriving in this part of the world, and enjoyed the feel of), avoiding the established campsites that ringed Follensby Clear Pond. We found our home for the last seventeen days (riding the cooling August nights from the full moon on the ninth to what would be a new moon tonight) near a sandy swimming spot. From there, we worked our way up (and inland) fifty feet back from the water to a flat spot where some long-ago hunter had built/burned a fire pit. We used the pit to cook some of our meals (despite the illegality of the closeness to the water and the fire pit cooking outside an approved campsite … they call it ‘bandit camping’ for a reason). My canoe was far enough up the shore and into the brush to be invisible even if you knew to look for it, and nobody did/would/had. After we had rung a full measure of enjoyment out of our quiet morning swim, I grabbed the stringer I had anchored to the sandy bottom the previous afternoon after fishing, pulled the two lake trout off, killed them as quickly/painlessly/neatly as I could manage, handed one to Hope, and navigated back up the hill to our campsite. I started one of the burners on my Coleman stove (not wanting to signal our position too much, as the ranger for this area liked morning paddles, and although we had something of an understanding, I didn’t want to put him in an uncomfortable position … we had, after all, been camping far too long in a spot too close to the water). Once I had gutted/buttered/spiced the fish, I put my foil-wrapped trout over the flame (flipping and moving it every minute or so, according to the sound/smell of the cooking fish); Hope ate hers raw, as is her preference. It was a perfect morning … just me and my dog, seemingly alone in the world, doing exactly what we wanted to be doing.
Jamie Sheffield (Between the Carries)
Time-washed - A Haiku Feelings ebb and flow, Sandy shore of fleeting time, Footprints of the heart.
Amogh Swamy (On My Way To Infinity: A Seeker's Poetic Pilgrimage)
After another forty-five minutes, the train reached the station at Heron's Point, a seaside town located in the sunniest region in England. Even now in autumn, the weather was mild and clear, the air humid with healthful sea breezes. Heron's Point was sheltered by a high cliff that jutted far out into the sea and helped to create the town's own small climate. It was an ideal refuge for convalescents and the elderly, with a local medical community and an assortment of clinics and therapeutic baths. It was also a fashionable resort, featuring shops, drives and promenades, a theatre, and recreations such as golf and boating. The Marsdens had often come here to stay with the duke's family, the Challons, especially in summer. The children had splashed and swum in the private sandy cove, and sailed near the shore in little skiffs. On hot days they had gone to shop in town for ices and sweets. In the evenings, they had relaxed and played on the Challons' back veranda, while music from the town band floated up from the concert pavilion. Merritt was glad to bring Keir to a familiar place where so many happy memories had been created. The seaside house, airy and calm and gracious, would be a perfect place for him to convalesce.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
The gray-blue water, the patchwork of sandy and rocky shore--- it was breathtaking. I had the urge to run out there right at that moment and dig for clams, or lift up rocks and look for crabs, or strip down and swim to the buoy the way I had done in the summers of my childhood. I wanted to immerse myself in that big, beautiful, mysterious body of water.
Sarah Jio (The Violets of March)
The river spilled out into a vast lake, with a sandy shore that was dotted with constructions that appeared to be small, hastily-constructed shrines.
Storm Constantine (Calenture)
Reminiscences of yet a young life's battles and hard struggles came surging into the mind in quick succession: events of boyhood, of youth, and manhood; perils, travels, scenes, joys, and sorrows; loves and hates; friendships and indifferences. My mind followed the various and rapid transition of my life's passages; it drew the lengthy, erratic, sinuous lines of travel my footsteps had passed over. If I had drawn them on the sandy floor, what enigmatical problems they had been to those around me, and what plain, readable, intelligent histories they had been to me! The loveliest feature of all to me was the form of a noble, and true man, who called me son. Of my life in the great pine forests of Arkansas, and in Missouri, I retained the most vivid impressions. The dreaming days I passed under the sighing pines on the Ouachita's shores; the new clearing, the block-house, our faithful black servant, the forest deer, and the exuberant life I led, were all well remembered. And I remembered how one day, after we had come to live near the Mississipi, I floated down, down, hundreds of miles, with a wild fraternity of knurly giants, the boatmen of the Mississipi, and how a dear old man welcomed me back, as if from the grave. I remembered also my travels on foot through sunny Spain, and France, with numberless adventures in Asia Minor, among Kurdish nomads. I remembered the battle-fields of America and the stormy scenes of rampant war. I remembered gold mines, and broad prairies, Indian councils, and much experience in the new western lands. I remembered the shock it gave me to hear after my return from a barbarous country of the calamity that had overtaken the fond man whom I called father, and the hot fitful life that followed it. Stop!
Henry Morton Stanley (How I Found Livingstone: Enriched edition. Travels, adventures, and discoveres in Central Africa, including an account of four months' residence with Dr. Livingstone, by Henry M. Stanley)
Sarah and her family roused to a long-awaited call from the lookout, the call even John had begun to think might never come. “Land, ho!” the lookout bellowed. Scrambling from every corner of the ship, the passengers raced to the top deck. They peered over the ocean to the western horizon. A low, dim mass showed dark in the chilly November morning. People rubbed their eyes to make sure the thin hump was real. They sailed closer. A bleak and sandy shore with a few trees appeared. “Land!” Sarah screamed. “Land!” a hundred throats echoed her grateful cry.
Colleen L. Reece (American Dream: The New World, Colonial Times, and Hints of Revolution (Sisters in Time))
The Bay of Calvi twinkled under a cloudless sky. It was mid-summer on the Mediterranean island of Corsica, and the weather couldn’t have been more perfect. A collection of multi-million dollar pleasure yachts — all polished and smoothed until they gleamed — rested in a spacious marina built into one side of the bay. The turquoise water had a clarity that seemed to be the trademark for these kind of exotic locations. It lapped gently at the sandy shore, adding soft background noise to the serene ambience of the bay.  The
Matt Rogers (Reloaded (Jason King, #3))
One great pleasure they enjoyed together was bathing. The Homestead possessed a little cove of its own under the rocks, where there was a bathing-house, and full perfection of arrangement for young ladies' aquatic enjoyment, in safety and absolute privacy. Rachel's vigorous strength and health had been greatly promoted by her familiarity with salt water, and Bessie was in ecstasies at the naiad performances they shared together on the smooth bit of sandy shore, where they dabbled and floated fearlessly. One morning, when they had been down very early to be beforehand with the tide, which put a stop to their enjoyment long before the breakfast hour, Bessie asked if they could not profit by their leisure to climb round the edge of the cliff's instead of returning by the direct path, and Rachel agreed, with the greater pleasure, that it was an enterprise she had seldom performed. Very beautiful, though adventurous, was the walk—now on the brow of the steep cliff, looking down on the water or on little bays of shingle, now through bits of thicket that held out brambles to entangle the long tresses streaming on their shoulders;
Charlotte Mary Yonge (Clever Woman of the Family)
The brig Henrietta having made Sandy Hook a little before the dinner hour – and having passed the Narrows about three o’clock – and then crawling to and fro, in a series of tacks infinitesimal enough to rival the calculus, across the grey sheet of the harbour of New-York – until it seemed to Mr Smith, dancing from foot to foot upon deck, that the small mound of the city waiting there would hover ahead in the November gloom in perpetuity, never growing closer, to the smirk of Greek Zeno – and the day being advanced to dusk by the time Henrietta at last lay anchored off Tietjes Slip, with the veritable gables of the city’s veritable houses divided from him only by one hundred foot of water – and the dusk moreover being as cold and damp and dim as November can afford, as if all the world were a quarto of grey paper dampened by drizzle until in danger of crumbling imminently to pap: – all this being true, the master of the brig pressed upon him the virtue of sleeping this one further night aboard, and pursuing his shore business in the morning. (He meaning by the offer to signal his esteem, having found Mr Smith a pleasant companion during the slow weeks of the crossing.) But Smith would not have it. Smith,
Francis Spufford (Golden Hill)