Salisbury Quotes

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How could there be different Gods, Lief?" "I don't believe there are any at all," he says quietly. "But I believe there are men and women whose lives are made easier by believing someone is watching over them.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
I am the perfect weapon, I can kill with a single touch.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.
Donna Tartt (The Secret History)
If I come to you, I want it to be because I am choosing you, for no reason other than that. I don't want for to ever doubt it.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
WESTMORELAND. O that we now had here But one ten thousand of those men in England That do no work to-day! KING. What's he that wishes so? My cousin Westmoreland? No, my fair cousin; If we are mark'd to die, we are enow To do our country loss; and if to live, The fewer men, the greater share of honour. God's will! I pray thee, wish not one man more. By Jove, I am not covetous for gold, Nor care I who doth feed upon my cost; It yearns me not if men my garments wear; Such outward things dwell not in my desires. But if it be a sin to covet honour, I am the most offending soul alive. No, faith, my coz, wish not a man from England. God's peace! I would not lose so great an honour As one man more methinks would share from me For the best hope I have. O, do not wish one more! Rather proclaim it, Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
We are like dwarfs sitting on the shoulders of giants. We see more, and things that are more distant, than they did, not because our sight is superior or because we are taller than they, but because they raise us up, and by their great stature add to ours.
John of Salisbury (Metalogicon of John Salisbury)
Fortune favors the bold." I smile weakly. "So does death," she counters immediately. "The craven tend to live much longer than the heroic.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
A person can say a lot without speaking.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
That’s the trouble with knowing things: you can’t un-know them. Once you let yourself look at them, or say them aloud, they become real.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
Just as the soul animates the body, so, in a way, meaning breathes life into a word.
John of Salisbury (The Metalogicon of John of Salsibury: A Twelfth-Century Defense of the Verbal and Logical Arts of the Trivium)
IF YOU BELIEVE THE DOCTORS,” Salisbury once remarked, “nothing is wholesome; if you believe the theologians, nothing is innocent; if you believe the soldiers, nothing is safe.
Margaret MacMillan (The War That Ended Peace: The Road to 1914)
Were you disappointed?” She takes a deep breath, looking down at her hands. “My heart was. My head wasn’t. Most days I’m at war with myself. My head wins, usually. And for that I’m glad.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
... but for now it's too great a pleasure to stay in my own cottage, with my own books, and do exactly what I want to do.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
I am not cunning...I'm good at seeing around obstacles is all.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
There’s no snobbery like that of the poor toward one another.
Dorothy Salisbury Davis
That's the problem with fairy tales, they change with the telling.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
Perhaps I shall not write my account of the Paleolithic at all, but make a film of it. A silent film at that, in which I shall show you first the great slumbering rocks of the Cambrian period, and move from those to the mountains of Wales, from Ordovician to Devonian, on the lush glowing Cotswolds, on to the white cliffs of Dover... An impressionistic, dreaming film, in which the folded rocks arise and flower and grow and become Salisbury Cathedral and York Minster...
Penelope Lively (Moon Tiger)
I've never seen Salisbury steak on a restaurant menu. It's only in frozen dinners. Is there something we should know about that? What IS Salisbury steak anyway? And where do they hunt or harvest the salisburies?
Kelli Jae Baeli (Bettered by a Dead Crustacean)
In the stories of old, a hero is the one who sweeps in with a drawn sword and noble face, to kill the Dragon and free the princess. In the stories of old it never seems to dawn on the princess that she should be careful not to put herself at mercy of those who would do her ill in the first place. I don't live in the stories of old.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
I’ve learned that being alone and being lonely are not the same thing. Once I was surrounded by people and lonely for it, but now I’m alone and I’ve never been so content.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
Then was the monument called "Stonehenge," which stands, as all men know, upon the plain of Salisbury to this very day.
James Knowles (The Legends of King Arthur and His Knights)
It's difficult to grieve for an idea.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
I can see the things he doesn’t say, because they’re written all over him.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
Why do I matter to you?” I say, my voice breaking. “You don’t.” “Then why are you doing this?” “Because I can. Because I slept for five hundred years and now I want some sport.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
The apothecary, the monk and the living Goddess went to war. We sound like the start of a joke.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
Er, Nick can see illusions, so he’ll be going into Salisbury. Who—?”  Now there was a question hanging in the car like very awkward air freshener.
Sarah Rees Brennan (The Demon's Lexicon)
he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
Jamie had seen Nick at school, at home, and at the Goblin Market, which meant that Jamie knew him better than anyone but Alan.  It only now occurred to Nick that he was fairly sure Jamie was scared of him, and here they were stranded together in Salisbury.  Well, he was helping to save Jamie’s life. Jamie could learn to cope. 
Sarah Rees Brennan (The Demon's Lexicon)
When will I be sure?” “Sure of what?” “Of me. Of who I am. Of what I’m here for. When will I know?” “Never. You never will. No matter what happens. You will always have those moments of doubt and you will always make mistakes.
Melinda Salisbury (The Scarecrow Queen (The Sin Eater’s Daughter, #3))
He reached for the sugar pot, measured out three heaped spoonfuls, stirring slowly. He was grateful for this small task, this one thing he could do to take away the bitterness.
Emma Salisbury (A Place of Safety (DS Coupland, #2))
One who comprehends truth is wise, one who loves it good, one who orders his life in accordance with it happy.
John of Salisbury
The only sure road to truth is humility.
John of Salisbury
Seeking is a necessary preliminary to finding, and one who cannot endure the hardship of inquiry cannot expect to harvest the fruit of knowledge.
John of Salisbury (Metalogicon of John Salisbury)
It is not until you draw something, whether it is an object, a building or an activity, that you really begin to understand it.
Martin Salisbury (Illustrating Children's Books: Creating Pictures for Publication)
But I want you,” he smiles at me. “Not just to make me a king. I’ve always wanted you. Despite it all, you are still the bride I would choose. I do choose you.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
The library never closed.
Harrison E. Salisbury (The 900 Days: The Siege of Leningrad)
Mysterious boys are not as enjoyable in reality as they are in stories" -Errin
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
If I have seen a little further it is by standing on the shoulders of giants. - From a letter to Robert Hooke dated February 5th, 1676. The metaphor was first recorded in 1159 by John of Salisbury and attributed to Bernard of Chartres: Dicebat Bernardus Carnotensis nos esse quasi nanos, gigantium humeris insidentes, ut possimus plura eis et remotiora videre, non utique proprii visus acumine, aut eminentia corporis, sed quia in altum subvenimur et extollimur magnitudine gigantea.
Isaac Newton
But at least when she has the beast in her she can see me. She can hear me. When she’s my mother I’m a ghost to her. Like my father, and my brother, except I’m still alive. I’m still here.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
If someone had told me six moons ago, before I watched my life slip through my hands like water, that my mother would be cursed, locked away, and drugged by my own hand, I would have laughed in their face. Then I would have kicked them for the insult and laughed again.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
In every fairy tale there is a kernel of truth, and that is the truth of this one. For him, I am poison. I am his death. And I will deliver.
Melinda Salisbury (The Scarecrow Queen (The Sin Eater’s Daughter, #3))
And that, my girl, is the secret. Quake all you must on the inside. But on the outside you must be stone. And you never know; with enough practice it might become the truth.
Melinda Salisbury (The Scarecrow Queen (The Sin Eater’s Daughter, #3))
Make the most of every single day, your meter's always running.
Travis Salisbury (Defender: A Scottish American Fairy Tale)
Burn all the food, and people will starve, weaken, and turn on one another. Destroy the temples and their acolytes, and the people will have nowhere to turn, no sanctuary, no charity. No hope.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
I’m a king. My father told me a king can rule through fear, or through love. Fifty years from now, the people will love me. They won’t remember this – and those who do will consider it the necessary dark before the dawn. When they have prosperity, and security, and know their place, they will be content and they will love me for it. But until then, I’ll rule through fear if I have to.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
I’ve been waiting for you,” he says in his low, ragged voice. All of him is ragged: his patched cloak; his shabby gloves, the fingertips thin and worn; his scuffed boots. His words always seem to catch on my insides, like a goose grass burr, or a torn fingernail dragged across silk. His voice sticks.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
This I feared was beyond the strength of any one man: however the groom was a man - Of Atlantean shoulders, fit to bear The weight of mightiest monarchies; and had a back as spacious as Salisbury plain.
Thomas de Quincey (Confessions of an English Opium Eater)
You’re here,” he says, and his voice is like sunshine, like honey, it’s warm and rich and moreish. “I’m so very glad.” Where Silas’s voice is spikes and edges, every word a warning, this man’s voice is smooth, velvety and beckoning.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
I dream of the man, but it’s fragmented: he’s there, but he isn’t. He’s always one room away, in a place with more rooms than seems possible. I run down endless halls, longing for and dreading him being around the corner. I hear him call out for me and the skin on the back of my neck tightens and prickles. I don’t know if I’m running to him, or from him.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
A Cathedral Façade at Midnight Along the sculptures of the western wall I watched the moonlight creeping: It moved as if it hardly moved at all Inch by inch thinly peeping Round on the pious figures of freestone, brought And poised there when the Universe was wrought To serve its centre, Earth, in mankind’s thought. The lunar look skimmed scantly toe, breast, arm, Then edged on slowly, slightly, To shoulder, hand, face; till each austere form Was blanched its whole length brightly Of prophet, king, queen, cardinal in state, That dead men’s tools had striven to simulate; And the stiff images stood irradiate. A frail moan from the martyred saints there set Mid others of the erection Against the breeze, seemed sighings of regret At the ancient faith’s rejection Under the sure, unhasting, steady stress Of Reason’s movement, making meaningless.
Thomas Hardy (Collected Poems)
Yōshoku is the Japanese take on Western foods; much of it was created during the Meiji period (1868-1912), when, after centuries of isolation, Japan began importing goods and ideas from the outside world, including food. Yōshoku dishes such as hambaagu (salisbury steak in brown sauce), curry rice, potato croquettes, and "spaghetti naporitan" are now much-loved comfort food. They're also so unlike the dishes that inspired them that they tend to be really hard for Westerners to appreciate.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
TWICE THIS POLICY would bring Britain into war with Germany until, by 1945, Britain was too weak to play the role any longer. She would lose her empire because of what Lord Salisbury had said in 1877 was “the commonest error in politics…sticking to the
Patrick J. Buchanan (Churchill, Hitler, and "The Unnecessary War": How Britain Lost Its Empire and the West Lost the World)
All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief  by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief  (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle
Andrew Clements (The Losers Club)
The librarians sent books to the hospitals. They answered a thousand questions put to them by the military and civil authorities: How could Leningrad make matches? How could flint and steel lighters be manufactured? What materials were needed for candles? Was there any way of making yeast, edible wood, artificial vitamins? How do you make soap? The librarians found recipes for candles in old works of the eighteenth century.
Harrison E. Salisbury (The 900 Days: The Siege of Leningrad)
Scarron is the kind of village people are born in and die in. Rarely does anyone leave. Still more rarely does a new face arrive. So unless the girl is in hiding, like Silas was, I should be able to find her easily; she’d be known as the “new one” for the next fifty years if she stayed here.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
I sat across from Riley and Ivan sat next to me. Riley glanced at Ivan, who was vigorously cutting up a Salisbury steak: something Riley would never have eaten. Then Oak, Ezra, and Lucas turned up, managing to seem like at least five people. They kept sitting down and jumping up and going to get things and changing seats.
Elif Batuman (Either/Or)
I’m not free, my lady,” he says slowly. “I can no more wander off and do as I will than you can.You think of having choices like people think of flying. They see a hawk soaring and hovering and they tell themselves how nice it would be to fly. But pigeons can fly, and sparrows too. No one imagines being a sparrow though. No one wants that.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
the system glorified by John of Salisbury and John Fortescue, was unjust in a thousand all too obvious ways, but it offered those on the lowest rungs one notable freedom: the freedom not to have to take the achievements of quite so many people in society as reference points—and so find themselves severely wanting in status and importance as a result.
Alain de Botton (Status Anxiety)
They are blank, without conscience, without soul. I know all about souls. Before I became Daunen Embodied I was the Sin Eater’s daughter.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
There are a few lonely places in this world, and the wastes of the great Alaskan Interior are the loneliest of them all.
Gay Salisbury (The Cruelest Miles: The Heroic Story of Dogs and Men in a Race Against an Epidemic)
People don't forget what it is to be loved. No matter how young or old you are, or for how long you had it, you always remember what it is to feel loved.
Melinda Salisbury
The four cruellest words in the English language are "I told you so.
Lord Salisbury
In Georgia to suspect was to believe, and the only hand you could really trust was that of your enemy because you knew it held a dagger.
Harrison E. Salisbury
You’re not here for a long time, just a good time and Insiders’ Guides show you how
Yvonne Salisbury (Beer, Bratwurst and Breze)
Other people come and go, but family is for ever.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
Then he dies. He just dies. One moment his eye is bright and focused and the next… I see him die; I see the change. Indefinable, but something in him is gone, something permanent.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
Scarecrow queen. Nothing but a dupe, alone in a field, hoping to keep the crows at bay.
Melinda Salisbury (The Scarecrow Queen (The Sin Eater’s Daughter, #3))
Detective Sergeant Jonathan Searle, a Cambridge-educated art historian who worked at Special Branch, the muscle behind British intelligence on national security and espionage.
Laney Salisbury (Provenance: How a Con Man and a Forger Rewrote the History of Modern Art)
Enough. I don’t have time for this; self-pity’s a luxury that I can’t afford. Like bread. Or pride. Enough, Errin. There’s work to do. Get up.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
Mysterious boys are not as enjoyable in reality as they are in stories.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
Forgive me again.” He lifts the carafe and refreshes his goblet. “What happened to those two children who laughed at dandelion fuzz?” he says softly. “Are they gone forever, do you think?
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
Her cheeks began to burn. Again. Was this going to be her permanent state? Blushing every time Mr. Salisbury did or said anything, or anyone (such as her grandmother) did or said anything around him? Was she to be in a constant state of acute Salisburyness? The sooner she learned how to do what needed to be done, the better. She did not want to Salisbury her way through life.
Megan Frampton (My Fair Duchess (Dukes Behaving Badly, #5))
The latter part of our Journey from the entrance of Wiltshire into Salisbury was very rough and abounded with Jolts, the Holes we were obliged to go through being very many and some of them Deep; and so it was with much Relief that we left the Coach at Salisbury and hired two Horses for the road across the Avon to the Plain and Stone-henge. When we came to the edge of this sacred Place, we tethered our Horses to the Posts provided and then, with the Sunne direct above us, walked over the short grass which (continually cropt by the flocks of Sheep) seemed to spring us forward to the great Stones. I stood back a little as Sir Chris. walked on, and I considered the Edifice with steadinesse: there was nothing here to break the Angles of Sight and as I gaz'd I opened my Mouth to cry out but my Cry was silent; I was struck by an exstatic Reverie in which all the surface of this Place seemed to me Stone, and the Sky itself Stone, and I became Stone as I joined the Earth which flew on like a Stone through the Firmament. And thus I stood until the Kaw of a Crow rous'd me: and yet even the call of the black Bird was an Occasion for Terrour, since it was not of this Time. I know not how long a Period I had traversed in my Mind, but Sir Chris. was still within my Sight when my Eyes were cleard of Mist. He was walking steadily towards the massie Structure and I rushed violently to catch him, for I greatly wished to enter the Circle before him. I stopped him with a Cry and then ran on: when Crows kaw more than ordinary, said I when I came up to him all out of Breath, we may expect Rain. Pish, he replied. He stopped to tye his Shooe, so then I flew ahead of him and first reached the Circle which was the Place of Sacrifice. And I bowed down.
Peter Ackroyd (Hawksmoor)
I’m tired of taking people’s sins on myself. I’m tired of running away from everything. I want to be like Errin. Like Nia. Like Sister Hope. I want to be the girl who fought a golem, the girl who slammed her hands on a table and told a room full of powerful women that I was going to fight, and to hell with them. I survived the court of Lormere. I survived the journey to Scarron. I survived the Sleeping Prince’s raid on the Conclave. I am a survivor.
Melinda Salisbury (The Scarecrow Queen (The Sin Eater’s Daughter, #3))
Harrison Salisbury When Amor Towles was ten years old, he threw a bottle containing a short note he had written into the Atlantic Ocean. A few weeks later he received a letter from the man who found it: Harrison Salisbury, the managing editor of The New York Times. From this childhood incident, a correspondence developed between Salisbury and Towles and they eventually met. In his earlier career, Harrison Salisbury was the real-life chief correspondent for The New York Times in Moscow. The author of an important history of the Russian Revolution, Black Nights, White Snow, his memoirs were the source of some of the detail Towles uses in A Gentleman in Moscow. Salisbury’s cameo appearance in the novel, along with the mention of his fedora and trench coat (stolen by the Count as a disguise) pay tribute to Salisbury’s literary legacy on early twentieth century Russia as well as the author’s serendipitous connection with him.
Kathryn Cope (Study Guide for Book Clubs: A Gentleman in Moscow (Study Guides for Book Clubs))
Once upon a time there was a young apprentice apothecary who lived on a red-brick farm with a golden thatch roof, surrounded by green fields. She had a father who called her a “clever girl” and gave her a herb garden all of her own, and a mother who was whole and kind. She had a brother who knew how to smile and laugh. But then one day her father had an accident and, despite her efforts to save him, he died. And so did all of her hopes and dreams. The farm – the family’s home for generations – was sold. Her mother’s brown hair greyed, her spirit dulled as she drifted towards Almwyk like a wraith, uncomplaining, unfeeling. And her brother, once impulsive and joyful, became cold and hard, his eyes turned east with malice.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
I was robbed, Errin.” He strokes my face with his thumb before turning it back to him. “Of my life. Of my inheritance. Snuffed out at barely twenty-two years old. I have spent five hundred years asleep. I woke to nothing. The legacy my family spent generations building is ash, scattered to the wind. I was promised a kingdom,” he snarls. “I was promised the greatest kingdom the world had ever known. And I will have one. If it means cobbling one together from the ruins of Lormere and Tregellan.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
I set off again, maintaining for some reason – perhaps because I expected further farm creatures to wander across my path – my slow speed of before. I must say, something about this small encounter had put me in very good spirits; the simple kindness I had been thanked for, and the simple kindness I had been offered in return, caused me somehow to feel exceedingly uplifted about the whole enterprise facing me over these coming days. It was in such a mood, then, that I proceeded here to Salisbury.
Kazuo Ishiguro (The Remains of the Day)
I think the worst thing is the way you lose part of yourself.” I roll on to my back and stare up at the dark, speckled roof. “There’s so much that only Lief knew about me. So many memories that we shared – mostly of things we shouldn’t have been doing – but now I’m the last one who remembers them. Times we woke in the night and stole honeycomb from the jars in the kitchen. Times we used to jump into the hay on the farm. No one will ever know me like that again. And what if I forget things? What happens then?
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
I've read all of the old stories now – "Red Blood and Dirty Gold", "The Winter Witch", "The Scarlet Varulv" – and I want more. Though I want fantasy – made-up, impossible things – I don't want stories that step out of the pages and into the world around me.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
Tell me of the flower-touched girl hidden at the ends of the earth; of betrayal and vengeance, of blossoming and blame. Tell me of heartbreak and healing, tell me what it means to forgive, to plant a seed, to watch it grow. Tell me what happens next, Muse. Sing.
Melinda Salisbury (Her Dark Wings)
The man-dog contract goes back to before the invention of writing, before the invention of the wheel, even before the invention of agriculture. In that sense, living with dogs may be one of the oldest surviving cultural landmarks of our heritage, a surviving fragment of the Stone Age.
Gay Salisbury (The Cruelest Miles: The Heroic Story of Dogs and Men in a Race Against an Epidemic)
the next day, Salisbury set out his views on Russia in typically robust language. He dismissed the talk of a Russian advance on Kandahar, which, even if it did take place, ‘will only incur a hot version of the retreat from Moscow’. As so often, Salisbury suspected that his man in St Petersburg had gone native, proposing an Anglo-Russian settlement across the board. ‘You can have an entente with a man or government but no one except Canute’s ever tried to have it with a tide‚’ he wrote, arguing that the same military–religious impulses ‘which moved the hosts of Mahomet and those which moved the hosts of Attila’ were now operating on Russia,
Andrew Roberts (Salisbury: Victorian Titan)
Lord Salisbury’s basic educational philosophy was that higher authority could, at best, have only a marginal effect; real desire to learn had to come from within. “N. has been very hard put to it for something to do,” he wrote of a son who had been left alone with him for a few days at Hatfield. “Having tried all the weapons in the gun-cupboard in succession—some in the riding room and some, he tells me, in his own room—and having failed to blow his fingers off, he has been driven to reading Sydney Smith’s Essays and studying Hogarth’s pictures.” Lady Salisbury did not share her husband’s detached approach. “He may be able to govern the country,” she said, “but he is quite unfit to be left in charge of his children.
Robert K. Massie (Dreadnought: Britain, Germany, and the Coming of the Great War)
By the end of the twentieth century Interpol was ranking art crime as one of the world’s most profitable criminal activities, second only to drug smuggling and weapons dealing. The three activities were related: Drug pushers were moving stolen and smuggled art down the same pipelines they used for narcotics, and terrorists were using looted antiquities to fund their activities. This latter trend began in 1974, when the IRA stole $32 million worth of paintings by Rubens, Goya, and Vermeer. In 2001, the Taliban looted the Kabul museum and “washed” the stolen works in Switzerland. Stolen art was much more easily transportable than drugs or arms. A customs canine, after all, could hardly be expected to tell the difference between a crap Kandinksy and a credible one.
Laney Salisbury (Provenance: How a Con Man and a Forger Rewrote the History of Modern Art)
When Camilla and her husband joined Prince Charles on a holiday in Turkey shortly before his polo accident, she didn’t complain just as she bore, through gritted teeth, Camilla’s regular invitations to Balmoral and Sandringham. When Charles flew to Italy last year on a sketching holiday, Diana’s friends noted that Camilla was staying at another villa a short drive away. On her return Mrs Parker-Bowles made it quite clear that any suggestion of impropriety was absurd. Her protestations of innocence brought a tight smile from the Princess. That changed to scarcely controlled anger during their summer holiday on board a Greek tycoon’s yacht. She quietly simmered as she heard her husband holding forth to dinner-party guests about the virtues of mistresses. Her mood was scarcely helped when, later that evening, she heard him chatting on the telephone to Camilla. They meet socially on occasion but, there is no love lost between these two women locked into an eternal triangle of rivalry. Diana calls her rival “the rotweiller” while Camilla refers to the Princess as that “ridiculous creature”. At social engagements they are at pains to avoid each other. Diana has developed a technique in public of locating Camilla as quickly as possible and then, depending on her mood, she watches Charles when he looks in her direction or simply evades her gaze. “It is a morbid game,” says a friend. Days before the Salisbury Cathedral spire appeal concert Diana knew that Camilla was going. She vented her frustration in conversations with friends so that on the day of the event the Princess was able to watch the eye contact between her husband and Camilla with quiet amusement. Last December all those years of pent-up emotion came flooding out at a memorial service for Leonora Knatchbull, the six-year-old daughter of Lord and Lady Romsey, who tragically died of cancer. As Diana left the service, held at St James’s Palace, she was photographed in tears. She was weeping in sorrow but also in anger. Diana was upset that Camilla Parker Bowles who had only known the Romseys for a short time was also present at such an intimate family service. It was a point she made vigorously to her husband as they travelled back to Kensington Palace in their chauffeur-driven limousine. When they arrived at Kensington Palace the Princess felt so distressed that she ignored the staff Christmas party, which was then in full swing, and went to her sitting-room to recover her composure. Diplomatically, Peter Westmacott, the Wales’s deputy private secretary, sent her avuncular detective Ken Wharfe to help calm her.
Andrew Morton (Diana: Her True Story in Her Own Words)
I'm not scared. I'm..." She paused. "I've been locked up in this... this dungeon of a palace my whole life. As of tomorrow, that's all I'll ever have. This palace. This life. At seventeen, that's it. My future decided." "Sorrow, I know-" "No, you don't know." Sorrow threw her arms wide, as though gesturing to all of Rhannon. "I've only ever known Rhannon as it is. This is Rhannon, for me. No one in their right mind would want me in charge of it.
Melinda Salisbury (State of Sorrow (Sorrow, #1))
This day is call’d the feast of Crispian:40 He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam’d, And rouse him at the name of Crispian. He that shall live this day, and see old age,44 Will yearly on the vigil feast his neighbours, And say, ‘To-morrow is Saint Crispian:’ Then will he strip his sleeve and show his scars, And say, ‘These wounds I had on Crispin’s day.’ Old men forget: yet all shall be forgot,49 But he’ll remember with advantages What feats he did that day. Then shall our names, Familiar in his mouth as household words,52 Harry the king, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester, Be in their flowing cups freshly remember’d. This story shall the good man teach his son;56 And Crispin Crispian shall ne’er go by, From this day to the ending of the world, But we in it shall be remembered; We few, we happy few, we band of brothers;60
William Shakespeare (The Complete Works of William Shakespeare)
By 1925, most Native Alaskans had made their pact with the modern age. They still hunted, fished, and traded on occasion, but their bread and butter was in hauling supplies and carting the U.S. mail along the trails. These were skills handed down to them by their parents and their grandparents. If the serum could rescue Nome from the ravages of an ancient plague, then its safe arrival by dogsled would be a testament to the hard-learned survival skills and spirit of the Athabaskans and Eskimos.
Gay Salisbury (The Cruelest Miles: The Heroic Story of Dogs and Men in a Race Against an Epidemic)
He never comments or judges, instead listening and absorbing and never telling me anything personal in return. But I’ve discovered that you can learn a lot without words. And what I’ve learned is hard won, because – though he’s the closest thing I have to a friend here, and as far as I know, I’m his – I have no idea what he looks like beneath his hood. It sounds impossible. It ought to be; how can you call someone a friend, know them for so long and not know what they look like? Yet I don’t. I don’t know what colour his eyes are, or his hair. I know his mouth, and the point of his chin, and his neat teeth. Once I even saw the end of his nose when he tipped his head back to laugh. But that’s all. From our first meeting, to today, he has always, always been hooded, gloved and cloaked, and he’s never removed them, never even pushed them aside, whether we’re indoors or out. When I asked him why, he told me it was safer like that. For us both. And to not ask again. Mysterious boys are not as enjoyable in reality as they are in stories.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
I would have sooner believed in fairy tales coming true. Of course, we all believe in fairy tales now. The Scarlet Varulv has slunk out of the pages and lives with me in this cottage. The Sleeping Prince has woken and sacked Lormere, an army of alchemy-made golems behind him as he murders his way across the country. Stories are no longer stories; characters run rampant through the world these days. All I’m waiting for is Mully-No-Hands to knock on the window, begging to come in and warm himself, and my life will be complete. Actually, no, that’s not what I’m waiting for.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
Sometimes he has me climb into his lap and sit there while he strokes my hair and tells me about the old days in Tallith. The seven towers of Tallith castle and the walkways between them, his life with his sister and his father. That sometimes he sounds so wistful and lonely that I forget for an instant that he’s a monster, lulled by his soft voice and his hands in my hair. Until he turns my face to his and I see him, and I recall exactly what he is, and the look in my eyes reminds him that he might control my body, but he can’t control my mind. Then he throws me to the ground and leaves me there for hours, unable to move until he wills it.
Melinda Salisbury (The Scarecrow Queen (The Sin Eater’s Daughter, #3))
No record exists of Bear’s fate. He may have survived, but in all likelihood he never ran again—a horrible fate for an animal that lived and breathed solely to run with its pack down a moonlit trail. Some dogs just won’t accept being left out of the team and will howl and moan as the team leaves the yard. Sometimes they will sink into depression and die. Even those who accept their fate to sit by and watch the team leave always keep alive the instinct to one day run again. “If ever their master comes to them with harness in hand,” a modern-day musher wrote, “they will struggle on arthritic legs to ready themselves for the trail. There may be pain in their backs, but there is always hope in their eyes.
Gay Salisbury (The Cruelest Miles: The Heroic Story of Dogs and Men in a Race Against an Epidemic)
Only the History of William Marshal described this encounter in close terms, though the broad details of its account were confirmed in other contemporary sources. One thing seems certain. This was to be no fair fight. So intent had Richard been upon hunting down his father, that he had begun his chase wearing only a doublet and light helm. This added speed to his pursuit, but left him dreadfully exposed to attack. Worse still, the Lionheart was armed with only a sword. Marshal, by contrast, had a shield and lance. The biographer described how: [William] spurred straight on to meet the advancing [Duke] Richard. When the [duke] saw him coming he shouted at the top of his voice: ‘God’s legs, Marshal! Don’t kill me. That would be a wicked thing to do, since you find me here completely unarmed.’ In that instant, Marshal could have slain Richard, skewering his body with the same lethal force that dispatched Patrick of Salisbury in 1168. Had there been more than a split second to ponder the choice, William might perhaps have reacted differently. As it was, instinct took over. Marshal simply could not bring himself to kill an un-armoured opponent, let alone the heir-apparent to the Angevin realm, King Henry II’s eldest surviving son. Instead, he was said to have shouted in reply: ‘Indeed I won’t. Let the Devil kill you! I shall not be the one to do it’, and at the last moment, lowering his lance fractionally, he drove it into Richard’s mount. With that ‘the horse died instantly; it never took another step forward’ and, as it fell, the Lionheart was thrown to the ground and his pursuit of the king brought to an end.
Thomas Asbridge (The Greatest Knight: The Remarkable Life of William Marshal, The Power Behind Five English Thrones)
Columbus on his fourth and last voyage, in 1502, left the Southern coast of Cuba, and sailing in a South-westerly direction reached Guanaja, an island now called Bonacca, one of a group thirty miles distant from Honduras, and the shores of the western continent. From this island he sailed southward as far as Panama, and thence returned to Cuba on his way to Spain, after passing six months on the Northern coasts of Panama. In 1506 two of Columbus’ companions, De Solis and Pinzon, were again in the Gulf of Honduras, and examined the coast westward as far as the Gulf of Dulce, still looking for a passage to the Indian Ocean. Hence they sailed northward, and discovered a great part of Yucatan, though that country was not then explored, nor was any landing made. The first actual exploration was made by Francisco Hernandez de Cordova in 1517, who landed on the Island Las Mugeres. Here he found stone towers, and chapels thatched with straw, in which were arranged in order several idols resembling women—whence the name which the Island received. The Spaniards were astonished to see, for the first time in the new world, stone edifices of architectural beauty, and also to perceive the dress of the natives, who wore shirts and cloaks of white and colored cotton, with head-dresses of
Stephen Salisbury (The Mayas, the Sources of Their History Dr. Le Plongeon in Yucatan, His Account of Discoveries)
With his Policraticus (1159), John of Salisbury had become the most famous Christian writer to compare society to a human body and to use that analogy to justify a system of natural inequality. In Salisbury’s formulation, every element in the state had an anatomical counterpart: the ruler was the head, the parliament was the heart, the court was the sides, officials and judges were the eyes, ears and tongue, the treasury was the belly and intestines, the army was the hands and the peasantry and labouring classes were the feet.
Alain de Botton (Status Anxiety)
Planted firmly across the path of change, operating warily, shrewdly yet with passionate conviction in defence of the existing order, was a peer who was Chancellor of Oxford University for life, had twice held the India Office, twice the Foreign Office and was now Prime Minister for the third time. He was Robert Arthur Talbot Gascoyne-Cecil, Lord Salisbury, ninth Earl and third Marquess of his line.
Barbara W. Tuchman (The Proud Tower: A Portrait of the World Before the War 1890-1914)
confusing,
Annie Salisbury (Murder in the Magic Kingdom: A Novel)
Europe is the land of great cathedrals. Chartres and Notre Dame in France are world-class by any conceivable measure. Salisbury Cathedral in England is in a class by itself, despite its remote location. St. Peters in Rome is a mecca, and to a lesser extent Rheims in Germany. My amateur eye would unhesitatingly add to that hallowed list, Burgos Cathedral here in northern Spain. It is widely considered one of the finest examples of Gothic architecture in Europe. Inspired by the French cathedralism of the Middle Ages, it doesn’t look Spanish in the least.
Bill Walker (The Best Way: El Camino de Santiago)
Hope is definitely not the same thing as optimism, it is not the conviction that something will turn out well, but the certainty that something makes sense, regardless of how it turns out. -Vaclar Havel, Disturbing the Peace.
Emma Salisbury (Fragile Cord (DS Coupland, #1))