Saffron Quotes

We've searched our database for all the quotes and captions related to Saffron. Here they are! All 200 of them:

Black for hunting through the night For death and mourning the color's white Gold for a bride in her wedding gown And red to call the enchantment down White silk when our bodies burn Blue banners when the lost return Flame for the birth of a Nephilim And to wash away our sins. Gray for the knowledge best untold Bone for those who don't grow old Saffron lights the victory march Green to mend our broken hearts Silver for the demon towers And bronze to summon wicked powers -Shadowhunter children's rhyme
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Death is unstoppable. One must face it as a fact of life
D. Aswini (Saffron - The Blood Swan)
Bursts of gold on lavender melting into saffron. It's the time of day when the sky looks like it has been spray-painted by a graffiti artist.
Mia Kirshner (I Live Here)
Autumn that year painted the countryside in vivid shades of scarlet, saffron and russet, and the days were clear and crisp under harvest skies.
Sharon Kay Penman (Time and Chance (Plantagenets #2; Henry II & Eleanor of Aquitaine #2))
People wonder why so many writers come to live in Paris. I’ve been living ten years in Paris and the answer seems simple to me: because it’s the best place to pick ideas. Just like Italy, Spain.. or Iran are the best places to pick saffron. If you want to pick opium poppies you go to Burma or South-East Asia. And if you want to pick novel ideas, you go to Paris.
Roman Payne (Crepuscule)
Our movements through time and space seem somehow trivial compared to a heap of boiled meat in broth, the smell of saffron, garlic, fishbones and Pernod.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Tonight the sun has died like an Emperor ... great scarlet arcs of silk ... saffron ... green ... crimson ... and the blaze of Venus to remind one of the absolute and the infinite ... and along the lower rim of beauty lay the hard harsh line of the hills ...
John Coldstream (Ever, Dirk: The Bogarde Letters)
How horrifying that morning when you wake up and your first thought is not of the person who has left. That’s when you know, I will never die of a broken heart.
Kamila Shamsie (Salt and Saffron)
If I were a cinnamon peeler I would ride your bed and leave the yellow bark dust on your pillow. Your breasts and shoulders would reek you could never walk through markets without the profession of my fingers floating over you. The blind would stumble certain of whom they approached though you might bathe under rain gutters, monsoon. Here on the upper thigh at this smooth pasture neighbor to your hair or the crease that cuts your back. This ankle. You will be known among strangers as the cinnamon peeler's wife. I could hardly glance at you before marriage never touch you -- your keen nosed mother, your rough brothers. I buried my hands in saffron, disguised them over smoking tar, helped the honey gatherers... When we swam once I touched you in water and our bodies remained free, you could hold me and be blind of smell. You climbed the bank and said this is how you touch other women the grasscutter's wife, the lime burner's daughter. And you searched your arms for the missing perfume. and knew what good is it to be the lime burner's daughter left with no trace as if not spoken to in an act of love as if wounded without the pleasure of scar. You touched your belly to my hands in the dry air and said I am the cinnamon peeler's wife. Smell me.
Michael Ondaatje (The Cinnamon Peeler: Selected Poems)
You’re in my fucking blood, and I’ll tear apart anyone who dares to fucking touch you.
Saffron A. Kent (The Unrequited)
If you enjoyed laughing in the face of death, you might like to have a crack at High Saffron. One hundred merits, and all you have to do is take a look.' 'I understand there's a one hundred percent fatality rate?' 'True. But up until the moment of death there was a one hundred percent survival rate. Really, I shouldn't let anything as meaningless as statistics put you off.
Jasper Fforde (Shades of Grey (Shades of Grey, #1))
Because unrequited love is like a dead, useless organ. It’s functionless. It’s sicker than a disease. You can cure a disease, but you can’t fix a defective soul.
Saffron A. Kent (The Unrequited)
Decisions. Where, what, why. Can't handle them. So I'm prolonging the indecision with higher education.
Kamila Shamsie (Salt and Saffron)
The Kitchen           Half a papaya and a palmful of sesame oil; lately, your husband’s mind has been elsewhere.   Honeyed dates, goat’s milk; you want to quiet the bloating of salt.   Coconut and ghee butter; he kisses the back of your neck at the stove.   Cayenne and roasted pine nuts; you offer him the hollow of your throat.   Saffron and rosemary; you don’t ask him her name.   Vine leaves and olives; you let him lift you by the waist.   Cinnamon and tamarind; lay you down on the kitchen counter.   Almonds soaked in rose water; your husband is hungry.   Sweet mangoes and sugared lemon; he had forgotten the way you taste. Sour dough and cumin; but she cannot make him eat, like you.
Warsan Shire (Teaching My Mother How to Give Birth)
I don't believe in love at first sight, neither do you. But I know...that sometimes it only takes a few minutes to recognize that a person is capable of breaking your heart.
Kamila Shamsie (Salt and Saffron)
Books are many things: lullabies for the weary, ointment for the wounded, armour for the fearful and nests for those in need of a home.
Glenda Millard (The Tender Moments of Saffron Silk)
We have been careless with our pie repertoire. The demise of apple-pear pie with figs and saffron and orengeado pies are tragic losses.
Janet Clarkson (Pie: A Global History (The Edible Series))
Around her hair there was a saffron aureole, and her skin was a sea shell...
Anaïs Nin (Under a Glass Bell)
The ocean to my right was maroon, the sky above it silver. There were sand trails through the thick purple ice plant that grew along the roadside... but now the sky is the color of peaches... It was a ball of bright saffron sinking into the sea, turning the water purple, the sky orange and green.
Andre Dubus III (House of Sand and Fog)
Pride! In English it is a Deadly Sin. But in Urdu it is fakhr and nazish - both names that you can find more than once on our family tree.
Kamila Shamsie (Salt and Saffron)
We went to school in a place without the sun,and believed this means we had no need of our shadows.
Kamila Shamsie (Salt and Saffron)
For this, let gardens grow, where beelines end, sighing in roses, saffron blooms, buddleia; where bees pray on their knees, sing, praise in pear trees, plum trees; bees are the batteries of orchards, gardens, guard them.
Carol Ann Duffy (The Bees)
She'll soon forget." "Caddy," said Saffron impatiently, "she is headmistress of the private school! She's probably never forgotten anything in her whole life!
Hilary McKay (Saffy's Angel (Casson Family, #1))
A lover is the one who waits,” he paraphrases. “Then, I’ll wait. Forever
Saffron A. Kent (The Unrequited)
I used to be a poet. My words were traded in marketplaces like pieces of gold. Merchants bought my verses for as much as they paid for saffron and Indian jade. Now I am old... drunk on wine and candle fumes. Alone in this barren room, I speak my psalms to the night air so as to entertain moths before they go off to die. I used to be a poet and my words were gold.
Roman Payne
Love has an extreme capacity to offer everything we need but not without extreme pain. Anyone who tastes the sweet fruit -joy of love, deserves to taste the bitter fruit -pain of separation. Nobody should taste the bitter before the sweet. It means not being able to feel the pain of separation before enjoying the joy of love.
D. Aswini (Saffron - The Blood Swan)
It could almost be a story I’ll tell myself when I’m dying. The Harlot fell in love with the Fire-breather. It was beautiful and right. It was wrong and ugly, just like the earth beneath my feet. It was tragic and ecstatic. It was everything I’d hoped love could be.
Saffron A. Kent (The Unrequited)
Because I’m selfish, Layla. I’ll ruin you, set you on fire, and won’t even look back. I’ll take and take until you’re empty and hollow.
Saffron A. Kent (The Unrequited)
Is this your holiday homework?" asked Sarah. "Don't do it, Rose! And Eve will write you a note to say it's iniquitous to give eight-year-olds homework. You will, won't you, Eve?" "I could never spell 'iniquitous,' Sarah darling!" "Hot concrete," said Rose mournfully, prodding her porridge. "Write this," ordered Saffron. "'The ancient Egyptians are all dead. Their days are very quiet.' Porridge is meant to look like hot concrete. Eat it up.... Read the next question!"... "What would you say if you bumped into Tutankhamen in the street?" "'Sorry!'" said Sarah at once. "Put that." "We have to answer in proper sentences." "'Sorry, but it was your fault! You were walking sideways!
Hilary McKay (Indigo's Star (Casson Family, #2))
Darling Daddy, This is Rose. So flames went all up the kitchen wall. Saffron called the fire brigade and the police came too to see if it was a trick and the police woman said to Saffron Here You Are Again because of when I got lost having my glasses checked. But I was with Tom whose grandmother is a witch on top of the highest place in town. Love, Rose.
Hilary McKay (Indigo's Star (Casson Family, #2))
Samia, it appeared, had become one of those desis who drink Pepsi in Pakistan and lassi in London.
Kamila Shamsie (Salt and Saffron)
You’re forgetting about all our sleepless nights with Coriander, Paprika, Cinnamon, Saffron, Juniper, and Parsley.
Colleen Hoover (All Your Perfects (Hopeless, #3))
Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.
Michael Ende (The Neverending Story)
I don’t regret falling in love; I only regret how it happened.
Saffron A. Kent (The Unrequited)
All right, don't scoff, mock or disbelieve: we live in mortal fear of not-quite-twins.
Kamila Shamsie (Salt and Saffron)
She taught me to crave something more than cold and lonely perfection. Something warm and cozy and sweet. Something wild and savage and provocative. Her. I crave her.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
Bravery is picking up a pen and writing. Bravery is gouging out words from inside you and then imprinting them on a page to make them permanent. Bravery is knowing they might not ever be read by anyone, that the art you leave behind, the contributions you make to the world, might never be known by anyone. Bravery is knowing all of that but doing it anyway.
Saffron A. Kent (The Unrequited)
He doesn’t even look like he belongs to this world. He is too beautiful, too haunted to be human.
Saffron A. Kent (The Unrequited)
I kiss my darling then. And my darling kisses his sweetheart.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
For Saffron," it said in shaky old writing on the damaged base, and on the other side, "Saffy's angel." Saffron, picking up the broken fragments one by one, said it didn't matter. She hugged Rose and Indigo and Caddy and Sarah, and said again and again that it didn't matter, it didn't matter at all.
Hilary McKay (Saffy's Angel (Casson Family, #1))
The true devotees of God never wear saffron, carry malas (prayer beads), or put on sandalwood. You can’t know them unless they want it, and then you can only know them as much as they allow.
Ram Dass (Miracle of Love: Stories about Neem Karoli Baba)
Love yourself and the rest will follow.
Saffron A. Kent (The Unrequited)
Coming back to Karachi is like stepping into the sea again after months on land. How easily you float, how peaceful is the sense of being borne along, and how familiar the sound of the water lapping against your limbs.
Kamila Shamsie (Salt and Saffron)
I explained my whole theory about parenting being better if it was like a large Italian family having dinner under a tree while children play. Rebecca poured more wine and explained her theory of child-rearing, which is that you should behave as badly as possible so that the children will rebel against you and turn out like Saffron in Absolutely Fabulous.
Helen Fielding (Mad About the Boy (Bridget Jones, #3))
He is like my personal moon—unattainable, to be admired from afar. He is my cancer, slowly killing me, and I don’t even mind. “I’m
Saffron A. Kent (The Unrequited)
Silence is the worst response when trying to get someone to notice you.
Saffron A. Kent (The Unrequited)
I’ll always be brave rather than fearless.
Saffron A. Kent (The Unrequited)
I fell in love with him like dead leaves fall from the branch of a tree and rain falls from a swollen cloud. I fell in love with him like tears fall when you’re sad and like blood oozes out of your skin when you step on broken glass.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
Twilight, the only time of the day when the light and dark meet and become one. The bright powerful light of the day, calmly surrenders before the engulfing duskiness of the night. And the dense whelming darkness of the night yields before the surreal dawning saffron of the morning. The only two moments of the day that absolve the difference between ‘dark and light’. (Page 71)
Neena Verma (A Mother's Cry... A Mother's Celebration)
Kitchen solace—the feeling that a delicious meal is simmering on the kitchen stove, misting up the windows, and that at any moment your lover will sit down to dinner with you and, between mouthfuls, gaze happily into your eyes. (Also known as living.)” RECIPES THE CUISINE of Provence is as diverse as its scenery: fish by the coast, vegetables in the countryside, and in the mountains lamb and a variety of staple dishes containing pulses. One region’s cooking is influenced by olive oil, another’s is based on wine, and pasta dishes are common along the Italian border. East kisses West in Marseilles with hints of mint, saffron and cumin, and the Vaucluse is a paradise for truffle and confectionery lovers. Yet
Nina George (The Little Paris Bookshop)
And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.
J.R.R. Tolkien (The Lord of the Rings)
Oh, Caddy," said Saffron miserably. "I know. It's awful. But I'm going. We all should." "It will be so sad." "You have to be sad sometimes," said Caddy. "Whatever Dad says. He may be right. Granddad probably had totally lost his marbles, but I am still sad and I'm still going to the funeral. I shall be as unhappy as I like and I shall where black.
Hilary McKay (Saffy's Angel (Casson Family, #1))
Loving myself means fighting for myself, fighting for my sanity, and I will fucking fight.
Saffron A. Kent (The Unrequited)
I’m his puppet and he is my invisible master, holding my strings from miles away.
Saffron A. Kent (The Unrequited)
I am calm. I’m cool. I’m a cucumber.
Saffron A. Kent (Medicine Man (Heartstone, #1))
My soul,” he whispers. “It was my soul waking up. The thing that keeps a man alive, came alive in me when I saw you. You woke up my soul, Violet.
Saffron A. Kent (Dreams of 18 (Heartstone, #2))
I am not an Englishman, nor are you. Nor can we ever be, regardless of our foxtrots, our straight bats, our Jolly Goods and I Says. No more the Anglicized Percy, I. I am now Taimur Hind.
Kamila Shamsie (Salt and Saffron)
The day we met you watched the moon While I watched you. Tall and alone. Dark and lonely. You looked like my mirror. Cracked and empty. Dried up and chewed out. I could have been yours. If only you had looked at me.
Saffron A. Kent (The Unrequited)
For modern people the pursuit of wisdom sounds like something you'd have to travel to Tibet for. To us, wisdom is mystical and esoteric. It conjures up images of cave-dwelling hermits, saffron-robed monks, and, well, Yoda.
J. Mark Bertrand (Rethinking Worldview: Learning to Think, Live, and Speak in This World)
She taught him to read and bake saffron buns and pour coffee without the pot dribbling, and when her hands started to shake the boy taught himself to pour half cups so she wouldn’t spill any, because she was always ashamed when she did and he never let her feel ashamed in front of him.
Fredrik Backman (And Every Morning the Way Home Gets Longer and Longer)
In India, where there are no passports or identity discs, and where religions counts for so much- except among those few who have crossed the 'black water' - I believe that a man wearing a saffron robe, or carrying a beggar's bowl , or with silver crosses on his headgear and chest, could walk from Khyber Pass to Cape Comorin without once being questioned about his destination, or the object of his journey,
Jim Corbett (Man-eating Leopard of Rudraprayag)
His fingers bent forward at the topmost joint pushing down against the tips of my nails, and his thumb rested lightly against the mole on my index finger. i thought of mosques and churches and prayer mats. Hands clasped together; one hand resting atop the other; fingers interlocked to mime a steeple. What sacred power is invested in hands? This is not to say I was having pious thoughts.
Kamila Shamsie (Salt and Saffron)
What does requited love look like? I want to see it.
Saffron A. Kent (The Unrequited)
We shouldn’t look for love stories where there are none to be found.
Saffron A. Kent (The Unrequited)
His whole presence made me feel warm. Like he was the sun or something. My sun.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
You’re every guy’s nightmare, Salem. Because you’re the girl with too much love inside you.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
Laughter has got to be the single healthiest activity one can perform. Just think how healthy you would be if you could sincerely laugh at that which now oppresses you.
Darrell Calkins (Re:)
That’s the worst part of being mentally ill: you don’t know the real you because the illness and the meds fuck with everything.
Saffron A. Kent (Medicine Man (Heartstone #1))
Well-being, or wholeness, implies integrity and harmony between all existing elements, providing freedom for the whole.
Darrell Calkins (Re:)
He tastes of rice with a touch of saffron. He says I taste of seafood. I guess we'd make a good paella.
Chloe Thurlow (Girl Trade)
I didn't have the time to slice a hundred shallow cuts into his lips and make him suck limes. I was too busy to make him swallow oiled musket balls. I had more important things to think about now and a lot to do. -Saffron in Dust of 100 Dogs
A.S. King
Even Dad likes it," said Caddy, and her father agreed that he did. In a way. Being a broad-minded, tolerant, artistic sort of person. Or so people told him... "Oh, yes?" said Saffron, rolling her eyes. "Yes," said Bill, sounding a little bit peeved. "So you thank your lucky stars, my girl, because in some families you would have come home to very big trouble! A nose stud! At your age! If you come down with blood poisoning, don't blame me!
Hilary McKay (Saffy's Angel (Casson Family, #1))
My heart is not an organ. It’s more than that. My heart is an animal—a chameleon, to be specific. It changes skin and color, not to blend in, but to be difficult, unreasonable. My heart has many faces. Restless heart. Desperate heart. Selfish heart. Lonely heart. Today
Saffron A. Kent (The Unrequited)
You know, Layla, falling in love isn’t bad or wrong or even hard. It’s actually really simple, even if there’s no reciprocation. It’s the falling out that’s hard, but no matter how much you convince yourself otherwise, reciprocation is important. It’s what keeps the love going. Without it, love just dies out, and then it’s up to you. Do you bury it, or do you carry the dead body around? It’s a hard decision to make, but you have to do it.
Saffron A. Kent (The Unrequited)
In Italy you learned cunning, but in Antwerp, flexibility. And besides, the shopping! Just step out of your door and you can get a diamond or a broom, you can get knives, candlesticks and keys, ironwork to suit the expert eye. They make soap and glass, they cure fish and they deal in alum and promissory notes. You can buy pepper and ginger, aniseed and cumin, saffron and rice, almonds and figs; you can buy vats and pots, combs and mirrors, cotton and silk, aloes and myrrh.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
He bends over me, curls his sleek, cut body all around me, making himself my world. Flicking his eyes all over my face, he whispers, “Dark curls; Golden eyes.” He rubs our noses together. “Thirteen freckles; Flowers between her thighs.” He skims his lips over mine. “Sweet; So sweet; My heart; My sweetheart.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
Gentrification had stopped dead several doors west of my spot overlooking Avenue B. You could actually see the line. That side of the line; Biafran cuisine, sparkling plastic secure window units, women called Imogen and Saffron, men called Josh and Morgan. My side of the line; crack whores, burned-out cars, bullets stuck in door frames, and men called Father-Eating Bastard. It’s almost a point of honour to live near a crackhouse, like living in a pre-Rudy Zone, a piece of Old New York.
Warren Ellis (Crooked Little Vein)
When a new experience comes into my life, it doesn't feel real anymore until I've shared it with you.
Kim Fay (Love & Saffron)
I was meant to live in the shadows and secrets. I can be Thomas’ secret, for a little while, at least—until I absorb all of his pain and set him free.
Saffron A. Kent (The Unrequited)
Unrequited love and insomnia are longtime friends of mine. They might even be siblings—evil and uncaring with sticky fingers.
Saffron A. Kent (The Unrequited)
Words have the power to make things true.
Saffron A. Kent (The Unrequited)
In this moment, we’re more than soul mates. We inhabit each other’s bodies. We are one. One skin. One heart. One need.
Saffron A. Kent (The Unrequited)
Because I was born with more than blood in my veins. I was born with strength. I was born with courage to fight. I'm a warrior.
Saffron A. Kent (Medicine Man (Heartstone, #1))
I met you and every thought I had became yours.
Saffron A. Kent (Medicine Man (Heartstone #1))
In most cases, mental illness is not the absence of rational thought, but the presence of irrational ones, despite all rationality.
Saffron A. Kent (Medicine Man (Heartstone #1))
The less we cement ourselves to our certainties, the fuller our lives can be.
Kim Fay (Love & Saffron)
Brewster Place became especially fond of its colored daughters as they milled like determined spirits among its decay, trying to make it home. Nutmeg arms leaned over windowsills, gnarled ebony legs carried groceries up double flights of steps, and saffron hands strung out wet laundry on backyard lines. Their perspiration mingled with the steam from boiling pots of smoked pork greens, and it curled on the edges of the aroma of vinegar douches and Evening in Paris cologne that drifted through the street where they stood together - hands on hips, straight-backed, round-bellied, high-behinded women who threw their heads back when they laughed and exposed strong teeth and dark gums. They cursed, badgered, worshiped, and shared their men. Their love drove them to fling dishcloths in someone else's kitchen to help him make the rent, or to fling hot lye to help him forget that bitch behind the counter at the five-and-dime. They were hard-edged, soft-centered, brutally demanding, and easily pleased, these women of Brewster Place. They came, they went, grew up, and grew old beyond their years. Like an ebony phoenix, each in her own time and with her own season had a story.
Gloria Naylor (The Women of Brewster Place)
The suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne, apparently under the impression that the two sovereigns were identical. It was described with some justice as an artistic colony, though it never in any definable way produced any art. But although its pretensions to be an intellectual centre were a little vague, its pretensions to be a pleasant place were quite indisputable. The stranger who looked for the first time at the quaint red houses could only think how very oddly shaped the people must be who could fit in to them. Nor when he met the people was he disappointed in this respect. The place was not only pleasant, but perfect, if once he could regard it not as a deception but rather as a dream. Even if the people were not "artists," the whole was nevertheless artistic. That young man with the long, auburn hair and the impudent face -- that young man was not really a poet; but surely he was a poem. That old gentleman with the wild, white beard and the wild, white hat -- that venerable humbug was not really a philosopher; but at least he was the cause of philosophy in others. That scientific gentleman with the bald, egg-like head and the bare, bird-like neck had no real right to the airs of science that he assumed. He had not discovered anything new in biology; but what biological creature could he have discovered more singular than himself? Thus, and thus only, the whole place had properly to be regarded; it had to be considered not so much as a workshop for artists, but as a frail but finished work of art. A man who stepped into its social atmosphere felt as if he had stepped into a written comedy.
G.K. Chesterton (The Man Who Was Thursday)
The infinite possibilities that exist in any given moment cause infinite possibilities in response. The wording is correct here; the possibilities exist already, and have already caused the existing possibilities of response.
Darrell Calkins (Re:)
I remember a hundred lovely lakes, and recall the fragrant breath of pine and fir and cedar and poplar trees. The trail has strung upon it, as upon a thread of silk, opalescent dawns and saffron sunsets. It has given me blessed release from care and worry and the troubled thinking of our modern day. It has been a return to the primitive and the peaceful. Whenever the pressure of our complex city life thins my blood and benumbs my brain, I seek relief in the trail; and when I hear the coyote wailing to the yellow dawn, my cares fall from me - I am happy. ~Hamlin Garland, McClure's, February 1899
Hamlin Garland
No one can control you. No one can bind you by rules or put you in a box or rein you in. You’re Salem. You’re probably why they name hurricanes and natural catastrophes after girls like you.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
Maryam closed her eyes and listened as Noruz began. 'You know that every spring, crocuses grow in the courtyard outside. They come from the dirt, green shoots from nothing. One day the flowers come purple as night, the nights when we were young. And inside the petals, saffron grows the color of blood. Then they die, and the ground is dirt again where chickens shit. That's the way of things: saffron, shit, saffron, shit.' Maryam smiled at the word in Noruz's mouth. 'I was sad and Dr. Ahlavi told me this: to remember that saffron comes from the dirt.
Yasmin Crowther (The Saffron Kitchen)
Some girls fall in love and a boy catches them. He waits for them at the bottom of the cliff with open arms. And then there are other girls. Girls like me. We’re the girls in love with the boys who belong to someone else. We’re the girls in doomed love. When girls like us fall, there’s no one to catch us. Least of all that boy for whom we’ve taken the fall.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
There are all sorts of families," Tom's grandmother had remarked, and over the following few weeks Tom became part of the Casson family, as Micheal and Sarah and Derek-from-the-camp had done before him. He immediately discovered that being a member of the family was very different from being a welcome friend. If you were a Casson family member, for example, and Eve drifted in from the shed asking, "Food? Any ideas? Or shall we not bother?" then you either joined in the search of the kitchen cupboards or counted the money in the housekeeping jam jar and calculated how many pizzas you could afford. Also, if you were a family member you took care of Rose, helped with homework (Saffron and Sarah were very strict about homework), unloaded the washing machine, learned to fold up Sarah's wheelchair, hunted for car keys, and kept up the hopeful theory that in the event of a crisis Bill Casson would disengage himself from his artistic life in London and rush home to help.
Hilary McKay (Indigo's Star (Casson Family, #2))
Transcendence is more about the personal act of not engaging the enemy, finding a way out of the cage that is being designed for you at a particular moment by others, circumstance, or your own bad habits and ignorance.
Darrell Calkins (Re:)
I put so much stock into what I don’t want to be that I forgot what I could be. I’ve
Saffron A. Kent (The Unrequited)
Roses and violets from summer gardens, sun-drenched Sicilian lemons squeezed of their juice and mingled with juniper from the frozen north. Saffron threads and gold leaf from the Indies waited to be turned into something magical. And contained deep within all of this was a smile that flooded him with warmth, a pair of blue eyes, and the scent of chocolate...
Laura Madeleine (The Confectioner's Tale)
Bravery is like falling in love. You don’t know if the person will reciprocate, but still you fall.
Saffron A. Kent (The Unrequited)
You don’t love guys like that. You get eaten up by them and you love every bite they take out of you.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
You’re the girl every guy runs away from. You’re every guy’s nightmare, Salem. Because you’re the girl with too much love inside you.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
a hero isn’t someone who doesn’t fall. A hero is someone who knows how to rise.
Saffron A. Kent (Medicine Man (Heartstone #1))
How I wish to belong to him. How I wish he belonged to me.
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels, #0))
I want to belong somewhere. To someone.
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels, #0))
Say something. No, wait—say something helpful, not one of your sarcastic comments that help no one but you.
Saffron A. Kent (The Unrequited)
But I guess some stories are just doomed. They don’t have a life, no matter how alive they feel.
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels, #0))
Don't wait for that special occasion. Today, tomorrow, and every day are special occasions. Use your saffron. She's worth it, and you're worth it.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
I couldn't say the real reason for my call when he asked me, 'Anything else?' It was hard for me to end the call. There was nothing I could say to him directly, but there were tons of things I could say to him in my mind. I wanted to tell him how much I would like to talk with him. "Bye," was all I could say aloud.
D. Aswini (Saffron - The Blood Swan)
Mr. Grey trailed behind Mr. Saffron, frowning massively and watching the mysterious doors. There were hundreds--maybe thousands--of them along the endless corridor. None had names or markings of any kind. In the lead, Mr. Pink could be heard counting softly under his breath.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
As a soul, you have the freedom – and earned responsibility – to transpose your personal process of evolution, to manifest your greatest talents and vision, into the work that matters to you most as a means to personal redemption.
Darrell Calkins
Suddenly Saffron had a picture in her mind of Sarah waiting at the bottom of the wall, and she was angry with herself. Something changed in Saffron at that moment. She knew all about feeling left out.... That was why she wanted her angel so badly; proof that she mattered as much as anyone else. "I couldn't really climb the wall," she said. "And if I could, what if I got caught? What would I say?" "You'd think of something." "No. It was a stupid idea. Let's try your way, early in the morning." "Before breakfast?" "Yes. All right Mission Control?" "All right," said Sarah. "All right, Superhero.
Hilary McKay (Saffy's Angel (Casson Family, #1))
if I could have caught up from the earth, the whole of the flowers of the earth, if once I could have breathed into myself the very golden crocuses and the red, and the very golden hearts of the first saffron, the whole of the golden mass, the whole of the great fragrance, I could have dared the loss. — H.D., from “Eurydice,” Collected Poems 1912-1944 (New Directions Publishing Corporation, 1982)
H.D. (Collected Poems, 1912-1944)
In 1879 the Bengali scholar S.M. Tagore compiled a more extensive list of ruby colors from the Purana sacred texts: ‘like the China rose, like blood, like the seeds of the pomegranate, like red lead, like the red lotus, like saffron, like the resin of certain trees, like the eyes of the Greek partridge or the Indian crane…and like the interior of the half-blown water lily.’ With so many gorgeous descriptive possibilities it is curious that in English the two ancient names for rubies have come to sound incredibly ugly.
Victoria Finlay (Jewels: A Secret History)
And it was this: raze to the ground the mausoleum you have just started building for the bones of your ancestors and your descendants and those who come in-between. Make that land a holy shrine for pilgrims from everywhere.
Kamila Shamsie (Salt and Saffron)
Art is painful, Layla. It's potentially dangerous. Explosive. It takes everything from you, sometimes more than you can afford. It's a beast, and it's always starving. You feed it and feed it... until you have nothing left. But you don't mind because you'd rather chase the high of creating something than live in the darkness. It's insanity.
Saffron A. Kent (The Unrequited)
I grin and ask him something I've always wanted to ask. "Why do you always stare at my nose?" He glances at it for a second before whispering, "Because you've got freckles on it. Thirteen, to be exact. And seven under your eyes.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
Love isn’t about asking someone to love you back. It’s about loving. It’s about finding that thing you love and letting it kill you because you’re going to die anyway. And what better way to go than at the hands of someone you love.
Saffron A. Kent (Dreams of 18 (Heartstone, #2))
I’m not…” I shake my head. “I’m not your responsibility.” “You’re my life.
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels, #0))
I stood in the library admiring the huge book collection. There was something inherently calming about being surrounded by books, even their smell and texture was comforting.
Saffron Mello Castro-Skye Coelho (A Thousand Miles from Nowhere: A Hippy Trip of Discovery)
I’d be careful then. Bad things happen to those who trespass,” he says in a voice that steals my own.
Saffron A. Kent (The Unrequited)
I fucking love you too.” She beams even though her eyes are wet. “So that’s what it feels like.” “What?” “When someone says those three words back to you.
Saffron A. Kent (The Unrequited)
I never knew that she shines brighter than any star that I’ve seen on the soccer field.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
Sometimes I wonder how much of our suffering we allow or impose on ourselves simply in search of our worthiness to accept our own respect and appreciation.
Darrell Calkins (Re:)
He's always been my nucleus of everything.
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels #0))
Keeper of the black gates of Heartstone has a dick that makes me think of the white gates of heaven.
Saffron A. Kent (Medicine Man (Heartstone #1))
People think it's the monsters who do bad things, but it's not. It's people like us. All the monsters ever do is live in storybooks. Or in closets. It's the humans who destroy things. Life isn't black and white, James. It's all fucking gray.
Saffron A. Kent (A War Like Ours)
Darling Daddy, This is Rose. Very good news. Caddy is going to marry Micheal. In case you have forgotten because you have not been home for so long he is the one with the ponytail and the earring that you do not like. And Caddy says she will have a white lace dress and three bridesmaids, Saffron and Sarah and me, and a big party for everyone, all her old boyfriends too. Fireworks. A band. A big tent called a marquee. But where will we put it? Carriages with white horses for us all to go to the church. Afterward Caddy and Micheal will go for a holiday to Australia to visit the Great Barrier Reef. Caddy has it all worked out and Mummy says Yes She Can Of Course You Can Darling Of Course You Must Do That. Saffron said That Will Cost a Few Weeks Housekeeping and Mummy said Yes But We Do Not Need to Worry About That. DADDY WILL PAY. Love, Rose.
Hilary McKay (Indigo's Star (Casson Family, #2))
Chicken stock for saltiness. White wine for acidity. Butter for creaminess. Parmigiano-Reggiano for nuttiness. A pinch of saffron for earthiness and color. And the licorice powder? That's to add an unexpected hint of sweetness. Perfectly balanced.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
I’ve thought about her heart a lot too. It’s big and fierce and soft and bright. It’s like a star or the moon or the entire fucking sky, and she’s giving it to me. She’s giving me the sky.
Saffron A. Kent (The Unrequited)
You make me believe. In magic. In fairy tales. In fate. In falling and rising. In the fact that I can do it. I can be what and who you need me to be. You make me believe I was born for you.
Saffron A. Kent (Medicine Man (Heartstone, #1))
I think anybody who’s in love with anyone is a perfect match. I don’t believe in crap like There’s somebody better for you out there. I don’t want better. I want the guy I’m in love with. There
Saffron A. Kent (The Unrequited)
Recovery through sleep isn’t going to happen if the majority of the components of your being aren’t getting enough stimulation or resistance to work against. Your brain may be tired after work, but if your body and emotions haven’t been challenged through the day, they’re going to keep irritating you even if you’re asleep. They don’t need rest; they need work for real recovery to take place.
Darrell Calkins (Re:)
Brain Juice was a recipe invented by Eve years before, when she had had to stay awake all day to look after Caddy and Indigo and Saffron, and all night to take care of the fragile and impermanent baby Rose. It was Coca-Cola with a great deal of instant coffee stirred into it. It was black and frothy and gritty, and it tasted like a primitive, medieval poison, but it banished sleep like magic.
Hilary McKay (Saffy's Angel (Casson Family, #1))
Violet 232 books | 49 friends see comment history Black for hunting through the night For death and mourning the color’s white Gold for a bride in her wedding gown And red to call enchantment down. White silk when our bodies burn, Blue banners when the lost return. Flame for the birth of a Nephilim, And to wash away our sins. Gray for knowledge best untold, Bone for those who don’t grow old. Saffron lights the victory march, Green will mend our broken hearts. Silver for the demon towers, And bronze to summon wicked powers.
Cassandra Clare
Colored lights shone right across the northern sky, leaping and flaring, spreading in rainbow hues from horizon to zenith: blood red to rose pink, saffron yellow to delicate primrose, pale green, aquamarine to darkest indigo. Great veils of color swathed the heavens, rising and falling as light seen through cascading curtains of water. Streamers shot out in great shifting beams as if God had put his thumb across the sun.
Celia Rees (Witch Child (Witch Child, #1))
There is unequaled satisfaction in composing words on a blank page, sealing them in an envelope, writing an address in my own messy hand, adding a stamp, walking it to the mailbox, and raising the flag. It's like preparing a gift, and I feel like I receive one when a letter arrives....
Kim Fay (Love & Saffron)
I wished for someone who’d care for me. Someone who’d love me. Who would put up with me and all the destructive things that I just felt compelled to do. I wished for someone soft. Someone shiny and bright. But more than that, I wished for someone I could be better for. I wished for you.
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels, #0))
My heart is not an organ. It’s more than that. My heart is an animal—a chameleon, to be specific. It changes skin and color, not to blend in, but to be difficult, unreasonable. My heart has many faces. Restless heart. Desperate heart. Selfish heart. Lonely heart. Today my heart is anxious.
Saffron A. Kent (The Unrequited)
I hear the shatter of my heart. I hear that sound from long ago when I broke the bottle of that expensive champagne when Caleb left. But this time around, the sound is like a gunshot, more jarring and deafening. It’s the sound of my castle falling through the air and crashing to the ground.
Saffron A. Kent (The Unrequited)
But it wasn't just the distance. It was what had happened to me since these days, those endless, quiet days when I thought my life would always continue in that way. When my life consisted of small, certain pieces of a larger, but basically simple, puzzle. When I was certain that I always knew where each piece fit.
Linda Holeman (The Saffron Gate)
Unrequited. The word is written next to a passage that has been underlined with thick black lines. It says that the unrequited lover is the one who waits. He waits and waits, and then waits some more. He is the one who drops vital moments of his life, lets them scatter away, lets himself scatter away piece by piece for those three words. I love you. He is desperate and lonely, both by choice and circumstance. It’s
Saffron A. Kent (The Unrequited)
The sun danced through the small leaves of the oak, turning them saffron and dappling the blankets with the ghosts of baby leaves. Ewan very seriously filled all the glasses with bluebells, and gave them water from the stream, so the picnic turned from a very formal affair, all heavy silver and starched linen, to a child's tea party.
Eloisa James (Kiss Me, Annabel (Essex Sisters, #2))
When he was finished, he set his plate down, looked at me, and raised an eyebrow. I leaned forward and whispered angrily, “I am not going to sit on your lap, so don’t get your hopes up, Mister.” He still waited until I picked up a fork and took a few bites. I speared a bite of macadamia nut crusted ruby snapper and said, “Whew. Time’s up. Isn’t it? The clock is ticking. You must be sweating it, huh? I mean, you could turn any second.” He just took a bite of curried lamb and then some saffron rice and sat there chewing as cool as a cucumber. I watched him closely for a full two minutes and then folded up my napkin. “Okay, I give. Why are you acting so smug and confident? When are you going to tell me what’s going on?” He wiped his mouth carefully and took a sip of water. “What’s going on, my prema, is that the curse has been lifted.” My mouth dropped open. “What? If it was lifted, why were you a tiger for the last two days?” “Well, to be clear, the curse is not completely gone. I seem to have been granted a partial removal of the curse.” “Partial? Partial meaning what, exactly?” “Partial, meaning a certain number of hours per day. Six hours to be exact.” I recited the prophecy in my mind and remembered that there were four sides to the monolith, and four times six was…”Twenty-four.” He paused. “Twenty-four what?” “Well, six hours makes sense because there are four gifts to obtain for Durga and four sides of the monolith. We’ve only completed one of the tasks, so you only get six hours.” He smiled. “I guess I get to keep you around then, at least until the other tasks are finished.” I snorted. “Don’t hold your breath, Tarzan. I might not need to be present for the other tasks. Now that you’re a man part of the time, you and Kishan can resolve this problem yourselves, I’m sure.” He cocked his head and narrowed his eyes at me. “Don’t underestimate your level of…involvement, Kelsey. Even if you weren’t needed anymore to break the curse, do you think I’d simply let you go? Let you walk out of my life without a backward glance?” I nervously began toying with my food and decided to say nothing. That was exactly what I’d been planning to do. Something had changed. The hurt and confused Ren that made me feel guilty for rejecting him in Kishkindha was gone. He was now supremely confident, almost arrogant, and very sure of himself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Thomas,” she says, her breaths coming out hard and fast. I’ve never admitted it to her, but I love the way she says my name, like no one has ever said it before, like she invents me anew every time she says it. It’s fucking magical, and she calls me magic.
Saffron A. Kent (The Unrequited)
Eve darling," said Bill earnestly. "I swear I didn't . . . " "You sweared about me driving the car," interrupted Indigo. "say a word about bloody . . ." "Swears a lot," said Saffy vindictively. " . . . firewords. I shouldn't have brought them . . ." "Bloody shouldn't," agreed Saffron. "I'm taking them home. They're tired. Everyone's tired." "I'm not bloody tired," said Saffron, but all the same, after a kiss from Eve she was hauled away. "About bloody time," said Saffron. Caddy was glad to go, too. Only Indigo darted back into the baby room fro one last look at the thing that had caused so much trouble. "Get better!" he whispered. "Getbettergetbetter!" and dashed away.
Hilary McKay (Caddy's World (Casson Family, #0))
Dazzling jacaranda petals covered the sidewalk like a carpet of amethyst velvet. It always amazes me how the trees sit so quietly, unnoticed all spring, until one day it feels as if every single one throughout the city bursts with blossoms at the exact same second.
Kim Fay (Love & Saffron)
You know this is breaking and entering, don’t you? I remember locking my door. So either let me dress your wounds or I’m calling the cops on you.” “Did you hear yourself?” I ask, exasperatedly. “Are you saying if I don’t let you take care of me, you’ll have me arrested?
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels #0))
tears—salty, useless water that never fixes anything
Saffron A. Kent (The Unrequited)
Wounded and battered, my body is a warzone, a torn-up village after a sandstorm.
Saffron A. Kent (The Unrequited)
There’s poetry in nature. A symmetry.
Saffron A. Kent (Gods & Monsters)
I don’t think that monsters are all bad or evil, actually. I think what they have is a story,
Saffron A. Kent (Gods & Monsters)
I feel especially drawn to them. He is a writer. He writes, with those hands. They are little gods, aren’t they? They create things, words, poems.
Saffron A. Kent (The Unrequited)
Trust the poet to make a prophecy: I will die, in autumn, in Kashmir, and the shadowed routine of each vein will almost be news, the blood censored,
Agha Shahid Ali, “Saffron Sun”
There was no wind, and, outside now of the warm air of the cave, heavy with smoke of both tobacco and charcoal, with the odor of cooked rice and meat, saffron, pimentos, and oil, the tarry, wine-spilled smell of the big skin hung beside the door, hung by the neck and all the four legs extended, wine drawn from a plug fitted in one leg, wine that spilled a little onto the earth of the floor, settling the dust smell; out now from the odors of different herbs whose names he did not know that hung in bunches from the ceiling, with long ropes of garlic, away now from the copper-penny, red wine and garlic, horse sweat and man sweat died in the clothing (acrid and gray the man sweat, sweet and sickly the dried brushed-off lather of horse sweat, of the men at the table, Robert Jordan breathed deeply of the clear night air of the mountains that smelled of the pines and of the dew on the grass in the meadow by the stream.
Ernest Hemingway (For Whom the Bell Tolls / The Snows of Kilimanjaro / Fiesta / The Short Happy Life of Francis Macomber / Across the River and into the Trees / The Old Man and the Sea)
Apples of Hesperides Glinting golden through the trees, Apples of Hesperides! Through the moon-pierced warp of night Shoot pale shafts of yellow light, Swaying to the kissing breeze Swings the treasure, golden-gleaming, Apples of Hesperides!. Far and lofty yet they glimmer, Apples of Hesperides! Blinded by their radiant shimmer, Pushing forward just for these; Dew-besprinkled, bramble-marred, Poor duped mortal, travel-scarred, Always thinking soon to seize And possess the golden-glistening Apples of Hesperides!. Orbed, and glittering, and pendent, Apples of Hesperides! Not one missing, still transcendent, Clustering like a swarm of bees. Yielding to no man's desire, Glowing with a saffron fire, Splendid, unassailed, the golden Apples of Hesperides!
Amy Lowell
If one follows what is in one’s heart (let’s leave out mind for the moment), one ends up with what one truly values and loves in life—and one acts accordingly. One’s own private indulgent cyclic habitual reactive subjective transitory feelings are, hopefully, not at the head of that list.
Darrell Calkins (Re:)
Rose and russet, scarlet and sienna. Old men blew colored smoke through long painted flutes, etching the air with soundless music. Saffron and vermilion, amaranth and coral. From each dome rose a needlelike spire, all of them snapping with swallowtail flags and interconnected by ribbons across which children ran laughing, clad in cloaks of colored feathers. Mulberry and citrine, celadon and chocolate. Their shadows kept pace with them down below in a way that could never happen in the true Weep, enshrouded as it was in one great shadow. The imaginary citizenry wore garments of simple loveliness, the women’s hair long and trailing behind them, or else held aloft by attendant songbirds that were their own sparks of color. Dandelion and chestnut, tangerine and goldenrod.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
Why is it so easy for people to hate but not to understand? Why is it so easy to judge and conclude but not to take a second to listen? Probably because they are afraid of realizing how similar they are to the things they hate. How similar they are to the monsters they are so fucking afraid of.
Saffron A. Kent (Gods & Monsters)
Bravery is not the absence of fear, but the courage to do something despite it — taking that first step despite the danger of falling, creating a piece of art knowing that people might not appreciate it. Bravery is like falling in love. You don’t know if the person will reciprocate, but still you fall.
Saffron A. Kent (The Unrequited)
Everyone claims to want the truth. If you really want it, I’d suggest investing seriously in humor and this mysterious skill of transforming bad news into good. Otherwise, you’ll only get more frustrated.
Darrell Calkins (Re:)
At the end of the market is a tall, whitewashed, conelike tower, with black intertwining snakes painted on all its sides—the temple. Inside, you will find an image of a saffron-colored creature, half man half monkey: this is Hanuman, everyone’s favorite god in the Darkness. Do you know about Hanuman, sir? He was the faithful servant of the god Rama, and we worship him in our temples because he is a shining example of how to serve your masters with absolute fidelity, love, and devotion. These are the kinds of gods they have foisted on us, Mr. Jiabao. Understand, now, how hard it is for a man to win his freedom in India.
Aravind Adiga (The White Tiger)
As a little drop of water added to a quantity of wine is completely dispersed and takes on the color and taste of wine, as red-hot iron becomes like molten fire losing its original form, as air when it is inundated with the sun’s light is transformed into total splendor and clarity so that it no longer seems illuminated but, rather, seems to be light itself, so I felt myself die of tender liquefaction, and I had only the strength left to murmur the words of the psalm: “Behold my bosom is like new wine, sealed, which bursts new vessels,” and suddenly I saw a brilliant light and in it a saffron-colored form which flamed up in a sweet and shining fire, and that splendid light spread through all the shining fire, and this shining fire through that golden form and that brilliant light and that shining fire through the whole form.
Umberto Eco (The Name of the Rose)
Spring is such a hopeful time on the island, and despite the pall that continues to hover over our nation, I find it impossible to resist. The air is still chilly as a well-digger's ear first thing in the morning, but as the hours pass it hints at the warmth to come in later months. As the days become longer, the rains change. They are less punishing and more promising, bringing out the native grasses and glimpses of green on the trees. Then there are the little families of deer, grazing as if the entire island is a spring buffet, and wild rabbits are hopping everywhere.
Kim Fay (Love & Saffron)
Whilst the food we eat nowadays has much to be grateful to the likes of Marco Polo, Alexander the Great and Vasco De Gama, who would have introduced the tangy flavours of South Africa’s Rainbow Cuisine on his way around the Cape of Good Hope to India, Arabic cuisine, with spices of cinnamon, cloves, saffron and ginger was a lot more enterprising than Western cooking at the time. The medley of colours that the spices offered the food had mystical meanings to the Arabs
Karl Wiggins (Wrong Planet - Searching for your Tribe)
That sound is going to kill me.” “What sound?” “Your stupid chair.” And there it is, his laughter. It makes every corner of my body smile. “Whenever I hear it, all I think about is you fucking me in it so it’s screaming with our weight.
Saffron A. Kent (The Unrequited)
I don't have anything as exotic as saffron. I hope a jar of blackberry jam will do. As you know, I write often about picking wild native blackberries. It's a chore since they're not easy game like the big purple bubbles that grow all over the sides of the road around here. Whenever I set out to hunt for a hidden patch in an old clear-cut, Francis accuses me of looking like a hobo with my canvas sunhat, khaki trousers, and Folgers cans tied over my shoulders. I don't care. When I'm in the brambles, I'm happy as a clam at high tide. Just writing to you about it makes me wish for July mornings. There's always a perfect moment when the sun strikes the bushes and a deep, sweet, earthy smell rises into the air.
Kim Fay (Love & Saffron)
A French philosopher once said that every man is born a blank slate. No one is either good or bad, not until they come in contact with other people. Only then, a man takes shape and becomes something, a monster or a god. Often times, both.
Saffron A. Kent (Gods & Monsters)
Caddy came home on Friday evening. Perfectly Harmless Patrick brought her in his battered old car... "Crikey, Caddy!" said Indigo, and he disappeared upstairs to tell Rose. Eve murmured, "Sweet," rather doubtfully. Sarah said, not doubtfully at all, "Horrendous! The worst yet. Rock bottom." "He had a very difficult childhood," said Caddy.... "Who didn't?" asked Saffron unsympathetically. "Gosh, he's ancient, Caddy! Look, he's going bald! All that long trailing stuff is just a disguise!" "If I was going bald," said Sarah, "I would face the fact and have it all shaved off." "Well, I thought Mummy would like him," said Caddy defensively. "...Anyway, I can always take him back." "I think you're going to have to, Caddy darling," said Eve... "Hello, Rose darling! Come in and see what Caddy has brought home to show us!" She escaped, and Rose, who had already heard the news from Indigo, glanced at Patrick and began laughing. "See?" said Sarah. "Rose knows! Absolutely rock bottom! You cannot be serious, Caddy!" "Oh, stop looking at him!" said Caddy, uncomfortably. "I'll find something to cover him up with in a minute!" "How long are you leaving him there for?" asked Rose. "Just until Sunday," said Caddy, trying to sound casual. "Till Sunday!" repeated Saffron. "So is Micheal dumped?" "Of course he isn't!" said Caddy indignantly. "I've never dumped anyone!" "Start!" said Saffron. "Otherwise they just pile up, taking up the sofas...
Hilary McKay (Indigo's Star (Casson Family, #2))
Bullying has consequences. It creates ripples that span for years. Sometimes for an entire life. They call you fat and so you stop eating. You watch what you eat until you die. They call you a nerd and so you stop reading in public. You still look over your shoulder when you read on a park bench. It destroys you, a vital part of you. It fucks with your mind, with your heart, with your soul even. It changes your beliefs, your lifestyle. It makes you anxious. It causes panic. It won’t let you sleep. But then again, the bullied are powerful, aren’t they? We’re resilient. We’re strong. We’re a motherfucking force.
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels, #0))
Darling says he’s adored and loved. But he also makes me hurt. It says that he’s both a delight to my heart and a needle to it. Loving him is the most wonderful, most awful thing in the world. Loving Arrow is my doom. So he’s not my dear, he’s my darling.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
The recipes of the dishes served Khubilai Khan still survive. They include a variety of foods but maintain the traditional Mongol emphasis on meat and dairy products. The members of the Mongol court ate such delicacies as strips of mutton tail fat dusted with flour and baked with leeks. Bull testicles fried in hot oil, basted with saffron paste, and sprinkled with coriander. Mutton boiled with cardamom and cinnamon and served with rice and chickpeas. Young eggplant stuffed with chopped mutton, fat, yogurt, orange peel, and basil.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
Just because the one you love is in love with someone else doesn’t mean your love isn’t gorgeous or real. It doesn’t mean that your love should be killed or it should be torn out of your heart and thrown into a river or burnt down like an extinct piece of architecture.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
It means I’m a masochist, Mr. Edwards. I like the pain. The pain doesn’t scare me. You don’t scare me. And let me tell you another secret – masochists like me? We have really tasty skin. You can eat me up all you want. You can eat me up a hundred different ways. I’m gonna like your teeth and your tongue and I’m gonna fall in love with the sting of it all. You’re my Strawberry Man. At least, that’s what I call you in my head.
Saffron A. Kent (Dreams of 18 (Heartstone, #2))
When girls like us fall, there’s no one to catch us. Least of all that boy for whom we’ve taken the fall. We’re the girls with secrets and witchy hearts. We’re the girls who listen to sad songs. Who slow dance to them with tears streaming down our faces, even as a smile lingers on our lips. Who cry in our pillows at night and who ride our sunshine-yellow bicycle along the empty, desolate, miserable places, where no one goes.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
thou hast ravished my heart with one of thine eyes, with one chain of thy neck, thy lips drop as the honeycomb, honey and milk are under thy tongue, the smell of thy breath is of apples, thy two breasts are clusters of grapes, thy palate a heady wine that goes straight to my love and flows over my lips and teeth…. A fountain sealed, spikenard and saffron, calamus and cinnamon, myrrh and aloes, I have eaten my honeycomb with my honey, I have drunk my wine with my milk. Who was she, who was she who rose like the dawn, fair as the moon, clear as the sun, terrible as an army with banners?
Umberto Eco (The Name Of The Rose)
Agony. Fire. Passion. Loneliness. Destroyed. Crumble. Burn. Sleepless. The letters are straight and clear, severe, like Thomas, but there is an extra swirl in his esses, making them playful, somewhat soft. I want to keep touching them, want to lick them. Then all at once, my heart stops beating. Unrequited.
Saffron A. Kent (The Unrequited)
Spring is well underway, and the wild cherry trees are in full bloom. The fields are filled with darling violets and buttercups, and the sides of the road lined with the blossoms that will become berries in the summer heat. I know from the weather report that a crisp spring light is shining down on the navy blue water of Saratoga Passage, and my view, whether I can see it or not, will remain unchanged. I wrote to you once about the comfort I find in that. This remains true.
Kim Fay (Love & Saffron)
The ability to remain constant, whole and playful, even while working technically, concentrating and upholding urgency, is essential to achieve a state of balance that will allow for this to happen. This has to come to life, and cannot stay just an idea or hope or intention or imitation, or ignored. The guarantee and proof that this balance and power is real is in its actualization. That is, that it manifests in functional reality. As in any intention, whether that be vague or specific, an ambition or desire, a goal or state of being, a question or hope, a curiosity or purpose, there exist natural and unnatural obstacles to its realization.
Darrell Calkins (Re:)
I have faith. Maybe this is why people chase God. They chase something higher, bigger than themselves because it’s peaceful. It’s relieving. It gives them time to live their life in the moment and not in the past or in the future. It’s an act of courage to put your faith in something like that. Maybe that’s what religion is.
Saffron A. Kent (Gods & Monsters)
The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child’s skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and—an afterthought—some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of “When Tay’s Bank,” and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. “No matter,” said the Dowager cheerfully, when told. “Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can’t have that.” He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid and finally stumbled, flattened and hot, into a tavern, where Tom forcibly commandeered a private space for the two women and brought them refreshments. “Dear, dear,” said Lady Culter, seating herself among the mute sea of her parcels, like Arion among his fishes. “I’m afraid I’ve forgotten which are the squashy ones. Never mind. If we spread them out, they can’t take much hurt, I should think. Unless the ox feet … Oh. What a pity, Tom. But I’m sure it will clean off.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
I notice you have written about mussels a few times, but you only ever mention cooking clams. I recently learned a creative mussels recipe from a Frenchwoman I met on a voyage to the Far East. I am enclosing a packet of saffron from that voyage. It is my small way of thanking you for "Letters from the Island." For steamed mussels, in a stockpot add a generous pinch of saffron, coarsely chopped garlic, and parsley to a half cup of melted butter. The red enamel pot you mentioned in your column about racing Dungeness crabs, the one with the pockmark from your niece's Red Ryder BB gun, will do perfectly. If you can't find fresh garlic, shallots can be substituted, but in my opinion, without fresh garlic the dish isn't worth making. The Frenchwoman told me the addition of a cup or so of white wine is considered standard for this broth, but she prefers vermouth. I agree with her. It gives the dish a crisp, botanical flavor, and I can save my Chablis for drinking with my meal.
Kim Fay (Love & Saffron)
The typical image of a depressed, lazy and tired person is someone hunched over and inert. Often, the assumption is that if one had more enthusiasm and inspiration, he would then stand up straight and move. In many cases, this equation is backward. But, as with everything related to one’s physicality, balance is the key. An overly erect and rigid posture may convey confidence and power to some, but it also causes a subtle accumulation of tension and rigidity on various levels, including psychological and emotional.
Darrell Calkins (Re:)
Ironically, to “inspire” means to breathe, to infuse life by breathing. As with a lot of things that have the capacity to inspire, it takes some time to get past the apparent boredom and find the hidden secrets. I figure if I keep harping on it, maybe someone will eventually explore the possibility long enough to realize just how breathtaking it is.
Darrell Calkins
Hands cling to hands and eyes linger on eyes: thus begins the record of our hearts. It is the moonlit night of March; the sweet smell of henna is in the air; my flute lies on the earth neglected and your garland of flowers in unfinished. This love between you and me is simple as a song. Your veil of the saffron colour makes my eyes drunk. The jasmine wreath that you wove me thrills to my heart like praise. It is a game of giving and withholding, revealing and screening again; some smiles and some little shyness, and some sweet useless struggles. This love between you and me is simple as a song. No mystery beyond the present; no striving for the impossible; no shadow behind the charm; no groping in the depth of the dark. This love between you and me is simple as a song. We do not stray out of all words into the ever silent; we do not raise our hands to the void for things beyond hope. It is enough what we give and we get. We have not crushed the joy to the utmost to wring from it the wine of pain. This love between you and me is simple as a song.
Rabindranath Tagore (The Gardener)
the unrequited lover is the one who waits. He waits and waits, and then waits some more. He is the one who drops vital moments of his life, lets them scatter away, lets himself scatter away piece by piece for those three words. I love you. He is desperate and lonely, both by choice and circumstance. It’s the story of my life packed into a neat, tidy script. Thomas
Saffron A. Kent (The Unrequited)
His Adam’s apple jumps up and down. “No, that’s…that’s not right. You’re not beautiful. I think you’re the most exquisite thing I’ve ever seen.” He licks his lips, his eyes flitting back and forth. “No, not a…not a thing. You’re more than that, Layla. You’re…the poem I can never write. Yeah, you’re the piece of poetry I can never hope to finish, no matter how hard I try.” “Thomas,
Saffron A. Kent (The Unrequited)
Science uses the Red Shift to measure deep cosmic distances. But how to measure deep historic time? How about—the Saffron Shift. If history itself had a color, it is . . . like wood or bark, or living forest floor. Assigning hues to time periods, the sum total of history is saffron-brown—but the chromatic arc starts from blinding white (prehistory) to sun-yellow (Ancient Greece), then deepening to pale wood tones (Dark Ages) and finally exploding like an infinite chord into a full brown palette that includes mahoganies, siennas (Middle Ages), oak, sandalwood (the Renaissance), cherry, maple (Age of Reason), and near-black old woods (Industrial Revolution) for which there may not be names. As time approaches our own, the wood-brown palette fades to a weird glassy colorlessness, goes black-and-white for a brief span as you think of photographs of your grandparents, and then again fades until we get a clear medium that is the color of the world. And the present moment is perfectly transparent. It's only as you start looking into the future, that the colors start returning. The glass is turning silvery with a murky haze, and there is blue somewhere in the distance . . .
Vera Nazarian (The Perpetual Calendar of Inspiration)
As he lifted the leather-bound cover, the musty smell of paper rose up. He turned the first mottled leaf and looked down at an elaborately drawn image. A brimming goblet was decorated with curling vines and bunches of grapes. But instead of wine or water, the cup was filled with words. John stared at the alien symbols. He could not read. Around the goblet a strange garden grew. Honeycombs dripped and flowers like crocuses sprouted among thick-trunked trees. Vines draped themselves about their branches which bristled with leaves and bent under heavy bunches of fruit. In the far background John spied a roof with a tall chimney. His mother settled beside him. 'Palm trees...' she said. 'These are dates. Honey came from the hives and saffron came from these flowers. Grapes swelled on the vine...
Lawrence Norfolk (John Saturnall's Feast)
This sweetness scooped like some bright fruit plum peach apricot watermelon perhaps from myself this sweetness It is a whimsical touch, which surprises and troubles me. That this stony and prosaic woman should in her secret moments harbor such thoughts. For she was sealed from us- from everyone- with such fierceness that I had thought her incapable of yielding. I never saw her cry. She rarely smiled, and then only in the kitchen with her palette of flavors at her fingertips, talking to herself (so I thought) in the same toneless mutter, enunciating the names of herbs and spices- cinnamon, thyme, peppermint, coriander, saffron, basil, lovage- running a monotonous commentary. See the tile. Has to be the right heat. Too low, the pancake is soggy. Too high, the butter fries black, smokes, the pancake crisps. I understood because I saw in our kitchen seminars the one way in which I might win a little of her approval, and because every good war needs the occasional amnesty. Country recipes from her native Brittany were her favorites; the buckwheat pancakes we ate with everything, the far breton and kouign amann and galette bretonne that we sold in downriver Angers with our goat's cheeses and our sausage and fruit.
Joanne Harris (Five Quarters of the Orange)
I’m only going to say this once: there’s a difference between writing and creating art. Anyone can write, but only a few can create art, and for that, you need to find your own voice. Reading is good. Read as much as you want, but make your own rules. Don’t just follow. Strive to create something that comes from you. Strive to create your art, not recreate what someone else did, because frankly, you should rather want to be dead than be a rip-off.” He
Saffron A. Kent (The Unrequited)
I swear to you that I heard the story of the lion-sorcerer just before leaving for the war. This story, like all interesting stories, is full of clever innuendo. Whoever tells a well-known story like the one about the lion-sorcerer and the fickle princess might always be hiding another story beneath it. To be seen, the story hidden beneath the well-known story has to peak out a little bit. If the hidden story hides too well beneath the well-known story, it stays invisible. The hidden story has to be there without being there, it has to let itself be guessed at, the way a tight saffron-yellow dress lets the beautiful figure of a young girl be guessed at. It has to be transparent. When it’s understood by those for whom it is intended, the story hidden beneath the well-known story can change the course of their lives, can push them to transform a diffuse desire into a concrete act. It can heal them from the sickness of hesitation, no matter the expectations of an ill-intentioned storyteller.
David Diop (At Night All Blood is Black)
I remember screaming, and shouting. So much shouting and all of it was coming from me. I knocked down the machines. I ripped out the tubing attached to my veins. They wouldn’t stop getting closer though. Closer and closer. Descending. The nurses and the orderlies. Like they were going to suck my soul right out of my body. Like they were dementors – the soul-sucking creatures from Harry Potter. Instead of performing the Dementor’s Kiss, however, those creatures stuck me with a needle. It came out of nowhere.
Saffron A. Kent (Medicine Man (Heartstone #1))
This is the last part. I have to get through it, and then I’ll walk away. Forever. I’ll start my life. “It’s every lover’s wish to be with the one they love. But I’ll never wish for more time with you. I’ll pray that we never cross each other’s paths. That this be our last meeting. Because this love that I have for you, I’m very protective of it. I know if I stay, you’ll kill it one day. You’ll take it away from me. And I can’t let that happen. I want to love you till the end of time. Till the moon goes dark and the stars fade out. “Yours, me.
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels, #0))
That the man in the bed was the one whom, to my cost, I had suffered myself to stumble on the night before, there could, of course, not be the faintest doubt. And yet, directly I saw him, I recognised that some astonishing alteration had taken place in his appearance. To begin with, he seemed younger,— the decrepitude of age had given place to something very like the fire of youth. His features had undergone some subtle change. His nose, for instance, was not by any means so grotesque; its beak-like quality was less conspicuous. The most part of his wrinkles had disappeared, as if by magic. And, though his skin was still as yellow as saffron, his contours had rounded,— he had even come into possession of a modest allowance of chin. But the most astounding novelty was that about the face there was something which was essentially feminine; so feminine, indeed, that I wondered if I could by any possibility have blundered, and mistaken a woman for a man; some ghoulish example of her sex, who had so yielded to her depraved instincts as to have become nothing but a ghastly reminiscence of womanhood.
Richard Marsh (The Beetle)
Once I've coated the parsnips in a honey-saffron glaze, Rachel helps me plate them alongside the brisket, stuffed cabbage, and sweet potato tzimmes, and we carry the plates out to the dining room together. "Let me explain a little about tonight's dinner," I say, addressing the softly lit faces around the table, which is covered with flickering votives and tapered candles. I launch into a description of the Jewish New Year and the symbolism behind all of the food: how the honey represents the hope of a sweet new year, how the challah is round instead of braided to represent the circle of life, how my grandmother used to make stuffed cabbage on every possible occasion because it reminded her of her Hungarian mother. I tell them lots things- about food, about my bubbe, about me- and to my surprise, they actually pay attention. They hang on my every word and ask intelligent questions and make thought-provoking points of their own. And I realize, hey, these are people who get it, people who love to eat and talk about food and culture as much as I do. Most of them aren't Jewish, but that doesn't matter. Every family has its traditions. Every family has a story to share. That's the point of this dinner- to swap stories and histories and see how food can bring people together.
Dana Bate (The Girls' Guide to Love and Supper Clubs)
Augustus, who in almost everything save his ambition was deeply conservative, had far too much respect for tradition ever to think of having such a venerable memorial removed from the Forum. Nevertheless, the statue of Marsyas was troubling to him on a number of levels. At Philippi, where his own watchword had been ‘Apollo’, that of his opponents had been ‘liberty’. Not only that, but Marsyas was believed by his devotees to have been sprung from his would-be flayer’s clutches by a rival god named Liber, an anarchic deity who had taught humanity to enjoy wine and sexual abandon, whose very name meant ‘Freedom’, and who – capping it all – had been worshipped by Antony as his particular patron. The clash between the erstwhile Triumvirs had been patterned in the heavens. Antony, riding in procession through Cleopatra’s capital, had done so dressed as Liber, ‘his head wreathed in ivy, his body draped in a robe of saffron gold’.89 Visiting Asia Minor, where in ancient times the contest between Apollo and Marsyas had been staged, he had been greeted by revellers dressed as satyrs. The night before his suicide, ghostly sounds of music and laughter had filled the Egyptian air; ‘and men said that the god to whom Antony had always compared himself, and been most devoted, was abandoning him at last’.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
them flouncing into the pool, drinking, tossing up their heads, drinking again, the water dribbling from their lips in silver threads. There was another flounce, and they came out of the pond, and turned back again towards the farm. She looked further around. Day was just dawning, and beside its cool air and colours her heated actions and resolves of the night stood out in lurid contrast. She perceived that in her lap, and clinging to her hair, were red and yellow leaves which had come down from the tree and settled silently upon her during her partial sleep. Bathsheba shook her dress to get rid of them, when multitudes of the same family lying round about her rose and fluttered away in the breeze thus created, "like ghosts from an enchanter fleeing." There was an opening towards the east, and the glow from the as yet unrisen sun attracted her eyes thither. From her feet, and between the beautiful yellowing ferns with their feathery arms, the ground sloped downwards to a hollow, in which was a species of swamp, dotted with fungi. A morning mist hung over it now—a fulsome yet magnificent silvery veil, full of light from the sun, yet semi-opaque—the hedge behind it being in some measure hidden by its hazy luminousness. Up the sides of this depression grew sheaves of the common rush, and here and there a peculiar species of flag, the blades of which glistened in the emerging sun, like scythes. But the general aspect of the swamp was malignant. From its moist and poisonous coat seemed to be exhaled the essences of evil things in the earth, and in the waters under the earth. The fungi grew in all manner of positions from rotting leaves and tree stumps, some exhibiting to her listless gaze their clammy tops, others their oozing gills. Some were marked with great splotches, red as arterial blood, others were saffron yellow, and others tall and attenuated, with stems like macaroni. Some were leathery and of richest browns. The hollow seemed a nursery of pestilences small and great, in the immediate neighbourhood of comfort and health, and Bathsheba arose with a tremor at the thought of having passed the night on the brink of so dismal a place.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine.
Virgil (The Eclogues)
Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S
Malay Roy Choudhury (Selected Poems)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine. While clothed in natural scarlet graze the lambs.
Virgil (The Eclogues)
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
Kyung-ran Jo (Tongue)