Dustin Hoffman Movie Quotes

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The varying physical characteristics of the actors may also necessitate changes. Sean Connery is six feet four. Dustin Hoffman isn't.
Sidney Lumet (Making Movies)
I was asked to write something for the movie Hero, starring Dustin Hoffman and Geena Davis. Tommy had agreed I would submit a song for the film, to be sung by Gloria Estefan, who was on Epic Records (Sony, Tommy’s label, was the parent company). I knew that Luther Vandross was also writing a song for the soundtrack, so I would be in great company.
Mariah Carey (The Meaning of Mariah Carey)
After dinner yesterday, I went to the movies and saw Meryl Streep in Sophie’s Choice. Hitler’s invasion of Poland only figured in the film. In the film, Meryl Streep divorces Dustin Hoffman, but then in a commuter train she meets this civil engineer played by Robert De Niro, and remarries. A pretty all-right movie.
Haruki Murakami (The Elephant Vanishes)
The Graduate, an Oscar-winning movie that appeared in late 1967, dramatized these changes. It featured a young man (Dustin Hoffman) who was in no way a hippie, a user of drugs, or a political radical. But he seemed unconnected to traditional values. Alienated from many things, he felt no kinship with fraternity men at his university or with materialistic adults of the older generation.
James T. Patterson (Grand Expectations: The United States, 1945-1974 (Oxford History of the United States Book 10))
And then Dustin Hoffman just blasted open the door for actors. Dustin was a student of Lee Strasberg’s at the Actors Studio when I started to hear about him. You would pick up on other students discussing him with a strange reverence, like he was a ghost or a wanted criminal. There was such energy around his name you had to see him for yourself, to see if he lived up to his formidable reputation. And then Mike Nichols got hold of him, all of him, for The Graduate. The Graduate was contemporary and of the moment, a commentary on the world we were living in, and it fit him perfectly. It came along at the right time, right when we were ready for it. And its success made Dustin a movie star supreme. I was working up in Boston when The Graduate opened, and I said, this is it, man—it’s over. He’s broken the sound barrier. The excitement for me was in seeing an artist doing something so well, something original, that you recognized had never been done before.
Al Pacino (Sonny Boy)
Dustin Hoffman once said to me, “Alec, we’re all in line; some of us are just in a shorter line.” It was a very wise statement, because that competition between performers to get scripts and parts is very real and very aggressive, even to people at his level. The biggest stars in the world, when I came into this business there was Nicholson, De Niro, Pacino, Hoffman, and Michael Douglas—a lot of great movie stars, and they were all jockeying to get material. That’s something that never changes. The preciousness of good writing, it’s very tough to come by.
James Andrew Miller (Powerhouse: The Untold Story of Hollywood's Creative Artists Agency)