While The Boss Is Away Quotes

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I love my job. I love the pay! ~I love it more and more each day. ~I love my boss, he is the best! ~I love his boss and all the rest. ~I love my office and its location. I hate to have to go on vacation. ~I love my furniture, drab and grey, and piles of paper that grow each day! ~I think my job is swell, there's nothing else I love so well. ~I love to work among my peers, I love their leers, and jeers, and sneers. ~I love my computer and its software; I hug it often though it won't care. ~I love each program and every file, I'd love them more if they worked a while. ~I'm happy to be here. I am. I am. ~I'm the happiest slave of the Firm, I am. ~I love this work. I love these chores. ~I love the meetings with deadly bores. ~I love my job - I'll say it again - I even love those friendly men. ~Those friendly men who've come today, in clean white coats to take me away!!!!!
Dr. Seuss
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
You're innocent, Casaubon. You ran away instead of throwing stones, you got your degree, you didn't shoot anybody. Yet a few years ago I felt you, too, were blackmailing me. Nothing personal, just generational cycles. And then last year, when I saw the Pendulum, I understood everything." "Everything?" "Almost everything. You see, Casaubon, even the Pendulum is a false prophet. You look at it, you think it's the only fixed point in the cosmos. but if you detach it from the ceiling of the Conservatoire and hang it in a brothel, it works just the same. And there are other pendulums: there's one in New York, in the UN building, there's one in the science museum in San Francisco, and God knows how many others. Wherever you put it, Foucault's Pendulum swings from a motionless point while the earth rotates beneath it. Every point of the universe is a fixed point: all you have to do is hang the Pendulum from it." "God is everywhere." "In a sense, yes. That's why the Pendulum disturbs me. It promises the infinite, but where to put the infinite is left to me. So it isn't enough to worship the Pendulum; you still have to make a decision, you have to find the best point for it. And yet..." "And yet?" "And yet... You're not taking me seriously by any chance, are you, Casaubon? No, I can rest easy; we're not the type to take things seriously.... Well, as I was saying, the feeling you have is that you've spent a lifetime hanging the Pendulum in many paces, and it's never worked, but there, in the Conservatoire, it works.... Do you think there are special places in the universe? On the ceiling of this room, for example? No, nobody would believe that. You need atmosphere. I don't know, maybe we're always looking for the right place, maybe it's within reach, but we don't recognize it. Maybe, to recognize it, we have to believe in it. Well, let's go see Signor Garamond." "To hang the Pendulum?" "Ah, human folly! Now we have to be serious. If you are going to be paid, the boss must see you, touch you, sniff you, and say you'll do. Come, let the boss touch you; the boss's touch heals scrofula.
Umberto Eco (Foucault’s Pendulum)
And how do you know he has a big dick? You’ve seen him once. And it was a five-second ‘Oh, that’s my boss, Kline’ conversation while we were walking across the parking lot. You haven’t even met him in person.” “Five seconds is all I need.” She tapped the side of her head. “You know my cockdar is off the chain. I can sense a giant swinging penis pendulum from at least ten miles away. It’s a God-given talent, Georgie.” I choked on my wine. “Let’s not bring God into this.” She raised an eyebrow. “God knows the G-spot needs a more than adequate-sized wiener to get the job done.” “I’m pretty sure that comment just got you wait-listed for heaven.
Max Monroe (Tapping the Billionaire (Billionaire Bad Boys, #1))
So who was picking up the slack while the cheater was out chasing the butterflies of aliveness? Who was rocking babies, packing school lunches, and bringing home their paychecks? Who existed in the same less-than-stellar marriage and didn’t blow their boss? Chumps. Cheating takes time and resources away from the marriage—so, just by virtue of being there and not screwing around, chumps are usually the more invested partners. Not perfect partners, but committed ones.
Tracy Schorn (Leave a Cheater, Gain a Life: The Chump Lady's Survival Guide)
Look, Jordan, you’re not alone any more. It’s my job to protect you while I’m here and I can’t do that if you keep pushing me away.” “That’s the problem, Michael,” I shot back. “You have more responsibilities to your boss than you do to me. You taught me how to defend myself, how to heal myself, and that should be good enough. You can’t keep babysitting one little human when you have an entire cosmos to worry about.” He faced me again, those green eyes boring into mine as if he could see straight through me. “Are you saying you want me to leave?” My chest tightened. I hadn’t expected him to say that. I bit my bottom lip, glancing away. “That’s not what I mean.” “Then what do you mean?” “Since when have I ever known what the hell I mean?” He touched my right cheek, making me face him. “You do when it counts.” Staring up at him, shirtless, vulnerable, and wounded, I felt like I couldn’t breathe. He had a knack for picking my walls apart brick by brick. It bothered me. He took a step closer, casting a shadow over me. “Stop,” I mumbled, fixing my eyes on the floor. He brushed a lock of hair behind my ear, sliding his warm hand to lift my chin so I’d have to look at him. “Stop what?” he murmured. “Looking at me.” “Why?” “That’s how Terrell used to look at me before we kissed.” His lips parted to say something but I pushed past him, gathering up my duster from where it lay on the bed next to the dress. “Get dressed. We have more ghosts to help.
Kyoko M. (The Black Parade (The Black Parade, #1))
During all that time I didn't see Willie. I didn't see him again until he announced in the Democratic primary in 1930. But it wasn't a primary. It was hell among the yearlings and the Charge of the Light Brigade and Saturday night in the back room of Casey's saloon rolled into one, and when the dust cleared away not a picture still hung on the walls. And there wasn't any Democratic party. There was just Willie, with his hair in his eyes and his shirt sticking to his stomach with sweat. And he had a meat ax in his hand and was screaming for blood. In the background of the picture, under a purplish tumbled sky flecked with sinister white like driven foam, flanking Willie, one on each side, were two figures, Sadie Burke and a tallish, stooped, slow-spoken man with a sad, tanned face and what they call the eyes of a dreamer. The man was Hugh Miller, Harvard Law School, Lafayette Escadrille, Croix de Guerre, clean hands, pure heart, and no political past. He was a fellow who had sat still for years, and then somebody (Willie Stark) handed him a baseball bat and he felt his fingers close on the tape. He was a man and was Attorney General. And Sadie Burke was just Sadie Burke. Over the brow of the hill, there were, of course, some other people. There were, for instance, certain gentlemen who had been devoted to Joe Harrison, but who, when they discovered there wasn't going to be any more Joe Harrison politically speaking, had had to hunt up a new friend. The new friend happened to be Willie. He was the only place for them to go. They figured they would sign on with Willie and grow up with the country. Willie signed them on all right, and as a result got quite a few votes not of the wool-hat and cocklebur variety. After a while Willie even signed on Tiny Duffy, who became Highway Commissioner and, later, Lieutenant Governor in Willie's last term. I used to wonder why Willie kept him around. Sometimes I used to ask the Boss, "What do you keep that lunk-head for?" Sometimes he would just laugh and say nothing. Sometimes he would say, "Hell, somebody's got to be Lieutenant Governor, and they all look alike." But once he said: "I keep him because he reminds me of something." "What?" "Something I don't ever want to forget," he said. "What's that?" "That when they come to you sweet talking you better not listen to anything they say. I don't aim to forget that." So that was it. Tiny was the fellow who had come in a big automobile and had talked sweet to Willie back when Willie was a little country lawyer.
Robert Penn Warren (All the King's Men)
Mixed emotions are compounded when a separation involves the potential of irretrievable loss. When there is a chance that we will never see a loved one again, we protect ourselves from the prospect of losing that person by becoming ambivalent-- holding our spouse at arm's length, picking a fight with a parent, or shutting a sibling out even while he or she is still physically present. Anticipating a loss, we both cling to our loved ones and push them away. We will resist their leaving and at the same time want to be finished with the goodbye.
Pauline Boss
 I walk away, feeling Brody’s gaze on me. There’s no doubt that as soon as we get back in the car, I’m going to get it—good. Instead, Brody stays quiet while I assemble the paperwork. He may not be speaking, but he’s saying a whole lot in the silence. “Just say it,” I mumble and finally look over. “I’m not saying a word.” He raises his hands. “Clearly, you two know each other, and it ain’t from growing up here. You tell me everything, so there is no way you wouldn’t have told me you know him,” Brody pauses and leans back. “I’m not saying a word about who you may or may not have slept with recently. Even though, it’s pretty obvious.” “You know, you not saying a word took you a long time.” “It’s not like you’ve had a five-year drought since your divorce. Or that you slept with a singer/actor. Nope. I have nothing to say about that. Not a thing.” I groan. “Could you not say anything for real this time?” “Sure thing, boss. I’ll just be over here, watching Hell start to thaw.” This is not going to get any better. I’d almost rather hear the questions. This is Brody Webber. My partner, my friend, and the one person who I have enough dirt on to make his life hell if he repeats this. “Okay, fine. Yes, I slept with Eli Walsh. I was crazy and dumb. I also had about six beers, which is two over my threshold, and I was trying to be in the moment for once. Fucking Nicole and her pep talks.” Brody coughs a laugh and then recovers. “Sorry, go on.” “I swear, you better keep this to yourself. If you tell anyone . . .” I give him my best threatening face. “I mean anyone, I’ll make your life a living nightmare.” He shakes his head and laughs again. “I won’t say a word, but you had a one-night stand with one of the most famous men in the boy band atmosphere. You’re too cool for me, Heather. I don’t think we can be friends. I’m sure you and the band will be happy without me.” I huff and grab the papers. “I’m getting a new partner.” I walk back over to the car, praying this will be painless
Corinne Michaels (We Own Tonight (Second Time Around, #1))
Imagine the following. Three groups of ten individuals are in a park at lunchtime with a rainstorm threatening. In the first group, someone says: “Get up and follow me.” When he starts walking and only a few others join in, he yells to those still seated: “Up, I said, and now!” In the second group, someone says: “We’re going to have to move. Here’s the plan. Each of us stands up and marches in the direction of the apple tree. Please stay at least two feet away from other group members and do not run. Do not leave any personal belongings on the ground here and be sure to stop at the base of the tree. When we are all there . . .” In the third group, someone tells the others: “It’s going to rain in a few minutes. Why don’t we go over there and sit under that huge apple tree. We’ll stay dry, and we can have fresh apples for lunch.” I am sometimes amazed at how many people try to transform organizations using methods that look like the first two scenarios: authoritarian decree and micromanagement. Both approaches have been applied widely in enterprises over the last century, but mostly for maintaining existing systems, not transforming those systems into something better. When the goal is behavior change, unless the boss is extremely powerful, authoritarian decree often works poorly even in simple situations, like the apple tree case. Increasingly, in complex organizations, this approach doesn’t work at all. Without the power of kings and queens behind it, authoritarianism is unlikely to break through all the forces of resistance. People will ignore you or pretend to cooperate while doing everything possible to undermine your efforts. Micromanagement tries to get around this problem by specifying what employees should do in detail and then monitoring compliance. This tactic can break through some of the barriers to change, but in an increasingly unacceptable amount of time. Because the creation and communication of detailed plans is deadly slow, the change produced this way tends to be highly incremental. Only the approach used in the third scenario above has the potential to break through all the forces that support the status quo and to encourage the kind of dramatic shifts found in successful transformations. (See figure 5–1.) This approach is based on vision—a central component of all great leadership.
John P. Kotter (Leading Change)
to be open and straightforward about their needs for attention in a social setting. It is equally rare for members of a group in American culture to honestly and openly express needs that might be in conflict with that individual’s needs. This value of not just honestly but also openly fully revealing the true feelings and needs present in the group is vital for it’s members to feel emotional safe. It is also vital to keeping the group energy up and for giving the feedback that allows it’s members to know themselves, where they stand in relation to others and for spiritual/psychological growth. Usually group members will simply not object to an individual’s request to take the floor—but then act out in a passive-aggressive manner, by making noise or jokes, or looking at their watches. Sometimes they will take the even more violent and insidious action of going brain-dead while pasting a jack-o’-lantern smile on their faces. Often when someone asks to read something or play a song in a social setting, the response is a polite, lifeless “That would be nice.” In this case, N.I.C.E. means “No Integrity or Congruence Expressed” or “Not Into Communicating Emotion.” So while the sharer is exposing his or her vulnerable creation, others are talking, whispering to each other, or sitting looking like they are waiting for the dental assistant to tell them to come on back. No wonder it’s so scary to ask for people’s attention. In “nice” cultures, you are probably not going to get a straight, open answer. People let themselves be oppressed by someone’s request—and then blame that someone for not being psychic enough to know that “Yes” meant “No.” When were we ever taught to negotiate our needs in relation to a group of people? In a classroom? Never! The teacher is expected to take all the responsibility for controlling who gets heard, about what, and for how long. There is no real opportunity to learn how to nonviolently negotiate for the floor. The only way I was able to pirate away a little of the group’s attention in the school I attended was through adolescent antics like making myself fart to get a few giggles, or asking the teacher questions like, “Why do they call them hemorrhoids and not asteroids?” or “If a number two pencil is so popular, why is it still number two,” or “What is another word for thesaurus?” Some educational psychologists say that western culture schools are designed to socialize children into what is really a caste system disguised as a democracy. And in once sense it is probably good preparation for the lack of true democratic dynamics in our culture’s daily living. I can remember several bosses in my past reminding me “This is not a democracy, this is a job.” I remember many experiences in social groups, church groups, and volunteer organizations in which the person with the loudest voice, most shaming language, or outstanding skills for guilting others, controlled the direction of the group. Other times the pain and chaos of the group discussion becomes so great that people start begging for a tyrant to take charge. Many times people become so frustrated, confused and anxious that they would prefer the order that oppression brings to the struggle that goes on in groups without “democracy skills.” I have much different experiences in groups I work with in Europe and in certain intentional communities such as the Lost Valley Educational Center in Eugene, Oregon, where the majority of people have learned “democracy skills.” I can not remember one job, school, church group, volunteer organization or town meeting in mainstream America where “democracy skills” were taught or practiced.
Kelly Bryson (Don't Be Nice, Be Real)
His great concern had to do with the fact that private fortunes were significantly outpacing investments in public services like schools, parks, and safety net programs. The process tends to begin gradually before accelerating under its own momentum. As people accumulate more money, they become less dependent on public goods and, in turn, less interested in supporting them. If they get their way, through tax breaks and other means, personal fortunes grow while public goods are allowed to deteriorate. As public housing, public education, and public transportation become poorer, they become increasingly, then almost exclusively, used only by the poor themselves.[6] People then begin to denigrate the public sector altogether, as if it were rotten at the root and not something the rich had found it in their interest to destroy. The rich and the poor soon unite in their animosity toward public goods—the rich because they are made to pay for things they don’t need and the poor because what they need has become shabby and broken. Things collectively shared, especially if they are shared across class and racial divides, come to be seen as lesser. In America, a clear marker of poverty is one’s reliance on public services, and a clear marker of affluence is one’s degree of distance from them. Enough money brings “financial independence,” which tellingly does not signal independence from work but from the public sector. There was a time when Americans wished to be free of bosses. Now we wish to be free of bus drivers. We wish for the freedom to withdraw from the wider community and sequester ourselves in a more exclusive one, pulling further and further away from the poor until the world they inhabit becomes utterly unrecognizable to us.[7]
Matthew Desmond (Poverty, by America)
So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present. Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.” Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.” Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?” Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating. “What do you visualize when you see the beast in your mind?” he asked. “Before today, I thought of it as a giant, blurry monster. But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.” “Makes sense,” he said. Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?” His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not. “Go ahead,” he said. “The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.” Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected. “Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends. My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.” Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?” He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.” Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid.
Paige Tyler (Her Fierce Warrior (X-Ops, #4))
The day-to-day horror of writing gave me a notion of tournament time. Writing novels is tedious. When will this book be finished, when will it reveal its bright and shining true self? it takes freakin’ years. At the poker table, you’re only playing a fraction of the hands, waiting for your shot. If you keep your wits, can keep from flying apart while those around you are self-destructing, devouring each other, you’re halfway there. … Let them flame out while you develop a new relationship with time, and they drift away from the table. 86-7 Coach Helen’s mantra: It’s OK to be scared, but don’t play scared. 90 [During a young adult trip to Los Vegas] I was contemplating the nickel in my hand. Before we pushed open the glass doors, what the heck, I dropped it into a one-armed bandit and won two dollars. In a dank utility room deep in the subbasements of my personality, a little man wiped his hands on his overalls and pulled the switch: More. Remembering it now, I hear a sizzling sound, like meat being thrown into a hot skillet. I didn't do risk, generally. So I thought. But I see now I'd been testing the House Rules the last few years. I'd always been a goody-goody. Study hard, obey your parents, hut-hut-hut through the training exercises of Decent Society. Then in college, now that no one was around, I started to push the boundaries, a little more each semester. I was an empty seat in lecture halls, slept late in a depressive funk, handed in term papers later and later to see how much I could get away with before the House swatted me down. Push it some more. We go to casinos to tell the everyday world that we will not submit. There are rules and codes and institutions, yes, but for a few hours in this temple of pure chaos, of random cards and inscrutable dice, we are in control of our fates. My little gambles were a way of pretending that no one was the boss of me. … The nickels poured into the basin, sweet music. If it worked once, it will work again. We hit the street. 106-8 [Matt Matros, 3x bracelet winner; wrote The Making of a Poker Player]: “One way or another you’re going to have a read, and you’re going to do something that you didn’t expect you were going to do before, right or wrong. Obviously it’s better if you’re right, but even if you’re wrong, it can be really satisfying to just have a read, a feeling, and go with it. Your gut.” I could play it safe, or I could really play. 180 Early on, you wanted to stay cool and keep out of expensive confrontations, but you also needed to feed the stack. The stack is hungry. 187 The awful knowledge that you did what you set out to do, and you would never, ever top it. It was gone the instant you put your hands on it. It was gambling. 224
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
Declan had been told a long time ago that he had to know what he wanted, or he'd never get it. Not by his father, because his father would never have delivered such pragmatic advice in such a pragmatic way. No, even if Niall Lynch believed in the sentiment, he would have wrapped it up in a long story filled with metaphor and magic and nonsense riddles. Only years after the storytelling would Declan be sitting somewhere and realize that all along Niall had been trying to teach him to balance his checkbook, or whatever the tale had really been about. Niall could never just say the thing. No, this piece of advice--You have to know what you want, or you'll never get it--was given to Declan by a senator from Nevada he'd met during a DC field trip back in eighth grade. The other children had been bored by the pale stone restraint of the city and the sameness of the law and government offices they toured. Declan, however, had been fascinated. He'd asked the senator what advice he had for those looking to get into politics. "Come from money," the senator had said first, and then when all the eighth graders and their teachers had stared without laughing, he added, "You have to know what you want, or you'll never get it. Make goals." Declan made goals. The goal was DC. The goal was politics. The goal was structure, and more structure, and yet more structure. He took AP classes on political science and policy. When he traveled with his father to black markets, he wrote papers. When he took calls from gangsters and shady antique auction houses, he arranged drop-offs near DC and wrangled meetings with HR people. Aglionby Academy made calls and pulled strings; he got names, numbers, internships. All was going according to plan. His father's will conveniently left him a townhouse adjacent to DC. Declan pressed on. He kept his brothers alive; he graduated; he moved to DC. He made the goal, he went towards the goal. When he took his first lunch meeting with his new boss, he found himself filled with the same anticipation he'd had as an eighth grader. This was the place, he thought, where things happened. Just across the road was the Mexican embassy. Behind him was the IMF. GW Law School was a block away. The White House, the USPS, the Red Cross, all within a stone's throw. This was before he understood there was no making it for him. He came from money, yeah, but the wrong kind of money. Niall Lynch's clout was not relevant in this daylight world; he only had status in the night. And one could not rise above that while remaining invisible to protect one's dangerous brother. On that first day of work, Declan walked into the Renwick Gallery and stood inside an installation that had taken over the second floor around the grand staircase. Tens of thousands of black threads had been installed at points all along the ceiling, tangling around the Villareal LED sculpture that normally lit the room, snarling the railing over the stairs, blocking out the light from the tall arches that bordered the walls, turning the walkways into dark, confusing rabbit tunnels. Museumgoers had to pick their way through with caution lest they be snared and bring the entire world down with them. He had, bizarrely, felt tears burning the corners of his eyes. Before that, he hadn't understood that his goals and what he wanted might not be the same thing. This was where he'd found art.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
Some Tomorrows Never Come. I opened my eyes. I cried. I walked. Then stumbled. Then walked some more. I learned to read. Did homework. Complained. Fought with my parents. Went to college after losing the fight. My friend Randy came to college with me. I did homework. Complained. Met Marcia. Smiled. Understood my parents had been right. Didn’t tell them. Marcia betrayed me. Randy betrayed me. I never actually said goodbye to either one. I figured they didn’t deserve even that. Dropped out of school. "For a while," I said. Cancer took Dad quickly. I never told him he had been right all along. I realized I should at least tell Mom. I didn’t. Went back to college. Graduated. Got a job. Got fired. My boss didn’t like me. There was nothing I could do. I wasted a year. I wanted to prove to them that I wouldn’t be affected by losing my job. I got another job. I left that job to start a business with Ed. We were successful. Ed never respected me like I deserved. I sold my share. His loss, I told myself. I married Pam. We were happy. Pam and I had Elisa. She was happy. I didn’t hurt for the need of money. But Pam still wanted me to go back to work. We weren’t happy. She didn’t respect me like I deserved. Pam and I divorced. She expected me to do all the work when it came to seeing Elisa. I resented her for it. I was not going to let her force me into things anymore. I didn’t see Elisa that often. Mom died. I never did have that conversation with her. I grew old. I didn’t have that much money anymore. Maybe Pam wasn’t entirely wrong. She seemed pretty happy with George. I heard Elisa call him “Dad” one day. Cancer came for me quickly. “I’m sorry, I can’t get over to the hospital after all, something came up. Maybe this weekend?” Elisa said. She had no idea how far away that weekend really was to me. It might as well have been an eternity. From a certain perspective, it was. She hung up without saying goodbye. Later, it was hard to breathe. I looked around the empty room. Oh, God, I wish I hadn’t carried the anger with me. I closed my eyes.
P.F. McGrail (50 Shades of Purple: And Other Horror Stories (Haunted Library))
Of course, there was also the bureaucratic B.S. that pervades every organization. Different leaders reacted differently to stress. Some comported themselves well and put the mission first while others allowed stress to impact their decision-making. I use the word “allowed” because that’s just what it is: a choice to open oneself to external influences because the core self lacks the self-awareness to slap adversity in the face and say, “Get outta here. I got this.” Most of our actions at the operator level relied upon the decisions made by senior leaders, and if the decision-making process stalemated for any reason, then momentum lagged across the whole organization—as did results. When this happened—when there was an impetus for action but a lack of contextual awareness—there was only one thing us operators could do: we needed to adapt. We needed to make use of the minimal guidance we had because the problem set (i.e. the threat or crisis) wasn’t going to go away, and the only way to solve it was to fill the gap.
Jeff Boss (Navigating Chaos: How to Find Certainty in Uncertain Situations)
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I went into the bar and sank into a leather bar seat packed with down. Glasses tinkled gently, lights glowed softly, there were quiet voices whispering of love, or ten per cent, or whatever they whisper about in a place like that. A tall fine-looking man in a gray suit cut by an angel suddenly stood up from a small table by the wall and walked over to the bar and started to curse one of the barmen. He cursed him in a loud clear voice for a long minute, calling him about nine names that are not usually mentioned by tall fine-looking men in well cut gray suits. Everybody stopped talking and looked at him quietly. His voice cut through the muted rhumba music like a shovel through snow. The barman stood perfectly still, looking at the man. The barman had curly hair and a clear warm skin and wide-set careful eyes. He didn’t move or speak. The tall man stopped talking and stalked out of the bar. Everybody watched him out except the barman. The barman moved slowly along the bar to the end where I sat and stood looking away from me, with nothing in his face but pallor. Then he turned to me and said: “Yes, sir?” “I want to talk to a fellow named Eddie Prue.” “So?” “He works here,” I said. “Works here doing what?” His voice was perfectly level and as dry as dry sand. “I understand he’s the guy that walks behind the boss. If you know what I mean.” “Oh. Eddie Prue.” He moved one lip slowly over the other and made small tight circles on the bar with his bar cloth. “Your name?” “Marlowe.” “Marlowe. Drink while waiting?” “A dry martini will do.” “A martini. Dry. Veddy, veddy dry.” “Okay.” “Will you eat it with a spoon or a knife and fork?” “Cut it in strips,” I said. “I’ll just nibble it.” “On your way to school,” he said. “Should I put the olive in a bag for you?” “Sock me on the nose with it,” I said. “If it will make you feel any better.” “Thank you, sir,” he said. “A dry martini.” He took three steps away from me and then came back and leaned across the bar and said: “I made a mistake in a drink. The gentleman was telling me about it.” “I heard him.” “He was telling me about it as gentlemen tell you about things like that. As big shot directors like to point out to you your little errors. And you heard him.” “Yeah,” I said, wondering how long this was going to go on. “He made himself heard—the gentleman did. So I come over here and practically insult you.” “I got the idea,” I said. He held up one of his fingers and looked at it thoughtfully. “Just like that,” he said. “A perfect stranger.” “It’s my big brown eyes,” I said. “They have that gentle look.” “Thanks, chum,” he said, and quietly went away. I saw him talking into a phone at the end of the bar. Then I saw him working with a shaker. When he came back with the drink he was all right again.
Raymond Chandler (The High Window (Philip Marlowe #3))
you have to battle him, too. Also, you have to fight bosses from the Department of Environmental Conservation and the Army Corps of Engineers- dodging fines from the DEC and hoping the Corps doesn’t find mystical endangered magic weeds in your yard. The game ends when you get your property fixed and you hold the flood back- or you get hauled away by the law while the neighbor chugs Bud Lite and flips you off. It was even better with the virtual reality goggles.
Lee Badman (Cross Lake Tales for Grown-Ups)
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
Peter James
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
Peter James (Dead at First Sight (Roy Grace, #15))
Of course, it took a while to learn all this. Anytime I messed up, my boss would let me know. Right away he’d cuss me out, tell me I was a worthless piece of shit. But I never got pissed at David. In my mind, I thought, I’m better than that and I’ll show you.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
The moment Jace Calder saw his sister's face, he feared the worst. His heart sank. Emily, his troubled little sister, had been doing so well since she'd gotten the job at the Sarah Hamilton Foundation in Big Timber, Montana. "What's wrong?" he asked as he removed his Stetson, pulled up a chair at the Big Timber Java coffee shop and sat down across from her. Tossing his hat on the seat of an adjacent chair, he braced himself for bad news. Emily blinked her big blue eyes. Even though she was closing in on twenty-five, he often caught glimpses of the girl she'd been. Her pixie cut, once a dark brown like his own hair, was dyed black. From thirteen on, she'd been piercing anything she could. At sixteen she'd begun getting tattoos and drinking. It wasn't until she'd turned seventeen that she'd run away, taken up with a thirty-year-old biker drug-dealer thief and ended up in jail for the first time. But while Emily still had the tattoos and the piercings, she'd changed after the birth of her daughter, and after snagging this job with Bo Hamilton. "What's wrong is Bo," his sister said. Bo had insisted her employees at the foundation call her by her first name. "Pretty cool for a boss, huh?" his sister had said at the time. He'd been surprised. That didn't sound like the woman he knew. But who knew what was in Bo's head lately. Four months ago her mother, Sarah, who everyone believed dead the past twenty-two years, had suddenly shown up out of nowhere. According to what he'd read in the papers, Sarah had no memory of the past twenty-two years. He'd been worried it would hurt the foundation named for her. Not to mention what a shock it must have been for Bo. Emily leaned toward him and whispered, "Bo's… She's gone.
B.J. Daniels (Lone Rider (The Montana Hamiltons, #2))
I’ll have another.” He pushed the bowl toward her. “You’ll eat pretzels. They’re good for soaking up alcohol.” “What about ‘the customer’s always right’?” she huffed and crossed her arms. Was she being ridiculous? Maybe, but who was he to make decisions for her? She’d had enough overbearing men to last her a lifetime. From now on, she called the shots. And if she wanted more drinks, then by God, she’d get them. Maddie looked past him, her vision skipping around the bar. A blond, surfer-looking guy sat in a corner booth with papers scattered over the table’s surface, perusing them with obvious interest. She pointed to him. “Maybe I need to tell your boss you’re refusing to serve me.” A deep, amused rumble. “You can’t get higher than me, Princess. I own the place.” Deflated, her shoulders slumped. “Oh. Well, never mind.” He pushed the bowl again until it was right under her nose. “Eat some pretzels and drink some water while you tell me what kind of trouble you’re in.” With her spine snapping ruler-straight, she asked, “What makes you think I’m in trouble?” He gave her a slow, meaningful once-over. “Do I look stupid to you?” No, he didn’t. All the more reason to stay away. If she could walk, she’d leave, but for now she was at his mercy. Between the buzz in her head and her swollen, aching feet, she might never move from this stool again and be forced to deal with his bossiness forever. “I had car trouble. I broke down on Highway 60 a couple of miles back.” His lips curved down and his golden eyes flashed. “You walked?” “What was I supposed to do?” “It’s the twenty-first century. Where’s your cell?” He scowled as though she’d done something wrong. How could she know she’d need one? She held up her tiny purse. “It didn’t fit.” His gaze flicked over her. “What’s with the dress?” Not wanting to say it out loud, she toyed with a piece of the fabric and said, “What, this old thing?” “Cute.” His jaw hardened into a stubborn line. “So?” Denial was pointless. The dress fell from her fingers. “I ran out on my wedding.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
His gaze fell to the rolling table beside his bed and the tattered brown teddy bear resting there. “Your boss said the little girl you saved wanted you to have it while you were sick, but she expects to get it back.” Emotion constricted his throat and he had to look away from Cat to clear it. Reaching out a finger, he stroked down the stuffed animal’s head. “She didn’t have to do that.” “Chad seemed very surprised she had given it up.” He nodded, his head throbbing from emotion and physical pain. He wanted to crawl into bed and drag Cat with him. She seemed to sense as well that he had almost reached his limit, because she peeled the blankets back on the bed. “Why don’t you chill for a little bit? We’ll go over our options later. Want me to help you with the sling?” Without argument he turned to let her release the Velcro strips, then shifted himself back to the mattress, dragging a spare pillow over his aching eyes. The lack of light immediately eased some of the tension in his head. “Can you hang out with me for a while?” She stroked her hand down his arm and squeezed his fingers. “I will.” Huffing
J.M. Madden (Embattled SEAL (Lost and Found #4))
When summer began, I headed out west. My parents had told me I needed a rest. “Your imagination,” they said, “is getting too wild. It will do you some good to relax for a while.” So they put me aboard a westbound train. To visit Aunt Fern in her house on the plains. But I was captured by cowboys, A wild-looking crowd. Their manners were rough and their voices were loud. “I’m trying to get to my aunt’s house,” I said. But they carried me off to their cow camp instead. The Cattle Boss growled, as he told me to sit, “We need a new cowboy. Our old cowboy quit. We could sure use your help. So what do you say?” I thought for a minute, then I told him, “Okay.” Then I wrote to Aunt Fern, so she’d know where I’d gone. I said not to worry, I wouldn’t be long. That night I was given a new set of clothes. Soon I looked like a wrangler from my head to my toes. But there’s more to a cowboy than boots and a hat, I found out the next day And the day after that Each day I discovered some new cowboy tricks. From roping And riding To making fire with sticks. Slowly the word spread all over the land. “That wrangler ‘Kid Bleff’ is a first-rate cowhand!” The day finally came when the roundup was through. Aunt Fern called: “Come on over. Bring your cowboys with you.” She was cooking a barbecue that very same day. So we cleaned up (a little) and we headed her way. The food was delicious. There was plenty to eat. And the band that was playing just couldn’t be beat. But suddenly I noticed a terrible sight. The cattle were stirring and stamping with fright. It’s a scene I’ll remember till my very last day. “They’re gonna stampede!” I heard somebody say. Just then they came charging. They charged right at me! I looked for a hiding place-- A rock, or a tree. What I found was a tablecloth spread out on the ground. So I turned like a matador And spun it around. It was a new kind of cowboying, a fantastic display! The cattle were frightened and stampeded…away! Then the cowboys all cheered, “Bleff’s a true buckaroo!” They shook my hand and slapped my back, And Aunt Fern hugged me, too. And that’s how I spent my summer vacation. I can hardly wait for show-and-tell!
Mark Teague (How I Spent My Summer Vacation (Dragonfly Books))
Good master, while we do admire This virtue and this moral discipline, Let’s be no stoics nor no stocks, I pray, Or so devote to Aristotle’s checks As Ovid be an outcast quite abjured. 5 Balk logic with acquaintance that you have, And practice rhetoric in your common talk. Music and poesy use to quicken you; The mathematics and the metaphysics, Fall to them as you find your stomach serves you. 10 No profit grows where is no pleasure ta’en. In brief, sir, study what you most affect. —TRANIO, The Taming of the Shrew, 1.1.29–40 In other words: Listen, boss. We all think highly of ethics and morality. But—please—let’s not eliminate fun altogether, or turn ourselves into stuffed shirts. Let’s not dedicate ourselves to a life of restraint and throw away pleasure altogether. (Let’s not get all hung up with that stickler Aristotle about stuff like right and wrong, and throw Ovid’s stories about people who get naked right out the window.) Work on your analytical skills by figuring out how to split the check. Use linguistic theory in your everyday chitchat. By all means listen to music and read poetry, but purely for your enjoyment. As for math and philosophy, get involved in that stuff only when you’re really in the mood. You can’t learn anything if you’re miserable. Here’s my point: as far as study goes, stick to the subjects you like.
Barry Edelstein (Bardisms: Shakespeare for All Occasions)
Come Clean with God It is a trustworthy statement, deserving full acceptance, that Christ Jesus came into the world to save sinners, among whom I am foremost of all. —1 TIMOTHY 1:15 NASB     One of the most watched TV series in recent years has been Donald Trump’s The Apprentice. The highlight of the program is when Mr. Trump delights in saying, “You’re fired!” This format has been so well received in America that other networks quickly introduced their versions. While we never want to hear our bosses utter, “You’re fired!” it could happen. But thankfully, we will only hear Jesus say, “You’re hired.” He gives us new life. But in order for us to be hired, we must humble ourselves and come clean with God. The apostle Paul had the same dilemma when he was challenged to deal with God’s grace. Some of these struggles can be found in his writings: • 1 Corinthians 15:9—I am the least of all the apostles. • Ephesians 3:8—I am the least deserving Christian there is. • 1 Timothy 1:15—I am the worst sinner of all. Paul was humbled by his past and wanted to change his direction in life. At one time in my life I had to make a decision. I had to let old things pass away and then turn to eternal values. As I faced decisions about how I lived and what I wanted, I had to ask, How do I come close to God? Examine Paul’s challenge in 1 Timothy 2:1-4: Here are my directions: Pray much for others; plead for God’s mercy upon them; give thanks for all he is going to do for them.   Pray in this way for kings and all others who are in authority over us, or are in places of high responsibility, so that we can live in peace and quietness, spending our time in godly living and thinking much about the Lord. This is good and pleases God our Savior, for he longs for all to be saved (TLB). Paul gives us three very valuable challenges and instructions: (1) pray for your needs, (2) pray for others, and (3) pray for thanksgiving. Notice that we are instructed to go from our internal needs first and then move to prayers for others and then thanksgiving to God. We are a very narcissistic
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
Spence beached the boat and strutted up to where Denny and Mr. Jones were working. He stared at Denny and smiled. “You got enough of that shit on your face?” he asked. Mr. Jones look up sharply. “What’s the matter with you?” he said. “You don’t talk to a lady like that.” Spence laughed. “What lady?” he said. Denny blushed. She could see the anger building in Mr. Jones’s eyes. “It’s all right,” she said quickly. “I don’t care.” Mr. Jones turned to her. “Well, you should,” he told her, his eyes flashing, “and Mr. Spencer here would respect you more if you did, whether he realizes it or not.” Spence snorted derisively. “Well, like it or not, you keep a civil tongue while you’re working for me, mister, understand?” said Mr. Jones. Spence shrugged. “You’re the boss,” he said, and started walking up toward the shack. Mr. Jones picked up a nail. “You kids today use too darn much profanity anyway,” he yelled. He banged the nail into the brace. “You use it anytime, anyplace. It’s not right.” He banged another nail. “Shows a lack of respect, not to mention a deficient vocabulary.” He slammed another nail into the wood. “There’s a time and a place for profanity.” He held another nail and smashed the hammer down. “Aagh! Like now! Dammit!” He dropped the hammer and grabbed his thumb. Denny covered her mouth and turned away so he wouldn’t see her laugh, but he saw anyway. “Oh, very funny, huh?” said Mr. Jones. Denny couldn’t stop giggling. Soon she had Mr. Jones laughing too. “That’s what I get for trying to defend your honor,” he said. “Sorry,” said Denny. She looked up the hill and saw Spence duck into the shed. There was a burst of loud, muffled laughter, and she started giggling all over again. “All right, all right,” said Mr. Jones. “Are you going to go get me a Band-Aid or do I have to stand here and bleed to death while you and your friend up there make sport of me?
Jackie French Koller (The Last Voyage of the Misty Day)
When you stand accused, your character is being tested. The strength of character that you reveal will ultimately determine the Tanks’ perception of you and future behavior toward you. Action Plan Step 1. Hold Your Ground. The first step is to stay put and hold your ground, neither running away nor gearing for battle. Do not change your position, whether you happen to be standing, sitting, leaning, or making up your mind. You don’t have to go on the offensive or the defensive. Instead, silently look the Tank in the eyes, and shift your attention to your breathing. Breathe slowly and deeply. Intentional breathing is a terrific way to regain your self-control. And while you compose yourself, the Tank has the opportunity to fire off a round unimpeded. When Martin found himself under attack, he restrained his impulse to counterattack. Instead, he held his ground. He looked into his boss’s eyes, kept breathing, and waited for the blasting to stop. When it did, Martin asked, “Is that everything?” Apparently, that wasn’t all. The Tank loaded up another round a of abuse and fired it off. Martin held his temper in check, took a slow breath, and asked evenly, “Anything else?” “Why, you ...” Sherman loaded up his last round and fired it off. He was now completely out of ammunition, having said every rotten thing he knew how to say. At that point, he just stood there silently glaring at Martin, as if waiting for an answer will ultimately determine the Tanks’ perception of you and future behavior toward you.
Rick Brinkman (Dealing with People You Can't Stand: How to Bring Out the Best in People at Their Worst)
Imissed you.” Warm arms wrap around me, followed by a kiss to the cheek. “God, you look good.” Bram steps away, observing me, his lip print still on my face. I wipe it off quickly and walk into his apartment. “I’m all for our bromance, but dude, kissing?” “I’m just so happy,” he says, slapping me in the ass with a thwack. “I haven’t seen my Rathy Poo Poo in a while.” “Don’t fucking call me that.
Meghan Quinn (Boss Man Bridegroom (The Bromance Club, #3))
This leads to “private opulence and public squalor,” a self-reinforcing dynamic that transforms our communities in ways that pull us further apart. It’s an old problem, one documented by the Roman historian Sallust in his first monograph, Bellum Catilinae, which recounts the political turmoil that roiled Rome in 63 b.c.e., during the time of Julius Caesar.[5] But the mid-century economist John Kenneth Galbraith popularized the predicament in his 1958 book, The Affluent Society. Galbraith did not spill much ink (or any ink, really) on the issue of exploitation. His great concern had to do with the fact that private fortunes were significantly outpacing investments in public services like schools, parks, and safety net programs. The process tends to begin gradually before accelerating under its own momentum. As people accumulate more money, they become less dependent on public goods and, in turn, less interested in supporting them. If they get their way, through tax breaks and other means, personal fortunes grow while public goods are allowed to deteriorate. As public housing, public education, and public transportation become poorer, they become increasingly, then almost exclusively, used only by the poor themselves.[6] People then begin to denigrate the public sector altogether, as if it were rotten at the root and not something the rich had found it in their interest to destroy. The rich and the poor soon unite in their animosity toward public goods—the rich because they are made to pay for things they don’t need and the poor because what they need has become shabby and broken. Things collectively shared, especially if they are shared across class and racial divides, come to be seen as lesser. In America, a clear marker of poverty is one’s reliance on public services, and a clear marker of affluence is one’s degree of distance from them. Enough money brings “financial independence,” which tellingly does not signal independence from work but from the public sector. There was a time when Americans wished to be free of bosses. Now we wish to be free of bus drivers. We wish for the freedom to withdraw from the wider community and sequester ourselves in a more exclusive one, pulling further and further away from the poor until the world they inhabit becomes utterly unrecognizable to us.
Matthew Desmond (Poverty, by America)
As people accumulate more money, they become less dependent on public goods and, in turn, less interested in supporting them. If they get their way, through tax breaks and other means, personal fortunes grow while public goods are allowed to deteriorate. As public housing, public education, and public transportation become poorer, they become increasingly, then almost exclusively, used only by the poor themselves.[6] People then begin to denigrate the public sector altogether, as if it were rotten at the root and not something the rich had found it in their interest to destroy. The rich and the poor soon unite in their animosity toward public goods—the rich because they are made to pay for things they don’t need and the poor because what they need has become shabby and broken. Things collectively shared, especially if they are shared across class and racial divides, come to be seen as lesser. In America, a clear marker of poverty is one’s reliance on public services, and a clear marker of affluence is one’s degree of distance from them. Enough money brings “financial independence,” which tellingly does not signal independence from work but from the public sector. There was a time when Americans wished to be free of bosses. Now we wish to be free of bus drivers. We wish for the freedom to withdraw from the wider community and sequester ourselves in a more exclusive one, pulling further and further away from the poor until the world they inhabit becomes utterly unrecognizable to us.
Matthew Desmond (Poverty, by America)
I took a black and white photograph, which I also posted on Instagram. Her New Balance shoes and her feet crossed, hanging as she sat atop the pile of aluminum chairs, against the backdrop of the many legs of the chairs shining in the street lights in contrast to her dark shoes and leggings, were so captivating. There was a lightness in the way she sat there with her crossed legs dangling, as if she was perched on a cloud and it was the most natural thing as she was my angel. I was still unsure if she really existed or if I had only made her up with Pinto cat one night. It was all like a lucid dream. I was so glad for us and for us becoming rich soon too. I was so glad I could provide her with a future in Europe. I was so glad we would be rich and happy and we would be able to make all our dreams come true and travel the world freely together. I can show her Italy and Hungary and Europe. We can pick where do we want to live or make family. I knew all my life, all my work had led to this girl, this moment, and this future. Ours. She started to rap in Spanish in the Rioplatense dialect as I started to record her. „Loco, loco…” - she was so cute, it sounded like she had learned it on the streets of Buenos Aires, skipping school. She was amazing - so young, so true, so natural and pure and cute. I couldn't get enough of her. I wanted to make kids with her. With only her. Nobody else. By the wall of the church and the bar tables, there were a bunch of metal mobile railings with the Ajuntamiento de Barcelona logo in the middle of each of them. I told Martina to squat down to the level of the Ajuntamiento sign, and before I could finish my sentence, she was already doing it. She posed with the mobile railings, making a funny, cool and happy face while squeezing the Ajuntamiento logo between two of her fingers and pointing at it with her other hand, as if we were mocking the authorities of the Ajuntamiento. She was reading my mind. Like she knew magic. She was such a good girl. She was so pretty, smart and sexy. She was smiling, biting her lower lip, excited, turned on, and in love, I thought, looking like a bunny, or like Whitney Houston on the Brazilian live concert video, so I began to call her “Bunny”. I showed her how Whitney was smiling the same way. I was so blind to see the connection. (“The Cocaine Queen”) I was so much in love with her, so under her spell, I just really wanted her to be the One, I guess. I explained to her that the Camorra was one of my costumers and they had a club close by too and they were taking away other people's coffeeshops, menacing their lives and their families'. I explained to her that we were going to do all demolition and remodeling without any permit, without telling a word to anyone. I told her that we would lie to the residents of the building above us about what we were going to do there for months and months. I told her that she must keep it as our secret. She was nodding happily and she seemed happy that I trusted her. I explained everything to her, I told her about Rachel and Tom and I signing the founding document at Amina's office at the beginning of the same year, 2013. She seemed to understand the weight of all I told her and the reasons why I told her about it all, so she would know, so she wouldn't make a mistake saying the wrong thing in the wrong place at the wrong time. I asked her to pay attention to her surroundings in Barcelona from then on, as there were a lot of criminals, and she was a very pretty girl - not only my girlfriend. She seemed to take it as a privilege to be my girlfriend, and she seemed eternally happy, as was I. I told her that she was the only person I fully trusted. I wanted to send the video of Martina rapping on WhatsApp to Adam, but Martina told me I shouldn't because it was late and, at the end, Adam was my boss. “Yeah but he is not really my boss, in Spain, I am the boss.
Tomas Adam Nyapi
It started with Isabella trying to escape from Dexter, who Miles led you to believe at the beginning wasn’t a good guy, except he tries to keep Isabella comfortable and he never touches her. But she’s being held against her will, so that didn’t engender any warm and fuzzy feelings between them. In fact, the insults she lobbed at him were fantastic, like, You pikey pillock. [...] Dexter, for his part, took them all in stride and never retaliated, not even when she told him his mother must have been a slag. Yikes. The only time Dexter exerted any force was when he came in to bring her food and she used her feminine charm on him. Poor Dexter was stupid enough to believe it might be real. Wishful thinking on his part. Except when Isabella did get close to him, she felt a little something and it startled her. [...] She kneed him in the groin anyway and ran away. Dexter recovered quickly enough to catch her. That’s when he started sleeping in her room to make sure she didn’t escape. And that was when things started to get interesting. Isabella meant to lure him into believing she was interested in him to gain his trust, but the more she got to know him, the more she can’t help but like him. I read their exchanges as they talked late into every night, with him on the floor and her on the bed, asking all sorts of questions from his family to how he felt about politics. [...] [Dexter] possessed a calm reassurance about himself and a deep understanding of people and situations. [...] Poor Isabella thought she was getting the upper hand in all of this, but it didn’t take her long to realize she was losing ground. She began looking forward to their nights spent talking and sometimes playing Stop the Bus, a card game she used to play with her father. Dexter began using these moments to gain her trust, to start telling her the truth of her situation. It was enough that when they were discovered by two men clad in black who claimed to be there to rescue Isabella, she chose to flee with Dexter after some kick-butt fight scenes. [...] Isabella and Dexter fled to France. They almost kind of had a moment there. Isabella was furious with him because she felt like he was hiding something from her. She goes to slap him, but he grabs her hand before she can make contact. The unspoken words and emotion between them were totally hot. You thought he was going to kiss her, and so did she. She found herself yearning for it and she hated herself for it. [...] While in Paris, Isabella discovered a clue in her father’s journal that led them to Colorado. It had to do with a town legend involving a tree where lovers carved their names. It was said any pair to carve their name into the Aspen tree would only be parted by death. I loved that he used an Aspen tree. That was where they began to see how intertwined their lives were. Dexter’s mother’s name and Isabella’s father’s name were carved together into the tree long before either of them was born, but Isabella’s father’s name was crossed out. At first, I was grossed out thinking that they might be siblings, but Dexter was ten years older than Isabella, and his mother died before Isabella was born. But their parents were lovers. Interesting. [...] While they tried to figure out who might have crossed out Isabella’s father’s name, Isabella and Dexter started dancing on the edge of their feelings. Miles made the cabin they were staying in at the Ranch one room, not just one bedroom. A large, single room with only a bathroom for any privacy. Inch by inch, the sexual tension between them grew. Little touches here and there. But more than that, there was an emotional connection. Isabella began to let down her guard. She owned how afraid she was that her life had been a lie. But on the flipside, she had this desperate hope her father was innocent. More than that, she longed to be able to trust someone, but she didn’t know how.
Jennifer Peel (My Not So Wicked Boss (My Not So Wicked, #3))
They had nothing. In their houses, there was nothing. At first. You had to stay in the dark of the huts a long while to make out what was on the walls. In the wife's hut a wavy pattern of broad white and ochre bands. In others - she did not know whether or not she was welcome where they dipped in and out all day from dark to light like swallows - she caught a glimpse of a single painted circle, an eye or target, as she saw it. In one dwelling where she was invited to enter there was the tail of an animal and a rodent skull, dried gut, dangling from the thatch. Commonly there were very small mirrors snapping at the stray beams of light like hungry fish rising. They reflected nothing. An impression - sensation - of seeing something intricately banal, manufactured, replicated, made her turn as if someone had spoken to her from back there. It was in the hut where the yokes and traces for the plough-oxen were. She went inside again and discovered insignia, like war medals, nailed just to the left of the dark doorway. The enamel emblem's Red Cross was foxed and pitted with damp, bonded with dirt to the mud and dung plaster that was slowly incorporating it. The engraved lettering on the brass arm-plaque had filled with rust. The one was a medallion of the kind presented to black miners who pass a First Aid exam on how to treat injuries likely to occur underground, the other was a black miner's badge of rank, the highest open to him. Someone from the mines; someone had gone to the gold mines and come home with these trophies. Or they had been sent home; and where was the owner? No one lived in this hut. But someone had; had had possessions, his treasure displayed. Had gone away, or died - was forgotten or was commemorated by the evidence of these objects left, or placed, in the hut. Mine workers had been coming from out of these places for a long, long time, almost as long as the mines had existed. She read the brass arm-plaque: Boss Boy.
Nadine Gordimer (July's People)
Five months later, Goldman launched Project Maximus, buying another $1.75 billion in bonds to finance 1MDB’s acquisition of power plants from the Malaysian casino-and-plantations conglomerate Genting Group. Again, the fund paid a high price, and, like Tanjong, Genting made payments to a Najib-linked charity. This time, $790.3 million disappeared into the look-alike Aabar. David Ryan, president of Goldman’s Asia operations, argued to lower the fee on the second bond, given how easy it had been to sell the first round. But he was overruled by senior executives, including Gary Cohn. While Goldman was working on the deal, Ryan was effectively sidelined; the bank brought in a veteran banker, Mark Schwartz, a proponent of the 1MDB business, as chairman in Asia, a post senior to Ryan’s. Goldman earned a little less than the first deal, making $114 million—still an enormous windfall. For bringing in the business, Leissner was paid a salary and bonuses in 2012 of more than $10 million, making him one of the bank’s top-remunerated employees. But that was just the tip of the iceberg. Unknown to his bosses at Goldman, and three months after the first bond, millions of dollars began to flow into a British Virgin Islands shell company controlled by Leissner, some of which he shared with Roger Ng, according to Department of Justice filings. Millions of dollars more moved through Leissner’s shell company to pay bribes to 1MDB officials. Over the next two years, more than $200 million in 1MDB money, raised by Goldman, would flow through accounts controlled by Leissner and his relatives. He could have taken his hefty Goldman salary and disavowed knowledge of the bribery carried out by Low and others. Perhaps he would have gotten away with it, as many Wall Street bankers do in countries far from headquarters. But he decided to take a risk by becoming a direct accomplice in the fraud, rather than just greasing its wheels. He had seen the kind of life Low was leading, and he must have thought that a mere $10 million wasn’t going to cut it, not if he wanted to buy super yachts and host parties himself. Soon he would be doing just that.
Bradley Hope (Billion Dollar Whale: The Man Who Fooled Wall Street, Hollywood, and the World)
Watch him, he’s dangerous.’ ‘He’s lying,’ said Frederic, stepping closer. ‘I need you to stop,’ warned Etienne, keeping his gun trained on Frederic while he took out his radio with his other hand. ‘Don’t do that,’ warned Frederic, coming even closer. ‘Stop!’ Frederic’s demeanor changed. He was wired, and Pierre saw that he had begun to shake. He would not be able to control himself for much longer. Etienne pressed the radio’s talk button. ‘I need assistance.’ ‘Coming in, over, is that you, Etienne?’ ‘Yes, I —’ Chapter 54 Before the officer could say another word, Frederic lashed out with his right hand. He had retrieved his pistol that was wedged in his back belt and fired off a single bullet with perfect precision, right between the young officer’s brown eyes. The policeman’s body fell backwards, hands flailing as they hit the ground, his radio and pistol skittering away across the marble floor. He’d been killed instantly and now lay still, eyes wide open. Frederic turned his angry gaze on Pierre. ‘I’m so sorry, Frederic,’ said Pierre, back-pedaling. ‘I had no choice, you have to understand that.’ ‘No, boss, you always have a choice,’ said Frederic with a sigh. ‘You just picked the wrong one.’ Frederic trained his weapon on his longtime friend, his hand now rock-steady. ‘So it seems you will never get to see the inside of Alexander the Great’s tomb after all.’ ‘No, Frederic, don’t be stupid. I made a mistake.’ ‘Yes, you did,’ replied Frederic, and with no remorse emptied his gun’s chamber.
Phil Philips (Mona Lisa's Secret (Joey Peruggia, #1))
We could express this power in the following way: Most of the time we live in an interior world of dreams, desires, and obsessive thoughts. But in this period of exceptional creativity, we are impelled by the need to get something done that has a practical effect. We force ourselves to step outside our inner chamber of habitual thoughts and connect to the world. At these moments, suddenly exposed to new details and ideas, we become more inspired and creative. Once the deadline has passed or the crisis is over, this feeling of power and heightened creativity generally fades away. We return to our distracted state and the sense of control is gone. The problem we face is that this form of power and intelligence is either ignored as a subject of study or is surrounded by all kinds of myths and misconceptions, all of which only add to the mystery. We imagine that creativity and brilliance just appear out of nowhere, the fruit of natural talent, or perhaps of a good mood, or an alignment of the stars. It would be an immense help to clear up the mystery—to name this feeling of power, and to understand how it can be manufactured and maintained. Let us call this sensation mastery—the feeling that we have a greater command of reality, other people, and ourselves. Although it might be something we experience for only a short while, for others—Masters of their field—it becomes their way of life, their way of seeing the world. And at the root of this power is a simple process that leads to mastery—one that is accessible to all of us. The process can be illustrated in the following manner: Let us say we are learning the piano, or entering a new job where we must acquire certain skills. In the beginning, we are outsiders. Our initial impressions of the piano or the work environment are based on prejudgments, and often contain an element of fear. When we first study the piano, the keyboard looks rather intimidating—we don’t understand the relationships between the keys, the chords, the pedals, and everything else that goes into creating music. In a new job situation, we are ignorant of the power relationships between people, the psychology of our boss, the rules and procedures that are considered critical for success. We are confused—the knowledge we need in both cases is over our heads. Although we might enter these situations with excitement about what we can learn or do with our new skills, we quickly realize how much hard work there is ahead of us. The great danger is that we give in to feelings of boredom, impatience, fear, and confusion. We stop observing and learning. The process comes to a halt. If, on the other hand, we manage these emotions and allow time to take its course, something remarkable begins to take shape. As we continue to observe and follow the lead of others, we gain clarity, learning the rules and seeing how things work and fit together. If we keep practicing, we gain fluency; basic skills are mastered, allowing us to take on newer and more exciting challenges.
Robert Greene (The Concise Mastery (The Modern Machiavellian Robert Greene Book 1))
Meet the New Boss What?! Mr. Klutz was fired? It couldn’t be true! We were all shocked. I thought it was one of those times when something really horrible happens and then it turns out just to be a dream. I saw that in a movie once. But the next morning while we were putting our backpacks away, everybody was talking about what happened. “Dr. Carbles can’t fire Mr. Klutz!” said Michael. “Well, he did,” said Ryan. “But Mr. Klutz is the best principal in the world!” said Neil the nude kid. Neil was right. Everybody loved Mr. Klutz. I was sad. Some kids were crying. Teachers were hugging each other in the hallway and dabbing their eyes with tissues. It was like Mr. Klutz had died. After we pledged the allegiance, our teacher, Miss Daisy, said we should remember the good times we had with Mr. Klutz. “Remember when he got his foot caught at the top of the flagpole and was hanging upside down?” said Ryan. “Remember when he dressed like Santa in the holiday pageant, and he was hanging upside down from his sleigh?” said Michael. “Once I got called to his office, and he was hanging upside down from the ceiling,” I told everybody. “Mr. Klutz sure hangs upside down a lot,” said Emily, who is a big crybaby. It was hard to concentrate on reading and math that morning. We were all thinking about the good old days with Mr. Klutz. When it was time to go to the vomitorium for lunch, we were still talking about him. “They’ll have to get us a new principal,” said Andrea, who
Dan Gutman (Dr. Carbles Is Losing His Marbles! (My Weird School, #19))
In one life she was a travel vlogger who had 1,750,000 YouTube subscribers and almost as many people following her on Instagram, and her most popular video was one where she fell off a gondola in Venice. She also had one about Rome called 'A Roma Therapy'. In one life she was a single parent to a baby that literally wouldn't sleep. In one life she ran the showbiz column in a tabloid newspaper and did stories about Ryan Bailey's relationships. In one life she was the picture editor at the National Geographic. In one life she was a successful eco-architect who lived a carbon-neutral existence in a self-designed bungalow that harvested rain-water and ran on solar power. In one life she was an aid worker in Bostwana. In one life a cat-sitter. In one life a volunteer in a homeless shelter. In one life she was sleeping on her only friend's sofa. In one life she taught music in Montreal. In one life she spent all day arguing with people she didn't know on Twitter and ended a fair proportion of her tweets by saying 'Do better' while secretly realising she was telling herself to do that. In one life she had no social media accounts. In one life she'd never drunk alcohol. In one life she was a chess champion and currently visiting Ukraine for a tournament. In one life she was married to a minor Royal and hated every minute. In one life her Facebook and Instagram only contained quotes from Rumi and Lao Tzu. In one life she was on to her third husband and already bored. In one life she was a vegan power-lifter. In one life she was travelling around South Corsican coast, and they talked quantum mechanics and got drunk together at a beachside bar until Hugo slipped away, out of that life, and mid-sentence, so Nora was left talking to a blank Hugo who was trying to remember her name. In some lives Nora attracted a lot of attention. In some lives she attracted none. In some lives she was rich. In some lives she was poor. In some lives she was healthy. In some lives she couldn't climb the stairs without getting out of breath. In some lives she was in a relationship, in others she was solo, in many she was somewhere in between. In some lives she was a mother, but in most she wasn't. She had been a rock star, an Olympics, a music teacher, a primary school teacher, a professor, a CEO, a PA, a chef, a glaciologist, a climatologist, an acrobat, a tree-planter, an audit manager, a hair-dresser, a professional dog walker, an office clerk, a software developer, a receptionist, a hotel cleaner, a politician, a lawyer, a shoplifter, the head of an ocean protection charity, a shop worker (again), a waitress, a first-line supervisor, a glass-blower and a thousand other things. She'd had horrendous commutes in cars, on buses, in trains, on ferries, on bike, on foot. She'd had emails and emails and emails. She'd had a fifty-three-year-old boss with halitosis touch her leg under a table and text her a photo of his penis. She'd had colleagues who lied about her, and colleagues who loved her, and (mainly) colleagues who were entirely indifferent. In many lives she chose not to work and in some she didn't choose not to work but still couldn't find any. In some lives she smashed through the glass ceiling and in some she just polished it. She had been excessively over- and under-qualified. She had slept brilliantly and terribly. In some lives she was on anti-depressants and in others she didn't even take ibuprofen for a headache. In some lives she was a physically healthy hypochondriac and in some a seriously ill hypochondriac and in most she wasn't a hypochondriac at all. There was a life where she had chronic fatigue, a life where she had cancer, a life where she'd suffered a herniated disc and broken her ribs in a car accident.
Matt Haig (The Midnight Library)