Give N Take Quotes

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I remembered what it is I like about sex: what I like about sex is that I can lose myself in it entirely. Sex, in fact, is the most absorbing activity I have discovered in adulthood. When I was a child I used to feel this way about all sorts of things—Legos, The Jungle Book, The Hardy Boys, The Man from U.N.C.L.E., Saturday morning cartoons...I could forget where I was, the time of day, who I was with. Sex is the only thing I've found like that as a grown-up, give or take the odd film: books are no longer like that once you're out of your teens, and I've certainly never found it in my work. All the horrible pre-sex self-consciousness drains out of me, and I forget where I am, the time of day...and yes, I forget who I'm with, for the time being.
Nick Hornby (High Fidelity)
FORBIDDEN Pain without learning is forbidden, waking up one day not knowing what to do, being afraid of your memories. It is forbidden not to smile at problems, not to fight for what you want, to abandon all because of fears, not to realize your dreams. It is forbidden not to show your love, to be ashamed of your tears, to not laugh with children, to make someone else pay your debts, bad humor. It is forbidden to forget your friends, to not try to understand why they live far away, to treat people as disposable, to call them only when you need them. It is forbidden to not be yourself in front of others, pretending around people you don’t care about, trying to be funny just so you'll be remembered, to forget about all the people who love you. It is forbidden not to do things for yourself, to be afraid of life and its commitments, to not to live each day as if it were your last. It forbidden to take someone out without having fun, to forget their eyes, their laugh, to not respect love even if it is past, just because your paths have stopped crossing, to forget your past and only live in the moment. It is forbidden not to try to understand people, to think that other’s lives are worth more than yours, to not know that each one of us has our own way and our own happiness. It is forbidden not create your own story, to have no time for people who need you, to not understand what life gives to you, and that it can also be taken away. It is forbidden not find your happiness, to not live your life with a positive attitude, to not think we can do better and be better, to feel that without you, this world would still be the same...
José N. Harris (Mi Vida)
Unless a person can give reasons, there is, literally, no reason why anyone else should take that person seriously. But without reasons, all we are left with is emotional blackmail. We sometimes call it 'moral blackmail,' but it has nothing to do with morals, only with the implied juvenile threat of having a tantrum unless everyone else gives in.
N.T. Wright
Just you, Lily. Give me your hand," he said, taking one of his off the wheel and glancing quickly at me." "Why?" I asked suspiciously. "Because I want to arm wrestle. Because I want to hold it, you nutty broad. Why do you think?" I reached out and grabbed his hand and he squeezed mine gently.
N.M. Silber (Legal Briefs (Lawyers in Love, #3))
History is ending because the dominator culture has led the human species into a blind alley, and as the inevitable chaostrophie approaches, people look for metaphors and answers. Every time a culture gets into trouble it casts itself back into the past looking for the last sane moment it ever knew. And the last sane moment we ever knew was on the plains of Africa 15,000 years ago rocked in the cradle of the Great Horned Mushroom Goddess before history, before standing armies, before slavery and property, before warfare and phonetic alphabets and monotheism, before, before, before. And this is where the future is taking us because the secret faith of the twentieth century is not modernism, the secret faith of the twentieth century is nostalgia for the archaic, nostalgia for the paleolithic, and that gives us body piercing, abstract expressionism, surrealism, jazz, rock-n-roll and catastrophe theory. The 20th century mind is nostalgic for the paradise that once existed on the mushroom dotted plains of Africa where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are. And why does this matter? It matters because it shows that the way out is back and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity. And I tell you this because if the community understands what it is that holds it together the community will be better able to streamline itself for flight into hyperspace because what we need is a new myth, what we need is a new true story that tells us where we're going in the universe and that true story is that the ego is a product of pathology, and when psilocybin is regularly part of the human experience the ego is supressed and the supression of the ego means the defeat of the dominators, the materialists, the product peddlers. Psychedelics return us to the inner worth of the self, to the importance of the feeling of immediate experience - and nobody can sell that to you and nobody can buy it from you, so the dominator culture is not interested in the felt presence of immediate experience, but that's what holds the community together. And as we break out of the silly myths of science, and the infantile obsessions of the marketplace what we discover through the psychedelic experience is that in the body, IN THE BODY, there are Niagaras of beauty, alien beauty, alien dimensions that are part of the self, the richest part of life. I think of going to the grave without having a psychedelic experience like going to the grave without ever having sex. It means that you never figured out what it is all about. The mystery is in the body and the way the body works itself into nature. What the Archaic Revival means is shamanism, ecstacy, orgiastic sexuality, and the defeat of the three enemies of the people. And the three enemies of the people are hegemony, monogamy and monotony! And if you get them on the run you have the dominators sweating folks, because that means your getting it all reconnected, and getting it all reconnected means putting aside the idea of separateness and self-definition through thing-fetish. Getting it all connected means tapping into the Gaian mind, and the Gaian mind is what we're calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet. And without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set, and that's the idea; figuring out how to reset the compass of the self through community, through ecstatic dance, through psychedelics, sexuality, intelligence, INTELLIGENCE. This is what we have to have to make the forward escape into hyperspace.
Terence McKenna
E-V-E-R-Y-T-H-I-N-G—is connected. The soil needs rain, organic matter, air, worms and life in order to do what it needs to do to give and receive life. Each element is an essential component. “Organizing takes humility and selflessness and patience and rhythm while our ultimate goal of liberation will take many expert components. Some of us build and fight for land, healthy bodies, healthy relationships, clean air, water, homes, safety, dignity, and humanizing education. Others of us fight for food and political prisoners and abolition and environmental justice. Our work is intersectional and multifaceted. Nature teaches us that our work has to be nuanced and steadfast. And more than anything, that we need each other—at our highest natural glory—in order to get free.
Adrienne Maree Brown (Emergent Strategy: Shaping Change, Changing Worlds)
you give me much more of your sass I'll take and bounce a rock off'n your head.
Mark Twain (The Adventures of Tom Sawyer)
I ain’t everybody, and I can’t stand it. It’s awful to be tied up so. And grub comes too easy – I don’t take no interest in vittles, that way. […] Looky-here, Tom, being rich ain’t what it’s cracked out to be. It’s just worry and worry, and sweat and sweat, and a-wishing you was dead all the time. […] now you just take my sheer of it along with your’n, and gimme a ten-center sometimes – not many times, becuz I don’t give a dern for a thing ‘thout it’s tollable hard to git. […] No, Tom, I won’t be rich, and I won’t live in them cussed smothery houses. I like the woods, and the river, and hogsheads, and I’ll stick to ‘em, too.
Mark Twain (The Adventures of Tom Sawyer)
Do not cry to me. I can only cry with you. I will not die for you. I am still too young in the meaning of love. Talk to the Fool, to the one who left a throne to enter an anthill. He will enter your shadow. It cannot taint HIm. He has done it before. His holiness is not fragile. It burns like a father to the sun. Touch His skin, put your hand in His side. He has kept His scars when He did not have to. Give Him your pain and watch it overwhelmed, burned away in the joy He takes in loving. In stooping.
N.D. Wilson
Each of us, has inside of us, a basic decency and goodness. If we listen to it and act on it, we can give a great deal of what it is the world needs most. It's not complicated but it takes courage. It takes courage to listen to our own goodness and act on it.
José N. Harris
Take note and give thanks for all the good things present in your life.
Amey Hegde (Inspire To Reach Higher Lite Edition: A-Z Empowering Quotes That I.N.S.P.I.R.E.)
When it comes to stupid people, fuck ’em. Stupid situations: fuck it.” “Fuck it” is not a replacement for “I give up.” It’s another way to say, Step back, give it a rest, take a break.
Mary Forsberg Weiland (Fall to Pieces: A Memoir of Drugs, Rock 'n' Roll, and Mental Illness)
Childhood went by enjoying 'Merry Go Round'.. but this life's 'Go Round' is not Merrier at all.. the path of life is taking me back to the same point.. again n again.. just to refresh my wounds.. n give me new pain n ache.. !!!
Abhijeet Sawant
Time hath, my lord, a wallet at his back, Wherein he puts alms for oblivion, A great-sized monster of ingratitudes: Those scraps are good deeds past; which are devour'd As fast as they are made, forgot as soon As done: perseverance, dear my lord, Keeps honour bright: to have done is to hang Quite out of fashion, like a rusty mail In monumental mockery. Take the instant way; For honour travels in a strait so narrow, Where one but goes abreast: keep then the path; For emulation hath a thousand sons That one by one pursue: if you give way, Or hedge aside from the direct forthright, Like to an enter'd tide, they all rush by And leave you hindmost; Or like a gallant horse fall'n in first rank, Lie there for pavement to the abject rear, O'er-run and trampled on: then what they do in present, Though less than yours in past, must o'ertop yours; For time is like a fashionable host That slightly shakes his parting guest by the hand, And with his arms outstretch'd, as he would fly, Grasps in the comer: welcome ever smiles, And farewell goes out sighing. O, let not virtue seek Remuneration for the thing it was; For beauty, wit, High birth, vigour of bone, desert in service, Love, friendship, charity, are subjects all To envious and calumniating time.
William Shakespeare (Troilus and Cressida)
The choice is yours.Either way, I will be faultless. So ask yourself, would you rather take credit for an eyesore or for a work of art?" His speech complete, he sank onto the sofa, stretching his arms out across its back, a grin spreading across his face. I had not thought this through, that much was evident, but now that I had commenced it, I would not give n to him. "You could change. More easily than could I." "True," he ackowledged with a chuckle. "But I look perfect." "Well,I'm sure you could look perfect in something else." "Oh,doubtless, but why duplicate what is perfect when one could improve what is not?" I wanted to kill him. I wanted to close that infuriatingly divine mouth once and for all, and if ending his life were the way to do it, I was willing to take that step.Instead, I took a deep breath and tried again. "If I change, my hair will be ruined." "You know,dear, something really should be done about your hair in any case. I told you to wear it down. And mind you switch tiaras." "We're almost last as it is," blustered, trying to keep my tone civil, thought inside I was burning. "You could change more quickly." "Not necessarily.You already know the gown into which you will change. I would have to search for something less elegant to match the dress you have on, but still formal enough for the occasion. And honestly,have you ever seen me in anything that might go with sky blue?" I fell silent, for as much as I hated to admit it, he had a valid argument. He generally wore dark or rich colors, nothing similar to my gown. I despised myself for what I was about to do. "I'll wait," Steldor said, accurately reading my expression.
Cayla Kluver (Allegiance (Legacy, #2))
I grind down on his cock and take everything he gives me, in my ass, in my mouth. He swells inside me, lurching, hot and heavy.
N.R. Walker (Best of Both Worlds)
Ya live your life like it's a coma So won't you tell me why we'd wanna With all the reasons you give it's It's kinda hard to believe But who am I to tell you that I've Seen any reason why you should stay Matbe we'd be better off Without you anyway You got a one way ticket On your last chance ride Gotta one way ticket To your suicide Gotta one way ticket An there's no way out alive An all this crass communication That has left you in the cold Isn't much for consolation When you feel so weak and old But is home is where the heart is Then there's stories to be told No you don't need a doctor No one else can heal your soul Got your mind in submission Got your life on the line But nobody pulled the trigger They just stepped aside They be down by the water While you watch 'em waving goodbye They be callin' in the morning They be hangin' on the phone They be waiting for an answer When you know nobody's home And when the bell's stopped ringing It was nobody's fault but your own There were always ample warnings There were always subtle signs And you would have seen it comin' But we gave you too much time And when you said That no one's listening Why'd your best friend drop a dime Sometimes we get so tired of waiting For a way to spend our time An "It's so easy" to be social "It's so easy" to be cool Yeah it's easy to be hungry When you ain't got shit to lose And I wish that I could help you With what you hope to find But I'm still out here waiting Watching reruns of my life When you reach the point of breaking Know it's gonna take some time To heal the broken memories That another man would need Just to survive Guns N’ Roses, “Coma” (1991)
Guns N' Roses (Use Your Illusion I (Bass Guitar, with Tablature))
Just at this point of my progress, Mr. Auld found out what was going on, and at once forbade Mrs. Auld to instruct me further, telling her, among other things, that it was unlawful, as well as unsafe, to teach a slave to read. To use his own words, further, he said, "If you give a [n****r] an inch, he will take an ell. A [n****r] should know nothing but to obey his master--to do as he is told to do. Learning would spoil the best [n****r] in the world. Now," said he, "if you teach that [n****r] (speaking of myself) how to read, there would be no keeping him. It would forever unfit him to be a slave. He would at once become unmanageable, and of no value to his master. As to himself, it could do him no good, but a great deal of harm. It would make him discontented and unhappy.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
Tell me the truth. Tell me you’re not giving up on us just because things are complicated. Tell me you’ll fight for us. Tell me you’ll do whatever it fucking takes to keep me. Tell me you can’t see yourself with another man.” ... “Tell me you’re mine.
J.B. Salsbury (Strike a Chord (Love, Hate, Rock-n-Roll, #4))
He's not a parasite if she needs him, too, and if she gives what he will not take. (One day soon, she will learn the word symbiosis and nod, pleased to have a name for it at last. But long before that, she will have already decided that family will do.)
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
How about if I take you home and give you some insight into the male libido?" Tage asked, giving her a wicked smile. "Typical. Fix everything with sex." "You mean sex doesn't fix everything? I thought it was right up there with duct tape and wood glue.
Shari Copell (Wild Angel (Rock'n Tapestries, #2))
THE SHEEPDOGS Most humans truly are like sheep Wanting nothing more than peace to keep To graze, grow fat and raise their young, Sweet taste of clover on the tongue. Their lives serene upon Life’s farm, They sense no threat nor fear no harm. On verdant meadows, they forage free With naught to fear, with naught to flee. They pay their sheepdogs little heed For there is no threat; there is no need. To the flock, sheepdog’s are mysteries, Roaming watchful round the peripheries. These fang-toothed creatures bark, they roar With the fetid reek of the carnivore, Too like the wolf of legends told, To be amongst our docile fold. Who needs sheepdogs? What good are they? They have no use, not in this day. Lock them away, out of our sight We have no need of their fierce might. But sudden in their midst a beast Has come to kill, has come to feast The wolves attack; they give no warning Upon that calm September morning They slash and kill with frenzied glee Their passive helpless enemy Who had no clue the wolves were there Far roaming from their Eastern lair. Then from the carnage, from the rout, Comes the cry, “Turn the sheepdogs out!” Thus is our nature but too our plight To keep our dogs on leashes tight And live a life of illusive bliss Hearing not the beast, his growl, his hiss. Until he has us by the throat, We pay no heed; we take no note. Not until he strikes us at our core Will we unleash the Dogs of War Only having felt the wolf pack’s wrath Do we loose the sheepdogs on its path. And the wolves will learn what we’ve shown before; We love our sheep, we Dogs of War. Russ Vaughn 2d Bn, 327th Parachute Infantry Regiment 101st Airborne Division Vietnam 65-66
José N. Harris
Even when you love with all you are, life will demand parts of your heart and soul. Sometimes, life takes more than you think you have to give. The question then becomes, Great Cat of the Nation of Swiftborne, when life rips out your heart and drops it at your feet, what will you do?
N.D. Jones (Mafdet's Claws (Feline Nation #2))
28“Are you having a real struggle? Come to me! Are you carrying a big load on your back? Come to me—I’ll give you a rest! 29Pick up my yoke and put it on; take lessons from me! My heart is gentle, not arrogant. You’ll find the rest you deeply need. 30My yoke is easy to wear; my load is easy to bear.
N.T. Wright (The Kingdom New Testament: A Contemporary Translation)
I HAD TO GO to America for a while to give some talks. Going to America always does me good. It’s where I’m from, after all. There’s baseball on the TV, people are friendly and upbeat, they don’t obsess about the weather except when there is weather worth obsessing about, you can have all the ice cubes you want. Above all, visiting America gives me perspective. Consider two small experiences I had upon arriving at a hotel in downtown Austin, Texas. When I checked in, the clerk needed to record my details, naturally enough, and asked for my home address. Our house doesn’t have a street number, just a name, and I have found in the past that that is more deviance than an American computer can sometimes cope with, so I gave our London address. The girl typed in the building number and street name, then said: “City?” I replied: “London.” “Can you spell that please?” I looked at her and saw that she wasn’t joking. “L-O-N-D-O-N,” I said. “Country?” “England.” “Can you spell that?” I spelled England. She typed for a moment and said: “The computer won’t accept England. Is that a real country?” I assured her it was. “Try Britain,” I suggested. I spelled that, too—twice (we got the wrong number of T’s the first time)—and the computer wouldn’t take that either. So I suggested Great Britain, United Kingdom, UK, and GB, but those were all rejected, too. I couldn’t think of anything else to suggest. “It’ll take France,” the girl said after a minute. “I beg your pardon?” “You can have ‘London, France.’ ” “Seriously?” She nodded. “Well, why not?” So she typed “London, France,” and the system was happy. I finished the check-in process and went with my bag and plastic room key to a bank of elevators a few paces away. When the elevator arrived, a young woman was in it already, which I thought a little strange because the elevator had come from one of the upper floors and now we were going back up there again. About five seconds into the ascent, she said to me in a suddenly alert tone: “Excuse me, was that the lobby back there?” “That big room with a check-in desk and revolving doors to the street? Why, yes, it was.” “Shoot,” she said and looked chagrined. Now I am not for a moment suggesting that these incidents typify Austin, Texas, or America generally or anything like that. But it did get me to thinking that our problems are more serious than I had supposed. When functioning adults can’t identify London, England, or a hotel lobby, I think it is time to be concerned. This is clearly a global problem and it’s spreading. I am not at all sure how we should tackle such a crisis, but on the basis of what we know so far, I would suggest, as a start, quarantining Texas.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
eggs." "You're a liar!" "You're another." "You're a fighting liar and dasn't take it up." "Aw—take a walk!" "Say—if you give me much more of your sass I'll take and bounce a rock off'n your head." "Oh, of course you will." "Well I will." "Well why don't you do it then? What do you keep saying you will for? Why don't you do it? It's because you're afraid." "I ain't afraid." "You are.
Mark Twain (Tom Sawyer Collection)
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?" Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips. He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?" "N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you." His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse." Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?" "No." Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain." "Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied." She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?" He kissed her then. Really kissed her. He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly. And she was lost. Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
And with all this we lift up our eyes and realize that when the New Testament tells us the meaning of the cross, it gives us not a system, but a story; not a theory, but a meal and an act of humble service; not a celestial mechanism for punishing sin and taking people to heaven, but an earthly story of a human Messiah who embodies and incarnates Israel’s God and who unveils his glory in bringing his kingdom to earth as in heaven.
N.T. Wright (The Day the Revolution Began: Reconsidering the Meaning of Jesus's Crucifixion)
And criticism - what place is that to have in our culture? Well, I think that the first duty of an art critic is to hold his tongue at all times, and upon all subjects: C'EST UN GRAND AVANTAGE DE N'AVOIR RIEN FAIT, MAIS IL NE FAUT PAS EN ABUSER. It is only through the mystery of creation that one can gain any knowledge of the quality of created things. You have listened to PATIENCE for a hundred nights and you have heard me for one only. It will make, no doubt, that satire more piquant by knowing something about the subject of it, but you must not judge of aestheticism by the satire of Mr. Gilbert. As little should you judge of the strength and splendour of sun or sea by the dust that dances in the beam, or the bubble that breaks on the wave, as take your critic for any sane test of art. For the artists, like the Greek gods, are revealed only to one another, as Emerson says somewhere; their real value and place time only can show. In this respect also omnipotence is with the ages. The true critic addresses not the artist ever but the public only. His work lies with them. Art can never have any other claim but her own perfection: it is for the critic to create for art the social aim, too, by teaching the people the spirit in which they are to approach all artistic work, the love they are to give it, the lesson they are to draw from it.
Oscar Wilde (The English Renaissance of Art)
It made my eyes water a little to remember her crying there all by herself in the night, and them devils laying there right under her own roof, shaming her and robbing her; and when I folded it up and give it to her I see the water come into her eyes, too; and she shook me by the hand, hard, and says: “Good-bye. I’m going to do everything just as you’ve told me; and if I don’t ever see you again, I sha’n’t ever forget you and I’ll think of you a many and a many a time, and I’ll pray for you, too!”—and she was gone. Pray for me! I reckoned if she knowed me she’d take a job that was more nearer her size. But I bet she done it, just the same—she was just that kind. She had the grit to pray for Judus if she took the notion—there warn’t no back-down to her, I judge. You may say what you want to, but in my opinion she had more sand in her than any girl I ever see; in my opinion she was just full of sand. It sounds like flattery, but it ain’t no flattery. And when it comes to beauty—and goodness, too—she lays over them all. I hain’t ever seen her since that time that I see her go out of that door; no, I hain’t ever seen her since, but I reckon I’ve thought of her a many and a many a million times, and of her saying she would pray for me; and if ever I’d a thought it would do any good for me to pray for her, blamed if I wouldn’t a done it or bust.
Mark Twain (The Adventures of Huckleberry Finn)
Michelle: Phone. That had to be my phone waking me up. My hand swept across the nightstand until it found the vibrating hunk of silicone. "Hello." "Michelle, It's Gordon from the Cobb County Sheriff's Office. We need you to deal with some illegally bred magical creatures." The sound of barking and shouting followed his voice. "What are they?" "We don't know. I can tell you what they look like. Henri was one of the responding and he's never heard of these things. I think they're new." Blech. I rolled out of bed to start getting dressed. Henri was an old vampire. I'm not sure how old. But old enough to take his word on something like this. "Gordon, tell me what these things look like." "I'd say someone found the stupidest chihuahua in the city and then did something to give it wings and magic." "Great! How do I get there?" I wrote down the address and a few directions. "That's the mayor's place, isn't it? "Yep and he's not happy.
N.E. Conneely (Witch for Hire (A Witch's Path, #1))
What I hate is myself – when I think that one has to take so much, to be happy, out of the lives of others, and that one is n’t happy even then. One does it to cheat one’s self and to stop one’s mouth – but that’s only at the best for a little. The wretched self is always there, always making one somehow a fresh anxiety. What it comes to is that it’s not, that it’s never, a happiness, any happiness at all, to take. The only safe thing is to give. It’s what plays you least false.
Henry James (The Ambassadors)
You must always believe. Stay strong. Faith moves mountains. Don't be a bystander in life. No. Take it by the reins. Lay it down beneath you like a woman, a real woman with curves like a prayer pillow. Embrace it gentlly, at other times intensely. Seek out the source of life, where it pulsates, where it burns hot and humid, here, there, everywhere. The world is yours for the taking. Learn to feel out the world. Always give the best of yourself. Bite into it and don't hold back. Fear; leave it behind, far away from you. It will pass through you and continue its course. Walk like a God among men. Always consider what your actions say about you. Every steps resonates; yours levitate! Be mindful of the the way you carry yourself, especially when life punches you right in the heart, your body. Spit violently on the ground if you have to. Turn a deaf-ear to the mean-spirited and narrow-minded. They can only drag you into the lair of regrets, jealousy and resentement.
Wilfried N'Sondé (The Heart of the Leopard Children (Global African Voices))
SHORT NOTE ABOUT SHA-1 A lot of people become concerned at some point that they will, by random happenstance, have two objects in their repository that hash to the same SHA-1 value. What then? If you do happen to commit an object that hashes to the same SHA-1 value as a previous object in your repository, Git will see the previous object already in your Git database and assume it was already written. If you try to check out that object again at some point, you’ll always get the data of the first object. However, you should be aware of how ridiculously unlikely this scenario is. The SHA-1 digest is 20 bytes or 160 bits. The number of randomly hashed objects needed to ensure a 50% probability of a single collision is about 280 (the formula for determining collision probability is p = (n(n-1)/2) * (1/2^160)). 280 is 1.2 x 10^24 or 1 million billion billion. That’s 1,200 times the number of grains of sand on the earth. Here’s an example to give you an idea of what it would take to get a SHA-1 collision. If all 6.5 billion humans on Earth were programming, and every second, each one was producing code that was the equivalent of the entire Linux kernel history (3.6 million Git objects) and pushing it into one enormous Git repository, it would take roughly 2 years until that repository contained enough objects to have a 50% probability of a single SHA-1 object collision. A higher probability exists that every member of your programming team will be attacked and killed by wolves in unrelated incidents on the same night.
Scott Chacon (Pro Git)
A peels an apple, while B kneels to God, C telephones to D, who has a hand On E’s knee, F coughs, G turns up the sod For H’s grave, I do not understand But J is bringing one clay pigeon down While K brings down a nightstick on L’s head, And M takes mustard, N drives to town, O goes to bed with P, and Q drops dead, R lies to S, but happens to be heard By T, who tells U not to fire V For having to give W the word That X is now deceiving Y with Z, Who happens, just now to remember A Peeling an apple somewhere far away.
Howard Nemerov
Notice that if , then and , whereas if , then and . (a) If is absolutely convergent, show that both of the series and are convergent. (b) If is conditionally convergent, show that both of the series and are divergent. 44. Prove that if is a conditionally convergent series and is any real number, then there is a rearrangement of whose sum is . [Hints: Use the notation of Exercise 43. an an 0 a n an 0 an an 0 an 0 an an an a n an an a n an r an r Take just enough positive terms so that their sum is greater than . Then add just enough negative terms so that the cumulative sum is less than . Continue in this manner and use Theorem 11.2.6.] 45. Suppose the series is conditionally convergent. (a) Prove that the series is divergent. (b) Conditional convergence of is not enough to determine whether is convergent. Show this by giving an example of a conditionally convergent series such that converges and an example where diverges. r an r an n 2 an an nan nan nan an We now have several ways of testing a series for convergence
James Stewart (Calculus: Early Transcendentals)
I think it's that you're too white - too pure and white. You must not understand how heartless it is to tell foolish people it's ok to be foolish, how cruel it is to tell crappy people it's ok to be crappy - and you don't even attempt to understand why seeing defects and calling them viruses is sheer malice. You don't have a clue about how irreversibly damaging it is to affirm something that's negative. You can't accept everything. If you did, no one would bother trying anymore. They'd lose the will to improve - but you aren't the least bit wary of foolishness or crappyness. You always run straight off to do the right think knowing that people are going to try to take advantage of you because you don't pay the fact any mind, and you try to act ethically even though you know it makes you stick out like a sore thumb. What could be more frightening than that? I'm impressed that you've managed to live your life on such a razor's edge and still be in sound health. I'll give you that. So in conclusion, you're not a good person, you're not a saint, you're not a holy mother - you're just dull when it comes to darkness. That just makes you... a failure as a creature.
NisiOisiN (猫物語 (白) [Nekomonogatari] (Bakemonogatari, #4, Part 2))
6Say therefore to the people of Israel,  m ‘I am the LORD, and  n I will bring you out from under the burdens of the Egyptians, and I will deliver you from slavery to them, and  o I will redeem you with an outstretched arm and with great acts of judgment. 7I  p will take you to be my people, and  q I will be your God, and you shall know that  m I am the LORD your God, who has brought you out  n from under the burdens of the Egyptians. 8I will bring you into  r the land that I  s swore to give to Abraham, to Isaac, and to Jacob. I will give it to you for a possession.  m I am the LORD.
Anonymous (Holy Bible: English Standard Version (ESV))
Those who came before me did not take for granted the world in which they lived. They blessed the air with smoke and pollen. They touched the ground, the trees, the stones with respect and reverence. I believe that they imagined me before I was born, that they prepared the way for me, that they placed their faith and hope in me and in the generations that followed and will follow them. Will I give my children an inheritance of the earth? Or will I give them less than I was given? On one side of time there are herds of buffalo and antelope. Redbud trees and chokecherries splash color on the plain. The waters are clear, and there is a glitter on the early morning grass. You breathe in the fresh fragrances of rain and wind on which are borne silence and serenity. It is good to be alive in this world. But on the immediate side there is the exhaust of countless machines, toxic and unavoidable. The planet is warming, and the northern ice is melting. Fires and floods wreak irresistible havoc. The forests are diminished and waste piles upon us. Thousands of species have been destroyed. Our own is at imminent risk. The earth and its inhabitants are in crisis, and at the center it is a moral crisis. Man stands to repudiate his humanity. I make a prayer for words. Let me say my heart
N. Scott Momaday (Earth Keeper: Reflections on the American Land)
Ethics has three levels, the good for self, the good for others, and the good for the transcendent purpose of a life.1 The good for self is the prudence by which you self-cultivate, learning to play the cello, say, or practicing centering prayer. Self-denial is not automatically virtuous. (How many self-denying mothers does it take to change a lightbulb? None: I’ll just sit here in the dark.) The good for a transcendent purpose is the faith, hope, and love to pursue an answer to the question “So what?” The family, science, art, the football club, God give the answers that humans seek. The middle level is attention to the good for others. The late first-century BCE Jewish sage Hillel of Babylon put it negatively yet reflexively: “Do not do unto others what you would not want done unto yourself.” It’s masculine, a guy-liberalism, a gospel of justice, roughly the so-called Non-Aggression Axiom as articulated by libertarians since the word “libertarian” was redirected in the 1950s to a (then) right-wing liberalism. Matt Kibbe puts it well in the title of his 2014 best seller, Don’t Hurt People and Don’t Take Their Stuff: A Libertarian Manifesto.2 On the other hand, the early first-century CE Jewish sage Jesus of Nazareth put it positively: “Do unto others as you would have them do unto you.” It’s gal-liberalism, a gospel of love, placing upon us an ethical responsibility to do more than pass by on the other side. Be a good Samaritan. Be nice. In
Deirdre Nansen McCloskey (Why Liberalism Works: How True Liberal Values Produce a Freer, More Equal, Prosperous World for All)
he took the cup from my hand, Adèle, thinking the moment propitious for making a request in my favour, cried out— “N’est-ce pas, monsieur, qu’il y a un cadeau pour Mademoiselle Eyre dans votre petit coffre?” “Who talks of cadeaux?” said he gruffly. “Did you expect a present, Miss Eyre? Are you fond of presents?” and he searched my face with eyes that I saw were dark, irate, and piercing. “I hardly know, sir; I have little experience of them: they are generally thought pleasant things.” “Generally thought? But what do you think?” “I should be obliged to take time, sir, before I could give you an answer worthy of your acceptance: a present has many faces to it, has it not? and one should consider all, before pronouncing an opinion as to its nature.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
Today, it is becoming possible for [the girl] to take her future in her hands, instead of putting it in those of the man. If she is absorbed by studies, sports, a professional training, or a social and political activity, she frees herself from the male obsession; she is less preoccupied by love and sexual conflicts. However, she has a harder time than the young man in accomplishing herself as an autonomous individual. . . . [N]either her family nor customs assist her attempts. Besides, even if she chooses independence, she still makes a place in her life for the man, for love. She will often be afraid of missing her destiny as a woman if she gives herself over entirely to any undertaking. She does not admit this feeling to herself: but it is there, it distorts all her best efforts, it sets up limits.
Simone de Beauvoir (The Second Sex)
The landscape conveys an impression of absolute permanence. It is not hostile. It is simply there—untouched, silent and complete. It is very lonely, yet the absence of all human traces gives you the feeling you understand this land and can take your place in it. EDMUND CARPENTER Once in his life a man ought to concentrate his mind upon the remembered earth. He ought to give himself up to a particular landscape in his experience; to look at it from as many angles as he can, to wonder upon it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of the moon and the colors of the dawn and dusk. N. SCOTT MOMADAY
Barry Lopez (Arctic Dreams)
With God’s permission the enemy has sent poison and deadly dung among us, and so I will pray to God that he may be gracious and preserve us. Then I will fumigate to purify the air, give and take medicine, and avoid places and persons where I am not needed in order that I may not abuse myself and that through me others may not be infected and inflamed with the result that I become the cause of their death through my negligence. If God wishes to take me, he will be able to find me. At least I have done what he gave me to do and am responsible neither for my own death nor for the death of others. But if my neighbour needs me, I shall avoid neither person nor place but feel free to visit and help him. Luther: Letters of Spiritual Counsel, ed. T. G. Tappert (London: SCM Press, 1955), 242, from a letter of 1527.
N.T. Wright (God and the Pandemic: A Christian Reflection on the Coronavirus and Its Aftermath)
PROVERBS 31 The words of King Lemuel. An oracle that his mother taught him:     2 What are you doing, my son? [1] What are you doing,  f son of my womb?         What are you doing,  g son of my vows?     3 Do  h not give your strength to women,         your ways to those  i who destroy kings.     4  j It is not for kings, O Lemuel,         it is not for kings  k to drink wine,         or for rulers to take  l strong drink,     5 lest they drink and forget what has been decreed         and  m pervert the rights of all the afflicted.     6 Give strong drink to the one who  n is perishing,         and wine to  o those in bitter distress; [2]     7  p let them drink and forget their poverty         and remember their misery no more.     8  q Open your mouth for the mute,         for the rights of all who are destitute. [3]     9 Open your mouth,  r judge righteously,
Anonymous (Holy Bible: English Standard Version (ESV))
When other birds are still, the screech owls take up the strain, like mourning women their ancient u-lu-lu. Their dismal scream is truly Ben Jonsonian.( Wise midnight hags! It is no honest and blunt tu-whit tu-who of the poets, but, without jesting, a most solemn graveyard ditty, the mutual consolations of suicide lovers remembering the pangs and the delights of supernal love in the infernal groves. Yet I love to hear their wailing, their doleful responses, trilled along the woodside; reminding me sometimes of music and singing birds; as if it were the dark and tearful side of music, the regrets and sighs that would fain be sung. They are the spirits, the low spirits and melancholy forebodings, of fallen souls that once in human shape night-walked the earth and did the deeds of darkness, now expiating their sins with their wailing hymns or threnodies in the scenery of their transgressions. They give me a new sense of the variety and capacity of that nature which is our common dwelling. Oh-o-o-o-o that I never had been bor-r-r-r-n! sighs one on this side of the pond, and circles with the restlessness of despair to some new perch on the gray oaks. Then — that I never had been bor-r-r-r-n! echoes another on the farther side with tremulous sincerity, and — bor-r-r-r-n! comes faintly from far in the Lincoln woods. I was also serenaded by a hooting owl. Near at hand you could fancy it the most melancholy sound in Nature, as if she meant by this to stereotype and make permanent in her choir the dying moans of a human being — some poor weak relic of mortality who has left hope behind, and howls like an animal, yet with human sobs, on entering the dark valley, made more awful by a certain gurgling melodiousness — I find myself beginning with the letters gl when I try to imitate it — expressive of a mind which has reached the gelatinous, mildewy stage in the mortification of all healthy and courageous thought. It reminded me of ghouls and idiots and insane howlings. But now one answers from far woods in a strain made really melodious by distance — Hoo hoo hoo, hoorer hoo; and indeed for the most part it suggested only pleasing associations, whether heard by day or night, summer or winter. I rejoice that there are owls. Let them do the idiotic and maniacal hooting for men. It is a sound admirably suited to swamps and twilight woods which no day illustrates, suggesting a vast and undeveloped nature which men have not recognized. They represent the stark twilight and unsatisfied thoughts which all have. All day the sun has shone on the surface of some savage swamp, where the double spruce stands hung with usnea lichens, and small hawks circulate above, and the chickadee lisps amid the evergreens, and the partridge and rabbit skulk beneath; but now a more dismal and fitting day dawns, and a different race of creatures awakes to express the meaning of Nature there.
Henry David Thoreau (Walden)
Within this narrative, creation itself is understood as a kind of Temple, a heaven-and-earth duality, where humans function as the “image-bearers” in the cosmic Temple, part of earth yet reflecting the life and love of heaven. This is how creation was designed to function and flourish: under the stewardship of the image-bearers. Humans are called not just to keep certain moral standards in the present and to enjoy God’s presence here and hereafter, but to celebrate, worship, procreate, and take responsibility within the rich, vivid developing life of creation. According to Genesis, that is what humans were made for. The diagnosis of the human plight is then not simply that humans have broken God’s moral law, offending and insulting the Creator, whose image they bear—though that is true as well. This lawbreaking is a symptom of a much more serious disease. Morality is important, but it isn’t the whole story. Called to responsibility and authority within and over the creation, humans have turned their vocation upside down, giving worship and allegiance to forces and powers within creation itself. The name for this is idolatry. The result is slavery and finally death. It isn’t just that humans do wrong things and so incur punishment. This is one element of the larger problem, which isn’t so much about a punishment that might seem almost arbitrary, perhaps even draconian; it is, rather, about direct consequences. When we worship and serve forces within the creation (the creation for which we were supposed to be responsible!), we hand over our power to other forces only too happy to usurp our position. We humans have thus, by abrogating our own vocation, handed our power and authority to nondivine and nonhuman forces, which have then run rampant, spoiling human lives, ravaging the beautiful creation, and doing their best to turn God’s world into a hell (and hence into a place from which people might want to escape). As I indicated earlier, some of these “forces” are familiar (money, sex, power). Some are less familiar in the popular mind, not least the sense of a dark, accusing “power” standing behind all the rest. Called
N.T. Wright (The Day the Revolution Began: Reconsidering the Meaning of Jesus's Crucifixion)
I Never Told You You can fill a book with everything I never said Or the lines of a poem Or an Empty pool Or an empty bedroom, the candles all blown out I never told you how the reflection of myself in your eyes Was the only mirror I could bear to look at Or how I fought every day To transfuse the girl I saw there with the girl I am I tried to breathe in the words you made me: beautiful good brave I tried to be them for you even though they were weighted with impossibility I never told you how I always feared the rough edges of myself were too sharp for you and how I fought everyday to blunt them To bring down the walls To let you in without cutting you because I could never bear to hurt you like the others did Every day a fierce pride roared in me I was so lucky to know the truth I was the beneficiary of your radiance I basked in it and felt special And if not for the pain of your solitude I would have been content to be the only one I never told you How your touch made me feel like laughing and crying and singing all at once How your hand passing over my skin where atrocities Had not yet sloughed off, Skin cells remembering the worst touches Was like a tide washing over the ruddy sand And leaving it whole and smooth You made my skin forget Gave me new memories New sensations that didn't drag the shadows from the past In your arms I could start again, Start over. There is no greater gift in all the world Than you to the wreckage that is me... I never told you How I longed to kiss away your every bruise until there was no evidence No ghosts of your own suffering To put your pieces back together Seal the cracks Vanish them like they never were And never, ever Leave a scar I never told you I would take your pain if I could I would drink it down And take my comfort In making you ache a little less For a little while Did I? I'll never know because I never told you that I loved you I love you I love you It's too lat to say it now The time has passed for words How pathetic and small and weak On the phone Or on a piece of paper Starving Without the force of my own vitality My voice My breath My blood singing n my veins for you To give them power They are lost I love you It's too late but I love you And I'm sorry I never told you.
Emma Scott (How to Save a Life (Dreamcatcher, #1))
You have the bravest heart I've ever known You have the strongest will I've seen With every step forward that you take you touch my soul With every new breath you will succeed A soul like an angel With strength from above Someone who understands a pain this deep But never gives up Fierce as a hawk Gentle as a dove You never walk alone again my friend You're surrounded by love You've already won every future race Even before they have begun It doesn't matter where you'll place. You already proved that you're a world-class champion Life, cycle, swim or run. You have the bravest heart I've ever known You have the strongest will I've seen With every step forward that you take you touch my soul With every new breath you will succeed. A soul like an angel With strength from above Someone who understands a pain this deep But never gives up I need a heart that is finding I need a voice that speaks the truth I need a spirit that can lift my soul I need someone like you I need a spirit that is shining Someone who can move my world Someone who knows just what to do I need a soul that is always on my side I need someone like... you.
José N. Harris
Myles P. doesn’t resist, he sinks down and down, letting the sound of Willard’s lisp close over him light as a foaming wave and he drifts gently down, without a gurgle, past the floating beds of giant kelp and the abalone-eating otters, the unschooled senoritas and egg-filled cabezon, he thinks he might touch his toes to the bottom when he gets there and wonders if it will be mud or just more cement. 'Meaning other animals, shoot, soon as the young’s able to hunt or run, mother takes off and dad’s eyeing the offsprung for dinner. But we can’t let ours be, colic to college, we’re constantly wiping their little booger’d noses, dolling out free dough and freer advice, thinking they’ll powder our own asses later in the home. But a baby’s just a for-instance, fact is, others never tender the way you do. Species’d peter, rent’d come due.' Willard goes to Hiro, 'The punchline, my friend, is giving without wanting’s the trick once you’ve managed that, you’ve partly pierced heaven a bunghole, but it’s a pure penniless instigation that you ain’t got ‘n ain’t gonna get got, ‘n ain’t gonna get it, not on no roadfuckingtrip.' 'Meaning?' says Hiro 'Meaning love’s all true.
Vanessa Place (La Medusa)
to be open and straightforward about their needs for attention in a social setting. It is equally rare for members of a group in American culture to honestly and openly express needs that might be in conflict with that individual’s needs. This value of not just honestly but also openly fully revealing the true feelings and needs present in the group is vital for it’s members to feel emotional safe. It is also vital to keeping the group energy up and for giving the feedback that allows it’s members to know themselves, where they stand in relation to others and for spiritual/psychological growth. Usually group members will simply not object to an individual’s request to take the floor—but then act out in a passive-aggressive manner, by making noise or jokes, or looking at their watches. Sometimes they will take the even more violent and insidious action of going brain-dead while pasting a jack-o’-lantern smile on their faces. Often when someone asks to read something or play a song in a social setting, the response is a polite, lifeless “That would be nice.” In this case, N.I.C.E. means “No Integrity or Congruence Expressed” or “Not Into Communicating Emotion.” So while the sharer is exposing his or her vulnerable creation, others are talking, whispering to each other, or sitting looking like they are waiting for the dental assistant to tell them to come on back. No wonder it’s so scary to ask for people’s attention. In “nice” cultures, you are probably not going to get a straight, open answer. People let themselves be oppressed by someone’s request—and then blame that someone for not being psychic enough to know that “Yes” meant “No.” When were we ever taught to negotiate our needs in relation to a group of people? In a classroom? Never! The teacher is expected to take all the responsibility for controlling who gets heard, about what, and for how long. There is no real opportunity to learn how to nonviolently negotiate for the floor. The only way I was able to pirate away a little of the group’s attention in the school I attended was through adolescent antics like making myself fart to get a few giggles, or asking the teacher questions like, “Why do they call them hemorrhoids and not asteroids?” or “If a number two pencil is so popular, why is it still number two,” or “What is another word for thesaurus?” Some educational psychologists say that western culture schools are designed to socialize children into what is really a caste system disguised as a democracy. And in once sense it is probably good preparation for the lack of true democratic dynamics in our culture’s daily living. I can remember several bosses in my past reminding me “This is not a democracy, this is a job.” I remember many experiences in social groups, church groups, and volunteer organizations in which the person with the loudest voice, most shaming language, or outstanding skills for guilting others, controlled the direction of the group. Other times the pain and chaos of the group discussion becomes so great that people start begging for a tyrant to take charge. Many times people become so frustrated, confused and anxious that they would prefer the order that oppression brings to the struggle that goes on in groups without “democracy skills.” I have much different experiences in groups I work with in Europe and in certain intentional communities such as the Lost Valley Educational Center in Eugene, Oregon, where the majority of people have learned “democracy skills.” I can not remember one job, school, church group, volunteer organization or town meeting in mainstream America where “democracy skills” were taught or practiced.
Kelly Bryson (Don't Be Nice, Be Real)
You prod the pain in your left side and want to be made light. You pray with every action this will not be the day. Every day is the day, but you pray this day is not the day. Your mother prays every day that this will not be the day. You hear her through the bathroom door, praying for her sons, even as you play rapper while you swim in shallow water. N one has bars harder than your mum as she prays for you every day that this will not be the day. You know that this day could be the day but still you laugh it off when your partner says she's concerned for you to travel at night. You flash the smile of a king but you both know regicide is rife. You wash off dark soapsuds in the shower and pray that today is not the day. If you give a name to this day does that mean this life is yours? To name: basic, audacious. Lay claim, take power, take aim, this is yours. This act is like bringing a butter knife to a gunfight. You want to play rapper so you can say, I know that line went over your heads. You want to lie in darkness beside your partner and talk death like you have nothing to fear. You do not want to die before you can live. This is basic and audacious, but you want to lay claim to it while you still can.
Caleb Azumah Nelson (Open Water)
✓My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man ✓What is a soul? It's like electricity - we don't really know what it is, but it's a force that can light a room ✓There are many spokes on the wheel of life. First, we're here to explore new possibilities. ✓I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man. ✓There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Music to me is like breathing. I don't get tired of breathing, I don't get tired of music. ✓Just because you can't see anything , doesn't mean you should shut your eyes. ✓Don't go backwards - you've already been there. ✓Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine. ✓Sometimes my dreams are so deep that I dream that I'm dreaming. ✓I don't think any of us really knows why we're here. But I think we're supposed to believe we're here for a purpose. ✓I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it. ✓.There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Other arms reach out to me, Other eyes smile tenderly, Still in peaceful dreams I see, The road leads back to you. ✓I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am. ✓Music is about the only thing left that people don't fight over. ✓My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching. ✓Absence makes the heart grow fonder and tears are only rain to make love grow. ✓If you can play the blues, you can do anything. ✓I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing. ✓It's like Duke Ellington said, there are only two kinds of music - good and bad. And you can tell when something is good. ✓Rhythm and blues used to be called race music. ... This music was going on for years, but nobody paid any attention to it. ✓Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. ✓I cant retire from music any more than I can retire from my liver. Youd have to remove the music from me surgically—like you were taking out my appendix. ✓The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinn
Ray Charles
I’m sorry Chase, but I can’t.” “No. No, no n–” “I can’t be with you. I love Brandon, I’m sorry.” I whispered. “Baby don’t say that. I will fight for you, I will. Please just give us a shot.” “A part of me will probably always love you too, but I can’t take chances with you Chase. You’ll leave me one day, and it will kill me when you do.” “Wha– No! I wouldn’t, I swear I wouldn’t.” He reached for me then and I let him hold me. “You can’t stay with any one girl, that’s just how you are. And that’s fine Chase, it’s fine. You’re with different girls every night, but when I think about love I think about forever. You can’t give me that, so I’m not going to hurt myself by only having you for a short time.” He lifted my face and stared into my eyes, his were filled with unshed tears and the sight of it almost knocked me off my feet, “I haven’t been with anyone but you since you started dating Brandon. I knew then there would never be anyone else like you, and I wasn’t going to waste time being with someone else.” I wanted to believe it, and truthfully I did. He was never with girls anymore, but that didn’t change anything. Chase had left me again. No matter what he said, he would always leave me. I gently kissed the corner of his mouth and stepped out of his arms, “I love you Chase.” “Baby please, don’t do this!” “I have to, I’m sorry.” He held onto my hand, “Why? Why can’t you be with me?” I
Molly McAdams (Taking Chances (Taking Chances, #1))
The Ten Commandments EXODUS 20  z And  a God spoke all these words, saying, 2 b “I am the LORD your God, who brought you out of the land of Egypt, out of the house of slavery. 3 c “You shall have no other gods before [1] me. 4 d “You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth. 5 e You shall not bow down to them or serve them, for I the LORD your God am  f a jealous God,  g visiting the iniquity of the fathers on the children to the third and the fourth generation of those who hate me, 6but showing steadfast love to thousands [2] of those who love me and keep my commandments. 7 h “You shall not take the name of the LORD your God in vain, for the LORD will not hold him guiltless who takes his name in vain. 8 i “Remember the Sabbath day, to keep it holy. 9 j Six days you shall labor, and do all your work, 10but the  k seventh day is a Sabbath to the LORD your God. On it you shall not do any work, you, or your son, or your daughter, your male servant, or your female servant, or your livestock, or the  l sojourner who is within your gates. 11For  m in six days the LORD made heaven and earth, the sea, and all that is in them, and rested on the seventh day. Therefore the LORD blessed the Sabbath day and made it holy. 12 n “Honor your father and your mother,  o that your days may be long in the land that the LORD your God is giving you. 13 p “You shall not murder. [3] 14 q “You shall not commit adultery. 15 r “You shall not steal. 16 s “You shall not bear false witness against your neighbor. 17 t “You shall not covet  u your neighbor’s house;  v you shall not covet your neighbor’s wife, or his male servant, or his female servant, or his ox, or his donkey, or anything that is your neighbor’s.
Anonymous (Holy Bible: English Standard Version (ESV))
This is why, from this point on, no debt will be paid off. It can at best be bought back at a knock-down price and put back on to a debt market — the public sector borrowing requirement, the national debt, th e world deb t — having once again become an exchange value. It is unlikely the debt will ever be called in, and this is what gives it its incalculable value. For, suspended as it is in this way, it is our only insurance against time. Unlike the countdown, whic h signifies th e exhaustion of time, the indefinitely deferred debt is our guarantee that time itself is inexhaustible. Now, we very much need assuring about time in this way at the very poin t whe n the future itself is tendin g to be wholly consume d in real time . Clearing the debt, balancing up the books, writing off Third World debt — these are things not even to be contemplated. It is only the disequilibrium of the debt, its proliferation, its promise of infinity, which keeps us going. The global, planetary debt clearly has no meaning in traditional terms of obligation and credit. On the other hand, it is our true collective claim on each other — a symbolic claim, by whic h persons, companies and nations find themselves bound to one another through lack. Each is bound to the other (even the banks) by their virtual bankruptcy , as accomplices are bound by their crime. All assured of existing for each other in the shade of a debt which cannot be settled or written off, since the repayment of the accumulated world debt would take far more than the funds available. The only sense of it, then, is to bind all civilized human beings into the same destiny as creditors. Just as nuclear weapons, stockpiled across the world to a point of considerable planetary overkill, have no other meaning than to bind all human beings into a single destiny of threat and deterrence.
Jean Baudrillard (Screened Out)
She told him the origins of the “buck dance,” when “white people would come up and say ‘N____r, dance’, and then start shooting around the feet of blacks so that they would dance like everything.” 45 Big Ma was an important presence in Jimmy’s childhood and adolescence, and he credited her with giving him a unique and powerful sense of historical change. “When she talked about slavery,” he recalled, “she always talked not about how they freed the slaves, but about how [slaveholders] surrendered. There was a big difference. She saw the change as something that had been won by somebody, not something that had been given. She realized that there had been a struggle and that somebody had to lose.” 46 It would not take much for young Jimmy to see a historical connection and a continuity in struggle between these two moments—the buck dance that Big Ma witnessed in her childhood and the marauding Selma sheriff who came to town “shooting and raising Cain to see the colored folks run” during his childhood. Big Ma lived until the mid-1930s, when Jimmy was in his teens. By this time he could see new spaces of struggle emerging from shifts in the region’s economy and black people’s employment patterns. These shifts had impacted his family, specifically through his father’s work opportunities, and would shape his own prospects. Cotton continued to be an important part of the economy, both in the state and in the Black Belt region, but its significance declined relative to Alabama’s growing industrial economy. African Americans saw expanded employment opportunities, as labor shortages, strikes, and union organizing during the first two decades of the century led companies to open up jobs previously unavailable to black workers. The steel industry, which had previously satisfied its need for cheap labor with immigrant workers, came to rely heavily on black labor after World War I. 47
Stephen Ward (In Love and Struggle: The Revolutionary Lives of James and Grace Lee Boggs (Justice, Power, and Politics))
Of course, historical scholarship on the New Testament is open to all, whether Jewish or Christian, atheist or agnostic. But the present debate about Paul and justification is taking place between people most of whom declare their allegiance to Scripture in general, and perhaps to Paul in particular, as the place where and the means by which the living God has spoken, and still speaks, with life-changing authority. This ought to mean, but does not always mean, that exegesis-close attention to the actual flow of the text, to the questions that it raises in itself and the answers it gives in and of itself-should remain the beginning and the end of the process. Systematize all you want in between-we all do it; there is nothing wrong with it and much to be said for it, particularly when it involves careful comparing of different treatments of similar topics in different contexts. But start with exegesis, and remind yourself that the end in view is not a tidy system, sitting in hard covers on a shelf where one may look up "correct answers," but the sermon, or the shared pastoral reading, or the scriptural word to a Synod or other formal church gathering, or indeed the life of witness to the love of God, through all of which the church is built up and energized for mission, the Christian is challenged, transformed and nurtured in the faith, and the unbeliever is confronted with the shocking but joyful news that the crucified and risen Jesus is the Lord of the world. That is letting Scripture be Scripture. Scripture, in other words, does not exist to give authoritative answers to questions other than those it addresses-not even to the questions which emerged from especially turbulent years such as the sixteenth and seventeenth centuries. That is not to say that one cannot deduce from Scripture appropriate answers to such later questions, only that you have to be careful and recognize that that is indeed what you are doing.
N.T. Wright (Justification: God's Plan & Paul's Vision)
I think back to this so often in trying to make sense of the world - how there are people who have so much and people who have so little, and how I fit in with them both. Often I find myself trying to bridge the two worlds, to show people, either the people with so much or the people with so little, that everything is yours and everything is not yours. I want to make people understand that boxing ourselves into tiny cubbies based n class, race, ethnicity, religion—anything, really—comes from a poverty of mind, a poverty of imagination. The world is dull and cruel when we isolate ourselves. Survival, true survival of the body and soul, requires creativity, freedom of thought, collaboration. You might have time and I might have land. You might have ideas and I might have strength. You might have a tomato and I might have a knife. We need each other. We need to say: I honor the things that you respect and I value the things you cherish. I am not better than you. You are not better than me. Nobody is better than anyone else. Nobody is who you think they are at first glance. We need to see beyond the projections we cast onto each other. Each of us is so much grander, more nuanced, and more extraordinary than anybody thinks, including ourselves. […] I’ve seen enough to know that you can be a human with a mountain of resources and you can be a human with nothing, and you can be a monster either way. Everywhere, and especially at both extremes, you can find monsters. It’s at the extremes that people are most scared—scared of deprivation, one one end; and scared of their privilege, on the other. With privilege comes a nearly avoidable egoism and so much shame, and often the coping mechanism is to give. This is great and necessary, but giving, as a framework, creates problems. You give, I take; you take, I give—both scenarios establish hierarchy. Both instill entitlement. The only road to equality—a sense of common humanity; peace—is sharing, my mother’s orange. When we share, you are not using your privilege to get me to line up behind you. When we share, you are not insisting on being my savior. Claire and I always looked for the sharers, the people who just said, ‘I have sugar, I have water. Let’s share water. Let’s not make charity about it.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
In my generation we did a lot of pleasure chasing—we, the generation responsible for today’s twenty-year-olds and thirty-year-olds and forty-year-olds. Before they came into our lives, we were on a pleasure binge, and the need for immediate gratification passed through us to our children. When I got out of the Army in 1944, the guys who were being discharged with me were mostly between the ages of eighteen and thirty. We came home to a country that was in great shape in terms of industrial capacity. As the victors, we decided to spread the good fortune around, and we did all kinds of wonderful things—but it wasn’t out of selfless idealism, let me assure you. Take the Marshall Plan, which we implemented at that time. It rebuilt Europe, yes, but it also enabled those war ruined countries to buy from us. The incredible, explosive economic prosperity that resulted just went wild. It was during that period that the pleasure principle started feeding on itself. One generation later it was the sixties, and those twenty-eight-year-old guys from World War II were forty-eight. They had kids twenty years old, kids who had been so indulged for two decades that it caused a huge, first-time-in-history distortion in the curve of values. And, boy, did that curve bend and bend and bend. These postwar parents thought they were in nirvana if they had a color TV and two cars and could buy a Winnebago and a house on the lake. But the children they had raised on that pleasure principle of material goods were by then bored to death. They had overdosed on all that stuff. So that was the generation who decided, “Hey, guess where the real action is? Forget the Winnebago. Give me sex, drugs, and rock ‘n’ roll.” Incredible mind-blowing experiences, head-banging, screw-your-brains-out experiences in service to immediate and transitory pleasures. But the one kind of gratification is simply an outgrowth of the other, a more extreme form of the same hedonism, the same need to indulge and consume. Some of those same sixties kids are now themselves forty-eight. Whatever genuine idealism they carried through those love-in days got swept up in the great yuppie gold rush of the eighties and the stock market nirvana of the nineties—and I’m afraid we are still miles away from the higher ground we seek.
Sidney Poitier (The Measure of a Man: A Spiritual Autobiography)
She had not wanted to come, and now that she was there, she was still praying for deliverance. “Aunt Berta!” she said forcefully as the front door of the great, rambling house was swung open. The butler stepped aside, and footmen hurried forward. “Aunt Berta!” she said urgently, and in desperation Elizabeth reached for the maid’s tightly clenched eyelid. She pried it open and looked straight into a frightened brown orb. “Please do not do this to me, Berta. I’m counting on you to act like an aunt, not a timid mouse. They’re almost upon us.” Berta nodded, swallowed, and straightened in her seat, then she smoothed her black bombazine skirts. “How do I look?” Elizabeth whispered urgently. “Dreadful,” said Berta, eyeing the severe, high-necked black linen gown Elizabeth had carefully chosen to wear at this, her first meeting with the prospective husband whom Alexandra had described as a lecherous old roué. To add to her nunlike appearance, Elizabeth’s hair was scraped back off her face, pinned into a bun a la Lucida, and covered with a short veil. Around her neck she wore the only piece of “jewelry” she intended to wear for as long as she was here-a large, ugly iron crucifix she’d borrowed from the family chapel. “Completely dreadful, milady,” Berta added with more strength to her voice. Ever since Robert’s disappearance, Berta had elected to address Elizabeth as her mistress instead of in the more familiar ways she’d used before. “Excellent,” Elizabeth said with an encouraging smile. “So do you.” The footman opened the door and let down the steps, and Elizabeth went first, following by her “aunt.” She let Berta step forward, then she turned and looked up at Aaron, who was atop the coach. Her uncle had permitted her to take six servants from Havenhurst, and Elizabeth had chosen them with care. “Don’t forget,” she warned Aaron needlessly. “Gossip freely about me with any servant who’ll listen to you. You know what to say.” “Aye,” he said with a devilish grin. “We’ll tell them all what a skinny ogress you are-prim ‘n proper enough to scare the devil himself into leading a holy life.” Elizabeth nodded and reluctantly turned toward the house. Fate had dealt her this hand, and she had no choice but to play it out as best she could. With head held high and knees shaking violently she walked forward until she drew even with Berta. The butler stood in the doorway, studying Elizabeth with bold interest, giving her the incredible impression that he was actually trying to locate her breasts beneath the shapeless black gown she wore.
Judith McNaught (Almost Heaven (Sequels, #3))
The heart of rock will always remain a primal world of action. The music revives itself over and over again in that form, primitive rockabilly, punk, hard soul and early rap. Integrating the world of thought and reflection with the world of primitive action is *not* a necessary skill for making great rock 'n' roll. Many of the music's most glorious moments feel as though they were birthed in an explosion of raw talent and creative instinct (some of them even were!). But ... if you want to burn bright, hard *and* long, you will need to depend on more than your initial instincts. You will need to develop some craft and a creative intelligence that will lead you *farther* when things get dicey. That's what'll help you make crucial sense and powerful music as time passes, giving you the skills that may also keep you alive, creatively and physically. The failure of so many of rock's artists to outlive their expiration date of a few years, make more than a few great albums and avoid treading water, or worse, I felt was due to the misfit nature of those drawn to the profession. These were strong, addictive personalities, fired by compulsion, narcissism, license, passion and an inbred entitlement, all slammed over a world of fear, hunger and insecurity. That's a Molotov cocktail of confusion that can leave you unable to make, or resistant to making, the lead of consciousness a life in the field demands. After first contact knocks you on your ass, you'd better have a plan, for some preparedness and personal development will be required if you expect to hang around any longer than your fifteen minutes. Now, some guys' five minutes are worth other guys' fifty years, and while burning out in one brilliant supernova will send record sales through the roof, leave you living fast, dying young, leaving a beautiful corpse, there *is* something to be said for living. Personally, I like my gods old, grizzled and *here*. I'll take Dylan; the pirate raiding party of the Stones; the hope-I-get-very-old-before-I-die, present live power of the Who; a fat, still-mesmerizing-until-his-death Brando—they all suit me over the alternative. I would've liked to have seen that last Michael Jackson show, a seventy-year-old Elvis reinventing and relishing in his talents, where Jimi Hendrix might've next taken the electric guitar, Keith Moon, Janis Joplin, Kurt Cobain and all the others whose untimely deaths and lost talents stole something from the music I love, living on, enjoying the blessings of their gifts and their audience's regard. Aging is scary but fascinating, and great talent morphs in strange and often enlightening ways. Plus, to those you've received so much from, so much joy, knowledge and inspiration, you wish life, happiness and peace. These aren't easy to come by.
Bruce Springsteen (Born to Run)
In order for A to apply to computations generally, we shall need a way of coding all the different computations C(n) so that A can use this coding for its action. All the possible different computations C can in fact be listed, say as C0, C1, C2, C3, C4, C5,..., and we can refer to Cq as the qth computation. When such a computation is applied to a particular number n, we shall write C0(n), C1(n), C2(n), C3(n), C4(n), C5(n),.... We can take this ordering as being given, say, as some kind of numerical ordering of computer programs. (To be explicit, we could, if desired, take this ordering as being provided by the Turing-machine numbering given in ENM, so that then the computation Cq(n) is the action of the qth Turing machine Tq acting on n.) One technical thing that is important here is that this listing is computable, i.e. there is a single computation Cx that gives us Cq when it is presented with q, or, more precisely, the computation Cx acts on the pair of numbers q, n (i.e. q followed by n) to give Cq(n). The procedure A can now be thought of as a particular computation that, when presented with the pair of numbers q,n, tries to ascertain that the computation Cq(n) will never ultimately halt. Thus, when the computation A terminates, we shall have a demonstration that Cq(n) does not halt. Although, as stated earlier, we are shortly going to try to imagine that A might be a formalization of all the procedures that are available to human mathematicians for validly deciding that computations never will halt, it is not at all necessary for us to think of A in this way just now. A is just any sound set of computational rules for ascertaining that some computations Cq(n) do not ever halt. Being dependent upon the two numbers q and n, the computation that A performs can be written A(q,n), and we have: (H) If A(q,n) stops, then Cq(n) does not stop. Now let us consider the particular statements (H) for which q is put equal to n. This may seem an odd thing to do, but it is perfectly legitimate. (This is the first step in the powerful 'diagonal slash', a procedure discovered by the highly original and influential nineteenth-century Danish/Russian/German mathematician Georg Cantor, central to the arguments of both Godel and Turing.) With q equal to n, we now have: (I) If A(n,n) stops, then Cn(n) does not stop. We now notice that A(n,n) depends upon just one number n, not two, so it must be one of the computations C0,C1,C2,C3,...(as applied to n), since this was supposed to be a listing of all the computations that can be performed on a single natural number n. Let us suppose that it is in fact Ck, so we have: (J) A(n,n) = Ck(n) Now examine the particular value n=k. (This is the second part of Cantor's diagonal slash!) We have, from (J), (K) A(k,k) = Ck(k) and, from (I), with n=k: (L) If A(k,k) stops, then Ck(k) does not stop. Substituting (K) in (L), we find: (M) If Ck(k) stops, then Ck(k) does not stop. From this, we must deduce that the computation Ck(k) does not in fact stop. (For if it did then it does not, according to (M)! But A(k,k) cannot stop either, since by (K), it is the same as Ck(k). Thus, our procedure A is incapable of ascertaining that this particular computation Ck(k) does not stop even though it does not. Moreover, if we know that A is sound, then we know that Ck(k) does not stop. Thus, we know something that A is unable to ascertain. It follows that A cannot encapsulate our understanding.
Roger Penrose (Shadows of the Mind: A Search for the Missing Science of Consciousness)
The "word" did not "offer itself" in a take-it-or-leave-it fashion, any more than Caesar's heralds would have said, "If you'd like a new kind of imperial experience, you might like to try giving allegiance to the new emperor.
N.T. Wright (The Last Word)
But here is the puzzle—the ultimate puzzle of Jesus. This puzzle boils down to two questions. First, why would anyone say this of Jesus, who had not done the things people expected a victorious king to do? Why, indeed, did Jesus end up being crucified with the words “King of the Jews” above his head? And why would anyone, three minutes, three days, or three hundred years after that moment, ever dream of taking it seriously? Second, what on earth might it mean today to speak of Jesus being “king” or being “in charge,” in view of the fact that so many things in the world give no hint of such a thing? Those are the questions that will now occupy us in the rest of this book.
N.T. Wright (Simply Jesus: A New Vision of Who He Was, What He Did, and Why He Matters)
If a man is to be saved it will be through faith, or not at all. But because he is spiritually lifeless (Eph. 2:1-2), he must first be made alive by the power of God's grace before he is able to repent and believe. Perhaps the best way to drive home this point is with an illustration. It comes from the pen of that great British evangelist of the eighteenth century, George Whitefield: "Come, ye dead, Christless, unconverted sinners, come and see the place where they laid the body of the deceased Lazarus; behold him laid out, bound hand and foot with grave-cloaths, locked up and stinking in a dark cave, with a great stone placed on the top of it. View him again and again; go nearer to him; be not afraid; smell him. Ah! How he stinketh. Stop there now, pause a while; and whilst thou art gazing upon the corpse of Lazarus, give me leave to tell thee with great plainness, but greater love, that this dead, bound entombed, stinking carcase, is butd a faith representation of thy poor soul in its natural state: for, whether thou believest or n ot, thy spirit which thou bearest about with thee, sepulchred in flesh and blood, is as literally dead to God, and as truly dead in trespasses and sins, as the body of Lazarus was in the cave. Was he bound hand and foot with grave-cloaths? So art thou bound hand and foot with thy corruptions: and as a stone was laid on the sepulchre, so is there a stone of unbelief upon thy stupid heart. Perhaps thou hast lain in this state, not only four days, but many years, stinking in God's nostrils. And, what is still more effecting thou art as unable to raise thyself out of this loathsome, dead state, to a life of righteousness and true holiness, as ever Lazarus was to raise himself from the cave in which he lay so long. Thou mayest try the power of thy own boasted free-will, and the force and energy of moral persuasion and rational arguments (which, without all doubt, have their proper place in religion); but all thy efforts, exerted with never so much vigour, will prove quite fruitless and abortive, till that same Jesus, who said 'Take away the stone'; and cried, 'Lazarus, come forth' also quicken you
Anonymous
I hear the door open and close, and I peek to see the one and only. “What do you want?” I ask, staring back up at the stars, taking a large sip of my beer. He doesn’t answer, but takes a seat next to me. I turn to see he’s also drinking a beer. He’s back in his work attire, sporting a pair of kakis and a button up polo. “What happened to your Guns-N-Roses shirt? Don’t want anyone to know your alter ego? They might find out you’re really some sort of party animal who raves to heavy metal and goes on drinking binges instead of science fairs?” I laugh taking another swig. We connect eyes and something in them tells me that I might be on to something. “No way. Tell me I’m not wrong. The science teacher secretly has a bad side.” He stands quickly sticking out his hand. “Come with me.” Huh? “No way. Why? You gonna try and retaliate? Avenge all teachers I’ve tried to take out this week?” His laugh is like a tickle to my lady parts. I fight to admit that I seriously love that sound. “No, but it would be fitting though, Peter Parker, saving the world from the reckless bad girl.” I give him my evil eye while he smiles wider. “Come with me. I promise, I’ll bring you back in one piece.” His hand taunting, I decide, what the hell. I stick my hand out, sliding it into his, the feel of his warm skin wrapped around mine. He walks me around to the front of the house and a few cars down, until he stops beside a Jeep. Unlocking the door, he says, “Jump in,” and walks around the other side. Knowing I have a pretty loud voice if he does try and kill me, I jump in. The inside smells just like him. Of spice and aftershave.
J.D. Hollyfield (Passing Peter Parker)
He was in love with his best friend and it was new and scary and perfect and so fucking beautiful that half the time he felt like he was just going to take off flying at any moment. “Jess, what’s wrong? You don’t want me to touch you?” Please say it’s okay. I’m dying… “I just thought you wouldn’t want to…because, well, you know.” Shane slipped his hands beneath Jesse’s T-shirt, wedging them between Jesse’s back and the bed. Jesse arched to give him more room. The skin on his back was smooth and a little damp from the heat. Shane wanted more. He had to feel more. “Jess, do you have any idea how sexy you are right now?” And he was. His spiky hair was all askew, glasses long lost to the carpet, those big gray eyes were shining up at Shane and his mouth was parted and wet, begging for more kisses. Shane wanted to show Jesse everything. Wanted to be his first. “I want whatever is okay with you.” “R-really?” Ah, shit, he’s nervous. He never stutters like that anymore. “It’s okay. Only if you want to. We can just kiss.” Shane ran his fingers through Jesse’s silky spikes and kissed him again, soft and romantic like they usually did. “N-no. I want you to do it. I do.” With trembling hands, Jesse unbuttoned his cargo shorts and loosened the zipper. Shane couldn’t help grinning at him. He’d wanted to touch Jesse for so long.
Piper Vaughn (More than Moonlight (Lucky Moon, #0.5))
Is God really with us? The answer to the question is "yes." God has come to take up residence with us as one of us. How has that fact been accomplished? By giving him a human mother but no human father.
John N. Oswalt (Isaiah (The NIV Application Commentary))
So, we shouldn't keep going on about corruption and embezzlement of all kinds (in any case, the recrimination is part of the crime). We should lucidly take the view that, from a rational point of view and a reasonable human perspective, there are no longer sufficient needs or useful ends to cope with such a mass of money and resources. Were it not for efficient, organized embezzlement, there is a danger we would be confronted with an excess of means and a shortage of ends — a grave and demoralizing situation which we must stave off with bankruptcies, waste, misuse of public funds, etc. The only offender in all this, if we accept that the main function of money is to circulate and be spent, is the small saver. For whereas the big financial crooks merely contravene the moral law or legality, he contravenes the immoral law, the profound law of our society . . . Saving, the retentio n of monies, th e unlawful imprisonment of private funds which could be put to public use, that is to say which could become liquid capital — that is where real corruption lies today. And it is only right that the law should come down on the small saver at the same time as it grants an amnesty to th large-scale fraudsters and gives the green light to their operations.
Jean Baudrillard (Screened Out)
A transforming, healing, disturbing, and challenging presence. A presence that at one level was the kind of thing that would be associated with a divine power and at another level seemed personal—human, in fact. This then became the focal point of what we said before: people turned away from the idols they had been serving and discovered, in Jesus, a God who was alive, who did things, who changed people’s lives from the inside out. (The fact that skeptics at the time, like skeptics today, could and did give different explanations of what was taking place does not alter the fact that this is what people said was happening to them, that this is what Paul understood to be going on, and that the consequences, whether they were all deluded or speaking a dangerous truth, were long lasting.)
N.T. Wright (Paul: A Biography)
The millionaires of the Duveen Era were all dressed up, but they really had nowhere to go. Duveen supplied a favoured few of them with a destination. The private lives of these sad tycoons were often bitter; their children and their family life disappointed them. The fathers had too much to give; the returns were often in inverse ratio to the size of the gifts. They knew that they were ruining their children and yet they didn’t know how to stop it. Their children made disastrous marriages, got killed in racing cars, had to pay blackmail to avoid scandal. But with the works of art it was different. They asked for nothing. They were rewarding. They shed their radiance, and it was a lovely, soothing light. You could take them or leave them, and when you had visitors you could bask in the admiration the pictures and sculptures excited, which was directed towards you even more subtly than towards them, as if you yourself had gathered them and, even, created them. The works of art became their children.
S.N. Behrman (Duveen: The story of the most spectacular art dealer of all time)
Not surprisingly, the dopamine control circuit involves the frontal lobes, the part of the brain that is sometimes called the neocortex because it evolved most recently. It’s what makes human beings unique. It gives us the imagination to project ourselves further into the future than the desire circuit can take us, so we can make long-term plans. It’s also the part that allows us to maximize resources in that future by creating new tools and using abstract concepts; concepts that rise above the here-and-now experience of the senses, like language, mathematics, and science. It’s intensely rational. It doesn’t feel, because emotion is an H&N phenomenon.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
Feeling myself slipping, Cecelia pleads for me to hold on, apologies pouring from her lips. “I’m sorry, baby. I’m so sorry.” Focusing on my brother, I see my fate solidify in his eyes and, in return, give him words I know he’ll understand. Words that, deep down, he’s always understood and a truth I’ve always known. “Nous savions tous les deux que je n’allais jamais voir mes trente ans, mon frère. Prends soin d’elle.” We both know I was never going to make it to thirty, brother. Take care of her.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
Just be careful about accepting labels for yourself, such as “inhibited,” “introverted,” or “shy.” As we move on, you’ll understand why each of these mislabels you. In general, they miss the essence of the trait and give it a negative tone. For example, research has found that most people, quite wrongly, associate introversion with poor mental health. When HSPs identify with these labels, their confidence drops lower, and their arousal increases in situations in which people thus labeled are expected to be awkward. It helps to know that in cultures in which the trait is more valued, such as Japan, Sweden, and China, the research takes on a different tone. For example, Japanese psychologists seem to expect their sensitive subjects to perform better, and they do. When studying stress, Japanese psychologists see more flaws in the way that the nonsensitive cope. There is no point in blaming our culture’s psychology or its well-meaning researchers, however. They are doing their best.
Elaine N. Aron (The Highly Sensitive Person)
The Brain’s Two Systems A number of researchers think that there are two systems in the brain and that it is the balance of these two that creates sensitivity. One system, the “behavioral activation” (or “approach,” or “facilitation,” system) is hooked up to the parts of the brain that take in messages from the senses and send out orders to the limbs to get moving. This system is designed to move us toward things, especially new ones. It is probably meant to keep us eagerly searching for the good things in life, like fresh food and companionship, all of which we need for survival. When the activation system is operating, we are curious, bold, and impulsive. The other system is called the “behavioral inhibition” (or “withdrawal,” or “avoidance,” system). (You can already tell by the names which is the “good” one according to our culture.) This system is said to move us away from things, making us attentive to dangers. It makes us alert, cautious, and watchful for signs. Not surprisingly, this system is hooked up to all the parts of the brain Kagan noted to be more active in his “inhibited” children. But what does this system really do? It takes in everything about a situation and then automatically compares the present to what has been normal and usual in the past and what should be expected in the future. If there is a mismatch, the system makes us stop and wait until we understand the new circumstance. To me this is a very significant part of being intelligent. So I prefer to give it a more positive name: the automatic pause-to-check system. But now consider how one might have a more active pause-to-check system.
Elaine N. Aron (The Highly Sensitive Person)
Fortunately, Dallas takes pity on me and gives me a little tutorial, walking me through the first scene of the game, letting me get used to turning and shooting and punching and all that good stuff. He also lets me have all the health bonuses we find. Not to mention the ammo. "Told you I'd always protect you," he says with a grin. I smile back but, honestly, his words make me a little melancholy. And when he looks sideways at me with a crooked smile, I know he realizes it. "Should I apologize?" I shake my head and grab a handful of popcorn. "Just play." He does, and since we're partners against the zombie horde, I can't actually say he beats me. What I can say is that I died four times in the first fifteen minutes, and by minute seventeen Dallas is laughing his ass off. "Do I need to tell you how pathetic you are at this game?" "You really don't," I say as the screen flashes death number five. "Remind me to come rescue you when the zombie apocalypse happens. Without me, you're zombie food.
J. Kenner (Dirtiest Secret (S.I.N., #1))
As you doubtless noticed, sometimes the words matched the pictures and sometimes they didn’t. It probably felt more difficult to name the pictures when there was a mismatch. That’s because when an experienced reader sees a printed word, it’s quite difficult not to read it. Reading is automatic.Thus the printed word pants conflicts with the word you are trying to retrieve, shirt. The conflict slows your response. A child just learning to read wouldn’t show this interference, because reading is not automatic for him.When faced with the letters p, a, n, t, and s, the child would need to painstakingly (and thus slowly) retrieve the sounds associated with each letter, knit them together, and recognize that the resulting combination of sounds forms the word pants. For the experienced reader, those processes happen in a flash and are a good example of the properties of automatic processes: (1) They happen very quickly. Experienced readers read common words in less than a quarter of a second. (2) They are prompted by a stimulus in the environment, and if that stimulus is present, the process may occur even if you wish it wouldn’t.Thus you know it would be easier not to read the words in Figure 3, but you can’t seem to avoid doing so. (3) You are not aware of the components of the automatic process.That is, the component processes of reading (for example, identifying letters) are never conscious.The word pants ends up in consciousness, but the mental processes necessary to arrive at the conclusion that the word is pants do not.The process is very different for a beginning reader, who is aware of each constituent step (“that’s a p, which makes a ‘puh’ sound . . .”). FIGURE 3: Name each picture, ignoring the text. It’s hard to ignore when the text doesn’t match the picture, because reading is an automatic process.   The example in Figure 3 gives a feel for how an automatic process operates, but it’s an unusual example because the automatic process interferes with what you’re trying to do. Most of the time automatic processes help rather than hinder. They help because they make room in working memory. Processes that formerly occupied working memory now take up very little space, so there is space for other processes. In the case of reading, those “other” processes would include thinking about what the words actually mean. Beginning readers slowly and painstakingly sound out each letter and then combine the sounds into words, so there is no room left in working memory to think about meaning (Figure 4).The same thing can happen even to experienced readers. A high school teacher asked a friend of mine to read a poem out loud. When he had finished reading, she asked what he thought the poem meant. He looked blank for a moment and then admitted he had been so focused on reading without mistakes that he hadn’t really noticed what the poem was about. Like a first grader, his mind had focused on word pronunciation, not on meaning. Predictably, the class laughed, but what happened was understandable, if unfortunate.
Daniel T. Willingham (Why Don't Students Like School?: A Cognitive Scientist Answers Questions About How the Mind Works and What It Means for the Classroom)
Do you know that when we speak the Word of God it moves the heart of God to act in our favour? Heaven and Earth will pass, but God’s Word will remain forever. We can trust in the surety of God’s Word. “For as the rain cometh down and the snow from heaven and returns not thither but waters the earth and makes it bring forth and bud; that it may give seed to the sower and bread to the eater; So shall my Word be that goes forth out of my mouth: it shall not return unto me void, but it shall accomplish that which I please, and it shall prosper in the thing whereto I sent it.” (Isaiah 55: 10-11). We can have confident assurance in the spoken Word of God and we can also trust in the credibility of God’s Word. God is ready to fulfill every word spoken. (Jeremiah 1: 12) We can trust in the authenticity of God’s Word. “Thy word is true from the very beginning: and every one of thy righteous judgments endures forever.” (Psalm 119: 160). “The grass withered, the flower fades: but the word of our God shall stand forever.” (Isaiah 40: 8) From creation, the Word of God remains authentic.(Adapted from: Unlocking God’s Power, Favor and Blessings in Your Life) So today, take the Word of God and speak it over your situation; believe in faith that the spoken Word, is working to bring about deliverance, healing, blessings and salvation; wait patiently for its manifestation.
Gillian N. Whyte
My soul came in to this world alone N heart ♡ in it is connected To the another soul with a unknown Feel filled inside in it..... I don't knw what exactly it mean But, I addicted to it as a drug & It makes me feel comfortable When I am near to that soul & I can rely on that soul When I need support & I can't explain about that feel When any 1 ask me ....... These feel has its own defination It differs from the person to person N it's better to say Heart♡ to heart♡ it differs Some one says these feel never dies... Once it starts in our heart♡... But no 1 can say how it starts & when it starts... I just feel to say , U r my everything..... & U r my drug.... & Never lev me alone When I'm near to that soul My soul feels like flying in air, When it is along with that soul & N every 1 used to call this feel with a Special n unique name as , ...**LOVE**... Even it has different names in different places But I feel it's not just love This feel is some thing else Which is more than love If I say just love it make no sense This feel is more valuable When u take consideration of Two souls which r connected These feeling fulfill all d hopes n happiness Between these two soul's As, It gives strength It cares It makes brave It refresh d heart with a cool breeze It will guide U till d end & These feel makes a bonding between the souls & I name this bonding as , ●●●●●●●●.....LIFE.....●●●●●●●●● & This is d perfect word which I say to that feeling Between the hearts in the two souls & Atlast these feel makes a LIFE between d two souls & I BELIEVE IN IT
Yash
In my own academic field, it is much easier to get a doctorate in biblical studies if you do a relentlessly left-brain analysis of a small part of the text, whereas if you attempt a fresh vision of the big picture, within which it might all make sense, someone is bound to ask you, in tones that reflect only too accurately the cultural assumptions that lie behind them, “But where is that in the text?”—meaning, “Give me one verse that says precisely what you’re saying,” whereas the answer often lies not in a single verse (as if one’s interpretation of a great painting could be narrowed down to one square inch of the canvas!) but in the full sweep of the chapter, the book, the collection of books in question. I have argued elsewhere that it is time for a fresh integration of different modes and methods of study, taking full account of these cultural assumptions and allowing the texts themselves to offer their own challenge, their own alternative points of view.
N.T. Wright (Surprised by Scripture: Engaging Contemporary Issues)
Madison! This is too perfect. Join us.” Reed stood coolly in the middle of the hall, oblivious to the swarm of kids around him. “Reed, I’d love to join you,” Madison shouted above the bustle. “But I told Piper I’d meet her in the parking lot.” “This’ll just take a minute,” Reed insisted. Madison hesitated. Much as she wanted to avoid talking to Jeremy, she didn’t want to look like a rude jerk. She maneuvered her way around Jeremy and stood next to Reed. “Of course you know Jeremy,” Reed said, not letting her off the hook. Jeremy answered for her. “We’re like this,” he said, holding up two fingers at arm’s length. “Funny,” Madison replied without a smile. Reed seemed oblivious to their awkwardness. “Listen up. My mom’s a marketing specialist and she might be able to get us some airtime on some of the local radio stations. What do you think?” Jeremy nodded. “That would be extremely cool.” “Would the interviews be separate?” Madison asked, not wanting to spend any time in close proximity to Jeremy. “I’d prefer to do mine alone--or with you, Reed.” Jeremy scowled. “What is it with you, Madison? Can’t you at least be civil?” “Not to you,” Madison said with an angry toss of her head. “Give me a break,” Jeremy snapped. “Whoa! Time out! Truce!” Reed quickly stepped between them and draped his arms around their shoulders. “Look, this is just an election. You don’t need to get so malignant.” “Save the lecture for someone who needs it,” Jeremy grumbled. “Like Miss Stuck-up.” Madison clutched her chest as if she’d been shot in the heart. “Oh, you got me,” she said melodramatically. “I’m mortally wounded.” Jeremy’s cheeks flared a deep red. Clenching his fists at his sides, he took several deep breaths. Clearly he was trying not to say anything back to Madison. At last he turned to Reed and said evenly, “The radio station idea is a good one. I’ll catch you later to discuss it.” He turned on his heel and strode away. Madison felt the heat creep into her own face. Most of the students nearby had witnessed the entire exchange. Madison felt pretty certain that, at this moment, she looked like a complete, raving idiot. Reed shook his head in amazement. “Wow. I don’t need to do a thing to win this election,” he said with a chuckle. “I’ll just stand back and let you two destroy each other.
Jahnna N. Malcolm (Perfect Strangers (Love Letters, #1))
Is there a problem, ma’am?” Mitch slanted a glance in her direction. She stood military straight, vehemently shaking her head. “Everything’s fine, Officer.” “Sheriff. You sure about that?” Charlie said, sounding like a complete hard-ass. “Looked to me like you were being accosted.” “N-no—” Mitch cut her off. “Would you get the hell out of here?” “Mitch,” Maddie said, with a low hiss. Evidently in a devious mood, Charlie stalked forward, placing a hand menacingly over his baton. “What did you say?” “Fuck. Off.” Mitch fired each word like a bullet. “Mitch, please,” Maddie said, tone pleading. “Do I have to take you in?” Charlie’s attention shifted in Maddie’s direction and his mouth twisted into a smile that Mitch had seen him use on hundreds of women during their fifteen-year friendship. “I’ll be happy to look after her for you, Mitch.” A stab of something suspiciously close to possessiveness jabbed at his rib cage. Mitch shot Charlie a droll glare. “Over my dead body.” One black brow rose over his sunglasses. “That can be arranged.” “Please, don’t take him to jail,” Maddie said, sounding alarmed. Both Charlie’s and Mitch’s attention snapped to her. “Now, why would you be thinking that?” Charlie asked, in an amused voice. Maddie’s gaze darted back and forth. “He threatened you.” Mitch laughed and Charlie scoffed. “Honey, he’s nothing but a pesky little fly I’d have to bat away.” Comprehension dawned and her worried expression cleared. “Oh, I see. You know, you should tell someone this is some macho-guy act before you get rolling.” “And what fun would that be?” Charlie rocked back on his heels. Even with his eyes hidden behind the mirrored frames, it was damn clear he was scoping Maddie out from head to toe. Under his scrutiny, she started to fidget. She pressed closer to Mitch, almost as if by instinct, pleasing him immensely. “Don’t mind him, Princess.” He slid his arm around her waist, pulling her tighter against him. “He likes to abuse his power over unsuspecting women.” “Um,” Maddie said, fitting under the crook his arm as though she were made for him, which was odd considering he towered over her by a foot. “I bet it’s quite effective.” Charlie laughed. “Maddie Donovan, you’re everything I’ve heard and then some.” Maddie stiffened, pulling out of Mitch’s embrace and cocking her head to the side. “How do you know my name?” “Honey,” Charlie drawled, the endearment scraping a dull blade over Mitch’s nerves. “This is a small town. People don’t have anything else to do but talk. Give me time and I’ll know your whole life story.” That strawberry-stained mouth pulled into a frown, and two little lines formed between auburn brows. She studied the cracked concrete at her feet. Suddenly, she looked up, her cheeks flushing when she realized they were watching her. She smiled brightly. “Oh well, I guess this is what I get for making an entrance.” Charlie
Jennifer Dawson (Take a Chance on Me (Something New, #1))
There’s something else, too, Miss Emmie.” Stevens had gone bashful now, and Emmie was intrigued. “Here.” Stevens beckoned her to follow him out the back of the stables, to where a separate entrance led to a roomy foaling stall. “He said you needed summat other’n t’mule, and you’re to limber her up, as Miss Winnie will be getting a pony soon.” A sturdy dapple-gray mare stood regarding Emmie from over a pile of hay. She turned a soft eye on Emmie and came over to the half door to greet her visitors. “Oh, Stevens.” Emmie’s eyes teared up again. “She is so pretty… so pretty.” “He left ye a message.” Stevens disappeared back into the barn and came out with a sealed envelope. “I can tack her up if ye like.” Emmie tore open the envelope with shaking fingers. How dare he be so thoughtful and generous and kind? Oh, how dare he… She couldn’t keep the horse, of course; it would not be in the least proper, but dear Lord, the animal was lovely… My dear Miss Farnum, Her name is Petunia, and she is yours. I have taken myself to points distant, so by the time I return, you will have fallen in love with her, and I will be spared your arguments and remonstrations. She is as trustworthy and reliable a lady as I have met outside your kitchen, and at five years of age, has plenty of service yet to give. Bothwell has been alerted you will be joining him on his rides, should it please you to do so. And if you are still determined not to keep the horse, dear lady, then consider her my attempt at consolation to you for inflicting Scout on the household in my absence. St. Just He’d drawn a sketch in the corner of Scout, huge paws splayed, tongue hanging, his expression bewildered, and broken crockery scattered in every direction. The little cartoon made Emmie smile through her tears even as Winnie tugged Scout out behind the stables to track Emmie down. “Are you crying, Miss Emmie?” Winnie picked up Emmie’s hand. “You mustn’t be sad, as we have Scout now to protect us and keep us company.” “It isn’t Scout, Winnie.” Emmie waved a hand toward the stall where Petunia was still hanging her head over the door, placidly watching the passing scene. “Oh.” Winnie’s eyes went round. “There’s a new horse, Scout.” She picked up her puppy and brought him over to the horse. The mare sniffed at the dog delicately, then at the child, then picked up another mouthful of hay. “Her name’s Petunia,” Emmie said, finding her handkerchief. “The earl brought her from York so I can ride out with the vicar.” “She’s very pretty,” Winnie said, stroking the velvety gray nose. “And not too big.” The mare was fairly good size, at least sixteen and a half hands, and much too big for Winnie. “Maybe once I get used to her, I can take you up with me, Winnie. Would you like that?” “Would I?” Winnie squealed, setting the dog down. “Did you hear that, Scout? Miss Emmie says we can go for a ride. Oh… We must write to the earl and thank him, Miss Emmie, and I must tell Rose I have a puppy, too. I can knight Scout, can’t I?” “Of course you may,” Emmie said, reaching for Winnie’s hand. “Though you must know knights would never deign to be seen in the castle kitchens, except perhaps in the dead of winter, when it’s too cold to go charging about the kingdom.” “Did knights sleep in beds?” “Scout can stay with Stevens above the carriage house when you have repaired to your princess tower for your beauty sleep.” “I’ll ask Scout.” It
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
He comes to a stop, plants one foot on the ground firmly, and uses his other foot to kick start his bike. He revs the throttle back a few times and looks over at me with complete excitement in his eyes as he kicks the start back into place. He nods his head back over his shoulder. “Hop on behind me and wrap your arms around my waist. You’re going to want to scoot close up against me and hold on tight, but not so tight that I can’t move freely.” I step up beside him and he reaches out his hand for me to take hold as I throw my leg up and over the seat. I scoot forward enough that my center is pressed tightly up against his rear end, and wrap my arms around his waist. Even if we didn’t move any further than this position right here, I would be a very happy girl. Adam lets out a laugh. “Even though I’m really enjoying you being this close, you might need to scoot yourself back just a bit so you can actually lean and move with me. Having you’re coochie pressed against my body has crossed my mind, but it might have to wait until later. Right now, you’re just going to manage pushing me forward.” My cheeks feel like they are on fire and my mouth drops open. I release my arms from around Adam’s waist and scoot back on the seat. “Did you just call my woman parts a coochie, and should I even ask about the wait until later comment?” I’m not going to tell him right now, but with that one simple sentence Adam has gotten me very worked up, in a very good way. Adam looks back over his shoulder and I can tell he’s smiling by the look in his eyes. “Well, I wasn’t sure what type of girl you were as far as vagina terminology goes? Coochie seemed like a safe word, but I have many options you can choose from that you might prefer. There is always the common pussy and cunt terms, then there are the more original ones like; cockpit, mud flaps, love tunnel, bone cave, meat massager, theme park, dick mitten….” I start shaking my head back and forth. “Ok, Ok, I got it. Coochie will do for now, I guess, and I will give it some more thought later as to a term I more prefer. I don’t think we need to keep talking about this right now if you plan on actually showing me why I should be your biggest fan and you my favorite rider out at the races. This is just a big distraction instead.” Adam reaches back and places his hand on my knee. “Maybe it’s a major part of making you my biggest fan as well as showing you that I’m meant to be your favorite rider. It can wait, though. Hold on and we can head on out toward the field.” I grab back hold of Adam and keep my coochie slid back further on the seat this time. “That might be a very strong incentive, Adam, for us both. I agree. Oh and you forgot to mention; purple people penis eater, honey pot, poody tat, stop-n-pop….” Adam releases my leg and grabs back hold of the handle. “Ok, you’re right; we will continue this conversation later on.
Joan Duszynski (In The Now (In The Moments, #2))
Senator Warren questions SEC chair on broker reforms 525 words By Sarah N. Lynch WASHINGTON (Reuters) - Senator Elizabeth Warren said Friday that the Labor Department should press ahead with brokerage industry reforms, and not be deterred by the Securities and Exchange Commission's plans to adopt its own separate rules.    President Barack Obama, with frequent Wall Street critic Warren at his side, last month called on the Labor Department to quickly move forward to tighten brokerage standards on retirement advice, lending new momentum to a long-running effort to implement reforms aimed at reducing conflicts of interest and "hidden fees." But that effort could be complicated by a parallel track of reforms by the SEC, whose Chair Mary Jo White on Tuesday said she supported moving ahead with a similar effort to hold retail brokers to a higher "fiduciary" standard. "I want to see the Department of Labor go forward now," Warren told Reuters in an interview Friday. "There is no reason to wait for the SEC. There is no question that the Department of Labor has the authority to act to ensure that retirement advisers are serving the best interest of their clients." Warren said that while she has no concerns with the SEC moving forward to write its own rules, she fears its involvement may give Wall Street a hook to try to delay or water down a separate ongoing Labor Department effort to craft tough new rules governing how brokers dole out retirement advice. She also raised questions about White's decision to unveil her position at a conference hosted by the Securities Industry and Financial Markets Association (SIFMA), a trade group representing the interests of securities brokerage firms. Not only is the SEC the lead regulator for brokers, but unlike the Labor Department, it is also bound by law to preserve brokers' commission-based compensation in any new fiduciary rule.     "I was surprised that (Chair) White announced the rule at a conference hosted by an industry trade group that spent several years and millions of dollars lobbying members of Congress to block real action to fix the problem," Warren said. Warren, a Massachusetts Democrat who frequently challenges market regulators as too cozy with industry, stopped short of directly criticizing White. The SEC and SIFMA both declined to comment on Warren's comments. SIFMA has strongly opposed the Labor Department's efforts, fearing its rule will contain draconian measures that would cut broker profits, and in turn, force brokers to pull back from offering accounts and advice to American retirees. It has long advocated for the SEC to take the lead on a rule that would create a new uniform standard of care for brokers and advisers. The SEC has said it has been coordinating with the Labor Department on the rule-writing effort, but on Tuesday White also acknowledged that the two can still act independently of one another because they operate under different laws. The industry and reform advocates have been waiting now for years to see whether the SEC would move to tighten standards.     Warren expressed some skepticism on Friday about whether the SEC will ever in fact actually adopt a rule, saying that for years the agency has talked about taking action, but has not delivered. (Reporting by Sarah N. Lynch; Editing by Christian Plumb)
Anonymous
The scientific method gives us information by testing and repeating observable things so that we can find the rules for the way that the universe generally works. But if you were to try and use it to prove that Henry VIII had six wives, you would be powerless.
Lewis N. Roe (From A To Theta: Taking The Tricky Subject Of Religion And Explaining Why It Makes Sense In A Way We Can All Understand)
To begin with, you have to grasp the fact that Christian virtue isn’t about you—your happiness, your fulfillment, your self-realization. It’s about God and God’s kingdom, and your discovery of a genuine human existence by the paradoxical route—the route God himself took in Jesus Christ!—of giving yourself away, of generous love which constantly refuses to take center stage.
N.T. Wright (After You Believe: Why Christian Character Matters)
Hope can give you wings, persistence, and energy. If you’re out of work, and want to stay upbeat, then greet the sunrise, go for a walk, count your blessings, listen to beautiful music, drink more water than usual, eat simpler, exercise more, laugh with your family and friends, watch cartoons, take naps in the daytime if you can’t sleep well at night, but for heaven’s sakes, don’t obsess about depressing statistics. Just determine to find alternatives for everything you are doing about your job-hunt and your life. You want to be the exception to whatever the odds are, about anything. Hold on to Hope, and you can beat those odds.
Richard Nelson Bolles (What Color Is Your Parachute? 2012: A Practical Manual for Job-Hunters and Career-Changers)
For many of us, the job-hunt offers a chance to make some fundamental changes in our whole life. It marks a turning point in how we live our life. It gives us a chance to ponder and reflect, to extend our mental horizons, to go deeper into the subsoil of our soul. It gives us a chance to wrestle with the question, “Why am I here on Earth?” We don’t want to feel that we are just another grain of sand lying on the beach called humanity, unnumbered and lost in the billions of other human beings. We want to do more than plod through life, going to work, coming home from work. We want to find that special joy, “that no one can take from us,” which comes from having a sense of Mission in our life. We want to feel we were put here on Earth for some special purpose, to do some unique work that only we can accomplish. We want to know what our Mission is.
Richard Nelson Bolles (What Color Is Your Parachute? 2012: A Practical Manual for Job-Hunters and Career-Changers)
I think mentoring is simply an inborn passion and not something you can learn in a classroom. It can only be mastered by observation and practice. I also realized that most mentees select you, and not the other way round. The mentor’s role is to create a sense of comfort so that people can approach you and hierarchy has no role to play in that situation. The mentee has to believe that when they share anything, they are sharing as an equal and that their professional well-being is protected, that they won’t be ridiculed or their confidentiality breached. As a mentor you have to create that comfort zone. It is somewhat like being a doctor or a psychiatrist, but mentoring does not necessarily have to take place only in the office. For example, if I was travelling I would often take along a junior colleague to meet a client. I made sure they had a chance to speak and then afterwards I would give them feedback and say, ‘You could have done this or that’. Similarly, if I observed somebody when they were giving a pitch or a talk, I would meet them afterwards or send them an e-mail to say ‘well done’ or coach them about how they could have done better. This trait of consciously looking for the bright spark amongst the crowd has paid me rich dividends. I spotted N. Chandrasekaran (Chandra), TCS’s current Chief Executive, when he was working on a project in Washington, DC in the early 1990s; the client said good things about him so I asked him to come and meet me. We took it from there. Similarly urging Maha and Paddy to move out of their comfort zones and take up challenging corporate roles was a successful move. From a leadership perspective I believe it is important to have experienced a wide range of functions within an organization. If a person hasn’t done a stint in HR, finance or operations, or in a particular geography or more than one vertical, they stand limited in your learning. A general manager needs to know about all functions. You don’t have to do a deep dive—a few months exploring a function is enough so long as you have an aptitude to learn and the ability to probe. This experience is very necessary today even from a governance perspective.
S. Ramadorai (The TCS Story ...and Beyond)
I think you guys should take a road trip to Roswell,” I joked. “Maybe you can prove that Elvis is still alive and break the Da Vinci Code on the way,” he added and I giggled. Mark and Adam gave each other a look. “I think it’s just the two of us now, Adam,” Mark said. “Want to lay some cash on how long he has?” Adam asked. “Six months,” Mark answered. “Until engagement or actual marriage?” “Just until engagement. You’ve got to give him some time to get past denial and make it to acceptance.
N.M. Silber (The Law of Attraction (Lawyers in Love, #1))
Power of Prayer     “The LORD has heard my cry for mercy; the LORD accepts my prayer” (Psalm 6:9).     I realize the power of prayer and the importance of praying for others. Yet sometimes I have these pesky doubts sprouting up in the garden of my mind, like weeds. Unless I pull out the root of the problem, they will continue to grow and return.   Recently, I prayed for my daughter’s healing. I also used common sense, having her sleep and take it easy all day. But then this morning her cough continued. It got progressively worse on our walk to the bus stop. Later in the day, she even had to break from an aggressive game of hide-n-seek to give her lungs a rest.   I found myself wondering; I know God is a miracle-working God, so why is she not healed? I know that God heals the sick, so why is she still coughing? I know that God says, ask and you shall receive (Luke 11) so why has my prayer not been heard? I want a miracle now. I know it’s within God’s power. Her lungs could become instantly made perfect in a simple command.   So knowing He can do this, why doesn’t He?   I reason that either: a) God didn’t hear my prayer, b) He heard my prayer and ignored it, c) He heard my prayer and answered, Yes later, or d) He heard my prayer and answered, No.   a)   He didn’t hear my prayer   I know God hears my prayers, based on scripture and my own experiences. There are lots of passages in the Bible to back up the fact that God does hear us. “This is the confidence we have in approaching God: that if we ask anything according to his will, he hears us” (1 John 5:14).   My own experiences even include God hearing my inner, unspoken prayers. I have prayed for safety, while driving in dangerous storms, and He answered my prayer. I have prayed for help and He answered immediately. Actually, I could fill this page and the next with prayers answered, both verbally expressed and those silently directed to God, as proof that He does hear my prayers.   b)   He heard my prayer and ignored it   Given that God hears my prayer, He can either respond, Yes or No. Considering that nothing is impossible for God (Luke 18 ) and He is a just and loving God, there is no reason for Him to ignore me. He calls to me everyday. Since He wants to communicate with me, it would be against His very nature to ignore me. He is
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
we all are going to keep going through things. That doesn’t give us the right to take a needle, fill it with all our hurt, pain, and misery, and then inject it into other people’s lives.
E.N. Joy (I Ain't Me No More (Always Diva, #1))
Sadhaka : Should not we have the desire to practise the yoga? Sri Aurobindo : N o . Sadhaka : Then h o w c a n we practise t h e yoga? Sri Aurobindo : You must have the wi l l fo r i t : will and desire are two distinct thing s . You have t o distinguish between true and false movements in the nature and give your consent t o the true ones. Sadhaka : We must use our Buddhi-intellect- for distinguishing the true from the false. Sri Aurobindo : It i s not b y Buddhi or understanding that you per­ ceive these things,- it is b y an inner perception or vision . It is not the intellect but something higher that sees. I t is the Higher Mind in which that inner perception, intuition etc. take
Anonymous
Power of Prayer     “The LORD has heard my cry for mercy; the LORD accepts my prayer” (Psalm 6:9).     I realize the power of prayer and the importance of praying for others. Yet sometimes I have these pesky doubts sprouting up in the garden of my mind, like weeds. Unless I pull out the root of the problem, they will continue to grow and return.   Recently, I prayed for my daughter’s healing. I also used common sense, having her sleep and take it easy all day. But then this morning her cough continued. It got progressively worse on our walk to the bus stop. Later in the day, she even had to break from an aggressive game of hide-n-seek to give her lungs a rest.   I found myself wondering; I know God is a miracle-working God, so why is she not healed? I know that God heals the sick, so why is she still coughing? I know that God says, ask and you shall receive (Luke 11) so why has my prayer not been heard? I want a miracle now. I know it’s within God’s power. Her lungs could become instantly made perfect in a simple command.   So knowing He can do this, why doesn’t He?   I reason that either: a) God didn’t hear my prayer, b) He heard my prayer and ignored it, c) He heard my prayer and answered, Yes later, or d) He heard my prayer and answered, No.   a)   He didn’t hear my prayer   I know God hears my prayers, based on scripture and my own experiences. There are lots of passages in the Bible to back up the fact that God does hear us. “This is the confidence we have in approaching God: that if we ask anything according to his will, he hears us” (1 John 5:14).   My own experiences even include God hearing my inner, unspoken prayers. I have prayed for safety, while driving in dangerous storms, and He answered my prayer. I have prayed for help and He answered immediately. Actually, I could fill this page and the next with prayers answered, both verbally expressed and those silently directed to God, as proof that He does hear my prayers.   b)   He heard my prayer and ignored it   Given that God hears my prayer, He can either respond, Yes or No. Considering that nothing is impossible for God (Luke 18 ) and He is a just and loving God, there is no reason for Him to ignore me. He calls to me everyday. Since He wants to communicate with me, it would be against His very nature to ignore me. He is merciful and kind, forgiving and gentle. If anything, He wants a relationship with me and so He would not ignore me. “For the eyes of the Lord are on the righteous and his ears are attentive to their prayer” (1 Peter 3:12).   c) He heard my prayer and answered, Yes later   I know that God hears my prayers. I know by His very nature He would not ignore my prayers. (2 Chronicles 7 NIV) So He may be saying, Yes later. God knows the past, the present and the future. He lives in eternity. He knows what is best for me and when. His timing is perfect and I must learn to accept this. I must lift my prayer to Him and then settle back knowing that He is in full control.   It’s just a matter of patience. “We do not want you to become lazy, but to imitate those who through faith and patience inherit what has been promised” (Hebrews 6:12). Like the time I had to wait for my house to sell. I
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
Silas began after taking a swig from his canteen to wash down the last of his bread and cheese. “Platte and I will ride on back to Fifty Mile today. Both of our outfits are making their way forward now, but we need to get them settled. I want the Lymans to come up here to the Hole as soon as possible so Platte can take charge. My family will camp back at Fifty Mile for now.” “Your family?” David said. “What about you?” In answer, he turned to Ben. “Once they’re settled, I’ll come back up here for one last look. Ben, if you and Hy and John could give me your best estimate of how much powder it’s going to take, then—” Ben looked wounded. “Ya mean yur naw gonna git us a trainload?
Gerald N. Lund (The Undaunted : The Miracle of the Hole-in-the-Rock Pioneers)
Sanchez, you work your way nice and quiet about twenty-five paces that way from my position.” He pointed to a spot on the ridgeline. “Stay low, and for God’s sake, don’t skyline yourself. Eric, you take the other side. I’m going to count to sixty, and then I’m going to fire a rocket at that machine gun. When it hits, you two use the distraction to start taking out those six raiders. If you can, wound a couple so we can take them prisoner. Any more show up, give them the same treatment. We have to hold this ridge until Grabovsky gets here with reinforcements. And don’t forget, all this noise is going to draw the infected, so don’t waste ammo. Make ’em count; we might have to shoot our way out of here. Everybody clear?” We all gave an affirmative and moved into position.
James N. Cook (Warrior Within (Surviving the Dead, #3))
She whimpered as he forced another helpless moan from her lips. Moments later, he paused and raised his head, meeting her gaze across her recumbent form. "Did you say something?" 'N-no," she whispered, shuddering at the cessation of his caresses. "Oh. My mistake. Shall I continue?" Continue tormenting her, he meant. Still, how could she say no? "Please, Jack." "Please, what?" Despite their intimacy, she felt her cheeks flush. "Y-you know." "I'm sorry. I'm afraid you'll have to be more specific." She blushed and groaned. "Don't do this." "Do what?" "T-torment me." "Is that what I'm doing? I thought I was pleasuring you." "You are, but you're not letting me-" "Letting you what?" he drawled in a devil's voice. "God, I don't know how much more I can take." His eyes darkened. "Oh, you can take more. A lot more. Then again, just say the words and I'll give you what you want. Tell me how much you need this from me. Tell me how much you love this from me.
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
we can all enjoy a well-prepared meal, but unless somebody in the house knows how to cook and something about balanced diets, we risk either obesity or malnutrition—or even food poisoning. The theological equivalents of those may take longer for symptoms to appear, but unless someone in the church—in each Christian gathering, in each generation—is working on deeper understandings of foundational Christian truth, it is perilously easy for individuals and communities to drift away from the life-giving meaning of the gospel itself.
N.T. Wright (The Day the Revolution Began: Reconsidering the Meaning of Jesus's Crucifixion)