Sam Wilson Quotes

May you fear no evil. ...And may evil fear you.

People who choose to be politicians tend to be people who need constant supervision.

Woodrow Wilson claimed that history endows us with the "invaluable mental power we call judgment.

(Sam) “Wait a minute … there are others like you?” He offered her his best grin, the one the ladies loved. “Honey, there’s no one like me.

Nubia is Wonder Woman’s Black twin sister, and Sam Wilson is a Black guy who used to be the Falcon but is now Captain America.

(Aiden) “Sam, honey, I can smell your scent when you’re at the other end of your house, on a different floor. I can feel your heartbeat in my head. Your blood … it’s in me, Sam, enriched from the meals I cook for you with my own hands. Believe me, baby, I’ll know you’re there. And I will never hurt you.

It's very hard to dispel your ignorance, if you retain your arrogance.

The best-lived lives still end.

That's not important,' he said, and when Detective Wilson said that, I was sure he didn't know the answer, 'not important' being just one of the things we call that which we don't know.

Just remember, Sam. Love is a rare and precious thing.” Mavis winked at Cinder before she deposited Nibbles into her walker basket and prepared to walk away. “And when it’s real, it’s more than just black-and-white.

I don’t have any beef against wealthy people enjoying superior food . . . I do have a beef against upper middle class NPR listeners strolling down to farmer’s markets as though they were earthy peasants in touch with the rhythms of the earth. Why are they in touch with the rhythms of the earth? Well, because they are wealthy enough to pay three times more for corn on the cob than a guy who lives in a trailer on the edge of town, works at the sawmill, and buys his corn on the cob at Sam’s Club, the Philistine (pp. 87-88)

Who the Sam Hill are you?” Oletta put her arm around my shoulders. “This here child is Cecelia Honeycutt, and she’s—” “White! Why’d you bring a white girl here?” I thought Oletta’s eyes would pop clean out of her head. “Sapphire June Wilson! Where on earth are your manners? Now, you apologize.” A nearly imperceptible smile flashed across Sapphire’s lips as she leaned back in her chair. “Apologize? For what? Ain’t my fault she’s white.” Oletta was appalled, but I laughed out loud. Though Sapphire continued to scald me with her stare, she pointed a bony finger at a chair and said, “Lawd, you’re white. But if you’ve gotta be here, then sit in the shade so you don’t hurt my eyes.

Sam Moore had scuffled his way into hosting a talent show at a nightclub, the King of Hearts, in his hometown of Miami. Dave Prater was a bread baker. Sam remembers that when Dave signed up for that week’s show, he was wearing his baker’s whites; wherever he walked, he left behind white flour shoe prints. At the auditions, Dave sang a Jackie Wilson song, “Doggin’ Around,” but realized he didn’t know the verses. Sam, whose job depended on selecting acts that would produce a good show, agreed to stay close during the performance and feed him the lines. But that night, Sam’s foot caught the microphone cable, and as the mike began to fall, Dave went down to catch it and Sam went down to catch Dave. Choreographers couldn’t have written it better: They came up together, singing and with the mike in hand. In that little mix-up, an act was born that would last the better part of twenty-two years and would remain forever a part of the public consciousness.

Sam Underwater, everything is quiet. Tranquil. Like heaven is all around you, caressing your body, pulling you into its embrace. Deeper and deeper, it pulls at your legs until they beg to be released. I hold my water-resistant camera in front of me and take multiple pictures of the cold depths of the ocean. Its beauty never fails to mesmerize me. But I can’t stay for too long; sooner or later, that urge to breathe always pulls me back to the surface toward the dark sky littered with a million flickering lights … back into the noise of swooshing water and rushing wind. The shore is mostly deserted, except for a few beer cans, party cups, and some clothes and trash lying scattered all around. The only other person there is Nate Wilson … the most handsome guy at school and so much more than that. He’s sitting on a few rocks near the edge of the beach with a girl by his side. I can’t stop watching. Their hands touch briefly, but then the wave overtakes me and blocks my view. When the water lowers, I shake my head, but the waves keep picking up. Still, I hold up my camera and take a few pictures. Right as he turns his head toward me, I dive underwater again. Here, there are no boys, no girls, and no secret touches. Just me and the water, and all the beautiful creatures below that need to meet my camera. A single picture says more than words ever will. No matter how powerful they are. Nate People say it only takes a few minutes for your life to be destroyed. I never believed them … until today. With just the snap of a finger, a stupid decision and a simple push, I marked my own fate. My body grows colder and colder the longer I stay in the water. It consumes me whole as I stray farther and farther away from myself. From reality. I’m so damn dizzy, but I can’t collapse here. Not now, not in the middle of the ocean. I take a deep breath and peel my eyes open, forcing myself to go. That’s when I spot her … the girl and her camera. FLASH. I cover my eyes with my hand. Salty seawater enters my nostrils and mouth as I struggle to swim. When I open my eyes again, the girl is gone; swallowed by the same waves that drag me back to the shore. As my feet sink into the sand and the water creeps up against my toes, I stop and turn around, clutching the long red hairs in my hand as though they’re my last lifeline. This is now the place where not only my life changed forever. But hers too.

American DEWAR FAMILY Cameron Dewar Ursula “Beep” Dewar, his sister Woody Dewar, his father Bella Dewar, his mother PESHKOV-JAKES FAMILY George Jakes Jacky Jakes, his mother Greg Peshkov, his father Lev Peshkov, his grandfather Marga, his grandmother MARQUAND FAMILY Verena Marquand Percy Marquand, her father Babe Lee, her mother CIA Florence Geary Tony Savino Tim Tedder, semiretired Keith Dorset OTHERS Maria Summers Joseph Hugo, FBI Larry Mawhinney, Pentagon Nelly Fordham, old flame of Greg Peshkov Dennis Wilson, aide to Bobby Kennedy Skip Dickerson, aide to Lyndon Johnson Leopold “Lee” Montgomery, reporter Herb Gould, television journalist on This Day Suzy Cannon, gossip reporter Frank Lindeman, television network owner REAL HISTORICAL CHARACTERS John F. Kennedy, thirty-fifth U.S. president Jackie, his wife Bobby Kennedy, his brother Dave Powers, assistant to President Kennedy Pierre Salinger, President Kennedy’s press officer Rev. Dr. Martin Luther King Jr., president of the Southern Christian Leadership Conference Lyndon B. Johnson, thirty-sixth U.S. president Richard Nixon, thirty-seventh U.S. president Jimmy Carter, thirty-ninth U.S. president Ronald Reagan, fortieth U.S. president George H. W. Bush, forty-first U.S. president British LECKWITH-WILLIAMS FAMILY Dave Williams Evie Williams, his sister Daisy Williams, his mother Lloyd Williams, M.P., his father Eth Leckwith, Dave’s grandmother MURRAY FAMILY Jasper Murray Anna Murray, his sister Eva Murray, his mother MUSICIANS IN THE GUARDSMEN AND PLUM NELLIE Lenny, Dave Williams’s cousin Lew, drummer Buzz, bass player Geoffrey, lead guitarist OTHERS Earl Fitzherbert, called Fitz Sam Cakebread, friend of Jasper Murray Byron Chesterfield (real name Brian Chesnowitz), music agent Hank Remington (real name Harry Riley), pop star Eric Chapman, record company executive German FRANCK FAMILY Rebecca Hoffmann Carla Franck, Rebecca’s adoptive mother Werner Franck, Rebecca’s adoptive father Walli Franck, son of Carla Lili Franck, daughter of Werner and Carla Maud von Ulrich, née Fitzherbert, Carla’s mother Hans Hoffmann, Rebecca’s husband OTHERS Bernd Held, schoolteacher Karolin Koontz, folksinger Odo Vossler, clergyman REAL HISTORICAL PEOPLE Walter Ulbricht, first secretary of the Socialist Unity Party (Communist) Erich Honecker, Ulbricht’s successor Egon Krenz, successor to Honecker Polish Stanislaw “Staz” Pawlak, army officer Lidka, girlfriend of Cam Dewar Danuta Gorski, Solidarity activist REAL HISTORICAL PEOPLE Anna Walentynowicz, crane driver Lech Wałesa, leader of the trade union Solidarity General Jaruzelski, prime minister Russian DVORKIN-PESHKOV FAMILY Tanya Dvorkin, journalist Dimka Dvorkin, Kremlin aide, Tanya’s twin brother Anya Dvorkin, their mother Grigori Peshkov, their grandfather Katerina Peshkov, their grandmother Vladimir, always called Volodya, their uncle Zoya, Volodya’s wife Nina, Dimka’s girlfriend OTHERS Daniil Antonov, features editor at TASS Pyotr Opotkin, features editor in chief Vasili Yenkov, dissident Natalya Smotrov, official in the Foreign Ministry

American DEWAR FAMILY Cameron Dewar Ursula “Beep” Dewar, his sister Woody Dewar, his father Bella Dewar, his mother PESHKOV-JAKES FAMILY George Jakes Jacky Jakes, his mother Greg Peshkov, his father Lev Peshkov, his grandfather Marga, his grandmother MARQUAND FAMILY Verena Marquand Percy Marquand, her father Babe Lee, her mother CIA Florence Geary Tony Savino Tim Tedder, semiretired Keith Dorset OTHERS Maria Summers Joseph Hugo, FBI Larry Mawhinney, Pentagon Nelly Fordham, old flame of Greg Peshkov Dennis Wilson, aide to Bobby Kennedy Skip Dickerson, aide to Lyndon Johnson Leopold “Lee” Montgomery, reporter Herb Gould, television journalist on This Day Suzy Cannon, gossip reporter Frank Lindeman, television network owner REAL HISTORICAL CHARACTERS John F. Kennedy, thirty-fifth U.S. president Jackie, his wife Bobby Kennedy, his brother Dave Powers, assistant to President Kennedy Pierre Salinger, President Kennedy’s press officer Rev. Dr. Martin Luther King Jr., president of the Southern Christian Leadership Conference Lyndon B. Johnson, thirty-sixth U.S. president Richard Nixon, thirty-seventh U.S. president Jimmy Carter, thirty-ninth U.S. president Ronald Reagan, fortieth U.S. president George H. W. Bush, forty-first U.S. president British LECKWITH-WILLIAMS FAMILY Dave Williams Evie Williams, his sister Daisy Williams, his mother Lloyd Williams, M.P., his father Eth Leckwith, Dave’s grandmother MURRAY FAMILY Jasper Murray Anna Murray, his sister Eva Murray, his mother MUSICIANS IN THE GUARDSMEN AND PLUM NELLIE Lenny, Dave Williams’s cousin Lew, drummer Buzz, bass player Geoffrey, lead guitarist OTHERS Earl Fitzherbert, called Fitz Sam Cakebread, friend of Jasper Murray Byron Chesterfield (real name Brian Chesnowitz), music agent Hank Remington (real name Harry Riley), pop star Eric Chapman, record company executive German FRANCK FAMILY Rebecca Hoffmann Carla Franck, Rebecca’s adoptive mother Werner Franck, Rebecca’s adoptive father Walli Franck, son of Carla Lili Franck, daughter of Werner and Carla Maud von Ulrich, née Fitzherbert, Carla’s mother Hans Hoffmann, Rebecca’s husband OTHERS Bernd Held, schoolteacher Karolin Koontz, folksinger Odo Vossler, clergyman REAL HISTORICAL PEOPLE Walter Ulbricht, first secretary of the Socialist Unity Party (Communist) Erich Honecker, Ulbricht’s successor Egon Krenz, successor to Honecker Polish Stanislaw “Staz” Pawlak, army officer Lidka, girlfriend of Cam Dewar Danuta Gorski, Solidarity activist REAL HISTORICAL PEOPLE Anna Walentynowicz, crane driver Lech Wałesa, leader of the trade union Solidarity General Jaruzelski, prime minister Russian DVORKIN-PESHKOV FAMILY Tanya Dvorkin, journalist Dimka Dvorkin, Kremlin aide, Tanya’s twin brother Anya Dvorkin, their mother Grigori Peshkov, their grandfather Katerina Peshkov, their grandmother Vladimir, always called Volodya, their uncle Zoya, Volodya’s wife Nina, Dimka’s girlfriend OTHERS Daniil Antonov, features editor at TASS Pyotr Opotkin, features editor in chief Vasili Yenkov, dissident Natalya Smotrov, official in the Foreign Ministry Nik Smotrov, Natalya’s husband Yevgeny Filipov, aide to Defense Minister Rodion Malinovsky Vera Pletner, Dimka’s secretary Valentin, Dimka’s friend Marshal Mikhail Pushnoy REAL HISTORICAL CHARACTERS Nikita Sergeyevitch Khrushchev, first secretary of the Communist Party of the Soviet Union Andrei Gromyko, foreign minister under Khrushchev Rodion Malinovsky, defense minister under Khrushchev Alexei Kosygin, chairman of the Council of Ministers Leonid Brezhnev, Khrushchev’s successor Yuri Andropov, successor to Brezhnev Konstantin Chernenko, successor to Andropov Mikhail Gorbachev, successor to Chernenko Other Nations Paz Oliva, Cuban general Frederik Bíró, Hungarian politician Enok Andersen, Danish accountant

You implied that the Panther was a token Negro. When we became aware of the lack of Negroes in our magazines, and decided to introduce them in our stories, don’t you think it would have looked rather foolish to suddenly have fifteen colored personalities appear and barnstorm through the books? As it is, we have T’Challa (the Panther), Joe Robertson and his son, Willie Lincoln, Sam Wilson (The Falcon), Gabe Jones, Dr. Noah Black (Centurius), and even a super-villain—The Man-Ape. In short, we think that we have approached a decent start with these characters.

Basically, Sam Phillips recorded Bill Haley, Johnny Cash, and all those other Memphis guys; Chuck Berry played the top two strings; Elvis appeared on The Ed Sullivan Show above the waist; the Beatles made all the girls squirm by singing about wanting to hold their “hands”; Ray Davies got lost in a sunset; Pete Townshend smashed his guitar; Brian Wilson heard magic in his head and made it come out of a studio; the Rolling Stones urinated on a garage door; and then (skipping a bit) you’ve got Joey Levine and Chapman-Chinn and Mott the Hoople and Iggy and the Runaways and KISS and the Pink Fairies and Rick Nielsen and Jonathan Richman and Johnny Ramone and Lemmy and the Young brothers and Cook and Jones and Pete Shelley and Feargal Sharkey and Rob Halford … and Foghat. You get what I’m saying. It didn’t happen in a vacuum, but it did happen, and now here we are in the aftermath.

So, you like cats?

To the monsters be monstrous. Be danger, and in all the world there can be no place called dangerous by the ones you love.

The Playwrights Unit offered writers an alternative to Broadway, where the financial stakes were high and led to creative decisions that weren’t necessarily based on artistic considerations. At the Unit money didn’t matter, because there wasn’t any. Audiences came to see works in progress by new playwrights, some destined for obscurity, others for fame. Among those in the latter category were Sam Shepard, Adrienne Kennedy, Lanford Wilson, and John Guare. Moss introduced every play, explaining that the work shouldn’t be judged as a finished product and that the audience reaction was part of the process. “I wasn’t apologizing,” he said, “just trying to set a lens through which people could look at the plays.

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… the vices and wickedness of the Secular Era, some of which still lingered, he said, in the cities of the East – irreligiosity, scepticism, occultism, depravity. And I thought of the ideas I had so casually imbibed from Julian and (indirectly) from Sam, some of which I had even begun to believe: Einsteinism, Darwinism, space travel …

Black Mary: Leroy. And John. And Cujoe. And Sam. And Robert. One after the other they come and they go. You can't hold on to none of them. They slip right through your hands. They use you up and you can't hold them. They all the time taking till it's gone. They ain't tried to put nothing to it. They ain't got nothing in their hand. They ain't got nothing to add to it. They too busy taking. They taking 'cause they need. You can't blame them for that. They so full of their needs they can't see you. Now here you come. You don't even know what you need. All you see is a woman. You can't see nothing else. You can't think nothing else. That blinds you. (Black Mary turns to him. A new thought occurs to her.) Okay, Mr. Citizen. I'll come to your room tonight. But the morning got to come, Mr. Citizen. What you got then? You tell me tomorrow. You wake up and look at your hands and see what you got. Citizen: I got me. That's all there is. Black Mary: That ain't never gonna be enough.

Today’s Children, The Woman in White, and The Guiding Light crossed over and interchanged in respective storylines.) June 2, 1947–June 29, 1956, CBS. 15m weekdays at 1:45. Procter & Gamble’s Duz Detergent. CAST: 1937 to mid-1940s: Arthur Peterson as the Rev. John Ruthledge of Five Points, the serial’s first protagonist. Mercedes McCambridge as Mary Ruthledge, his daughter; Sarajane Wells later as Mary. Ed Prentiss as Ned Holden, who was abandoned by his mother as a child and taken in by the Ruthledges; Ned LeFevre and John Hodiak also as Ned. Ruth Bailey as Rose Kransky; Charlotte Manson also as Rose. Mignon Schrieber as Mrs. Kransky. Seymour Young as Jacob Kransky, Rose’s brother. Sam Wanamaker as Ellis Smith, the enigmatic “Nobody from Nowhere”; Phil Dakin and Raymond Edward Johnson also as Ellis. Henrietta Tedro as Ellen, the housekeeper. Margaret Fuller and Muriel Bremner as Fredrika Lang. Gladys Heen as Torchy Reynolds. Bill Bouchey as Charles Cunningham. Lesley Woods and Carolyn McKay as Celeste, his wife. Laurette Fillbrandt as Nancy Stewart. Frank Behrens as the Rev. Tom Bannion, Ruthledge’s assistant. The Greenman family, early characters: Eloise Kummer as Norma; Reese Taylor and Ken Griffin as Ed; Norma Jean Ross as Ronnie, their daughter. Transition from clergy to medical background, mid-1940s: John Barclay as Dr. Richard Gaylord. Jane Webb as Peggy Gaylord. Hugh Studebaker as Dr. Charles Matthews. Willard Waterman as Roger Barton (alias Ray Brandon). Betty Lou Gerson as Charlotte Wilson. Ned LeFevre as Ned Holden. Tom Holland as Eddie Bingham. Mary Lansing as Julie Collins. 1950s: Jone Allison as Meta Bauer. Lyle Sudrow as Bill Bauer. Charita Bauer as Bert, Bill’s wife, a role she would carry into television and play for three decades. Laurette Fillbrandt as Trudy Bauer. Glenn Walken as little Michael. Theo Goetz as Papa Bauer. James Lipton as Dr. Dick Grant. Lynn Rogers as Marie Wallace, the artist.

Why are you sticking up for Dad? Yet you were being mean to Mike who’s ever so nice. And being mean to me too.’ ‘I’m not being mean. Don’t be so childish.’ ‘I’m a child, how else am I supposed to act? And you are being horribly mean. Why are you being so nasty, even saying Sam and Lily are stupid.’ ‘Well they are. And you’re stupid being so obsessed with them. You’re a big baby,’ said Mum. ‘I am not,’ I said, and I shoved her, hard. She was still squatting and so she lost her balance. She fell backwards, legs in the air. ‘Don’t you dare hit me!’ she said. ‘Do that again and I’ll hit you right back.’ ‘I didn’t hit you, I just shoved. This is a hit,’ I said, and I punched her shoulder. It was only a token punch, a feeble little tap, but Mum smacked me hard on my leg. I stared at her, shocked. She’d never ever smacked me before. Mum seemed stunned too. Her face suddenly crumpled and she burst into tears. ‘I don’t know why you’re crying. I’m the one who should be crying – that really hurt,’ I said. ‘I’m sorry,’ Mum sobbed, her head in her hands. She cried and cried. I edged closer and then put my arm round her. She cried even harder, clinging to me. ‘Oh, Beauty, I’m so sorry,’ she gasped. ‘How could I have slapped you like that? You’re right, I was being horribly mean. It’s just I’m so scared. I don’t know what to do for the best. I was awake half the night

Even if they were able to change everything about that night, he and Glory had made enough mistakes together to learn that some of the darkest deeds in history accidentally handed victory to goodness. And when he had randomly doled out preemptive justice to villains before their villainy occurred, trying to make every past moment a paradise, he could accidentally tip the scales the wrong way. Retribution was for the end of time, and final justice was well beyond both his wisdom and authority.

Because you have never been in this moment before and there is no reason for you to be in this moment now. From here, you go elsewhere.

Fatboy Sam.

Rather than a collection of static traits that we can use to classify people, Mischel argued, personality is better conceived as a set of unique cognitive and affective variables that determine how people construe the situation. People have chronic ways of interpreting and evaluating different situations, and it is these interpretations that influence their behavior. Barbara’s cognitive and affective personality system causes her to feel threatened when she suffers academic setbacks, and it is then that she is most likely to act aggressively. Sam’s cognitive and affective personality system causes him to feel threatened when he perceives that he is being ignored by significant others, and that is when he is most likely to act aggressively. According to this view it makes little sense to try to classify how aggressive Barbara and Tom are on a single trait dimension; instead, we must understand how each person interprets and understands a social situation and acts accordingly.

There is some evidence that supports this startling conclusion. First, the correspondence between people’s ratings of their own personality and other people’s ratings of their personality is not very high. It depends somewhat on the trait; for example, people tend to agree with others about how extraverted they are, but on most other personality traits the level of agreement is modest (correlations in the range of .40). Thus, Suzie’s judgment of how agreeable and conscientious she is correlates only modestly with how agreeable and conscientious her friends think she is. Furthermore, other people agree more among themselves about what another person is like than they agree with that person’s own ratings. Jane, Bob, Sam, and Denisha are likely to agree more with each other about how agreeable and conscientious Suzie is than they are to agree with Suzie. But who is more “right”?