Sample Wedding Quotes

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I need a sample of your blood,' said Kira. Marcus raised an eyebrow. 'I didn't know we'd reached that stage of our relationship.
Dan Wells (Partials (Partials Sequence, #1))
Without the dreamers who write science fiction and other imaginary material we'd still be sitting in caves ... if we weren't already extinct.
William C. Samples
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
In one large sample of women, for instance, the annual probability of divorce among those whose weddings cost more than $20,000 was more than three times that of those whose weddings cost between $5,000 and $10,000.
Robert H. Frank (Under the Influence: Putting Peer Pressure to Work)
You're thirty-four or thirty-five, gainfully employed, never been married. You think maybe you'll settle down one day, perhaps when you're forty, but for now, you work hard at your job, so you want to play hard, too. You tend to skew more toward dating women in their mid-twenties, because women in their early twenties seem just a little too young and women in their thirties frustrate you with the way they all want to talk about marriage and kids by the third date. You'll go out with a girl a few times, you'll have a lot of fun together, and when she starts pushing for something more serious, you'll move on to something else, wondering why it is that women can't be content to just 'date' without needing a commitment. And why would you want to commit to one person right now? For men as attractive as you, this city is one big candy store, filled with so many shiny treats, you couldn't possibly choose just one. So instead, you run around with your obviously healthy ego, sampling as many of the goods as you can get your hands on--simply because you can.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
I hadn't looked at the maps yet and I'd barely looked at the survey package. In my defense, we'd been here twenty-two planetary days and I hadn't had to do anything but stand around watching humans make scans or take samples of dirt, rocks, water, and leaves. The sense of urgency just wasn't there. Also, you may have noticed, I don't care.
Martha Wells (All Systems Red (The Murderbot Diaries, #1))
Hadn’t we said no kissing in the house? Not that the rule had stopped us from kissing in the game room last night after we’d finished our ice cream. “I’m still craving the flavor of chocolate chip cookie dough,” he’d said. So of course, I’d let him sample. But it had been . . . stressful. Because every time the house creaked, we were looking at the French doors expecting to see Dad standing there with a baseball bat in hand.
Rachel Hawthorne (The Boyfriend League)
As she was planning the wedding, the person who was going to do the calligraphy for the invitations came by the house to show them some options. There was no furniture for her to sit on, so she sat on the floor and laid out the samples. Jobs looked for a few minutes, then got up and left the room. They waited for him to come back, but he didn’t. After a while Powell went to find him in his room. “Get rid of her,” he said. “I can’t look at her stuff. It’s shit.
Walter Isaacson (Steve Jobs)
I heard a shower go on, a distant shower, not in the bathroom next to my room, but in the one across the hall, which meant it was Jason. He’d taken at least one shower, usually two a day in that bathroom. So why was I suddenly freaked out by the thought of him in the shower? Naked? Oh, gosh, this was insane. What if he opened the door to my bedroom? What if he came inside? What if he wanted to give me a good-morning kiss? Okay, that was so not going to happen. Hadn’t we said no kissing in the house? Not that the rule had stopped us from kissing in the game room last night after we’d finished our ice cream. “I’m still craving the flavor of chocolate chip cookie dough,” he’d said. So of course, I’d let him sample.
Rachel Hawthorne (The Boyfriend League)
The wedding of David and Michal was a glorious affair. Though Saul was normally stingy with his money, he was not so with his daughters. Michal had started the day with a bath followed by a bodily anointing of oil. She wore a linen and silk dress with embroidered cloth of Phoenician purple. Her hair was brushed to a soft perfection and placed beneath her Tyrian style crown of gold. She was bedecked with gold and silver jewelry from Egypt. Bracelets, necklaces, ear coverings and a ring on her nose. She walked through the Gibeah streets in fine calf leather sandals, surrounded by a cadre of dozens of virgin bridesmaid companions dressed in white linen. A band of minstrels led her with rejoicing on tambourine, flute, and lyre. She felt like a queen. She would be a queen one day. She knew that she was marrying the mightiest warrior in all of Israel. The gibborim who had killed the giant Rephaim Philistine, who her own father, the anointed warrior king, could not conquer. All she could think of the entire journey to the palace were the lyrics she first heard her from the lips of her bridegroom upon their first acquaintance. She had never forgot them. They were burned into her heart. He had sung a song of virginal submission to a manly king as a sample of his musical talent to her father. But she knew he had sung those words for her. She knew by the look in his eyes, his unquenchable stare of desire for her. It was like a prophecy. Now those words were coming true, she was going to be living them out any moment. Hear, O daughter, and consider, and incline your ear: forget your people and your father’s house, and the king will desire your beauty. Since he is your lord, bow to him. The people of Israel lined the streets and cheered their beautiful princess as she approached the entranceway to the palace. She could feel her heart pounding out of her chest. Would he sing to her on their wedding night? Would he seduce her with his musical talent before he ravished her? All glorious is the princess in her chamber, with robes interwoven with gold. In many-colored robes she is led to the king, with her virgin companions following behind her. With joy and gladness they are led along as they enter the palace of the king.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
He said wouldn't it be brilliant to have a food emporium on the ground floor of Fenton's, like Harrods, but have everything organic and locally grown." Diana paused to let the idea sink in. "I said not the ground floor of course, Fenton's isn't a supermarket, but the basement has been a dead zone for years. A whole floor dedicated to stationery when no one writes letters anymore." "A food emporium," Cassie repeated. "Fresh fish caught in the bay, oysters, crab when it's in season. Counters of vegetables you only find in the farmers market, those cheeses they make in Sonoma that smell so bad they taste good. Wines from Napa Valley, Ghirardelli chocolates, sourdough bread, sauces made by Michael Mina and Thomas Keller. Everything locally produced. And maybe a long counter with stools so you could sample bread and cheese, cut fruit, sliced vegetables. Not a true cafe because we'd keep the one on the fourth floor. It would have more the feel of a food bazaar, with the salespeople wearing aprons and white caps." Cassie closed her eyes and saw large baskets of vegetables, glass cases filled with goat cheese and baguettes, stands brimming with chocolate-covered strawberries.
Anita Hughes (Market Street)
So, here it is,” I say. “This is a real-time view of the sample from the integrated electron microscope.” I step back, and give them a view of the screen. It shows a mass of spheres. They move randomly through the frame, occasionally bouncing off of one another. In among them, though, are other shapes. These are far fewer, larger, and more irregular. “See the balls?” I continue. “Those are what should have been produced. They’re temperature-sensitive cages, with serotonin inside. Those other things, though—they’re not supposed to be there. They look a bit like big viruses, but their mass is much higher than you’d expect from a biological. I’m guessing these are what the crypted code tacked onto the configuration file is producing.” “I thought we’d decided that Hagerstown couldn’t have been a virus,” Gary says. “I didn’t say these are viruses,” I say. “I said the protein coat we can see looks like what you’d see on a virus. That’s just the delivery mechanism. I’d be willing to bet that these things bind to cells like a virus, but what’s inside them is definitely not RNA.
Edward Ashton (Three Days in April)
The summer we were fifteen, Dan discovered an old suitcase of his father’s liqueur miniatures. The suitcase had been on the back porch for years and it was like coming on a hidden treasure chest. They looked like jewels, exquisite shapes of glass glowing ruby, Amber, creme-de-menthe emerald. We’d sneak back there on June evenings with the light out in the kitchen and Dan’s parents in the front of the apartment watching TV. I had a penlight and we’d study the labels before sampling. It brought the world into our lives as no geography book ever could. From necks narrower than a straw drops of exotic places burned on our tongues: Cognac, Chartreuse, Curaçao.
Stuart Dybek (Childhood and Other Neighborhoods: Stories)
Gerald and I saw the Azore Islands, Talcahuano, Tumbez, San Francisco, and Nome from afar while the captain and officers rowed to shore for fresh food and fresh whalers. Even at Nome, not two days ago, Gerald and I watched the Alaskan town from the ship. We saw Talcahuano at night, the town alive with lights and torches. We heard music across the water. People celebrated an event on shore. We thought it might be a wedding. We imagined walking the clay, brick roads, ordering crabs and clams near the sea, sampling the local exotic fruits and plants growing in their vibrant colors and prickly skins, and of course, seducing the dark- skinned indigenous women emanating macadamia oil, musk, and leafy air. Merihim laughed at our children’s eyes and said to act like men, not like guttersnipes at a bakery window.
Lily H. Tuzroyluke (Sivulliq: Ancestor)
The reason why we can’t see our eyes moving with our own eyes is because our brains edit out the bits between the saccades—a process called saccadic suppression. Without it, we’d look at an object and it would be a blurry mess. What we perceive as vision is the director’s cut of a film, with your brain as the director, seamlessly stitching together the raw footage to make a coherent reality. Perception is the brain’s best guess at what the world actually looks like. Immense though the computing power of that fleshy mass sitting in the darkness of our skulls is, if we were to take in all the information in front of our eyes, our brains would surely explode.** Instead, our eyes sample bits and pieces of the world, and we fill in the blanks in our heads. This fact is fundamental to the way that cinema works. A film is typically 24 static images run together every second, which our brain sees as continuous fluid movement—that’s why it’s called a movie. The illusion of movement actually happens at more like 16 frames per second. At that speed, a film projection is indistinguishable from the real world, at least to us. It was the introduction of sound that set the standard of 24 frames per second with The Jazz Singer in 1927, the first film to have synchronized dialogue. The company
Adam Rutherford (The Complete Guide to Absolutely Everything (Abridged): Adventures in Math and Science)
The idea that we, our fathers and mothers, might be proud, hard-working and intelligent people doing something worthwhile, or even admirable, seemed to be beyond her. For a woman who saw success as being demonstrated through education, ambition, adventure and conspicuous professional achievement, we must have seemed a poor sample. I don't think anyone ever mentioned "university" in this school; no one wanted to go anyway - people that went away ceased to belong; they changed and could never really come back, we knew that in our bones. Schooling was a "way out", but we didn't want it, and we'd made our choice. Later I would understand that modern industrial communities are obsessed with the importance of "going somewhere" and "doing something with your life". The implication is an idea I have come to hate, that staying local and doing physical work doesn't count for much.
James Rebanks (The Shepherd's Life: A People's History of the Lake District)
taking the samples, we’d be better off. The drill could get snagged.” Slater knew she was right, but it was
Robert Masello (The Romanov Cross)
We’ve got things under control here.” “‘We’?” Kerry repeated. “Shouldn’t you be out sampling cake or agonizing over invitation fonts? Assuming you don’t have clients to design interiors for.” “I have clients,” Fiona replied easily, honest joy beaming from her every pore. “Very happy ones. Trust me, after running McCrae Interiors, I can juggle Fiona’s Finds and planning a wedding at the same time with my eyes closed.” Kerry gave her sister a hard time--it was what they did--but she was truly happy for Fiona, with both her new business success and her lovely and loving relationship with their longtime family friend, Ben Campbell. Fiona had sold a successful business in Manhattan to return home and start over. She’d just opened a small design studio in a converted cottage near the harbor, focusing on recycling and repurposing antique and vintage items into something fresh and new. Her designs were both eco-friendly and wallet friendly, and the Cove had embraced her return home and her new business with equal enthusiasm. “Remember you said that,” Kerry commented. “When it’s go time on the big aisle walk and you’re still running around like a crazy person trying to pull everything together at the last second, I don’t want to hear about it.” Fiona batted her eyelashes again as she took an extralong sip on the straw in her glass of lemon water. “I’m the epitome of a happy, relaxed bride. McCrae girls don’t do bridezilla. Well, Hannah didn’t, Alex was lovely, and I’m charming of course.” She looked at Kerry over the tip of her straw, smiling sweetly. “We’ll reserve final judgment until it’s your turn.” “Har, har,” Kerry said, but Fiona was high on wedding crack again so she let her run with it. “Besides, after handling weddings for Logan, Hannah, and the Grace-Delia double do out on that island, this will be a cakewalk. Ha!” Fiona went on, then laughed. “Cakewalk.” “You’re a designer? And you do weddings?” Maddy turned on her stool and spun Fiona on hers until they were facing each other. She gripped Fiona’s forearms and grinned. “Hello, my new best and dearest friend.” “Oh, brother.” Kerry surrendered, tossing her towel on the bar.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
This mango daiquiri is to die for.” I popped a juicy red maraschino cherry into my mouth, lifted my tropical drink and toasted the bride. Liz’s hazel eyes sparkled brighter than the diamond-studded wedding band placed on her left hand three hours earlier. She tapped her creamy pina colada, encased in a coconut
Cindy Sample (Dying for a Daiquiri (Laurel McKay Mysteries, #3))
which is practically the same thing.” “You can’t top this romantic scenery, Laurel,” she replied, “plus there are…” “No dead bodies,” we said in unison. Liz and I both laughed. I was grateful my British friend’s Valentine’s Day ceremony had gone off without a hitch, since her original wedding plans found me waltzing with a killer and narrowly escaping a frigid death in the depths
Cindy Sample (Dying for a Daiquiri (Laurel McKay Mysteries, #3))
Because I don’t remember what actually happened but that’s what we were into back then. That’s why I didn’t want to report the rape. I knew the police would take blood and urine samples from us and our partying would come out,” she said. “We’d be trashed in court as a couple of drunken druggie sluts. Nobody would believe that we were raped. Even if they did, by some miracle, and the men were convicted, I’d still lose.
Lee Goldberg (Bone Canyon (Eve Ronin, #2))
We were celebrating our first month of marriage in a very nontraditional way—him sampling my favorite cereal—because nothing about us was traditional. I loved that we broke the mold with what happiness was supposed to look like. We’d created our own rules since the day we resigned to the fact that together we were perfectly imperfect.
K.C. Mills (Dawning and Resurgence (The Collective, #2))
I had walked its streets, sampled its scents, and listened to it breathe. Atlanta wasn’t sure about me. It tried to kill me every now and then, but I was confident we’d come to an understanding eventually.
Ilona Andrews (Magic Mourns (Kate Daniels, #3.5))
They’re a lot bigger than the last ones,” I say. “Yeah, they must be four weeks old. She must have dropped this litter early. Can you sit with your legs out to hold them?” Without a subterranean den, we had to coral them somehow. Inside the copse, there is barely room to move. I drop down to a sitting position with my legs splayed out, and the pups wiggle en masse against my thigh. Their noses press against my pant leg. They calm down and begin to nuzzle into each other. Dirt streaks their coats, which range from coal to warm gray. Their heads are covered in dense auburn fur, and all of them have now closed their milky-gray eyes. I stare at them in disbelief at the thought that, not so long ago, settlers threw dynamite into wolf puppy dens. Their muzzles appear foreshortened and out of proportion to the long and wide jaws they will grow into one day. Something compels one pup to move closer and closer to me until the little wolf wedges its nose firmly into my groin. The other pups trail behind it, tunneling between each other and pawing their way over one another until all four are piled together between my legs. I try not to think about the fact that suddenly I am a temporary nursemaid to some of the world’s rarest wolves while their mother likely paces a few dozen yards away. Adjusting the puppies is futile, as they seem hardwired to nuzzle their way into the warmest, tightest spot they can find. The brambles, while thick on the outside, form a natural opening in the middle that is just large enough for a wolf to circle around in. The mother had dug a very shallow earthen dish - only a few inches deep - to keep her babies in. “Doesn’t seem like much of a den,” I remark. “I thought we’d find another big hole in the ground.” “It varies,” Ryan says. “Sometimes we find them in these bowl depressions, usually where the woods are thicker and the ground is flatter, like here. But sometimes they’re in holes. When the ground is sloped, they’ll dig back into the slope. That’s the most typical kind of den. But we’ve found them in storm culverts, too. It’s all over the map.” Ryan sets to work pulling out rubber gloves, blood-sample supplies and ID chips. Chris snaps and cracks his way to us. He crawls through the copse and curses at the dense vegetation. Finally, he reaches the inner sanctum, where there is barely enough room to sit Indian style jammed up against Ryan’s legs and mine. Roomy for a wolf, maybe, but cramped for three human adults. “What a sorry little den,” Chris remarks. He glances at the scratched-out dirt bed and porous brush overhead. Rain drips through, wetting our heads. “Is she nearby?” “Somewhere over there.” Ryan gestures behind us. “She’s not going far, though, you can be sure of that. These guys squealed their guts out.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
I was in charge of decisions and marketing, and Sean was in charge of research and operations. When we were trying to identify our target customer, he spent a ton of time putting together spreadsheets comparing all the different markets we should consider. When he showed them to me and asked me what I thought, I replied, “Yoga.” Huh? “We could easily do multiple products serving people who do yoga,” I told him. “It’s an emerging trend. And I know a ton of those people; I can ask them what they want. Let’s start a yoga business.” Sean’s initial response was, “That’s not a quantitative analysis, Ryan!” I’ve never been one to overthink things—most people spend way too much time in the research period. I make decisions fast and adjust later. With our target customer identified, we made a list of possible products and chose our gateway product—a yoga mat. With that, we began the process of product development. We looked up the top-selling yoga mats on Amazon and read through the reviews; we asked questions on Facebook groups, subreddits, and Instagram influencer accounts. It didn’t take long before we had an idea of the main pain points we needed to address with our first product. I remembered Don’s advice and began looking for people to make the product. With a quick scroll and a click, we could choose between a wholesaler in China, a private label supplier out of India, or a contract manufacturer in Vietnam. For about fifty bucks, we were able to order a set of yoga mat samples that had the exact features we were looking for. It was that easy. Samples in hand, we needed to refine our product idea to make sure we were really hitting the pain points we’d identified. At that time, I’d done yoga maybe two or three times in my life, and I wasn’t nearly the right demographic for our mats anyway. That forced me to ask questions. We were targeting yoga-loving millennials, so I went where they often congregate: Starbucks. There, I did the kind of tough field work that really makes an entrepreneur sweat: asking young women questions over coffee. “Which yoga mat do you prefer? Why?” “What makes the difference between a bad yoga mat and a good one?” “What’s wrong with your current yoga mat?” “What do you think of this one? And what about this one?” Next, I headed over to local yoga studios to see how our samples stacked up against the strenuous demands of a yoga class. A few classes later, Sean and I had everything we needed to narrow down our product development. Armed with all our data, we went back to the manufacturers. From a couple yoga-clueless guys, we’d become knowledgeable enough to know not just what a good yoga mat looked like, but how it had to feel and perform. We knew what we needed our yoga mat to do. Now we just had to find the manufacturer to supply it.
Ryan Daniel Moran (12 Months to $1 Million: How to Pick a Winning Product, Build a Real Business, and Become a Seven-Figure Entrepreneur)
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