“
You’re a sandwich short of a picnic, mate.
”
”
Jennifer Bernard (How to Tame a Wild Fireman (The Bachelor Firemen of San Gabriel, #4))
“
The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skirts, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims.
United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list -- yes, even the short skirts and the dancing -- are worth dying for?
The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them.
How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.
”
”
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
“
Gregory,” she said, “you cannot leave me here. What if someone finds you and removes you from the house? Who will know I am here? And what if…and what if…and then what if…”
He smiled, enjoying her officiousness too much to actually listen to her words. She was definitely herself again.
“When this is all over,” he said, “I shall bring you a sandwich.”
That stopped her short. “A sandwich? A sandwich?
”
”
Julia Quinn (On the Way to the Wedding (Bridgertons, #8))
“
We have a universe. It is a place of most wondrous and gratifying possibility, and beautiful, too. And it was all done in about the time it takes to make a sandwich.
”
”
Bill Bryson (A Really Short History of Nearly Everything (Young Adult))
“
When you love someone, you don’t care that she ate your sandwich. You only hope she found it delicious.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
There!" she said, as she spread the tablecloth and put the sandwiches in a neat pile upon it. "Don't they look tempting? I always think that food tastes better outdoors."
With that remark," remarked Kismine, "Jasmine enters the Middle class.
”
”
F. Scott Fitzgerald (The Short Stories)
“
Sometimes I'm sad about everything; the way my grilled cheese sandwich tastes, how nice my socks feel, a song John is playing in the kitchen. One time he puts on this goofy Loudon Wainwright song that was on a mix tape I used to listen to during my commute from the boys' school in Bethesda back into the District when we were newly married and everything was about to begin and it makes me burst into tears about the shortness of everything.
”
”
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
“
You will leave now," she said softly, " or I will drag you out of here by your hair."
The man had breath like a day-old tuna sandwich. "I hate dykes. You always think you're tougher than you really----"
Xhex grabbed the man's wrist, turned him in a little circle, and cranked him arm up to the middle of his back. Then she clipped her leg around his ankles and shoved him off balance. He landed like a side of beef, the wind getting knocked out of him on a curse, his body plowing into the short-napped carpet. In a quick move, she bent down, buried one hand in his gelled-up hair, and locked the other on the collar of his suit jacket. As she draggep him face-first to the side exit, she was multitasking : creating a scene, commiting both an assault and a battery, and running the risk of a brawl if his buddies in the Hall of Fucktards got involved. But you had to put on a show every once in a while. To keep the peace, you had to get your hands dirty every once in a while.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
You’re not just short a few sandwiches,” he said, lip curling up in disgust. “Your picnic is missing the basket and blanket. There’s not even ants at your picnic.
”
”
Dani Alexander (Shattered Glass (Shattered Glass, #1))
“
Four young men in motorcycle jackets... set upon the man in khaki shorts and beat him unconscious with his own sandwich board.
”
”
Stephen King (The Stand)
“
As Reverend Deal moved into his sermon, the hands of the women unfolded like pairs of raven's wings and flew high above their hats in the air. They did not hear all of what he said;they heard the one word, or phrase, or inflection that was for them the connection between the event and themselves. For some it was the term "Sweet Jesus". And they saw the Lamb's eye and the truly innocent victim: themselves. They acknowledged the innocent child hiding in the corner of their hearts, holding a sugar-and-butter sandwich. That one. The one who lodged deep in their fat, thin, old, young skin, and was the one the world had hurt. Or they thought of their son newly killed and remembered his legs in short pants and wondered where the bullet went in. Or they remembered how dirty the room looked when their father left home and wondered if that is the way the slim, young Jew, he who for them was both son and lover and in whose downy face they could see the sugar-and-butter sandwiches and feel the oldest and most devastating pain there is : not the pain of childhood, but the remembrance of it.
”
”
Toni Morrison (Sula)
“
My grandfather's short employ at the Ford Motor Company marked the only time any Stephanides has ever worked in the automotive industry. Instead of cars, we could become manufacturers of hamburger platters and Greek salads, industrialists of spanakopita and grilled cheese sandwiches, technocrats of rice pudding and banana cream pie. Our assembly line was the grill; our heavy machinery, the soda fountain.
”
”
Jeffrey Eugenides (Middlesex)
“
As winter went on, longer than long, we both freaked out. My mania grew to insane proportions. I sat in the study room at night, wildly typing out Dali-esque short stories. I sat at my desk in our room, drinking tea, flying on speed. She'd bang into the room in a fury. Or, she'd bang into the room, laughing like a maniac. Or, she'd bang into the room and sit under the desk eating Nutter-Butters. She was a sugar freak. She'd pour packets of sugar down her throat, or long Pixie-Stix. She was in constant motion. At first I wondered if she too had some food issues, subsisting mostly on sugar and peanut butter-and-jelly sandwiches on Wonder Bread, but my concern (as she pointed out) was “total transference, seriously, Max. Maybe you're just hungry.” Some Saturdays, we'd go to town together, buy bags and bags of candies, Tootsie Rolls (we both liked vanilla best; she always smelled delicious and wore straight vanilla extract as perfume, which made me hungry), and gummy worms and face- twisting sour things and butterscotch. We'd lie on our backs on the beds, listening to The Who and Queen, bellowing, “I AM THE CHAMPION, YES I AM THE CHAMPION” through mouths full of sticky stuff, or we'd swing from the pipes over the bed and fall shrieking to the floor.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
I don't eat the sandwich that Mom made for me, but luckily Randy finishes his and is happy to take mine, too, so I won't get yelled at for wasting food. There is nothing worse in my mom's eyes.
I guess murder would be worse, but I think she believes the first step toward a violent life is being a food-waster.
”
”
Holly Goldberg Sloan (Short)
“
The father was long and thin, with a red face framed in white whiskers, and looking like a living sandwich, a piece of ham carved like a face between two wads of hair.
”
”
Guy de Maupassant (Complete Original Short Stories of Guy De Maupassant)
“
In Duluth a man in khaki shorts and sandals walked up and down Piedmont Avenue with a large smear of ash on his forehead and a hand-lettered sandwich board hanging over his scrawny shoulders.
”
”
Stephen King (The Stand)
“
Their conversation ceased abruptly with the entry of an oddly-shaped man whose body resembled a certain vegetable. He was a thickset fellow with calloused and jaundiced skin and a patch of brown hair, a frizzy upheaval. We will call him Bell Pepper. Bell Pepper sidled up beside The Drippy Man and looked at the grilled cheese in his hand. The Drippy Man, a bit uncomfortable at the heaviness of the gaze, politely apologized and asked Bell Pepper if he would like one.
“Why is one of your legs fatter than the other?” asked Bell Pepper.
The Drippy Man realized Bell Pepper was not looking at his sandwich but towards the inconsistency of his leg sizes.
“You always get your kicks pointing out defects?” retorted The Drippy Man.
“Just curious. Never seen anything like it before.”
“I was raised not to feel shame and hide my legs in baggy pants.”
“So you flaunt your deformity by wearing short shorts?”
“Like you flaunt your pockmarks by not wearing a mask?”
Bell Pepper backed away, kicking wide the screen door, making an exit to a porch over hanging a dune of sand that curved into a jagged upward jab of rock.
“He is quite sensitive,” commented The Dry Advisor.
“Who is he?”
“A fellow who once manipulated the money in your wallet but now curses the fellow who does.
”
”
Jeff Phillips (Turban Tan)
“
He had an egglike head, froglike jaws, and a grey hairy fringe of
aureole round the lower part of his face; the whole combined with a
reddish, acquiline nose. He wore a shabby black frock-coat, a sort of
semi-clerical tie worn at a very unclerical angle, and looking,
generally speaking, about as unlike a house-agent as anything could
look, short of something like a sandwich-man or a Scotch Highlander.
”
”
G.K. Chesterton (The Club of Queer Trades)
“
About me as a drinker: I wasn't much of one and had a short, bad history of doing it. The few times I'd tried drinking I either became too much like myself or not enough, but either way it was always calamity on top of calamity and I found myself saying way too much about too little and doing the wrong things in the wrong places. Once, at my boss's Christmas party, I passed out for a minute - passed out but still, like a zombie, remained fully ambulatory and mostly functional - and when I came to, I found myself in my boss's kitchen, the refrigerator door open and me next to it at the counter, spreading mayonnaise onto two slices of wheat bread and licking the knife after each pass before I stuck it back in the jar. I heard someone cough or gag, looked up, and saw the kitchen's population staring at me, all of their mouths open and slack, obviously wondering what I thought I was doing, exactly, and all I could think to say was, "Sandwich." Which is what I said. And then, to prove my point, whatever the point was, I ate it. The sandwich, that is.
”
”
Brock Clarke (An Arsonist's Guide to Writers' Homes in New England)
“
My favorite of all was still the place on Vermont, the French cafe, La Lyonnaise, that had given me the best onion soup on that night with George and my father. The two owners hailed from France, from Lyon, before the city had boomed into a culinary sibling of Paris. Inside, it had only a few tables, and the waiters served everything out of order, and it had a B rating in the window, and they usually sat me right by the swinging kitchen door, but I didn't care about any of it.
There, I ordered chicken Dijon, or beef Bourguignon, or a simple green salad, or a pate sandwich, and when it came to the table, I melted into whatever arrived. I lavished in a forkful of spinach gratin on the side, at how delighted the chef had clearly been over the balance of spinach and cheese, like she was conducting a meeting of spinach and cheese, like a matchmaker who knew they would shortly fall in love. Sure, there were small distractions and preoccupations in it all, but I could find the food in there, the food was the center, and the person making the food was so connected with the food that I could really, for once, enjoy it.
”
”
Aimee Bender (The Particular Sadness of Lemon Cake)
“
In the first lively second (a second that many cosmologists will devote careers to shaving into ever-finer wafers) is produced gravity and the other forces that govern physics. In less than a minute the universe is a million billion miles across and growing fast. There is a lot of heat now, ten billion degrees of it, enough to begin the nuclear reactions that create the lighter elements—principally hydrogen and helium, with a dash (about one atom in a hundred million) of lithium. In three minutes, 98 percent of all the matter there is or will ever be has been produced. We have a universe. It is a place of the most wondrous and gratifying possibility, and beautiful, too. And it was all done in about the time it takes to make a sandwich.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
You have got to be—”
Her sentence is cut short when the elevator makes an abrupt stop, jostling both of us into the walls of the small carrier.
“Huh, would you look at that?” I glance around the small room, wondering what’s wrong.
“No, no, no,” Dottie says over and over again, as she rushes to the panel and presses the emergency button.
When nothing happens, she presses all the other buttons.
“That’s intelligent,” I say, arms crossed and observing her from behind. “Confuse the damn thing so it has no idea what to do.”
She doesn’t answer, but instead pulls her phone out from her purse and starts holding it up in the air, searching for a signal.
“It’s cute that you think raising the phone higher will grant you service. We’re in a metal box surrounded by concrete, sweetheart. I never get reception in here.”
“Damn it,” she mutters, stuffing her phone back in her purse.
“Looks like you’re stuck here with me until someone figures out the elevator broke, so it’s best you get comfortable.” I sit on the floor and then pat my lap. “You can sit right here.”
“I’d rather lick the elevator floor.”
“There’s a disgusting visual. Suit yourself.”
I get comfortable and start rifling through my bag of food. Thank God I grabbed dinner before this, because I’m starving, and if I was stuck in this elevator with no food, I’d be a raging bastard, bashing his head against the metal door from pure hunger.
Low blood sugar does crazy things to me.
I bring the term hangry to a new level.
There’s only—
“Why are you smiling like that?”
I look up at her. “Smiling like what? I’m just being normal.”
“No, you’re smiling like you’re having a conversation inside your head and you think you’re funny.”
How would she know that?
“Well, I am funny.” I pop open my to-go box filled to the brim with a Philly cheesesteak sandwich and tons of fries. Staring at it, I say, “Oh yes, come to papa.
”
”
Meghan Quinn (The Lineup)
“
Dear Lucas,
I never met a boy with manners as good as yours. You ought to have a British accent. At homecoming, you wore a cravat and it suited you so well I think you could wear one all the time and get away with it.
Oh, Lucas! I wish I knew what kind of girls you liked. As far as I can tell, you haven’t dated anyone…unless you have a girlfriend at another school. You’re just so mysterious. I hardly know a thing about you. The things I know are so unsubstanial, so unsatisfying, like that you eat a chicken sandwich every day at lunch, and you’re on the golf team. I guess the one remotely real thing I know about you is you’re a good writer, which must mean you have deep reserves of emotion. Like that short story you wrote in creative writing about the poisoned well, and it was from a six-year-old boy’s perspective. It was so sensitive, so keen!
That story made me feel like I knew you at least a little bit. But I don’t know you, and I wish I did.
I think you’re very special. I think you are probably one of the most special people at our school, and I wish more people knew that about you. Or maybe I don’t, because sometimes it’s nice to be the only one who knows something.
Love, Lara Jean
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
For the bus ride, which Delaney estimated would be ninety minutes, she had prepared a mix of happy journeying music, which she activated as they pulled out of the campus gate. The first song was by Otis Redding, and the first message came via her phone. Woman-hater, it said, with a link to an unsigned and evidence-less post hinting that he had been unkind to an ex-girlfriend who he’d met shortly before the bay and the dock and the sitting. Thanks for the early-morning pick-me-up! the writer said, meaning that Delaney had ruined the day and tacitly endorsed Redding’s newly alleged misogyny. Delaney skipped to the next song, Lana Del Rey’s “High by the Beach,” and then quickly figured it was too big a risk so skipped ahead. The third song, the Muppets’ “Movin’ Right Along,” was unknown to most on the bus, and survived its three-minute length, during which a handful of passengers furiously tried to find a reason the song was complicit in evil committed or implied. Delaney skipped the next song, by Neil Diamond, thinking any Jewish singer dubious in light of the Israeli sandwich debacle, skipped songs six and seven (from Thriller), briefly considered the Ronettes’ “Be My Baby” but then remembered Phil Spector, and so finally settled on a young Ghanian rapper she’d recently discovered. His first song was hunted down quickly in a hail of rhetorical buckshot—as a teen, the rapper had zinged a borderline joke about his female trigonometry teacher—so Delaney turned off the shared music, leaving everyone, for the next eighty-one minutes, to their earbuds and the safety of their individualized solitude.
”
”
Dave Eggers (The Every)
“
to tease out the fictitious nature of this amiability was to have been what they called well brought up; to believe that amiability to be real was to lack breeding. I received, as it happens, a short time after this, a lesson that finally taught me, with the most perfect exactitude, the extent and limits of certain forms of aristocratic amiability. It was at a matinée given by the Duchesse de Montmorency23 for the Queen of England; a sort of small cortège had formed to go to the buffet, at the head of which walked the sovereign with, on her arm, the Duc de Guermantes. This was the moment of my own arrival. With his free hand, the Duc made, from a good forty meters away, innumerable gestures of summons and of friendship, which seemed to be saying that I could approach without fear, that I would not be eaten alive in place of the sandwiches. But, I, who was beginning to become word perfect in the language of the courts, instead of moving even a single step closer, gave a deep bow from my forty meters of distance, but without smiling, as I would have done faced with someone I hardly knew, then continued on my way in the opposite direction. I might have written a masterpiece, and the Guermantes would have done me less honor than for this bow. It did not go unobserved by the eyes either of the Duc, even though he had to respond to more than five hundred people that day, or of the Duchesse, who, having met my mother, recounted it to her, and, while being careful not to say that I had been in the wrong, that I should have gone up, told her that her husband had marveled at my bow, that it would have been impossible to make it any more expressive
”
”
Marcel Proust (Sodom and Gomorrah)
“
For the next twenty minutes Elizabeth asked for concessions, Ian conceded, Duncan wrote, and the dowager duchess and Lucinda listened with ill-concealed glee.. In the entire time Ian made but one stipulation, and only after he was finally driven to it out of sheer perversity over the way everyone was enjoying his discomfort: He stipulated that none of Elizabeth’s freedoms could give rise to any gossip that she was cuckolding him.
The duchess and Miss Throckmorton-Jones scowled at such a word being mentioned in front of them, but Elizabeth acquiesced with a regal nod of her golden head and politely said to Duncan, “I agree. You may write that down.” Ian grinned at her, and Elizabeth shyly returned his smile. Cuckolding, to the best of Elizabeth’s knowledge, was some sort of disgraceful conduct that required a lady to be discovered in the bedroom with a man who was not her husband. She had obtained that incomplete piece of information from Lucinda Throckmorton-Jones, who, unfortunately, actually believed it.
“Is there anything more?” Duncan finally asked, and when Elizabeth shook her head, the dowager spoke up. “Indeed, though you may not need to write it down.” Turning to Ian, she said severely, “If you’ve any thought of announcing this betrothal tomorrow, you may put it out of your head.”
Ian was tempted to invite her to get out, in a slightly less wrathful tone than that in which he’d ordered Julius from the house, but he realized that what she was saying was lamentably true. “Last night you went to a deal of trouble to make it seem there had been little but flirtation between the two of you two years ago. Unless you go through the appropriate courtship rituals, which Elizabeth has every right to expect, no one will ever believe it.”
“What do you have in mind?” Ian demanded shortly.
“One month,” she said without hesitation. “One month of calling on her properly, escorting her to the normal functions, and so on.”
“Two weeks,” he countered with strained patience.
“Very well,” she conceded, giving Ian the irritating certainty that two weeks was all she’d hoped for anyway. “Then you may announce your betrothal and be wed in-two months!”
“Two weeks,” Ian said implacably, reaching for the drink the butler had just put in front of him.
“As you wish,” said the dowager. Then two things happened simultaneously: Lucinda Throckmorton-Jones let out a snort that Ian realized was a laugh, and Elizabeth swept Ian’s drink from beneath his fingertips. “There’s-a speck of lint in it,” she explained nervously, handing the drink to Bentner with a severe shake of her head.
Ian reached for the sandwich on his plate.
Elizabeth watched the satisfied look on Bentner’s face and snatched that away, too. “A-a small insect seems to have gotten on it,” she explained to Ian.
“I don’t see anything,” Ian remarked, his puzzled glance on his betrothed. Having been deprived of tea and sustenance, he reached for the glass of wine the butler had set before him, then realized how much stress Elizabeth had been under and offered it to her instead.
“Thank you,” she said with a sigh, looking a little harassed. Bentner’s arm swopped down, scooping the wineglass out of her hand. “Another insect,” he said.
“Bentner!” Elizabeth cried in exasperation, but her voice was drowned out by a peal of laughter from Alexandra Townsende, who slumped down on the settee, her shoulders shaking with unexplainable mirth.
Ian drew the only possible conclusion: They were all suffering from the strain of too much stress.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
A third assumption: a commitment to monogamy is an admirable consequence of love, stemming from a deep-seated generosity and an intimate interest in the other’s flourishing and well-being. A call for monogamy is a sure indication that one partner has the other’s best interests at heart. To Rabih’s new way of thinking, it seems anything but kind or considerate to insist that a spouse return to his room alone to watch CNN and eat yet another club sandwich while perched on the edge of his bed, when he has perhaps only a few more decades of life left on the planet, an increasingly dishevelled physique, an at best intermittent track record with the opposite sex, and a young woman from California standing before him who sincerely wishes to remove her dress in his honour. If love is to be defined as a genuine concern for the well-being of another person, then it must surely be deemed compatible with granting permission for an often harassed and rather browbeaten husband to step off the elevator on the eighteenth floor, in order to enjoy ten minutes of rejuvenating cunnilingus with a near-stranger. Otherwise it may seem that what we are dealing with is not really love at all but rather a kind of small-minded and hypocritical possessiveness, a desire to make one’s partner happy if, but only if, that happiness involves oneself. It’s past midnight already, yet Rabih is just hitting his stride, knowing there might be objections but sidestepping them nimbly and, in the process, acquiring an ever more brittle sense of self-righteousness. A fourth assumption: monogamy is the natural state of love. A sane person can only ever want to love one other person. Monogamy is the bellwether of emotional health. Is there not, wonders Rabih, an infantile idealism in our wish to find everything in one other being – someone who will be simultaneously a best friend, a lover, a co-parent, a co-chauffeur and a business partner? What a recipe for disappointment and resentment in this notion, upon which millions of otherwise perfectly good marriages regularly founder. What could be more natural than to feel an occasional desire for another person? How can anyone be expected to grow up in hedonistic, liberated circles, experience the sweat and excitement of nightclubs and summer parks, listen to music full of longing and lust and then, immediately upon signing a piece of paper, renounce all outside sexual interest, not in the name of any particular god or higher commandment but merely from an unexplored supposition that it must be very wrong? Is there not instead something inhuman, indeed ‘wrong’, in failing to be tempted, in failing to realize just how short of time we all are and therefore with what urgent curiosity we should want to explore the unique fleshly individuality of more than one of our contemporaries? To moralize against adultery is to deny the legitimacy of a range of sensory high points – Rabih thinks of Lauren’s shoulder blades – in their own way just as worthy of reverence as more acceptable attractions such as the last moments of ‘Hey Jude’ or the ceilings of the Alhambra Palace. Isn’t the rejection of adulterous possibilities tantamount to an infidelity towards the richness of life itself? To turn the equation on its head: would it be rational to trust anyone who wasn’t, under certain circumstances, really pretty interested in being unfaithful?
”
”
Alain de Botton (The Course of Love)
“
So he had found himself on the street holding a woman’s handbag. He remembered that he had felt a sort of amused embarrassment but it had never lasted long. Claire would immediately reappear and reclaim her bag. On those rare occasions, Laurent saw that there were women who noticed that the bag belonged to a female, but he had never seen any suspicion in their glances, just amusement. He was obviously a man waiting for his wife. It was as evident as if he had been wearing a sandwich board reading ‘My wife will be back shortly’.
”
”
Antoine Laurain (The Red Notebook)
“
tip. I always try to catch a moment when I just stand back and quietly watch my family and friends enjoying themselves and each other. Let that moment wash over you so you can store it up for the times when life gets stressful. Those moments are like precious treasures we can pause to look at again and again. You might even keep a hospitality journal—a book to record the memories of your time together. Or, like we have, a guest book by the front door for our friends to sign so we remember our time together. Entries can be short and sweet, just enough to jog your memory: ice cream sandwiches on the patio with family and friends, game night with the grandparents, pizza party with the neighbors. You might write down what was on the menu, who attended, any details that you cherished—twinkly lights on the porch, the smell of homemade brownies baking, or jokes you laughed at, stories you shared. There
”
”
Candace Cameron Bure (Kind is the New Classy: The Power of Living Graciously)
“
The Power of Myth For screenwriting, Jon recommends The Writer’s Journey by Christopher Vogler, which he used to determine if Swingers was structurally correct. He is also a big fan of The Power of Myth, a video interview of Joseph Campbell by Bill Moyers. “With The Jungle Book, I really am going back and doubling down on the old myths.” TF: We recorded our podcast during the shooting of The Jungle Book, in his production office next to set. Months later, The Jungle Book was the #1 movie in the world and currently has a staggering 95% review average on Rotten Tomatoes. Long-Term Impact Trumps Short-Term Gross “Thanks to video, and later DVD and laser disc, everybody had seen this film [Swingers], and it had become part of our culture. That’s when I learned that it’s not always the movie that does the best [financially] that has the most impact, or is the most rewarding, or does the most for your career, for that matter.” Another Reason to Meditate “In the middle of [a meditation session], the idea for Chef hit me, and I let myself stop, which I don’t usually do, and I took out a pad. I scribbled down like eight pages of ideas and thoughts, [and then I] left it alone. If I look back on it, and read those pages, it really had 80% of the heavy lifting done, as far as what [Chef] was about, who was in it, who the characters were, what other movies to look at, what the tone was, what music I would have in it, what type of food he was making, the idea of the food truck, the Cuban sandwiches, Cuban music . . . so it all sort of grew out from that.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
When they reached home, Frank and Joe found that Aunt Gertrude had retired early. “Guess we’ll have to rustle up our own snack,” Frank said. He heated cups of cocoa while Joe made man-sized ham sandwiches.
”
”
Franklin W. Dixon (The Short-Wave Mystery (Hardy Boys, #24))
“
If you were insane? I said in my own head. Lady, you are one sandwich short of a picnic.
”
”
Jonathan Yanez (Forsaken Mercenary - Books 1 - 9)
“
Gurus don’t use anger, harsh words, or fear to inspire their students. They realize that fear is a good motivator in the short term but over the long term it erodes trust. Criticism is lazy communication. It’s not constructive, compassionate, or collaborative. Look for ways to communicate so that the other person can consume, digest, and apply your input effectively. Offer them a “love sandwich” where you deliver a piece of constructive criticism between two tasty slices of positive feedback.
”
”
Jay Shetty (8 Rules of Love: How to Find It, Keep It, and Let It Go)
“
They acknowledged the innocent child hiding in the corner of their hearts, holding a sugar-and-butter sandwich. That one. The one who lodged deep in their fat, thin, old, young skin, and was the one the world had hurt. Or they thought of their son newly killed and remembered his legs in short pants and wondered where the bullet went in. Or they remembered how dirty the room looked when their father left home and wondered if that is the way the slim, young Jew felt, he who for them was both son and lover and in whose downy face they could see the sugar-and-butter sandwiches and feel the oldest and most devastating pain there is: not the pain of childhood, but the remembrance of it.
”
”
Toni Morrison (Sula)
“
They acknowledged the innocent child hiding in the corner of their hearts, holding a sugar-and-butter sandwich. That one. The one who lodged deep in their fat, thin, old, young skin, and was the one the world had hurt. Or they thought of their son newly killed and remembered his legs in short pants and wondered where the bullet went in. Or they remembered how dirty the room looked when their father left home and wondered if that is the way the slim, young Jew felt, he who for them was both son and lover and in whose downy face they could see the sugar-and-butter sandwiches and feel the oldest and most devastating pain there is: not the pain of childhood, but the remembrance of it.
Then they left their pews. For with some emotions one has to stand. They spoke, for they were full and needed to say. They swayed, for the rivulets of grief or of ecstasy must be rocked. And when they thought of all the life and death locked into that little closed coffin they danced and screamed, not to protest God's will but to acknowledge it and confirm once more their conviction that the only way to avoid the Hand of God is to get in it.
”
”
Toni Morrison (Sula)
“
When we first left home, my little brother asked me, "Where are we going?"
I told him, "Just a short trip." However, it turned out to be more than just a short trip, it was a big pain.
It seems that I ruined the excitement of the trip for my little brother because after having to leave five or six times, he stopped asking and just got used to leaving without arguing.
Do you remember our last trip? That day, my uncle gathered all the boys and girls, relatives and friends, made us sandwiches, borrowed his friend's big car, and took us to the beach.
I wonder everyday if my kites will reach my uncle. His phone is still off. Or is he waiting for us under the fig tree at our old house?
If you ever meet him, please tell him that my little brother needs someone to show him the true meaning of a trip. Maybe he can make him laugh again.
- letters in wartime
”
”
Sara Ahmed
“
The next day doesn’t improve Mack’s mood. He’s chopping wood outside when I get up, so I make breakfast—grilled sandwiches with the last of the bread and cheese from my pack and a couple of slices of ham I find in the refrigerator. When he comes back inside, he eats the sandwich in big, hungry bites, and he doesn’t say anything until he’s finished. “I’m going fishing this morning.” I understand he does this to supplement the prepper food stocked up in the cabin and not for recreation. “Okay. That’s a good idea.” He leaves the kitchen to wash up and put on clean clothes, so I go to a supply closet where I saw a small fishing rod that almost certainly belonged to Chloe. It will work fine for me. I put on my boots and jacket and am waiting for Mack on the porch when he comes out with his larger rod. He jerks to a stop when he sees me. “What are you doing?” “I’m coming with you.” “There’s no need. You should rest your knee.” “My knee is fine for a fairly short walk, and I don’t want to spend another day sleeping.
”
”
Claire Kent (Beacon (Kindled #8))
“
Now, why was diagonal cutting better than cutting straight across? Because the corner of a triangularly cut slice gave you an ideal first bite. In the case of rectangular toast, you had to angle the shape into your mouth, as you angle a big dresser through a hall doorway: you had to catch one corner of your mouth with one corner of the toast and then carefully turn the toast, drawing the mouth open with it so that its other edge could clear; only then did you chomp down. Also, with a diagonal slice, most of the tapered bite was situated right up near the front of your mouth, where you wanted it to be as you began to chew; with the rectangular slice, a burdensome fraction was riding out of control high on the dome of the tongue. One subway stop before mine, I concluded that there had been logic behind the progress away from the parallel and toward the diagonal cut, and that the convention was not, as it might first have appeared, merely an affection of short-order cooks.
”
”
Nicholson Baker
“
Key to the Pronunciations This dictionary uses a simple respelling system to show how entries are pronounced, using the symbols listed below. Generally, only the first of two or more identical headwords will have a pronunciation respelling. Where a derivative simply adds a common suffix such as -less, -ness, or -ly to the headword, the derivative may not have a pronunciation respelling unless some other element of the pronunciation also changes. as in hat //, fashion // as in day //, rate // as in lot //, father //, barn // as in big // as in church //, picture // as in dog //, bed // as in men //, bet //, ferry // as in feet //, receive // as in air //, care // as in soda //, mother /, her // as in free //, graph //, tough // as in get //, exist // as in her //, behave // as in fit //, women // as in time /t/, hire //, sky // as in ear //, pierce // as in judge //, carriage // as in kettle //, cut //, quick // as in lap //, cellar //, cradle // as in main //, dam // as in need //, honor //, maiden // as in sing //, anger // as in go //, promote // as in law //, thought //, lore // as in boy //, noisy // as in wood //, sure // as in food //, music // as in mouse //, coward // as in put //, cap // as in run //, fur //, spirit // as in sit //, lesson //, face // as in shut //, social // as in top //, seat //, forty // as in thin //, truth // as in then //, father // as in very //, never // as in wait //, quit // as in when //, which // as in yet //, accuse // as in zipper //, musician // as in measure //, vision // Foreign Sounds as in Bach // as in en route //, Rodin / / as in hors d’oeuvre //, Goethe // as in Lully //, Utrecht // Stress Marks Stress (or accent) is represented by marks placed before the affected syllable. The primary stress mark is a short, raised vertical line // which signifies that the heaviest emphasis should be placed on the syllable that follows. The secondary stress mark is a short, lowered vertical line // which signifies a somewhat weaker emphasis than on the syllable with primary stress. Variant Pronunciations There are several ways in which variant pronunciations are indicated in the respellings. Some respellings show a pronunciation symbol within parentheses to indicate a possible variation in pronunciation; for example, in sandwich //. Variant pronunciations may be respelled in full, separated by semicolons. The more common pronunciation is listed first, if this can be determined, but many variants are so common and widespread as to be ofequal status. Variant pronunciations may be indicated by respelling only the part of the word that changes. A hyphen will replace the part of the pronunciation that has remained the same. Note: A hyphen sometimes serves to separate syllables where the respelling might otherwise look confusing, as at reinforce //.
”
”
Oxford University Press (The New Oxford American Dictionary)
“
Sean checked his watch, grimaced, and lengthened his stride down the hallway. He’d make it to the high school—but only if he skirted around town instead of cutting through. It was 12:40 p.m. and the downtown streets would be clogged with motorists battling for lunch hour parking.
He was halfway down the granite steps when he spotted Dave and Evelyn standing beside his car in the lot reserved for official use. He raised an eyebrow at the twin smiles of angelic innocence on their faces. “What are you two doing, camped out here?”
“That should be obvious,” his secretary replied. “You tipped your hand when you canceled your lunch with Ferrucci and the oh-so-friendly developers. So Dave and I decided we might as well share the ride. No point in taking separate cars when we can carpool.”
He made a show of looking at his watch. “You want a lift to the deli for sandwiches? Fine, hop on in.”
Evelyn made a clucking noise with her tongue. Her pink curls shook slightly. “Sean, we’re your friends. If we’re willing to admit to unholy curiosity, then you should, too.”
Dave merely nodded in agreement, wisely holding his tongue. A good thing, too. These days, Sean’s temper had a real short fuse, wired to explode. He didn’t want to throttle his best friend in the town hall parking lot.
Sean had thought it would be easier not to see Lily, but he’d been wrong. Just knowing she was near had him craving even a glimpse of her. It was a gnawing hunger that nothing could appease . . . except her.
”
”
Laura Moore (Night Swimming: A Novel)
“
What happened, man? Gerry and Ginsberg are cold, and dead, in the ground. Kesey’s stoned, and out of town. We’ve come to the end of the brotherhood song. The children brandish knives upon each other’s throats, and their loaded 45’s sit snug in lunch boxes nestled safely between Oreo cookies and a ham sandwich. Where are you now, oh ancient hipsters? Raggedy Beats beat down and broken wheel raggedy wheelchairs down ghostly geriatric wards. Where are you now, oh day-glow dreamers? Have you gotten off the bus and into your Mercedes? Did you get that second mortgage, and bear your fattened little babies? Where is that girl with flowers in her hair? Where is the man with revolution in his veins? We ask ourselves “where did we go wrong?” But there is no we. There is you, and then there is I. You do what you need to survive, And I do what I must to stay alive. We stand here Bleeding, slicing each other’s wrists With the icy ridges of hardened jagged hearts, Cassandra’s
”
”
Bearl Brooks (Literary Conception: A Collection of Short Stories and Poems)
“
It’s five o’clock, and I’m reaching into the fridge for a block of cheese when there’s a knock at the door.
Stealth mode engaged, I abandon making what would have been the world’s most perfect sandwich and creep up the hall, eyeing the door like whoever is on the other side is going to burst right through it.
We have a staredown then, the door and I. It’s pretty intense, just short of an evil sheriff hiding in the shadows, chewing on a matchstick.
Another knock.
Without moving my eyes, I pump a blob of antibacterial gel into my hands and rub it away. Because I’m sure the only thing on any home invader’s mind, after being polite enough to knock first, is a sanitary victim. I roll my eyes so hard they almost fall out of my skull.
”
”
Louise Gornall (Under Rose-Tainted Skies)
“
One is a little larger than the other, but overall the Winstons look alike—tan fur, short legs, stubby bodies, batlike ears. They snort and trot around like little pigs, and already there has been significant fartage. I’m hoping it’s the sandwich and not the natural state of affairs, although it would explain the bowls of potpourri everywhere. JJ informed me, when he dropped them off, that they are French bulldogs, which has led me to reassess my opinion of the French.
”
”
Melissa DeCarlo (The Art of Crash Landing)
“
He’s a few sandwiches short of a picnic,
”
”
Lia Riley (Upside Down (Off the Map, #1))
“
That was fortuitous, she thought. She made a brief stop inside the takeaway to purchase a prawn and coleslaw sandwich on brown bread, a bag of salt and vinegar crisps, a snack-size packet of custard creams, and a blackcurrant Ribena. Out in the square she made short work of sandwich, crisps, and Ribena, managing in the midst of this repast to drip coleslaw down the front of her T-shirt. Seeing what she’d done to herself, she cursed and created from the coleslaw drip a very large and—she liked to think—rather artful stain by smearing the mess with a greasy paper napkin. She consoled herself with one of the custard creams and followed this with a deeply satisfying fag.
”
”
Elizabeth George (Something to Hide (Inspector Lynley, #21))
“
Afraid to move and give away his nervousness, Zubair was in no hurry. Once most of the other passengers were gone, he retrieved his computer bag and made his way down the narrow stairs to the main body of the plane. He half expected to see a group of men in suits waiting for him, but thankfully there were none. He’d been warned that the Americans had gotten much better at intercepting people who were trying to illegally enter their country. Two female flight attendants with whorish makeup and skirts that were far too short stood by the door. They thanked him for flying Qantas. Despite what his trainers had told him, Zubair ignored the women, refusing to look them in the eye. Fortunately for him his diminutive stature made him seem shy rather than hostile. Zubair was just five and a half feet tall, and weighed a svelte 142 pounds. With his mustache shaved he easily passed for someone five to ten years younger than his twenty-nine years. He stepped into the Jetway, joining the stampede for baggage claim and customs and sandwiched between the business-class and economy customers. The stress of the situation and the heat of the enclosed Jetway triggered the scientist’s sweat glands, sending them into overdrive. Within seconds salty perspiration dampened every inch of his skin. Zubair felt trapped, as if he was on a conveyor belt headed toward his own execution. There was no turning back. Passengers continued to pour off the plane, pushing forward, moving through the confined tunnel toward U.S. Customs agents who would ask probing questions. Zubair suddenly wished he had taken the sedative that they had given him to calm his nerves. He had thrown the pills away at the Sydney airport. Allah would never approve of him taking a mood-altering drug.
”
”
Vince Flynn (Memorial Day (Mitch Rapp, #7))
“
Do you think your dad—” “Not yet, and no. But the sheriff and some state troopers were over. I heard some stuff. They think the body’s been in there at least ten or fifteen years.” Excited as she was by all the action, it also made her sad. “Can you believe that? Not knowing where your kid has been for the last fifteen years. Not knowing if she’s still alive or dead.” When Laura Lynn and Marcus exchanged a look, she frowned. “What?” “Do you know how many kids die around here? Or go missing?” When Mandy shook her head, Marcus continued. “A lot. Like, a lot a lot.” “How?” she asked. “Why?” “Lots of reasons,” Laura Lynn said. “Cancer. Running away. Murder. There are lots of stories like that. Kids going crazy and sent to insane asylums.” Marcus sat straighter in his chair. “I don’t believe all of them. Jake used to try to freak me out by telling me if I didn’t clean my room, all the kids from the mental hospital would escape and eat me alive.” He glanced to the side and shook his head. “What an asshat.” “Who’s Jake?” Mandy asked. “My older brother. He’s in college now.” Marcus started in on his sandwich, talking through a mouthful of food. “But he said his friend’s brother died that way. Some rare disease or something. Totally incurable.” “That’s pretty weird,” Mandy said. “Maybe that’s what happened to the girl in the septic tank,” Laura Lynn offered. “Maybe she went crazy and fell in.” “And what?” Marcus asked. “Her parents just closed it up and forgot about her? I doubt it.” “Then it was probably murder,” Mandy said. Another thrill went through her, but a twinge of fear followed this one. “We should look into it. Do our own investigation.” Laura Lynn and Marcus both looked down at their plates. Marcus was the first to answer. “I don’t know about that.” “What?” Mandy felt confused. She had figured at least Marcus would be into the idea, even if Laura Lynn wasn’t. “Aren’t you a computer genius? You could help me solve the case! We’d be heroes.” “It’s not worth it.” When he looked up again, he was deadly serious. “A lot of people have gone missing over the years, Mandy. Not just kids. It’s better to just keep your head down. Don’t cause any trouble.” Mandy blanched. When she looked at Laura Lynn for support, she saw her friend nodding in agreement. Mandy sat back in her chair with a huff, the turkey and cheese sandwich untouched. So much for showing Bear she could take care of herself by solving this on her own. 9 Bear pulled his truck next to McKinnon’s cruiser and put it in park. He hopped out and met her around the side of her car. “A graveyard? This is about to get real interesting, or real weird.” “Let’s hope it gets interesting,” McKinnon said. The slam of her door echoed through the surrounding trees, and the two of them trudged their way up a set of steps to the cemetery. Bear had passed it a few times as he’d driven around town. It was the biggest within a twenty-mile radius, but it wasn’t huge. The gravestones were crammed near each other, filling the entire plot of land to the brim. There was a short wrought-iron fence around the perimeter and a plaque that read “April Meadows Cemetery” in block letters. A few trees were scattered around, along with a couple of larger headstones, but most of the markers were small and modest. The paths were skinny and winding, as though they had been an afterthought. “What’re we doing here?” Bear
”
”
L.T. Ryan (Close to Home (Bear & Mandy Logan #1))
“
Resigned that I wasn’t going back to sleep, I rolled up and got out of bed once another glance at my phone confirmed it was seven thirty and instantly peeked out the window.
There was a dull, repetitive sound coming from out there.
It was Mr. Rhodes.
Chopping wood.
Shirtless.
And I mean shirtless.
I’d expected something nice beneath his clothes from the way he filled them out, but nothing could have prepared me for the sight of… him. Reality.
If I wasn’t already pretty sure that there was dry drool on my face, there would have been five minutes after seeing all…. That through the window.
A pile of foot-long logs were tossed around his feet, with another small pile that he’d obviously already chopped, just to the side. But it was the rest of him that really drew my attention. Dark chest hair was sprinkled high over his pectorals. The body hair did nothing to take away from the hard slabs of abdominal muscles he’d been hiding; he was broad up top, narrow at the waist, and covering all that was firm, beautiful skin.
His biceps were big and supple. Shoulders rounded. His forearms were incredible.
And even though his shorts grazed his knees, I could tell the rest of his downtown area was nice and muscular.
He was the DILF to end all DILFs.
My ex had been fit. He’d worked out several times a week at our home gym with a trainer. Being attractive had been part of his job.
Kaden’s physique had nothing on Mr. Rhodes though.
My mouth watered a little more.
I whistled.
And I must have done it a lot louder than I’d thought because his head instantly went up and his gaze landed on me through the window almost immediately.
Busted.
I waved.
And inside… inside, I died.
He lifted his chin.
I backed away, trying to play it off.
Maybe he wouldn’t think anything of it. Maybe he’d think I’d whistled… to say hi. Sure, yeah.
A girl could dream.
I backed up some more and felt my soul shriveling as I made my breakfast, making sure to stay away from the window the rest of the time. I tried to focus on other stuff. You know, so I wouldn’t want to have to move out from shame.
Was I tired? Absolutely. But there were things I wanted to do. Needed to do. Including but not limited to getting away from Mr. Rhodes so my soul could come back to life.
So an hour later, with a plan in mind, a sandwich, a couple bottles of water, and my whistle in my backpack, I headed down the stairs, hoping and praying that Mr. Rhodes was back in his house.
I wasn’t that lucky.
He had a shirt on, but that was the only difference.
Darn.
”
”
Mariana Zapata (All Rhodes Lead Here)
“
The pandemic exposed key challenges in food delivery. Not all foods travel well even in short distances. Chefs toil to perfect recipes and customers expect the food as it appears on the restaurant website but time in transit distorts. A meatball sub barely survives a few feet let alone a car ride. Tomato sauce spills over the sandwich collecting at the bottom to soak the bread. Barbecue dishes suffer from congealing while nachos arrive both moist and brittle. Calamari grows chewy, mozzarella sticks turn into heavy weapons, and fries arrive limp. The enemy to food delivery, beyond stop lights, is moisture.
”
”
Jeff Swystun (TV DINNERS UNBOXED: The Hot History of Frozen Meals)
“
Installing tape-in hair extensions on short hair may initially seem daunting, but fear not! With the right technique and a touch of patience, you can achieve stunning, voluminous locks. In this step-by-step guide, we'll walk you through the process, providing clear instructions and helpful tips to ensure a seamless installation.
Supplies You'll Need:
Before diving in, gather the following supplies: tape-in hair extensions, sectioning clips, a fine-tooth comb, hair cutting shears (optional), a hair straightener (optional), and hair extension adhesive remover (if reusing extensions).
Step 1: Prepare Your Hair and Section It
Begin by thoroughly washing and drying your hair. If desired, straighten your natural hair with a flat iron to facilitate blending. Next, use sectioning clips to divide your hair into manageable sections, starting with a horizontal parting at the nape of your neck and working your way up.
Step 2: Get the Extensions Ready
Lay out the tape-in hair extensions, ensuring they're in the correct order for installation. If you're reusing extensions, carefully remove any remaining adhesive using a hair extension adhesive remover.
Step 3: Measure, Trim, and Apply the First Extension
Hold a tape-in extension against your scalp, starting from the bottom of a sectioned hair portion. Measure it against your natural hair length and trim accordingly, leaving a small gap between the extension and your scalp. Remove the protective backing from one side of the tape and press it firmly against the roots of your hair, just below the sectioned hair.
Step 4: Sandwich and Repeat
Take another tape-in extension with the sticky side exposed and place it over the top of the first extension, sandwiching your natural hair in between. Apply firm pressure to secure the extensions together. Repeat this process, working your way up in rows until you reach the top of your head.
Step 5: Blend, Style, and Maintain
Use a fine-tooth comb to blend your natural hair with the extensions, ensuring a seamless look. Style your hair as desired, using heat tools or styling products if needed. Follow the maintenance guidelines provided by the hair extension manufacturer to keep your extensions looking their best, and avoid excessive heat or oily products near the tape area to prevent slippage.
Step 6: Removal Process
When it's time to remove the extensions, use a professional hair extension adhesive remover for a gentle and safe removal process.
Conclusion:
By following this comprehensive guide, you'll confidently install tape-in hair extensions on short hair, unleashing a world of voluminous and glamorous hairstyles. Remember to take your time, follow the instructions diligently, and seek professional assistance if necessary. Embrace the transformation and enjoy your stunning new look!
”
”
Mic Hair Company
“
When you reach our age, everyone wants to keep you alive with granola. Consider this breakfast an act of liberation. I got greasy egg sandwiches, bacon, and hash browns.
”
”
Circa24 (Thomas Hardy was an Optimist: A Collection of Short Stories From the Plague Years.)
“
There’s a limit to how many sandwiches short of a picnic you can admit to being before you’re no longer welcome on the day out, if you know what I mean.
”
”
S.E. Lynes (Can You See Her?)
“
Eat- Yō Sandwich
(Lunch)
It is a foot long;
Ha- better than six inches, said Maddie. Karly- Suck on your meatballs…
‘You should know you’ve done both.’ Some girl down the table- said.
Let’s talk about books, said Olivia.
God just shot me in the head, so I can die, ha- hey see the sped?
Nice- book’s- Maddie- ha!
Karly- I think movies like Twilight freaking suck, (Throwing both middle fingers in the air making a skilling face.) The sporting actress made fame, what it is. Look at her and the look at that, what is- that, I love Anna Kendrick?
Teach walking by saying that a mother-week Barns.
Liv- I think she would have made a better Bella, than the girl with no personality, yet that’s the book I read that thing and it was painful.
I guess that my assignment in life is over my Karly kiss my ass where it is brown and holy!
And that another one, sure it is… Suck my clit.
No!
Yes, you want to! (Sexy eyes)
That's it- you're expelled-
Good now I can party and have some fun sleeping and not doing this crap, so you're going to punish me by not being here, freak yeah!
The towing sickness of a teacher whose name is Mr. Abdèlaziz Okay smart-ie, in-school suspension, then right.
Karly- Freaking-, ho-bag, psycho, b*tch, p*ssy-tart- cunt! Under her breath.
(She gets taken out by her hair, by the officer what’s his name, roughly, I might add.)
Like who paints a room all black, and faces the desks at the wall, where you could only piss two times… no air to speak of and some fat ass smelling like crap farting up and down the five by thirdly long skinny room, next to you is what… I got six out of seven freaking hours, all week I might add.
~*~
(Flashback)
I love bands that are not cool so what do you do here?
Freak yeah, at least I made it as one of our dumb ho’s… in a short skirt that shows nothing under it, to think I made it, wow good to think… you think I am good enough to be the same look, and size or whatever, yet you can’t say the N-word or a knotty little swore ward… Yet- yet- teachers can call me every name you can think of… in the urban book of crap, like I cannot even wear a tank… without a bra in the halls, yet, this girl can… do you see all the bouncing, and nipples pointing, at you, I sure do?
”
”
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
“
point out that it was a romantic gesture aimed at him and not the couple of overweight blokes smoking and playing cards whom she had glimpsed inside the Portakabin. Thanks,” he said, taking the sandwich off the plate and biting into it without even looking at it. Crystal spared another thought for the chickens. God only knows what they had gone through in order to keep Tommy Holroyd fed. Best not to think about it. Keep your mouth shut. “Anything else, babe?” she asked. “Nah. Close the door again on the way out, will you?” The entry phone buzzed while she was still in the hallway and Tommy shouted through the door, “Get that, will you?” When Crystal peered at the monitor next to the front door she could see a girl standing in front of the camera. She was so short that only the top half of her head showed. Crystal pressed the button on the microphone and said, “Hello?” The girl held up something, a wallet or a card, Crystal couldn’t make it out. “I’m DC Reggie Chase,” she said. “I’m here with my colleague DC Ronnie Dibicki.” She indicated someone else, out of sight of the camera. “We’d like to have a chat with Mr. Holroyd. Mr. Thomas Holroyd.” Detectives? “It’s a routine inquiry,” the detective said. “Nothing to be alarmed by.” Keep
”
”
Kate Atkinson (Big Sky (Jackson Brodie #5))
“
When the waitress appeared I ordered a BLT; Tinker leapt straight into uncharted territory, ordering Max’s eponymous sandwich, which the menu defined as unparalleled, world famous and legendary. When Tinker asked if I’d ever had it, I told him I’d always found the description a little too long on adjectives and a little too short on specifics.
”
”
Amor Towles (Rules of Civility)
“
I retreated up the highway to a drive-in where I ate a torpedo sandwich.
”
”
Ross Macdonald (The Archer Files: The Complete Short Stories of Lew Archer, Private Investigator (Lew Archer Series Book 17))
“
thing within him that cried Kill, kill, kill. It wanted to get the two of them, and nothing short of that would do. And if he and she had had a five-year-old kid, say, he would have included the kid in the holocaust too, although a kid that age obviously couldn't be guilty of anything. A doctor would have known what to make of this, and would have phoned a hospital in a hurry. But unfortunately doctors aren't mind-readers and people don't go around with their thoughts placarded on sandwich-boards.
”
”
Cornell Woolrich (Literary Noir: A Series of Suspense: Volume Three)
“
In the way of a reflection of my family and friends I mused at the number of people that I encountered during the past 85 years. Everyone here has played an important part but there have been others, many of whom have now passed across the horizon of life, however the purpose of my reminiscing is to share happy thoughts while at the same time take a peek into the future.
I can look back to those first few glimpses of my life and find my grandmother Ohme, Gertrude Thieme standing at what I perceived to be a high kitchen counter making sandwiches using a slice of almost not eatable German black bread they called schwartsbrod. With great care she laden it with lard, blootwurst or sometimes liberwurst, topped with the half of a crusty Keiser roll. I always got the heel of the roll, with a quarter lengthwise slice of a crunchy dill pickle. It was the first and last time I remember seeing her before she returned to Germany and the war.
My sister Trudy had died a few years prior leaving a collective hole in my family. Her short life and subsequent death was devastating to my mother and father and I constantly felt the sorrow it brought into our home. My father unsuccessfully tried to make a success of a small delicatessen at 11 Nelson Avenue in Jersey City and we moved to 25 Nelson Avenue when my father started working as a chef at Lindy’s Restaurant on Broadway in Manhattan.
At home we exclusively spoke German which was a hindrance during World War II. My mother and father never lost their German accent and the only one of my family that made a real effort to speak English without an accent was my Onkle Willie. My parents refused to associate with my Onkle Walter and his wife Tante Wilma although they always treated me kindly and I sometimes talked with my cousins Klein Walter und Norma. The neighborhood treated us as NAZI outcasts until Italy entered the war on the Axis side and suddenly we all had to prove that we were patriotic. Eventually I joined the tin can army and learned enough English to be accepted. As my accent faded I truly became an American.
”
”
Hank Bracker
“
Do you know the definition of peace, my friend?” “Not the one you are about to quote, I’m sure.” Beyond the Duko, I saw Oreb flash past the windows—and heard him, too: “Here Silk! Silk here!” “Peace, as you intend peace, is but the slice of cheese in a sandwich, a period of cheating between two periods of fighting. Your peace would endure only until Blanko felt strong enough to throw us off, probably when we were deeply committed elsewhere. No, my friend, Pas would agree to no such peace, and neither will I. Would your Blanko consent to surrender all its weapons, every big gun, every slug gun, every needler, every sword and every knife?” I said that I did not know, but that I felt sure the Corpo would at least consider such a demand. “Then I make it. I make it because after you have complied with it, I can do whatever I wish.
”
”
Gene Wolfe (In Green's Jungles: The Second Volume of 'The Book of the Short Sun')
“
12. A sandwich short of a picnic A person who is ‘a sandwich short of a picnic’ is a little bit crazy. British people also use ‘not all there’ as an alternative expression.
”
”
Write The Right Way (Best British Idioms – 250 Classic British English Idioms)
“
But share everything that matters. And keep loving each other massively. Life’s too short for anything else.
”
”
Catherine Newman (Sandwich)