Sadness Turns To Anger Quotes

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Was I bitter? Absolutely. Hurt? You bet your sweet ass I was hurt. Who doesn't feel a part of their heart break at rejection. You ask yourself every question you can think of, what, why, how come, and then your sadness turns to anger. That's my favorite part. It drives me, feeds me, and makes one hell of a story.
Jennifer Salaiz
That initial anger she had felt turned to sadness, and now it had become something else, almost a dullness of sorts. Even though she was constantly in motion, it seemed as if nothing special ever happened to her anymore. Each day seemed exactly like the last, and she had trouble differentiating among them.
Nicholas Sparks (Message in a Bottle)
She had this amazing capacity to turn sadness into anger and anger into action, which meant nothing ever kept her down for long.
Ransom Riggs (Library of Souls (Miss Peregrine's Peculiar Children, #3))
I took an oath June. I am still bound by that oath. I will die with honor for sacrificing everything I have-everything-for my country.. And yet, Day is a legend, while I am to be executed." His voice finally breaks with all his anger and inner torment, the injustice he feels. "It makes no sense." I stand up. Behind me, guards move toward the cell door. "You're wrong," I say sadly. "It makes perfect sense." "Why?" "Because Day chose to walk in the light." I turn my back on him for the last time. The door opens; the cell's bars make way for the hall, a new rotation of prison guards, freedom. "And so did Metias.
Marie Lu (Champion (Legend, #3))
People that hold onto hate for so long do so because they want to avoid dealing with their pain. They falsely believe if they forgive they are letting their enemy believe they are a doormat. What they don’t understand is hatred can’t be isolated or turned off. It manifests in their health, choices and belief systems. Their values and religious beliefs make adjustments to justify their negative emotions. Not unlike malware infesting a hard drive, their spirit slowly becomes corrupted and they make choices that don’t make logical sense to others. Hatred left unaddressed will crash a person’s spirit. The only thing he or she can do is to reboot, by fixing him or herself, not others. This might require installing a firewall of boundaries or parental controls on their emotions. Regardless of the approach, we are all connected on this "network of life" and each of us is responsible for cleaning up our spiritual registry.
Shannon L. Alder
In time, his grief had turned to anger and then drifted toward sorrow, and now, finally, it had settled into a lingering sadness that was a part of him, not the whole.
Kristin Hannah (The Great Alone)
Here sighs and cries and shrieks of lamentation echoed throughout the starless air of Hell; at first these sounds resounding made me weep: tongues confused, a language strained in anguish with cadences of anger, shrill outcries and raucous groans that joined with sounds of hands, raising a whirling storm that turns itself forever through that air of endless black, like grains of sand swirling when a whirlwind blows. And I, in the midst of all this circling horror, began, "Teacher, what are these sounds I hear? What souls are these so overwhelmed by grief?" And he to me: "This wretched state of being is the fate of those sad souls who lived a life but lived it with no blame and with no praise. They are mixed with that repulsive choir of angels neither faithful nor unfaithful to their God, who undecided stood but for themselves. Heaven, to keep its beauty, cast them out, but even Hell itself would not receive them, for fear the damned might glory over them." And I. "Master, what torments do they suffer that force them to lament so bitterly?" He answered: "I will tell you in few words: these wretches have no hope of truly dying, and this blind life they lead is so abject it makes them envy every other fate. The world will not record their having been there; Heaven's mercy and its justice turn from them. Let's not discuss them; look and pass them by...
Dante Alighieri
For so long, we woman have turned our anger inwards, redirecting it towards ourselves and allowing it to manifest as shame. We have told ourselves, instead, that we are sad or hormonal or stressed, but these have been placeholder emotions. And for so long we have been encouraged to do this by a misogynistic culture that realises female anger is dangerous not because it is the product of mental imbalance but because it is fuel. Female anger is power.
Elizabeth Day (How to Fail)
He missed her, a longing that tore deep into him. He resented her He wondered endlessly what might have happened. He changed, curled more inwardly into himself. He was, by turns, inflamed by anger, twisted by confusion, withered by sadness.
Chimamanda Ngozi Adichie
The thing about our choices is that after we have made them, they turn around and make us.
Abhysheq Shukla (KISS Life "Life is what you make it")
I feel anger and frustration when I think that one in ten Americans beyond the age of high school is on some kind of antidepressant, such as Prozac. Indeed, when you go through mood swings, you now have to justify why you are not on some medication. There may be a few good reasons to be on medication, in severely pathological cases, but my mood, my sadness, my bouts of anxiety, are a second source of intelligence--perhaps even the first source. I get mellow and lose physical energy when it rains, become more meditative, and tend to write more and more slowly then, with the raindrops hitting the window, what Verlaine called autumnal "sobs" (sanglots). Some days I enter poetic melancholic states, what the Portuguese call saudade or the Turks huzun (from the Arabic word for sadness). Other days I am more aggressive, have more energy--and will write less, walk more, do other things, argue with researchers, answer emails, draw graphs on blackboards. Should I be turned into a vegetable or a happy imbecile?
Nassim Nicholas Taleb (Antifragile: Things That Gain from Disorder)
TAKE Risk because you never know how absolutely perfect something could turn out to be..
Abhysheq Shukla (KISS Life "Life is what you make it")
The goal is not to eradicate parts of your soul carrying anger, fear, sadness, envy, or shame, but to lead them with curiosity and compassion.
Alison Cook (Boundaries for Your Soul: How to Turn Your Overwhelming Thoughts and Feelings into Your Greatest Allies)
There were only ever two kinds of people in the world for Valentine," she said "Those who were fir the Circle and those who were against it. The latter were his enemies, and the former were his weapons in his arsenal. I saw him try to turn each of his friends, even his own wife, into a weapon for the Cause—and you want me to believe he wouldn't have done the same with his own son?" She shook her head. "I knew him better than that." For the first time, Maryse looked at him with more sadness than anger. "You are an arrow shot directly into the heart of the Clave, Jace. You are Valentine's arrow. Whether you know it or not.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
The anxiety of anger and other “negative” emotions like sadness and rejection may become deeply bound in the body. Eventually it is transmuted into biological changes through the multiple and infinitely subtle cross-connections of the PNI apparatus, the unifying nexus of body/mind. This is the route that leads to organic disease. When anger is disarmed, so is the immune system. Or when the aggressive energy of anger is diverted inward, the immune system becomes confused. Our physiological defences no longer protect us or may even turn mutinous, attacking the body.
Gabor Maté (When the Body Says No)
The practice of staying present will heal you. Obsessing about how the future will turn out creates anxiety. Replaying broken scenarios from the past causes anger or sadness. Stay here, in the moment.
Sylvester McNutt III
A child’s sense of secure attachment—this idea that I, in all my glory, as well as all my stinkiness and imperfection, am loved and accepted—allows him not only to take risks in the world but also to take risks with his own emotions. Knowing he will not be invalidated, rejected, punished, or shamed for feeling whatever he feels, he can test out sadness, happiness, or anger and figure out how to manage or respond to each of these emotions in turn.
Susan David (Emotional Agility: Get Unstuck, Embrace Change, and Thrive in Work and Life)
Yes, I know that now that there is truth in beauty and beauty in truth. My nature is to be depressive and come out of it and write, and enjoy writing and feeling as if I have a passion and excitement and love and euphoria for it and then I go 'back to sleep again' where I can eat and watch television and not work, not be productive and then just as if a magic switch is turned on I can do it all over again. I don't mind the being depressed part. Sometimes it seems to fuel me. The anger though is gone now that was there in my twenties and even earlier in my youth. Your voice is Tolstoy’s, Hemingway’s, Updike’s, Styron’s, Mcewan’s, Greene’s, Fugard’s, Kundera’s, Rilke’s while I am the incarnate of Radcliffe Hall crossing both genders effortlessly. You betray nothing. There is son in the picture. A small boy but you don’t introduce him to me. Obsessions are unhealthy creatures. They make you mentally ill, emotionally unstable; leave you with a chemistry of deep sadness in your life. I have my writing. It keeps me from disintegrating into fractions. I should stop now before I begin to make myself cry.
Abigail George (Winter in Johannesburg)
My anger turned small and hid. It was like that kid feeling you get when you are sad or hurt or lonely and you scream or cry to your parents and they crush you with their grown up feelings. Rage as big as the sky. Loneliness like an ocean you could drown in. Huge grown up feelings that annihilate you where you stand.
Jordan K. Weisman (Cathy's Key (Cathy Vickers Trilogy, #2))
She struggled to find words, and then all the anger she had been damming up for the last few minutes broke out. It made no difference that none of what had happened was his fault. Nor did the fact that he’d saved her, or what he had sacrificed to do it. He was a Carnevare. He was one of them. And he was preventing her from going to her sister’s aid when Zoe needed her. “The girl that Cesare killed … ,” she snapped, “her name was Lilia. She … she loved my sister. Do you understand that? Zoe has just lost the person who probably meant more to her than anything else. And Lilia sacrificed herself for me. How can you think that—” “I’d have done the same thing,” he interrupted her calmly. “I’d have died for you up on that mountain.” That took her breath away. For a moment it deprived her not only of her self-control, but of the ability to utter another syllable. After endless seconds, she stammered, “That—that’s nonsense.” “It’s the truth.” He turned his head and looked at her. “I’m in love with you, Rosa.” She hesitated, fighting for composure. “Oh, hell,” she whispered. He smiled sadly. Then neither of them said anything, until finally she took his cell phone and called Zoe.
Kai Meyer (Arcadia Awakens (Arcadia, #1))
Turn your envy into motivation to pour into your passions. Use anger as fuel to speak up against injustice. Sadness as an opportunity to give yourself more love.
Ash Alves
Paige had a sadness that was so desperate that it could not yet turn into anger.
Gabby Bess (Alone with Other People)
They responded to sadness only when it expressed itself as sadness, she thought. Sadness expressed as anger or hostility just turned people off.
Sam Byers (Idiopathy)
In your madness you said you loved me," she murmured shyly. His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers. Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth." Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?" "Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?" ... "I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping." Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke. "My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love." Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more." Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
Kathleen E. Woodiwiss (Shanna)
If we turn toward someone with our difficult feelings—sadness, anger, hurt—and they tune in to our feelings without judgment or defensiveness, it helps us to move through that feeling, like a tunnel, to the light at the end. This definition of trust can be boiled down to one question: “Are you there for me?”17 Trustworthy people are there for each other, and that mutual trust and trustworthiness maximizes wellness for both people.
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
Did he say anything to you?” “Just that I was supposed to watch you while he was gone. A hunt can take several days.” “Really? I had no idea it would take that long.” I hestitated, “So…he doesn’t mind you staying here while he’s gone.” “Oh, he minds,” he chuckled, “but he wants to make sure you’re safe. At least he trusts me that much.” “Well, I think he’s mad at both of us right now.” Kishan looked at me curiously with a raised eyebrow. “How so?” “Um…let’s just say we had a misunderstanding.” Kishan’s face turned hard. “Don’t worry, Kelsey. I’m sure that whatever he’s upset about is foolish. He’s very argumentative.” I sighed and shook my head sadly. “No, it’s really all my fault. I’m difficult, a hindrance, and I’m a pain to have around sometimes. He’s probably used to being around sophisticated, more experienced women who are much more…more…well, more than I am.” Kishan quirked an eyebrow. “Ren hasn’t been around any women as far as I know. I must confess that I’m now exceedingly curious as to what your argument was about. Whether you tell me or not, I won’t tolerate any more derogatory comments about yourself. He’s lucky to have you, and he’d better realize it.” He grinned. “Of course, if you did have a falling out, you’re always welcome to stay with me.” “Thanks for the offer, but I don’t really want to live in the jungle.” He laughed. “For you, I would even consider a change of residence. You, my lovely, are a prize worth fighting for.” I laughed and punched him lightly on the arm. “You, sir, are a major flirt. Worth fighting for? I think you two have been tigers for too long. I’m no great beauty, especially when I’m stuck out here in the jungle. I haven’t even picked a college major yet. What have I ever done that would make someone want to fight over me?” Kishan apparently took my rhetorical questions seriously. He reflected for a moment, and then answered, “For one thing, I’ve never met a woman so dedicated to helping others. You put your own life at risk for a person you met only a few weeks ago. You are confident, feisty, intelligent, and full of empathy. I find you charming and, yes, beautiful.” The golden-eyed prince fingered a strand of my hair. I blushed at his assessment, sipped my water, and then said softly, “I don’t like him being angry with me.” Kishan shrugged and dropped his hand, looking slightly annoyed that I’d steered the conversation back to Ren. “Yes. I’ve been on the receiving side of his anger, and I’ve learned not to underestimate his ability to hold a grudge.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
With those whom I love, my heart beats with the lust of love, but with those whom I consider enemies, my heart turns to the ember of the fire that eats them, yet for those who once was my beloved and now they are enemies, my heart still burns to kill me broken.
Raouf Ayoub
Anger demands you DO and sadness requires you be. For all my inherited comfort with anger, I find sitting in sadness to be excruciating. Anger is so much easier! It’s a quick release and it feels good in the moment, but it can really hurt people, which also hurts me. But if I can manage to sit in the uncomfortable feelings that lie beneath, even for a millisecond, I am offered a tiny gift. The gift of a pause. And in that pause a crack of light comes in and I’m able to see things a little more clearly. I know to immediately turn my phone off or, if I’m driving, pull over and put it in the trunk both for its own safety and so I don’t call anyone. And if I’m still mad after a few hours, great. I now know it’s something worth being angry about. But the pause allowed me to gather myself and harness my anger so I can now aim it in an appropriate
Casey Wilson (The Wreckage of My Presence: Essays)
Since republics rely on the inherent virtue of the people, they are exceedingly fragile. All it takes is one well-placed person to destroy everything. Washington, his face betraying the sadness, anger, and shock of this most recent revelation, turned to Lafayette and asked, “Whom can we trust now?
Nathaniel Philbrick (Valiant Ambition: George Washington, Benedict Arnold, and the Fate of the American Revolution)
Long ago, when she was a girl in the group home, Eva discovered that big feelings made most people uncomfortable, and she learned how to use anger or sadness to turn up the pressure, to maneuver people into a position where their only desire was to make the emotion go away. To stop the tears. To fix the fear. To placate the anger.
Julie Clark (The Last Flight)
That was the main thing wrong with Mrs. Kamal. She spent such an extraordinary amount of mental energy feeling irritated that it was impossible not to feel irritated in turn. It was oxygen to her, this low-grade dissatisfaction, shading into anger; this sense that things weren't being done correctly, that everything from the traffic noise at night to the temperature of the hot water in the morning to the progress of Mohammed's potty training to the fact that Fatima wasn't being taught to read Urdu, only English, to the fact that Rohinka served only two dishes at dinner the night of her arrival to the cost of the car insurance for the VW Sharan to the fact that Shahid didn't have a 'proper job' and seemed to have no intention of getting one, let alone a wife, to the unfriendliness of London, the fact that it was an 'impossible city,' to the ostentatious way she complained about missing Lahore, especially at dinner time, giving meaningful, sad, reproachful looks at the food Rohinka had cooked.
John Lanchester (Capital)
No matter how flat or sad his or her affect appears, the suicidally depressed adolescent is desperately trying to contain feelings of anger, rage, hatred, and violence. The suicide or the attempt represents the final self-destructive display of this rage. Where previously the rage may have been expressed in anti-social behaviors or directed at parents, school (the "system"), or a girl/boyfriend, now it has been turned inward. Not surprisingly, the suicide rate is much higher among runaways, teens in jail, and juvenile delinquents. Don't fear this anger! Allow the adolescent to express it; mobilize the anger rather than permitting it to remain festering inside, growing increasingly poisonous.
Andrew Slaby
Time went by and there wasn’t even sadness. “You know how another patient put it? She said this feeling inside her was . . . it was anti-feeling. Like a black hole in space, and everything—happiness, anger, hope, meaning—it would all get sucked in, tipped over the event horizon, and she couldn’t feel any of it. That’s the way it was for me. I walked around like everyone else, and had this wonderful opportunity at the museum, and came home to this brilliant guy who loved me and was nothing but sweet. Your father tried so hard. But I felt . . . empty. If I could’ve filled that space up with anything, I would’ve. If somebody had turned to me and said, ‘It’s easy, just pour some dry cement in there and you’ll be a normal human girl,’ I would’ve done it like that.” She snaps her fingers. “But I couldn’t. And your father couldn’t do it for me.
Rebecca Podos (The Mystery of Hollow Places)
Albert Ellis, who founded Rational Emotive Behavior Therapy, a precursor to cognitive behavior therapy, taught me the extent to which we teach ourselves negative feelings about ourselves—and the negative and self-defeating behaviors that follow from these feelings. He showed that underlying our least effective and most harmful behaviors is a philosophical or ideological core that is irrational but is so central to our views of our self and the world that often we aren’t aware that it is only a belief, nor are we aware of how persistently we repeat this belief to ourselves in our daily lives. The belief determines our feelings (sadness, anger, anxiety, etc.), and our feelings in turn influence our behavior (acting out, shutting down, self-medicating to ease the discomfort). To change our behavior, Ellis taught, we must change our feelings, and to change our feelings, we change our thoughts.
Edith Eger (The Choice)
So the rules for attunement were that while the listener has responsibilities, so does the speaker. In turning toward, the speaker cannot begin with blaming or criticism. Instead, it is the responsibility of the speaker to state his or her feelings as neutrally as possible, and then convert any complaint about the partner into a positive need (i.e., something one does need, not what one does not need). This requires a mental transformation from what is wrong with one’s partner to what one’s partner can do that would work. It is the speaker’s job to discover that recipe. The speaker is really saying, “Here’s what I feel, and here’s what I need from you.” Or, in processing a negative event that has already happened, the speaker is saying, “Here’s what I felt, and here’s what I needed from you.” How do couples find that positive need? How do they convert “Here’s what’s wrong with you, and here’s what I want you to stop doing” into, “Here’s what I feel (or felt) and here’s the positive thing I need (or needed) from you”? I think that the answer is that there is a longing or a wish, and therefore a recipe, within every negative emotion. In general, in sadness something is missing. In anger there is a frustrated goal. In disappointment there is a hope, and expectation. In loneliness there is a desire for connection. In a similar way, each negative emotion is a GPS for guiding us toward a longing, a wish, and a hope. The expression of the positive need eliminates the blame and the reproach.
John M. Gottman (The Science of Trust: Emotional Attunement for Couples)
Malevolence is born of negative feelings like loneliness and sadness and anger. It comes from an emptiness inside you that feels as if it’s been carved out with a knife, an emptiness you’re left with when something very important has been taken away from you…. But there’s always a braking mechanism somewhere along the line that stops us. The malevolence is turned back, and it sinks down to the bottom of the emptiness it emerged from and lies there, forgotten, only to leak out in other ways—a passion for work, for example.
Ryū Murakami (In the Miso Soup)
So, who are they really, these hundred thousand white supremacists? They're every white guy who believed that this land was his land, made for you and me. They're every down-on-his-luck guy who just wanted to live a decent life but got stepped on, every character in a Bruce Springsteen or Merle Haggard song, every cop, soldier, auto mechanic, steelworker, and construction worker in America's small towns who can't make ends meet and wonders why everyone else is getting a break except him. But instead of becoming Tom Joad, a left-leaning populist, they take a hard right turn, ultimately supporting the very people who have dispossessed them. They're America's Everymen, whose pain at downward mobility and whose anger at what they see as an indifferent government have become twisted by a hate that tells them they are better than others, disfigured by a resentment so deep that there are no more bridges to be built, no more ladders of upward mobility to be climbed, a howl of pain mangled into the scream of a warrior. Their rage is as sad as it is frightening, as impotent as it is shrill.
Michael S. Kimmel (Angry White Men: American Masculinity at the End of an Era)
I sit on a rock and watch children playing in the park below They don't see me Or know my thoughts Or that you haven't called But I forgive them their indifference today Above me a crow caws Perhaps he smells the crumbs on my dress Or my anger But he flits away over the trees Probably has a home Probably has a wife Probably knew to call The children leave The coffee in my can turns cold The wind nips at me Some street lights flicker on But I won't move Not yet I will wait for the night to chase me Back where I came from Up the empty street To a quiet house
Adelheid Manefeldt (Years: a book of tiny poetry)
After generations of separations and decades of forgetfulness, the mention of the South brings back to our memories ancient years of pain and pleasure. At the turn of the twentieth century, many African Americans left the Southern towns, left the crushing prejudice and prohibition, and moved north to Chicago and New York City, west to Los Angeles and San Diego. They were drawn by the heady promise of better lives, of equality, fair play, and good old American four-star freedom. Their expectations were at once fulfilled and at the same time dashed to the ground and broken into shards of disappointment. The sense of fulfillment arose from the fact that there were chances to exchange the dull drudgery of sharecrop farming for protected work under unionized agreements. Sadly for the last thirty years, those jobs have been decreasing as industry became computerized and work was sent to foreign countries. The climate which the immigrants imagined as free of racial prejudice was found to be discriminatory in ways different from the Southern modes and possibly even more humiliating. A small percentage of highly skilled and fully educated blacks found and clung to rungs on the success ladder. Unskilled and undereducated black workers were spit out by the system like so many undigestible watermelon seeds. They began to find their lives minimalized, and their selves as persons trivialized. Many members of that early band of twentieth-century pilgrims must have yearned for the honesty of Southern landscapes where even if they were the targets of hate mongers who wanted them dead, they were at least credited with being alive. Northern whites with their public smiles of liberal acceptance and their private behavior of utter rejection wearied and angered the immigrants.
Maya Angelou (Letter to My Daughter)
shown that anger, unlike sadness, encourages “unstructured thinking” when a person is engaged in creative tasks, and that people who are angry are better at generating more ideas. Even more interesting, one study found that the ideas they came up with were highly original. There are cognitive benefits to sadness, however. For example, sadness often means that a person is thinking more deeply and methodically about what is upsetting her; sad people tend to consider social ills instead of assigning individual blame. Sad people are also more generous. On the downside, sadness can easily turn into paralyzing rumination, lowered expectations,
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Because of the tragic way that Chris Cornell’s life ended, there’s a propensity to view his story as a tragedy. That would be a mistake. Chris Cornell lived his life to the fullest. He overcame seemingly insurmountable challenges time and time again in the pursuit of a dream too enormous to fathom. He used the tools at his disposal—his one-of-a-kind voice, his guitar, and his imagination—to craft era-defining music that many turned to time and again in moments of sadness, anger, joy, anguish, fear, doubt, and love. He lifted the hearts and minds of countless people from all walks of life on nearly every continent on the planet with his unique and unparalleled artistry. He did what he loved, and along the way created a musical legacy that will endure for generations. Chris Cornell kept his promise.
Corbin Reiff (Total F*cking Godhead: The Biography of Chris Cornell)
Me, well, there is meaning to the work and things I've done. But I never started an exercise revolution. I never became controversial because of my political beliefs. I don't believe I've affected change on a grand scale. I think I made a contribution. I know I've made people laugh. Through characters I have played, I've certainly allowed people to access their own expression of sadness or remorse, anger or disappointment. I've always believed that being an actor is a great service job. And I am of service. But it's just a job. So much of the glitz and fame, I can't even remember. I have blank spots where spotlights have been. It's easier for me to remember the ordinary goings-on of my life, because that's what my life is most of the time. It's just a life. Mine, like yours, has moaned and groaned. Stretched and turned. Sometimes good, oftentimes bad. People up and gone, love found and thrown away. Many moments make up a life. I am surprised by how many of my fame moments are blank spots. The volume turned down. Fame wants to turn up the volume on everything. It wears me out and intrudes on my need for solitude.
Katey Sagal (Grace Notes: My Recollections)
Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.
Jane Jacobs
His eyes burned. His throat swelled and knotted. For the first time in his life he was faced with a situation where he had no idea what to do. She had every right to hate him. She put a hand to her head and rubbed. She swayed and then bent over as if she was about to fall. “Kelly!” He went forward, but she jerked upright again and thrust out a hand to ward him off. “Just stay away,” she said in a low, desperate voice. “Kelly, please.” It was his turn to beg. And God, he would. He’d do anything to make her stay long enough that he could make it up to her. “I love you. I never stopped loving you.” She lifted her gaze again, her eyes drenched with tears—and pain. “Love isn’t supposed to hurt this much. Love isn’t this. Love is trust.” He moved forward again, so desperate to hold her, to offer the comfort he had denied her when she’d needed him most. Anger and sorrow vied for control. Grief welled in his chest until he thought he might explode. Rage surged through his veins like acid. She put her hand to her head again and started to walk past him. He caught at her elbow, anything to stop her, because he knew in his heart she was going to walk away. He didn’t deserve a second chance. He didn’t deserve for her to stay. He didn’t deserve her love. But he wanted it. He wanted it more than he wanted to live. “Please don’t go.” She turned back to him, sadness so deep in her gaze that it hurt him to look at her. “Don’t you see, Ryan? It can never work for us. You don’t trust me. Your family and friends hate me. What kind of life will that be for me? I deserve more than that. It’s taken me long enough to figure that out. I settled again, when I swore I’d never do it. I agreed to marry you. Again. Because I was so in love with you and I believed that we could move forward. But I was a fool. Some obstacles are insurmountable.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
You’re like a nuclear missile, you’re dropped somewhere and cause devastation all around. You’ve always been that way. And I figured you’d come here and just fucking destroy everything that stood against me, like you do all the time. I wanted to tell you, I really did, but I couldn’t. I couldn’t risk you saying no, to the whole plan going out the window.” I got off Galahad, who adjusted his suit, but didn’t bother getting back to his feet. “Do you even know what Simon was here for?” “No, although we will. A few years in a dungeon will loosen his tongue a little.” “I never thought you’d be on the receiving end of my anger,” I said softly. “I always thought you’d be honest with me. That you knew how I felt after leaving Merlin, leaving behind the lies and manipulations. But I was wrong. You’re just shittier at it than he was.” “I have more important things to do than lament whatever has broken in our friendship,” he said, anger leaking from every syllable. “I think you should leave this city and this state.” “You’re having me kicked out?” Galahad shook his head. “I’ll be putting Bill Moon in charge of the investigation into what happened here. We’ll make things more palatable for the humans living here, and then we’ll be taking Simon back to Shadow Falls.” “And Rean?” “He has refused my aid and vanished with his remaining colony into the woods. Nine out of twenty-two died today, I doubt he wishes to involve himself with the affairs of anyone other than his colony.” “You lost two allies in space of a day and damaged your reputation as a ruler who takes care of his own. Congrats. You must be very proud.” “I think we’re done here,” he said and got back to his feet once more. I took a step toward him and I noticed something in his expression. Fear. But not fear of me, Galahad would never have been scared of me, but maybe the fear of what had been lost between us, and my anger evaporated, replaced with sadness. “Galahad, you should know something,” I said, gaining his attention as he walked off toward the house. He stopped at the open door and glanced back at me. “What is it?” “I’m not a nuclear bomb, I’m a scalpel. I cut away the tumors and diseased flesh that threatens to consume everything. So, you need to be very careful that during your reign, you don’t become something that requires my utmost attention.” And with that, I turned and walked away.
Steve McHugh (With Silent Screams (Hellequin Chronicles, #3))
Wherever you turn your face, you will be fulfilled by love, but not from other humans. You can see a tree and feel all the love coming from the tree to you. You can see the sky, and it’s going to fulfill the needs of your mind for love. You will see God everywhere, and it will no longer be just a theory. God is everywhere. Life is everywhere. Everything is made by Love, by Life. Even fear is a reflection of love, but fear exists in the mind, and in humans, that fear controls the mind. Then we interpret everything according to what we have in our mind. If we have fear, what we perceive will be analyzed with fear. If we are mad, what we perceive will be perceived according to anger. Our emotions act like a filter through which we see the rest of the world. You could say that the eyes are an expression of what you feel. You perceive the outside Dream according to your eyes. When you are angry, you see the world with eyes of anger. If you have eyes of jealousy, your reactions will be different, because the way you see the world is through jealousy. When you have the eyes of madness, everything will bother you. If you have the eyes of sadness, you are going to cry because it’s raining, because there is noise, because of everything. Rain is rain. There is nothing to judge or interpret, but you are going to see the rain according to your emotional body. If you are sad, you see with the eyes of sadness, and everything you perceive will be sad. But if you have the eyes of love, you just see love wherever you go. The trees are made with love. The animals are made with love. The water is made with love. When you perceive with the eyes of love, you can connect your will with the will of another dreamer, and the dream becomes one. When you perceive with love, you become one with the birds, with nature, with a person, with everything. Then you can see with the eyes of an eagle or transform into any kind of life. With your love you connect with the eagle and you become the wings, or you become the rain, or the clouds. But to do this, you need to clean the mind of fear and perceive with eyes of love. You have to develop your will until it is so strong that it can hook the other will and become one will. Then you have wings to fly. Or being the wind, you can come here, you can go there, you can push away the clouds and the sun is shining. This is the power of love. When we fulfill the needs of our mind and our body, our eyes see with love. We see God everywhere.
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship)
flicker?" He points to the screen and pauses the vid. "That's when they switched the footage." I stare at the screen. "How do I know you're not the ones lying?" "You saw it yourself on the street," Meyer says. I glance up from the pad and lock eyes with Meyer. "What else are they lying about?" Jayson chuckles. "Well… that's going to take longer than we have." "Here's one," Meyer says. "Remember that last viral outbreak that killed a bunch of Level Ones?" "3005B?" My heart races. That's the virus that ultimately killed Ben thirteen years ago. "That's it. The one they use in all the broadcasts to remind citizens how important it is to get your MedVac updates? It wasn't an accident." We were always told a virus swept through Level One because they hadn't gotten their updated VacTech yet. Hundreds of people died in the day it took to get everyone up to date. "My brother died because of that." Everything I've found out over the last week suddenly grips me with fear. This can't be real. My breath shortens, and suddenly my head starts slowly spinning. Everything goes blurry. Then black. ~~~ "It's all right, kid," a distant voice, which must be Jayson's, echoes in the back of my mind. The room swirls around me. Their faces blur in and out of focus. "Meyer, get her." Blinking a couple of times, I try to sit up. I guess I fell. Meyer's warm hands rest on the back of my neck, my head in his lap. "Don't stand. You could pass out again," he says. He helps me sit up. "Are you okay?" "No, I'm not okay," I mumble. "This is too much." I feel like I should be crying, but I'm not. The reality is that the anger I feel is so much greater than any sadness. Neither Meyer nor Jayson speak, and let me mull over what I've just heard. "Why did they do that?" I eventually ask. "Two reasons, kid," Jayson says. "To cull the Level Ones, and to scare Elore into taking the VacTech. If viral outbreaks are still a threat, no one questions it, and continues believing inside the perimeter is the safest place for them." "I'm sorry about your brother," Meyer says as he stands, offering me his hand. His words are genuine, filled with the emotions of someone who has also experienced loss. "I hate to end this," Jayson interrupts, "but it's time to go." Meyer eyes Jayson, and then me. "I understand if you're not ready, but you need to choose soon. Within the next few days." I take his hand and pull myself to my feet. Words catch somewhere between my heart and throat. The old me wants to tell them to get lost and to never bother me again. It's so risky. Then again, I can't stand by while Manning and Direction kill people to keep us in the dark. Joining is the right thing to do. Feelings I've never experienced before well inside my chest, and I long to shout, When do we start? Instead, I stuff them down and stare at the ground. Subtle pressure squeezes my hand, bringing me back to the present. I never let go of Meyer's hand. How long have we been like that? He releases my hand as he mutters and steps back. The heat from his touch still flickers on my skin. You didn't have to go. I clear my throat and turn toward Meyer. Our eyes lock. "I've already decided," I tell him. "I'll do it. For Ben. Direction caused his death, and there's no way I'm standing by and letting them do this to more people." I barely recognize my own voice as I ask, "What do I do?" A slap hits my back and I choke. Jayson. "Atta girl. Meyer and I knew you had it in you." "Jayson, you have to give Avlyn some time." Meyer steps toward me and holds his handheld in the air toward Jayson. "I'll bring her up to speed." "Sure thing." Jayson throws his hands in the air and walks to the other side of the room. "Sorry," Meyer murmurs. "Jayson is pretty… overwhelming. At least until you know him. Even then…" "Oh, it's fine." A white lie. "He's a nice guy. Now, why don't you tell me the instructions
Jenetta Penner (Configured (Configured, #1))
The man was a fool, creating a career by turning emotions people don’t want into mental conditions by calling them abnormal. Since when is it abnormal to feel loss over the death of your partner, loneliness because your children live far away, sadness because there are millions starving in the world, anger because the politicians are self-serving, and frustration—because it takes my legs half an hour just to get me to
Sara Alexi (A Handful Of Pebbles)
Much of our grief comes from having to crouch and live hidden from the gaze of others, and in that posture we confirm our exile. I hear these outcast brothers and sisters every day in my practice. Their numbers are many, and their grief encompasses every aspect of human life. For some, these outcast pieces are connected to their sexuality and bodies; for others, it is their anger or sadness—or their joy and exuberance—that has been banished. For many, it is their needs that were ignored. These outcast portions of soul do not quietly languish at the edges of our awareness; they appear as addictions, depression, or anxiety, calling for our attention. They appear in our dreams as waifs and orphans, in images of ghettos and prison cells. One man, struggling with alcoholism, had a dream that he was walking into a bar, oblivious to a beautiful woman standing there. As he entered, she shouted, “Hey, when are you going to pay attention to me?” Here was his soul calling to him, demanding that he turn and attend to his neglected life.
Francis Weller (The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief)
ANGER: Eyebrows squeezed together, brows knitted, eyes squinty, pupils flared, lowered head, nostrils flared, looking upward through a scrunched brow, tight facial muscles, flat lips, flaring nostrils, or an penetrating gaze. CONTEMPT: Squinty eyes, mouth snapped shut, mouth set in a hard line, or lips pressed together, grinding teeth, muscle in jaw twitching, face turns crimson, ears red or hot, or hardened expression. EXCITEMENT: Smile shows teeth, eyes wide, flushed cheeks, eyebrows high, twinkle in eyes, tears in eyes, dimples showing, or raised eyebrows. FEAR: Pale skin, eyebrows are drawn together, trembling mouth, brows furrowed creased forehead, eyes wide and huge, blinking rapidly, mouth opening and closing, or tense, white lips. FRUSTRATION: Slanting eyebrows, jaw tightened, face reddened, chin raised, deep frowning, gnashed teeth, tense eyebrows, squinty eyes, lips pulled back, or mouth twisted to one side. REVULSION: Frowning, gritted teeth, lips drew back in a snarl, lowered head, tense lips, eyebrows drawn together, wrinkled forehead, or pursed lips. SURPRISE: Wide eyes, mouth hanging open, huge smile, flushed face, gaping, raised eyebrows, pupils are huge, and head held back, intense gaze, and eyebrows lifted. SADNESS: Pale face, lower lip quivered, tears shimmered in eyes, frowning of lips, head hangs low, pouty expression, or gaze downcast. HAPPINESS: Smiling big with teeth visible, flushed cheeks, crinkle at corners of the eyes, the corners of mouth turned upward, eyes lit up, tears shone in eyes, face glowing. ***
Sherry J. Soule (The Writer's Guide to Character Expression: 2022 Second-Edition (Fiction Writing Tools Book 2))
Blue Eyes…” He trailed his lips down one of her braids until he found the sweet curve of her neck. “Make a picture for me, yes? So I can see what you fear.” “What good will that do?” “Fear is a strong enemy. I would stand beside you.” She sighed. “Hunter, you are what I fear.” Releasing her shoulders, he slipped his arms around her, placing his palms beneath her breasts. He smiled at the way she gripped his wrists to make sure his hands didn’t wander. “I strike fear into you because I am a man?” “It isn’t funny.” “I do not laugh. It is a sad thing, yes, that your husband is a man. A very terrible thing.” She rewarded him with a tremulous laugh, looking at him over her shoulder. “It isn’t that you’re a man, exactly. It’s what will happen between us because you’re a man.” “Many good things.” He felt her tense. “Little one, you will trust, eh? I make no lies. What is between us will be very good.” “I try to believe that, really I do. And then I remember.” “Make a picture of the remembering, eh?” “I can’t.” Hunter tightened his hold on her. “It is a memory of your mother?” “Yes,” she admitted. “My mother and what--the Comanches did to her. The memories hit me, and I feel so frightened. I start wondering what it’ll be like, you know, between you and me. And then I start wondering when it’ll happen. And the first thing I know, it’s bedtime. And I’m terrified tonight will be the night. I can feel you watching me. And I’m afraid you’ll get angry if I sleep by Amy.” “And I have blown like the wind, yes? Angry because you sleep away from me?” “No. But I know you have every right.” “So you wait for my anger, and it does not come.” He turned her in his arms and raised her chin so he could look into her eyes. “And the fear grows, until it is big like a buffalo?” “Yes,” she admitted in a quavery little voice. Hunter sighed and pressed his cheek against the top of her head. “Ah, little one, I am sure enough a stupid man. We must make talk, yes? It was my wish to make your fear small, not big. To become your good friend, not your enemy.
Catherine Anderson (Comanche Moon (Comanche, #1))
And I have blown like the wind, yes? Angry because you sleep away from me?” “No. But I know you have every right.” “So you wait for my anger, and it does not come.” He turned her in his arms and raised her chin so he could look into her eyes. “And the fear grows, until it is big like a buffalo?” “Yes,” she admitted in a quavery little voice. Hunter sighed and pressed his cheek against the top of her head. “Ah, little one, I am sure enough a stupid man. We must make talk, yes? It was my wish to make your fear small, not big. To become your good friend, not your enemy.” “Oh, Hunter, I wish we could be friends again. Remember our journey to my wooden walls? Sometimes--I think about those times, and--” She broke off and gave an exasperated groan. “I felt so close to you then, and I was so sad to say good-bye.” “And now your heart does not sing friendship for me?” “You’re my husband.” “I wish to be your friend.” He leaned back to see her face. “Can I not be both? You have stolen my heart from me, Blue Eyes.” “Oh, Hunter…” “You will be my friend again?” he asked huskily. “We will make laughter together, yes? And you will lie beside me when we sleep, with no fear, because my hand upon you is the hand of your good friend.” “I’d like to be friends again--truly I would.” “Then it will be so.” He nuzzled her ear.
Catherine Anderson (Comanche Moon (Comanche, #1))
We fear that if we go into our deeper emotions, we will be consumed by them. We fear that if we close our bedroom door and face the emotion, we will be consumed by the monstrous darkness of our inner being. We think our fears will turn us into a neurotic mess of blubber, our anger will turn us into raving lunatics, and our sadness will be so overwhelming that we will never function in the world again. It is not so. One only has to practice this a few times to know that, far from destroying us, going into our inner thoughts deeply works them through to their conclusion, or at least to some degree.
Donna Goddard (The Love of Devotion (Love and Devotion, #2))
When that person is emotionally unavailable or unresponsive, we face being out in the cold, alone and helpless. We are assailed by emotions — anger, sadness, hurt, and above all, fear. This is not so surprising when we remember that fear is our built-in alarm system; it turns on when our survival is threatened. Losing connection with our loved one jeopardizes our sense of security. The alarm goes off in the brain’s amygdala, or Fear Central,
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
And that's when the doorbell rings. Marcus freezes. As do I. "That must be your friend," I somehow manage to say, even though my throat is trying to close. Marcus is clearly torn between remaining immobile and opening the door. The bell rings again. "Want me to get it?" "No," he says. "No." I stand, not knowing what to do while he slowly springs open the door. Not surprisingly, Marcus's old schoolfriend is a petite and extraordinarily pretty brunette. She steps into the apartment and kisses Marcus full on the lips. "Hello, darling," she says. Marcus recoils slightly and casts a worried glance in my direction which his friend follows. "Hi," I say, extending my hand as I try to force my face into a smile. She takes it. Her hand is cool and delicate, as slender as the rest of her. "I'm Lucy," I continue brightly. "Marcus's girlfriend." Now it's her turn to recoil. "This is my friend, Joanne," Marcus says tightly. I look at my lover. "An old schoolfriend. That's what you said, isn't it?" I turn back to Joanne. "Which school did you go to with Marcus? Primary? Grammar? Or maybe it was the harsh school of life?" His old schoolfriend looks at him blankly. "I don't know quite what's going on here, Marcus," she says. "But I don't think that I want to be a part of it." She turns away from him, spinning on her heel toward the door. "Jo," Marcus pleads as he catches her sleeve. "Don't go." And I think that's my cue to leave. "Oh, Marcus," I say sadly. "Do you have so little respect for me?" "I can explain," he says, and I notice that he's still looking at Jo rather than at me. "You're welcome to stay and listen to it," I say to Jo. "I'll be the one to leave." Marcus does nothing to stop me, so I hitch up my gym bag once more and move toward the door. "It's been nice meeting you," I say to Marcus's new love. "You'll enjoy your dinner. It smells wonderful. It even covers the smell of a rat. The chocolates are great, by the way. I hope you both choke on them.
Carole Matthews (The Chocolate Lovers' Club)
Sad is your internal reaction, which turns to anger because anger sets you in kinetic motion to avoid the sadness of sitting there and not listening to music, and knowing your plans have been thwarted. Your anger is your way to avoid sadness.
Chelsea Handler (Life Will Be the Death of Me: . . . and You Too!)
Three Primary Feelings: Anger/Rage Fear/Terror Sadness/Grief Four Combination Feelings: Anxiety/Worry (fear projected into the future) Frustration (anger + fear + anxiety) Depression (sadness or anger turned inward [instead of expressed]) Shame (sadness + fear) Two important notes: First, embarrassment and humiliation are variations of the feeling of shame.
Nic Saluppo (Learn to Love Yourself Again: A Step-by-Step Guide to Conquer Self-Hatred, Ditch Self-Loathing, & Cultivate Self-Compassion (Mental & Emotional Wellness Book 6))
While Wollen wasn’t wrong that society expects girls to swallow their sadness, sadness is still tolerated in a woman far more than anger. An angry woman is dangerous, unpredictable, uncontrollable. She must immediately be punished, shamed, or medicated back into complacency. Anger aims outward, disrupting systems and inconveniencing those in power, whereas we tend to turn our sadness inward, on ourselves—not bothering anyone or making a mess.
Lilly Dancyger (First Love: Essays on Friendship)
It is incumbent upon us to list you your fears lest you forget them: that of being needy; of being clingy; of being odd; of being invisible; of being visible; of being shamed; of being shunned; of being deceived; of being bullied, of being abandoned; of being hit; of being talked about; of being pitied; of being mocked; of being thought both "child" and at the same time "old woman"; of anger; of others; of making mistakes; of knowing instinctively; of sadness; of loneliness; of failure; of loss; of love; of death. If not death, then of living - of the body, its needs, its bits, its daring bits, its unwanted bits. Then the shudders, the ripples, our legs turning to pulp because of those shudders and ripples. On a scale of one to ten, nine and nine-tenths of us believe in the loss of our power and in succumbing to weakness, also in the slyness of others. In instability too, we believe. Nine and nine-tenths of us think we are spied upon, that we replay old trauma, that we are tight and unhappy and numb in our facial expression. These are our fears, Dear Susannah Eleanor Lizabetta Effie. Note them please. Remember these points please. Susannah, oh our Susannah. We are afraid.
Anna Burns (Milkman)
To counter apathy, most change agents focus on presenting an inspiring vision of the future. This is an important message to convey, but it’s not the type of communication that should come first. If you want people to take risks, you need first to show what’s wrong with the present. To drive people out of their comfort zones, you have to cultivate dissatisfaction, frustration, or anger at the current state of affairs, making it a guaranteed loss. “The greatest communicators of all time,” says communication expert Nancy Duarte—who has spent her career studying the shape of superb presentations—start by establishing “what is: here’s the status quo.” Then, they “compare that to what could be,” making “that gap as big as possible.” We can see this sequence in two of the most revered speeches in American history. In his famous inaugural address, President Franklin D. Roosevelt opened by acknowledging the current state of affairs. Promising to “speak the whole truth, frankly and boldly,” he described the dire straits of the Great Depression, only then turning to what could be, unveiling his hope of creating new jobs and forecasting, “This great nation . . . will revive and will prosper. . . . The only thing we have to fear is fear itself.” When we recall Martin Luther King, Jr.’s, epic speech, what stands out is a shining image of a brighter future. Yet in his 16-minute oration, it wasn’t until the eleventh minute that he first mentioned his dream. Before delivering hope for change, King stressed the unacceptable conditions of the status quo. In his introduction, he pronounced that, despite the promise of the Emancipation Proclamation, “one hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination.” Having established urgency through depicting the suffering that was, King turned to what could be: “But we refuse to believe that the bank of justice is bankrupt.” He devoted more than two thirds of the speech to these one-two punches, alternating between what was and what could be by expressing indignation at the present and hope about the future. According to sociologist Patricia Wasielewski, “King articulates the crowd’s feelings of anger at existing inequities,” strengthening their “resolve that the situation must be changed.” The audience was only prepared to be moved by his dream of tomorrow after he had exposed the nightmare of today.
Adam M. Grant (Originals: How Non-Conformists Move the World)
Unusual as this may seem, I was relieved that Nigel hadn’t fatally injured Silas,” Lucetta added as she inched just a little closer to Bram, enjoying the feel of his hand settled against her back and the fact that his large form was blocking her from some of the wind. “He’s an evil man—there’s no question about that—but . . . I wouldn’t have wanted him dead, no matter his transgressions.” Millie turned and considered Lucetta and Bram for a moment. “You do know that, as your acting chaperone, I’m supposed to insist that the two of you maintain a few inches of separation from each other at all times, and . . . I believe the recommended space to be maintained is six inches.” Lucetta blinked. “Is that an actual chaperoning rule, or one you just made up?” Frowning, Millie wrinkled her nose. “Abigail told me to enforce that particular rule at all times, but . . .” She gave a sad shake of her head. “I’m afraid I’ve been negligent in enforcing it, what with all the dangerous situations, arguments between you and your mother that pulled at everyone’s heartstrings, except perhaps Nigel’s—since I’m not certain he has a heart—and . . . Well, let us not forget the emotional toll returning to Virginia took on you in the first place.” Bram’s brows drew together as he caught Millie’s eye. “And what does that have to do with you being negligent in your duties?” “Lucetta needed comforting, of course, and I certainly wasn’t going to stand in the way of her getting that comfort from you.” As Bram and Millie continued bantering, Lucetta couldn’t help but think that Millie was exactly right. She had been emotionally exhausted throughout the time they’d spent in Virginia, coming to terms with her anger at her father, and coming to terms with the animosity she’d been holding for far too long against her mother. Bram had been a rock beside her through everything, and . . . oddly enough, she had not been opposed to the idea of leaning on that rock, nor had she been embarrassed that she’d needed his strength to soothe her when she felt a little overwhelmed, and . . . “. . . so don’t despair about your chaperoning abilities,” Bram was saying, tugging Lucetta straight back to the conversation at hand. “Since I’m fairly certain the six-inch rule isn’t a real rule, you’ve not failed as a chaperone just yet.” “I’m hoping I’m never called upon to chaperone again,” Millie said with an exaggerated sigh. “It’s far more difficult than I ever imagined, and definitely not for the faint of heart. Although . . . for the most part, you and Lucetta didn’t cause me too many difficulties.” Lucetta
Jen Turano (Playing the Part (A Class of Their Own, #3))
My favourite quotes, Part Two -- from Michael Connelly's "Harry Bosch" series The Black Box On Bosch’s first call to Henrik, the twin brother of Anneke - Henrik: "I am happy to talk now. Please, go ahead.” “Thank you. I, uh, first want to say as I said in my email that the investigation of your sister’s death is high priority. I am actively working on it. Though it was twenty years ago, I’m sure your sister’s death is something that hurts till this day. I’m sorry for your loss.” “Thank you, Detective. She was very beautiful and very excited about things. I miss her very much.” “I’m sure you do.” Over the years, Bosch had talked to many people who had lost loved ones to violence. There were too many to count but it never got any easier and his empathy never withered. The Burning Room 2 Grace was a young saxophonist with a powerful sound. She also sang. The song was “Somewhere Over the Rainbow,” and she produced a sound from the horn that no human voice could ever touch. It was plaintive and sad but it came with an undeniable wave of underlying hope. It made Bosch think that there was still a chance for him, that he could still find whatever it was he was looking for, no matter how short his time was. ---------------- He grabbed his briefcase off his chair and walked toward the exit door. Before he got there, he heard someone clapping behind him. He turned back and saw it was Soto, standing by her desk. Soon Tim Marcia rose up from his cubicle and started to clap. Then Mitzi Roberts did the same and then the other detectives. Bosch put his back against the door, ready to push through. He nodded his thanks and held his fist up at chest level and shook it. He then went through the door and was gone. The Burning Room 3 “What do you want to know, Bosch?” Harry nodded. His instinct was right. The good ones all had that hollow space inside. The empty place where the fire always burns. For something. Call it justice. Call it the need to know. Call it the need to believe that those who are evil will not remain hidden in darkness forever. At the end of the day Rodriguez was a good cop and he wanted what Bosch wanted. He could not remain angry and mute if it might cost Orlando Merced his due. ------------ “I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.” “What is the other, Henrik?” Though he knew the answer. “Anger . . . I am still angry, Detective Bosch.” Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for. “So am I, Henrik,” he said. “So am I.” Angle of Investigation 1972 They were heading south on Vermont through territory unfamiliar to him. It was only his second day with Eckersly and his second on the job. Now He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her. The Scarecrow At one time the newsroom was the best place in the world to work. A bustling place of camaraderie, competition, gossip, cynical wit and humor, it was at the crossroads of ideas and debate. It produced stories and pages that were vibrant and intelligent, that set the agenda for what was discussed and considered important in a city as diverse and exciting as Los Angeles.
Michael Connelly
Kimmy, your papa has told you I'm not your uncle, has he not?" he asked the girl. Kimmy stared back at him with a quiet, solemn wisdom. "But you're my uncle because I picked you to be. But I understand you're upset with me and Mommy right now, 'cause you think we were mean to Daddy." She reached out to touch his cheek with her tiny hand. "I promise, we're gonna make Daddy very happy, though." His lips quirked sadly. Crowe realized that perhaps Kimmy was right, in some ways. Ivan had been furious since the night Kimmy had arrived. "Yes, I know you make your papa very happy," he said softly. "And perhaps it's not so much anger I feel as it is jealousy, because my beautiful little girl no longer needs her papa." "All little girls need their daddy." Kimmy promised him then. "Just sometimes." She gave Crowe a very firm look before turning back to Ivan. "Our daddies just get silly and hurt our feelings really bad and don't know it. Did you hurt your little girl's feelings, Uncle Ivan?" "I would hope I did not," he answered, almost amused. "Well, I think you should ask her." Kimmy crossed her arms and stuck out one little sneaker-shod foot as she nodded wisely. "And just ask her nice, like you would ask her if she wanted ice cream. Maybe have ice cream when you ask her." She nodded again as she gave this advice. Ivan blinked back at her, then lifted his gaze to Crowe. "You, my friend, are in so much trouble," he murmured. Kimmy turned back and flashed Crowe a grin so innocent he nearly winced. Oh Lord-- "Yeah," he answered Ivan. "I am." "Come, little one." Focusing on Kimmy once more, he held out his hands. "You may call me Uncle Ivan then." An infectious giggle fell from her lips as she threw her arms around his neck and hugged with all the exuberance of an emotionally confident six-year-old. "I didn't ask for permission, Uncle Ivan." She smacked a kiss to his cheek. "I already knew it was okay." Then she turned and bounced out of the room just as quickly.
Lora Leigh
It's a struggle to keep my sadness from turning into anger like before.
Brenda Ortega (Fault Lines)
Luther’s teaching is this: Anything we look to more than we look to Christ for our sense of acceptability, joy, significance, hope, and security is by definition our god — something we adore, serve, and rely on with our whole life and heart. In general, idols can be good things (family, achievement, work and career, romance, talent, etc. — even gospel ministry) that we turn into ultimate things to give us the significance and joy we need. Then they drive us into the ground because we must have them. A sure sign of the presence of idolatry is inordinate anxiety, anger, or discouragement when our idols are thwarted. So if we lose a good thing, it makes us sad, but if we lose an idol, it devastates us.
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
I’m going to get some human food for later. Make yourself at home but don’t go out by yourself. Understand?” Liv’s frustration at her own vulnerability rose to the boiling point. “I understand,” she flared back. “I’m supposed to stay here like a good little bride while you go out and act like the big, brave warrior bragging to all your friends that you bagged your human woman and she can’t wait to spread her legs and let you bond with her all night long. Is that it?” For a moment he looked even angrier and then the expression in his bold features became quieter and a little sad. “I would never brag about what happens between us in the privacy of our rooms, Lilenta. That would be breaking the trust between us. No matter how much you hate me, I wouldn’t do that to you.” Her anger drained suddenly away and Liv felt taken aback. “I…I never said I hated you,” she protested at last in a small voice. “You didn’t have to.” Turning he left the dimly lit room. Liv watched him go, sitting alone on the bed in the dark. For some reason she felt like crying.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Doonae think I’ve fergotten ye disobeyin’ me and puttin’ yersel’ at risk in a misguided attempt to save me.” She blinked in surprise at the sudden turn his anger had taken, then felt some anger of her own coming up to meet it. “Well, ‘doonae’ you think I’ve ‘fergotten’ you dared to give me such an order and expected me to watch you die like some hapless good-for-nothing twit.” Connall’s anger immediately gave way under amazement at her words. “Did you say doonae? Are ye makin fun o’ me speech, wife?” he asked with dismay. “Would I do that?” she drawled. His amazement slowly transformed, his tension easing and a small smile claiming his lips for the briefest of moments, then Connall sobered and drew her into his arms with a sigh. “Only you could make me smile at a time like this, Eva. Yer a cheeky lass.” “And yer a stubborn ass,” Eva said a tad irritably, not having quite given up her anger. “Ordering me to stand by helplessly and what? Watch ye die? Not in this lifetime, my lord. Or any other, I should hope. I am your wife, your partner, your mate. I shall guard your back, your front, and your top to bottom to the best of my sad abilities so long as there is air in my lungs and strength in my body. Do not ever expect me simply to—” Connall brought her rant to an end, simply by closing his mouth over hers. He kissed her with all the passion and hunger he felt for her, then eased the kiss slowly before gently easing away to kiss first the tip of her nose, her closed eyelids, then her forehead. “I love ye, Eva MacAdie.” Eva sighed against his chin, kissed him there, then added solemnly, “And I love you Connall MacAdie. And I will do till the day I die.” His
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
What is it?” he asked quietly, his eyes full of concern. “What have you been doing that’s so terrible?” A great shudder of anguish moved through Velvet. Once he learned the truth Hank would never forgive her, but there had been enough running away, and she couldn’t bring herself to lie. Not to this man. She accepted the handkerchief he offered and dried her face. “Things was hard after Pa and Eldon died,” she managed to say, mopping at her eyes again. Hank nodded, his gaze tender, silently urging her to go on. Velvet drew in a deep breath and gripped a picket of the gate in one hand. For the first time in her life she thought she might faint. “I did cleanin’ work mostly till I came to Fort Deveraux. I’d heard I could make a lot of money here, washin’ clothes for the soldiers.” She paused and looked away for a moment, drawing strength from the orange and crimson blaze of the setting sun. “I found out soon enough that there were a lot of other women here lookin’ to wash clothes—there just wasn’t enough work to go around. I—I ended up takin’ money from men.” For a moment Hank just stood there, the color draining out of his skin. “For what?” he asked, his voice a low rasp. Velvet felt as though she was being torn apart piece by piece, organ by organ. She lowered her eyes for a moment, then met Hank’s gaze squarely. He knew—she could see that—but he was going to make her tell him. “For sleepin’ with me,” she said. With a muttered exclamation Hank turned away, his broad shoulders stiff beneath the rough, plain fabric of his shirt. Velvet reached out her hand, then let it fall helplessly to her side. She’d lost him a second time, and the experience was a cruel one. She doubted she’d ever recover from it. “I’m sorry,” she whispered. He whirled so suddenly that Velvet was startled and leapt backward. His face was taut with anger and pain. “You were my woman,” he whispered with hoarse fury. “How could you have let another man touch you?” The resilience that had allowed Velvet to survive the many hardships life had dealt her surged to the fore. She advanced on Hank, raging. “I wasn’t your woman. I wasn’t anybody’s woman. I was all alone in this world, and I did what I had to do!” Hesitantly Hank lifted his hand to her face. His thumb brushed away a tear. “There wasn’t a day or a night that I didn’t think about you, Velvet.” She hugged herself, afraid to hope or trust. “I didn’t love none of those men,” she said miserably. “I could only stand lettin’ them touch me because I pretended they was you.” Hank’s smile was soft and infinitely sad. “I’m not going to lose you again because of pride,” he said. “I don’t like that you took money from those men, but I figure I love you enough to get by that in time. All that really matters to me is now, Velvet. Now and next week and next year, and all the years after that, when you and I are going to be together.” Velvet hardly dared to believe her ears. She’d had very little good fortune in her life; she didn’t know how to deal with much besides trouble. “Folks around here won’t ever forget—there’ll be talk—” He laid two fingers to her lips, silencing her. “I don’t care,” he said. “I’ve found you. That’s all that’s important.” With a sob, Velvet let her head drop against Hank’s sturdy chest. Tenderly he enfolded her in his arms. “Hush, now,” he said. “Things are going to be different after this. Very different.” An
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
I was sad. Then I got confused. Which turned into anger really quick, and now I’m back to sad. I’m all over the place and half of the time I don’t even know what to do with myself. It’s almost as if I’m stuck in some weird purgatory that just won’t let me escape.” She
Harper Sloan (Lost Rider (Coming Home, #1))
Notably, many postmenopausal women also report that emotions like sadness and anger don’t hold quite the same charge as they once did, while the capacity to sustain joy, wonder, and gratitude often increases. There is a neurological reason for these shifts. Among other things, all the rearrangements in the menopausal brain may result in yet another upgrade to some networks involved in the theory of mind. Only this time, the transition brings forth better emotional control. If you recall from the previous chapters, how we respond to emotionally charged situations depends partly on how we’re wired in our brains. Connections related to the emotion-processing amygdala versus the impulse-controlling prefrontal cortex can influence our approach. Puberty asks us to lean into the prefrontal cortex’s rationale, whereas pregnancy attunes us to our instincts (while striking a balance between our emotions and our head). Now it’s menopause’s turn. This time around, we are about to fine-tune the emotional amygdala in a highly selective and precise way: it becomes less reactive to negative emotional stimulation!
Lisa Mosconi (The Menopause Brain)
Father took a deep breath. ​“Her mother found her. Hung herself in her bedroom with a belt.” ​She said nothing. Father looked confused, shocked, angry, sad. ​“Doesn’t that mean anything to you? Do you realize what you’ve done?” ​“I’ve done nothing. She did it to herself.” ​There was an incredulous pause. Father stood up. ​“How can you say that? Are you so devoid of feelings? Do you have a shred of empathy for anyone anymore? You are not the daughter I raised. I don’t know you.” ​That stung. But very quickly that feeling turned back to cold anger. Why hadn’t Father shown this much compassion when Anna Lee had been a victim? Why did no one remember how Brook had tormented her? But she was still, unwilling to let her face confess anything. ​“Did you have the same empathy for Mother?” ​Father’s eyes went wide, then narrowed further. ​“You are no daughter of mine.” ​That just added fuel to the fire. She felt herself shake. The injustice of it. Why had no one ever stood up for her?
Christopher J.C. Buchheit (Waypoint Eclipse)
Because I hoped she would eventually trust me enough to tell me. I had to give her that chance, even though it was a risk. I hoped she would learn to face her pain—that she’d learn to endure it.” He smiled sadly at Celaena. “If you can learn to endure pain, you can survive anything. Some people learn to embrace it—to love it. Some endure it through drowning it in sorrow, or by making themselves forget. Others turn it into anger. But Ansel let her pain become hate, and let it consume her until she became something else entirely —a person I don’t think she ever wished to be.
Sarah J. Maas (The Assassin and the Desert (Throne of Glass, #0.3))
You know the kind of place: dirt roads, dirt yards, dirt gardens. Frustration and anger and sadness turned inward to become poverty.
George Bishop (Letter to My Daughter)
I feel uncomfortable and experience building tension or discomfort that seems to come out of the blue when I think about a particular situation. ____ 2. I avoid specific situations that make me feel uncomfortable. ____ 3. I have at least four of the following symptoms at the same time: shortness of breath or feeling smothered; heart palpitations (rapid or irregular heartbeat); trembling or shaking; choking; dizziness or unsteadiness; nausea or abdominal distress; numbness, feeling detached or out of touch with myself; fear of dying; fear of going crazy or out of control; hot flashes or chills; sweating without exertion. ____ 4. I worry excessively, and so I feel restless, keyed up or on edge, irritable, easily fatigued, have trouble falling or staying asleep or I wake up tired, have tense and tight muscles, have difficulty concentrating, and/or find my mind going blank. ____ 5. I have recurring intrusive thoughts such as hurting or harming a close relative, being contaminated by dirt or a toxic substance, fearing I forgot to lock my door or turn off an appliance, and/or have unpleasant fantasies of catastrophe. ____ 6. I perform ritualistic actions such as washing my hands or counting to relieve my discomfort because I have fears that keep entering my mind. ____ 7. I have witnessed or been subjected to a life-threatening experience and have persistent symptoms that have lasted for at least a month, including repetitive and distressing thoughts, nightmares, flashbacks, attempts to reenact the situation, emotional numbness (out of touch with your emotions—feeling no anger, sadness, guilt, or relief), feeling detached from other people, losing interest in activities that once gave me pleasure, sleep or concentration problems, startling easily, irritability and/or have outbursts of anger.
Carolyn Chambers Clark (Living Well with Anxiety: What Your Doctor Doesn't Tell You . . . That You Need to Know)
I hoped she would learn to face her pain - that she'd learn to endure it. He smiled sadly at Celaena, If you can learn to endure pain, you can survive anything. Some people learn to embrace it - to love it. Some endure it through drowning it in sorrow, or by making themselves forget. Others turn it into anger. But Ansel let her pain become hate, and let it consume her until she became something else entirely - a person I don't think she ever whished to be.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
It doesn't matter," she finally said. "Fuck her all you want. Fuck her while the bunnies watch." He looked at her then, surprised. He hadn't realized she knew about the bunnies. Something shifted inside of her and knocked her anger loose. It felt good---really good---to be furious, to be in a murderous mood. She saw colors differently and her body temperature rose. In that moment, Jane couldn't feel anything else---not sadness or jealousy or doubt. Only full-throated rage and a rush of empathy for Left Eye Lopes, who she saw now had been deeply misunderstood. "Jane, come on," Mike said. They pulled up to the restaurant. They were supposed to go inside and discuss things, sit calmly and talk about their feelings. Jane put both of her hands on the dashboard as if she were bracing for impact and screamed, "Bunny fucker," so loudly that her chest hurt. Then she straightened up and said, "Take me home." Mike drove with caution, coming to complete stops and using his turn signal as if sudden movements would make things worse. He was scared of her and that made her happy. "Go pay Amy," she said. "And then put the kids to bed. I'm going for a walk." Mike sat there, his mouth open.
Jennifer Close (Marrying the Ketchups)
Field Notes on Loving a Girl in Secret" There’s a danger in comparing her to things. Her prayer, a stall of horses. Her anger, the beak of a bird. Her sleep, a sun-bleached fence. Her sadness, a yard pile of firewood. A patch of pines is all I remember of a field. Quiet, she says. Her stick-shift sedan, her trouble with mathematics, her car radio turned up all the way. I write her questions on a sheet of paper so no one can hear. Late at night in my blue car, we drive back roads, the only place we speak openly. The field’s full enough tonight, I think, to break into a thousand wings. Julia Koets (Source: versedaily.org)
Julia Koets
After John’s arrest, life came at me fast. At every turn, I found myself in a place where my gut reaction was fear, anger, or deep sadness. I had to learn to Pause. This was my chance to take a breath and get myself grounded. It helped me not to react unconsciously (which didn’t turn out well when I did).
Darcy Luoma (Thoughtfully Fit: Your Training Plan for Life and Business Success)
A profound sadness overcame me as I gingerly picked my way through the dust of what had undoubtably been a flourishing village before the war. This place where people had lived and loved and dreamed had been turned into mere fodder for the enemy's weapons. A quick glance at Sidney's face showed that he was digesting the same thoughts, though he seemed more inclined to anger than dismay.
Anna Lee Huber (Treacherous Is the Night (Verity Kent, #2))
[The ballade of puppets: In a new world, gods will descend] The night bird calls out in sadness. When I turn to look, the flowers had all fallen away It was as if all comfort had vanished from the world As the gods leave to gather in the new world, Day breaks, and the night bird calls out. The blossoms beseech the gods. "Even though in this world we may know grief and suffering" "Our dreams shall never die" "Even though in this world we may know grief and suffering" "Our dreams shall never die," and they fall from the branch in anger
Kenji Kawai
The sensation was a nightmare, worse than anything that I had ever felt, more vindictive and malicious than even Emerald's feelings toward himself. And worse of all, at the heart of that white hot core of anger, was another emotion so bound up with my attacker's fury that it was functionally indistinguishable from his ire: Love. His rage was rooted in love, a corruption so deepseated that it turned what should have been a bright and joyous emotion into a blight that spread through every corner of his mind.
Riley Rookhouse (Tale of the Hidden Village: World of Heavenfall (Crimson Smoke and the Emerald Flame, #1))
Attachment theory teaches us that our loved one is our shelter in life. When that person is emotionally unavailable or unresponsive, we face being out in the cold, alone and helpless. We are assailed by emotions—anger, sadness, hurt, and above all, fear. This is not so surprising when we remember that fear is our built-in alarm system; it turns on when our survival is threatened.
Sue Johnson (Hold Me Tight: Your Guide to the Most Successful Approach to Building Loving Relationships)
He must have felt my presence in the room, because when I moved, he turned his bandaged head in my direction. When he did that I spoke to him. I told him who I was and that I had come to let him know that he would be okay. My words came quickly and I realized they were meaningless. He and I both knew that he was in very bad shape, and I decided at that moment not to continue to insult his intelligence by telling him that he would improve. He wouldn’t be okay, and I think that if he had been able to ask me to kill him, I would have done it. I would not have wished this Marine’s misery on another living person. The sense of pain and frustration at my inability to help this man turned into a seething anger when I thought about the recent newspaper and magazine articles I had read that applauded the efforts of American men who had opted to desert their country and hide across the border in Canada to avoid the draft. I wondered what the difference was between this Marine and those men who had run away, knowing that the chances of their being selected for the infantry and actually going into combat were less than one out of ten. I was sure that the young sergeant’s mother must certainly love her son as much as those mothers who had excused their sons’ acts of cowardice; that made me sad. While I stayed in the compartment with that sergeant I simply held his hand in mine. It was all that I could do, but I hoped that in his drug-induced state of comfort he would still understand that someone was with him who cared. When a Navy nurse finally came into the compartment to check on the sergeant’s vital signs, I wiped the tears from my face and went out onto the flight deck of the USS Repose to await my flight back to Da Nang.
Donald N. Hamblen (One Tough Marine: The Autobiography of First Sergeant Donald N. Hamblen, USMC)
You know that in your hidden questions you will find your answers. You know that all your answers are hidden deep inside your mind. You know that you can make your tears a smile. You know that you are traveling on life’s ways with many ups and downs. You know that smile is worth a dozen anger. You know that your smile can turn your sadness into happiness. You know that you are struggling to have meaningful life in this world. You tried and wondered about where you should be going. You know that in your hidden questions you will find your answers. You know that all your answers are hidden deep inside your mind. You know that all your dreams are hidden deep inside your soul. You know that in your life there are untold stories and you never wish to told those traumatic stories to someone. You know that one’s you know your true feelings, your struggles will be over and you will find home." - Shwin J Brad
Kenty Rosse (Mindfulness and stress relief)
You know that in your hidden questions you will find your answers. You know that all your answers are hidden deep inside your mind. You know that you can make your tears a smile. You know that you are traveling on life’s ways with many ups and downs. You know that smile is worth a dozen anger. You know that your smile can turn your sadness into happiness. You know that you are struggling to have meaningful life in this world. You tried and wondered about where you should be going. You know that in your hidden questions you will find your answers. You know that all your answers are hidden deep inside your mind. You know that all your dreams are hidden deep inside your soul. You know that in your life there are untold stories and you never wish to told those traumatic stories to someone. You know that one’s you know your true feelings, your struggles will be over and you will find home." - Shwin J Brad
Kenty Rosse (Mindfulness and stress relief)
I remember the difficulty I faced when I attended my first grief ritual. I watched as dozens of men and women fell to their knees, weeping and expressing their sorrow. I could not touch my grief, could not coax it to the surface and onto the ground. I stood there numb, frightened by the raw display of suffering. It wasn’t until I participated in my third grief ritual that I was able to release my tears. I needed to keep going, needed to be near the energy of sorrow. I couldn’t run away, because I was aware that I had a reservoir of grief in my body but lacked the means of freeing it. I realized now how frozen I was, how disconnected I had become from my emotional body. Learning to befriend this vulnerable piece of soul has, in turn, opened the way to experiencing a much wider array of emotions—joy, love, anger, sadness, delight, amazement—the entire range of my emotional landscape.
Francis Weller (The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief)
— He's {Sid Vicious] not nearly as threatening as I thought he'd be," David [Nancy Spungen's brother] observed. — He's too zonked. [...] — At least she's calm around him, I said. — Motherly, almost. [...] We went to bed. As he turned out the light Frank said, — Every time I look at the two of them, I keep thinking the same thing. — What's that? — That neither one of them looks like they're long for this world, he said sadly. I couldn't sleep. I just lay there in the darkness, thinking, groping toward some kind of grasp on Nancy's relationship with Sid, her only lasting relationship. They were two lost souls who had found each other. Their relationship came out of their inability to find what they wanted in the outside world. They were on the same wavelength. They fit each other's needs. Both had trouble getting along with most people. Both were troubled and angry. Sid had the capacity to lash out in anger at others. Nancy tended to direct her anger at herself. She needed to have everything her way. Sid needed to have somebody tell him what to do. [...] They were dependent on each other. They cared for each other. To them, what they had together was genuine love.
Deborah Spungen
Mind’s job is to be right, and it can justify itself faster than the speed of light. Stop the portion of your thinking that is the source of your fear, anger, sadness, or resentment by transferring it to paper.
Byron Katie (A Mind at Home with Itself: How Asking Four Questions Can Free Your Mind, Open Your Heart, and Turn Your World Around)
There’s this new glitch messing everything up. He calls himself Pigrothbrine. He only showed up a couple days ago and already he is in control of everything!” Otis growled and stomped on the ground. “Where is he?” “You … you’ve heard of him?” Trevor gasped. “Look at me, kid,” said Otis. “How do you think I got to look like this?” Trevor looked at Otis and gasped. “But … weren’t you a zombie pigman when you rescued Baby Zeke a couple months ago?” Otis thumped his chest. “I still am. But I have to kill Pigrothbrine in order to get my skin back.” “If that works,” I said. I turned back to Trevor. “What’s Pigrothbrine doing?” Trevor took a deep breath and sighed. He shook his cube sadly. “You remember Cassius the husk, right? Well, after he stirred up all the anger and anxiety of the nether mobs against the surface dwellers, there have been mutterings about his ideology. Pigrothbrine found out about it and is exploiting the anger to mobilize another army. They’re calling themselves the Sons of Cassius.” I shook my head. “That’s terrible. Do you think they’ll actually carry out Cassius’ plans to conquer the Overworld?” “I don’t know. All I know is that anyone who disobeys Pigrothbrine or his generals ends up despawned.” Trevor paused, sniffed, and then began to cry. “Just … just like my parents.” I reached out and touched his cube to console him. “What happened?” “They tried to keep the promise they made to you not to do anything against Minecraft. But when they refused to let their people become members of the Sons of Cassius, they were struck down by bolts of lightning that came out nowhere.” “So, he can make lightning work even in the Nether?” said Heidi. “That’s amazing.” I nodded and then looked at Trevor. “What did you do after your parents were … despawned?” “I had to join the army. Pigrothbrine wouldn’t let me ascend to my rightful place on the throne. He appointed one of his magma cube generals to run the kingdom.” “How did you escape?” I asked. “Pigrothbrine and his generals have us building canals to channel lava rivers into big pools. No one knows why. Earlier today, when I was walking next to a lava stream, I jumped in. I drifted downstream for a while before jumping out and locating a nether portal to the surface. Then, I hopped here as quickly as I could.” Otis looked at me with fire in his eyes. I could tell that his attitude toward pursuing Pigrothbrine had changed from his reluctance just a few hours ago. “Let’s go. Pigrothbrine has only been in existence for a couple of days and it sounds like he’s already causing apocalyptic damage. Let’s go see what we can do about it.” “I don’t know. It seems dangerous.” Otis scowled at me. “Aren’t you the Warrior? We didn’t even know where Pigrothbrine was a few minutes ago, but now we do. We have to take the fight to him.” I looked at Trevor. “Is Pigrothbrine actually down there? I mean, have you seen him recently?” “Part pig, part enderman?” said Trevor. “Exactly.” Trevor nodded his head. “He’s living in the nether fortress inside the kingdom of the magma cubes in a nether wastes biome. If anyone needs to go talk to him that’s where they go. I’ve never been inside the fortress, but that’s where everyone says he is living.” Heidi reached into her inventory and pulled out her newly-acquired netherite sword. “Let’s go get him. With the three of us working together ….” She looked at Trevor and smiled. “With the four of us working together, maybe we can take him out.” “Maybe,” I said. “I guess we go and conduct reconnaissance at least. Maybe when we get back Zeb will have figured something out.” “Well, if we find Pigrothbrine, I’m going to kill him,” snarled Otis. “Reconnaissance is for wimps.” Trevor ignored Otis and said, “Thank you, Baby Zeke. Thank you, everybody.” “So how do we get to this nether portal you used?” “I could take you there, but it comes out inside the Nether near a worksite controlled by Pigrothbrine.
Dr. Block (A New Enemy (Life and Times of Baby Zeke #13))
Delilah discretely checked her watch, wondering how long she needed to stay in order to politely tap out and call it a night. At least another half hour. No, make that twenty minutes. She wouldn’t survive another half hour. She was so focused on appearing focused on Jeff, that she felt the harsh shove at her hip before she saw anything. Jostled to the side, she looked up, startled, already having figured out that someone had slid into the booth next to her, mercilessly bumping her out of the way. She could not have been more surprised to see Brandon or the sweet smile that spread across his face at the sight of her. Blinking a few times, she rapidly took in the scene, once again regretting that she hadn’t finished that second forget spell on him. She also saw that Jeff was just mortified by the intrusion. At least it shut him up for a moment. Before she could think of anything to say, Brandon gave her a sad pitying look and odd words started tumbling from his lips. “Lilah, baby, come home.” “Huh?” What the hell was he talking about? Jeff’s spine got straighter, if that was possible. He huffed and crossed his arms. Brandon gazed deeply into her eyes and kept talking. “We miss you.” We? “Delilah,” Jeff’s tone demanded attention and both she and Brandon turned to face the other man. “Do you know this . . . gentleman?” Clearly ‘gentleman’ was not what he thought Brandon was. Delilah thought maybe ‘insane asylum inmate’ was a better option. What did Brandon mean, ‘we’? She took a sip of her drink to cover for her confusion. Brandon put his right hand out across the table as though to introduce himself, his left arm snaked possessively around Delilah’s shoulders, but she was too confused to react. “I’m Brandon Stewart. Delilah’s husband.” Immediately she choked. Husband? Her wide eyes swung to his face, only to find that he looked perfectly serious. He gave her a sad smile as Jeff voiced her concerns. “Husband?” Brandon didn’t take his eyes off hers. Even as she sat there choking on her drink. Not that he volunteered to hit her on the back or ask if she was going to survive. He just looked sad. “Baby, have you been dating again? You know the doctors think that’s a bad idea.” Then, he turned his sympathetic face to Jeff, “She isn’t well.” That was it! Her anger poured out in her voice, which she barely managed to keep from screeching above the noise level and broadcasting to the entire bar. “Brandon!” Jeff looked taken aback. “You know him? Are you married?” “No!” She shook her head violently. What was Brandon doing? He made his next play before she could form words. “She’s not only married, we have a family.” He shifted his weight, pressing intimately along her from shoulder to thigh, as he fished in his pants pocket for his wallet. He drew out the leaning and fishing a little longer than necessary. Especially considering she was boiling mad. She was married? To him? He deftly plucked a studio portrait of two small children, clearly his own. Delilah had to hand it to him, the little blonde-haired, blue-eyed cuties could easily have been hers. One boy and one girl smiled at the camera, sweet and perfect for all the world, heads pressed together. Brandon made sure she saw the photo before he handed it over to Jeff. “That’s our Tiger and Muffin there. Well,” He smiled like he was all chagrined, “Tyler and Madison.” Then he turned to her, still sweet and sad. “You can’t do this again, baby. Come home.” She simmered, but didn’t speak.
Savannah Kade
First, our emotional state determines where we direct our attention, what we remember, and what we learn. Second is decision making: when we’re in the grip of any strong emotion—such as anger or sadness, but also elation or joy—we perceive the world differently, and the choices we make at that moment are influenced, for better or for worse. Third is our social relations. What we feel—and how we interpret other people’s feelings—sends signals to approach or avoid, to affiliate with someone or distance ourselves, to reward or punish. Fourth is the influence of emotions on our health. Positive and negative emotions cause different physiological reactions within our bodies and brains, releasing powerful chemicals that, in turn, affect our physical and mental well-being. And the fifth has to do with creativity, effectiveness, and performance.
Marc Brackett (Permission to Feel: Unlocking the Power of Emotions to Help Our Kids, Ourselves, and Our Society Thrive)
may surprise you,’ he urged. Lily’s eyes no longer smiled. Now their licorice darkness reflected only bitterness. ‘It’s not a matter of me finding the courage, Jack. I know my parents. They won’t surprise me. They’re very predictable. They’re also traditional and as far as they’re concerned, I’m as good as engaged … no, married! And they approve of Jimmy.’ Her expression turned glum. ‘All that’s missing are the rings and the party.’ ‘Lily, risk their anger or whatever it is you’re not prepared to provoke but don’t do this.’ He stroked her cheek. ‘Forget me. I’m not important. I’m talking about the rest of your life, here. From what I can see of my friends and colleagues, marriage is hard enough without the kiss of death of not loving your partner.’ ‘It’s not his fault, Jack. You don’t understand. It’s complicated. And in his way, Jimmy is very charismatic.’ Jack didn’t know Professor James Chan, eminent physician and cranio-facial surgeon based at Whitechapel’s Royal London Hospital, but he already knew he didn’t much like him. Jack might be sleeping with Lily and loving every moment he could share with her, but James Chan had a claim on her and that pissed Jack off. Privately, he wanted to confront the doctor. Instead, he propped himself on one elbow and tried once more to reason with Lily. ‘It’s not complicated, actually. This isn’t medieval China or even medieval Britain. This is London 2005. And the fact is you’re happily seeing me … and you’re nearly thirty, Lily.’ He kept his voice light even though he felt like shaking her and cursing. ‘Are you asking me to make a choice?’ He shook his head. ‘No. I’m far more subtle. I’ve had my guys rig up a camera here. I think I should show your parents exactly what you’re doing when they think you’re comforting poor Sally. I’m particularly interested in hearing their thoughts on that rather curious thing you did to me on Tuesday.’ She gave a squeal and punched him, looking up to the ceiling, suddenly unsure. Jack laughed but grew serious again almost immediately. ‘Would it help if I —?’ Lily placed her fingertips on his mouth to hush him. She kissed him long and passionately before replying. ‘I know I shouldn’t be so answerable at my age but Mum and Dad are so traditional. I don’t choose to rub it in their face that I’m not a virgin. Nothing will help, my beautiful Jack. I will marry Jimmy Chan but we have a couple more weeks before I must accept his proposal. Let’s not waste it arguing and let’s not waste it on talk of love or longing. I know you loved the woman you knew as Sophie, Jack. I know you’ve been hiding from her memory ever since and, as much as I could love you, I am not permitted to because I’m spoken for and you aren’t ready to be in love again. This is not a happy-ever-after situation for us. I know you enjoy me and perhaps could love me but this is not the right moment for us to speak of anything but enjoying the time we have, because neither of us is available for anything beyond that.’ ‘You’re wrong, Lily.’ She smiled sadly and shook her head. ‘I have to go.’ Jack sighed. ‘I’ll drop you back.’ ‘No need,’ Lily said, moving from beneath the quilt, shivering as the cool air hit her naked body. ‘I have to pick up Alys from school. She’s very sharp and I don’t need her spotting you – especially as she’s had a crush on you since you first came into the flower shop.’ Suddenly she grinned. ‘If you hurry up, at least we can shower together!’ Jack leaped from the bed and dashed to the bathroom to turn on the taps. He could hear her laughing behind him but he felt sad. Two more weeks. It wasn’t fair – and then, as if the gods had decided to punish him further, his mobile rang, the ominous theme of Darth Vader telling him this was not a call he could ignore. He gave a groan. ‘Carry on without me,’ he called to Lily, reaching for the phone. ‘Hello, sir,’ he said, waiting for the inevitable apology
Fiona McIntosh (Beautiful Death (DCI Jack Hawksworth #2))
The moment his lips hit mine I felt my insides turn to mush. I wanted to pull away, but couldn't. All the anger and sadness was gone the moment his lips molded with mine. I still wanted to be mad at him, but I no longer had the strength. I felt everything in that kiss. I felt how much he loved me, how much it hurt him to leave me. Every agonizing day he spent without me by his side. He loved me still through it all. And I loved him too, no matter how much it hurt. He pulled back enough to place his forehead on mine. “Ella, I made a mistake, I was an idiot, please forgive me.” Through the flood of our tears I no longer knew who's were who's hitting my cheeks. “I know you love me too...I can feel it, I felt it when we kissed.” I pulled back wiping the tears from his cheeks. “Ella, you are the piece to the puzzle I've been missing all these years. When I'm with you I feel complete.” My heart broke at the sentiment and I felt like I was falling apart into a million pieces. I fell into his arms wanting him to hold me, cradle me, and never let go. I pressed my head against his body listening to the rise and fall of his chest. The warmth of his skin, his scent, everything about him I loved so much. I pulled back and looked into his eyes ready to tell him I loved him too.
Jessica Miller (The Wanderers)
Your sadness is because of the thorn of desire in your heart. If you don`t take notice of it, it will turn into sarcasm, cynicism, frustration, and anger. You need to pull it out and throw it, then you will feel uplifted and happy.
Ravi Shankar
Our body is an illusion, it doesn’t stay the same, it keeps changing. Our emotions also keep changing. So, in that sense, it is all an illusion. Have you read my tweet about happiness? When you look at somebody`s face, if they don’t look happy, it is because there is a thorn of desire in their heart. Your sadness is because of the thorn of desire in your heart. If you don`t take notice of it, it will turn into sarcasm, cynicism, frustration, and anger. You need to pull it out and throw it, then you will feel uplifted and happy. These are the four stages: 1. Sarcasm 2. Cynicism 3. Frustration, and 4. Anger Many times we don`t notice why we are sarcastic, or cynical, or frustrated and angry. Why does this happen? It is because of this thorn of desire. If you are angry, either you hurt yourself or you hurt others. If you get angry at others, you become sad and if you are angry at yourself, then also you become sad. In either case you become sad. Many a times people don`t notice this at all. Even if one notices this, he doesn`t have the courage or willingness to remove it and throw it. If you manage to pull it out, you will find joy, enthusiasm, and contentment, and this is a siddhi (special ability). This requires both self effort and grace. You need to put some self effort and then grace follows.
Ravi Shankar
Thirty minutes later, Chrysander escorted her out to the helipad, and as soon as the helicopter lifted off, he turned and strode back into the house. His anger and uncertainty evaporated when he entered the bedroom and found Marley sitting on the bed, wrapped only in a towel, her expression sad and distant. He knelt in front of her and touched her cheek. “What is it, agape mou? Are you all right?” She smiled, though it didn’t reach her eyes. Her beautiful blue eyes that had sparkled just a short time ago with laughter. He wanted them to sparkle again. He wanted that stolen moment at the pool back. Before Roslyn had arrived and given him news that could very well change everything between him and Marley. Again. “I’m in an impossible situation,” she confessed. His brow wrinkled in confusion. He didn’t like the sadness in her tone. The resignation. “What do you mean?” he asked softly as he trailed a finger down the silken curve of her cheek. She looked into his eyes. “I don’t like the way she has free rein in our lives. This is our home. We should be able to make love, have fun together, without fear of being caught in a compromising situation by a stranger. But if I voice this, if I say I don’t like her and I don’t want her here, it makes me a catty bitch. There is no way for me to come out the winner and every way for me to be the loser in this.
Maya Banks (The Tycoon's Pregnant Mistress (Anetakis Tycoons, #1))
The scroll slowed on a post from Madison. Predictably, she was sharing more pregnancy content. Today's post was a column graph about maternal mortality rates, accompanied by the caption: This makes me so sad. Growing a human is hard enough. We shouldn't have to fear for our lives on top of that. Mae frowned. The graph was cut off. It showed rates for All, White, and Hispanic, but there was a sliver of what looked like another bar on the far right. Under it, the only part of the word that didn't get cut off was Bl. Ordinarily, Mae wouldn't have wasted any time on this. It was just Madison being Madison, thinking of herself and no one else. But after learning about her grandma Doris's racist past yesterday, it was hard to look past anything about the Parkers anymore. A reverse-image search turned up the original article, titled Black women three times more likely to die in childbirth than white women. The full graph showed that the column for Black women towered over the other columns Madison had posted. Anger and annoyance rising within her, Mae returned to Madison's post and started typing. You'll be fine. If you'd read the article and shared the full graph, you'd know the point of the piece is that Black women are way more at risk. Or do you not care about that?
Shauna Robinson (The Townsend Family Recipe for Disaster)