Same Color Dress Quotes

Then one morning she’d begun to feel her sorrow easing, like something jagged that had cut into her so long it had finally dulled its edges, worn itself down. That same day Rachel couldn’t remember which side her father had parted his hair on, and she’d realized again what she’d learned at five when her mother left – that what made losing someone you loved bearable was not remembering but forgetting. Forgetting the small things first, the smell of the soap her mother had bathed with, the color of the dress she’d worn to church, then after a while the sound of her mother’s voice, the color of her hair. It amazed Rachel how much you could forget, and everything you forgot made that person less alive inside you until you could finally endure it. After more time passed you could let yourself remember, even want to remember. But even then what you felt those first days could return and remind you the grief that was still there, like old barbed wire embedded in a tree’s heartwood.

All of them had been give a makeover. Leo was wearing pinstriped pants, black leather shoes, a white collarless shirt with suspenders, and his tool belt, Ray-Ban sunglasses, and a porkpie hat. “God, Leo.” Piper tried not to laugh. “I think my dad wore that to his last premiere, minus the tool belt.” “Hey, shut up!” “I think he looks good,” said Coach Hedge. “’Course, I look better.” The satyr was a pastel nightmare. Aphrodite had given him a baggy canary yellow zoot suit with two-tone shoes that fit over his hooves. He had a matching yellow broad-brimmed hat, a rose-colored shirt, a baby blue tie, and a blue carnation in his lapel, which Hedge sniffed and then ate. “Well,” Jason said, “at least your mom overlooked me.” Piper knew that wasn’t exactly true. Looking at him, her heart did a little tap dance. Jason was dressed simply in jeans and a clean purple T-shirt, like he’d worn at the Grand Canyon. He had new track shoes on, and his hair was newly trimmed. His eyes were the same color as the sky. Aphrodite’s message was clear: This one needs no improvement. And Piper agreed.

You spend Christmas at somebody's house, you worry about their operations, you give them hugs and kisses and flowers, you see them in their dressing gown...and then bang, that's it. Gone forever. And sooner or later there will be another mum, another Christmas, more varicose veins. They're all the same. Only the addresses, and the colors of the dressing gown, change.

To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid. Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge. Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year? It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to. Now that part, more than ever. It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year. It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one. Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.

I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles. This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear. But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God. ...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.

One historical note that I just love: When the suffragettes were marching, at one point they started wearing red lipstick so they would all be wearing the same bold color and stand in solidarity with one another. I love how this little thing many women had in their purses became a powerful political symbol. It's a reminder that we don't have to diminish ourselves as women to be seen as strong. You can push for societal change and you can love getting dressed up. You don't have to choose.

Today, I saw a burst of color the same hues as the sunset: a bright orangey-pink, the train of a dress just floating there as that vision moved toward me … like a flower, when it opens, the petals begin in that deep rich color, then lighten, then darken again on the edges … it was like you’d been dipped into the horizon and given to me.

An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")

First, we’re not the same size. And second, no.” She glared at me. “What’s wrong with my dress?” “Technically, it’s dad’s dress.” “White isn’t his color,” mom disagreed. “He’s an autumn.

It is a three-piece affair, everything quilted, long jacket, waistcoat, and trousers, which have Feet at the ends of them, all in striped silk, a double stripe of some acidick Rose upon Celadon for the Trousers and Waistcoat, and for the Jacket, whose hem touches the floor when, as now, he is seated, a single stripe of teal-blue upon the same color, which is also that of the Revers. . . . It is usually not wise to discuss matters of costume with people who dress like this, -- politics or religion being far safer topicks.

There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.

Never close your mind to a color. Remember, too, that texture is an important element. The same dress in the same shade of red may look wonderful on you in soft velvet but too harsh in a hard-finished taffeta. Think in terms of color combined with texture, not of one or the other independently.

He was looking at Mr. Nancy, an old black man with a pencil moustache, in his check sports jacket and his lemon yellow gloves, riding a carousel lion as it rose and lowered, high in the air; and, at the same time, in the same place, he saw a jeweled spider as high as a horse, its eyes an emerald nebula, strutting, staring down at him; and simultaneously he was looking at an extraordinarily tall man with teak colored skin and three sets of arms, wearing a flowing ostrich-feather headdress, his face painted with red stripes, riding an irritated golden lion, two of his six hands holding on tightly to the beast’s mane; and he was also seeing a young black boy, dressed in rags, his left foot all swollen and crawling with black flies; and last of all, and behind all these things, Shadow was looking at a tiny brown spider, hiding under a withered ochre leaf. Shadow saw all these things, and he knew they were the same thing.

She wore a dress the same color as her eyes her father brought her from San Francisco.

I sung that I knew you before The time I saw your face The green eternity in your eyes Made time feel misplaced Your dress was the color of wine And I was drunk off the taste I sang my heart into the night I knew you felt the same way

Or as billionaire entrepreneur Richard Branson said far more colorfully in an interview: “I don’t know why the tie was ever invented … now everyone looks the same and dresses the same. I often have a pair of scissors in my top pocket to go cutting people’s ties off. I do think that ties most likely are still inflicted on people because the bosses, they had to wear it for 40 years and when they get into positions of responsibility they’re damned if they’re going to not have the next generation suffer.

Okay, maybe it wasn’t some reason. He was handsome. Like, wow, that’s a handsome guy, and then you nudge your friend and get her to take a look as well. That kind of handsome. Though I couldn’t see him straight on, he had a nice, strong face, broad nose with a bump on the bridge, and just the right amount of stubble on his cheeks and jaw. His deep-set eyes looked rich brown, his longish, thick hair a shade darker than that and his brows even more so. I couldn’t tell how tall he was, he was at least a few inches taller than I was, but his body was fit and lean. His stomach looked washboard flat under his white dress shirt and his forearms that peeked out from the rolled up sleeves were muscular, the same color as wet sand, a beach in the afternoon light.

A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.

Look, Mr. Cop. I’m going easy on you because I don’t think you’re trying to be discriminatory or a jerk about this. I’m normal. I’m as normal as you. I cook, I clean, I talk on the phone, I even use a computer. I can read, I can tell time, I can pay for my own stuff with real money, I dress myself every morning and manage to color coordinate my clothes with the help of Braille labels. I can play specialized board games and figure out what socks go with which, except if the dryer monster eats them like it always seems to somehow. I’m just like you, Quint. I eat the same, brush my teeth the same, make love the same, orgasm the same, cry, smile, and get pissed…just like you.” “Will

I think I’m going to wear blue to the wedding. I saw this gorgeous dress on sale at Macy’s the other day. I think I have a coupon,” Mom tells Liz. “Oh hell no! I already told you I was going to wear blue, you whore. You can’t wear the same color as me, that’s tacky,” Liz complains. Oh my God, this is not happening right now. “Fuck your mother. I’m wearing blue. I already found my dress,” Mom argues. “I’m the mother of the bride. The mother of the f**king bride! That means it’s up to me!” Liz fires back. “Claire, I think you would look lovely in blue,” Tyler pipes in. Mom turns to face Tyler and folds her arms on top of the table. “When I’m finished neutering you, I’m going to take your tiny little neuticles and light them on fire.

I never got to take you to the prom. You went with Henry Featherstone. And you wore a peach-colored dress.” “How could you possibly know that?” Callie asked. “Because I saw you walk in with him.” “You didn’t know I was alive in high school,” Callie scoffed. “You had algebra first period, across the hall from my trig class. You ate a sack lunch with the same three girls every day, Lou Ann, Becky and Robbie Sue. You spent your free period in the library reading Hemingway and Steinbeck. And you went straight home after school without doing any extracurricular activities, except on Thursdays. For some reason, on Thursdays you showed up at football practice. Why was that, Callie?” Callie was confused. How could Trace possibly know so much about her activities in high school? They hadn’t even met until she showed up at the University of Texas campus. “I don’t understand,” she said. “You haven’t answered my question. Why did you come to football practice on Thursdays?” “Because that was the day I did the grocery shopping, and I didn’t have to be home until later.” “Why were you there, Calllie?” Callie stared into his eyes, afraid to admit the truth. But what difference could it possibly make now? She swallowed hard and said, “I was there to see you.” He gave a sigh of satisfaction. “I hoped that was it. But I never knew for sure.” Callie’s brow furrowed. “You wanted me to notice you?” “I noticed you. Couldn’t you feel my eyes on you? Didn’t you ever sense the force of my boyish lust? I had it bad for you my senior year. I couldn’t walk past you in the hall without needing to hold my books in my lap when I saw down in the next class.” “You’re kidding, right?” Trace chuckled. “I wish I were.” “Then it wasn’t an accident, our meeting like that at UT?” “That’s the miracle of it,” Trace said. “It was entirely by accident. Fate. Kisma. Karma. Whatever you want to call it.

The elder boy’s plain white collar, turned down over a closely fitting jacket, made a contrast with his brother’s clothing, but the color and material were the same; the two brothers were otherwise dressed alike, and looked alike. No one could see them without feeling touched by the way in which Louis took care of Marie. There was an almost fatherly look in the older boy’s eyes; and Marie, child though he was, seemed to be full of gratitude to Louis.

In recent years I had begun to be interested in fashion. But sometimes—especially when I had dressed not only to make a good impression in general but for a man—preparing myself (this was the word) seemed to me to have something ridiculous about it. All that struggle, all that time spent camouflaging myself when I could be doing something else. The colors that suited me, the ones that didn’t, the styles that made me look thinner, those that made me fatter, the cut that flattered me, the one that didn’t. A lengthy, costly preparation. Reducing myself to a table set for the sexual appetite of the male, to a well-cooked dish to make his mouth water. And then the anguish of not succeeding, of not seeming pretty, of not managing to conceal with skill the vulgarity of the flesh with its moods and odors and imperfections. But I had done it. I had done it also for Nino, recently. I had wanted to show him that I was different. But now, enough. He had brought his wife and it seemed to me a mean thing. I hated competing in looks with another woman, especially under the gaze of a man, and I suffered at the thought of finding myself in the same place with the beautiful girl I had seen in the photograph, it made me sick to my stomach. She would size me up, study every detail with the pride of a woman of Via Tasso taught since birth to attend to her body; then, at the end of the evening, alone with her husband, she would criticize me with cruel lucidity.

When we were children, Bapi used to dress us up in the same clothes, going to Apsara for ‘Titanic’ or reruns of ‘Dadar Kirti’ and we used to be so embarrassed by that, even at six. Day before yesterday when I saw Neev and you wearing matching purple shirts, I encountered envy for the first time. You had taken on his colors, as though you were in his house already. I felt as though that moment you had stopped needing me to make you feel whole and nothing was ever going to remain the same.’ ('Left from Dhakeshwari')

I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.

I asked myself, What is true about a person? Would I change in the same way the river changes color but still be the same person? And then I saw the curtains blowing wildly, and outside the rain was falling harder, causing everyone to scurry and shout. I smiled. And then I realized it was the first time I could see the power of the wind. I couldn't see the wind itself, but I could see it carried the water that filled the rivers and shaped the countryside. It caused me to yelp and dance. I wiped my eyes and looked in the mirror. I was surprised at what I saw. I had on a beautiful red dress, but what I saw was even more valuable. I was strong. I was pure. I had genuine thoughts inside that no one could see, that no one could ever take away from me. I was like the wind. I threw my head back and smiled proudly to myself. And then I draped the large embroidered red scarf over my face and covered those thoughts up. But underneath the scarf I still knew who I was. I made a promise to myself. I would always remember my parent's wishes, but I would never forget myself

There is nothing that the media could say to me that would justify the way they’ve acted. You can hound me. You can follow me, but in no way should you frighten those around me. To harm my wife and potentially harm my daughter—there is no excuse that could put any of you on the right side of morality. I met Rose when I was fifteen and she was fourteen, and through what she would call fate and I’d call circumstance of our hobbies, we’d cross paths dozens of times over the course of a decade. At seventeen, I attended the same national Model UN conference as Rose, and a delegate for Greenland locked us in a janitorial closet. He also stole our phones. He had to beat us dishonorably because he couldn’t beat us any other way. Rose said being locked in a confined space with me was the worst two hours of her life" They look bemused, brows furrowing. I can’t help but smile. “You’re confused because you don’t know whether she was exaggerating or whether she was being truthful. But the truth is that we are complex people with the ability to love to hate and to hate to love, and I wouldn’t trade her for any other person. So that day, stuck beside mops and dirtied towels, I could’ve picked the lock five minutes in and let her go. Instead, I purposefully spent two hours with a girl who wore passion like a dress made of diamonds and hair made of flames. Every day of my life, I am enamored. Every day of my life, I am bewitched. And every day of my life, I spend it with her.” My chest swells with more power, lifting me higher. “I’ve slept with many different kinds of people, and yes, the three that spoke to the press are among them. Rose is the only person I’ve ever loved, and through that love, we married and started a family. There is no other meaning behind this, and for you to conjure one is nothing less than a malicious attack against my marriage and my child. Anything else has no relevance. I can’t be what you need me to be. So you’ll have to accept this version or waste your time questioning something that has no answer. I know acceptance isn’t easy when you’re unsure of what you’re accepting, but all I can say is that you’re accepting me as me. I leave them with a quote from Sylvia Plath. “‘I took a deep breath and listened to the old brag of my heart.’” My lips pull higher, into a livelier smile. “‘I am, I am, I am.’” With this, I step away from the podium, and I exit to a cacophony of journalists shouting and asking me to clarify. Adapt to me. I’m satisfied, more than I even predicted. Some people will rewind this conference on their television, to listen closely and try to understand me. I don’t need their understanding, but my daughter will—and I hope the minds of her peers are wide open with vibrant hues of passion. I hope they all paint the world with color.

I slide to the floor. I feel something warm on my neck, and under my cheek. Red. Blood is a strange color. Dark. From the corner of my eye, I see David slumped over in his chair. And my mother walking out from behind him. She is dressed in the same clothes she wore the last time I saw her, Abnegation gray, stained with her blood, with bare arms to show her tattoo. There are still bullet holes in her shirt; through them I can see her wounded skin, red but no longer bleeding, like she’s frozen in time. Her dull blond hair is tied back in a knot, but a few loose strands frame her face in gold. I know she can’t be alive, but I don’t know if I’m seeing her now because I’m delirious from the blood loss of if the death serum has addled my thoughts or if she is here in some other way. She kneels next to me and touches a cool hand to my cheek. “Hello, Beatrice,” she says, and she smiles. “Am I done yet?” I say, and I’m not sure if I actually say it or if I just think it and she hears it. “Yes,” she says, her eyes bright with tears. “My dear child, you’ve done so well.” “What about the others?” I choke on a sob as the image of Tobias comes into my mind, of how dark and how still his eyes were, how strong and warm his hand was, when we first stood face-to-face. “Tobias, Caleb, my friends?” “They’ll care for each other,” she says. “That’s what people do.” I smile and close my eyes. I feel a thread tugging me again, but this time I know that it isn’t some sinister force dragging me toward death. This time I know it’s my mother’s hand, drawing me into her arms. And I go gladly into her embrace. Can I be forgiven for all I’ve done to get here? I want to be. I can. I believe it.

I think a marvelous stunt would be to have your best friend (or the most critical acquaintance) take some candid color snapshots of you from all angles, dressed just as you usually appear at, say, six in the evening. The same hairdo, the same makeup, and if possible the same expression on your face. Be honest! Be sure to have her take the rear views, too. There ought to be some other shots of you wearing your best going-out-to-dinner dress, or your favorite bridge-with-the-girls costume — hat, gloves, bag, and costume jewelry. Everything. Then have that roll of film developed and BLOWN UP. You can’t see much in a tiny snapshot. An eight-by-ten will show you the works — and you probably won’t be very happy with it. Sit down and take a long look at that strange woman. Is she today’s with-it person — elegant, poised, groomed, glowing with health? Or is she a plump copy of Miss 1950? Is she sleek, or bumpy in the wrong places? How is her posture? Does she look better from the front than from the back? Does she stand gracefully? […] Feet together or one slightly in front of the other, is the most graceful stance. […] I always pin my bad notices on my mirror. How about keeping those eight-by-ten candid shots around your dressing room for a while as you dress?

The color is yet another variant in another dimension of variation, that of its relations with the surroundings: this red is what it is only by connecting up from its place with other reds about it, with which it forms a constellation, or with other colors it dominates or that dominate it, that it attracts or that attracts it, that it repels or that repel it. In short, it is a certain node in the woof of the simultaneous and the successive. It is a concretion of visibility, it is not an atom. The red dress a fortiori holds with all its fibers onto the fabric of the visible, and thereby onto a fabric of invisible being. A punctuation in the field of red things, which includes the tiles of roof tops, the flags of gatekeepers and of the Revolution, certain terrains near Aix or in Madagascar, it is also a punctuation in the field of red garments, which includes, along with the dresses of women, robes of professors, bishops, and advocate generals, and also in the field of adornments and that of uniforms. And its red literally is not the same as it appears in one constellation or in the other, as the pure essence of the Revolution of 1917 precipitates in it, or that of the eternal feminine, or that of the public prosecutor, or that of the gypsies dressed like hussars who reigned twenty-five years ago over an inn on the Champs-Elysées. A certain red is also a fossil drawn up from the depths of imaginary worlds. If we took all these participations into account, we would recognize that a naked color, and in general a visible, is not a chunk of absolutely hard, indivisible being, offered all naked to a vision which could be only total or null, but is rather a sort of straits between exterior horizons and interior horizons ever gaping open, something that comes to touch lightly and makes diverse regions of the colored or visible world resound at the distances, a certain differentiation, an ephemeral modulation of this world—less a color or a thing, therefore, than a difference between things and colors, a momentary crystallization of colored being or of visibility. Between the alleged colors and visibles, we would find anew the tissue that lines them, sustains them, nourishes them, and which for its part is not a thing, but a possibility, a latency, and a flesh of things.

hand. I’m real sorry she left you, Celie. I remember how I felt when she left me. Then the old devil put his arms around me and just stood there on the porch with me real quiet. Way after while I bent my stiff neck onto his shoulder. Here us is, I thought, two old fools left over from love, keeping each other company under the stars. Other times he want to know bout my children. I told him you say they both wear long robes, sort of like dresses. That was the day he come to visit me while I was sewing and ast me what was so special bout my pants. Anybody can wear them, I said. Men and women not suppose to wear the same thing, he said. Men spose to wear the pants. So I said, You ought to tell that to the mens in Africa. Say what? he ast. First time he ever thought bout what

I wore an emerald long-sleeved dress by Vivienne Tam and a pair of tangerine Christian Louboutins. I had seen the same look in one of Emerald's Vogues and asked Giada to overnight it. I learned quickly, though I wasn't very original. I'd changed in a coffee shop next to my apartment, then hopped into a cab. "Next time we must coordinate outfits beforehand," Michael whispered as we sat down. "I was going for 'salt of the earth' today." "Oh, I wanted to match the décor," I said. Tellicherry felt like a sexy, sinister jewel box. A rich sapphire blue stained the walls in large, meandering splotches, like dye dropped into water. Bronze silk leaped and dipped in the cushions. The waitresses wore black dresses with seductive lace panels revealing flesh-colored bits, and the waiters slinked in semi-sheer pajama-like outfits, conjuring bedtime escapades, none of which involved sleeping.

Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.

The first flicker of dawn licked the eastern sky. The light grew stronger, revealing that the white larkspur had turned dark crimson overnight. Within her shrine, a new and beautiful light gray flower sprang from the ground, surrounding her. Asphodel. Kore touched the gentle flowers growing around her and shifted the coloring of her dress to a soft white, mimicking the color of the blossoms. How beautiful they were... like last night, like him, though she knew 'beautiful' was seldom applied to men, and was too soft a word for him anyway. Asphodel... she was the Maiden of the Flowers and knew that's what these were intuitively, but tried to remember where she had heard that name- and what their significance was. She had only ever seen asphodel as a gnarled dark gray weed. It was one of the few plants her mother would rip out of the fields wherever she had seen it. Kore had always trailed behind her, doing the same. She had never seen asphodel bud and and blossom. The white blooms were thin, veined with a centerline of crimson, six petals with bright filaments bursting from the center and ending in deep red anthers. They were beautiful and foreign.

Yeah,” Steiner said. “Anyway, it looks to me like the building’s out of perspective—it’s too big where it is.” The old man nodded. “But it’s a necessary cheat. Otherwise nothing would show but the roof. As for the fallen pillar and statue, forget them—they wouldn’t be visible at all.” She didn’t care about the background; all of her attention was fixed upon the painting’s central figure. At the top of the hill, turned to look down at the ruins of the temple so anyone viewing the picture could only see her back, was a woman. Her hair was blonde, and hung down her back in a plait. Around one of her shapely upper arms—the right—was a broad circle of gold. Her left hand was raised, and although you couldn’t see for sure, it looked as if she was shading her eyes. It was odd, given the thundery, sunless sky, but that was what she appeared to be doing, just the same. She was wearing a short dress—a toga, Rosie supposed—which left one creamy shoulder bare. The garment’s color was a vibrant red-purple. It was impossible to tell what, if anything, she was wearing on her feet; the grass that she was standing in came almost up to her knees, where the toga ended.

i didn’t know it for most of my growing up… but my mama had dreams. dreams that weren’t of ring shapes and dress colors. she had dreams that were drenched in art and tasted like adventure… ones that felt like being kissed until her heart burst… ones that opened up her whole soul like a wildflower on fire. but i didn’t know it. i didn’t know it because she tucked them away in pretty memory boxes and hid them in tattered journals that she pushed aside for perfectly-scripted scrapbooks, and she buried all her burning desires under yes ma’ams and sunday dresses and sweet, supportive smiles, while any part of her that ever maybe might could’ve known that she mattered… by herself, for herself, and belonging. to. herself. suffocated quietly under the white noise of all those voices that had told her that all that really mattered was that she had been chosen… by him. and when i started to see that inside of her was a whole other woman that she ached to be… i knew i couldn’t go through my life aching for the me i’d never be, in that same way. so all i’ve ever wanted… is to know that i matter. by myself. for myself. and belonging to myself. chosen by no one, but me.

Allison got to the lobby first, dressed in jeans, a red sweater, and a cropped black jacket. Her feet had ordered her directly into flats the moment she’d gotten into her room, so she’d put on a pair of short black boots. She didn’t see Rick or Kim and flopped down on an overstuffed, garishly-clad club chair to wait. Despite the time of night, the place was packed, and she amused herself by watching people and guessing their stories. Caught up in trying to determine if a woman near the door dressed in a skin-tight black dress and bright red, four-inch, platform shoes was a high-class call girl, or a model, she almost vaulted out of her seat when a voice said, “Anyone sitting here?” She looked up at a man of about forty, dressed in olive green silk pants and a cream colored sweater. He was so attractive Allison couldn’t answer with anything other than a shake of her head. The fact that his eyes were the same color as hers only added to her disquiet. “Great.” He flashed a set of perfect teeth at her briefly, and dropped into the matching chair across from her. “I know you,” he added, “saw you on the ATCE show floor today. You work for Hoyt right? In marketing?” Allison nodded. The man put out his hand, “Craig Simmons.

after many hours of feasting and dance, the King and Queen took their sleeping girl to her bedchamber. “Good night, little bird,” said the Queen as she kissed Snow. The girl’s cheek felt as soft as silk on the Queen’s lips. She left the child to her dreams. She was sure they were filled with lovely ladies spinning in circles and colorful dresses and banners swirling all around her. The King took his new wife by the hand and led her to their chamber. The sun, now coming through their curtains, was casting an otherworldly glow. They stood there for a moment looking at each other. Bliss. “I see you have opened my gift,” the King said looking at the mirror. The mirror was oval-shaped and beautifully ornate, gilded, with serpentine designs around the perimeter, and crowned with an engraving of a headpiece fit for a Queen. It was nearly perfect. But something about it made her feel that same uneasiness that had shaken her before the ceremony. Her chest tightened and the room suddenly felt oppressively confining. “What is the matter, my love?” the King asked. The Queen moved to speak, but she could not. “You don’t like it?” he asked, looking crestfallen. “No, my love, it…I’m just…tired. So tired,” she finally muttered. But she couldn’t take her eyes off of the mirror.

He kept stealing glances at Celia that were filled with longing and perhaps desire. Jackson didn’t like that one bit. When he gave her his report he would emphasize the viscount’s utter unsuitability as a suitor. Devonmont’s, too. Lyons’s unsuitability was more murky. But Jackson could still make a case against the man, and he fully intended to do so as soon as he could get her alone. Preferably in a public area where what happened between them last night couldn’t occur again. Liar. You want to kiss her so badly you can taste it. It was a wonder he could shoot straight with her standing so near. She’d dressed to entice again today, this time in a heavy redingote the color of the forest. It turned her hazel eyes just green enough to remind him she was a Sharpe, with the same eyes as most of them. The expensive tailoring of her wool attire, a cross between a gown and a coat, reminded him she was a lady and an heiress, especially since she’d refrained from wearing her usual smock. He’d never seen her shoot and had assumed that her prowess must be exaggerated. It was not. He hadn’t been able to keep track of her kills while focusing on his own, but he was fairly certain the number came close to his. He noted her concentration, the care she took in aiming, the way she compensated for wind and other variables. He’d never met another woman like her. She was magnificent.

She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered. For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swansdown, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet. That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swansdown,. It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic....

Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette! But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.

For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.

I say,she is sinfully attractive when she's angry.You may not claim to have a way with the ladies,but when you want to make one mad,you are indeed an expert." Ranulf clenched his teeth and said nothing, but sent Tyr a flash of warning. Tyr dismissed the look and pressed on,opting for a flank attack. "You know that dress she was wearing? She would wear that color more often, complements that odd color of blue in her eyes." Ranulf sank onto the bench across the table from Tyr and raked his hands through his hair. "Take my advice and avoid looking too long at them.They can confound a man.Make him believe in lies." "You might be right," Tyr agreed and moved to pour himself some more wine. "But when a man can't think straight,is it she who is telling the lies or is it he who is telling them to himself?" "If you are trying to make a point, don't." "No,no point." Tyr sighed and swirled his mug. "Just that she was looking pretty tonight. Did you not think so?" "No." "Well,I did.I especially liked the hair. Normally I do not like stuff being all free like that,gets in the way.I usually prefer a woman's hair to be pulled back and tidy,but hers...well,I just might have to change my mind." Nothing from Ranulf.Not even a twitch.Damn.The man was stubborn. Tyr swallowed the mug's contents for fortification.If he got out of this with his skin still intact,he would be lucky.He had maybe one more shot before Ranulf got up to leave,so it had to hit-and hard. Tyr rocked the bench back and hummed, "Looked like silk,wonder if it feels like silk.I once had a woman with hair-" "Damn you," Ranulf uttered through his teeth. "Be quiet or get out." "What do you care? You may not like her,but I do.And not just in the face.I'm actually looking forward to tomorrow and spending time with the ladt.And after her jumping onto the idea of coming hunting,I think she feels the same." "She does not like you." "I beg to disagree.She thinks I am charming. Said so herself.But then it wasn't I who said she was trying to seduce every man around her.

At last Angela turned in to the space between the pews. She picked her way around Solembum--who crouched next to the novitiate he had killed, every hair on his body standing on end--and then carefully made her way over the corpses of the three novitiates Eragon had slain. As she approached, the High Priest began to thrash like a hooked fish in an attempt to push itself farther up the pew. At the same time, the pressure on Eragon’s mind lessened, although not enough for him to risk moving. The herbalist stopped when she reached the High Priest, and the High Priest surprised Eragon by giving up its struggle and lying panting on the seat of the bench. For a minute, the hollow-eyed creature and the short, stern-faced woman glared at each other, an invisible battle of wills taking place between them. Then the High Priest flinched, and a smile appeared on Angela’s lips. She dropped her poniard and, from within her dress, drew forth a tiny dagger with a blade the color of a ruddy sunset. Leaning over the High Priest, she whispered, ever so faintly, “You ought to know my name, tongueless one. If you had, you never would have dared oppose us. Here, let me tell it to you… Her voice dropped even lower then, too low for Eragon to hear, but as she spoke, the High Priest blanched, and its puckered mouth opened, forming a round black oval, and an unearthly howl emanated from its throat, and the whole of the cathedral rang with the creature’s baying. “Oh, be quiet!” exclaimed the herbalist, and she buried her sunset-colored dagger in the center of the High Priest’s chest. The blade flashed white-hot and vanished with a sound like a far-off thunderclap. The area around the wound glowed like burning wood; then skin and flesh began to disintegrate into a fine, dark soot that poured into the High Priest’s chest. With a choked gargle, the creature’s howl ceased as abruptly as it had begun. The spell quickly devoured the rest of the High Priest, reducing its body to a pile of black powder, the shape of which matched the outline of the priest’s head and torso. “And good riddance,” said Angela with a firm nod.

The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid. From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not. Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.

He moved into a large sitting area, past a sunken bath that could fit ten and through a set of double doors, where he tossed her on the bed. She bounced as she hit and looked up. He didn’t break eye contact as he shed his jacket, tossing it over on a chair. “Strip.” “You first.” Frank toed off his shoes and loosened his tie, pulling it over his head then dropping it to the floor. “Tell you what. Whoever’s naked first, gets to be on top.” He gave her a lecherous grin and was rewarded with a rosy blush, coloring her cheeks. “Okay.” She climbed off the bed. “On the count of three.” “One,” Frank said and lifted his hands to the top of his dress shirt. She did the same, bracing for the count like a racer on the blocks, her hands behind her neck. “Three.” Frank unbuttoned the collar, and tugged the shirt over his head, including the T-shirt underneath. “That’s cheating,” she said, as she fumbled with the hooks down the back of her blouse. “You had a head start. I’m evening the field.” He ripped his belt off and undid his fly and dropped his boxers and pants all at once. She froze and gasped, staring, hunger in her eyes, snapped out of the spell and tossed her blouse and bra to the side, moving fast, but not fast enough. Her skirt puddled around her ankles as Frank stood, as bare as the day he was born. “I win.” She kicked her garment to the side and placed her hands on her hips. Her chest rose and fell, pebbled nipples displayed against gloriously soft skin and full breasts. Her eyes were wild and her soft blonde hair tousled, like she’d already taken a roll in the sack. Man, did he want to make a bigger mess of it.

I don’t want to spend the next twenty-five years growing my ass and decorating my cubicle with photos of places I’ll never get to visit and/or counting down the days to my one week of paid vacation wherein I will take an all-you-can-eat cruise down to Mexico and end up with norovirus so I can spend the entire trip puking and shitting my guts out in a cabin the size of walk-in closet while the poor maid sneaks around me dressed in a full hazmat suit to leave clean towels and Mexican Pepto-Bismol. I cannot see myself doing the same mind-numbing job day in and day out, hoping that the company doesn’t go under, thereby ruining my chances of a decent retirement, during which I can join a real book club where we giggle about mommy porn and cross-stitch naughty sayings while we pass around plastic plates of Triscuits topped with canned cheese product and pimientos for color as the party host fills our glasses with Costco boxed wine and I sip surreptitiously from my flask that reads “Vodka never disappoints.” It may be okay for these women, but I can’t do it. I want more. (Although I do want that flask, so keep your eyes peeled in your travels, yeah?) Does that make me a jerk?

My bedroom looked very different the morning of my eighteenth birthday. It looked lonely. I opened my eyes just as the sun started creeping through the window, and I stared at the white chest of drawers that had greeted me every morning since I could remember. Maybe it’s stupid to think that a piece of furniture had feelings, but then again, I’m the same girl who kept my tattered old baby doll dressed in a sweater and knitted cap so she wouldn’t get cold sitting on the top shelf of my closet. And this morning that chest of drawers was looking sad. All the photographs and trophies and silly knickknacks that had blanketed the top and told my life story better than any words ever could were gone, packed in brown cardboard boxes and neatly stacked in the cellar. Even my pretty pink walls were bare. Mama picked that color after I was born, and I’ve never wanted to change it. Ruthis Morgan used to try to convince me that my walls should be painted some other color. ‘Pink’s just not your color, Catherine Grace. You know as well as I do that there’s not a speck of pink on the football field.’ There was nothing she could say that was going to change my mind of the color on my walls. If I had I would have lost another piece of my mama. And I wasn’t letting go of any piece of her, pink or not. Daddy insisted on replacing my tired, worn curtains a while back, but I threw such a fit that he spent a good seven weeks looking for the very same fabric, little bitsy pink flowers on a white -and-pink-checkered background. He finally found a few yards in some textile mill down in South Carolina. I told him there were a few things in life that should never be allowed to change, and my curtains were one of them. So many other things were never going to stay the same, and this morning was one of them. I’d been praying for this day for as long as I could remember, and now that it was here, all I wanted to do was crawl under my covers and pretend it was any other day. . . . I know that this would be the last morning I would wake up in this bed as a Sunday-school-going, dishwashing, tomato-watering member of this family. I knew this would be the last morning I would wake up in the same bed where I had calculated God only knows how many algebra problems, the same bed I had hid under playing hide-and-seek with Martha Ann, and the same bed I had lain on and cried myself to sleep too many nights after Mama died. I wasn’t sure how I was going to make it through the day considering I was having such a hard time just saying good-bye to my bed.

Then, as they crossed over one of the largest bridges, Emperor Moctezuma appeared with his personal retinue. Cortés described the meeting in a letter to King Charles: We were received by Moctezuma with about two hundred chiefs, all barefooted and dressed in a kind of very rich livery. They approached in two processions along the walls of the street, which is very broad and straight and very beautiful. Montezuma came in the middle of the street with two lords, one on each side of him. . . . All were dressed in the same manner except that Montezuma was shod and the other lords were barefooted. As we approached each other I descended from my horse and was about to embrace him, but the two lords in attendance intervened so that I should not touch him, and then they, and he also, made the ceremony of kissing the ground. Having done this, he ordered his brother to take me by the arm, and the other attendant walked a little ahead of us. After he spoke to me, all the other lords who formed the two processions saluted me one after the other and then returned to the procession. As I approached to speak to Montezuma, I took off a collar of pearls and glass diamonds that I wore and put it on his neck. After we had gone through some of the streets, one of his servants came with two collars which were made of colored shells. From each of the collars hung eight golden shrimps executed with great perfection and a span long. He took the collars from the servant and put them on my neck, and we continued on through the streets until we came to a large and handsome house, which he had prepared for our reception.

Every Sunday, the Weavers drove their Oldsmobile east toward Waterloo and pulled into the gravel parking lot of the Cedarloo Baptist Church, on a hill between Waterloo and Cedar Falls, took their place in the pews, and listened to the minister. But there seemed to be no fire or passion, no sense of what was really happening in the world. They’d tried other churches and found congregations interested in what God had done 2,000 years ago, but no one paying attention to what God was doing right then. Certainly, churches weren’t addressing the crime in Cedar Falls, the drugs, or the sorry state of schools and government, not to mention the kind of danger that Hal Lindsey described. They would have to find the truth themselves. They began doing their own research, especially Vicki. She had quit work to raise Sara, and later Samuel, who was born in April 1978. When Sara started school, Randy and Vicki couldn’t believe the pagan things she was being taught. They refused to allow her to dress up for Halloween—Satan’s holiday—and decided they had to teach Sara at home. But that was illegal in Iowa. A booster shot of religion came with cable television and The PTL Club, the 700 Club, and Jerry Falwell. The small television in the kitchen was on all the time for a while, but most of Vicki’s free time was spent reading. She’s lose herself in the Cedar Falls public library, reading the science fiction her dad had introduced her to as a kid, the novels and self-help books friends recommended, biblical histories, political tracts, and obscure books that she discovered on her own. Like a painter, she pulled out colors and hues that fit with the philosophy she and Randy were discovering, and everywhere she looked there seemed to be something guiding them toward “the truth,” and, at the same time, pulling them closer together. She spent hours in the library, and when she found something that fit, she passed it along first to Randy, who might read the book himself and then spread it to everyone—the people at work, in the neighborhood, at the coffee shop where he hung out. They read books from fringe organizations and groups, picking through the philosophies, taking what they agreed with and discarding the rest. Yet some of the books that influenced them came from the mainstream, such as Ayn Rand’s classic libertarian novel Atlas Shrugged. Vicki found its struggle between the individual and the state prophetic and its action inspiring. The book shows a government so overbearing and immoral that creative people, led by a self-reliant protagonist, go on strike and move to the mountains. “‘You will win,’” the book’s protagonist cries from his mountain hideout, “‘when you are ready to pronounce the oath I have taken at the start of my battle—and for those who wish to know the day of my return, I shall now repeat it to the hearing of the world: “‘I swear—by my life and my love of it—that I will never live my life for the sake of another man, nor ask another to live for mine.

Josie said. “We almost gave up several times,” Dora admitted, shaking her head.  “But maybe the quilt did keep us from going home earlier than we had planned.” “I like the name Rolling Stones,” Josie commented. “Hey, that’s kind of like us. We didn’t use wagons, but we managed to tour part of the country.” “You’re right. I believe we should just keep the quilt.” “Won’t it remind us of all the anxious moments?” “Maybe, but we showed courage and persevered,” Dora said, soundly.  “Hey, where’s the bonus they promised us?” “Well, I don’t know.” Dora searched the box and held up a blue envelope. “Let’s see.” Josie whipped it out of her hand. She broke the seal and took out two airplane tickets. “Airplane tickets?” Dora asked in disbelief. “What do we do with tickets?” “Here’s a note between the tickets.” Josie opened it.  “It says the tickets are for a quilt show in Philadelphia. Milton wants us to attend.  He says he will meet us there and answer more questions for us.” “But we’re afraid to fly,” Dora protested. “Could we send the tickets back?” Josie suggested. “I don’t think so. Milton will be out his money.” “When is it?” Dora took the tickets and examined them. “In September. Only a month away.” Josie tapped her chin in thought. “If we decided to do more touring, we could extend our trip from there to the New England States.” “We could see the autumn leaves,” Dora said, excitement rising in her voice. “Anthony wanted us to visit him in Iowa,” Josie reminded Dora. “How are we going to work all this in?” “I have no idea. Why does traveling have to be so complicated and so full of surprises?”   ______   MDora looped a bright red scarf around her neck while glancing out her bedroom  window. The wind swirled bits of trash down the sidewalk of their Hedge City, Nebraska, home. She sighed, wishing she could stay at home today and read.  Buzzie looked up at her and meowed, expressing the same sentiments. She reached down and patted her softly.  But she didn’t have that luxury today. She had agreed to substitute teach for the current English teacher who would be out for at least a week.  Josie called from the kitchen. “Want more coffee?” “Yes, please.  Fill my mug.  I’ll drink it on my way to school.” She reached into the closet and pulled out a beige sweater. A glance in the mirror confirmed the bright red scarf did wonders for the nondescript sweater’s color. Josie joined her at the door dressed in russet slacks and matching jacket and handed Dora her mug.  “A little blustery today.” “For sure.” Dora eyed Josie, wishing she had the sense of style Josie displayed. The sisters would walk together and then would split to their separate ways, Josie to fill in at the

It’s an intelligent woman who prepares in advance for any mishaps by ordering a drink the same color as her dress.

Poor thing, he has a heart of gold, and he always minds his own business. So he likes dressing up as a Gypsy and singing in front of people? Who cares? People are evil.” “Not evil,” Fermín objected. “Moronic, which isn’t quite the same thing. Evil presupposes a moral decision, intention, and some forethought. A moron or a lout, however, doesn’t stop to think or reason. He acts on instinct, like a stable animal, convinced that he’s doing good, that he’s always right, and sanctimoniously proud to go around fucking up, if you’ll excuse the French, anyone he perceives to be different from himself, be it because of skin color, creed, language, nationality, or, as in the case of Don Federico, his leisure habits. What the world needs is more thoroughly evil people and fewer borderline pigheads.

Thus, the people I scold, play and irritate are the people that are close to my heart. And I am not the same person for other people, If I have to consider someone as close then i should have talked with them at least a little while. And naming it in different manner, shows your dirty mind not mine. And even if there is something between me and the people that are close to my heart, what is the issue here? did they make complaints about me? or did i harass them? You have right to ask me question only if it is against law or immorality. The color of the dress, what I eat, What I watch is my personal, and As i control my subconscious mind it may affect people but to avoid that just consider me as Indian citizen that is all. Then whatever I do will be electronically recorded for marketing as bangalore or Tamilnadu or wherever I go, the things are same. And coming to talking with me, Nobody can reach near me without I allow you to - Yes I said the truth. It is not that I am silent and I can not talk. I can talk anytime with anyone but I choose people and my subconscious mind choose people. Wherever I go and eat or shopping or any events I will be silent for a while so that my subconscious works there, and that will stop unnecessary people. This is my secret. Even where i study or work also I allow only certain people to be close to me although I talk with almost all in academic institutions or working places. Take my Ug college, or Nalanda or verzeo, I was sharing a lot with only certain people, I chose them and they are close to me always, you think in any manner I don't even care. Kalasalingam, Nalanda and verzeo are always very close to my heart than anyone else because these three places have witnessed me directly, and they know a lot about me than anyone else. My parents and personal friends cycle is my personal. But for society whatever I wish to contribute, I will contribute only through science but for science I need knowledge on each and every aspects of life. So that is it. If you do not understand still then you are dump.

Thus, the people I scold, play and irritate are the people that are close to my heart. And I am not the same person for other people, If I have to consider someone as close then i should have talked with them at least a little while. And naming it in different manner, shows your dirty mind not mine. And even if there is something between me and the people that are close to my heart, what is the issue here? did they make complaints about me? or did i harass them? You have right to ask me question only if it is against law or immorality. The color of the dress, what I eat, What I watch is my personal, and As i control my subconscious mind it may affect people but to avoid that just consider me as Indian citizen that is all. Then whatever I do will be electronically recorded for marketing as bangalore or Tamilnadu or wherever I go, the things are same. And coming to talking with me, Nobody can reach near me without I allow you to - Yes I said the truth. It is not that I am silent and I can not talk, I can talk with anyone and anytime but I allow only certain people wherever I go because my subconscious work even when I am awake. And animals and plants or non living things even if they hurt me, I forgive them because they do not have sixth sense but if it is human that hurt me or even thinking about hurting my soul then I will reply my souls secret code to you and you will die. So kindly do not play with me around unless I talk or allow you to. My subconsious is not from my birth but also knowledge from Vedas and Great granpa Ganapathy Swamy Naidu who wrote palm leaves about souls and medicine, and this is my seventh sense, I even can manifest nature If I want to, Kindly remember. So do not play with me around hereafter at all whomever it is.

Thus, the people I scold, play and irritate are the people that are close to my heart. And I am not the same person for other people, If I have to consider someone as close then i should have talked with them at least a little while. And naming it in different manner, shows your dirty mind not mine. And even if there is something between me and the people that are close to my heart, what is the issue here? did they make complaints about me? or did i harass them? You have right to ask me question only if it is against law or immorality. The color of the dress, what I eat, What I watch is my personal, and As i control my subconscious mind it may affect people but to avoid that just consider me as Indian citizen that is all. Then whatever I do will be electronically recorded for marketing as bangalore or Tamilnadu or wherever I go, the things are same. And coming to talking with me, Nobody can reach near me without I allow you to - Yes I said the truth. It is not that I am silent and I can not talk, I can talk with anyone and anytime but I allow only certain people wherever I go because my subconscious work even when I am awake. And animals and plants or non living things even if they hurt me, I forgive them because they do not have sixth sense but if it is human that hurt me or even thinking about hurting my soul then I will reply my souls secret code to you and you will die. So kindly do not play with me around unless I talk or allow you to. My subconscious is not only from my birth but also knowledge from Vedas and Great Grandpa Ganapathy Swamy Naidu who wrote palm leaves about souls and medicine, and this is my seventh sense, I even can manifest nature If I want to, Kindly remember. So do not play with me around hereafter at all whomever it is.

There was a dress we always kept in the family---a little girl's dress that once belonged to my great-grandmother. Ashley." Millie hesitated, as though to emphasize the name. "Ashley was just a child when she was sold, and her mother sewed the dress and embroidered a rose like that one on it." "Kind of reminds me of the color of that huge rosebush at Eliza's old estate in Charleston," Sullivan said, and Peter agreed. "I mean, I know it's comparing a real bush to an embroidered one... but isn't it strange. Eliza would have a bush with that color rose in her yards both here and in Charleston, and a collection of needlework displays with it in her attic?" Alice shrugged. "Maybe, maybe not. Roses are very popular flowers and were especially popular during that time period. It certainly could mean something, but I'm more interested in the sequence of the flowers this person chose to embroider and the connection Millie mentioned to that dress." Alice leaned closer. "Millie, are you sure the stitching is the same?" As a renowned seamstress, Millie's eye could be trusted. Millie nodded emphatically. "I have no doubt about it," she said. "The gentle curve of the petals. Shows remarkable craftsmanship. I remember admiring it when I was a little girl myself. It's one of the first memories I have of falling in love with textiles.

Had... had a blind soul. It's waking up-to art, people ... men." "Yeah? It's kind of painful," I say. "Like being dropped into ice water." "That's the nature of the truth, though. What's fun about being dropped into ice water? That's why half the world walks around wearing rose colored glasses, watching comedies and reading romance books." I look at her out of the corner of my eye. I like comedies and romance. "If you're such a realist, why do you dress the way you do?" I ask her. "You dress like a fairy, wearing the same color every day." "I dress the way I want the world to look. I'm living out my fantasy visually. But I'm not sheltering myself mentally.

Remember the you-go-girl ads for Virginia Slims cigarettes? They feel light-years removed from the campaigns of today, and not just because they’re for a product we all know is carcinogenic. The template was simple: sepia photo of oppressed woman from the past—usually wearing some kind of bustle—overlaid with a full-color shot of the present-day, liberated babe. “First, you got the right to vote, and now you’ve got a cigarette all your own,” was one caption, in which suffrage and the “right” to buy a product are weirdly conflated. Of course, other than their modish thinness, they were basically the same as standard cigarettes. (“Cancer—but for GIRLS!”) Even the tagline—“You’ve come a long way, baby.”—fell somewhere between gruff admiration and infantilizing condescension.

Indeed, there was such a wealth of it, and it was so easy to comprehend, that I felt a great light joy. The knowledge was like the love and like the beauty; indeed, I realized with a great triumphant happiness that they were all – the knowledge, the love, and the beauty – they were all one. ‘Oh, yes, how could one not see it. It’s so simple!’ I thought. If I had had a body with eyes, I would have wept, but it would have been a sweet weeping. As it was, my soul was victorious over all small and enervating things. I stood still, and the knowledge, the facts, as it were, the hundreds upon hundreds of small details which were like transparent droplets of magical fluid passing through me and into me, filling me and vanishing to make way for more of this great shower of truth – all this seemed suddenly to fade. There beyond stood the glass city, and beyond it a blue sky, blue as a sky at midday, only one which was now filled with every known star. I started out for the city. Indeed, I started with such impetuosity and such conviction that it took three people to hold me back. I stopped. I was quite amazed. But I knew these men. These were priests, old priests of my homeland, who had died long before I had even come to my calling, all of which was quite clear to me, and I knew their names and how they had died. They were in fact the saints of my city, and of the great house of catacombs where I had lived. ‘Why do you hold me?’ I asked. ‘Where’s my Father? He’s here now, is he not?’ No sooner had I asked this than I saw my Father. He looked exactly as he had always looked. He was a big, shaggy man, dressed in leather for hunting, with a full grizzled beard and thick long auburn hair the same color as my own. His cheeks were rosy from the cold wind, and his lower lip, visible between his thick mustache and his gray-streaked beard, was moist and pink as I remembered. His eyes were the same bright china blue. He waved at me. He gave his usual, casual, hearty wave, and he smiled. He looked just like he was going off into the grasslands, in spite of everyone’s advice, and everyone’s caution to hunt, with no fear at all of the Mongols or the Tatars swooping down on him. After all, he had his great bow with him, the bow only he could string, as if he were a mythical hero of the great grassy fields, and he had his own sharpened arrows, and his big broadsword with which he could hack off a man’s head with one blow. ‘Father, why are they holding me?’ I

New dress codes stigmatized Jews using the same colorful fabric or garments that marked prostitutes. For instance, in the fifteenth century, Roman Jewish women were required to wear a red overskirt that prostitutes also wore; Jewish women in other parts of Italy had to wear a yellow veil—a sign of the prostitute in Italian cities from the fourteenth through the sixteenth centuries.

New dress codes stigmatized Jews using the same colorful fabric or garments that marked prostitutes. For instance, in the fifteenth century, Roman Jewish women were required to wear a red overskirt that prostitutes also wore; Jewish women in other parts of Italy had to wear a yellow veil—a sign of the prostitute in Italian cities from the fourteenth through the sixteenth centuries. In 1397, Venetian law required Jews to wear a yellow badge, and a 1416 law required prostitutes and pimps to wear a yellow scarf. In Viterbo, any Jewish woman who dared appear on the streets without her yellow veil could be stripped naked by the first person to apprehend her—the same punishment prescribed in other cities for prostitutes who strayed from the districts where they were allowed to solicit customers.

I don’t dress for attention. I’m wearing a pair of blue jeans that are at least a size too big, a pair of gray Nikes that once used to be white, and a coat that is more bulky than stylish—a dark color meant to blend into the night—but at the same time, I am clearly a woman.

Yet above all this, she insists on vigilance. Gluten is hiding everywhere in everything, and even the tiniest crumb—the tiniest crumb of a crumb—could get me sick. It’s more important than the mere stomach issues; failure to follow a gluten-free diet grossly increases one’s chances of developing thyroid cancer, diabetes, and other life-threatening diseases. These, she taught me, are the real reasons to check and double-check. The reasons she uses separate pasta strainers and knives. I learned to read labels for hidden ingredients, to call the company and ask the source of the caramel color and the modified food starch. To avoid foods fried in the same oil that had fried breaded meat. To speak with chefs at restaurants and ask to use a clean part of the grill, a clean salad bowl, a flourless dressing. We were careful. We were the best. And at home I never, ever got sick.

Styled by Kitty Black Perkins, an African-American designer whom Mattel hired in 1975, Black Barbie made her debut in 1980. Barbie had had black friends since the late sixties, but by 1979, Mattel determined that America was ready for the dream girl herself to be of color. Because the new doll was likely to be scrutinized, Mattel fashioned her with sensitivity: her hair is short and realistically textured; her face, if not aggressively non-Caucasian, is at least different from blond Barbie's; and her dress, while corporate, is livened up with jewelry evocative of African sculpture. Hispanic Barbie, who appeared the same year, is another story. Decked out in a peasant blouse, a two-tiered skirt, and a mantilla, the doll looks like a refugee from an amateur production of Carmen; she even has a rose pinned at her neck. Mattel's designers could hardly be unacquainted with Hispanics:

Steldor, maybe you could try to deter your father, you know, from making arrangements for me so soon. Would another year or two really matter?” He responded with a dry laugh. “Deter my father? Shaselle, trying to deter my father once he’s made up his mind is like yelling whoa at a stampede of wild horses.” “Doesn’t stop you,” I muttered, crossing my arms with a huff. Again that cynical chuckle. “I assure you, it does.” “No, it doesn’t.” I pushed off the rough stone to stare at him. Annoyance came to me ever more quickly these days, and now the disagreeable temperament my mother and older sister condemned was emerging. I pointed back up the road. “Explain that scarecrow to me, if you’re so obedient! I know your father was upset with you after you posted your rules, but you went ahead anyway, without his blessing.” Steldor clamped a hand over my mouth, the other holding the back of my neck, then he leaned close to hiss, “I’d prefer if my involvement in both of those incidents remained undisclosed.” My cheeks burned, and I pushed his hands away. “Sorry. That was stupid. But isn’t there anything you can do? You have the captain’s ear.” “What I have is his attention,” he corrected, having accepted my apology and brushed aside our tense exchange. “Not intentionally, mind you, but I’ll be keeping it over the next few weeks. He’ll probably be distracted from you anyway.” “You’re planning another stunt?” He winked. “Would you expect anything less of Galen and me?” “Can I help you?” The up-and-down nature of our conversation persisted, and he shook his head vehemently. “This is dangerous, what we’ve been doing. We laugh, but these aren’t games. If we’re caught, we’ll be arrested. There’s a reason my father disapproves, in spite of his own ambitions.” He let his rebuff hang in the hot air while I again felt color rising in my cheeks. “Just go home, Shaselle. Put on a dress. Be a lady, and stay out of trouble. Understand?” “I hate them, too, you know,” I said, his dismissal and the humiliation that came with it rankling me. “It’s not just your homeland that the Cokyrians have sullied--it’s my homeland, too. And those bastards killed my father.” “And bitches,” he added, catching me off guard. “Wouldn’t want to forget the women.” I didn’t know how to respond, so I gaped at him foolishly until he stepped onto the cobblestone of the thoroughfare. “Come on. Let me take you home.” We walked in silence back to the western residential area where I lived, though he stopped at the beginning of my street to let me traverse the rest of the distance by myself. “I shouldn’t be seen around here. Not where Galen’s assigned--the Cokyrians are trying to keep us apart to avoid plots big and small, and will be suspicious if we’re seen in the same area.” I nodded and turned to go, but he grabbed my arm. “I know how you feel, Shaselle. I know you want to do something, and it’s not even that I don’t think you could. I just can’t let you be involved, for the sake of your safety. And mine,” he added as an afterthought. “My father would kill me if I let you help and you came to harm. Just please, let this go, and I swear I’ll do my best to influence him on your marriage issue.” Now that I was thinking rationally, offering my assistance had been absurd--I had no special skills aside from horseback riding, and certainly no military training , so accepting Steldor’s offered compromise was not difficult.

After parking in the west lot, far from a certain gang member with a reputation that could scare off even the toughest Fairfield football players, Sierra and I walk up the front steps of Fairfield High. Unfortunately, Alex Fuentes and the rest of his gang friends are hanging by the front doors. “Walk right past them,” Sierra mutters. “Whatever you do, don’t look in their eyes.” It’s pretty hard not to when Alex Fuentes steps right in front of me and blocks my path. What’s that prayer you’re supposed to say right before you know you’re going to die? “You’re a lousy driver,” Alex says with his slight Latino accent and full-blown-I-AM-THE-MAN stance. The guy might look like an Abercrombie mode with his ripped bod and flawless face, but his picture is more likely to be taken for a mug shot. The kids from the north side don’t really mix with kids from the south side. It’s not that we think we’re better than them, we’re just different. We’ve grown up in the same town, but on totally opposite sides. We live in big houses on Lake Michigan and they live next to the train tracks. We look, talk, act, and dress different. I’m not saying it’s good or bad; it’s just the way it is in Fairfield. And, to be honest, most of the south side girls treat me like Carmen Sanchez does…they hate me because of who I am. Or, rather, who they think I am. Alex’s gaze slowly moves down my body, traveling the length of me before moving back up. It’s not the first time a guy has checked me out, it’s just that I never had a guy like Alex do it so blatantly…and so up-close. I can feel my face getting hot. “Next time, watch where you’re goin’,” he says, his voice cool and controlled. He’s trying to bully me. He’s a pro at this. I won’t let him get to me and win his little game of intimidation, even if my stomach feels like I’m doing one hundred cartwheels in a row. I square my shoulders and sneer at him, the same sneer I use to push people away. “Thanks for the tip.” “If you ever need a real man to teach you how to drive, I can give you lessons.” Catcalls and whistles from his buddies set my blood boiling. “If you were a real man, you’d open the door for me instead of blocking my way,” I say, admiring my own comeback even as my knees threaten to buckle. Alex steps back, pulls the door open, and bows like he’s my butler. He’s totally mocking me, he knows it and I know it. Everyone knows it. I catch a glimpse of Sierra, still desperately searching for nothing in her purse. She’s clueless. “Get a life,” I tell him. “Like yours? Cabróna, let me tell you somethin’,” Alex says harshly. “Your life isn’t reality, it’s fake. Just like you.” “It’s better than living my life as a loser,” I lash out, hoping my words sting as much as his words did. “Just like you.” Grabbing Sierra’s arm, I pull her toward the open door. Catcalls and comments follow us as we walk into the school. I finally let out the breath I must have been holding, then turn to Sierra. My best friend is staring at me, all bug-eyed. “Holy shit, Brit! You got a death wish or something?” “What gives Alex Fuentes the right to bully everyone in his path?” “Uh, maybe the gun he has hidden in his pants or the gang colors he wears,” Sierra says, sarcasm dripping from every word. “He’s not stupid enough to carry a gun to school,” I reason. “And I refuse to be bullied, by him or anyone else.

HOW TO MAKE A HAND-TIED BOUQUET This bouquet has a lush, loose, casual feel. You make it by holding a stem in one hand and adding other stems around it in a spiral fashion. Because it’s not tightly wrapped in ribbon, it can easily be stored in a glass of water until showtime. (Do make sure it’s dry before it gets anywhere near your dress!) MATERIALS: • 15 to 20 stems of fairly long-stemmed flowers (no more than 3 or 4 varieties for a mixed bouquet; if using a variety of colors make sure they are evenly distributed) • Florist’s knife • 5 to 10 stems of greenery • 26-gauge florist’s wire or ordinary twine • Floral shears • Ribbon for finishing 1. Cut each of the stems on the diagonal and place in water while you work. Remove any thorns by gently scraping them off with a florist’s knife (take care not to gouge too deeply) and any foliage from the bottom half of the stem. 2. Take the largest flower in the bunch—this will form the center of the bouquet. Hold its stem in your left hand, between your thumb and first finger, about 6 to 8 inches from the base of the flower head. 3. With your right hand, add 4 to 6 clusters of greenery evenly around the center flower, tucking them in just below the head, allowing the stems to cross at the bottom and turning the bouquet clockwise as you work. 4. Tuck the end of a long piece of wire or twine in between two of the stems, and then wind it around the whole bunch of stems a couple of times to begin to hold everything together. Do not cut the wire. 5. Holding the bouquet in your left hand as in step 2, place 5 or 6 more flowers around the greenery, turning the bouquet clockwise as you work. Secure this next layer of stems with a couple of twists of wire in the same place as before. Continue adding greenery, flowers, or whatever you like to add mass to the bouquet until it reaches the desired size and shape. (Look at it from all angles to make sure you like the silhouette.) 6. Finish with a ring of greenery to give it a nice decorative cuff (optional). 7. Secure all the stems together one last time by winding the wire gently but firmly around several times, and then cut it off and tuck it in. 8. Using floral shears, cut the stems to the desired length, all at the same level. (Don’t chop them too short or your bouquet will look top heavy.) 9. Wrap ribbon around the stems to cover the wire, and tie in a droopy bow. If your ribbon is narrow, wrap it around several times before tying a bow to ensure that you’ve covered all your work. Leave the ends of the bow long and trim them at an angle.

Don’t you want to know why I’m here?” Emma made herself meet his eyes. “No,” she said. “I do not.” He chuckled, unmoved, as always, by her discourtesy. “We’re going on a picnic Saturday,” he announced. Emma had had all she could take of Steven Fairfax’s audacity. She glared at him, her cheeks throbbing. “I hardly think that will be possible. You see, I’ve agreed to attend a party with Fulton on Saturday evening.” Steven sighed. “So you’re still seeing the banker, huh?” “Honestly,” Emma snapped, amazed, “you are insufferable. And I’m not going on any picnic with you, now or ever!” The silk crumpled between her clenched fingers, and she nearly stuck herself with the needle. “Perhaps I have finally made myself clear?” He smiled. “I do comprehend what you’re trying to say, Miss Emma. I just disagree with you, that’s all.” Emma hurled down the bodice of the dress she’d been sewing and bolted out of her chair. “What on earth gives you the idea that it matters, whether you and I agree or not?” His eyes glittered with firelight and humor as he watched her. “You are indeed a beauty, Miss Emma—the kind of prize a man dreams of winning. Win you I will, and when I do, I intend to have you well and often.” A tremor of mingled fury and desire coursed through Emma’s slender frame. “What will it take to make you go away and leave me alone?” she whispered, clasping her hands together as though she were praying. Steven drew her to him without moving, without extending a hand. Before she knew what was happening, Emma was standing on the hearth, looking up into his face. He touched her lips, very lightly, with his finger, sending a storm of fire all through her. “Go on the picnic with me,” he said quietly. “Then if you still want me to leave, I will.” Emma’s eyes widened. She felt hope, but also a raw sort of dismay. “You mean you’ll actually saddle your horse and leave Whitneyville entirely? You won’t even work on Big John’s ranch anymore?” “That’s right,” Steven answered hoarsely, winding an escaped tendril of Emma’s blaze-colored hair around the same finger that had caressed her lips. “If you can tell me you never want to see me again after our picnic, I’ll ride out.” Emma bit her lip and laid one hand to her heart, as though to slow its rapid beat so Steven wouldn’t hear it. “But the dance…” “You’ll be back in plenty of time for that.” Within Emma’s breast, reason and whimsy did battle. And as so often happened where this man was concerned, whimsy won. “All right,” she sighed with resolution. “But I expect you to keep your word.” She waggled a finger at him. “There’ll be no backing out after I say I never want to see you again.” He bent his head and kissed her lightly, tantalizingly, on the lips. “You have my word of honor,” he told her between soft samplings of her mouth that sent sweet shocks jolting to her nerve endings. Emma

It’ll be symbolic. Let the women dress the way savages dress everywhere—bedeck themselves in old dead parts of birds and animals, smear their faces with colored clay, mash flowers over themselves to conceal their natural stench. The same way they always dress. Now, for Chrissake!

Mom and Dad decided to drive out into the country to get some apple cider at Whipple’s Orchard. They asked if we wanted to come along. We said we’d rather stay home with Grandma. Then, as soon as they pulled out of the driveway, we begged Grandma to take us somewhere. “My turn! My turn! I want to visit her!” “Why, Liz, what a great choice! That’s Remember Allerton. She was your grandpa’s great-great-great-great-well, I forget exactly how many greats it was--aunt. She was one of the Pilgrims who came over on the Mayflower.” “Remember? What a weird name!” “That’s nothing! I know a dog named Sparkplug.” When you travel back in time, you have to put on the kind of clothes that people wore back then. If you don’t, they’ll think you’re really strange. “I have to wear three layers? I’ll bake!” “Trust me, Lenny. You’ll be happy to have them. No central heating, you know.” “Hey, I thought Pilgrims always wore black suits and big hats with buckles on them.” “Nope. They dressed like ordinary working people of their time--and they liked to wear colors, same as anybody else. Of course, on Sundays they put on their best suits and fancy collars.

Across the tent stands a woman, tall and slender, dressed in sealskin trousers and a blood-stained jacket, the color of a blue beryllus stone—the same color as her eyes. Her hands are bound behind her back, her mouth gagged. An array of multi-colored witch’s marks covers the smooth, pale skin of her hands and neck, even the sides of her face, curling at her temples. Nephele. I struggle to get my legs under me, my mind screaming her name.

He watches her walk towards him in the dress she knows he likes. Stiff fabric, taut across her hips. Red. The same color as her underwear. Lace with little bows. As if Kate herself is something to be unwrapped, to be torn open.

I stir the simmering potion until it turns a bright, gruesome red, the same shade as Ruby Valentino's lips. But it's too bright, too obvious. Then I remember. I reach into the pocket of my dress, past the spool of thread, to the thing I'm looking for. When I pull it out, the leaves are slightly flattened, but it's still intact: the four-leaf clover given to me by the leprechaun in St. Patrick Town. He said it would bring me luck. And I need it now. I drop the green clover into the potion, and within seconds, the color turns a vibrant, grassy green--reminding me of the damp meadow in St. Patrick Town, freshly dewed with rain. The exact shade I need.

I had two great passions at the time: one magical and ethereal, which was reading, and the other mundane and predictable, which was pursuing silly love affairs. Concerning my literary ambitions, my successes went from slender to nonexistent. During those years I started a hundred woefully bad novels that died along the way, hundreds of short stories, plays, radio serials, and even poems that I wouldn't let anyone read, for their own good. I only needed to read them myself to see how much I still had to learn and what little progress I was making, despite the desire and enthusiasm I put into it. I was forever rereading Carax's novels and those of countless authors I borrowed from my parent's bookshop. I tried to pull them apart as if they were transistor radios, or the engine of a Rolls-Royce, hoping I would be able to figure out how they were built and how and why they worked. I'd read something in a newspaper about some Japanese engineers who practiced something called reverse engineering. Apparently these industrious gentlemen disassembled an engine to its last piece, analyzing the function of each bit, the dynamics of the whole, and the interior design of the device to work out the mathematics that supported its operation. My mother had a brother who worked as an engineer in Germany, so I told myself that there must be something in my genes that would allow me to do the same thing with a book or with a story. Every day I became more convinced that good literature has little or nothing to do with trivial fancies such as 'inspiration' or 'having something to tell' and more with the engineering of language, with the architecture of the narrative, with the painting of textures, with the timbres and colors of the staging, with the cinematography of words, and the music that can be produced by an orchestra of ideas. My second great occupation, or I should say my first, was far more suited to comedy, and at times touched on farce. There was a time in which I fell in love on a weekly basis, something that, in hindsight, I don't recommend. I fell in love with a look, a voice, and above all with what was tightly concealed under those fine-wool dresses worn by the young girls of my time. 'That isn't love, it's a fever,' Fermín would specify. 'At your age it is chemically impossible to tell the difference. Mother Nature brings on these tricks to repopulate the planet by injecting hormones and a raft of idiocies into young people's veins so there's enough cannon fodder available for them to reproduce like rabbits and at the same time sacrifice themselves in the name of whatever is parroted by bankers, clerics, and revolutionary visionaries in dire need of idealists, imbeciles, and other plagues that will prevent the world from evolving and make sure it always stays the same.

My dear," he admonished her when she brought up the fact that she might, in the future, go back to work as a lawyer, "how do you expect to do two jobs?"... "You already have a job," he explained. "From now on, your life with your husband is your job." He corrected himself. "It's more than a job. It's a career. Your husband makes the money, and you create the life. And it's going to take effort. You'll rise each morning and exercise, not simply to look attractive but to build endurance. Most ladies prefer yoga. Then you will dress. You'll arrange your schedule and send e-mails. You'll attend a meeting for a charity in the morning, or perhaps visit an art dealer or make a studio visit. You'll have lunch, and then there are meetings with decorators, caterers, and stylists; you'll have your hair colored twice a month and blow-dried three times a week. You'll do private tours of museums and read, I hope, three newspapers a day: The New York Times, The New York Post, and The Wall Street Journal. At the end of the day, you'll prepare for an evening out, which may include two or three cocktail parties and a dinner. Some will be black-tie charity events where you'll be expected to wear a gown and never the same dress twice. You'll need to have your hair and makeup done. You'll also plan vacations and weekend outings. You may purchase a country house, which you will also have to organize, staff, and decorate. You will meet the right people and court them in a manner both subtle and shameless. And then, my dear, there will be children. So," Billy concluded, "let's get busy.

Intriguingly, his robe on that day is never described as white. Many of us imagine Jesus returning in white garments, because it seems like the sort of color that the triumphant Son of God might wear. But Revelation doesn’t say that. Instead it describes Jesus’ garments as “dipped in blood,” whether that refers to his blood, ours, or that of his enemies (19:13). At the same time, John insists that the people wearing white robes are actually the church, pure and spotless and stain free, like a bride beautifully dressed for her husband (Rev. 3:5, 18; 6:11; 7:9; 21:2). Our filthy garments have been replaced by fresh ones (Zech. 3:1–5), and in Christ our characters are as clean as our clothes. In a glorious exchange of wardrobes, Jesus’ sacrifice has made his robes crimson. But it has made ours white.

While the Tudors and their aristocratic contemporaries throughout Europe enacted sumptuary codes that reinforced traditional privilege, more radical thinkers imagined a world in which the symbolism of attire would be turned upside down. Henry VIII’s Lord Chancellor, Thomas More, wrote of a fictional utopia in which all clothing would be “of one and the same pattern… down the centuries.…” and “of one color… the natural color.…” More’s Utopia

He came up to where Dasyel stood with the actress, near enough to see the mending in the sky armor and the starry dress, the black actors’ paint round both their eyes, the young and flawless skin of both, smooth as metal and brown from the road. Volk smiled at the actress and she took half a step in retreat. Volk looked harder at Dasyel; Dasyel did nothing, only looked back at him with his water-color eyes, unflinching, confident, open. And Volk felt that same passage of non-sexual yet demanding lust go through him as he had felt when he saw the maiden from Yevdora.

The brutality of language conceals the banality of thought and, with certain major exceptions, is indistinguishable from a kind of conformism. Cities, once the initial euphoria of discovery had worn off, were beginning to provoke in her a kind of unease. in New York, there was nothing, deep down, that appealed to her in the mixture of puritanism and megalomania that typified this people without a civilization. What helps you live, in times of helplessness or horror? The necessity of earning or kneading, the bread that you eat, sleeping, loving, putting on clean clothes, rereading an old book, the smell of ripe cranberries and the memory of the Parthenon. All that was good during times of delight is exquisite in times of distress. The atomic bomb does not bring us anything new, for nothing is more ancient than death. It is atrocious that these cosmic forces, barely mastered, should immediately be used for murder, but the first man who took it into his head to roll a boulder for the purpose of crushing his enemy used gravity to kill someone. She was very courteous, but inflexible regarding her decisions. When she had finished with her classes, she wanted above all to devote herself to her personal work and her reading. She did not mix with her colleagues and held herself aloof from university life. No one really got to know her. Yourcenar was a singular an exotic personage. She dressed in an eccentric but very attractive way, always cloaked in capes, in shawls, wrapped up in her dresses. You saw very little of her skin or her body. She made you think of a monk. She liked browns, purple, black, she had a great sense of what colors went well together. There was something mysterious about her that made her exciting. She read very quickly and intensely, as do those who have refused to submit to the passivity and laziness of the image, for whom the only real means of communication is the written word. During the last catastrophe, WWII, the US enjoyed certain immunities: we were neither cold nor hungry; these are great gifts. On the other hand, certain pleasures of Mediterranean life, so familiar we are hardly aware of them - leisure time, strolling about, friendly conversation - do not exist. Hadrian. This Roman emperor of the second century, was a great individualist, who, for that very reason, was a great legist and a great reformer; a great sensualist and also a citizen, a lover obsessed by his memories, variously bound to several beings, but at the same time and up until the end, one of the most controlled minds that have been. Just when the gods had ceased to be, and the Christ had not yet come, there was a unique moment in history, between Cicero and Marcus Aurelius, when man stood alone. We know Yourcenar's strengths: a perfect style that is supple and mobile, in the service of an immense learnedness and a disabused, decorative philosophy. We also know her weakness: the absence of dramatic pitch, of a fictional progression, the absence of effects. Writers of books to which the work ( Memoirs of Hadrian ) or the author can be likened: Walter Pater, Ernest Renan. Composition: harmonious. Style: perfect. Literary value: certain. Degree of interest of the work: moderate. Public: a cultivated elite. Cannot be placed in everyone's hands. Commercial value: weak. People who, like her, have a prodigious capacity for intellectual work are always exasperated by those who can't keep us with them. Despite her acquired nationality, she would never be totally autonomous in the US because she feared being part of a community in which she risked losing her mastery of what was so essential to her work; the French language. Their modus vivendi could only be shaped around travel, accepted by Frick, required by Yourcenar.

Chiara gasped as her mentor passed her the wand, and a small star appeared at its tip. It should have warmed Chiara's heart to see it, but she could barely muster a smile. "The reception of a fairy's wand is often a bittersweet occasion. Let that be a reminder for you that magic can bring great joy as well as sorrow, hope as well as fear. May you use yours to shine light upon darkness." "I will," Chiara vowed. As soon as the words left her lips, the star on her wand came aglow and a pair of iridescent wings bloomed from her back. "What name will you take, Chiara Belmagio?" The answer was one she had toyed with ever since she'd considered the fairies' invitation. "The Blue Fairy." Blue was the color that brought her joy. The color of the walls of the music room where she and Ilaria had spent countless hours laughing and chasing each other and making music; the color of her father's eyes, like hers; the color of the sea where she and Niccolo took their little boat out when the weather was fair. Her dress shimmered with stardust. The pale color deepened into a warm and rich blue, and the fabric softened into gossamer silk. The threads stitched themselves into a gown worthy of a good fairy, turning her long sleeves into iridescent swaths of starlight. A beautiful yet understated uniform. Perfect for the new fairy. Only the ribbon she wore in her hair was the same as before. A reminder of Chiara Belmagio, daughter of Pariva.

Chikusho, I thought. This was the famous Imogen Kato, right here! She saw me and glanced down at the magazine I'd been looking at while waiting for my meeting with Chloe, open to the photo spread- of her. God, how embarrassing. I closed the magazine abruptly. It was definitely the same girl, although now her hair was platinum blond with dark roots instead of a mixture of auburn with honey and green apple-colored streaks. Beneath her plaid uniform skirt, she wore deep purple-and-blue-and-silver leggings that had prints of galloping gray unicorns, and over her blouse was a worn-out, oversize, cream-colored cardigan sweater with the belt tied to the side instead of center. Apparently, the uniform dress code was not that strict at this school.

I look through the crowd of people and somehow see him right away. He looks up at the same time and smiles as soon as our eyes meet. “Hey,” I say when we meet. He stops just inches from me and takes me in his arms, dipping me back a bit for a kiss. “Hey to you too.” He runs his hands over my arms.  “What’s this?” “Oh, I got you something.” “You did?” “I got it on a whim. I saw it at a market I walked through and thought—well, just look at it and you’llknow.” He takes the shopping bag from me and opens it up, pulling out a wool fedora. Looking it over, I worry he won’t get it. “Is this an Indiana Jones hat?” he asks. “Yes!” “I like it.” He smiles and puts it on, and even Harrison Ford would be jealous. “But, uh, why?” I lean back, staring at Archer like he just asked what color the sky is. “You’re Dr. Jones. Please do not tell me no one has ever said ‘okey-dokey Dr. Jones’ to you.” “It’s surprising now that you’ve pointed it out, but no, they haven’t.” He pulls me in and kisses me again. “Wait, there’s an Indiana Jones market going on?” “No, just some weird guy at a pop-up selling hats. He told me I had nice feet.” Archer chuckles. “I guess you do, though, in that dress, it’s hard to look past your tits.” I shimmy and wiggle my eyebrows. “That’s the point of a pushup bra.” 

she was going straight into Hollywood Station. 9 Ballard kept all her work suits in her locker at the station and dressed for her shifts after arriving each night. She had four different suits that followed the same cut and style but differed in color and pattern. She dry-cleaned them two at a time so that she always had a suit and a backup available. After arriving nearly eight hours early for her shift, Ballard changed into the gray suit that was her favorite. She accompanied it with a white blouse. She kept four white blouses and one navy in her locker as well. It was Friday and that meant Ballard was scheduled to work solo. She and Jenkins had to cover seven shifts a week, so Ballard took Tuesday to Saturday and Jenkins covered Sunday to Thursday, giving them three overlap days. When they took vacation time, their slots usually went unfilled. If a detective in the division was needed during the early-morning hours, then someone had to be called in from home. Working solo suited Ballard because she didn’t have to run decisions by her partner. On this day, if he had known what Ballard’s plan was, Jenkins would have put the kibosh on it. But because it was Friday, they would not be working together again until the following Tuesday, and she was clear to make her own moves. After suiting up, Ballard checked herself in the mirror over the locker room sinks. She combed her sun-streaked hair with her fingers. That was all she usually had to do. Constant immersion in salt water and exposure to the sun over years had left her with broken, flyaway hair that she kept no longer than chin length out of necessity. It went well with her tan and gave off a slightly butch look that reduced advances from other officers. Olivas had been an exception. Ballard squeezed some Visine drops into her eyes, which were red from the salt water. After that she was good to go. She went into the break room to brew a double-shot espresso on the Keurig. She would be operating now and through the night on less than three hours of sleep. She needed to start stacking caffeine. She kept her eye on the wall clock because she wanted to time her arrival in the detective bureau at shortly before four p.m., when she knew the lead detective in the CAPs unit would also be watching the clock, getting ready to split for the weekend. She had at least fifteen minutes to kill, so she went upstairs to the offices of the buy-bust team next to the vice unit. Major Narcotics was located downtown but each division operated

She pulled out a blue dress made of washed silk that was so soft it felt like skin. Size six. There was another dress in a champagne color- the same cut, very simple, a slip dress to just above the knee. There was a third outfit- a tank and skirt in the same silk, bottle green. "These are for me?" "Let's see how they look." She took the bag into the ladies' room and slipped the blue dress on over her bikini. It fell over Adrienne's body like a dress in a dream- and it would look even better when she had the right underwear. So here was her look. She checked the side of the shopping bag. The clothes had come from a store called Dessert, on India Street, and Adrienne recognized the name of the store as the one owned by the chef's wife, the redhead who had been so kind during soft opening. If you come in, I'd love to dress you, free of charge. So maybe Thatch didn't pay for these clothes. Still, it was weird. Weird that Thatcher had told her she needed a look, weird that he (or the redhead) had perfectly identified it, and weird that she now had to model it for him, proving him right. She stepped out into the dining room. He gazed at her. And then he gave a long, low whistle. That did it: Her face heated up, the skin on her arms tingled. She had never felt so desirable in all her life.

It was at that moment that I called in a few of the top Fidgeters who, under my directions, set about organizing the destruction of the young. The method is quite straightforward; the children are taken at the time when their intelligence is not yet fully developed, and their passions respond to the slightest stimulation; they are made to live in companies, dressed and armed uniformly, and by means of magic speeches and collective physical exercises, whose secret is ours alone, we give them what we call "the cult of the common ideal"; this is an absolute devotion to a loud-mouthed, authoritarian person, or to a particular form of dress, or to some catch phrase, or to a certain grouping of colors, or whatever. All we need then is to have here two opposing groups of young people (or more than two, but an even number is preferable) who have been kept at a high level of emotional tension; the sole precaution to take is to leave no time for their brains to function, but that's easy enough. Then (are you with me?) when they have reached just the right pitch, they are let loose on one another...and afterwards, we can breathe easy for a while. This, at the same time, occupies and enriches the manufacturers and sellers of uniforms and armaments, and the authors of tracts which recommend the uses of carnage, one of whom wrote recently: "The young man who is not killed in the flower of youth is not a young man, he is the old man of tomorrow.

I’m not married. I do not own a business. I am still working for the same people that I was thirteen years ago, still selling the same shoes for the same feet. All I know is types and colors of leather, cordovan wing tips, loafers, dress shoes, and sandals. I eat the same things from the same places. I go to see a movie once a month. I smoke the same brand of cigarettes as I did when I started back in 1940. Everything about me is predictable, routine, and regular. Now I am not so predictable. Now I have something that is neither routine nor regular, and I kind of like it.

With the forbidden dresses Etta didn’t even stop to consider whether they’d fit her figure or complement her coloring, and it was just the same with Joe.

What are we supposed to be doing?” Lonen whispered, though High Priestess Febe had left the room. “Meditating,” she hissed back. “Yes, I heard that part. What in Arill does that mean?” “Like… praying to your goddess. Silently,” she emphasized. He was quiet for a few breaths, no more. “Now what?” She tried to suppress the laugh, but failed so it choked out in a most unladylike sound. Lonen flashed a grin at her and she shook her head. “Keep doing it. And be quiet—she could come back at any time.” “Why would I keep doing something I already did?” “You’re supposed to be contemplating!” She tried to sound stern, but his complaints so closely echoed hers through the years that she couldn’t manage it. “Contemplate what?” he groused. “I already made the decision about the step I’m about to take. There’s no sense revisiting it.” “Then pretend. It won’t be that much longer.” He stayed quiet for a bit more, though he shifted restlessly, looking around the room and studying the various representations of the moons, looking at her from time to time. That insatiable curiosity of his built, feeding into her sgath, slowly intensifying. She was so keenly aware of him, she knew he’d speak the moment before he did. “You don’t mind?” he asked. “You talking when we’re supposed to be meditating?” “Do you always do what the temple tells you to do?” “Hardly ever,” she admitted. “But appearances are critical. Especially now.” He sighed and was quiet for a while. But his question remained between them, tugging at her like Chuffta pulling her braids when he wanted attention. And it might be some time before Febe returned. She reached out with her sgath to keep tabs on the high priestess, who was indeed still in one of the inner sanctums, no doubt also meditating and preparing herself for the ritual. “We have a little time and I’ll give us warning,” she relented. “Do I mind what?” “Not having a special dress, a big celebration. I don’t have a beah for you.” “What is a beah ?” “A Destrye gifts his bride with a beah and she wears it as a symbol of their marriage. I thought I’d have time to find something to stand in place of it until I can give you a proper one. And that we’d have time to change clothes.” “You look fine—I told you before.” “I look like a Báran,” he grumped, then glared, annoyance sparking when she giggled. “It’s not funny.” “Báran clothes look good on you,” she soothed, much as she would Chuffta’s offended dignity. Perhaps males of all species were the same. “Hey!” She ignored Chuffta’s indignant response. Lonen did look appealing in the silk pants and short-sleeved shirt, even though her sgath mainly showed her his exuberant masculine presence. “Well, you deserve something better than that robe,” he replied. “And more than this hasty ceremony. Arill knows, Natly went on enough about the details of planning…” He trailed off, chagrin coloring his thoughts. “Yeah,” she drawled. “Maybe better to not bring up your fiancée during our actual wedding ceremony.” “Former fiancée,” he corrected. “Really not even that. And this isn’t the ceremony yet—this is waiting around for it to start. My knees are getting sore.” “And here I thought you were the big, bad warrior.” “I am. Big, bad warriors don’t kneel. We charge about, swinging our weapons.” She laughed, shaking her head at him. That good humor of his flickered bright, charming her, banishing his perpetual anger to the shadowed corners of his aura. In the back of her mind, Febe moved. “She’s coming back. Not much longer. Try to school your thoughts.

Nyx was almost too much to take in. Looming over the chasm, she was a churning figure of ash and smoke, as big as the Athena Parthenos statue, but very much alive. Her dress was void black, mixed with the colors of a space nebula, as if galaxies were being born in her bodice. Her face was hard to see except for the pinpoints of her eyes, which shone like quasars. When her wings beat, waves of darkness rolled over the cliffs, making Annabeth feel heavy and sleepy, her eyesight dim. The goddess’s chariot was made of the same material as Nico di Angelo’s sword—Stygian iron—and pulled by two massive horses, all black except for their pointed silver fangs. The beasts’ legs floated in the abyss, turning from solid to smoke as they moved.

He was worth looking at. He wore a shaggy borsalino hat, a rough gray sports coat with white golf balls on it for buttons, a brown shirt, a yellow tie, pleated gray flannel slacks and alligator shoes with white explosions on the toes. From his outer breast pocket cascaded a show handkerchief of the same brilliant yellow as his tie. There were a couple of colored feathers tucked into the band of his hat, but he didn't really need them. Even on Central Avenue, not the quietest dressed street in the world, he looked about as inconspicuous as a tarantula on a slice of angel food.