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Low-quality photography showed Michelangelo chests harnessed in leather, feet in sloppy football socks, their soles black with dirt, or headless bodies in tight underwear, obscured by streaky mirrors in gyms and supermarket toilets. One boy posed before a row of Portaloos at a festival, wearing a flamingo-print shirt and round sunglasses, the pink lenses all but concealing pill-fed pupils. Others lay in their bathtubs; climbed up metal steps at lidos; stood before lakes, castles or famous paintings; sat cross-legged on wind-battered sand dunes; or pinched the Leaning Tower of Pisa between thumb and forefinger.
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