Sandy Cheeks Quotes

We've searched our database for all the quotes and captions related to Sandy Cheeks. Here they are! All 24 of them:

Sought we the Scrivani word-work of Surthur Long-lost in ledger all hope forgotten. Yet fast-found for friendship fair the book-bringer Hot comes the huntress Fela, flushed with finding Breathless her breast her high blood rising To ripen the red-cheek rouge-bloom of beauty. “That sort of thing,” Simmon said absently, his eyes still scanning the pages in front of him. I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there. No, it was almost as if up until that point, he’d just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually saw him. Let me say this. It was worth the whole awful, irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn’t notice it herself. It wasn’t dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost too fast for you to see. But still, you know it’s there, down where you can’t see, kindling.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Stupidity ain't a virus, but it's sure is spreadin' like one. - Sandy Cheeks
Stephen Hillenburg (Sponge Bob Squarepants: Greetings from Bikini Bottom)
The voice called his name again and it came through a lot of throat. Steven twisted quickly on his stool. Just a white wall and, down near the floor, the ventilation grille. Then movement behind the grille and Steven was on his knees, peering through it, pressing his face against the mesh. In there, in the shadows beyond the spill of light from the hall, the outline of an anvil-shaped head swayed gently. Two eyes blinked limpidly, insolent in their slowness. A dark mass moved forward into the light. “That Cripps man is going to fuck you up, dude.” It was a cow. Most of the body was below floor level but Steven could tell it was a full grown animal. A sienna Guernsey. He looked closely at the flawless sandy curves of forehead and cheek, at the chocolate darkening of the mouth and nostrils, at the badger rings around the eyes. For an absurd second he thought that if he looked hard enough at it the thing might phase back into his head and disappear. But it was real and it stayed. “What … ?” “Yeah, I’m a cow, man. Touch me.” Steven stuck his fingers through the grille. The cow was a cow, warm and solid.
Matthew Stokoe (Cows)
Sandy’s cheek twitched. The spinach slid slightly down his face.
T.J. Klune (Tell Me It's Real (At First Sight #1))
Water was not my element. It dragged at my clothes as I swam. A little farther, I told myself. I could hear him coming, his arms stronger than mine from a lifetime of lifting marble. I felt the water shiver near my foot where he had grabbed and almost caught me. I looked back, and saw how close he was and how far the shore behind. Then his hand seized my ankle and yanked, pulling me to him like a rope, hand over hand, and then he had me up and by the throat, his face pressed to mine. I think he expected me to fight and claw. I didn’t fight. I seized him close around the ribs, holding my wrists so he could not get free. The sudden weight pulled us both under. He kicked and flailed back to the surface, but I was heavier than he had thought, and the waves slopped at our mouths. Let it be now, I prayed. At first I thought it was just the cold of the water. It crept up my fingers and my arms, which stiffed around him. He struggled and fought, but my hands were fused together and nothing he tried could break them. Then it was in my legs too, and my belly and my chest, and no matter how he kicked, he could not haul us back up to the air. He hit at me, but it was watery and weak and I felt nothing, just the solid circle of my arms, and the inexorable drag of my body. He had no chance, really. He was only flesh. We fell through the darkness, and the coolness slid up my neck and bled the color from my lips and cheeks. I thought of Paphos and how clever she was. I thought of her stone sister, peaceful on her couch. We fell through the currents and I thought of how the crabs would come for him, climbing over my pale shoulders. The ocean floor was sandy and soft as pillows. I settled into it and slept.
Madeline Miller (Galatea)
Hey lady.” Sandy wrapped her arms around Darcy’s neck and kissed her cheek quickly. “So, are we burning anything of his in some occult ritual that will curse him and all his unborn children till the end of their days, or are we just going to key his car?
D.A. Rhine (Vampires of the Chesapeake: Kian MacTiernan (Vampires of the Chesapeake #1))
I never cared for poetry," I said. "Your loss," Sim said absently as he turned a few pages. "Eld Vintic poetry's thunderous. It pounds at you." "What's the meter like?"I asked, curious despite myself. "I don't know anything about meter," Simmon said distractedly he ran his finger down the page in front of him. "It's like this: "Sought we the Scrivani word-work of Surthur Long-lost in ledger all hope forgotten Yet fast-found for friendship fair the book-bringer Hot comes the huntress Fela, flushed with finding Breathless her breast her high blood rising To ripen the red-cheek rouge-bloom of beauty. "That sort of thing," Simmon said absently, his eyes still scanning the pages in front of him. I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there. No, it was almost s if up until that point, he'd just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually *saw* him. Let me say this. It was worth the whole awful , irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn't notice it herself. It wasn't dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost fast for you to see. But still, you know it's there, down where you can't see, kindling.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Nervousness from earlier surged back into me. Goodness. He was honey poured over an athletic body. Short, sandy-blond curls outlined his face, which boasted full lips, high cheek bones, and long lashes that any woman would envy. Even with those soft features, his face appeared hard and sculpted by an artist.
Kenya Wright (Flirting with Chaos (Crazy in Love, #1))
I remember, the first time I saw you.” I did too, something seared into my memory, but it wasn’t about me, right then. “You were this… fierce thing,” he said, moving the wipe to my left eye, pressing carefully to the eyelid. “Tall and gorgeous and fucking bitchy as all hell.” He set the wipe down behind me and then pulled out another. He started in on the other eye. “And I didn’t think I’d ever seen anything as amazing as you before.” My throat clicked audibly as I wondered where this was leading to. Because he was talking about Helena, not me. “You were with Paul,” he continued. “Though I didn’t know who he was at the time. All I wanted to do was find out who you were.” He finished with my eyes and used another wipe on my cheeks. My lips, though, there wasn’t much lipstick left. He didn’t say much more until he’d finished. By the time he sat back, my skin felt raw and my heart was tripping all over itself in my chest. “And then you disappeared,” he said. “But you came back. As her.” I froze. He sighed and took my hands in his. “You were Sandy when I first saw you,” he said, squeezing my fingers. “You were Helena when I saw you again.” His eyes darted away. “And you were Sandy when I was an asshole. That was on me, and I don’t know that I’ll ever forgive myself for that.” He took a deep breath and let it out slow. “I don’t care if you’re Helena. I don’t care if you never put on a wig again. I will take anything you’re willing to give me. But just know that it was you I saw first, Sandy. Not her. I don’t need her or whatever division you think exists. I don’t want just part of you. I want all of you.
T.J. Klune (The Queen & the Homo Jock King (At First Sight, #2))
I still cherish my childhood memories of the sun opening the dusky eyelids of the west and the misty mornings against the backdrop of of Kgalatlou Mountain. The green prime of summer, twingling leaves of acacia yrees of Manthakge Plains, pure clear sky, the smooth plough fields and lush green meadows. In winter, that green carpet will be replaced by drearily looking land like a dim picture of the drowned past, all signs of life and feeling gone out of it, with the plough fields scorched and naked, the streams of Manyane silent, and the grass of the meadows looking like burned powder.  I still remember and cherish the touch of autumn nights and the ruddy moon leaning over Madibong. When I think about this, a sorrowful silent tear always roll down my cheek, I become sad and gripped by grief because of what has now become of the land of my forefathers. I have known and cherished its distinguished  rocks, fauna, and flora since I could stand and walk. I know its mountain slopes, plains, its rocks, and bushes like the veins and knuckles at the back of my hand. The ever changing beauty of Leolo Mountains, from the aloes of Segodi Boulders to the lilies of Legaletlweng; the imposing Letheleding Boulders towering over Manyane Dale. The interesting contrast of granite ingenious sedimentary rocks of Leolo Mountains and the red sand rock of Seolwane Mountain, the red sandy soil of Leruleng, the dark clay soil of Marakane and the red fertile loom soil of Sehalbeng Plains. The Magnetite rocks Ga - Sethadi and the shale rocks of Malatjane.
Pekwa Nicholas Mohlala
Sandy and her mother arrived at the police station, both were red-eyed. Blotchy cheeks showed where makeup had been wiped from their faces. Dolores looked worried. Sandy was focused—a hardened, determined look on her face. Sandy gazed down
James J. Murray (Almost Dead)
We were taking a DC-10 all the way across the country, from the east coast to the west. Together we flew into the Red Centre, the interior of the continent and the location of Ayers Rock--one of Australia’s most recognizable icons. “Have a look at it,” Steve said when we arrived. “It’s the heart of Australia.” I could see why. A huge red mountain rose up out of the flat, sandy landscape. The rock appeared out of place in the great expanse of the desert. The Aborigines knew it as Uluru, and they preferred that tourists did not clamber over their sacred site. We respectfully filmed only the areas we were allowed to access with the local Aborigines’ blessing. As we approached the rock, Steve saw a lizard nearby. He turned to the camera to talk about it. I was concentrating on Steve, Steve was concentrating on the lizard, and John was filming. Bindi was with us, and she could barely take two steps on her own at this point, so I knew I could afford to watch Steve. But after John called out, “Got it,” and we turned back to Bindi, we were amazed at what we saw. Bindi was leaning against the base of Ayer’s Rock. She had placed both her palms against the smooth stone, gently put her cheek up to the rock, and stood there, mesmerized. “She’s listening,” Steve whispered. It was an eerie moment. The whole crew stopped and stared. Then Bindi suddenly seemed to come out of her trance. She plopped down and started stuffing the red sand of Uluru into her mouth like it was delicious.
Terri Irwin (Steve & Me)
We were taking a DC-10 all the way across the country, from the east coast to the west. Together we flew into the Red Centre, the interior of the continent and the location of Ayers Rock--one of Australia’s most recognizable icons. “Have a look at it,” Steve said when we arrived. “It’s the heart of Australia.” I could see why. A huge red mountain rose up out of the flat, sandy landscape. The rock appeared out of place in the great expanse of the desert. The Aborigines knew it as Uluru, and they preferred that tourists did not clamber over their sacred site. We respectfully filmed only the areas we were allowed to access with the local Aborigines’ blessing. As we approached the rock, Steve saw a lizard nearby. He turned to the camera to talk about it. I was concentrating on Steve, Steve was concentrating on the lizard, and John was filming. Bindi was with us, and she could barely take two steps on her own at this point, so I knew I could afford to watch Steve. But after John called out, “Got it,” and we turned back to Bindi, we were amazed at what we saw. Bindi was leaning against the base of Ayer’s Rock. She had placed both her palms against the smooth stone, gently put her cheek up to the rock, and stood there, mesmerized. “She’s listening,” Steve whispered. It was an eerie moment. The whole crew stopped and stared. Then Bindi suddenly seemed to come out of her trance. She plopped down and started stuffing the red sand of Uluru into her mouth like it was delicious. We also filmed a thorny devil busily licking up ants from the sandy soil. The one-of-a-kind lizard is covered with big, lumpy, bumpy scales and spikes. “When it rains,” Steve told the camera, “the water droplets run along its body and end up channeling over its face, so that if there is any rain at all, the thorny devil can get a drink without having to look for water!” It’s a pity she won’t remember any of it, I thought, watching Bindi crouch down to examine the thorny devil’s tongue as it madly ate ants. But we had the photos and the footage. What a lucky little girl, I thought. We’ll have all these special experiences recorded for her to take out and enjoy anytime she wants to remember.
Terri Irwin (Steve & Me)
Bashir walked toward a glass cabinet in the dining room. Dalia followed Bashir, and the two stood looking through the glass. "Look at the cabinet and tell me what you see," Bashir said. "Is this a test?" "It is a test. Please tell me what you see in the cabinet." Books, vases, a picture of Abdel Nasser. Maybe some things hiding behind. And a lemon." "You won," Bashir said. "Do you remember the lemon?" "What about it? Is there a story?" "Do you remember when me and my brother came to visit?...Yes? Do you remember that Kamel asked you for something as we left? And do you remember what you gave him as a gift?" Dalia was silent for a moment, Bashir would recall. "Oh, my God. It's one of those lemons from that visit. But why did you keep it? It has been almost four months now." They walked from the cabinet and took their seats in the living room. "To us, this lemon is more than fruit, Dalia," Bashir said slowly. "It is land and history. It is the window that we open to look at our history. A few days after we brought the lemons home, it was night, and I heard a movement in the house. I was asleep. I got up, and I was listening. We were so nervous when the occupation started. Even the movement of trees used to wake us. And left us worried. I heard the noise and I got up. The noise was coming from this room right here. Do you know what I saw? My father, who is nearly blind." "Yes," said Dalia. She was listening intently. "Dalia, I saw him holding the lemon with both hands. And he was pacing back and forth in the room, and the tears were running down his cheeks.
Sandy Tolan (The Lemon Tree: An Arab, a Jew, and the Heart of the Middle East)
Her relationship with Paul went back much further, of course. It wasn’t as though they became friends because of Matt’s death. In fact, that night long ago when she met Matt, it had been Paul across the room who’d first caught her eye. He was so tall, his legs so long and hands so big, it was hard for him not to stand out in a crowd. There was that willful, sandy hair that had to be kept short because it would defy any kind of styling. Not that Paul was the kind of man to fuss with his hair—it was obvious even from a distance that he stuck to basics. It was his masculinity she noticed; he looked like a lumberjack who’d cleaned up to go into town. He had an engaging smile; one tooth in front was just a little crooked and he had a dimple on the left cheek. Heavy brown brows, deep chocolate eyes—details she discovered a bit later, of course. She hadn’t even noticed Matt… But it was Matt who put the rush on her, swept her off her feet, made her laugh, made her blush. While Paul hung back, shy and silent, Matt charmed her to her very bones. And shortly after the charm, he made her desire him madly, love him deeply. He was hardly a consolation prize—he was one of the best men in the world. And a devoted husband, so in love with her. She loved Paul before Matt’s death, grew to love him more deeply afterward. When little Mattie was born, she said to Paul, “I will never love anyone but Matt.” But as the weeks passed she realized that she didn’t have to stop loving Matt any more than Paul should. Matt would be with them both forever. And it was like the natural order of things that Paul should step in now.
Robyn Carr (Second Chance Pass)
This will all seem like a dream, a bad dream. Just think of your carved bed and crisp sheets and the three of us falling asleep to the sound of waves breaking on the white sandy beaches below.” Jon frowned. Baltsaros’s eyes had gone glassy and he’d turned away; Jon knew that he was no longer listening to him. He reached for Baltsaros’s cheek to turn his head, but when Jon touched him, the captain cringed. There was no recognition in the dark eyes that widened at him, but Jon pulled Baltsaros against him regardless with a desperate whimper fighting for release deep in his chest. “I’ll get us there,” he whispered into the trembling man’s hair. “I will.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
She had no idea where Fergus had suddenly gotten to and was surprised he hadn’t tried to orchestrate something, anything, between Kerry and Cooper. Hopefully with her little demonstration just now, he’d never have the chance. No sooner had the thought passed through her mind than Fergus was there at her elbow. “I’ve got this,” he said, uncharacteristically low key as he edged her out of the way. “Gus--” He nudged her again with a bit more force than was necessary, then wedged his cane in between them to emphasize the point. “I’ll pour and pass. You go talk to your young man.” “He’s not my--” Fergus turned his bright blue eyes on her. “I know who he is.” His voice might brook no argument, but there was a world more feeling in his gaze than in his quietly spoken words. “So get on out while the getting’s good. We’re not too far from closing. I’ll get Sandy to help shut the place down. You’re officially off duty until tomorrow.” “But--” Now his gaze did turn steely, reminding her where she got the look from. “I believe I still own and run this place. So when I say you’re off until tomorrow, you’re off until tomorrow.” Kerry swallowed hard and was as shocked as anyone to feel the tiniest prickles behind her eyes. No matter what her latest exploit, he’d never, not once, looked at her with even a hint of disappointment. Until now. “Yes, sir.” His gaze softened, even if the set of his face did not. He leaned in and bussed her on the cheek, then whispered in her ear, “And I’m taking this round out of your pay, Sprite. Giving away my ale,” he added in a grumble. The grumble made her smile, and she gave him a quick, one-armed squeeze around his shoulders and a kiss on the side of his forehead, taking care not to put him off balance on his bad side. “I had to do something to throw them off the scent.” “I believe the something that is still on your scent is waiting for you by the door,” he said, then turned back to help Sandy, who manned the griddle in the kitchen on busy nights, fill and slide mugs down the bar. Kerry glanced up and over the heads of the folks crowding the bar to the tall man who, indeed, was standing by the door, his old Akubra in hand. Her gaze shifted from the ever-present drover’s hat he always wore for work to the penetrating and unwavering look in his beautiful eyes.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
When he ground against her through the bunched-up material of her gown, she cried out into his mouth and drew her knees up on either side of his hips to lift herself into the caress. She was almost mad with need, and didn't protest when she felt him tug her gown over her hips and push it down her legs. When one hand clasped her behind and held her in place as he ground against her again, she wrapped her legs around him and groaned. The Wolf squeezed the cheek of her bottom almost painfully in response, and slid his hand between them to drag the hem of her shift up to her waist. When his hand then slid between her legs to touch her unimpeded by cloth, Claray froze in shock. Her legs instinctively tried to close, but his hips held them open and then his fingers began to move. Continuing to kiss her, he rubbed and circled the center of her pleasure, driving the sudden anxiety out of her and replacing it with an excitement and need like none she'd ever known. Soon Claray found her heels digging into the river's sandy bottom, lifting her hips into the caress in a mindless search for something she didn't understand but knew was almost in reach. Her entire body grew taut and began a fine trembling, and she simply couldn't manage to return his kisses anymore. Instead, she simply kept her mouth open, accepting his kiss as her attention focused on what she sensed was coming.
Lynsay Sands (Highland Wolf (Highland Brides, #10))
The man turned around, looked at her. And there was his face, his wonderful, beautiful Joc-face. He recognized her – she saw it in his eyes. She didn’t stop running until she crashed against him, throwing him back a step. Her face mashed into his chest and she felt his arms enfold her. Her heart throbbed with pain so fierce, her teeth were bared and clenched. “Joc!” She growled the word savagely. Her hands, clutching the back of his tunic, trembled. “Joc, you rotten old MUDSUCKER!” She pushed him off and began beating her fists against him, cursing, calling him every nasty name she could think of. Joc didn’t protest. His blue eyes watched her, painfully sad. “I know, Love,” he said. “I know.” “I hate you!” Heidel sobbed, hugging him harder. He looked exactly the same. The round face, the heavy cheeks, the untidy eyebrows, the thinning hair, sandy brown, the smile creases around his eyes. Joc. Her Joc. “You go ahead. You hate me all you want.” Joc held her so tightly Heidel couldn’t breathe and didn’t want to. His voice, the feel of him, the smell, made her feel as if he’d never gone, yet brought the pain of his absence roaring to the surface. She squished her eyes tight while his course thumb stroked her cheek. “Joc.” She couldn’t stop saying his name. “Joc... why did you leave us?” His chest rose and fell beneath her, a heavy sigh. “We need to get off the trail.
Anita Valle (Heidel (The Nine Princesses #3))
I'd love to cook," she says, "but who has the time? I can't afford to spend two days baking a cake." The implication, of course, is that only unimportant people have that kind of time. Unimportant people like me. I wait for Adam to jump in and save me, but instead he shoves a forkful of lamb into his mouth and feigns deep interest in the contents of his dinner plate. For someone with Adam's political ambitions and penchant for friendly debate, I'm always amazed at the lengths he goes to avoid confrontation with his parents. "I have a full-time job," I say, offering Sandy a labored smile, "and somehow I manage." Sandy delicately places her fork on the table and interlaces her fingers. "I beg your pardon?" My cheeks flush, and all the champagne and wine rush to my head at once. "All I'm saying is... we make time for the things we actually want to do. That's all." Sandy purses her lips and sweeps her hair away from her face with the back of her hand. "Hannah, dear, I am very busy. I am on the board of three charities and am hosting two galas this year. It's not a matter of wanting to cook. I simply have more important things to do." For a woman so different from my own mother- the frosted, well-groomed socialite to my mother's mousy, rumpled academic- she and my mother share a remarkably similar view of the role of cooking in a modern woman's life. For them, cooking is an irrelevant hobby, an amusement for women who lack the brains for more high-powered pursuits or the money to pay someone to perform such a humdrum chore. Sandy Prescott and my mother would agree on very little, but as women who have been liberated from the perfunctory task of cooking a nightly dinner, they would see eye to eye on my intense interest in the culinary arts. Were I a stronger person, someone more in control of her faculties who has not drunk multiple glasses of champagne, I would probably let Sandy's remark go without commenting any further. But I cannot be that person. At least not tonight. Not when Sandy is suggesting, as it seems everyone does, that cooking isn't a priority worthy of a serious person's time. "You would make the time if you wanted to," I say. "But obviously you don't.
Dana Bate (The Girls' Guide to Love and Supper Clubs)
Gemini took a step forward. “Aric, just ask her,” he said quietly. My sisters and friends gathered around us as Aric slowly fell to one knee. For a moment, he simply stared. But when he spoke, I could sense his devotion in every word. “Celia, you have been my princess since the first time I saw you. Now, I’d like you to be my queen for the rest of our lives. Will you marry me?” Big giant tears rolled down my long, fuzzy face. “Scratch once for yes, twice for no!” Bren yelled. I thought I’d always be ready to hear those words. And there I was, a damn horse. So instead of allowing this moment to be robbed from me, I closed my eyes and took in everything that was Aric—his scent, warmth, love, and all that had brought us together. Someone threw the quilt around me as I felt my body shrink and my bare feet slide along the sandy beach. For the first time, I’d managed to reclaim my human form following an accidental change, and I welcomed it for everything it allowed. Aric tucked the quilt around my naked skin and drew me to him, waiting patiently for me to answer. The lump in my throat tightened. After all the times I thought I’d lost him, was this really happening? It took the soft graze of his knuckles against my cheek to assure me this was more than a dream. My body trembled and so did my voice. “Yes,” I managed. Everyone assembled cheered when Aric kissed me, including Heidi, who changed from her white wolf form to stand beside her mate, Danny. Unlike me and being were, Heidi didn’t mind
Cecy Robson (A Cursed Bloodline (Weird Girls #4))
I am with Victor, the two of us holding hands and laughing and somehow I know it is in the future—whether years or weeks, I can’t say. We are walking along the beach at noon—the sun hot and bright overhead, the sunshine warming my skin as it hasn’t in many long years. I look up at it, squinting the way you do on a bright day, but I am not afraid. The sun is no longer my enemy but a warm, benevolent friend. Victor says something I can’t hear. I looked over and asked him to repeat it. “I said, I think she’s hungry…” “Who?” I ask but then I look down and realize I am pushing a baby stroller. Victor is already kneeling on the sandy beach, cooing to whoever is inside the stroller. “Daddy’s little princess is hungry?” he says, picking up a baby who looks to be about one and a half years old. He brings her to me and I look at her in wonder. She has Victor’s big chocolate brown eyes and my dark brown hair. Her little face is heart shaped and delicate with a button nose and a sweetly pursed candy pink mouth—perfect in every way. “She’s beautiful,” I whisper, in awe of the precious little girl. “Just like her mom,” Victor says proudly. He holds her out to me and she puts up chubby little arms, eager for me to take her. “Momma!” she says when I hold her. She nuzzles close and presses her chubby little cheek to mine. “Momma… love you.” “Oh, sweetie,” I whisper, holding her tight. “I love you too. Momma loves her little girl so much.” Victor puts his arms around both of us. “And I love you both. My two sweet girls,” he rumbles and I feel loved and protected and perfect in every way. The waves shush along the beach, the sand is rough and warm under my feet, my little girl is safe in my arms and my husband loves me—loves both of us completely. The sun beams down on us like a golden blessing and I feel a joy like I have never known, a joy I never expected to feel after Celeste… after she… she…
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
Sandy, I think you treat me better than anyone I've ever known,” she chuckled, leaning in and kissing him on the cheek.
Stylo Fantome (Degradation (The Kane Trilogy, #1))
Mrs. Campbell was round and cozy with sparkling brown eyes, curly brown hair, and rosy cheeks, but she wasn't beautiful. Mr. Campbell was tall and thin with merry blue eyes and stiff sandy hair, but he wasn't handsome. They were good and kind however, and oftentimes, goodness and kindness cast a glow over people that passes very well for beauty.
Betty MacDonald