Sailor Moon. Quotes

I am Sailor Moon, champion of justice! On behalf of the moon, I will right wrongs and triumph over evil, and that means you! - sailor moon

Who wants that? I'd rather choose to fall in love and be hurt. Sometimes I can't even sleep because I love someone too much. And there's always sadness in our lives. It's that sad feeling that keeps us going. - Usagi/Sailor Moon

Fighting evil by moonlight, winning love by daylight, never running from a real fight, she is the one named Sailor Moon!

Mamoru, please say it once more. -Usagi Again? But I've said it 50 times! -Mamoru Please? One more time? -Usagi Okay, for the last time. Marry me, Usagi. -Mamoru

Endymion, you are my first love, my only love... even if we're reborn, in another life, we'll find each other... and then... We'll fall in love again... - Princess Serenity

Girls have to be strong to protect the men they love.

Even someday when we disappear... ...and new Sailor Senshis are born... Sailor Moon, you will always be Invincible. The most beautiful shining star.

Beautiful. All this suffering at the moment of destruction.

Maybe you misunderstood.. A world without Haruka isn't a world worth saving. - Michiru/Sailor Neptune

I'm going to be my own kind of princess -Usagi Tsukino (Sailor Moon)

My Guardian is the Planet of Silence. Soldier Of Death and Rebirth Sailor Saturn! - Hotaru as Sailor Saturn

We mustn't keep meeting like this. Communications between the people of the moon and earth is forbidden...it is the way of the gods...we mustn't fall in love...but its already too late......

If i would ever fall in love.....I'm sure I would want that person to belong to me. I'd make them all mine.......but I might ruin them in the process. So I'm never going to fall in love. I don't need love right now. I have friends with the same purpose as me. I have all of you. -Rei

Mamoru, each & every one of us have stars in our hearts, & you know that the star is shining when you feel that heat…-Usagi/Sailor Moon

Luna! Artemis! lovers' spats are icing on the cake! Your just showing off to us single people! -Minako

You're amazing, and I so want to be your boyfriend, because of what you just said, and also because that shirt makes me want to take you home and do unspeakable things while we watch live-action Sailor Moon videos

The people of the world, all of them, whether it is the different race or the different language or the different lifestyle, tend to only think about what we cannot share. But our brains are all the same. We are the same people. With everyone’s strength, we can all share the same feelings. That much is obvious. But it won’t come easily.

You’re so unfair, Michiru…To leave into your own world…Don’t leave me alone…-Haruka Tenoh/Sailor Uranus

I feel, right now, that if time stopped at this moment, it would be just fine by me.

We all, everyone one of us, carry a star inside our chests. ...Light and darkness are always side-by-side. If you show even the slightest fear or tears to the darkness, it will immediately swell and come attacking, and swallow up the light. Serenity, in order to defeat the darkness and dark souls, you must keep the star inside your chest burning brightly at all times. That is your most important charge.

I won't let you take advantage of women! Here's the Mars Power flame of anger! (ROAR) I'll punish you in high heels!" - Rei/Sailor Mars

Sailor Moon, you likely will be forever immortal. For you are the most beautiful, shining heavenly body of all time.

And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors' eyes--a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby's house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.

I hope to one day write something as beautiful as Sailor Moon’s catchphrase, “In the name of the moon, I’ll punish you!” Though my abolitionist politics would revise that to: “In the name of the moon, let’s fight for nonpunitive forms of justice!

I'd just pledged to you to keep protecting the happiness of everyone on this planet, forever. And it's not a dream at all! Defending this planet is our everyday reality. We can't let ourselves get defeated here, by nightmares or even our own dreams...! ...There's no way we Sailor Guardians can lose!

我是水兵月，我要代表月亮，消灭你们！

Whenever I think of him... I don't know why, but my chest feels so tight, it's hard to breathe. I need to keep it secret just a little bit longer.

The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.

He’s got five rings in his ear, eighteen gauge to ten gauge, but when I told him to get one in his nipple to match mine, and to get a Sailor Moon tattoo - because I like Sailor Moon? - or if not that, a skull, he stopped calling me.

But all I had to show for my efforts was an impressive familiarity with obscure Sailor Moon trivia and an inexplicable desire to cosplay as Tuxedo Mask (which I may or may not have acted upon in the solitude and privacy of my own home).

Always this man gives me strength.

We have lots of ups and downs, pleasures and pains, but that's life and we learn to accept the bad with the good. Without the bad times, we wouldn't appreciate the good times.

Remember, many diseases can be cure with the power of the mind! - (Sailor Moon #1, page 68)

That was you?” “Well, it wasn’t Sailor Moon.

For one thing, Abby’s embarrassingly hetero. She’s the type who’d watch all of Sailor Moon and come away thinking Haruka and Michiru were just good friends. She probably thinks Troye Sivan’s songs are about girls.

Most of the big shore places were closed now. And there were hardly any lights except the shadowy, moving glow of the ferryboat across the sound. And as the moon rose higher, the inessential houses began to melt away till gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes, A fresh green breast of the new world. Its vanished trees had once pandered in whispers to the last and greatest of all human dreams. For a transitory, enchanted moment man must have held his breath in the presence of this continent. Face to face, for the last time in history, with something commensurate to its capacity for wonder.

This is life. Learning to love through loss. Seeking warm pockets in the bitter cold. Finding the worth of a smile on a cloudy day. Carrying the weight of the world on weary shoulders—mistakes, sins, injustices—added upon daily. Enduring burdens that spur greater strength. This is life. Sorting through layers of expressions staring you straight in the eye. A battle to be right when wrong, to be good when bad, to be content when in need, and to laugh when tearing up. This is life. Valuing things of no worth. Reevaluating dreams. Laboring ceaselessly against the current. Seeing less, wanting more, having enough. This is life. Chasing the moon when the sun would extend its warmth. Slapping the hand that would offer a gentle caress. Cowering at personal, monstrous shadows. Giving and taking in unbalanced weights. Diminishing the majesty of mountains in order to form our own lowly hills. Hoping for more than we deserve. This is life. Hurting. Despairing. Losing. Weeping. Suffering. Laboring. Sinking. Mourning. Appreciating with greater capacity and sincerity a learned knowledge that these adversities do have their opposites. This is life. A taste. A revelation. A banishment. A mercy. A test. An experience. A turbulent sea-voyage that shall assuredly reach the unseen shore, making seasoned sailors of us all. This is life.

Most of the big shore places were closed now and there were hardly any lights except the shadowy, moving glow of a ferryboat across the Sound. And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes — a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder. And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — to-morrow we will run faster, stretch out our arms farther… . And one fine morning —— So we beat on, boats against the current, borne back ceaselessly into the past.

Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years. Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away. Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate. 'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.

Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.

So there you have it: hearing voices at sea is not a pathological condition. It’s quite normal. Welcome to the world of illusions at sea. Of mirages, looming, towering, stooping and sinking. Of moons that change size, suns that change shape, horizons that bend, lights that change colour, and sounds that play hide and seek. Of waves that speak, ships that effervesce and whales that turn into baby elephants. For the sea has a lobsterpot full of tricks and illusions to confuse and beguile even the most rational 21st century sailor.

Tain Shir walks the deck of RNS Sulane between the bombs and incendiaries and steel-tipped barbs. A weapon among weapons but she alone is free. The tragedy of the knife is the hilt. The tragedy of the crossbow is the trigger. Shir has neither. She cannot be gripped nor fired. She is unmastered. The sailors are rude with her. So be it. Etiquitte is the domain of those whose power is conditional upon the respect of others, and Shir is unconditional. If she drifted alone in the void beyond the moon or if she walked among the monarchs of the ancient Cheetah Palaces she would not be altered in her capabilities or her intentions, for not one truth of her resides within a relationship to any other thing.

Nami Emo was also the greatest storybook reader in the world. Like my grandfather before her, she worked as a voice actress, doing voice-overs for documentaries and dubbing anime episodes, which Seong Young and I would watch over and over on VHS. At night, she'd read Korean Sailor Moon books to me and do all the voices. It didn't matter that she couldn't translate the chapters into English---her voice was elastic and could swing seamlessly from the cackle of an evil queen to the catchphrase of the resolute heroine, then quiver words of caution from a useless sidekick and resolve with a dashing prince's gallant coo.

Ninja beats pirate. Pirate beats ghost. Ghost beats zombie. Zombie beats most. Werewolf beats vampire. Vamp beats Imp. Imp beats fiend. Fiend beats wimp. Wizard beats cyrborg. Cyborg surely beats troll. Troll beats goblin. Goblin eats a hermit’s soul. Hermit beats child. Child beats wagon. Wagon beats moon snake. Moon snake beats dragon. Dragon beats hydra. Hydra beats sailor. Sailor beats teacher. Teacher beats tailor. Tailor beats sun worm. Sun worm beats clown. Clown beats robo-squid. Robo-squid beats town. Town fights jackals. Town will win. Town fights mummies. Town won’t fight again. Zookeeper beats hell hound. Hell hound beats giant. Giant beats accountant. Accountant beats client. Client beats frog. Frog beats himself. Knight beats Big Foot. Big Foot beats elf. Elf beats pixie. Pixie beats specter. Specter beats sea hag. Sea hag beats Hector. Hector beats serpent. Serpent beats rat. Rat beats Grandma. Grandma beats cat. Lava beats demon. Demon beats warlock. Warlock beats dinosaur. Dino beats Spock. Spock beats Lando. Lando beats Qui-Gon. Qui-Gon beats Jar-Jar. Jar-Jar beats none. Rock beats scissors. Scissors beat paper. Paper beats insect. Insect beats vapor. Wood Woman beats Tree Man. Tree Man beats the dark. The dark kills spider-fish. Spider-fish beats shark. You beat me. I beat a dentist. The dentist beats the barber. The barber is menaced. These are the rules, and never forget. Now hand over your money and place your bet.

All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief  by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief  (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle

And it did certainly appear that the prophets had put the people (engaged in the old game of Cheat the Prophet) in a quite unprecedented difficulty. It seemed really hard to do anything without fulfilling some of their prophecies. But there was, nevertheless, in the eyes of labourers in the streets, of peasants in the fields, of sailors and children, and especially women, a strange look that kept the wise men in a perfect fever of doubt. They could not fathom the motionless mirth in their eyes. They still had something up their sleeve; they were still playing the game of Cheat the Prophet. Then the wise men grew like wild things, and swayed hither and thither, crying, "What can it be? What can it be? What will London be like a century hence? Is there anything we have not thought of? Houses upside down--more hygienic, perhaps? Men walking on hands--make feet flexible, don't you know? Moon ... motor-cars ... no heads...." And so they swayed and wondered until they died and were buried nicely.

One story clearly illustrates Anne Bonny's particular mix of comedy and ingenuity. She'd heard of a French Merchantman, loaded down with silks and satins, and decided to attack it. Her plan was quite nuts. She got the crew to smear the sails and the deck of the ship with turtle blood, covered most of the crew with the same blood, dressed one of Bouspeut’s dressmaker dummies in women’s clothing and stood it in the bow of the ship, likewise splashed with blood, and positioned the crew around it like corpses. She then lobbed her tits out and, brandishing a blood-soaked boarding axe, stood quite still over this horrific scene as they sailed out to meet the Merchantman. Sailors are profoundly superstitious and once the Frenchmen caught sight of this demonic ship with the bare-breasted maniac lit by a raging moon, the Frenchmen were so repelled that they gave up without a fight. What theatre!

She had the voice of the gods, some had said. The sort of voice that could lure landlubbers to sea and sailors to their deaths, a voice that could launch a thousand ships. She had the voice of the wind and the storm and the crash of the waves and the ancient speech of the whale. She had the voice of the moon as it glided serenely across the sky and the stars as they danced behind. She had the voice of the wind between the stars that mortals never heard, that rushed and blew and ushered in the beginning and end of time.

In night... in night is when my mind is a flutter, and the world ablaze. In night I see you, subtle, yet sure wrinkles in your smile and the echoes of your laugh. In night my mind tries to forget, but it is still there branded as etchings. In night my heart is set a fire thrashing to and fro from distant lands and seas. You were a sailor but your anchor was no match for the wild waves and so you floated, but quickly sank. And in night I write about a hundred moons and a hundred deaths. But they are all you. For you are the sky and the wild seas. And in night, I think, I will sail across your shore once again and once more.

I understand the need to pass into the page. We are all wandering around this squalid planet with our little brains failing to fire at the right moment and our feet leading us into quarries filled with armed lunatics; running from barroom to courtroom with no shitting clue what led us to hack up a sailor’s pet rabbit with a machete, or torch an orphanage after watching It’s a Wonderful Life; and through these books, these beautiful books, we can create an alternative world in our heads, populated with the sort of vivacious rapscallions and fantastic fellows we’d never encounter at the bus stop, and make a home, plant a fucking flag, and live there, on our own private moon, floating forever above the earth, freeing ourselves from the stifling agony of having to fight to live in another fucker’s system.

We crossed to the sea wall. It was a clear night, very beautiful, very still - you will not remember it. I took a photo to file away for the auditor who will one day decree whether I gave you a happy childhood or not, but it came out black. I like to think the image is tucked away in your mind, though, informing the man you will one day become. This is what I like to think: that it's all there, or not all of it, just the good stuff - the midsummer stars as keen as anything, the moon gilding the waves silver, the horizon a dark expanse, the world before man. The lack of bearings took down my fever too, Sailor, which was a different type of fever altogether, a fever which on one level I hope you don't inherit, and on another I pray you do, it being the fever that makes life interesting. I felt good, little Sailor, I felt like myself. I started singing to you, not because I can sing, but despite the fact that I can't.

This Is Not an Elegy At sixteen, I was illegal and brilliant, my fingernails chewed to half-moons. I took off my clothes in a late March field. I had secret car wrecks, secret hysteria. I opened my mouth to swallow stars. In backseats I learned the alchemy of guilt, lust, and distance. I was unformed and total. I swore like a sailor. But slowly the cops stopped coming around. The heat lifted its palms. The radio lost some teeth. Now I see the landscape behind me as through a Claude glass— tinted deeper, framed just so, bits of gilt edging the best parts. I see my unlined face, a thousand film stars behind the eyes. I was every murderess, every whip- thin alcoholic, every heroine with the silver tongue. Always young Paul Newman’s best girl. Always a lightning sky behind each kiss. Some days I watch myself in the third person, speak to her in the second. I say: I will meet you in sleep. I will know you by your stillness and your shaking. By your second-hand gown. By your bruises left by mouths since forgotten. This is not an elegy because I cannot bear for it to be. It is only a tree branch against the window. It is only a cherry tomato slowly reddening in the garden. I will put it in my mouth. It will be sweet, and you will swallow.

The very human-looking, terrified eyes of the young woman are burned into my mind. “What are they?” I ask, still shaken. “They’re seals. Very fierce seals, at that.” My aunt pauses to lean back against the elaborately embroidered cushions. “Long ago, the Selkies were enchanted by a sea witch. Every full moon they come to shore somewhere on the coast, step out of their seal skin and emerge in human form. For many years they caused a great deal of havoc—attacking sailors, dismantling ships. It was terrible.” “But she looked so frail.” “Ah, it’s like I just said. Appearances can be deceiving. Selkies, in possession of their skins, are stronger than the strongest Mage, and like most seals, they are very dangerous predators.” “And without their skins?” “Very good, Elloren.” My aunt looks pleased. “You’ve gotten right to the heart of it. Without their skins, they can be easily controlled.” “Why?” “Because they lose their strength, and because they cannot transform back into seals without them. Without their skins, they cannot get back to the ocean. Being wild animals, no matter how long they are kept in human form, they desperately want to get back to their ocean home. They’re not human, Elloren. It’s only an illusion. Don’t let it trouble you.” “But why was she in a cage?” My aunt grimaces at my question, like she’s detected an unpleasant odor. “Some people like to keep them...as pets.” I scrutinize her face. She’s not looking at me. She’s now glancing toward the window impatiently. “She...she looked so terrified,” I say, upset. My aunt’s expression softens. “Well, caged wild animals are never a pleasant sight. I am completely and utterly against the Selkie trade and am doing everything I can to wipe it out.” She pats my hand reassuringly.

Only geniuses preserve their infantile voracity for 'becauses'-and the naive hope that there are real answers to every question. 'Why is the moon round? Why does the apple fall from the tree? Why are there five planets instead of twenty , and why do they move as they do? Why does milk go sour? Why could the dairymaid not get the pox? Why is the colour of a sailor's blood in the tropics a brighter red than in Hamburg? Why did the frog's legs twitch?' One of the hallmarks of genius is that he has never lost the habit of asking foolish questions like these- each of which led to a momentous discovery.

During the first century ravens or crows were often taken on board “Viking Knarr’s,” to be released thinking that they would fly in the direction of land. The lookout would observe the direction the birds flew in, so that the navigator could follow their course. Since the crow's nest is high from the vessel’s center of gravity it is subject to violent motion in relatively calm or moderate seas. Any amount of movement of the ship is amplified, causing even seasoned sailors to become sea-sick. Therefore, being sent to the crow's nest was certainly not for everyone. More recently but still prior to the advent of radar, when the visibility from the bridge of the ship was inhibited by fog, heavy seas or limited night vision lookouts were posted on the bow or high on a mast, above the low lying sea fog. By tradition the protected structure fitted to the foremast high above the deck was named the crow’s nest in deference to the earlier Viking traditions. During the 19th century this vantage point was simply made out of a barrel lashed to the highest mast that allowed the lookout to look ahead for land, other ships, flotsam or other obstructions. In later years the crow’s nest was sometimes enclosed and even electrically heated. As a young midshipman I was assigned to the bow as lookout. Peering into the dark of night I suddenly saw a bright light on the horizon. Sighting this light was a thrill and an experience that validated my usefulness! Excited with my find and without a moment’s hesitation I hurried back to where I was within shouting distance from the ships bridge and loudly announced the light as being 2 points on the starboard bow. Proud of my announced discovery, I returned to my station at the bow only to discover that what I had reported was now obviously the tip of a Sickle Moon rising in the east. At the time everyone had a good laugh but I was told that I did the right thing. It took a while but eventually I lived it down and now it makes for a good “Sea Story!”!

She had long dark hair like me and had a mouth on her that would make sailors blush.

In the popular anime series Sailor Moon, characters Uranus and Neptune are portrayed as cousins in the English dubbed translation. In the original Japanese, they are written as lovers.

Remember: there are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.” The sailor passed us and hit the

[...] The moon passes into clouds so hurt by the streetlights of your glance oh my heart The act of love is also passing like a subway bison through the paper-littered arches of the express tracks the sailor sobers he feeds pennies to the peanut machines Though others are in the night far away lips upon a dusty armpit the nostrils are full of tears High fidelity reposed in a box a hand on the windowpane the sweet calm the violin strings tie a young man's hair the bright black eyes pin far away their smudged curiosity Yes you are foolish smoking the bars are for rabbits who wish to outlive the men

You see, when we find ourselves adrift on the vast sea of love, we are tempted to grasp tighter at the rudder and oars of reason and pragmatism, thinking they will offer the same control they do on calmer tides. But affection churns the waters more than mortal grit and canniness can conquer; what sailor dares to match the moon's pull strength for strength? What cause have you to pit yourself against your heart's own sea? Why not instead believe the current's course is fair, and set aside your oars? Enjoy your moments with Lloyd. Cherish them for what they are.In my humble opinion, your current turmoil stems from fighting the current, from not fully accepting that your behaviors and feelings are those of a woman deeply in love.

sky at night, sailors delight. Red sky in the morning, sailors take warning.

Pussy Riot is a mask: a symplifying, modernizing mask. Prison, confinement, these are also masks, different masks, ones that help people of our generation to shake off cynicism and irony. When you put on a mask, you leave your own time, you abandon the world in which any sincerity will be mocked, you move into the world of cartoon heroes, where Sailor Moon and Spiderman, those consummate modern role models, can be found. (...) The masks that members of Pussy Riot wear hold, if any, a therapeutic function: yes, we belong to a generation raised on irony, but we also put on masks to reduce that impotent irony. We go out in the streets and speak plainly, without varnish, about the things that matter most.

it was a difficult matter for a private individual to finance the creation of a settlement. And Ralegh’s beloved Virgin Queen was far too cautious with her funds to finance a colonial venture, even if England’s long-running war with Spain had left enough coin in the royal treasury to cover the expense. Then, in 1603, everything changed. Early in the morning of March 24 of that year, Elizabeth I, the queen whose reign was expected to outlast the moon and sun, died in her private chamber in Richmond Palace. The queen’s death and the accession of James VI of Scotland as James I of England brought quick peace between England and Spain; freed private capital that could be used to finance foreign settlements; and made soldiers and sailors available, indeed desperate, for employment. Suddenly, English capitalists were looking hungrily at Virginia as a potential outlet for

Once again I am riding my bike on the streets of loneliness. Your thoughts are the anchor that make me ride fast yet not lose my balance. You had promised me that you would never leave me alone. But I do know that the love that you have bestowed on me is more precious than the biggest pearls discovered by the sailors on their voyages of prosperity. I too sail on myriad voyages in the ocean of my life. And your love holds my ship steady on those turbulent waters of life when the moon even does not show her face to me!

Once again I am riding my bike on the streets of loneliness. Your thoughts are the anchor that make me ride fast yet not lose my balance. You had promised me that you would never leave me alone. But I do know that the love that you have bestowed on me is more precious than the biggest pearls discovered by the sailors on their voyages of prosperity. I too sail on myriad voyages in the ocean of my life. And your love holds my ship steady in those turbulent waters of life when even the moon does not show her face to the world!

Then as now, ignorant smallfolk and superstitious sailors clung to the belief that the world was flat and ended somewhere far to the west. Some spoke of walls of fire and boiling seas, some of black fogs that went on forever, some of the very gates of hell. Wiser men knew better. The sun and moon were spheres, as any man with eyes could see; reason suggested that the world must be a sphere as well, and centuries of study had convinced the archmaesters of the Conclave there could be no doubt of that.

The Little Star That Could" Once upon a time, in a sky far, far away, there was a little star named Twinkle. Unlike the other stars that shone brightly every night, Twinkle was just a tiny speck of light. Every night, she looked at her bright friends and wished she could shine as brightly as they did. One night, the Moon came by and saw Twinkle looking sad. "Why so glum, little star?" asked the Moon. "I'm not as bright as the others. I want to shine brightly too," Twinkle replied. The Moon smiled gently and said, "Every star has its own time to shine. You have a special light within you, and one day, you'll find it." Encouraged by the Moon's words, Twinkle decided to try harder. She started by helping a lost night bird find its way home. Then, she twinkled as best as she could to guide sailors at sea. With every good deed, she felt a warm glow inside. Days passed, and Twinkle kept doing good deeds. One night, as she helped a little girl find her way home, she felt a sudden warmth. Twinkle looked down and saw that the little girl was looking up at her and smiling. The girl whispered, "Thank you, little star, for guiding me home." At that moment, Twinkle felt a burst of joy and, to her surprise, she began to shine brighter than ever before. All the other stars noticed and cheered, "Look, Twinkle is shining so brightly!" From that day on, Twinkle became known as the star who shines the brightest, not just with her light, but with her kindness and love. And she learned that it's not just about how bright you are, but about the warmth you bring to others' lives. And so, Twinkle continues to shine, reminding everyone that even the smallest star can make a big difference. The End.

I’m going to take you to the moon one day, Atlas Hale,” Nova promises like she believes it’ll happen. He never gave much thought to love — not before Nova. But when he is with her, he can see it. He can see love. In her eyes, in her smile, in the soft touch that drifted down his forearm; Atlas can see it, and for once, he finds himself wanting it one day. “I think I’d like that.” To Nova, the moon is infinite. “I think that I would like that a lot.” And an infinity with Nova doesn’t seem so bad. “Just you and me, Hawkins. To the moon?” She holds up her pinky at his words, and he nearly groans at the sight. Shaking his head, Atlas hooks his pinky around her own. “To the moon.” Nova nods.

The streets of downtown Shanghai likewise seemed a continuous freak circus at first, unbelievably alive with all manner of people performing almost every physical and social function in public: yelling, gesturing, always acting, crushing throngs spilling through every kind of traffic, precariously amidst old cars and new ones and between coolies racing wildly to compete for ricksha fares, gingerly past "honey-carts" filled with excrement dragged down Bubbling Well Road, sardonically past perfumed, exquisitely gowned, mid-thigh-exposed Chinese ladies, jestingly past the Herculean bare-backed coolie trundling his taxi-wheelbarrow load of six giggling servant girls en route to home or work, carefully before singing peddlers bearing portable kitchens ready with delicious noodles on the spot, lovingly under gold-lettered shops overflowing with fine silks and brocades, dead-panning past village women staring wide-eyed at frightening Indian policemen, gravely past gambling mah-jongg ivories clicking and jai alai and parimutuel betting, slyly through streets hung with the heavy-sweet acrid smell of opium, sniffingly past southern restaurants and bright-lighted sing-song houses, indifferently past scrubbed, aloof young Englishmen in their Austins popping off to cricket on the Race Course, snickeringly round elderly white gentlemen in carriages with their wives or Russian mistresses out for the cool air along the Bund, and hastily past sailors looking for beer and women—from noisy dawn to plangent night the endless hawking and spitting, the baby's urine stream on the curb, the amah's scolding, the high falsetto of opera at Wing On Gardens where a dozen plays went on at once and hotel rooms next door filled up with plump virgins procured for wealthy merchants in from the provinces for business and debauch, the wail of dance bands moaning for slender bejeweled Chinese taxi dancers, the whiteness of innumerable beggars and their naked unwashed infants, the glamour of the Whangpoo with its white fleets of foreign warships, its shaggy freighters, its fan-sailed junks, its thousand lantern-lit sampans darting fire-flies on the moon-silvered water filled with deadly pollution. Shanghai!

Captain Future is dead!” The rumbling voice of the big green Jovian space-sailor rose above the laughter and chatter and clink of goblets, in this crowded Venusopolis spacemen’s café. He eyed his little knot of companions at the bar, as though challenging them to dispute him. One of them, a hard-bitten spacemen, a swarthy little Mercurian, shook his head thoughtfully. “I’m not so sure. It’s true that the Futuremen have been missing for months. But they’d be a hard bunch to kill.” —Hamilton; Outlaws of the Moon (1942)

Up ahead, a shadowy building loomed. It looked more like a gothic cathedral than a school, with grossly elongated black spires jutting into the night sky. They unnerved Tony. Somehow, they resembled horns silhouetted against the moon. He counted ten of these protuberances, each with an arrowhead as its tip. Tony found the structure difficult to make his mind up about. It was beautiful, that was for sure, but its beauty was intermingled with an ill-masked sense of horror. The black exterior had a pair of peculiar projections on either side of the building resembling a bat's wings. His feet on concrete now, he pulled up to a webbed gate— also reminiscent of a bats with the hind, bone-like array supporting an oily black, translucent texture. He saw some girls a few dozen feet from the gate at the entrance of the building. They were garbed in black sailor fuku skirts too high above the knees to facilitate concentration upon anything academic. The males were also dressed in black corduroy pants and black dress shirt. A throng by the massive doors stared holes through them as they approached. Up close, he noted some of the girls were quite pale, sporting piercings and tattoos on their necks and hands. He even saw one with a spider web inked on the side of her face. When he followed Silver Man into the building— his toes squeaking in his soaked shoes—he was awed by the aesthetics. There was a rather large gathering in the hall that looked more like large shadows with all the children in black. Tony felt out of place in his brown pants and long sleeved white shirt. The hall was bleak; the only source of illumination was a pair of horizontal cylindrical lamps set upon wooden rafters near the ceiling. Silver Man proceeded toward the platform where Tony could just make out the form of a thin man donning a monocle. He looked like an old scientist. He was sitting cross-legged, stroking his chest-length pearl white beard. The man appeared to be watching them as they progressed through the hall. Then he stood as they neared the stage, now caressing his bald head. He had a monkish appearance. His black robe— quite similar to the one Silver Man wore— was tied at the waist by a red cloth. The bald, monocled man extended a spindly hand which Silver Man gave a firm tug before leaning in and whispering something. The man nodded, turning to Tony. Tony flinched as he regarded him through his peculiar eyewear: a single gold-rimmed, circular lens. He now folded himself into an accentuated bow. "Listen up folks!" he shouted. Tony saw the students rushing inside the castle pell-mell, summoned by the voice of the bespectacled man. “We have a late recruit ladies and gentlemen,” the man said. His voice was much stronger than his thin frame suggested. “Join me as I induct him into the hallowed spirit of Imajinaereum.

Satisfied mind ----------------- Silent all around — solitude Suddenly the cricket makes the melody Walking in rows of chained ants The white cotton cloud goes float far unknown Astray sea gull at the target of the hunter eagle The colorful butterflies are flies away their wings flutter of at the exuberance of free mind The head- high mountain wants to touch the sky In the ocean, the rushing ship’s tired sailor waiting to be anchored in the harbor The spiral coconut tree on edge say goodbye with swinging to the newcomer ship In the flickering light of the sun, pearl glows in vast sands In the swarm of coil-rolled mosquitoes, finch’s suddenly clutch The evening lamp is lit in the dim light of the firefly Don’t know why, the billowy waves of the distant sea, endless drunk dancing on the beach? The boundless blue sky is seeing steadfast The calamitous howling of trampled beach, grain of sand, insects, creeper-shrub hurts the horizon Maybe they are candidates for the grace, salvation or love touch of the creator Sometimes the nature is calm Momentary peace, liveliness and satisfaction! But, the invisible rule goes his way to an unknown destination Suddenly a gentle breeze blows Beckoning with the hand of the magical silver moon, a thrill overwhelm Thrilled, I’m fascinated This is an unadulterated purity and holy feelings of happiness.

May this marriage be the sign of compassion and the approval of happiness here and hereafter; May this marriage be fair of fame, fair of face and fair of omen as the moon in the azure sky.

Now, then, raise your wand above your head and repeat after me,” Lilian said. Lindsay raised her wand high above her head. “I am the one who has been given a mission.” I can’t believe I’m doing this. “I am… the one who has been given a mission.” “Under the contract, release those powers unto me.” “Under… under the contract, release those powers unto me.” “The powers of love, friendship, and yuri.” This is so embarrassing. “The powers of love, friendship, and yuri. Wait. What’s yuri?” “Moon Prism Power: Activate!” “Moon Prism—wait a minute! You stole that last line from Sailor Moon!” “So? Every other line was stolen from Magical Girl Lyrical Nanoha—except that one about love, friendship, and yuri. That one was mine,” Lilian said, her chest puffing up with pride. “Don’t look so proud of yourself!” Lindsay spat. “Ufufufu.” “Stop laughing!

Sure, I could have, no problem. The security they got around those room booking systems is like a kid’s playpen, but I just couldn’t bring myself to do it.” Eliot reached across Parker to grab Hardison by the front of his shirt, but Parker shoved her shoulder between the two men, foiling the effort. “That’s your thing, man,” Eliot said over Parker’s shoulder as Hardison backed away into the corner of the cab. “What’s stopping you?” Hardison shrugged, embarrassed. “All the people who come out here, they’re doing it for the sheer joy of being a geek about something. Might be the Avengers, Star Wars, Sailor Moon, or even them sparkly vampires, but hey, they took a week off work, saved up all their pennies for the badges—which sell out in about ninety minutes—and got their butts out there for the show. I—I just couldn’t do that to them.

SAILORS ABOARD Whispering like wind amidst the tempest Is the calm sea beneath the tides The waters that rise in harmony with the moon How be it that nature adores on element with grace It's all smooth when the sailors sails The flapping flings, the life beneath it The graceful shine that illuminates grayscale Let the earth move for life is only beneath An irony beyond the minds of the children of men Daughter of the sea, the sail be smooth. Poem by Victor Vote for Henrieta Chine

The hot humid day had followed the sun westward, leaving a cool midnight breeze. The sky, God’s special gift to the sailor, was free of city lights and urban pollution. Placed on display, all of creation was set on the night’s canopy of blue-black velvet adorned with the glistening diamond dust of billions of lesser stars and the sparkling one-point diamonds of the major stars. A deep golden harvest moon hung low on the eastern horizon. Its glow cut a pewter path from moon to ship across shifting liquid swells rolling forward to meet the Farnley’s bow. The bow, rocking gently, rose, then floated gently down to embrace the next swell.

No tengo otro camino por el cual andar por eso camino en este".

On my thirtieth birthday, Asami gave me the Sailor Moon toy I had secretly wanted as a child. It was the same one she herself had played with as a little girl, and though it's missing its battery cover, I'm sure I would have lost that little piece sooner or later anyway. At last, Santa's Christmas present has made it to me- through a messenger, and twenty-four years late. I keep it in the display case at my house as proof that sometimes wishes come true if you choose to believe.

We stopped walking along the side of one of the city buildings as we watched a group of black women in Sailor Moon outfits cross the street in a drunken stumble.