Samuel Sharpe Quotes

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If your Lord calls you to suffering, do not be dismayed, for He will provide a deeper portion of Christ in your suffering. The softest pillow will be placed under your head though you must set your bare feet among thorns. Do not be afraid at suffering for Christ, for He has a sweet peace for a sufferer. God has called you to Christ's side, and if the wind is now in His face, you cannot expect to rest on the sheltered side of the hill. You cannot be above your Master who received many an innocent stroke. The greatest temptation out of hell is to live without trials. A pool of standing water will turn stagnant. Faith grows more with the sharp winter storm in its face. Grace withers without adversity. You cannot sneak quietly into heaven without a cross. Crosses form us into His image. They cut away the pieces of our corruption. Lord cut, carve, wound; Lord do anything to perfect Your image in us and make us fit for glory! We need winnowing before we enter the kingdom of God. O what I owe to the file, hammer, and furnace! Why should I be surprised at the plough that makes such deep furrows in my soul? Whatever direction the wind blows, it will blow us to the Lord. His hand will direct us safely to the heavenly shore to find the weight of eternal glory. As we look back to our pains and suffering, we shall see that suffering is not worthy to be compared to our first night's welcome home in heaven. If we could smell of heaven and our country above, our crosses would not bite us. Lay all your loads by faith on Christ, ease yourself, and let Him bear all. He can, He does, and He will bear you. Whether God comes with a rod or a crown, He comes with Himself. "Have courage, I am your salvation!" Welcome, welcome Jesus!
Samuel Rutherford
He doesn’t trust me—and I’m sorry to say he has reason.” He looked at Samuel. “I don’t think he’ll trust you either—not another male when his daughter is there.” He turned back to me. “But you have his scent all over your van, and he has a picture of you in his bedroom.” Samuel gave me a sharp look. “In his bedroom?
Patricia Briggs (Moon Called (Mercy Thompson, #1))
Curiosity, however sharp, must wait on dignity.
Samuel Shellabarger (Prince of Foxes)
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him. We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility. ... 'Please don't let Daddy die, Susie,' he whispered. 'I need him.' When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced. I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately? 'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me. 'Remember?' he said. I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry. 'Do you remember?' he asked. 'Barber!' 'Adagio for Strings,' he said. But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why. 'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard. We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco. When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back. 'I'm going,' he said. 'Where?' I asked. 'Don't worry, sweetheart. You're so close.' He turned and walked away, disappearing rapidly into spots and dust. Infinity.
Alice Sebold
Samuel Sharpe’s movement was different: resistance on a dazzling scale. It was well organized, spread across a wide geographic area and inspired by Baptist salvation thinking. More than 30,000 enslaved people were eventually brought into a plot rooted in nonviolent idealism that anticipated 20th century movements such as those led by Mahatma Gandhi, Martin Luther King, Jr., and the proponents of liberation theology in Latin America.
Tom Zoellner (Island on Fire: The Revolt That Ended Slavery in the British Empire)
It cost Christ and all His followers sharp showers and hot sweats ere they won to the top of the mountain. But still our soft nature would have heaven coming to our bedside when we are sleeping, and lying down with us, that we might go to heaven in warm clothes; but all that came there found wet feet by the way, and sharp storms that did take the hide off their face, and found tos and fros, and ups and downs, and many enemies by the way.
Samuel Rutherford (The Loveliness of Christ: Selections from the Letters of Samuel Rutherford)
So, cool as a lord, the old Galahad walking out to the road, with plastic raincoat hanging on the arm, and the eyes not missing one sharp craft that pass, bowing his head in a polite 'Good evening' and not giving a blast if they answer or not. This is London, this is life oh lord, to walk like a king with money in your pocket, not a worry in the world.
Sam Selvon (The Lonely Londoners)
His mouth was wet and hot and intensely demanding, so sharp and piercing with need that it broke through Mattie’s defenses the way nothing else could have. A burst of excruciating hunger made her almost frantic with wanting him. She shifted in his arms and met his kiss wide open, giving as furiously as she took. “Oh, Mattie,” he said against her mouth. “I’ve never wanted a woman in my life like I want you. You’re driving me crazy.
Barbara Samuel (Breaking The Rules)
With a crooked smile on his face, he leaned down so his lips brushed my ear. “No doesn’t mean shit to me, baby girl.” He followed his words with a sharp bite to my earlobe that sent a jolt of pleasure pulsing through my body, tightening my nipples which rubbed painfully against my shirt. A tightening sensation ripped through my lower stomach and I felt a flushing from my core. Preppy abruptly pulled his hand from inside my shorts, obviously aware and probably repulsed at whatever had just happened down there. My face reddened when he held up his glistening fingers and stared at it in wonderment, shocking me even further when he licked his palm slowly, from wrist to fingertip, closing his eyes and groaning. “That was the best NO I’ve ever fucking tasted,” he said, and without another word he was yanking down my shorts and underwear in one move, before climbing back up my body so we were again eye to eye, his hand back between my legs.
T.M. Frazier (Preppy: The Life & Death of Samuel Clearwater, Part One (King, #5))
The general point: the story process keeps the vision clear and the action moving. But if we do not notate the vision accurately, if we accept some phrase we should have discarded, if we allow to stand some sentence that is not as sharp as we can make it, then the vision is not changed in the same way it would have been otherwise: the new sections of the vision will not light up quite so clearly, perhaps not at all. As well, the movement of the vision—its action—will not develop in the same way if we put down a different phrase. And though the inaccurate employment of the story process may still get you to the end of the tale, the progress of the story process, which eventually registers in the reader’s mind as “the plot,” is going to be off: an inaccuracy in either of the two story process elements, the envisioning or the notation, automatically detracts from the other. When they go off enough, the progress of the story process will appear unclear, or clumsy, or just illogical.
Samuel R. Delany (About Writing: Seven Essays, Four Letters, & Five Interviews)
The slaves themselves were powerless to create any written record of what they witnessed, or to publicize it in any way beyond the discreet oral circles of plantation life. What can be known of Sharpe's method and motives must be seen through the lens of the Jamaican prosecutorial narrative, which sought to understand him only to the point of gathering sufficient evidence to justify his hanging.
Tom Zoellner
The revolt Samuel Sharpe had started on a Caribbean island was building to a culmination at Westminster – a final drive to asphyxiate slavery throughout the British Empire. But it came not through a spectacular legislative duel or an inspiring floor speech, but rather through the grind of parliamentary process and the unromantic reality of dickering in the shadows.
Tom Zoellner (Island on Fire: The Revolt That Ended Slavery in the British Empire)
If Samuel Sharpe had been trying to seize the attention of the mother country – just as Nat Turner had given the American South a brief window through which to reconsider slavery – he succeeded far beyond what he might have hoped. Never before had enslaved people spoken so loudly in Britain.
Tom Zoellner (Island on Fire: The Revolt That Ended Slavery in the British Empire)
[Sharpe's] only goal had been to make people free, he said, and what had been a peaceful movement had spun out of control. But he remained defiant to the end about the idealism of his cause, if not the means. 'I would rather die upon yonder gallows than live in slavery!' he said. Belby reported that Sharpe's frame expanded, his spine stiffened, and his eyes seemed to 'shoot forth rays of light' when he said this.
Tom Zoellner (Island on Fire: The Revolt That Ended Slavery in the British Empire)
No use,” he said. “You see, these fellows don’t know much. They aren’t like skilled laborers who need to be sharp to do their jobs. They’re just common workers, and most of them have gunpowder instead of brains. They don’t want facts or reason; what they like is Grady’s oratory. They think it’s the finest thing they have ever heard. They might all be perfectly satisfied and eager to work, but if Grady asked them if they wanted to be slaves, they’d all go on strike as fast as a freight train rolling downhill.
Samuel Merwin (Calumet "K": The Story of an American Builder)
ABATER  (ABA'TER)   n.s.The agent or cause by which an abatement is procured. Abaters of acrimony or sharpness: expressed oils of ripe vegetables, and all preparations of such; as of almonds, pistachoes, and other nuts.Arbuthnoton diet.
Samuel Johnson (A Dictionary of the English Language (Complete and Unabridged in Two Volumes), Volume One)
find it most true, that the greatest temptation out of hell is to live without temptations; if my waters should stand, they would rot. Faith is the better of the free air, and of the sharp winter storm in its face. Grace withereth without adversity. The devil is but God’s master fencer, to teach us to handle our weapons.
Samuel Rutherford (The Loveliness of Christ: Selections from the Letters of Samuel Rutherford)
Medea came out of the hallway shadows first, meowing sharp little complaints as she trotted across the kitchen floor and hopped onto Stefan’s lap. Samuel followed,
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
Do you understand what a Dom is?” “Apparently someone who doesn’t want me to speak.” His hand came down on her ass in a short, sharp arc. “No sarcasm allowed. I don’t take well to Sams.” His slap hadn’t really hurt, but it left a lingering warmth. She squirmed a bit. “Sam?” “Smart-ass masochist. Samuel Fleetwood was aptly named. It fits him to a T, but this is lingo we use for a submissive who talks back.
Sophie Oak (Siren Enslaved (Texas Sirens, #3))
Focus is sharp when purpose is clear.
Awolumate Samuel