Samples Of Valentine Quotes

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Look at your heart! It tells the story of why you were made. It is not perfect in shape and contour, like a Valentine Heart. There seems to be a small piece missing out of the side of every human heart. That may be to symbolize a piece that was torn out of the Heart of Christ which embraced all humanity on the Cross. But I think the real meaning is that when God made your human heart, He found it so good and so lovable that He kept a small sample of it in heaven. He sent the rest of it into this world to enjoy His gifts, and to use them as stepping stones back to Him, but to be ever mindful that you can never love anything in this world with your whole heart because you have not a whole heart with which to love. In order to love anyone with your whole heart, in order to be really peaceful, in order to be really wholehearted, you must go back again to God to recover the piece He has been keeping for you from all eternity.
Fulton J. Sheen (Finding True Happiness)
Soon thereafter, a maid brought Poppy a tray of neat boxes tied with ribbons. Opening them, Poppy discovered that one was filled with toffee, another with boiled sweets, and another with Turkish delight. Best of all, one box was filled with a new confection called "eating-chocolates" that had been all the rage at the London Exhibition. "Where did these come from?" Poppy asked Harry when he returned to her room after a brief visit to the front offices. "From the sweet shop." "No, these," Poppy showed him the eating-chocolates. "No one can get them. The makers, Fellows and Son, have closed their shop while they moved to a new location. The ladies at the philanthropic luncheon were talking about it." "I sent Valentine to the Fellows residence to ask them to make a special batch for you." Harry smiled as he saw the paper twists scattered across the counterpane. "I see you've sampled them." "Have one," Poppy said generously. Harry shook his head. "I don't like sweets." But he bent down obligingly as she gestured for him to come closer. She reached out to him, her fingers catching the knot of his necktie. Harry's smile faded as Poppy exerted gentle tension, drawing him down. He was suspended over her, an impending weight of muscle and masculine drive. As her sugared breath blew against his lips, she sensed the deep tremor within him. And she was aware of a new equilibrium between them, a balance of will and curiosity. Harry held still, letting her do as she wished. She tugged him closer until her mouth brushed his. The contact was brief but vital, striking a glow of heat. Poppy released him carefully, and Harry drew back. "You won't kiss me for diamonds," he said, his voice slightly raspy, "but you will for chocolates?" Poppy nodded. As Harry turned his face away, she saw his cheek tauten with a smile. "I'll put in a daily order, then.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Look at your heart! It tells the story of why you were made. It is not perfect in shape and contour, like a Valentine Heart. There seems to be a small piece missing out of the side of every human heart. That may be to symbolize a piece that was torn out of the Heart of Christ which embraced all humanity on the Cross. But I think the real meaning is that when God made your human heart, He found it so good and so lovable that He kept a small sample of it in heaven. He sent the rest of it into this world to enjoy His gifts, and to use them as stepping stones back to Him, but to be ever mindful that you can never love anything in this world with your whole heart because you have not a whole heart with which to love. In order to love anyone with your whole heart, in order to be really peaceful, in order to be really wholehearted, you must go back again to God to recover the piece He has been keeping for you from all eternity!
Fulton J. Sheen (You (Fulton J. Sheen))
Now isn’t the time,” Val suggested. “You don’t feel ready, you’re having second thoughts, or you don’t particularly relish getting involved with a man who’s the target of impending mayhem.” Much less, he thought, one who had only one reliably functional hand, even after more than a month of abstaining from his music. He was pushing her, but he wanted out from under the uncertainty of his reception in her arms. It had been almost a week since they’d been what he could call intimate, and in the intervening days his desire for her had only grown. “Now is the time,” Ellen said softly. “But if you let me think about it, I’ll lose my nerve and make excuses, and I don’t want…” He pulled back to survey her velvety brown eyes, finding them so somber as to unnerve him. He wanted this joining to be pleasurable for her, joyous even. “You don’t want?” “To never have known what it’s like,” she finished the thought, “to be with you like that. To be your lover.” Warnings went off in Val’s head, as her words could mean she wanted only a single experience of him, wanted a taste, a sample, nothing more. He wanted more, he wanted more than he deserved of her; he wanted to devour her, to make a feast of her, and to offer himself for her delectation too. Ah, well. A man worked with what life gave him, and life was giving him this opportunity with Ellen. He folded himself back down against her lap in gratitude and felt her hand stroking the back of his head. The moment was made complete and more memorable by the sudden gentle tattoo of rain on her roof, a showery patter that presaged a good, soaking rain, not merely a passing cloudburst. “Valentine?
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
which is practically the same thing.” “You can’t top this romantic scenery, Laurel,” she replied, “plus there are…” “No dead bodies,” we said in unison. Liz and I both laughed. I was grateful my British friend’s Valentine’s Day ceremony had gone off without a hitch, since her original wedding plans found me waltzing with a killer and narrowly escaping a frigid death in the depths
Cindy Sample (Dying for a Daiquiri (Laurel McKay Mysteries, #3))
Blunted and polished smooth at the penetrating edge, the hollow metal tube ended in a rounded, tapered point at the other end. Her eyes widened as she spotted it in my hand, and I let my gaze wander her still-clothed body with predatory heat. “We’ve never had the pleasure of a mortal female before - my books tell me you have sap of your own to sample.
Vera Valentine (Sap and Spile)
Have you noticed nothing odd about their relationship, Valentine?” “No, and it’s not appropriate for us to discuss it.” Monsieur Broussard regarded Mrs. Pennywhistle with keen interest. “I’m French,” he said. “I have no problem discussing it.” Mrs. Pennywhistle lowered her voice, mindful of the scullery maids who were washing pots in the adjoining room. “There is some doubt as to whether they’ve had conjugal relations yet.” “Now see here—” Jake began, outraged at this violation of his employer’s privacy. “Have some of this, mon ami,” Broussard said, shoving a pastry plate at him. As Jake sat and picked up a spoon, the chef gave Mrs. Pennywhistle an encouraging glance. “What gives you the impression that he has not yet, er . . . sampled the watercress?” “Watercress?” Jake repeated incredulously. “Cresson.” Broussard gave him a superior look. “A metaphor. And much nicer than the metaphors you English use for the same thing.” “I never use metaphors,” Jake muttered. “Bien sur, you have no imagination.” The chef turned back to the housekeeper. “Why is there doubt about the relations between Monsieur and Madame Rutledge?” “The sheets,” she said succinctly. Jake nearly choked on his pastry. “You have the housemaids spying on them?” he asked around a mouthful of custard and cream. “Not at all,” the housekeeper said defensively. “It’s only that we have vigilant maids who tell me everything. And even if they didn’t, one hardly needs great powers of observation to see that they do not behave like a married couple.” The chef looked deeply concerned. “You think there’s a problem with his carrot?” “Watercress, carrot—is everything food to you?” Jake demanded. The chef shrugged. “Oui.” “Well,” Jake said testily, “there is a string of Rutledge’s past mistresses who would undoubtedly testify there is nothing wrong with his carrot.” “Alors, he is a virile man . . . she is a beautiful woman . . . why are they not making salad together?
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))