Safety Pins Quotes

We've searched our database for all the quotes and captions related to Safety Pins. Here they are! All 100 of them:

Her clothes were filled with safety pins and hidden tears.
Louise Erdrich (Love Medicine (Love Medicine, #1))
Q: What’s hard for you? A: Mostly I straddle reality and the imagination. My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane. Math is hard. Reading a map. Following orders. Carpentry. Electronics. Plumbing. Remembering things correctly. Straight lines. Sheet rock. Finding a safety pin. Patience with others. Ordering in Chinese. Stereo instructions in German.
Tom Waits
Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don't patch the cup. Don't patch anything. Don't mend. Buy safety pins. Don't even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don't keep all the pieces of the puzzles or the doll's tiny shoes in pairs, don't worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic-decide first what is authentic, then go after it with all your heart. Your heart, that place you don't even think of cleaning out. That closet stuffed with savage mementos. Don't sort the paper clips from screws from saved baby teeth or worry if we're all eating cereal for dinner again. Don't answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in though the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don't read it, don't read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity.
Louise Erdrich (Original Fire)
And you want more holes because you think pain will distract you from all the annoying celebrating? Or because stabbing me will make you feel better?" "Something like that." She smiled enigmatically, went into the bathroom, and came out with a wad of cotton balls and a safety pin.
Holly Black (White Cat (Curse Workers, #1))
Look, you runny-nosed little runt. You're going to back off right now, or I'm going to rip that safety pin out of your nose and pin your mouth shut.
Dan Brown (Digital Fortress)
As embarrassed as she was of her stomach and her freckles and the fact that her bra was held together with two safety pins, she wanted Park to touch her more than she could ever feel embarrassed. And when he touched her, he didn't seem to care about any of those things. Some of them he even liked. Like her freckles. He said she was candy-sprinkled.
Rainbow Rowell (Eleanor & Park)
As people, other people, living in a house who . . . borrow things?" Mrs. May laid down her work. "What do you think?" she asked. "I don't know," Kate said, pulling hard at her shoe button. "There can't be. And yet"-she raised her head-"and yet sometimes I think there must be." "Why do you think there must be?" asked Mrs. May. "Because of all the things that disappear. Safety pins, for instance. Factories go on making safety pins, and every day people go on buying safety pins and yet, somehow, there never is a safety pin just when you want one. Where are they all? Now, at this minute? Where do they go to? Take needles," she went on. "All the needles my mother ever bought-there must be hundreds-can't just be lying about this house." "Not lying about the house, no," agreed Mrs. May. "And all the other things we keep on buying. Again and again and again. Like pencils and match boxes and sealing-wax and hairpins and drawing pins and thimbles-
Mary Norton (The Borrowers (The Borrowers, #1))
Dylan, in her skintight black jeans, safety-pinned shirt, and bulky armbands, with her hair sticking out in every direction and that black freshly smeared around her eyes, doesn't just smile, doesn't just walk toward Maddy and put her arms around her. No. Instead, every muscle in her whole body seems to lose all tension, her step forward resembles a skip, and she lets out a hey that might as well say, I love you, you are so beautiful, no one in the world is as amazing as you are.
Nina LaCour (Hold Still)
Drama demands the reversal of expectation, but in such a way that the first surprise is followed by an immediate recognition of inevitability. And inevitability takes careful pin-setting.
Wallace Stegner (Crossing to Safety (Modern Library Classics))
She has no interest in the composition from ten or twenty feet—that will come later. What she wants is topography, the impasto, the furrows where sable hairs were dragged into tiny painted crests to catch the light. Or the stray line of charcoal or chalk, glimpsed beneath a glaze that’s three hundred years old. She’s been known to take a safety pin and test the porosity of the paint and then bring the point to her tongue. Since old-world grounds contain gesso, glue, and something edible—honey, milk, cheese—the Golden Age has a distinctively sweet or curdled taste. She is always careful to avoid the leads and the cobalts. What
Dominic Smith (The Last Painting of Sara de Vos)
He did the unforgivable and said the unthinkable. He broke me from the inside out and left me to pick up the pieces on my own. I'm not sure I even got all the pieces. Since that day, I've felt emotionally wrecked with uncleaned wounds and safety pins holding together my tattered heart.
Jewel E. Ann (Look the Part)
Love is the same as a safety pin unsafe in the lapel of chance.
Joaquín Sabina
These moments of nocturnal prowling leave an indelible impression. Eyes and ears are tensed to the maximum, the rustling approach of strange feet in the tall grass in an unutterably menacing thing. Your breath comes in shallow bursts; you have to force yourself to stifle any panting or wheezing. There is a little mechanical click as the safety-catch of your pistol is taken off; the sound cuts straight through your nerves. Your teeth are grinding on the fuse-pin of the hand-grenade. The encounter will be short and murderous. You tremble with two contradictory impulses: the heightened awareness of the huntsmen, and the terror of the quarry. You are a world to yourself, saturated with the appalling aura of the savage landscape.
Ernst Jünger
The gesture—so random and kind—baffled me. Is this what mothers did, wonder if you might need safety pins? Mine phoned once a month and always asked the same practical questions (grades, classes, upcoming expenses).
Gillian Flynn (Sharp Objects)
The Total Perspective Vortex derives its picture of the whole Universe on the principle of extrapolated matter analyses. To explain — since every piece of matter in the Universe is in some way affected by every other piece of matter in the Universe, it is in theory possible to extrapolate the whole of creation — every sun, every planet, their orbits, their composition and their economic and social history from, say, one small piece of fairy cake. The man who invented the Total Perspective Vortex did so basically in order to annoy his wife. Trin Tragula — for that was his name — was a dreamer, a thinker, a speculative philosopher or, as his wife would have it, an idiot. And she would nag him incessantly about the utterly inordinate amount of time he spent staring out into space, or mulling over the mechanics of safety pins, or doing spectrographic analyses of pieces of fairy cake. “Have some sense of proportion!” she would say, sometimes as often as thirty-eight times in a single day. And so he built the Total Perspective Vortex — just to show her. And into one end he plugged the whole of reality as extrapolated from a piece of fairy cake, and into the other end he plugged his wife: so that when he turned it on she saw in one instant the whole infinity of creation and herself in relation to it. To Trin Tragula’s horror, the shock completely annihilated her brain; but to his satisfaction he realized that he had proved conclusively that if life is going to exist in a Universe of this size, then the one thing it cannot afford to have is a sense of proportion.
Douglas Adams (Hitchhiker's Guide to the Galaxy omnibus 2: Tot ziens en bedankt voor de vis / Grotendeels ongevaarlijk / En dan nog iets… (Hitchhiker's Guide to the Galaxy, #4-6))
High school was so typical and predictable. Everyone here was so occupied with discovering the definition of cool. To some, cool was Abercrombie and popped collars. Some thought cool was playing sports. Some thought cool was drinking before the homecoming dance. And others swore that cool was not trying to be cool: nonconformists with black nail polish, leather boots, and oversized safety pins in their ears. Our free expression was in so many ways just a restriction of our identities. All of us trying to be something we weren't. Even the nonconformists were conforming. High school, I guessed, was just a chapter, something standing in the way of real freedom. High school didn't even seem real. It seemed so fake.
Ryan Smithson (Ghosts of War: The True Story of a 19-Year-Old GI)
Play it again," I said. I tried to imagine myself in the same way the singer saw the woman: the dangle of her silver bracelet, tinged with green, the fall of her hair. But I only felt foolish, opening my eyes to the sight of Connie at the mirror, separating her eyelashes with a safety pin, shorts wedged into her ass. It wasn't the same to notice things about yourself. Only certain girls ever called forth that kind of attention. Like the girl I'd seen in the park. Or Pamela and the girls on the high school steps, waiting for the lazy agitation of their boyfriends' idling cars, the signal to leap to their feet. To brush off their seat and trip out into the full sun, waving goodbye to the ones left behind.
Emma Cline (The Girls)
His ears were so littered with studs, safety pins and dangling razor blades that if he were to stand between two strong magnets his face would peel off.
Reed Farrel Coleman (Walking the Perfect Square (Moe Prager Book 1))
My mother was a saver: rubber bands, string, safety pins, jam jars, for her the Depression never ended.
Margaret Atwood (Surfacing)
In genealogy you might say that interest lies in the eye of the gene holder. The actual descendants are far more intrigued with it all than the listeners, who quickly sink into a narcoleptic coma after the second or third great-great-somebody kills a bear or beheads Charles I, invents the safety pin or strip-mines Poland, catalogues slime molds, dances flamenco, or falls in love with a sheep. Genealogy is a forced march through stories. Yet everyone loves stories, and that is one reason we seek knowledge of our own blood kin. Through our ancestors we can witness their times. Or, we think, there might be something in their lives, an artist’s or a farmer’s skill, an affection for a certain landscape, that will match or explain something in our own. If we know who they were, perhaps we will know who we are. And few cultures have been as identity-obsessed as ours. So keen is this fascination with ancestry, genealogy has become an industry. Family reunions choke the social calendar. Europe crawls with ancestor-seeking Americans. Your mother or your spouse or your neighbors are too busy to talk to you because they are on the Internet running “heritage quests.” We have climbed so far back into our family trees, we stand inches away from the roots where the primates dominate.
Ellen Meloy (The Anthropology of Turquoise: Reflections on Desert, Sea, Stone, and Sky (Pulitzer Prize Finalist))
we always went back to my grandma’s pockets, because she carried in them everything you would need to get through the day or start life in a new state. You wanted hard candy, loose change, a little pencil, a bobby pin, a safety pin, a pre-threaded needle, an aspirin, Band-Aids, stamps or rubber bands? She had them on her person at all times. Those pockets carried what are now carried at bodegas.
Regina Barreca
A.J. notices an Elmo doll sitting on the floor with a note attached to his matted red chest by a safety pin. He sets the baby down and picks up Elmo, a character A.J. has always despised because he seems too needy.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
The same way you fix the hole in your dress with a safety pin or tape up the crack in a window. That's the part I was stuck in, the part where you accept the apology because it's easier than addressing the root of the problem.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Dear good white people (you know who you are), I have a secret to tell you: There is no such thing. There are only white people who work to do good, just things. You are an ally because of your actions, not because you say you are. You're an ally when you call out racist comments, when you listen and learn, when you work in solidarity with people of color to dismantle institutional racism, when your efforts and actions are felt by others. Not just when you wear a safety pin.
Kate Schatz
I was sorry to notice that my clumsiness with the safety-pin hurt her. Indeed, it might have been serious, for the skin of her throat was pierced. I must have pinched up a piece of loose skin and have transfixed it, for there are two little red points like pin-pricks, and on the band of her nightdress was a drop of blood. When I apologised and was concerned about it, she laughed and petted me, and said she did not even feel it. Fortunately it cannot leave a scar, as it is so tiny.
Bram Stoker (Dracula)
There are map people whose joy is to lavish more attention on the sheets of colored paper than on the colored land rolling by. I have listened to accounts by such travelers in which every road number was remembered, every mileage recalled, and every little countryside discovered. Another kind of traveler requires to know in terms of maps exactly where he is pin-pointed at every moment, as though there were some kind of safety in black and red lines, in dotted indications and squirming blue of lakes and the shadings that indicate mountains. It is not so with me. I was born lost and take no pleasure in being found, nor much identification from shapes which symbolize continents and states.
John Steinbeck
Lila stuck into her skin the rusted safety pin that she had found on the street somewhere but kept in her pocket like the gift of a fairy godmother; I watched the metal point as it dug a whitish tunnel into her palm, and then, when she pulled it out and handed it to me, I did the same.
Elena Ferrante (My Brilliant Friend (L'amica geniale #1))
But know this: whether you actively engage in the violent culture of hate or merely step out of the way to give it permission to persist and room to grow, you are complicit. And white people, you give permission to this culture every day you do nothing more than have “conversations on race.” You don’t get to just have conversations anymore. You don’t get to just wear a safety pin and call yourself an ally. You don’t get to just talk while the rest of us fear for our lives because discrimination, rape culture, and xenophobia just won the White House. Too often oppressed people are told to exhibit an inordinate amount of grace and patience while white people are “on their journey.” And it’s true: No one is born woke. We all have work to do and we should respect where people are. But as Dr. King reminds us, too often “wait means never,” and your journey may cost someone their citizenship, their religious freedom, or their life.
Dennis Johnson (What We Do Now: Standing Up for Your Values in Trump's America)
When he comes crawling to you in tears the next morning, you don’t actually believe him anymore. But now this is just what you do. The same way you fix the hole in your dress with a safety pin or tape up the crack in a window. That’s the part I was stuck in, the part where you accept the apology because it’s easier than addressing the root of the problem,
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
The fourth time, it’s after you both lose at the Oscars. You are in a silk, emerald-green, one-shoulder dress. He’s in a tux with tails. He has too much to drink at the after-parties, trying to nurse his wounds. You’re in the front seat of the car in your driveway, about to go inside. He’s upset that he lost. You tell him it’s OK. He tells you that you don’t understand. You remind him that you lost, too. He says, “Yeah, but your parents are trash from Long Island. No one expects anything from you.” You know you shouldn’t, but you say, “I’m from Hell’s Kitchen, you asshole.” He opens the parked car’s door and pushes you out. When he comes crawling to you in tears the next morning, you don’t actually believe him anymore. But now this is just what you do. The same way you fix the hole in your dress with a safety pin or tape up the crack in a window. That’s the part I was stuck in, the part where you accept the apology because it’s easier than addressing the root of the problem, when Harry Cameron came to my dressing room and told me the good news. Little Women was getting the green light.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Drama demands the reversal of expectation, but in such a way that the first surprise is followed by an immediate recognition of inevitability. And inevitability takes careful pin-setting. Since
Wallace Stegner (Crossing to Safety (Modern Library Classics))
Six years previously, Miss Brodie had led her new class into the garden for a history lesson underneath the big elm. On the way through the school corridors they passed the headmistress's study. The door was wide open, the room was empty. 'Little girls,' said Miss Brodie, 'come and observe this.' They clustered round the open door while she pointed to a large poster pinned with drawing-pins on the opposite wall within the room. It depicted a man's big face. Underneath were the words 'Safety First'. 'This is Stanley Baldwin who got in as Prime Minister and got out again ere long,' said Miss Brodie. 'Miss Mackay retains him on the wall because she believes in the slogan "Safety First". But Safety does not come first. Goodness, Truth and Beauty come first. Follow me.
Muriel Spark (The Prime of Miss Jean Brodie)
His eyes remain on my profile as I bite my lip and stuff my hands in his jacket pockets. Amongst the contents, I feel a lighter, a safety pin, and pull a package out to see a dual pack of condoms—LELO-HEX-XL. My eyes fly to his, his expression not changing a fraction as I quickly stuff the package back into my pocket. “Congratulations,” I mutter dryly with an eyeroll before darting my gaze back to the brightly lit piece.
Kate Stewart (Reverse (The Bittersweet Symphony Duet, #2))
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you. In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh. Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
Alistair MacLean (When Eight Bells Toll)
I mean like, first the von Habsburg and now she’s obsessed with Mel, who by the way isn’t a Kennedy. I know she’s your roommate but—’ She pulled a safety pin from her purse, holding the point up to her eye, separating each lash, ‘Why are you even throwing these parties? Don’t you want to be an artist?’ Her lashes now looked like plucked spider legs, she shifted one eye to meet mine in the mirror, ‘I mean – don’t you want to take yourself seriously?’ ‘Hailey’s not a star-fucker and the parties are – art.
Calla Henkel (Other People’s Clothes)
Doctors, I find, have a very materialistic outlook. The spiritual seems to be strangely hidden from them. They pin their faith on Science - but what I say is... what is Science - what can it do?" There seemed, to Hercule Poirot, to be no answer to the question other than a meticulous and painstaking description embracing Pasteur, Lister, Humphrey Davy's safety lamp - the convenience of electricity in the home and several hundred other kindred items. But that, naturally, was not the answer Mrs Lionel Cloade wanted.
Agatha Christie (Taken at the Flood (Hercule Poirot, #29))
Patty’s older sister, Diane, had pierced Patty’s ears in this bathroom two decades ago. Patty heated a safety pin with a cheap lighter and Diane sliced a potato in half and stuck its cold, wet face against the back of Patty’s ear. They froze her lobe with an ice cube, and Diane—hold still, hold stillllll—jabbed that pin into Patty’s rubbery flesh. Why did they need the potato? For aim or something. Patty had chickened out after the first ear, had plopped down on the side of the bathtub, the lancet of the pin still sticking out the lobe.
Gillian Flynn (Dark Places)
This general lack of sleep really got to me. And little can prepare people for how they will react when deprived of it--over multiple days. Everything suffers: concentration, motivation, and performance. All key elements for what we were doing. But it is designed that way. Break you down and find out what you are really made of. Underneath the fluff. I remember during one particular lecture (on the excruciatingly boring topic of the different penetration abilities of different bullets or rounds), looking over to my left and noticing Trucker jabbing his arm with a safety pin every few minutes in an attempt to keep himself awake. The sight cheered me up no end.
Bear Grylls (Mud, Sweat and Tears)
How do we know that?” Lucy was frowning. “By inference. She did not attach a piece of paper to a blanket with a bare pin and wrap the blanket around the baby. Mr. Goodwin found a tray half full of safety pins in her house. But he found no rubber-stamp kit and no stamp pad, and one was used for the message on the paper. The inference is not conclusive, but it is valid. I am satisfied that on May twentieth Ellen Tenzer delivered the baby to someone, either at her house or, more likely, at a rendezvous elsewhere. She may or may not have known that its destination was your vestibule. I doubt it; but she knew too much about its history, its origin, so she was killed.
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
There was someone sitting in his room, over on that chair— “Are you kidding me?” He exhaled a curse and rubbed the back of his brain. “Really? Are you fucking kidding me?” Across the way, like some fucked-up scarecrow, a pair of blue jeans, that Nirvana concert T-shirt of the angel’s, the flannel bullshit, and a set of Nikes had been stuffed with God only knew what. The head of the “Lassiter” was made out of a nylon bag that had had potatoes in it, and the black and yellow hair was a collection of knee-high business socks—probably Butch’s—and Swiffer cleaning rags that had been safety pinned in place. Around its neck? A handwritten sign that read: the boss was here.
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
I want to contribute something; I don’t want to be just a consumer, like the rest of you.” His tone was hard and flat and very earnest. “We live in a world created and manufactured from the results of the work of millions of men, most of them dead, virtually none of them known or given any credit. I don’t care if I’m known for what I create; all I care about is having it be worthwhile and useful, with people able to depend on it as something they take for granted in their lives. Like the safety pin. Who knows who created that? But everyone in the goddam galaxy makes use of safety pins. [...] It wouldn’t matter, if this whole colony, everybody in it, died. None of us contribute anything. We’re nothing more than parasites, feeding off the galaxy. ‘The world will little note or long remember what we do here.
Philip K. Dick (A Maze of Death)
Let us pin our faith in the almighty Zeus, who governs all mankind and the gods as well. Fight for your country - that is the best and only omen. But why should you, of all men, shirk from battle? Even if the rest of us are slaughtered wholesale by the argive ships, you need have no fear for your own safety - you are not the man to stand and fight it out. None the less, if you do shirk, or dissuade any of the others from fighting, I shall not hesitate to strike you with this spear and take your life.
Homer (The Iliad)
Deep blue like the hour between the dog and the wolf. An attractively scooped neckline. Sleeves and hemline a length and cut you would call kind. Buttons in back like discreetly sealed lips. Good give in the fabric. Double lined. The sort of dress that looks like nothing but a sad dark sack on the hanger, but on the body it’s a different story. Takes extremely well to accessories. My mother loved this sort of dress. At whatever weight she was—thin, fat, middling—she owned an iteration. I saw her wear it to work, lunch with friends, on dates, to movies, parties, funerals. I saw her wear it alone in her apartment for days on end. Scratch at a stain on the boob. Shit. The hemline begin to unravel. Fuck fuck fuck. Do you have a safety pin? Holes begin to appear in the armpits. Jesus. The sleeves fray. Well. That’s that, isn’t it? She wore it so much she’d wear it out and then she’d have to hunt for another, whip through the plus-size racks for something that fit just as impossibly well, that was just as dignified, just as forgiving in its plain dark elegance.
Mona Awad (13 Ways of Looking at a Fat Girl)
I got dressed to go hunt for someone, anyone, to help. The elevator door opened. You wouldn’t believe the band of degenerates that tumbled out. They looked like those horrible runaways who gather across from the Westlake Center. There were a half-dozen of them, full of the most unspeakable piercings, neon-colored hair shaved in unflattering patches, blurry tattoos top-to-bottom. One fellow had a line across his neck imprinted with the words CUT HERE. One gal wore a leather jacket, on the back of which was safety-pinned a teddy bear with a bloody tampon string hanging out of it. I couldn’t make this up.
Maria Semple (Where'd You Go, Bernadette)
How do we know that?” Lucy was frowning. “By inference. She did not attach a piece of paper to a blanket with a bare pin and wrap the blanket around the baby. Mr. Goodwin found a tray half full of safety pins in her house. But he found no rubber-stamp kit and no stamp pad, and one was used for the message on the paper. The inference is not conclusive, but it is valid. I am satisfied that on May twentieth Ellen Tenzer delivered the baby to someone, either at her house or, more likely, at a rendezvous elsewhere. She may or may not have known that its destination was your vestibule. I doubt it; but she knew too much about its history, its origin, so she was killed.” “Then you know that?” Lucy’s hands were clasped, the fingers twisted. “That that’s why she was killed?” “No. But it would be vacuous not to assume it. Another assumption: Ellen Tenzer not only did not leave the baby in your vestibule or know that was its destination; she didn’t even know that it was to be so disposed of that its source would be unknown and undiscoverable. For if she had known that, she would not have dressed it in those overalls. She knew those buttons were unique and that inquiry might trace their origin. Whatever she—” “Wait a minute.” Lucy was frowning, concentrating. Wolfe waited. In a moment she went on. “Maybe she wanted them to be traced.
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
We can work it all out over time. Agreed?" She might not know where they were going, but it was definitely a step to the right direction. Taking a deep breath, she nodded. "Agreed." His expression turned serious, and he eased away from the wall. Without his body weight pinning her into place, she had to force her own shaky limbs to support her. Sliding his fingers lightly down her arm, he took her hand. "Come make love with me," he said. After all of that - after taking the time to create an understanding that was filled with respect and that gave her a sense of safety - how like him to make everything so classic and direct, and simple. She tightened her hand in his. "Yes.
Thea Harrison (Night's Honor (Elder Races, #7))
Put your glasses on mate ….. Come down from there, you’re gonna kill yourself …. Well, what does your Method Statement say? …. Right, let’s get you re-inducted. You need a reminder of site rules ….. Where are your outriggers, mate? ….. Put your glasses on ….. Put your glasses on …. Put your glasses on …. Oh, they steam up, do they? I’ve never heard that one before …. Where’s your mask? If you breathe this shit in you’re going to kill yourself. Silicosis is incurable ….. Right STOP! Do not reverse another inch without a banksman ….. Don’t put your glasses on just because you see me walk around the corner. They won’t protect MY eyes …. Hook yourself on, what’s the matter with you? Are all you scaffolders superhuman or something? ….. Put your glasses on ….. Oi! What stops me walking right in there? Where’s your barriers and signage? ….. Oi! I’m getting showered in fucking sparks here. And so is that can of petrol ….. Put your glasses on …. Where’s the flashback arrestor on this bottle of propane? ….. Hey, pal, stop welding until you’ve sheeted up ….. What are you doing climbing up there? Where’s your supervisor? What did he say about access in this morning’s Safe Start briefing? Nothing? Right, he can sit through another induction tomorrow ….. Where are the retaining pins to the joint clamps in this concrete pump line? SEAMUS! Fucking deal with this, will you? ….Put your glasses on …. Hey! Hey! Come here! Why have you got a nail instead of an ‘R’ clip to the quick-hitch system on your excavator bucket? NO! IT WON’T DO! WHAT THE FUCK IS WRONG WITH YOU? If that bucket falls on someone they’re not going to get up again. And you trust a fucking nail to hold it in position! Take this machine out of service immediately until you’ve got the proper ‘R’ clip! ….. Put your glasses on …. Where’s the edge protection. Who removed the edge protection? Right, let me phone for a scaffolder ….. Put your glasses on ….. Oi! Get out from under there! Never, ever stand underneath a suspended load. Even if all the equipment’s been inspected, which it obviously has, you can never trust the crane driver. He can be taken ill suddenly ….. Come here, mate, let’s have a little chat. Why are you working on Fall Arrest? You’re supposed to be working on Fall Restraint (FR ‘restrains’ you going near the perimeter edge of the building, FA ‘arrests’ your fall if, well, if you fall. If you’re hanging off a building we’ve got less than ten minutes to reach you before you start going into toxic shock brought on by suspension trauma. In other words, we need a Rescue Plan, which is why we’d prefer people work on Fall Restraint)
Karl Wiggins (Dogshit Saved My Life)
21. Mr. Koenig reports that Ms. Griffin commenced approximately five minutes of hysterically expressing disappointment at her son’s choice of friends. 22. Mr. Koenig reports that the subdued response on the part of Kyle Griffin and his companions indicated that “they were totally wasted.” 23. Mr. Koenig reports that Ms. Griffin suddenly lunged at a girl with a teddy bear safety-pinned to the back of the her jacket. NARRATIVE CONTINUATION BY OFFICER: Upon arrival, I identified myself as Seattle PD. I attempted to pull Ms. Griffin off the teddy bear, which appeared to be causing her acute distress. I informed Ms. Griffin that if she did not lower her voice and step into the hallway with me, I would have to put her in handcuffs. Ms. Griffin started screaming at me with profanity, “I’m a model citizen. These druggies are the ones breaking the law and corrupting my son.” I grabbed hold of her left arm. Ms. Griffin screamed profanities at me while I placed her in handcuffs.
Maria Semple (Where'd You Go, Bernadette)
the rhythm which was barely intricate to most ears in the commons was to him painful because it was timed to the processes of his body, to jar and strike against them…and she was surprised he had held up this long. “All right, Cord, to be lord of this black barrack, Tarik’s, you need more than jackal lore, or a belly full of murder and jelly knees. Open your mouth and your hands. To understand power, use your wit, please. Ambition like a liquid ruby stains your brain, birthed in the cervixed will to kill, swung in the arc of death’s again, you name yourself victim each time you fill with swill the skull’s cup lipping murder. It predicts your fingers’ movement toward the blade long laid against the leather sheath cord-fixed to pick the plan your paling fingers made; you stayed in safety, missing worlds of wonder, under the lithe hiss of the personafix inflicting false memories to make them blunder while thunder cracks the change of Tarik. You stick pins in peaches, place your strange blade, ranged with a grooved tooth, while the long and strong lines of my meaning make your mind change from fulgent to frangent. Now you hear the wrong cord-song, to instruct you. Assassin, pass in…
Samuel R. Delany (Babel-17)
In another building, I was shown his [Mr Brunel's] manufactory of shoes, which, like the other, is full of ingenuity, and, in regard to subdivision of labour, brings this fabric on a level with the oft-admired manufactory of pins. Every step in it is effected by the most elegant and precise machinery; while as each operation is performed by one hand, so each shoe passes through twenty-five hands, who complete from the hide, as supplied by the currier, a hundred pair of strong and well-finished shoes per day. All the details are performed by ingenious applications of the mechanic powers, and all the parts are characterized by precision, uniformity, and accuracy. As each man performs but one step in the process, which implies no knowledge of what is done by those who go before or follow him, so the persons employed are not shoemakers, but wounded soldiers, who are able to learn their respective duties in a few hours. The contract at which these shoes are delivered to government is 6s. 6d. per pair, being at least 2s. less than what was paid previously for an unequal and cobbled article. While, however, we admire these triumphs of mechanics, and congratulate society on the prospect of enjoying more luxuries at less cost of human labour, it ought not to be forgotten, that the general good in such cases is productive of great partial evils, against which a paternal government ought to provide. No race of workmen being proverbially more industrious than shoemakers, it is altogether unreasonable, that so large a portion of valuable members of society should be injured by improvements which have the ultimate effect of benefiting the whole.
Richard Phillips (A Morning's Walk from London to Kew)
The devil took hold of her tongue. There was no other explanation for it. "Behoove," she said. The angle of his mouth leveled out, and his voice turned exceedingly, dangerously soft. "Yes. Behoove." She opened her mouth. Shut it. Opened it again. "Don't say it." Gray-green eyes narrowed, daring her to cross the line. --- A sense of peace and contentment filled him. He loved music, and he loved to dance. Teaching Tess to waltz was going to be a pleasure. A half an hour later, he had revised his opinion drastically, as she stepped on his foot again. Instantly, they both stopped moving and glared at each other. "Young lady, you are not an elephant," he told her. "Kindly refrain from imitating one." --- "We can work it all out over time. Agreed?" She might not know where they were going, but it was definitely a step to the right direction. Taking a deep breath, she nodded. "Agreed." His expression turned serious, and he eased away from the wall. Without his body weight pinning her into place, she had to force her own shaky limbs to support her. Sliding his fingers lightly down her arm, he took her hand. "Come make love with me," he said. After all of that - after taking the time to create an understanding that was filled with respect and that gave her a sense of safety - how like him to make everything so classic and direct, and simple. She tightened her hand in his. "Yes." --- "What's she like?" Gavin's tone was elaborately non-chalant. Defiant. Devious. Delicious. He didn't say any of those adjectives aloud. Instead, as his silence grew too long and Gavin lifted up his head to look at him curiously, he finally settled on "Unforgettable.
Thea Harrison (Night's Honor (Elder Races, #7))
Laughter, then, shows us the boundaries that language is too shy to make explicit. In this way, humor can be extremely useful for exploring the boundaries of the social world. The sparks of laughter illuminate what is otherwise murky and hard to pin down with precision: the threshold between safety and danger, between what’s appropriate and what’s transgressive, between who does and doesn’t deserve our empathy. In fact, what laughter illustrates is precisely the fact that our norms and other social boundaries aren’t etched in stone with black-and-white precision, but ebb and shift through shades of gray, depending on context. For this task, language just doesn’t cut it. It’s too precise, too quotable, too much “on the record”—all of which can be stifling and oppressive, especially when stated norms are too strict. In order to communicate in this kind of environment, we (clever primates) turn to a medium that gives us “wiggle room” to squirm out of an accusation, to defy any sticklers who would try to hold us accountable.
Kevin Simler (The Elephant in the Brain: Hidden Motives in Everyday Life)
We didn’t believe when we first heard because you know how church folk can gossip. Like the time we all thought First John, our head usher, was messing around on his wife because Betty, the pastor’s secretary, caught him cozying up at brunch with another woman. A young, fashionable woman at that, one who switched her hips when she walked even though she had no business switching anything in front of a man married forty years. You could forgive a man for stepping out on his wife once, but to romance that young woman over buttered croissants at a sidewalk café? Now, that was a whole other thing. But before we could correct First John, he showed up at Upper Room Chapel that Sunday with his wife and the young, hip-switching woman—a great-niece visiting from Fort Worth—and that was that. When we first heard, we thought it might be that type of secret, although, we have to admit, it had felt different. Tasted different too. All good secrets have a taste before you tell them, and if we’d taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season. But we didn’t. We shared this sour secret, a secret that began the spring Nadia Turner got knocked up by the pastor’s son and went to the abortion clinic downtown to take care of it. She was seventeen then. She lived with her father, a Marine, and without her mother, who had killed herself six months earlier. Since then, the girl had earned a wild reputation—she was young and scared and trying to hide her scared in her prettiness. And she was pretty, beautiful even, with amber skin, silky long hair, and eyes swirled brown and gray and gold. Like most girls, she’d already learned that pretty exposes you and pretty hides you and like most girls, she hadn’t yet learned how to navigate the difference. So we heard all about her sojourns across the border to dance clubs in Tijuana, the water bottle she carried around Oceanside High filled with vodka, the Saturdays she spent on base playing pool with Marines, nights that ended with her heels pressed against some man’s foggy window. Just tales, maybe, except for one we now know is true: she spent her senior year of high school rolling around in bed with Luke Sheppard and come springtime, his baby was growing inside her. — LUKE SHEPPARD WAITED TABLES at Fat Charlie’s Seafood Shack, a restaurant off the pier known for its fresh food, live music, and family-friendly atmosphere. At least that’s what the ad in the San Diego Union-Tribune said, if you were fool enough to believe it. If you’d been around Oceanside long enough, you’d know that the promised fresh food was day-old fish and chips stewing under heat lamps, and the live music, when delivered, usually consisted of ragtag teenagers in ripped jeans with safety pins poking through their lips.
Brit Bennett (The Mothers)
There was only one thing that did, as far as I remember. That was underwear. Everybody in that house always had new or almost-new and very fancy underwear. She kept careful check. “Now, honey,” she explained to me, “if you were walking downtown and you were run over by a truck and they took you to the hospital and they saw that your panties were all torn and ragged and your slip was pinned at the shoulder by a safety, you’d be so ashamed you’d have to die.” “And just think how people would talk after,” I tried to joke with her. She didn’t see it. “And think of that,” she said seriously. “Yes, indeed.
Shirley Ann Grau (The Keepers of the House)
Mothers of the bride and groom can create emergency kits for all those unexpected incidents that pop up. A few items that might be helpful to include are: a mini sewing kit, bandages, breath mints, fabric tape, pen or pencils, crackers or energy bars, a lighter, safety pins, bobby pins, pain medication, a magnifying glass, batteries, a compact mirror, a lint roller, and plenty of tissues.
Sara Rosett (Marriage, Monsters-in-Law, and Murder (A Mom Zone Mystery #9))
A perseverative interest is an interest so powerful that it consumes most of an autistic's thoughts. Some interests can seem quite bizarre to people who are not autistic (e.g. safety pins, doorknobs, a specific kind of bug). Some autistics have interests that distract them to such a degree that they may not be able to focus on other things that require their attention. These
Thomas D. Taylor (Autism's Politics and Political Factions)
What to Take to Your Ceremony  Dress  Shoes  Slip  Hosiery  Veil  Gloves  Jewelry  Brush  Hairspray  Lipstick  Chalk (in case you get something on your dress)  Mirror  Tissues  Safety pins  Lots of prayers
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
Rolls Royce drives up to the door after lunch and waits for half an hour while we all hunt for Aunt Ethel’s bag, which is unaccountably missing. Aunt quite frantic, as her passport and money are contained therein. She pins Tim in a corner and asks in a penetrating whisper how long we have had the servants, and whether he is quite certain they are honest. At last she says in despair, ‘I can’t go until the bag is found.’ Everyone immediately redoubles efforts to locate bag. It is eventually run to earth beneath Aunt Ethel’s pillow, where she now remembers she put it last night for safety.
D.E. Stevenson (Mrs Tim of the Regiment (Mrs. Tim #1))
Bandages and Supplies 50 assorted-size adhesive bandages 1 large trauma dressing 20 sterile dressings, 4x4 inch 20 sterile dressings, 3x3 inch 20 sterile dressings, 2x2 inch 1 roll of waterproof adhesive tape (10 yards x 1 inch) 2 rolls self-adhesive wrap, 1/2 inch 2 rolls self-adhesive wrap, 1 inch 2 rolls self-adhesive wrap, 2 inch » 1 elastic bandage, 3 inch » 1 elastic bandage, 4 inch » 2 triangular cloth bandages » 10 butterfly bandages » 2 eye pads Medications 2 to 4 blood-clotting agents 10 antibiotic ointment packets (approximately 1 gram) 1 tube of hydrocortisone ointment 1 tube of antibiotic ointment 1 tube of burn cream 1 bottle of eye wash 1 bottle of antacid 1 bottle syrup of ipecac (for poisoning) 1 bottle of activated charcoal (for poisoning) 25 antiseptic wipe packets 2 bottles of aspirin or other pain reliever (100 count) 2 to 4 large instant cold compresses 2 to 4 small instant cold packs 1 tube of instant glucose (for diabetics) Equipment 10 pairs of large latex or nonlatex gloves 1 space blanket or rescue blanket 1 pair of chemical goggles 10 N95 dust/mist respirators or medical masks 1 oral thermometer (nonmercury/nonglass) 1 pair of splinter forceps 1 pair of medical scissors 1 magnifying glass 2 large SAM Splints (optional) 1 tourniquet Assorted safety pins Optional Items If Trained to Use 1 CPR mask 1 bag valve mask 1 adjustable cervical spine collar 1 blood pressure cuff and stethoscope or blood pressure device 1 set of disposable oral airways 1 oxygen tank with regulator and non-rebreather mask Suturing kit and sutures Surgical or super glue If you have advanced training, such items as a suturing kit, IV setup, and medical instruments may be added.
James C. Jones (Total Survival: How to Organize Your Life, Home, Vehicle, and Family for Natural Disasters, Civil Unrest, Financial Meltdowns, Medical Epidemics, and Political Upheaval)
not to share that particular piece of news with Michelle. Just thinking about Trump and the symbiotic relationship he’d developed with the media made her mad. She saw the whole circus for what it was: a variation on the press’s obsession with flag pins and fist bumps during the campaign, the same willingness on the part of both political opponents and reporters to legitimize the notion that her husband was suspect, a nefarious “Other.” She made clear to me that her concerns regarding Trump and birtherism were connected not to my political prospects but, rather, to the safety of our family. “People think it’s all a game,” she said. “They don’t care that there are thousands of men with guns out there who believe every word that’s being said.
Barack Obama (A Promised Land)
I stuck a safety pin through my ear and started collecting piercings-a few in my ears, one through my septum, two through my nipples, one through my dick. A thick chain connected to a padlock hung around my neck. None of this was ideal in the sweltering heat and daily rain of Florida, but I was willing to suffer for punk fashion.
Laura Jane Grace
I stuck a safety pin through my ear and started collecting piercings-a few in my ears, one through my septum, two through my nipples, one through my dick. A thick chain connected to a padlock hung around my neck. None of this was ideal in the sweltering heat and daily rain of Florida, but I was willing to suffer for punk fashion.
Laura Jane Grace
Despite his calmness and his lack of animosity, he looks deflated by everything I just yelled at him - like my words were safety pins, poking holes in him, letting all the air out.
Colleen Hoover (All Your Perfects)
When he comes crawling to you in tears the next morning, you don't actually believe him anymore. But now this is just what you do. The same way you fix the hole in your dress with a safety pin or tape up the crack in a window. That's the part I was stuck in, the part where you accept the apology because it's easier than addressing the root of the problem.
Taylor Jenkins Reid
The liquid bubbled on her tongue, and it tasted like cotton and- safety pins?
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
FROM OTHER SOURCES Pre–race and Venue Homework Get hold of any history of past events at the venue, plus any information that the conducting club may have about weather and expected conditions. Go to the weather bureau and get history for the area. Speak to sailors from your class who have this venue as their home club or who have sailed there on a number of occasions. Boat, Sails, Gear Preparation Checklist Many times the outcome of a race is as dependent on what you have done prior to the race as to what you do out on the course. Sometimes no matter how good your tactics and strategy are a simple breakage could render all that useless. Hull – make sure that your hull is well sanded and polished, centreboard strips are in good condition, venturis if fitted are working efficiently, buoyancy tanks are dry and there are no extraneous pieces of kit in your boat which adds unwanted weight. Update any gear that looks tired or worn especially control lines. Mast, boom and poles – check that all halyards, stays and trapeze wires are not worn or damaged and that pins are secure, knots tight and that anything that can tear a sail or injure flesh is taped. Mark the full hoist position on all halyards. Deck hardware – check all cam cleats for spring tension and tape anything that may cause a sail tear or cut legs hands and arms. Check the length of all sheets and control lines and shorten anything that is too long. This not only reduces weight but also minimises clutter. Have marks on sheets and stick or draw numbers and reference scales for the jib tracks, outhaul and halyards so that you can easily duplicate settings that you know are fast in various conditions. Centreboard and rudder – ensure that all nicks and gouges are filled and sanded and the surfaces are polished and most importantly that rudder safety clips are working. Sails – select the correct battens for the day’s forecast. Write on the deck, with a china graph pencil, things like the starting sequence, courses, tide times and anything else that will remind you to sail fast. Tools and spares – carry a shackle key with screwdriver head on your person along with some spare shackles and short lengths of rope or different diameters. A tool like a Leatherman can be very useful to deal with unexpected breakages that can occur even in the best prepared boat.
Brett Bowden (Sailing To Win: Guaranteed Winning Strategies To Navigate From The Back To The Front Of The Fleet)
The liquid bubbled on her tongue, and it tasted like cotton and—safety pins?
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Hanging from Jack’s neck, right there—colorful and defiant and unmistakable—was my beaded safety pin.
Katherine Center (The Bodyguard)
Where people were once dazzled to be online, now their expectations had soared, and they did not bother to hide their contempt for those who sought to curtail their freedom on the Web. Nobody was more despised than a computer science professor in his fifties named Fang Binxing. Fang had played a central role in designing the architecture of censorship, and the state media wrote admiringly of him as the “father of the Great Firewall.” But when Fang opened his own social media account, a user exhorted others, “Quick, throw bricks at Fang Binxing!” Another chimed in, “Enemies of the people will eventually face trial.” Censors removed the insults as fast as possible, but they couldn’t keep up, and the lacerating comments poured in. People called Fang a “eunuch” and a “running dog.” Someone Photoshopped his head onto a voodoo doll with a pin in its forehead. In digital terms, Fang had stepped into the hands of a frenzied mob. Less than three hours after Web users spotted him, the Father of the Great Firewall shut down his account and recoiled from the digital world that he had helped create. A few months later, in May 2011, Fang was lecturing at Wuhan University when a student threw an egg at him, followed by a shoe, hitting the professor in the chest. Teachers tried to detain the shoe thrower, a science student from a nearby college, but other students shielded him and led him to safety. He was instantly famous online. People offered him cash and vacations in Hong Kong and Singapore. A female blogger offered to sleep with him.
Evan Osnos (Age of Ambition: Chasing Fortune, Truth, and Faith in the New China)
February 9: In the company of Laurence Olivier, Marilyn calls a press conference in the Terrace Room of the Plaza Hotel to announce their joint project, The Sleeping Prince (later titled The Prince and the Showgirl). Publicity shows a smiling Marilyn, flanked by Olivier on her right and Rattigan on her left, gazing at her. In front of more than 150 reporters and photographers, one of the straps on her dress breaks, setting off a flurry of photography until a safety pin repairs the strap. One shot shows the dangling pin after it comes undone—twice.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Ndani ya gruneti kuna vitu kumi vyenye uwezo na visivyokuwa na uwezo wa kulipuka kama vile pini, mtaimbo, springi ya mtaimbo, tundu la kuingizia baruti, baruti, fataki, fyuzi, utambi, wenzo na ganda la chuma la pingili kama vipande vya risasi. Pini inapochomolewa, na bomu kurushwa kuelekea kwenye shabaha au kuelekea sehemu nyingine yoyote, wenzo wa usalama huchomoka pia na kuachana na bomu moja kwa moja. Wenzo wa usalama unapochomoka huruhusu mtaimbo ugonge fataki ya kuwashia fyuzi kwa nguvu na kasi kubwa. Fyuzi itawaka kwa sekunde nne kabla ya kuwasha utambi, ambao utawasha baruti ndani ya sekunde moja, kabla ya baruti kulipuka – na kusambaza vipande vya bomu katika kila sehemu ya shabaha.
Enock Maregesi
I sit on the bathroom floor, wiping my eyes with toilet paper and doing my best to cover my nose. A loud knock interrupts my crying fit. “Brittany, you in there?” Alex’s voice comes through the door. “No.” “Please come out.” “No.” “Then let me in.” “No.” “I want to teach you somethin’ in Spanish.” “What?” “No es gran cosa.” “What does it mean?” I ask, the tissue still on my face. “I’ll tell you if you let me in.” I turn the knob until it clicks. Alex steps inside. “It means it’s not a big deal.” After locking the door behind him, he crouches beside me and takes me in his arms, pulling me close. Then he sniffs a few times. “Holy shit. Was Paco in here?” I nod. He smoothes my hair and mutters something in Spanish. “What did my mother say to you?” I bury my face in his chest. “She was just being honest,” I mumble into his shirt. A loud knock at the door interrupts us. “Abre la puerta, soy Elena.” “Who’s that?” “The bride.” “Let me in!” Elena commands. Alex unlocks the door. A vision in white ruffles with dozens of dollar bills safety-pinned to the back of her dress squeezes her way into the bathroom, then shuts the door behind her. “Okay, what’s goin’ on?” She, too, sniffs a bunch of times. “Was Paco in here?” Alex and I nod. “What the fuck does that guy eat that it comes out his other end smelling so rotten? Dammit,” she says, wadding up tissue and putting it over her nose.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
A loud knock at the door interrupts us. “Abre la puerta, soy Elena.” “Who’s that?” “The bride.” “Let me in!” Elena commands. Alex unlocks the door. A vision in white ruffles with dozens of dollar bills safety-pinned to the back of her dress squeezes her way into the bathroom, then shuts the door behind her. “Okay, what’s goin’ on?” She, too, sniffs a bunch of times. “Was Paco in here?” Alex and I nod. “What the fuck does that guy eat that it comes out his other end smelling so rotten? Dammit,” she says, wadding up tissue and putting it over her nose. “It was a beautiful ceremony,” I say through my own tissue. This is the most awkward and surreal situation I’ve ever been in. Elena grabs my hand. “Come outside and enjoy the party. My aunt can be confrontational, but she doesn’t mean any harm. Besides, I think deep down she likes you.” “I’m taking her home,” Alex says, playing the role of my hero. I wonder when he’ll get sick of it. “No, you’re not takin’ her home or I’ll lock both of you in this stinkin’ smelly room so you’ll stay.” Elena means every word. Another knock at the door. “Vete vete.” I don’t know what Elena said, but she sure said it with gusto. “Soy Jorge.” I shrug and look to Alex for an explanation. “It’s the groom,” he says, clueing me in. Jorge slips in. He isn’t as crude as the rest of us because he ignores the fact that the room smells like something died. But he sniffs loudly a few times and his eyes start to water. “Come on, Elena,” Jorge says, trying to cover his nose inconspicuously but doing a poor job of it. “Your guests are wondering where you are.” “Can’t you see I’m talkin’ to my cousin and his date?” “Yeah, but--” Elena holds up a hand to silence him while holding the tissue over her nose with the other. “I said, I’m talkin’ to my cousin and his date,” she declares with attitude. “And I’m not finished yet.” “You,” Elena says, pointing directly at me. “Come with me. Alex, I want you and your brothers to sing.” Alex shakes his head. “Elena, I don’t think--” Elena holds up a hand in front of Alex, silencing even him. “I didn’t ask you to think. I asked you to join your brothers in singin’ to me and my new husband.” Elena opens the door and yanks me through the house, stopping only when we reach the backyard. She lets me go only to grab the microphone from the lead singer. “Paco!” she announces loudly. “Yeah, I’m talkin’ to you,” Elena says, pointing to Paco talking to a bunch of girls. “Next time you want to take a dump, do it in someone else’s house.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Love is the same as a safety pin missed in the lapel of chance.
Joaquín Sabina
an additional 330 websites were ordered to implement such a system. To increase the safety of the i-PIN, a more
조건구하는곳
I blame the moonshine. Or maybe it was Jack Stapleton’s irresistible gaze. Or maybe it was the way he had chosen me tonight—in front of his folks, my coworkers, and Kennedy Monroe, herself. But I took a second to appreciate my safety pin, now back safe and sound, and then… I told him.
Katherine Center (The Bodyguard)
Remember all those mornings I told you I was hitting golf balls?” “Yeah.” “I wasn’t hitting golf balls.” “You were looking for the safety pin?” Jack nodded. “With my dad’s metal detector. The one my mom told him was a total waste of money.
Katherine Center (The Bodyguard)
Walking over the moonlit bridge, Tom found himself drawn deeper and deeper into the world of the market. Here, it was crowded, noisy; buzzing with scents both familiar and strange. The sharp aroma of some herbal stuff seemed to dominate this part of the bridge; the scented smoke was strongest around a little stall named Madcap, from which a pipe-smoking vendor was selling brightly colored pouches, marked at the price of Three days a twist. Next to him, a person of indeterminate gender was folding sheets of colored paper into origami birds, which they released into the air with a papery flutter of wings. In spite of the crow woman's warning, Tom snapped a few more pictures. A dancer on the side of the bridge, her wings spread wide against the night. A diminutive woman with a whole haberdasher's shop balanced on her head: tiny drawers full of bobbins and lace, and packs of slender needles, and pincushions, and safety pins, and multicolored twists of silk. Next to her, cross-legged on the ground, an old woman in a drab overcoat was making garlands and buttonholes from baskets of strange-looking flowers that released an unfamiliar, intoxicating aroma. Her brown face lit up when she caught sight of Tom. 'Collector! What's it to be today? Another adventure? Your heart's desire? I know. True love!' And she picked up a white flower from one of her baskets and held it out to him with a smile. Its scent was complex, dark and sweet; the scent of a summer garden at night.
Joanne Harris (The Moonlight Market)
The patriarchy was so convincing that even women—bleeding and limbless, gagged with smiles safety-pinned to their faces—believed it was just.
Rebecca Woolf (All of This: A Memoir of Death and Desire)
The report acknowledges that, “The BMGF developed a model of chloroquine penetration into tissues for malaria.”69 BMGF’s unique dosing model for the studies deliberately overestimated the amount of HCQ that necessary to achieve adequate lung tissue concentrations. The WHO report confesses that, “This model is however not validated.” Gates’s deadly deception allowed FDA to wrongly declare that HCQ would be ineffective at safe levels. The minutes of that March 13, 2020 meeting suggest that BMGF knew the proper drug dosing and the need for early administration. Yet their same researchers then participated in deliberately providing a potentially lethal dose, failing to dose by weight, missing the early window during which treatment was known to be effective, and giving the drug to subjects who were already critically ill with comorbidities that made it more likely they would not tolerate the high dose. The Solidarity trial design also departed from standard protocols by collecting no safety data: only whether the patient died, or how many days they were hospitalized. Researchers collected no information on in-hospital complications. This strategy shielded the WHO from gathering information that could pin adverse reactions on the dose.
Robert F. Kennedy Jr. (The Real Anthony Fauci: Bill Gates, Big Pharma, and the Global War on Democracy and Public Health)
Valujet flight 592 crashed after takeoff from Miami airport because oxygen generators in its cargo hold caught fire. The generators had been loaded onto the airplane by employees of a maintenance contractor, who were subsequently prosecuted. The editor of Aviation Week and Space Technology “strongly believed the failure of SabreTech employees to put caps on oxygen generators constituted willful negligence that led to the killing of 110 passengers and crew. Prosecutors were right to bring charges. There has to be some fear that not doing one’s job correctly could lead to prosecution.”13 But holding individuals accountable by prosecuting them misses the point. It shortcuts the need to learn fundamental lessons, if it acknowledges that fundamental lessons are there to be learned in the first place. In the SabreTech case, maintenance employees inhabited a world of boss-men and sudden firings, and that did not supply safety caps for expired oxygen generators. The airline may have been as inexperienced and under as much financial pressure as people in the maintenance organization supporting it. It was also a world of language difficulties—not only because many were Spanish speakers in an environment of English engineering language: “Here is what really happened. Nearly 600 people logged work time against the three Valujet airplanes in SabreTech’s Miami hangar; of them 72 workers logged 910 hours across several weeks against the job of replacing the ‘expired’ oxygen generators—those at the end of their approved lives. According to the supplied Valujet work card 0069, the second step of the seven-step process was: ‘If the generator has not been expended install shipping cap on the firing pin.’ This required a gang of hard-pressed mechanics to draw a distinction between canisters that were ‘expired’, meaning the ones they were removing, and canisters that were not ‘expended’, meaning the same ones, loaded and ready to fire, on which they were now expected to put nonexistent caps. Also involved were canisters which were expired and expended, and others which were not expired but were expended. And then, of course, there was the simpler thing—a set of new replacement canisters, which were both unexpended and unexpired.”14 These were conditions that existed long before the Valujet accident, and that exist in many places today. Fear of prosecution stifles the flow of information about such conditions. And information is the prime asset that makes a safety culture work. A flow of information earlier could in fact have told the bad news. It could have revealed these features of people’s tasks and tools; these longstanding vulnerabilities that form the stuff that accidents are made of. It would have shown how ‘human error’ is inextricably connected to how the work is done, with what resources, and under what circumstances and pressures.
Sidney Dekker (The Field Guide to Understanding Human Error)
The reflex to blame someone, to pin the fault on a single individual or cause, is nearly universal. Unfortunately, it reduces the psychological safety needed to practice the science of failing well.
Amy C. Edmondson (Right Kind of Wrong: The Science of Failing Well)
with the aid of two large safety pins. The shirt,
Vernon Coleman (The Young Country Doctor Book 3: Bilbury Revels)
I can afford it.” “I know it, darling. You’re one of the most powerful men in New York City.” She added, “It’s a good joke on New York City.” “It is.” “I concede that you’re in a position to do anything. That’s why I had to see you.” She added a small, gruntlike sound of amusement, to dilute her statement’s frankness. “Good,” he said, his voice comfortable and noncommittal. “I had to come here, because I thought it best, in this particular matter, not to be seen together in public.” “That is always wise.” “I seem to remember having been useful to you in the past.” “In the past—yes.” “I am sure that I can count on you.” “Of course—only isn’t that an old-fashioned, unphilosophical remark? How can we ever be sure of anything?” “Jim,” she snapped suddenly, “you’ve got to help me!” “My dear, I’m at your disposal, I’d do anything to help you,” he answered, the rules of their language requiring that any open statement be answered by a blatant lie. Lillian was slipping, he thought—and he experienced the pleasure of dealing with an inadequate adversary. She was neglecting, he noted, even the perfection of her particular trademark: her grooming. A few strands were escaping from the drilled waves of her hair—her nails, matching her gown, were the deep shade of coagulated blood, which made it easy to notice the chipped polish at their tips—and against the broad, smooth, creamy expanse of her skin in the low, square cut of her gown, he observed the tiny glitter of a safety pin holding the strap of her slip. “You’ve got to prevent it!” she said, in the belligerent tone of a plea disguised as a command. “You’ve got to stop it!” “Really? What?” “My divorce.
Ayn Rand (Atlas Shrugged)
People change,” I told her. “For the better and the worse. We evolve and adjust. Learn and grow. It’s a never-ending process through the entirety of life. But the core of who we are is always the same. And you, my beautiful, funny, brilliant, clumsy, sexy woman, will always be Remi Grey.” I pressed the Remi Grey name tag on her chest again and then carefully secured it with the safety pin. “Don’t get so caught up in the search that you lose sight of the most amazing woman I’ve ever met.
Aly Martinez (The Difference Between Someday and Forever (Difference Trilogy, #3))
Oh, God,” she croaked. “The safety pin. That’s why you carry it.” “It’s why I still carry it. It’s also why I believe in fate and how I know what we share will never disappear. In one way or another, in and out of your control, you keep running away, but I don’t even have to chase you for the world to bring you back to me. Over and over, we find each other.
Aly Martinez (The Difference Between Someday and Forever (Difference Trilogy, #3))
The Blue Moon Wish Spell The “Blue Moon” is when there are 2 full moons in one month, it is in the horoscopic symbol of Pisces. To see the dates for the blue moon click here. It illuminates intuition, creativity, and compassion.  This is the time that you should start thinking about all your wishes and intentions. As a practitioner of witchcraft, you should make sure that you perform this ritual since such an astrological opportunity only occurs “once in a Blue Moon”.  Requirements a quartz crystal a cinnamon stick A blue pen a blue candle a sheet of parchment paper 3 safety pins a glass  of spring water or wine A piece silver cord or string, of a length of 24 inches a square of blue cloth Vial of success potion (not mandatory) 1 book of matches On the day before of the Blue Moon, collect all the above items and then set a specific time for performing the spell without any distractions.  Quietly sit down with all your items as listed above and place them before you on a table.  Shut your eyes and bring your mind to silence, after that, concentrate on your breathing.  The moment you feel clear and grounded, you can open your eyes and start the spell. While lighting the candle, think of 3 things that you would like to occur by the year’s end. You can also wish for something that takes place once in a blue moon. (rarely) Pat success oil on your, wrists, temple and your neck for a boost in case you have some. Envision one particular wish coming true while holding the quartz crystal in your hands. Vision yourself doing the thing you are wishing for, or clearly see something that you wish for happen before you. Pick your pen and paper up and start writing down your wishes as you keenly visualize them. Note them down in their order of importance to you.   After you note down the three wishes on your piece of parchment, separately tear them out Attach each of your wishes to the square piece of cloth using a safety pin Place the cinnamon stick in the middle of the cloth and then inwardly fold the sides of the cloth. After that, roll it up. Tightly seal your projections by wrapping the string around the cloth nine times and after that, tie steadily with a knot. Take your wishes and walk outside with them while holding the libation of your choice. Look up to the sky or the moon.  Lift up your glass and say the following words; “On this eve of the Blue Moon, out my intents go. I request they be received, and it is so” Place the cloth containing your wishes in a concealed place where you are the only one who can see it often all the way through the coming few months as a reminder to the wishes you have made.
Edith Yates (Wicca for Beginners: A Guide to Bringing Wiccan Magic,Beliefs and Rituals into Your Daily Life)
Once your hair and makeup are done, you’ll slip into your first look. It will most definitely be one of the dresses that didn’t even come close to fitting you, so Lot’s Wife will bridge the gap with a thick piece of white elastic and some safety pins. Don’t ever feel inadequate when you look at magazines. Just remember that every person you see on a cover has a bra and underwear hanging out a gaping hole in the back. Everyone. Heidi Klum, the Olsen Twins, David Beckham, everybody.
Tina Fey (Bossypants)
One day Sid turns up in the peg trousers and they're in ribbons. He'd sliced them up with a razor blade because he hated them so much but he couldn't find his jeans so when he wanted to go out he had to stick them back together. He joined the rips with loads of safety pins, all the way down his legs, hundreds of them. That’s how the ‘loads of safety pins’ thing started amongst people in clubs: they copied it, but he only did it because he couldn’t be bothered to sew his trousers up.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
I put on a tight black lace dress Sid got me from a jumble sale. It didn’t quite fit so he slashed a slit in the side – which is now held together with safety pins – then he hacked the bottom off whilst I was wearing it, leaving the hem really short and frayed. I pull on my holey black tights and Dr Marten boots; I still never wear heels if I’m seeing Sid.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
She walked from the lowest step to his car and I saw that she had her red hair done up in a pouf with a big, sharp curl on each cheek pointing to her especial face like a finger saying I’ll Have That One, and I saw that she had a tiny waist with roundy hips, and pointed shoes whose heels had made a feminine click and clatter on the stairs for how many weeks now? Made them going up at suppertime and coming down late or the next morning but never at noon on a weekday. I began to think about those curls on her cheeks and for the fun of it I made myself a cardboard hand, one of those old-fashioned hands you used to see pointing, and I pinned it on my straw hat with a safety pin so that it was pointed down at me. Maybe it was God’s finger pointing, maybe it was God saying Look At This Woman. She’s Got A Soul Because I Gave It To Her. She’s Not Dead Yet Even If Some People Look Right Through Her As If She Was. She’s One Of My Living Souls.
Gina Berriault (Stolen Pleasures: Selected Stories of Gina Berriault)
Why can’t I have an ordinary footman like the other ladies have?” “Because you won’t always be going to the places other ladies go.” Gabriel sat on a chair to remove his shoes and stockings. “You’ll be looking for factory space, and meeting with suppliers, retailers, and wholesale traders, and so forth. If you take Drago with you, it will ease my mind about your safety.” As he saw the mulish set of Pandora’s jaw, Gabriel decided to take another tack. “Of course, we’ll replace him if you wish,” he said with a casual shrug. He began to unfasten the buttons of his braces. “But it would be a pity. Drago grew up in an orphanage and has no family. He’s always lived in a small room at the club. He was looking forward to living in a real household for the first time in his life, and seeing what family life was like.” That last sentence was pure conjecture, but it did the trick. Pandora sent him a long-suffering glance and heaved a sigh. “Oh, all right. I suppose I’ll have to keep him. And train him not to scare people.” Dramatically she fell backward on the bed, arms and legs akimbo. Her small, glum voice floated up to the ceiling. “My very own footmonster.” Gabriel regarded the small, splayed figure on the bed, feeling a rush of mingled amusement and lust that made his breath catch. Before another second had passed, he’d climbed over her, crushing her mouth with his. “What are you doing?” Pandora asked with a spluttering laugh, twisting beneath him. “Accepting your invitation.” “What invitation?” “The one you gave me by reclining on the bed in that seductive pose.” “I flopped backward like a dying trout,” she protested, squirming as he began to hike up her skirts. “You knew I wouldn’t be able to resist.” “Take a bath first,” she implored. “You’re not fit for the house. I should take you out to the stables and scrub you like one of the horses, with carbolic soap and a birch brush.” “Oh, you naughty girl . . . yes, let’s do that.” His hand wandered lecherously under her skirts. Pandora yelped with laughter and wrestled him. “Stop, you’re contaminated! Come to the bathroom and I’ll wash you.” He pinned her down. “You’ll be my bath handmaiden?” he asked provocatively. “You’d like that, wouldn’t you?” “I would,” he whispered, touching his tongue to the center of her lower lip. Her dark blue eyes were bright with mischief. “I’ll bathe you, my lord,” she offered, “but only if you agree to keep your hands to yourself, and remain as still and stiff as a statue.” “I’m already as stiff as a statue.” He nudged her to demonstrate. Pandora rolled out from under him with a grin and headed toward the bathroom, while he followed readily.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
General Guidelines for Wilderness Medical Kits 1. Accept the fact that there is no such thing as the perfect wilderness medical kit. Many factors should determine your choices of specific contents. No matter how much you plan and prepare, someday you will want something that is not there and/or discover you’ve carried an item for years and never used it. When considering the contents of a kit, take into account (1) the environmental extremes you will face (altitude, cold, heat, endemic diseases), (2) the number of people that may require care; (3) the number of days the kit will be in use; (4) the distance from definitive medical care; (5) the availability of rescue services; (6) your medical expertise and/or the expertise of other group members; and (7) preexisting problems of group members, such as individuals with diabetes. 2. Evaluate and repack your wilderness medical kit before every trip. Renew medications that have reached expiration dates. Replace items that have been damaged by heat, cold, or moisture. Remove items that are unnecessary for the proposed trip, such as insect repellent on winter trips, and add items that may be useful on the upcoming adventure. 3. Do not fill your kit with items you do not know how to use. Maintain a high level of familiarity with the proper uses of all the items in your wilderness medical kit. 4. Choose specific items for the wilderness medical kit, whenever possible, that are versatile rather than particular. For example, a wide variety of sizes and shapes of Band-Aids is nice, but wound coverings can be created from pads of gauze and strips of tape. Triangular bandages are useful, but safety pins and T-shirts can be used to make slings. Medical adhesive tape has limited usefulness compared with duct tape. 5. Encourage each group member to pack and carry a personal first-aid kit to reduce the size and weight of the general wilderness medical kit.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
Even his I love you's," she said, "were like tiny daggers, like little needles or safety pins. Beware of a man who says he loves you but is incapable of a passionate confession; of melting into a sob.
Lorrie Moore (Self-Help)
At one of the villages, Wytschaete, there was hard fighting a day after the opening of the dikes. A unit of Bavarians had tried to take Wytschaete and failed, and in the aftermath of the attack a captain named Hoffman lay badly wounded between his troops and the French defenders. One of Hoffman’s men moved out of a protected position and, under enemy fire, picked him up and carried him to safety. The rescue accomplished nothing—the captain soon died of his wounds. But his rescuer would claim years later, in a notorious book, that his escape without a scratch was his first intimation that he was being spared for some great future. In the nearer term he was decorated for bravery. It was just a few days after Adolf Hitler’s exploit that Kaiser Wilhelm pinned the Iron Cross Second Class on his tunic.
G.J. Meyer (A World Undone: The Story of the Great War, 1914 to 1918)
in my late twenties. I was a receptionist at a multibillion-dollar corporation staffed by the same boring WASPs I had so happily escaped post–high school. I hid my large tattoo on my calf under pants I bought at a thrift store in high school for four dollars that I’d hemmed with duct tape and whose zipper was held in place with a safety pin because I REFUSED to spend any of the little money they paid me on business-casual work clothes. I was depressed as fuck and thought that this was my future. I truly thought that for the rest of my life, I’d be a low- to mid-level employee at some nameless company, never making enough to save for retirement and eating breakroom granola bars for lunch till I died. I’d get drunk with equally miserable friends every night because I was so unhappy with my day. I’d take hangover naps under my desk during my lunch break or
Karen Kilgariff (Stay Sexy & Don't Get Murdered: The Definitive How-To Guide)
You could have stayed with my mom today,” I said as Daniel navigated the potholes and ruts. “You’ve got to be hurting.” “Nope. Don’t feel a thing.” “Tough guy,” I said. “No, well-medicated guy. You really think I’d let you go to school without me? I’d show up tomorrow and hear that I got pinned running from a cougar, only to be saved by you rushing in and staring him down.” “Um, yeah, that’s pretty much how I remember it.” “Exactly why I’m going. To get my version out first.” I laughed. “Not a chance. But I will include the part about you throwing me to safety. The girls will love that.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
She didn’t like the looks of the Indian women she saw in Gallup, dancing at Eddie’s club with the drunks that stumbled around the floor with them. Their hair was dirty and straight. They’d shaved off their eyebrows, but the hairs were growing back and they didn’t bother to pencil them any more. Their blouses had buttons missing and were fastened with safety pins. Their western pants were splitting out at the seams; there were stains around the crotch.
Leslie Marmon Silko (Ceremony)
Mikhail, you can’t put me in a box or keep me on a shelf.” She spoke as gently as she could. “I will not argue over your safety. Earlier, you were alone with a man who thought of forcibly taking you. Any wild animal could have attacked you, and if you had not been under my protection, in his present state, Rand might have harmed you.” “None of those things happened, Mikhail.” In spite of herself, she touched his jaw with gentle, placating fingers, a tender caress. “You have enough to worry about, enough responsibilities, without adding me to them. I can help you. You know I’m capable. I’ve done it before.” He tugged at her wrist so that she lost her balance and fell against his hard strength. “You are going to make me crazy, Raven.” His arms came up, pinning her soft, slender form against him. His voice dropped to a drawling caress, mesmerizing, pure black magic. “You are the one person I long to protect, yet you will not obey. You insist on independence. All others lean on my strength, yet you seek to help me, to shoulder my duties.” He lowered his mouth to hers.
Christine Feehan (Dark Prince (Dark, #1))
I’m not preppie enough for you, I say. His silence holds as we drive. I amplify my rhetoric and volume. Maybe I should be wearing a kilt with a fucking gold safety pin, I say. He parks the car outside our apartment. As he’s locking up, he says—color blazing high on his flared cheekbones—And you quit your job. With your school loans and your father sick. Are you crazy? This is a buzzword with me, since deep down I know I’m crazy, my chief fear being that everybody’ll find out.
Mary Karr (Lit)