Sad Sack Quotes

Among our egocentric sad-sacks, despair is as addictive as heroin and more popular than sex, for the single reason that when one is unhappy one gets to pay a lot of attention to oneself. Misery becomes a kind of emotional masturbation.

Out of the sad sack of sad shit that was my life, I made a wordhouse.

Only sad sacks and conformists need things like no kiss on New Year's Eve to remind them to feel lonely. They're as bad as the people who need St. Patty's Day as an excuse to get drunk or Halloween to wear slutty outfits. You can feel sorry for yourself and dress like a hooker all year round: Hallmark never needs to know.

To his surprise he felt a moment of regret, of sadness that his quest for his mother and father would soon be over. As long as he searched for them he was prepared to be hungry and ill, but now that the search had ended he felt saddened by the memory of all he had been through, and of how much he had changed. He was closer now to the ruined battlefields and this fly-infested truck, to the nine sweet potatoes in the sack below the driver's seat, even in a sense to the detention center, than he would ever be again to his house in Amherst Avenue.

My sweetheart, my love, my love, my love—do you know what—all the happiness of the world, the riches, power and adventures, all the promises of religions, all the enchantment of nature and even human fame are not worth your two letters. It was a night of horror, terrible anguish, when I imagined that your undelivered letter, stuck at some unknown post office, was being destroyed like a sick little stray dog . . . But today it arrived—and now it seems to me that in the mailbox where it was lying, in the sack where it was shaking, all the other letters absorbed, just by touching it, your unique charm and that that day all Germans received strange wonderful letters—letters that had gone mad because they had touched your handwriting. The thought that you exist is so divinely blissful in itself that it is ridiculous to talk about the everyday sadness of separation—a week’s, ten days’—what does it matter? since my whole life belongs to you. I wake at night and know that you are together with me,—I sense your sweet long legs, your neck through your hair, your trembling eyelashes—and then such happiness, such simmering bliss follows me in my dreams that I simply suffocate . . .

Each of us must decide: Am I a fun-loving Tigger or am I a sad-sack Eeyore? Pick a camp.

Tonight I am riddled by this thick skull this white bowling ball zipped in the sad-sack carrying case of my face

What was the point of a world without debilitating bitterness and despair? How could you even tell you were alive? How could you possibly write a decent pop song if you weren’t a sad sack of tissues or at least fundamentally angry at the world most of the time?

Believe it or not, I'm good on my own." "I believe it." "If I come home to dishes in the sink, they're my dishes. I watch TV, it's whatever I want. I go wherever I want, do whatever I want. I've got a lot going on. I'm not some sad lonely sad sack out there. I've got a good life.

I’m a reasonably attractive young gal, great rack, nice legs, and never had any complaints in the sack. But I’d never been—cue sad music—in love before. And no one had ever been—cue sadder music—in love with me.

like there is even a choice like if I called it would eclipse my sad sack of dark words no it would not no it would not

Not to mention that other people may find you more likable, because the truth is nobody likes being around a whiny sad sack. And that’s a fact.

Sad, shocking, horrible, yes," underlining each word, "but..." (Oliver often said that but was his favorite word, a kind of etymological flip of the coin, for it allowed consideration of both sides of an argument, a topic, as well as a kind of looking-at-the-bright-side that was as much a part of his nature as his diffidence and indecisiveness.)

You’re here to express your appreciation by proposing a kinky doppelganger ménage à trois? In which case, I’m going to have to turn you down. I’m sad to say it, but Ethan gives me the impression he’d be about as exciting in the sack as an eggplant.

Why isn't there a holiday for all the sad sacks of the world who might actually need a crappy gift or schmaltzy card to cheer them up? I'm waiting for the "Let's All Mope!" day or a "Life Sucks" three-day weekend. Aren't we the ones who really need that box of chocolate?

You don’t understand.” He opens the drawer at the bedside table and takes out a frame, staring at it—talking to it, more than to me. I look at Eric Hammond and I can see the man he used to be. Strong and straight—noble, even, before the weight of life bent him in half, turned him into the sad sack of bones he is now. “You’re wrong,” I say softly. “I do understand.” Then my voice turns fierce. “I just don’t care. Not about you.” I point towards the door. “I have stood by and watched you break that girl’s heart every day for the last six weeks, and I’m not watching it anymore.

Just find one of those poor sad sacks who go scurrying around the halls like criminals before the home-room bell and walk it right to him. And sometimes they do get killed, in every important way except the physical; sometimes they find something to hold onto and they survive. Arnie had me.

I'm tired of people using their cars as biographical information centers, informing the world of their sad-sack lives and boring interests. Keep that shit to yourself. I don't want to know what college you went to, who you intend to vote for or what your plan is for world peace. I don't care if you visited the Grand Canyon, Mount Rushmore or the birthplace of Wink Martindale. And I'm not interested in what radio station you listen to or what bands you like. In fact, I'm not interested in you in any way, except to see you in my rearview mirror. Furthermore, I can do without your profession of faith in God, Allah, Jehova, Yahweh, Peter Cottonail or whoever the fuck it is you've turned your life over to; please keep your superstitions private. I can't tell how happy it would make me to someday drive up to a flaming auto wreck and see smoke curling up around one of those little fish symbols with Jesus written inside it. And as far as I'm concerned you can include the Darwin/fish-with-feet-evolution symbol too. Far too cute for my taste. So keep the personal and autobiographical messages to yourself. Here's an idea: maybe you could paste them up inside your car, where you can see them and I can't.

For every ten vampires who are happy being monsters, there's always one sad-sack who misses the sunrise.

The Allegory of the Wolf Boy” (“At tennis and at tea/Upon the gentle lawn, he is not ours,/But plays us in a sad duplicity”).

Reader! Bruder! What a foolish Hamburg that Hamburg was! Since his supersensitive system was loath to face the actual scene, he thought he could at least enjoy a secret part of it—which reminds one of the tenth or twentieth soldier in the raping queue who throws the girl's black shawl over her white face so as not to see those impossible eyes while taking his military pleasure in the sad, sacked village.

I was told it's the blackest clouds you want to keep an eye on. Behind these clouds lie the gypsies sacks. It's said these sacks contain the world's sorrowful histories. That's why it takes such a wind to drag them along.

Jerry thought of Dean as a brother, but in time, tempers and egos flared in the partnership, leading to their headline-making breakup in 1956, exactly ten years after they had joined forces. People worried what would become of Dean Martin, but Jerry Lewis flourished in his first solo films: The Delicate Delinquent, The Sad Sack, Rock-a-Bye Baby, and Don't Give Up the Ship. His directors include such comedy pros as Taurog and Frank Tashlin. Eventually, Lewis decided that he wanted to write and direct his own films. As a steady and stellar money-maker for Paramount, no one at the studio was prepared to stand in his way. His first effort was his most daring: The Bellboy,

CHORUS OF NIGHT VOICES Come out, come out, wherever you are, you dreamers and drowners, you loafers and losers, you shadow-seekers and orphans of the sun. Come out, come out, you flops and fizzler, you good-for-nothings and down-and-outers, a day's outcasts, dark's little darlin's. Come on, all you who are misbegotten and woebegone, all you with black thoughts and red-fever-visions, come on, you small-town Ishmaels with your sad blue eyes, you plain Janes and hard-luck guys, come, you gripers and groaners, you goners and loners, you sad sack and shlemiels, come on, come on, you pale romantics and pie-eye Palookas, you has-beens and never-will-bes, you sun-mocked and day-doomed denizens of the dar: come out into the night.

There are also hunger strikes. Hunger strikes are noble and sometimes necessary. If you’re a political prisoner in China or North Korea (where the entire country is on a hunger strike, not by choice), I get it. For you, it’s life or death. But at Harvard, it’s about a press clipping and maybe getting a better grade or a higher class of hand job. So when an undergrad adopts a hunger strike in order to get someone to divest from oil, I say, let the twerp starve. Most of them are overfed, pudgy masses of soft tissue—it wouldn’t hurt if these sad sacks lost a few pounds. They might even understand the plight of the average Venezuelan, who operates under conditions American activists see as utopian, when they’re really nightmarish. How about the next time one of our coeds feels a hunger strike coming on, we exchange her with someone who’s genuinely starving?

I think they call it a reader convention. From what I can tell, a couple hundred sex-starved women get together with a lot of alcohol and chocolate and authors sell them books about more sex-starved women as sad-sack, obviously gay men walk around in very little clothing. No straight man would dress up in chaps when he isn’t working on a ranch. Really, it’s disturbing.” Ian grinned. “I’m sending him in as a cover model to the convention Serena is scheduled to appear at next month. God, I hope this case is still going by then.” “I’ll die first,” Liam vowed.

Word from the outside, whether it arrived in a mail sack or a news report, seldom overshadowed the facts of our lives. We talked in facts -- work and weather, the logistics of this fence, that field -- but stories were how we spoke. A good story rose to the surface of a conversation like heavy cream, a thing to be savored and served artfully. Stored in dry wit, wrapped in dark humor, tied together with strings of anecdote, these stories told the chronology of a family, the history of a piece of land, the hardships of a certain year or a span of years, a series of events that led without pause to the present. If the stories were recent, they filtered through the door to my room late at night, voices hushed around the kitchen table as they sorted out this day and held it against others, their laughter sharp and sad and slow to come. Time was the key. Remember the time...and something in the air caught like a whisper. Back when. Back before a summer too fresh and real to talk about, a year's work stripped in a twenty-minute hailstorm; a man's right hand mangled in the belts of a combine, first day of harvest; an only son buried alive in a grain bin, suffocated in a red avalanche of wheat.

A co-op woman, old, tired, Jewish, fake drops of jade spread across the little sacks of her bosom, looked up at the pending wind and said one word: "Blustery." Just one word, a word meaning no more than "a period of time characterized by strong winds," but it caught me unaware, it reminded me of how language was once used, its precision and simplicity, its capacity for recall. Not cold, not chilly, blustery. ... "It is blustery, ma'am," I said to the old co-op woman. "I can feel it in my bones." And she smiled at me with whatever facial muscles she still had in reserve. We were communicating with words.

Your lip looks better, Kate. Um…." He lifted his hands as if to rake them through his hair, stopping just before he ruined a look that must have taken beaucoup product to achieve. "Hiya, Harvey. Sad about the guv, eh? I mean Lord… I mean, him. The fact is, before we begin…." "Are you off your meds? Sit down," Kate barked. "Yes, I appreciate the invitation, it's lovely to be here, but the fact is—" "Deepal!" A woman called from the front parlor. "I won't be hidden out here! It's undignified!" "… I brought my mum," Paul concluded. "When I told her I was popping by the guv's—I mean, Lord—I mean, his place, she wouldn't take no for an answer." "You're sacked," Tony said. "Too late. Mum," Paul said, turning to intercept Sharada in the doorway, "Of course you've met, um, er, Tony, and Kate. This is Mrs. Snell, who used to be his secretary, and that's Harvey, the manservant. Like Alfred to Batman." "Deepal, I write romances. I know what a manservant is." Evading her

I had long wanted to see “true” indigo, and thought that drugs might be the way to do this. So one sunny Saturday in 1964, I developed a pharmacologic launchpad consisting of a base of amphetamine (for general arousal), LSD (for hallucinogenic intensity), and a touch of cannabis (for a little added delirium). About twenty minutes after taking this, I faced a white wall and exclaimed, “I want to see indigo now—now!” And then, as if thrown by a giant paintbrush, there appeared a huge, trembling, pear-shaped blob of the purest indigo. Luminous, numinous, it filled me with rapture: It was the color of heaven, the color, I thought, which Giotto had spent a lifetime trying to get but never achieved—never achieved, perhaps, because the color of heaven is not to be seen on earth. But it had existed once, I thought—it was the color of the Paleozoic sea, the color the ocean used to be. I leaned toward it in a sort of ecstasy. And then it suddenly disappeared, leaving me with an overwhelming sense of loss and sadness that it had been snatched away. But I consoled myself: Yes, indigo exists, and it can be conjured up in the brain. For months afterward, I searched for indigo. I turned over little stones and rocks near my house, looking for it. I examined specimens of azurite in the natural history museum—but even they were infinitely far from the color I had seen. And then, in 1965, when I had moved to New York, I went to a concert in the Egyptology gallery of the Metropolitan Museum of Art. In the first half, a Monteverdi piece was performed, and I was utterly transported. I had taken no drugs, but I felt a glorious river of music, four hundred years long, flowing from Monteverdi’s mind into my own. In this ecstatic mood, I wandered out during the intermission and looked at the ancient Egyptian objects on display—lapis lazuli amulets, jewelry, and so forth—and I was enchanted to see glints of indigo. I thought: Thank God, it really exists! During the second half of the concert, I got a bit bored and restless, but I consoled myself, knowing that I could go out and take a “sip” of indigo afterward. It would be there, waiting for me. But when I went out to look at the gallery after the concert was finished, I could see only blue and purple and mauve and puce—no indigo. That was nearly fifty years ago, and I have never seen indigo again.

Look it up. Your sad sack moods are nobody’s fault but yours. Just look at yourself why don’t you? You’re a mess.

There is no need,” he said, suddenly getting serious, “to get dead drunk, pass out, and lie in the gutter. This is a very sad—even dangerous—thing to do. I hope you will never do it again.

On minimizing office politics: “Sack incurable politicians. Crusade against paper warfare.” On morale: “When people aren’t having any fun, they seldom produce good advertising. Get rid of sad dogs who spread gloom.” On professional standards: “Top men must not tolerate sloppy plans or mediocre creative work.” On partnership: “Top Management in each country should function like a round table, presided over by a Chairman who is big enough to be effective in the role of primus inter pares.

I am sad when I think that the years go by like sacks that we mark "Returned Empty," sad when I think that we shall be separated from one another and from ourselves.

While my lack of enthusiasm kept the bulk of humanity at arm’s length, it almost seemed to attract people like Charles. Maybe it’s the fact that we misanthropes don’t discriminate—the people hater hates everybody equally. Maybe this sad sack egalitarianism makes the Charleses of the world, used as they are to being dismissed out of hand, feel raised to uncommon heights of social desirability when bathed in its jaundiced glow.

After she swore herself to secrecy and did her best to seem trustworthy and closemouthed, Mr. Nobley revealed that those two had been more than fond acquaintances. In fact, last year he’d proposed and she’d accepted. “Her mother disapproved, as he was merely a sailor. Mr. Heartwright, her brother, informed East that he was dismissed from being her suitor, and Miss Heartwright never had an opportunity to explain that it hadn’t been her wish. She fears it is too late now, but I don’t believe her heart ever let go of the man.” “Ah,” Jane said, now fitting their story into the correct Austen novel context--Persuasion, more or less. And that was a real bummer. Captain East had offered Jane the best shot at curative love. Oh well. Two down…one to go? She studied Mr. Nobley and wondered why she had the impression that he was dangerous--or would be if he didn’t so often look tired or bored. Was he a sleeping tiger? Or a sack of potatoes? “And how do you feel about this, Mr. Nobley?” she asked. “It does not matter how I feel about Miss Heartwright.” He nudged his horse forward, and hers followed. She hadn’t been talking about Miss Heartwright, but, okay. “Wait, are you heartbroken?” She knew Miss Erstwhile shouldn’t ask the question, but Jane couldn’t help it. “No, of course not.” “Not about Miss Heartwright, anyway.” Jane watched Mr. Nobley’s face closely for signs of Henry Jenkins. His mouth was still, unrevealing, but his eyes were sad. She’d never noticed before. “Maybe you’re not heartbroken anymore, maybe you’ve passed that part, and now you’re just lonely.” Mr. Nobley smiled, but with just half of his mouth. “You are very good at nettling me, Miss Erstwhile. As I said, it does not matter how I feel. We are speaking of Miss Heartwright and Captain East. I think it nonsense how they have kept silent about it these past days. They should speak their minds.” “You approve of speaking one’s mind? So, do you approve of me?” As it appeared Mr. Nobley had no intention of answering the question, and Jane was stumped at how to restart the conversation, they rode on in silence. Of course just at that moment, she would see Martin by a line of trees, looking her way. Why couldn’t she be chatting and laughing and having a wonderful time? She smiled generously at the world around her and hoped that Martin would think she was enthralled with Mr. Nobley’s company and perfectly happy. Mr. Nobley turned to ask her a question, but when he saw her grinning without apparent cause, the words hung in his mouth. His eyes widened. “What? You are laughing at me again. What have I done now?” Jane did laugh. “I’m sorry, but I can’t seem to help myself around you. You are so teas-able.” Which was precisely not true, and yet saying it somehow made it so. Mr. Nobley looked over his shoulder just as the line of trees hid Martin from view. Jane wasn’t sure if he saw him. “I’m sorry I annoy you so much,” said Jane. “I’ll stop. I really will.” “Hm,” said Mr. Nobley as if he doubted it. He looked at his hands thoughtfully, not speaking again for several moments. In the silence, Jane became aware of her heart beating. Why was that?

Whenever there was an upheaval in some foreign land, there would be a procession of refugees from that land filing through Emmanuel's pulpit, with quivers full of piety, singing ballads of a sad and lowering sort like 'Russia, Holy Russia, I will die to set you free', and telling a sackful of stories about their narrow escape from the grip of the half-dozen or so godless persecutors who were at the bottom of all this trouble.

The engagement at Sadzot was fought by squads and platoons, and so may be appropriately called a "soldiers' battle"; with equal propriety the name coined by the GI's for this confused action is used here: "The Sad Sack Affair.

Let me start by saying a true sensual woman is a tastemaker. What do I mean by that? I mean she sets the standard of what is pleasurable, desirable, sophisticated, refined, intoxicating, elegant, classy, sexy, healthy, delicious, saucy. Women naturally possess the power to create ANY taste. "There are not more than five cardinal tastes, yet combinations of them yield more flavours than can ever be tasted" (Sun Tzu). The sensually awakened ones are cognisant of this and use it to their advantage while those who are not awakened often see it as some form of "female oppression." They say, "You're putting women under pressure." But what about men, Lebo? Well, men are not tastemakers like women are. Why? Because, unlike women, MEN CAN'T AND ARE NOT ALLOWED TO PLAY WITH THEIR INNER CHARACTER TOO MUCH. For instance, a man is essentially restricted only to pants. A man can’t wear a dress, high heels, lipstick and the list goes on. This limits a man from becoming a significant contributor in the tastemaking process of life and love, except financially of course. But it doesn’t limit a woman in any way, shape or form. Women can wear dressess, even men's pants, etc.. They can put on ANYTHING actually and still be celebrated. Marilyn Monroe wore a potatoe sack. Lady Gaga wore an infamous dress made of raw beef. That's why I believe being a woman is the greatest privilege of all. Marilyn Monroe said, "One of the best things that ever happened to me is that I'm a woman." Marilyn understood that women are THE REAL TASTEMAKERS IN LIFE and relationships, not men. BEING A MAN DOESN'T REQUIRE AS MUCH AMBITION AS BEING A WOMAN. Women are relationship navigators because they are naturally more ambitious than men. That's why again, Marilyn said, "Women who seek to be equal with men lack ambition." Our ultimate quest as men, whether we realize it or not, is to live under a woman's spell. That makes us happy, and seem stupid at times. Sadly, most women are not sensually awakened enough to realize that. They don't know that the ultimate secret to keeping a man content with one woman lies in her sensuality.

You know," she says, still staring out the window, "I'm not afraid to date. I choose not to." "I know. I'm sorry." "Not everything is about my leg. Does it factor in? Yeah, in ways you and Mae and Jules will never understand, and that's fine. But it's not the reason," she says. Believe it or not, I'm good on my own." "I believe it." "If I come home to dishes in the sink, they're my dishes. I watch TV, it's whatever I want. I go wherever I want, do whatever I want. I've got a lot going on. I'm not some lonely sad sack out there. I've got a good life.

Who was the King? An allpowerful. A ray of light who had lit up the margins because it couldn't be any other way as long as it wasn't revealed what he was. A sad sack, a man betrayed. A single drop in the sea of men with stories. A man with no power over the terse fabric inside the artist's head. (The Artist allowed himself to feel the power of an order different from that of the Court, the skill with which he detached words from things and created his own sovereign texture and volume. A separate reality.)

OW: I’ve worked with advertising agencies all my life. In the old days in radio, you worked for them, because they were the boss, not the network. And I have never seen more seedier, about-to-be-fired sad sacks than were responsible for those Paul Masson ads. The agency hated me because I kept trying to improve the copy. HJ: Whoever heard of Paul Masson before you

San Francisco was getting small, and everyone is dying. The summers are getting colder, and the falls aren't what they used to be. The kids in the Haight are younger all the time, more of them than before, sitting all day, all night at Haight and Masonic, with the sticks, the hacky sacks, nowhere to go in those stupid floppy reggae hats. And the drive to work was getting unbearable, the repetition too sad, especially at night, when after putting Toph to bed, locking the door, I would go back to the office - the drive just harrowing, the routine - I had even changed routes, had started driving down Geary, all the way down, past the prostitutes, a change of pace, and it was diverting for a week or so, all the cars slowing down, stopping, the cops hunting, laughing - but then even that was a routine, and so we have to leave, because the people are pissing on the streets, during the day now, anyplace, all the time people are pissing on the streets, defecating on Market Street at noon, and I'm getting sick of the hills, always the hills, the turning of wheels to park, and the street cleaning, and those fucking buses attached to the ropes or wires or whatever, always breaking down, those motherfucking drivers getting out and yanking on that rope, the stupid buses just sitting there, in the way, everything just sitting there, stuck, in the way - Everything weirder, the extremes more pronounced, the contrasts too strong.

Romero’s was a low rent pick-up joint in a low end neighborhood. It was all buzzing neon out front and cocktails with suggestive names inside; the kind of place where the sad and the lonely came to drown their troubles like kittens in a sack, before pairing off to fuck each other’s brains out. It was a home for the kind of misery that loved company.

Both David and Marcus, I came to realize, though they seemed happy enough, and looked forward to being doctors, had a certain sadness, a sense of loss and renunciation, about other interests they had given up.... Both became medical students, in part, to defer their call-up. But with this, I think, they deferred their other aspirations, a deferment that seemed permanent and irreversible by the time they returned to London.

Marsha was a beautiful woman with an oval face that sometimes looked sad-sack, and a nervous upward glance as if making sure the black cloud was in place. That was a physical thing, of course, no more a true reflection on her personality than being short or scarred.

The Miplorisians gather up all the suitcases and sacks and bags of sorrow and carefully make a note of them in little pads. They scrupulously catalogue every kind of sadness and pining. Things are kept in very good order in Miploris; they have an extensive system of rules and impeccably clear areas of responsibility for all kinds of sorrows,

You’re a virgin?” “Sure, rub it in, insult to injury, sad sack old maid can’t give it away, can’t even get ravished by demons, anybody else want to laugh?” She

Deer are the sad sacks of American wildlife, so beautiful, so defenseless, so numerous, so dim. Their chief predator is cars.

That part of west that was full of rocks and full up with sadness in the little sacks grown men develop under their eyes, the accumulation of tears they don't cry as they walk along, shut down, like an out-of-season seaside café.

Oh, for God’s sake, don’t bring him,” my brother Leo moaned. “I don’t want to be upstaged at my own wedding by the First Avenger. If you care about me at all, you’ll let some sad sack B-list celeb accompany you as usual. Like a hobbit, or someone from the DC Universe.

It was the first time I’d seen him in over a week. We both froze. His presence was a physical caress, like a gust of warm air. My eyes pored over him. He had his hands in the pockets of his jeans, and he wore the shirt he’d won at trivia night—he wore the shit out of it too. It was amazing how anything he had on looked sexy on him. The man could wear a burlap sack and look incredible. I knew just looking at it what it would smell like, and I wished I could put my nose to the blue cotton. He’d lost weight. His muscles were more defined. His dimples didn’t show, because he didn’t smile. He looked good—but he looked sad. He’d get over it soon enough. A few babies from now and he wouldn’t even remember me. He didn’t make any move to get out of my path. I looked away and walked past him, and he stood like a statue, eyes on me. Then suddenly a hand shot out and touched my arm. It trailed lightly down my forearm as I walked on, across the top of my hand, over my fingers, and then it was gone. I didn’t jerk away because that would have been acknowledging that he was even there. But the few seconds of contact moved through my whole body. I felt it the rest of the day.

Singh will crunch numbers, Evgeni will work the logistics of a fix, and I’ll make sure we don’t die from our own mutated bacteria in the meantime. Oh. And fix our eyes. Easy as pie. Nothing to worry about.” “Your bedside manner is amazing.” “I know; I’m a born healer. Keep your legs straight. We don’t want your veins cramping up. There you go.” The sleep sack moved body fluids from the extremities back to the center. At first the pressure was like crawling ants, but gradually the rhythmic pulsing had become as necessary to sleep as darkness. Sadly, it did little for sight. Evgeni’s vision loss was ahead of the curve, but Nedda had noticed a significant softening in her own world. The pressure suits, contacts, goggles, and sleep sacks were supposed to help, but the progressive astigmatism continued. “When I’m up again, test my eyes, okay?” “Sure thing.” Sleep weeks were to slow vision loss and ease the passage of time, making a five-year trip feel like half that. Crew morale was supposed to benefit from them; less time awake with your crewmates meant less time to learn to dislike them, and less time to look out into the blackness of space, dissociating, dislocating.

Varys gave a long weary sigh, the sigh of a man who carried all the sadness of the world in a sack upon his shoulders. “The High Septon once told me that as we sin, so do we suffer. If that’s true, Lord Eddard, tell me… why is it always the innocents who suffer most, when you high lords play your game of thrones?

act as if you’re where you want to be, don’t hang out with sad sacks and people who whine about how broke they are all the time, erase the words “I can’t” from your vocabulary, envision what you desire, set goals, demand of yourself that you become who you need to become to create the life you desire.

but I am sad that I will not see the new nuclear physics that Wilczek envisages, nor a thousand other breakthroughs in the physical and biological sciences.

You feel alive though?’ ‘Feel alive? Not really. I haven’t felt alive for a very long time.’ His face wore a look of infinite sadness and resignation

had long wanted to see “true” indigo, and thought that drugs might be the way to do this. So one sunny Saturday in 1964, I developed a pharmacologic launchpad consisting of a base of amphetamine (for general arousal), LSD (for hallucinogenic intensity), and a touch of cannabis (for a little added delirium). About twenty minutes after taking this, I faced a white wall and exclaimed, “I want to see indigo now—now!” And then, as if thrown by a giant paintbrush, there appeared a huge, trembling, pear-shaped blob of the purest indigo. Luminous, numinous, it filled me with rapture: It was the color of heaven, the color, I thought, which Giotto had spent a lifetime trying to get but never achieved—never achieved, perhaps, because the color of heaven is not to be seen on earth. But it had existed once, I thought—it was the color of the Paleozoic sea, the color the ocean used to be. I leaned toward it in a sort of ecstasy. And then it suddenly disappeared, leaving me with an overwhelming sense of loss and sadness that it had been snatched away. But I consoled myself: Yes, indigo exists, and it can be conjured up in the brain.

The horror, typically, is only felt by others--the patient, unaware, amnesiac for his amnesia, may continue what he is doing, quite unconcerned, and only discover later that he lost not only a day (as is common with ordinary alcoholic 'blackouts'), but half a lifetime, and never knew it.

If I come home to dishes in the sink, they're my dishes. I watch TV, it's whatever I want. I go wherever I want, do whatever I want. I've got a lot going on. I'm not some sad lonely sad sack out there. I've got a good life.

Indeed, what we have discovered in our digitally saturated society is that we have a remarkable endurance and capacity to remain attuned to our devices—it is the first thing we greet in the morning and it is the last thing we take into bed with us at night. In between meetings and activities, at any given pause whether we are standing in line or sitting in wait, we diligently tend to our devices. Why? Because we are waiting and searching for joy, for satisfaction, for purpose, for love. We are waiting and therefore abiding in the digital. What would it be like if we were to cultivate such a permanent state of expectancy for God’s desire to communicate with us? What if my antennae were always outstretched toward checking in with God as much as I am always checking my smartphone? What if I was filled with great expectancy that there would be a word for me? And that I could trust that that word would not be a word that simply demanded something from me but a word that came to nourish me? What if I knew that there was a word that revealed God’s very nature . . . waiting just for me. And that his nature was defined by a wild and faithful love that actually likes who I am, enjoys my company, and even takes delight in me. To be with someone who delights in you is a precious thing that we all long to experience. To live with the permission to be fully oneself, fearless because we know we are loved, not condemned or pegged as a sad-sack failure or disappointment. This is what it is to hear from God. But even beyond that sheer joy of being crowned with God’s delight, this notion of abiding also calls forth the idea of staying close to the Source of Life. Staying in touch, not just within ear shot but mindful and expectant—not because the Law demands it but in order to be in communion with the loving security of God, as expressed through the presence of the Holy Spirit. This is the way, the truth, and the life.

If brute force wouldn't suffice, however, there was always the famous Viking cunning. The fleet was put to anchor and under a flag of truce some Vikings approached the gate. Their leader, they claimed, was dying and wished to be baptized as a Christian. As proof, they had brought along the ailing Hastein on a litter, groaning and sweating.  The request presented a moral dilemma for the Italians. As Christians they could hardly turn away a dying penitent, but they didn't trust the Vikings and expected a trick. The local count, in consultation with the bishop, warily decided to admit Hastein, but made sure that he was heavily guarded. A detachment of soldiers was sent to collect Hastein and a small retinue while the rest of the Vikings waited outside.  Despite the misgivings, the people of Luna flocked to see the curiosity of a dreaded barbarian peacefully inside their city. The Vikings were on their best behavior as they were escorted to the cathedral, remaining silent and respectful. Throughout the service, which probably lasted a few hours, Hastein was a picture of reverence and weakness, a dying man who had finally seen the light. The bishop performed the baptism, and the count stood in as godfather, christening Hastein with a new name. When the rite had concluded, the Vikings respectfully picked up the litter and carried their stricken leader back to the ships.  That night, a Viking messenger reappeared at the gates, and after thanking the count for allowing the baptism, sadly informed him that Hastein had died. Before he expired, however, he had asked to be given a funeral mass and to be buried in the holy ground of the cathedral cemetery.  The next day a solemn procession of fifty Vikings, each dressed in long robes of mourning, entered the city carrying Hastein's corpse on a bier. Virtually all the inhabitants of the city had turned out to witness the event, joining the cavalcade all the way to the cathedral. The bishop, surrounded by a crowd of monks and priests bearing candles, blessed the coffin with holy water, and led the entire procession inside.  As the bishop launched into the funerary Mass, reminding all good Christians to look forward to the day of resurrection, the coffin lid was abruptly thrown to the ground and a very much alive Hastein leapt out. As he cut down the bishop, his men threw off their cloaks and drew their weapons. A few ran to bar the doors, the rest set about slaughtering the congregation.  At the same time – perhaps alerted by the tolling bell – Bjorn Ironside led the remaining Vikings into the city and they fanned out, looking for treasure. The plundering lasted for the entire day. Portable goods were loaded onto the ships, the younger citizens were spared to be sold as slaves, and the rest were killed. Finally, when night began to fall, Hastein called off the attack. Since nothing more could fit on their ships, they set fire to the city and sailed away.97 For the next two years, the Norsemen criss-crossed the Mediterranean, raiding both the African and European coasts. There are even rumors that they tried to sack Alexandria in Egypt, but were apparently unable to take it by force or stealth.

A blanket could be used like so many poor people get used and then thrown away like a sack of baloney that’s started to turn green. It’s sad really, when you consider all the sandwiches that could have been made out of all those poor people. 


The american climber Mark Twight, mentor of the Grivel climbing team, commented, "Now every ill-prepared sad sack whose ability falls short of his Himalayan ambitions can get on the radio, call for help, and expect the cavalry to save the day" - on Tomaz Humar's rescue from Rupal Face of Nanga Parvat.

Pick the Brain literally helped me pick up the pieces of my life and get back into the mind-set that I needed to shake off the sad-sack, always-apologizing, always-afraid girl I’d become in my early twenties. It taught me how to get shit done and to not give a damn if I didn’t prioritize the things everyone else wanted me to.

I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.

Not engaging is the most frustrating thing to a protestor, right? “Guns don’t kill people! People kill people!” he yells. Of course this line almost stops me. Should I have a conversation with this sad sack about the disingenuousness of this statement? Should I hold a two-minute seminar on the many machines, chemicals and drugs that are strictly monitored because of their potential lethal power? Should I point out that we don’t let people walk around with heroin or bombs or cyanide or mercury, or let just anyone pilot helicopters or cruise ships or 18-wheelers? But why bother with this guy? A discussion in causation or semantics isn’t going to change his mind.

I was the told it's the blackest clouds you want to keep an eye on. Behind these clouds lie the gypsies sacks. It's said these sacks contain the world's sorrowful histories.

I was the told it's the blackest clouds you want to keep an eye on. Behind these clouds lie the gypsies sacks. It's said these sacks contain the world's sorrowful histories. That's why it takes such a wind to drag them along.

I was the told it's the blackest clouds you want to keep an eye on. Behind these clouds lie the gypsies sacks. It's said these sacks contain the world's sorrow histories.

Don't worry Jeff, life is meaningless; it's strange and inexplicable that we exist to begin with. we are all basically dead already in the grand scheme of things, and our feelings of sadness are pointless - they are just how our meat sacks react to the chemicals in our bodies.