Samuel Beckett Best Quotes

Perhaps my best years are gone. When there was a chance of happiness. But I wouldn't want them back. Not with the fire in me now. No, I wouldn't want them back.

Yes, in my life, since we must call it so, there were three things, the inability to speak, the inability to be silent, and solitude, that’s what I’ve had to make the best of.

When a man in a forest thinks he is going forward in a straight line, in reality he is going in a circle, I did my best to go in a circle, hoping to go in a straight line.

I always thought old age would be a writer’s best chance. Whenever I read the late work of Goethe or W. B. Yeats I had the impertinence to identify with it. Now, my memory’s gone, all the old fluency’s disappeared. I don’t write a single sentence without saying to myself, ‘It’s a lie!’ So I know I was right. It’s the best chance I’ve ever had.

Yes, I was my father and I was my son, I asked myself questions and answered as best I could, I had it told to me evening after evening, the same old story I knew by heart and couldn't believe, or we walked together, hand in hand, silent, sunk in our worlds, each in his worlds, the hands forgotten in each other. That's how I've held out till now. And this evening again it seems to be working, I'm in my arms, I'm holding myself in my arms, without much tenderness, but faithfully, faithfully. Sleep now, as under that ancient lamp, all twined together, tired out with so much talking, so much listening, so much toil and play.

It was a strange room, the door hanging off its hinges, and yet a telephone. But its last occupant was a harlot, long past her best, which had been scarlet.

I do nothing, with as little shame as satisfaction. It is the state that suits me best. I write the odd poem when it is there, that is the only thing worth doing. There is an ecstasy of accidia — will-less in a grey tumult of idées obscures. There is an end to the temptation of light, its polite scorchings & consolations. It is good for children & insects. There is an end of making up one's mind, like a pound of tea, an end of patting the butter of consciousness into opinions. The real consciousness is the chaos, a grey commotion of mind, with no premises or conclusions or problems or solutions or cases or judgments.

Lousse tried to make him say, Pretty Polly! I think it was too late. He listened, his head on one side, pondered, then said, Fuck the son of a bitch. It was clear he was doing his best.

It is to be hoped the time will come, thank God, in some circles it already has, when language is best used where it is most efficiently abused. Since we cannot dismiss it all at once, at least we do not want to leave anything undone that may contribute to its disrepute. To drill one hole after another into it until that which lurks behind, be it something or nothing, starts seeping through - I cannot imagine a higher goal for today's writer.

[H]aving heard, or more probably read somewhere, in the days when I thought I would be well advised to educate myself, or amuse myself, or stupefy myself, or kill time, that when a man in a forest thinks he is going forward in a straight line, in reality he is going in a circle, I did my best to go in a circle, hoping in this way to go in a straight line.

Samuel Beckett put it best: “Go on failing. Go on. Only next time, try to fail better.

Oh, they weren't notions like yours, they were notions like mine, all spasm, sweat and trembling, without an atom of common sense or lucidity. But they were the best I had.

I didn't understand women at that period. I still don't for that matter. Nor men either. Nor animals either. What I understand best, which is not saying much, are my pains.

The sound I liked best had nothing noble about it. It was the barking of the dogs, at night, in the clusters of hovels up in the hills, where the stone-cutters lived, like generations of stone-cutters before them. it came down to me where I lay, in the house in the plain, wild and soft, at the limit of earshot, soon weary. The dogs of the valley replied with their gross bay all fangs and jaws and foam...

No matter, no matter how, they are doing the best they can, with the miserable means at their disposal, a voice, a little light, poor devils, that's what they're paid for, they say, No sign of hardening, no sign of softening, impossible to say, no matter, it's a good average, we only have to continue, one day he'll understand, one day he'll thrill, the little spasm will come, a change in the eye, and cast him up among us. To be on the watch and never sight, to listen for the moan that never comes, that's not a life worth living either. And yet it's theirs.

the glory days of Shakespeare and Company were done. Its demise marked the end of the exuberance and freedom of modernist innovation. Old-style masculine domination steamrollered in with murder, repression, punishment and with winning defined by who best killed and destroyed. Sylvia talked of the ‘insanity’ of war. Samuel Beckett said she had a permanent worried look. ‘Everyone in Paris wants to flee to America away from wars and dictators,’ Sylvia wrote to her father. Bryher assured her that whatever happened to Shakespeare and Company, she would look after her. ‘I tried always to do what I could for the real artists and especially for the woman artist,’ she said. These women artists were lesbian.

My sometime friend Belacqua enlivened the last phase of his solipsism, before he toed the line and began to relish the world, with the belief that the best thing he had to do was to move constantly from place to place. He did not know how this conclusion had been gained, but that it was not thanks to his preferring one place to another he felt sure. He was pleased to think that he could give what he called the Furies the slip by merely setting himself in motion.

Linda Rubright’s definition of “Iterative Process” is “Total fail. Repeat.” Creators must be willing to fail and repeat until they find the step that arrives. Samuel Beckett said it best: “Try again. Fail again. Fail better.