Sail Maker Quotes

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We reap what we sow. We are the makers of our own fate. The wind is blowing; those vessels whose sails are unfurled catch it, and go forward on their way, but those which have their sails furled do not catch the wind. Is that the fault of the wind?....... We make our own destiny.
Vivekananda
Where is fate, and who is fate? We reap what we sow. We are the makers of our own fate. None else has the blame, none has the praise. The wind is blowing; those vessels whose sails are unfurled catch it and go forward on their way, but those which have their sails furled do not catch the wind. Is that the fault of the wind.
Vivekananda
I shall describe one example of this kind of world, the greatest planet of a mighty sun. Situated, if I remember rightly, near the congested heart of the galaxy, this star was born late in galactic history, and it gave birth to planets when already many of the older stars were encrusted with smouldering lava. Owing to the violence of solar radiation its nearer planets had (or will have) stormy climates. On one of them a mollusc-like creature, living in the coastal shallows, acquired a propensity to drift in its boatlike shell on the sea’s surface, thus keeping in touch with its drifting vegetable food. As the ages passed, its shell became better adapted to navigation. Mere drifting was supplemented by means of a crude sail, a membrane extending from the creature’s back. In time this nautiloid type proliferated into a host of species. Some of these remained minute, but some found size advantageous, and developed into living ships. One of these became the intelligent master of this great world. The hull was a rigid, stream-lined vessel, shaped much as the nineteenth-century clipper in her prime, and larger than our largest whale. At the rear a tentacle or fin developed into a rudder, which was sometimes used also as a propeller, like a fish’s tail. But though all these species could navigate under their own power to some extent, their normal means of long-distance locomotion was their great spread of sail. The simple membranes of the ancestral type had become a system of parchment-like sails and bony masts and spars, under voluntary muscular control. Similarity to a ship was increased by the downward-looking eyes, one on each side of the prow. The mainmast-head also bore eyes, for searching the horizon. An organ of magnetic sensitivity in the brain afforded a reliable means of orientation. At the fore end of the vessel were two long manipulatory tentacles, which during locomotion were folded snugly to the flanks. In use they formed a very serviceable pair of arms.
Olaf Stapledon (Star Maker (S.F. MASTERWORKS Book 52))
I Won’t Write Your Obituary You asked if you could call to say goodbye if you were ever really gonna kill yourself. Sure, but I won’t write your obituary. I’ll commission it from some dead-end journalist who will say things like: “At peace… Better place… Fought the good fight…” Maybe reference the loving embrace of Capital-G-God at least 4 times. Maybe quote Charles fucking Bukowski. And I won’t stop them because I won’t write your obituary. But if you call me, I will write you a new sky, one you can taste. I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them. I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs. I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer. I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink. I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together. And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you. I won’t say “goodbye” or “I love you” one last time. You won’t leave on good terms with me, Because I will not forgive you. I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead. I will not hold your hand steady around a gun. And after, I won’t come by to pick up the package of body parts you will have left specifically for me. I’ll get a call like “Ma’am, what would you have us do with them?” And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.” I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one. I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore. I don’t want a jar of your teeth as a memento. I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here. You won’t be there. There’s no blood there, there’s no life there, there’s no you there. I want you. And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here. So the answer to your question is “yes”. If you’re ever really gonna kill yourself, yes, please, call me.
Nora Cooper
Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
Victor Hugo
NIAGARA FALLS. Niagara, thou mighty flood. I've seen thee fall, I've heard thee roar, And on the frightful verges stood, That overhang thy rocky shore. I've sailed o'er surging waves below, And view'd the rainbow's colour'd light, And felt the spray, thy waters throw, When leaping, with resistless might. I've seen the rapids in their course, Like madden'd, living things rush on, With wild, unhesitating force, To where thy mighty chasms yawn. And there to take the awful leap, And fall, with hoarse and sullen roar, Into th' unfathomable deep, Which rolleth on, from shore to shore. Niagara, thou'rt mighty, grand, Thou fill'st human souls with awe, For thee, and for that mighty Hand, Which maketh thee, by nature's law. Thou'rt great, thou mighty, foaming mass Of water, plunging, roaring down, But so are we, yea, we surpass Thee, and we wear a nobler crown. Thy mighty head is crowned with foam, And rainbows wreathe thy robes of blue; Our earthly forms—our present home— Are insignificant to you. But look, thou mighty thund'rer, thou, Tho' puny be our forms to thine, These forms possess, yea, even now, A spark, a ray of life divine. Rush on, O waters! proudly hurl Thyself to roaring depths below, And let the mists of ages curl, And generations come and go. But know, stupendous wonder, know, Thy rocks would crumble, at the nod Of Him, who lets thy waters flow; Thy Maker, but our Friend and God. Thy rocks shall crumble, fall they must; Thy waters, then, shall plunge no more, But we shall rise, e'en from the dust, To live upon another shore.
Thomas Frederick Young (Canada and Other Poems)
By forgiving another, I am trusting that God is a better justice-maker than I am. By forgiving, I release my own right to get even and leave all issues of fairness for God to work out. I leave in God’s hands the scales that must balance justice and mercy.”29 This is the great irony. It is the forgiving people who have the real authority and confidence. Unforgiveness offers only a pseudo feeling of power. We say, “I hold something over you because of what you did to me.” All the while, that person, alive or dead, holds the power because we are the ones who are locked up! Life is sucked from you while you stare at the scales, judging whose sin is weightier than your own: “Whenever someone wrongs you, you caricature them in your heart, making huge their worst feature. Deep in every human soul is a deep desire to justify yourself. We’re afraid that we’re not okay, that we’re not desirable. That fear is behind how you caricature the person who wrongs you. You need to feel noble, you need to feel superior, you need to feel better.”30 Demeaning the personhood of another fictitiously elevates us, and judging another leaves us full of arrogance, entitlement, and unforgiveness. “Playing God” in judging someone’s motives only infuses us with an increasingly cancerous preoccupation with self that sends us plummeting into the abyss of perceived superiority or the fears of possible inferiority. We chain ourselves to the dock, watching the life of adventure sail on without us. It is self-imposed imprisonment. We think there is so much power in unforgiveness, when the reality is we live as the forlorn castaway, powerless and pitiful.
Jamie George (Love Well: Living Life Unrehearsed and Unstuck)
The Trail-Makers NORTH and west along the coast among the misty islands, Sullen in the grip of night and smiling in the day: Nunivak and Akutan, with Nome against the highlands, On we drove with plated prow agleam with frozen spray. Loud we sang adventuring and lustily we jested; Quarreled, fought, and then forgot the taunt, the blow, the jeers; Named a friend and clasped a hand—a compact sealed, attested; Shared tobacco, yarns, and drink, and planned surpassing years. Then—the snow that locked the trail where famine's shadow followed Out across the blinding white and through the stabbing cold, Past tents along the tundra over faces blotched and hollowed; Toothless mouths that babbled foolish songs of hidden gold. Wisdom, lacking sinews for the toil, gave over trying; Fools, with thews of iron, blundered on and won the fight; Weaklings drifted homeward; else they tarried—worse than dying— With the painted lips and wastrels on the edges of the night. Berries of the saskatoon were ripening and falling; Flowers decked the barren with its timber scant and low; All along the river-trail were many voices calling, And e'en the whimpering Malemutes they heard—and whined to go. Eyelids seared with fire and ice and frosted parka-edges; Firelight like a spray of blood on faces lean and brown; Shifting shadows of the pines across our loaded sledges, And far behind the fading trail, the lights and lures of town. So we played the bitter game nor asked for praise or pity: Wind and wolf they found the bones that blazed out lonely trails.... Where a dozen shacks were set, to-day there blooms a city; Now where once was empty blue, there pass a thousand sails. Scarce a peak that does not mark the grave of those who perished Nameless, lost to lips of men who followed, gleaning fame From the soundless triumph of adventurers who cherished Naught above the glory of a chance to play the game. Half the toil—and we had won to wealth in other station; Rusted out as useless ere our worth was tried and known. But the Hand that made us caught us up and hewed a nation From the frozen fastness that so long was His alone. . . . . . . Loud we sang adventuring and lustily we jested; Quarreled, fought, and then forgot the taunt, the blow, the jeers; Sinned and slaved and vanished—we, the giant-men who wrested Truth from out a dream wherein we planned surpassing years.
Henry Herbert Knibbs
It would be a shame to face our Maker and find out that we’d done it all wrong. When you consider our predicament on this ball floating in space, it doesn’t pay to take it all too seriously. As long as you’re considerate of others, it’s best to do the things in life that make you happy.
Graeme Kendall (To the Ice and Beyond: Sailing Solo Across 32 Oceans and Seaways)
The Being is The Bridge (The Sonnet) I came to life at Dakshineswar, At Kapadokya I got my sight. I found my might at Shaolin, At Liberty Island I came to light. In Pernik I bathed in love, By the Volga I tasted sapience. Lika taught me the role of innovation, Sudbury gave me the sail of science. Streets of Calcutta showed me suffering, Streets of Chicago reminded, I'm the answer. It's not the place but people who hold magic, Revolution rose when all of them came together. You won't know me as the father of a nation. You'll know me as the maker of amalgamation.
Abhijit Naskar (Mücadele Muhabbet: Gospel of An Unarmed Soldier)
was a stirring sight for us, who had been months on the ocean without seeing anything but two solitary sails; and over two years without seeing more than the three or four traders on an almost desolate coast. There were the little coasters, bound to and from the various towns along the south shore, down in the bight of the bay, and to the eastward; here and there a square-rigged vessel standing out to seaward; and, far in the distance, beyond Cape Ann, was the smoke of a steamer, stretching along in a narrow, black cloud upon the water. Every sight was full of beauty and interest. We were coming back to our homes; and the signs of civilization, and prosperity, and happiness, from which we had been so long banished, were multiplying about us. The high land of Cape Ann and the rocks and shore of Cohasset were full in sight, the lighthouses, standing like sentries in white before the harbors, and even the smoke from the chimney on the plains of Hingham was seen rising slowly in the morning air. One of our boys was the son of a bucket-maker; and his face lighted up as he saw the tops of the well-known hills which surround his native place. About ten o’clock a little boat came bobbing over the water, and put a pilot on board, and sheered off in pursuit of other vessels bound in. Being now within the scope of the telegraph stations, our signals were run up at the fore, and in half an hour afterwards, the owner on ‘change, or in his counting-room, knew that his ship was below; and the landlords, runners, and sharks in Ann street learned that there was a rich prize for them down in the bay: a ship from round the Horn, with a crew to be paid off with two years
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
They've forgotten about beds, and I understand, because once you set sail on a movie, you are out of touch with ordinary land. Movie-makers between movies seem like you and me; they go to parties, they shop, they swim. But they're just treading water, waiting for another injection, another ship to come take them away in film. And money has nothing to do with it.
Eve Babitz (Slow Days, Fast Company: The World, the Flesh, and L.A.)
the island’s one-of-a-kind annual sailing competition, called FIGAWI, which stands for “Where the #%$! are we?” (Correct pronunciation: where the fug ah we?) The race started decades ago as a dare between two friends, who at one point got lost en route to the island, hence the name.
Christin Brecher (Murder's No Votive Confidence (Nantucket Candle Maker Mystery #1))
It’s clear it’d be smooth sailing for you if you were given Sophie’s choice,” Mag remarked.
Kristen Ashley (Dream Maker (Dream Team, #1))
They’ve forgotten about beds, and I understand, because once you set sail on a movie, you are out of touch with ordinary land. Movie-makers between movies seem like you and me; they go to parties, they shop, they swim. But they’re just treading water, waiting for another injection, another ship to come take them away in film. And money has nothing to do with it. “Gabrielle
Eve Babitz (Slow Days, Fast Company: The World, The Flesh, and L.A.)
We are the makers of our own fate. The wind is blowing; those vessels whose sails are unfurled catch it, and go forward on their way, but those which have their sails furled Don’t catch the wind. Is that the fault of the wind?
Mahesh Dutt Sharma (Motivating Thoughts of Swami Vivekananda: Timeless Wisdom from a Spiritual Leader by Mahesh Dutt Sharma (Inspirational & Motivational Thoughts))
that He is the perfect Intelligence, the Word of God, who was begotten before the light; that He was the Founder of the universe, along with it (light), and the Maker of man; that He is All in all: Patriarch among the patriarchs; Law in the laws; Chief Priest among priests; Ruler among kings; the Prophet among prophets; the Angel among angels; the Man among men; Son in the Father; God in God; King to all eternity. For it is He who sailed [in the ark] along with Noah, and who guided Abraham; who was bound along with Isaac, and was a Wanderer with Jacob; the Shepherd of those who are saved, and the Bridegroom of the Church; the Chief also of the cherubim, the Prince of the angelic powers; God of God; Son of the Father; Jesus Christ; King for ever and ever. Amen.
The Church Fathers (The Complete Ante-Nicene & Nicene and Post-Nicene Church Fathers Collection)
The building used to be a club. Like a private gentlemen’s club. Except upstairs, that’s where they’d meet their mistresses.” Parker smacked a hand to his forehead. “Hookers! Damn! And I took the courthouse!” “Not prostitutes.” Another offended look from Ashley. “Mistresses. It’s not just about sex, you know. There’s a very big difference.” “Is that the sad part?” Parker asked. Ashley continued, undaunted. “I found out there was a murder in one of those upstairs rooms. That when a very rich plantation owner wanted to end the relationship with his mistress, she stabbed him to death. In bed.” Calmly munching her popcorn, Roo gave a supportive thumbs-up. “And the drugstore next door to the museum? People who work there say they’ve heard moaning at night in one of those storage rooms on the second floor.” The boys traded glances. “And this moaning,” Parker said, straight-faced, “did it come before or after the guy was stabbed?” “Anyway,” Ashley continued, “that’s what I’ve got so far.” Noting her sister’s outstretched hand, Roo obligingly relinquished the popcorn. “Did y’all know that furniture makers ran some of the first funeral homes? Because they were the ones who built the coffins?” “Fascinating.” Parker was all dignified solemnity. “And such a grave undertaking.” He ducked as Ashley’s popcorn sailed at his head.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
Did y’all know that furniture makers ran some of the first funeral homes? Because they were the ones who built the coffins?” “Fascinating.” Parker was all dignified solemnity. “And such a grave undertaking.” He ducked as Ashley’s popcorn sailed at his head.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
Grandpa,” he said, and Podo fixed him with a blazing eye. Janner resisted the urge to cower and apologize. He had to say something. He stood up straight and clenched his fists. “Grandpa, the dragon spoke to me.” Podo’s face was hard. “Aye?” he rumbled after a moment. “And what did the dragon say, boy?” “It said that Gnag the Nameless was near. It said he had sailed across the sea and they could smell him. It said, ‘Beware.’” “Gnag the Nameless.” Podo snorted. “A sea dragon said Gnag himself was close by. Is that what you’re tellin’ me?” The old pirate crossed his arms and raised an eyebrow. Janner pointed at Tink and Leeli. “Ask them! They heard it too! Or—they didn’t exactly hear it, but—but they saw things and felt things. Didn’t you?” “Yes sir,” Tink said. “I saw them. Up close.” “And I felt them, Grandpa,” Leeli said. Podo and Nia exchanged a glance, and Podo waved a hand in the air. “Well, did the sea dragon also tell ye that his whole race is a bunch of scaly liars? Did he tell ye that they manipulate and confuse for the thrill of it? Sea dragons watch the doings of men with a wicked eye and would just as soon see you run off the cliff as run from Gnag the Nameless.” What? Janner thought about the rush of emotions he always felt on Dragon Day. The sea dragons were frightening, fascinating, even haunting—but not evil. It was Leeli’s song that had beckoned them, and Leeli certainly wasn’t evil. And then there was Nugget’s body. The dragons had carried him away with such care—there was nothing evil about that. But how could Janner argue with a pirate? Podo knew more about everything than Janner, especially the sea. “That’s what it said. I just—I just thought you should know,” Janner said quietly, unable to meet Podo’s eyes. If he had looked up, he would’ve seen that Podo wasn’t able to meet his eyes either. “Boys, see to setting up the tent like your grandfather told you,” Nia said after a moment. “We can talk about the sea dragons in a little while. Gnag the Nameless or not, we all need a meal and a rest. Maker only knows when we’ll have another.” “Food?” Tink asked. Nia nodded. “We’ll eat the dried diggle that Artham made us.” “Food,” Tink repeated. 17
Andrew Peterson (North! or Be Eaten)