Sad Dismissal Quotes

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If she's sad or upset or angry, she needs to be alone-she fears a man dismissing her womanly tears.
Gillian Flynn (Gone Girl)
The observations and encounters of a solitary, taciturn man are vaguer and at the same times more intense than those of a sociable man; his thoughts are deeper, odder and never without a touch of sadness. Images and perceptions that could be dismissed with a glance, a laugh, an exchange of opinions, occupy him unduly, become more intense in the silence, become significant, become an experience, an adventure, an emotion. Solitude produces originality, bold and astonishing beauty, poetry. But solitude also produces perverseness, the disproportionate, the absurd and the forbidden.
Thomas Mann (Death in Venice)
I don’t know why we take our worst moods so much more seriously than our best, crediting depression with more clarity than euphoria. We dismiss peak moments and passionate love affairs as an ephemeral chemical buzz, just endorphins or hormones, but accept those 3 A.M. bouts of despair as unsentimental insights into the truth about our lives.
Tim Kreider (We Learn Nothing)
If the story had been about anyone else, it would been dismissed as laaf, that Afghan tendency to exaggerate ---sadly, almost a national affliction; if someone bragged that his son was a doctor, chances were the kid had once passed a biology test in high school.
Khaled Hosseini (The Kite Runner)
They will blow it, she thought. Each will cling to a sad little story of hurt and sorrow—some long-ago trouble and pain life dumped on their pure and innocent selves. And each one will rewrite that story forever, knowing the plot, guessing the theme, inventing its meaning and dismissing its origin.
Toni Morrison (God Help the Child)
Glinda waved dismissively. Then she tucked her hand against her mouth and bit her knuckles. It was hard to tell if her pretty ways were studied or innate. "Oh, oh," she managed, "I don't know that I'll see you again- and you remind me so of her.
Gregory Maguire (Son of a Witch (The Wicked Years, #2))
The observations and encounters of a man of solitude and few words are at once more nebulous and more intense than those of a gregarious man, his thoughts more ponderable, more bizarre and never without a hint of sadness. Images and perceptions that might easily be dismissed with a glance, a laugh, an exchange of opinions occupy him unduly; they are heightened in the silence, gain in significance, turn into experience, adventure, emotion. Solitude begets originality, bold and disconcerting beauty, poetry. But solitude can also beget perversity, disparity, the absurd and the forbidden.
Thomas Mann (Death in Venice)
Anthropomorphism originally meant the attribution of human characteristics to God. It is curious that the word is now used almost exclusively to ascribe human characteristics--such as fidelity or altruism or pride, or emotions such as love, embarrassment, or sadness--to the nonhuman animal. One is guilty of anthropomorphism, though it is no longer a sacrilegious word. It is a derogatory, dismissive one that connotes a sort of rampant sentimentality. It’s just another word in the arsenal of the many words used to attack the animal rights movement.
Joy Williams (Ill Nature)
The world, every day, is New. Only for those born in, say, 1870 or so, can there be a meaningful use of the term postmodernism, because for the rest of us we are born and we see and from what we see and digest we remake our world. And to understand it we do not need to label it, categorize it. These labels are slothful and dismissive, and so contradict what we already know about the world, and our daily lives. We know that in each day, we laugh, and we are serious. We do both, in the same day, every day. But in our art we expect clear distinction between the two...But we don't label our days Serious Days or Humorous Days. We know that each day contains endless nuances - if written would contain dozens of disparate passages, funny ones, sad ones, poignant ones, brutal ones, the terrifying and the cuddly. But we are often loathe to allow this in our art. And that is too bad...
Dave Eggers
Wasn't much of a life anyway. Wasn't much of a brain." "But didn't you say you were satisfied with your life?" "Word games," I dismissed. "Every army needs a flag.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
Mary felt a sadness as weary as his manner. Of course the poor man dismissed the painting. Such was the past, after all: it left the present cluttered with objects the survivors were immune to.
Chris Cleave (Everyone Brave Is Forgiven)
What a tragedy it is to tell yourself not to be afraid. It’s like telling yourself not to be sad, not to be happy, not to experience some of your most visceral and native human instincts. The truth is that every individual is afraid, every soul gets scared, every heart gets hesitant, but that is not to be sanitized, that is not to be dismissed. Feel your fear, but do not let it be a barrier, let it be a break – a small crack where you prove to yourself that you are strong in spite of it, a reminder that you can leap even if your legs are trembling.
Bianca Sparacino (Seeds Planted in Concrete)
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb (She’s Come Undone)
He would be sad to learn that she had dismissed God long ago, as she would have dismissed an inept servant.
Margaret Weis (The Seventh Sigil: The Thrilling Conclusion to the Dragon Brigade Series)
It was kind of her to say, but he did do harm. I doubt my sister will ever marry: If she’s sad or upset or angry, she needs to be alone – she fears a man dismissing her womanly tears.
Gillian Flynn (Gone Girl)
Indeed, the same dark question often rose into her mind, with reference to the whole race of womanhood. Was existence worth accepting even to the happiest among them? As concerned her own individual existence, she had long ago decided in the negative, and dismissed the point as settled. A tendency to speculation, though it may keep woman quiet, as it does man, yet makes her sad.
Nathaniel Hawthorne (The Scarlet Letter)
Some dread failure overtook us, one in which the intellect, knowing only itself, rose to dominate our proud selves, and by the seduction of language then set about denigrating all that was not rational, all that hovered tantalizingly out of reach, beyond its power to comprehend, much less explain away. Although it works hard at doing precisely that: explaining away, dismissing, impugning, mocking. The cynical eye is cast, and the cleverness of the mind ascends to assume the pose of the haughty. What results, sadly, is an intellect that won’t be denied its own sense of superiority.
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
I pity those reviewers above, and people like them, who ridicule authors like R.A. Boulay and other proponents of similar Ancient Astronaut theories, simply for putting forth so many interesting questions (because that's really what he often throughout openly admits is all he does does) in light of fascinating and thought-provoking references which are all from copious sources. Some people will perhaps only read the cover and introduction and dismiss it as soon as any little bit of information flies in the face of their beliefs or normalcy biases. Some of those people, I'm sure, are some of the ones who reviewed this book so negatively without any constructive criticism or plausible rebuttal. It's sad to see how programmed and indoctrinated the vast majority of humanity has become to the ills of dogma, indoctrination, unverified status quos and basic ignorance; not to mention the laziness and conformity that results in such acquiescence and lack of critical thinking or lack of information gathering to confirm or debunk something. Too many people just take what's spoon fed to them all their lives and settle for it unquestioningly. For those people I like to offer a great Einstein quote and one of my personal favorites and that is: "Condemnation without investigation is the highest form of ignorance" I found this book to be a very interesting gathering of information and collection of obscure and/or remote antiquated information, i.e. biblical, sacred, mythological and otherwise, that we were not exactly taught to us in bible school, or any other public school for that matter. And I am of the school of thought that has been so for intended purposes. The author clearly cites all his fascinating sources and cross-references them rather plausibly. He organizes the information in a sequential manner that piques ones interest even as he jumps from one set of information to the next. The information, although eclectic as it spans from different cultures and time periods, interestingly ties together in several respects and it is this synchronicity that makes the information all the more remarkable. For those of you who continue to seek truth and enlightenment because you understand that an open mind makes for and lifelong pursuit of such things I leave you with these Socrates quotes: "True wisdom comes to each of us when we realize how little we understand about life, ourselves, and the world around us.
Socrates
What made him most anxious, he told me, was not the big questions -the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he'd become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both -Mr. Pucci, frail and wasted, a talking dead man. And myself with a surgical mask over my mouth, to protect him from me. "The irony," he said, "... is that now that I'm this blind man, it's clearer to me now then it's ever been before. What's the line? 'Was blind but now I see...' " He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. "You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought ...said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed-up phone message... That time we separated was my idea. I thought, well, I'm fifty years old and there might be someone else out there. People waste their happiness -that's what makes me sad. Everyone's so scared to be happy." "I know what you mean," I said. His eyes opened wider. For a second he seemed to see me. "No you don't," he said. "You mustn’t. He keeps wanting to give you his love, a gift out and out and you dismiss it. Shrug it off because you're afraid." "I'm not afraid. It's more like ..." I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. "l'll give you what I learned from all this," he said. "Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb (She’s Come Undone)
Strike missed the absence of an overriding objective, in pursuit of which he could shelve his sadness; missed the imperative to dismiss pain and distress in the service of something greater, which had sustained him in the military.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
That time we separated was my idea. I thought, well, I'm fifty years old and there might be someone else out there. People waste their happiness -that's what makes me sad. Everyone's so scared to be happy." "I know what you mean," I said. His eyes opened wider. For a second he seemed to see me. "No you don't," he said. "You mustn’t. He keeps wanting to give you his love, a gift out and out and you dismiss it. Shrug it off because you're afraid." "I'm not afraid. It's more like ..." I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. "l'll give you what I learned from all this," he said. "Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb
And in the end, after he broke up with me and I was sad and mental, I came to the Vineyard and one day I thought: Eff you, Mr. Isaac. I’m not so very ignorant. I just know stuff about stuff that you dismiss as unimportant and useless. Does that make sense?
E. Lockhart (Genuine Fraud)
Our thoughts have the power to attract wealth, health and happiness, or poverty, sickness, and sadness. We are created in the image of God and have the potential to do great things. So choose carefully what thoughts you intend to focus on today and dismiss the rest.
Pam Malow-Isham (Brilliant Words to Grow By: A Devotional Celebrating the Duality of Life)
I wish I were the kind of person that people would remember after meeting for the first time. But no, I am often easily dismissed. If people were places I am a sidewalk you'll never pass by; the alleys are too dark, the steps are too narrow, and it is not worth your time.
Cariza Opana (To the Sun, Moon, and Stars)
There is redemption in sadness. It tells me that for nearly five months in 2003, I lived life with the open, raw, refreshing outlook of the young. The payoff, though difficult to quantify, is much greater than I expected. I have no regrets about having gone -- it was the right thing to do. I think about it every day. Sometimes I can hardly believe it happened. I just quit -- and I was on a monumental trip. I didn't suffer financial ruin, my wife didn't leave me, the world didn't stop spinning. I do think of how regrettable it would have been had I ignored the pull that I felt to hike the trail. A wealth of memories could have been lost before they had even occurred if I had dismissed as a whim my inkling to hike. It is disturbing how tenuous our potential is due to our fervent defense of the comfortable norm.
David Miller (AWOL on the Appalachian Trail)
My dad had limitations. That’s what my good-hearted mom always told us. He had limitations, but he meant no harm. It was kind of her to say, but he did do harm. I doubt my sister will ever marry: If she’s sad or upset or angry, she needs to be alone—she fears a man dismissing her womanly tears.
Gillian Flynn (Gone Girl)
Saying good-bye to Ben is Sarina's least favorite activity. So sad the number of times she's had to do it. Ball games, recitals, the homes of friends, rented shore houses, through car windows after dropping off some forgotten camera to Annie. Goodbye. See you later. Nice seeing you. She has mastered it: A dismissive peck on the cheek. A hug like an afterthought. Telling herself, Do not watch him walk away. Watching him walk away. Watching him drive away. Watching him descend the stairs to the subway. How many times have they said goodbye to each other? Already tonight, twice. He interrupts her before she can get the second goodbye out. "How would you feel," he says, "about missing your train?" Once at the beach, Sarina watched a crane bathing in a gully at dusk. It used its wings to funnel the water over its back, then shook out the excess in a firework of droplets. After several minutes it took off, arcing out over the fretless sea. That felt like this.
Marie-Helene Bertino (2 A.M. at The Cat's Pajamas)
Society is being bent continually to the interests of the powerful. Wherever there is a law that supports ordinary people; that law is attacked, diminished, or dismissed. Wherever there's a right that ordinary people enjoy, if it stands in the way of the interests of the powerful: it will be removed, undermined, compromised. This creates a dispiriting atmosphere among humans; and oddly and sadly leads to us looking at one another in discriminating ways, ways of loathing and personal condemnation, or collective condemnation. But really, let's make an effort, shall we, as a collective, to look at where the power is, and therefore where the problem is.
Russell Brand
Furthermore, I refuse to wear a burqa. Of all the burdens they've put on us, that's the most degrading. The Shirt of Nessus woudn't do as much damage to my dignity as that wretched getup. It cancels my face and takes away my identity and turns me into an object. Here, at least, I'm me Zunaira, Mohsen Ramat's wife, age thirty-two, former magistrate, dismissed by obscurantists without a hearing and without compensation, but with enough self-respect left to brush my hair every day and pay attention to my clothes. If I put that damned veil on, I'm neither a human being nor an animal, I'm just an affront, a disgrace, a blemish that has to be hidden. That's too hard to deal with. Especially for someone who was a lawyer, who worked for women's rights. Please, I don't want you to think for a minute that I'm putting on some sort of act. I'd like to, you know, but unfortunately my heart's not in it anymore. Don't ask me to give up my name, my features, the color of my eyes, and the shape of my lips so I can take a walk through squalor and desolation. Don't ask me to become something less than a shadow, an anonymus thing rustling around in a hostile place.
Yasmina Khadra (Swallows of Kabul)
The Toys My little Son, who look'd from thoughtful eyes And moved and spoke in quiet grown-up wise, Having my law the seventh time disobey'd, I struck him, and dismiss'd With hard words and unkiss'd, —His Mother, who was patient, being dead. Then, fearing lest his grief should hinder sleep, I visited his bed, But found him slumbering deep, With darken'd eyelids, and their lashes yet From his late sobbing wet. And I, with moan, Kissing away his tears, left others of my own; For, on a table drawn beside his head, He had put, within his reach, A box of counters and a red-vein'd stone, A piece of glass abraded by the beach, And six or seven shells, A bottle with bluebells, And two French copper coins, ranged there with careful art, To comfort his sad heart. So when that night I pray'd To God, I wept, and said: Ah, when at last we lie with trancèd breath, Not vexing Thee in death, And Thou rememberest of what toys We made our joys, How weakly understood Thy great commanded good, Then, fatherly not less Than I whom Thou hast moulded from the clay, Thou'lt leave Thy wrath, and say, 'I will be sorry for their childishness.
Coventry Patmore
Scene I. A little dark Parlour in Boston: Guards standing at the door. Hazlerod, Crusty Crowbar, Simple Sapling, Hateall, and Hector Mushroom. Simple. I know not what to think of these sad times, The people arm'd,—and all resolv'd to die Ere they'll submit.—— Crusty Crowbar. I too am almost sick of the parade Of honours purchas'd at the price of peace. Simple. Fond as I am of greatness and her charms, Elate with prospects of my rising name, Push'd into place,—a place I ne'er expected, My bounding heart leapt in my feeble breast. And ecstasies entranc'd my slender brain.— But yet, ere this I hop'd more solid gains, As my low purse demands a quick supply.— Poor Sylvia weeps,—and urges my return To rural peace and humble happiness, As my ambition beggars all her babes. Crusty. When first I listed in the desp'rate cause, And blindly swore obedience to his will, So wise, so just, so good I thought Rapatio, That if salvation rested on his word I'd pin my faith, and risk my hopes thereon. Hazlerod. Any why not now?—What staggers thy belief? Crusty. Himself—his perfidy appears— It is too plain he has betray'd his country; And we're the wretched tools by him mark'd out To seal its ruins—tear up the ancient forms, And every vestige treacherously destroy, Nor leave a trait of freedom in the land. Nor did I think hard fate wou'd call me up From drudging o'er my acres, Treading the glade, and sweating at the plough, To dangle at the tables of the great; At bowls and cards to spend my frozen years; To sell my friends, my country, and my conscience; Profane the sacred sabbaths of my God; Scorn'd by the very men who want my aid To spread distress o'er this devoted people. Hazlerod. Pho—what misgivings—why these idle qualms, This shrinking backwards at the bugbear conscience; In early life I heard the phantom nam'd, And the grave sages prate of moral sense Presiding in the bosom of the just; Or planting thongs about the guilty heart. Bound by these shackles, long my lab'ring mind, Obscurely trod the lower walks of life, In hopes by honesty my bread to gain; But neither commerce, or my conjuring rods, Nor yet mechanics, or new fangled drills, Or all the iron-monger's curious arts, Gave me a competence of shining ore, Or gratify'd my itching palm for more; Till I dismiss'd the bold intruding guest, And banish'd conscience from my wounded breast. Crusty. Happy expedient!—Could I gain the art, Then balmy sleep might sooth my waking lids, And rest once more refresh my weary soul.
Mercy Otis Warren (The Group A Farce)
But the nature we repress nonetheless survives in us. That is why, when we read the new master-work of a genius, we are sometimes delighted to find in it thoughts of our own which we had dismissed as valueless, moments of gaiety or sadness which we suppressed, a whole world of feeling we treated as beneath notice; the book in which we recognize them suddenly teaches us their value. I had learned from experience that it was wrong to smile affectionately when someone made fun of me and not to be angry with him.
Marcel Proust (The Prisoner: In Search of Lost Time, Volume 5 (Penguin Classics Deluxe Edition))
At this point tears begin to fall from my eyes, not because I am sad or angry, but because I have never had these dueling aspects of my personality mirrored back to me in such a matter-of-fact way. I have, at so many times in my life, felt unknowable, but here I am having me explained to me as it feels to be me. One three-hour test and I finally have objective words to demystify a tumultuous and ambivalent life experience. “We will leave it here, but I have one last thing I would like to say. The Rorschach and image testing reveal evidence of trauma associated with very early childhood development. I see a preoccupation with blood, morbidity, dismissal, and power struggles. There is a way in which you present as very sturdy to the world, yet inside you are carrying an incredibly heavy weight. There is a you inside who feels invisible to those looking at you from the outside. I feel an incredible amount of compassion for how hard each day feels for you.” “Thank you,” I say, my voice quiet and quivering with emotion. “I really appreciate this.” “Yes,” he says, “I believe you really do.
Anna Marie Tendler (Men Have Called Her Crazy: A Memoir)
Billy has no such feelers. He doesn’t need them. Whatever slams into him bounces right off—either he dismisses it, or instead of hurting him it makes him angry. It’s a kind of hardness, which exists quite apart from any sadness or melancholy or even guilt that he may be experiencing at the time. Maybe it’s this: his own sadness and melancholy and guilt are his, and therefore important to him, but they’re contained inside. Those of other people don’t get in. Whereas Charis is a screen door, an open one at that, and everything blows right through.
Margaret Atwood (The Robber Bride)
Strike missed the absence of an overriding objective, in pursuit of which he could shelve his sadness; missed the imperative to dismiss pain and distress in the service of something greater, which had sustained him in the military. None of his old coping strategies were admissible in Joan’s kitchen, beside the flowered casserole dishes and her old oven gloves. Dark humor and stoicism would be considered unfeeling by the kindly neighbors who wanted him to share and show his pain. Craving diversionary action, Strike was instead expected to provide small talk and homely acts of consideration.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
When we arrive on our floor we head to our rooms, politely bidding each other goodnight. Just as I am about to enter mine, I remember I have his jacket. I can use this to have just one more moment with him tonight. I knock on his door, his lips slightly open when he sees me on the other side. “You forgot your jacket.” It is still on my shoulders. I turn around to offer it up to him. “Thank you Shy,” As he says this he takes both of his hands, grabbing each shoulder of the jacket and oh so slowly pulls it off of me, grazing my bare arms and back as he pulls it off. I close my eyes taking in his touch. Each caress of his fingertips feels like one thousand little sparks. How can just the faintest touch from this man set me off like this? Please kiss me. Kiss my neck. I won’t say no. I hold my position for a second more than I should, but it feels so tortuously long. There is nothing, not another touch, not a kiss. I turn to face him again and bid him goodnight. His face looks sad, almost guilty. Every word, every touch, every action tonight was an implication. This keeps us safe from one another. It keeps me safe from him. “Goodnight Shy,” he says as if dismissing me from his presence. “Goodnight Taylor.
Nina G. Jones (Strapped (Strapped, #1))
Americans are loath to talk about enslavement in part because what little we know about it goes against our perception of our country as a just and enlightened nation, a beacon of democracy for the world. Slavery is commonly dismissed as a “sad, dark chapter” in the country’s history. It is as if the greater the distance we can create between slavery and ourselves, the better to stave off the guilt or shame it induces. But in the same way that individuals cannot move forward, become whole and healthy, unless they examine the domestic violence they witnessed as children or the alcoholism that runs in their family, the country cannot become whole until it confronts what was not a chapter in its history, but the basis of its economic and social order. For a quarter millennium, slavery was the country.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Karras sat alone and sipped bleakly at his coffee. He felt warm in the sweater that he wore beneath his cassock; felt weak in his failure to have given Chris comfort. Then a memory of childhood shimmered up sadly, a memory of Ginger, his mongrel dog, growing skeletal and dazed in a box in the apartment; Ginger shivering with fever and vomiting while Karras covered her with towels, tried to make her drink warm milk, until a neighbor came by and saw it was distemper, shook his head and said, "Your dog needed shots right away." Then dismissed from school one after-noon... to the street... in columns of twos to the corner... his mother there to meet him... unexpected... looking sad... and then taking his hand to press a shiny half-dollar piece into it... elation... so much money!... then her voice, soft and tender, "Gingie die...." He looked down at the steaming, bitter blackness in his cup and felt his hands empty of comfort or of cure.
William Peter Blatty (The Exorcist)
And we oughtn't to be contrasting the imaginative, dreamy outlook of children with the realism and objectivity of adults. It is children who are the true realists: They never proceed from generalities. The adult recognizes the general form in a particular example, a representative of the species, dismisses everything else and states: that's a lilac, there's an ash tree, an apple tree. The child perceives individuals, personalities. He sees the unique form, and doesn't mask it with a common name or function. When you walk with children they enable you to see the fabulous beasts in tree foliage, to smell the sweetness of blossoms. It isn't a triumph of the imagination, but an unprejudiced, total realism. And Nature becomes instantly poetic. These outings are the absolute reign of childhood. You lose its charm in growing up, because you end by acquiring ideas and certainties about everything, and no longer want to know more of things than their objective representation (sadly called their 'truths').
Frédéric Gros (A Philosophy of Walking)
This is happy! Your face opening is in sad mode. Why, question?' 'Going to be a long trip and I'll be all alone.' ... 'You will miss me, question? I will miss you. You are friend.' 'Yeah. I'm going to miss you.' I take another swig of vodka. 'You're my friend. Heck, you're my best friend. And pretty soon we're going to say goodbye forever.' He two tapped gloved claws together. They made a muffled sound instead of the usual click that comes along with the dismissive gesture. 'Not forever. We save planets. Then we have Astrophage technology. Visit each other.' I give a wry smile. 'Can we do all that within fifty Earth years? 'Probably not. Why so fast, question?' 'I only have fifty years or so left to live. Human's don't'- I hiccup- 'don't live long, remember?' 'Oh.' He's quiet for a moment. 'So we enjoy remaining time together, then go save planets. Then we are heroes!' 'Yeah!' I straighten up. I'm a little dizzy now. I've never been much of a drinker, and I'm hitting this vodka harder than I should. 'We're the moss imporn't people in the gal'xy! We're awesome!' He grabs a nearby wrench and raises it in one of his hands. 'To us!' I raise the vodka. 'To ush!
Andy Weir (Project Hail Mary)
During a recent lunch with a close friend who is also the mother of two young children, Diana told of an incident which underlines not only the current state of her relationship with her husband but also the protective nature of her son William. She told her friend that the week that Buckingham Palace decided to announce the separation of the Duke and Duchess of York was understandably a trying time for her. She had lost an amicable companion and was acutely aware that the public spotlight would once again fall on her marriage. Yet her husband seemed unmoved by the furore surrounding the separation. He had spent a week touring various stately homes, gathering material for a book he is writing on gardening. When he returned to Kensington Palace he failed to see why his wife should feel strained and rather depressed. He airily dismissed the departure of the Duchess of York and launched, as usual, into a disapproving appraisal of Diana’s public works, especially her visit to see Mother Teresa in Rome. Even their staff, by now used to these altercations, were dismayed by this attitude and felt some sympathy when Diana told her husband that unless he changed his attitude towards her and the job she is doing she would have to reconsider her position. In tears, she went upstairs for a bath. While she was regaining her composure, Prince William pushed a handful of paper tissues underneath the bathroom door. “I hate to see you sad,” he said.
Andrew Morton (Diana: Her True Story in Her Own Words)
Blitzen!” Junior suddenly appeared. He crutched toward me with his rocket-powered walker and a lot of friends. “Get him, boys!” “Ha! Eat light, Junior!” I unleashed the power of the mini bed. Sadly, instead of a turn-you-to-stone laser beam, a weak glow enveloped Junior like a soft blanket. The charge had run out. A thin crust formed around him. It was nowhere near as dramatic as instant petrification, but it was startling enough to make the other dwarves pause. And that made me think about how I looked to them. A dwarf who handcrafts a weapon that I know what it’s like to be petrified. It stinks. So I had every intention of cutting Alviss free on his next pass-by and then dipping him in the river to restore him. But before I could, the stalactite attached to the rope broke. Alviss’s momentum carried him over the cliff edge. He landed with a splash in the water below. “Oops.” I peered down, then waved my hand dismissively. “Ah, he’ll be fine.” “Blitzen!” Junior suddenly appeared. He crutched toward me with his rocket-powered walker and a lot of friends. “Get him, boys!” “Ha! Eat light, Junior!” I unleashed the power of the mini bed. Sadly, instead of a turn-you-to-stone laser beam, a weak glow enveloped Junior like a soft blanket. The charge had run out. A thin crust formed around him. It was nowhere near as dramatic as instant petrification, but it was startling enough to make the other dwarves pause. And that made me think about how I looked to them. A dwarf who handcrafts a weapon that petrifies other dwarves? Not cool. “Listen!” I yelled. “My argument is with Junior, not you. When he decrustifies, tell him I want to talk.” I put the mini bed on the ground and showed them my empty hands while slowly backing away. It would have been a very powerful moment if I hadn’t backed off the cliff into the river. As I thrashed through the churning water toward shore, three things occurred to me. One, Junior would never, ever forgive me. Two, my cashmere hoodie was ruined. And three . . . Mimir owed me a lot more than a quarter.
Rick Riordan (9 From the Nine Worlds)
I dig my toes deep into the yielding, sucking mud, clear my throat, and attempt to say his name firmly. But to my dismay, it comes out really feebly. A plea, not a reprimand. “Luca,” I say, and he leans toward me. “Si, Violetta?” “Luca, we said we weren’t going to be alone together.” I’m almost whispering now. The water lapping around me, flowing past me, is a soft, gentle, seductive background noise. I’m aware, all at once, that I’m wet from head to toe, that the borrowed shirt is clinging to me, my bra probably showing through, and I don’t dare to look down to see if it is. “I know,” he says quietly and sadly. “I see you go down to the pozze termali with all your friends, and I watch you, to see if you’re happy, if you laugh and jump in with them. If you are happy, I leave. But you don’t laugh with them. You dive into the river and you swim away, and I think you are all by yourself, and maybe not very safe, so I walk along the…riva…” “The bank,” I prompt as he trails off, unable to find the word in English. “Si. I walk along, and then I see you floating like a mermaid, and I want to say something to you.” He shrugs again, but it’s very different from the last one; that was casual, dismissive. This is…wistful. And, to my horror, I hear myself confessing: “It’s nice to see you.” Stupid, silly, banal little words. Luca smiles, his dark blue eyes sparking. “Nice?” he says, and he starts to take off his shoes. “This is a very strong word in English, non è vero?” “No,” I say quickly. “It’s not a strong word at all.” “Oh, peccato,” he says cheerfully, which means “what a shame.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
A wave. Raw. Sadness washes over me as I'm dismissed. I don't move, I look at the screen. I want to run to you, crawl up inside you back into your womb. Rewrite a history where this time you'd love me normally. Shiny and new.
Ali Land (Good Me, Bad Me)
I will recommend focusing on gratitude. This is not to dismiss or cover up the sadness. Rather, when we are sad, we tend to assume that there is no good at all in life. Focusing on gratitude helps to restore our whole vision.
James Martin (Learning to Pray: A Guide for Everyone)
And yet I’d read only recently how their generation were riddled with self-doubt and the pressures of social media. How they worried about everything, the planet, global warming, their relationships, money, war, cosmetic surgery. Were their bottoms too big or not big enough? (Thanks Kardashians.) How very sad. So perhaps the perceived advantages between ‘us’ and ‘them’ were not quite so one-sided as I had thought. I couldn’t remember a single occasion when I had worried about photoshopping or being ‘beach ready’ in January. I’d only had my top lip waxed once – never again. And never any other bit of me either, for fear of the pain (if the lip experience was anything to go by). We hadn’t grown up with so many gadgets or television channels as the younger generations. Which in itself was a blessing. How many crime dramas did we actually need to watch, how many reality shows, how many un-funny comedies? We’d had to do our research in libraries, but now they had limitless information at the touch of a keyboard. In my day, if the school bullies had wanted a target, they did it out in the open. These women had to deal with faceless trolls. They had security worries, all sorts of privacy issues. So who really had the better experience of being a woman? Or had it always just been difficult for everyone? And what about men, come to think of it… If one believed the newspapers, it seemed half of the human race was being summarily dismissed as idiots or fiends.
Maddie Please (Old Friends Reunited)
I saw a pretty shop across the Sidra the other day. It sold what looked to be lots of lacy little things. Am I allowed to buy that on your credit, too, or does that come out of my personal funds?' Those violet eyes again drifted to me. 'I'm not in the mood.' There was no humour, no mischief. I could go warm myself by a fire inside, but... He had stayed. And fought for me. Week after week, he'd fought for me, even when I had no reaction, even when I had barely been able to speak or bring myself to care if I lived or died or ate or starved. I couldn't leave him to his own dark thoughts, his own guilt. He'd shouldered them alone long enough. So I held his gaze. 'I never knew Illyrians were such morose drunks.' 'I'm not drunk- I'm drinking,' he said, his teeth flashing a bit. 'Again semantics,' I leaned back in my seat, wishing I'd brought my coat. 'Maybe you should have slept with Cresseida after all- so you could both be sad and lonely together.' 'So you're entitled to have as many bad days as you want, but I can't get a few hours?' 'Oh, take however long you want to mope. I was going to invite you to come shopping with me for said lacy little unmentionables, but... sit up here forever, if you have to.' He didn't respond. I went on, 'Maybe I'll send a few to Tarquin- with an offer to wear them for him if he forgives us. Maybe he'll take those blood rubies right back.' His mouth barely, barely tugged up at the corners. 'He'd see that as a taunt.' 'I gave him a few smiles and he handed over a family heirloom. I bet he'd give me the keys to his territory if I showed up wearing those undergarments.' 'Someone thinks mighty highly of herself.' 'Why shouldn't I? You seem to have difficulty not staring at me day and night.' There it was - a kernel of truth and a question. 'Am I supposed to deny,' he drawled, but something sparked in those eyes, 'That I find you attractive?' 'You've never said it.' 'I've told you many times, and quite frequently, how attractive I find you.' I shrugged, even as I thought of all those times- when I'd dismissed them as teasing compliments, nothing more. 'Well, maybe you should do a better job of it.' The gleam in his eyes turned into something predatory. A thrill went through me as he braced his powerful arms on the table and purred, 'Is that a challenge, Feyre?' I held that predator's gaze- the gaze of the most powerful male in Prythian. 'Is it?' His pupils flared. Gone was the quiet sadness, the isolated guilt. Only that lethal force- on me. On my mouth. On the bob of my throat as I tried to keep my breathing even. He said, slow and soft, 'Why don't we go down to that store right now, Feyre, so you can try on those lacy little things- so I can help you pick which ones to send to Tarquin.' My toes curled inside my fleece-lined slippers. Such a dangerous line we walked together.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
How to look a demon in the eye It’s easy to want to run away from bad feelings. When we feel sadness or fear we greet them as problems to be instantly solved or dismissed. I can remember that when I was first in the middle of a deep depression, I wasn’t just feeling depressed. I was feeling depressed about feeling depressed. Anxious about feeling anxious. And so, inevitably, the negative feelings kept on multiplying themselves. The key to recovery lay in acceptance. This was the paradox. To escape depression I had to get to a point where I accepted it. To stop having panic attacks I had to get to a point where I almost invited them. I would feel that sudden heightened alertness symptomatic of panic, and I would say to myself I want this. This is not a strategy you should necessarily follow. And I certainly don’t mean to belittle the horror of a full-blown panic attack. I know as well as anyone how utterly terrifying it can be to feel trapped in your own mind when it is in total freefall. But after a hundred or so panic attacks I realized something about them. They were self-referential. They fueled themselves. I mean: the panic became worse because I was panicking about the panic. It is a rolling snowball of its own making. But if I stopped myself being frozen about the panic, if I melted into a state of acceptance, the panic snowball ended up running out of the ice-cold terror and couldn’t grow. Eventually it would float right through. My mind would watch the panic rather than fight it. A totally different type of engagement. Sometimes, situation permitting, rather than trying to ignore the panic or walk it off, I would just lie down on the floor and close my eyes and really focus on it. And when you really analyze fear you realize, first, that it is only a natural part of us. And second, that it is the sister of hope. Because both are born from the uncertain fabric of life. In Tibetan the word re-dok is a portmanteau of the words rewa (hope) and dokpa (fear), acknowledging they coexist and both stem from essentially the same thing—uncertainty. When we analyze rather than evade our darkest fears, we learn that even our largest demons are not as invincible as they first appear. Often, when we stare at them, deeply, they disintegrate before our eyes.
Matt Haig (The Comfort Book)
I was also sad for May, who I imagined must be hurt. Yoko had dismissed her fifteen months with John as his ‘lost weekend’, and John made a statement saying that his separation from Yoko hadn’t been a success.
Cynthia Lennon (John)
Sad to say, it is no surprise that the massacre of Antioch is barely reported in many recent Western histories of the Crusades. Steven Runciman gave it eight lines, 30 Hans Eberhard Mayer gave it one, 31 and Christopher Tyerman, who devoted several pages to lurid details of the massacre of Jerusalem during the First Crusade, dismissed the massacre of Antioch in four words.32
Rodney Stark (God's Battalions: The Case for the Crusades)
Sadly, we know almost nothing about Euclid (c. 325-c. 265 BCE).32 We know even less about him than we do about Pythagoras, and what little we do know has been hotly contested by scholars. Euclid wrote at least ten books, only half of which have survived. A number of mutually consistent indications suggest that he lived after Aristotle and before Archimedes. He was one of the first mathematicians at the great library of Alexandria and there had gathered a group of talented mathematicians about him. Legends about him abound, many as (possibly apocryphal) insertions in other mathematicians' works. One tells that Ptolemy asked Euclid for a quick way to master geometry and received the reply, "There is no royal road to geometry." Another tells of a student who, after encountering the first proposition in the Elements, asked Euclid what practical use studying geometry could have. The mathematician allegedly turned to his slave and replied dismissively, "Slave, give this boy a threepence, since he must make gain of what he learns.
Donal O'Shea (The Poincare Conjecture: In Search of the Shape of the Universe)
After she swore herself to secrecy and did her best to seem trustworthy and closemouthed, Mr. Nobley revealed that those two had been more than fond acquaintances. In fact, last year he’d proposed and she’d accepted. “Her mother disapproved, as he was merely a sailor. Mr. Heartwright, her brother, informed East that he was dismissed from being her suitor, and Miss Heartwright never had an opportunity to explain that it hadn’t been her wish. She fears it is too late now, but I don’t believe her heart ever let go of the man.” “Ah,” Jane said, now fitting their story into the correct Austen novel context--Persuasion, more or less. And that was a real bummer. Captain East had offered Jane the best shot at curative love. Oh well. Two down…one to go? She studied Mr. Nobley and wondered why she had the impression that he was dangerous--or would be if he didn’t so often look tired or bored. Was he a sleeping tiger? Or a sack of potatoes? “And how do you feel about this, Mr. Nobley?” she asked. “It does not matter how I feel about Miss Heartwright.” He nudged his horse forward, and hers followed. She hadn’t been talking about Miss Heartwright, but, okay. “Wait, are you heartbroken?” She knew Miss Erstwhile shouldn’t ask the question, but Jane couldn’t help it. “No, of course not.” “Not about Miss Heartwright, anyway.” Jane watched Mr. Nobley’s face closely for signs of Henry Jenkins. His mouth was still, unrevealing, but his eyes were sad. She’d never noticed before. “Maybe you’re not heartbroken anymore, maybe you’ve passed that part, and now you’re just lonely.” Mr. Nobley smiled, but with just half of his mouth. “You are very good at nettling me, Miss Erstwhile. As I said, it does not matter how I feel. We are speaking of Miss Heartwright and Captain East. I think it nonsense how they have kept silent about it these past days. They should speak their minds.” “You approve of speaking one’s mind? So, do you approve of me?” As it appeared Mr. Nobley had no intention of answering the question, and Jane was stumped at how to restart the conversation, they rode on in silence. Of course just at that moment, she would see Martin by a line of trees, looking her way. Why couldn’t she be chatting and laughing and having a wonderful time? She smiled generously at the world around her and hoped that Martin would think she was enthralled with Mr. Nobley’s company and perfectly happy. Mr. Nobley turned to ask her a question, but when he saw her grinning without apparent cause, the words hung in his mouth. His eyes widened. “What? You are laughing at me again. What have I done now?” Jane did laugh. “I’m sorry, but I can’t seem to help myself around you. You are so teas-able.” Which was precisely not true, and yet saying it somehow made it so. Mr. Nobley looked over his shoulder just as the line of trees hid Martin from view. Jane wasn’t sure if he saw him. “I’m sorry I annoy you so much,” said Jane. “I’ll stop. I really will.” “Hm,” said Mr. Nobley as if he doubted it. He looked at his hands thoughtfully, not speaking again for several moments. In the silence, Jane became aware of her heart beating. Why was that?
Shannon Hale (Austenland (Austenland, #1))
Of course it’s fairly obvious where it’s coming from. Even the most casual Democratic voters understand by now that there is a schism within the party, one that pits “party insiders” steeped in the inside-baseball muck of Washington money culture against . . . well, against us, the actual voters. The insiders have for many years running now succeeded in convincing their voters that their actual beliefs are hopeless losers in the general electoral arena, and that certain compromises must be made if the party is ever to regain power. This defeatist nonsense is sold to the public in the form of beady-eyed party hacks talking to one another in the opinion pages of national media conglomerates, where, after much verbose and solemn discussion, the earnest and idealistic candidate the public actually likes is dismissed on the grounds that “he can’t win.” In his place is trotted out the guy the party honchos insist to us is the real “winner”—some balding, bent little bureaucrat who has grown prematurely elderly before our very eyes over the course of ten or twenty years of sad, compromise-filled service in the House or the Senate. This “winner” is then given a lavish parade and sent out there on the trail, and we hold our noses as he campaigns in our name on a platform of Jesus, the B-2 bomber, and the death penalty for eleven-year-olds, consoling ourselves that he at least isn’t in favor of repealing the Voting Rights Act. (Or is he? We have to check.) Then he loses to the Republicans anyway and we start all over again—beginning with the next primary election, when we are again told that the antiwar candidate “can’t win” and that the smart bet is the corporate hunchback still wearing two black eyes from the last race. No
Matt Taibbi (Smells Like Dead Elephants: Dispatches from a Rotting Empire)
Extend Invitations "How many times have you sat at home alone feeling jealous or sad that you were not invited to a party or out to dinner? You may have seen people having fun on Facebook and wondered what it would take to be included next time. And when you don’t feel included, it can leave you feeling rejected, dismissed, lonely and excluded. It does not have to be this way. Why do we wait for others to do the inviting? You can change your social life instantly by taking the initiative to reach out and connect with someone.
Susan C. Young (The Art of Action: 8 Ways to Initiate & Activate Forward Momentum for Positive Impact (The Art of First Impressions for Positive Impact, #4))
led us inside, carefully closing the door of the windowless room behind him. We chose a few straight chairs, and he rounded his desk. His face and his expression were flat with the exhaustion that goes along with public service, but there was also a deep-seated concern. It was an expression I saw in the mirror every morning. “So, it wasn’t an accident.” “We’re thinking not.” He sat and shared his sadness with us. “So, how can I help you?” I waited as Lolo asked the inevitable. “We were wondering if you knew of anybody who might wish Audrey ill or might want to do her harm.” “You mean to the point of…?” He seemed dismissive of the idea, so I softened the angle of the conversation. “We’re not absolutely sure that that’s the case, but we’re going to follow up on all the possibilities.” I glanced at the framed photos Herbert had on his desk—there was one of Audrey, one of the Two Two mother and
Craig Johnson (As The Crow Flies (Walt Longmire, #8))
It has been a great source of sadness to me to see two schools of thought within the evangelical church over many decades. Those who come glorying in manifestations of power sometimes seem dismissive of those whom they regard as “cold theologians.” I once heard a man speaking at a large conference say that theology was the enemy of the church and if only we could abandon doctrinal perspectives, the church would be a happier place. What tragic nonsense! We also see and hear those who love theological insight and savour the doctrines of Scripture expressing equally dismissive remarks about Christians who are enjoying God’s power, as though they were mere children preoccupied with experience. How I long for a recovery of true biblical Christianity where the apostle Paul, who wrote the book of Romans, also raised the dead! It seems that profound theology and great signs and wonders happily cohabited in Paul’s life and ministry.
Terry Virgo (A People Prepared)
I had to be curt on the phone. There are ears all around me. No matter what happens in public—no matter what—don’t doubt that I love you and care about your welfare . . . as much as I am able.” Not good. “And you’re telling me this because you’re going to do something bad to me in public,” I said, sadly unsurprised. “I hope it won’t come to that,” he said, and he put his arms around me. In happier times, I’d found that being close to Eric in the summer was very pleasant because his body temp was so low, but I wasn’t in the mood to enjoy the sensation just at the moment. “I have to go,” he said. “I had only an hour when I wouldn’t be missed. I was angry when you saved Sam. But I can’t just dismiss you as if I didn’t care. And I can’t leave you unprotected tonight. My guard will be here if you consent.
Charlaine Harris (Dead Ever After (Sookie Stackhouse, #13))
Thought maybe you’d gone,” Halt said. Then, with a trace of his sardonic grin, he added, “Thought maybe I’d gone.” Then the grin faded as he remembered what he had been saying. “He could be the greatest of us all, you know.” Horace bowed his head but he knew he had to answer. He had to keep Halt talking. If he was talking, he was alive. That was all Horace knew. “He had a great teacher, Halt,” Horace said, his voice breaking. Halt waved a weary hand in dismissal. “Didn’t need to teach him. Just needed to point the way.” There was a long pause, then he added, “Horace too. Another good one there. Watch over him. He and Will together . . . They could be the future of this Kingdom.” This time Horace couldn’t talk. He felt a numbing wave of sadness, but at the same time, a glow of pride was in his heart—pride that Halt would talk about him in such terms. Unable to speak, he squeezed the Ranger’s hand once more. Halt made another effort to raise his head and managed to get it a few centimeters off his pillow. “One more thing . . . Tell Pauline . . .” He hesitated and Horace was about to prompt him when he managed to continue. “Oh . . . never mind. She knows there’s never been anyone else for me.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Sorrow is a different thing, ladies. Here's what life has taught me about that. I have felt sadness so sharp that is has knocked me to my knees - literally - and made it almost impossible to breathe. For days. Even weeks. That's grieving. That's normal when you've had a terrible loss or shock. My advice on sadness is not to ignore it, not dismiss it. Stare sorrow straight in the face. Recognize the pain for what it is. Then it will be back down a tad and walk beside you, maybe give you a little bit of a limp for a while, or for forever. But it will not undo you or sneak up on you from behind in a surprise attack. Of course, doing that - facing sorrow head-on and accepting its presence as an unwanted but tolerated companion - takes honesty, courage, and a bit of spit. " -Belle
L.M. Elliott (Louisa June and the Nazis in the Waves)
What happened?” “What difference does it make?” she asked, wary and sharp. “I thought you didn’t wish to hear my sob story, as you put it.” Well, he’d earned that. “Look, he said tightly, “you can’t expect me to learn who you are, what you are, and be immediately cool with it, okay? I’m still processing all this shit.” “What is there to process? I am who I am, and I’ve done what I’ve done. The fact that I have children doesn’t erase that.” All right. She was pissed off. “It’s almost like you want me to resent you.” “I wanted you to listen,” she snapped, “but you wouldn’t. Yet now that I fit some sort of acceptably sad female backstory, you’re willing to hear me out.” “That’s bullshit.” Fuck, she and Bryce would get along well. The fact that both of them were on this ship…Part of him wanted to run and hide. Lidia went on, “Would you have listened if I had no backstory other than realizing what was right and wanting to fight for it? Of doing whatever it took to make sure that good prevailed against tyranny? Or does my being a mother somehow make my choices more palatable to you?” “Most dudes run when they find out the female they’re into has kids.” Her eyes flickered with cold fire. “That’s male strength for you.” “You seemed to like my strength plenty, sweetheart.” She snorted, turning back toward her door. Dismissing him. His temper coiled. “So what’s the sob story, Lidia?” Slowly, she looked back, her face a mask of utter contempt, and said before she shut the door in his face, “You don’t deserve to hear it.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Does this mean I think you should stubbornly refuse to give any guy a chance who doesn’t look like Channing Tatum? Or that you should dismiss every guy who’s a little shorter than you had hoped or blonder than you had visualized or older or younger than you had planned? No. There certainly should and needs to be flexibility and openness to the idea that the person you choose to spend your life with might not fit some preconceived mold or check every single box you have for him. There does have to be a willingness to compromise when it comes to the fine print. But the big things—Is he loyal and honest and kind? Does he have goals and dreams and ambition? Does he do what he says he’ll do and follow through and keep commitments and show up for you? and so on and so forth—those are areas in which you have a right to stand tall and firm on your standards and not back down. Because here’s the thing: yes, singleness can be a little lonely. It can be a little sad. It can be difficult and awkward, and let’s be real: it just plain sucks at times. But nothing . . . and I mean nothing . . . is lonelier or sadder or more challenging than waking up one morning to find yourself trapped in a relationship with someone who is wrong for you, simply because you compromised your standards to avoid winding up alone. (Or because you chose him simply because he has hair.) It’s time to tell the world that, yes, we are single; yes, we have standards; and, no . . . we won’t apologize for it. Because high standards don’t signify a diva. They signify a woman who knows what she’s worth.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
I saw a pretty shop across the Sidra the other day. It sold what looked to be lots of lacy little things. Am I allowed to buy that on your credit, too, or does that come out of my personal funds?' Those violet eyes again drifted to me. 'I'm not in the mood.' There was no humour, no mischief. I could go warm myself by a fire inside, but... He had stayed. And fought for me. Week after week, he'd fought for me, even when I had no reaction, even when I had been been able to speak or bring myself to care if I lived or died or ate or starved. I couldn't leave him to his own dark thoughts, his own guilt. He'd shouldered them alone long enough. So I held his gaze. 'I never knew Illyrians were such morose drunks.' 'I'm not drunk- I'm drinking,' he said, his teeth flashing a bit. 'Again semantics,' I leaned back in my seat, wishing I'd brought my coat. 'Maybe you should have slept with Cresseida after all- so you could both be sad and lonely together.' 'So you're entitled to have as many bad days as you want, but I can't get a few hours?' 'Oh, take however long you want to mope. I was going to invite you to come shopping with me for said lacy little unmentionables, but... sit up here forever, if you have to.' He didn't respond. I went on, 'Maybe I'll send a few to Tarquin- with an offer to wear them for him if he forgives us. Maybe he'll take those blood rubies right back.' His mouth barely, barely tugged up at the corners. 'He'd see that as a taunt.' 'I gave him a few smiles and he handed over a family heirloom. I bet he'd give me the keys to his territory if I showed up wearing those undergarments.' 'Someone thinks mighty highly of herself.' 'Why shouldn't I? You seem to have difficulty not staring at me day and night.' There it was - a kernel of truth and a question. 'Am I supposed to deny,' he drawled, but something sparked in those eyes, 'That I find you attractive?' 'You've never said it.' 'I've told you many times, and quite frequently, how attractive I find you.' I shrugged, even as I thought of all those times- when I'd dismissed them as teasing compliments, nothing more. 'Well, maybe you should do a better job of it.' The gleam in his eyes turned into something predatory. A thrill went through me as he braced his powerful arms on the table and purred, 'Is that a challenge, Feyre?' I held that predator's gaze- the gaze of the most powerful male in Prythian. 'Is it?' His pupils flared. Gone was the quiet sadness, the isolated guilt. Only that lethal force- on me. On my mouth. On the bob of my throat as I tried to keep my breathing even. He said, slow and soft, 'Why don't we go down to that store right now, Feyre, so you can try on those lacy little things- so I can help you pick which ones to send to Tarquin.' My toes curled inside my fleece-lined slippers. Such a dangerous line we walked together.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The sadness in this is that a wedding ring will indeed automatically make her seem worthy of respect, while not wearing a wedding ring would make her easily dismissible—and this is in a modern workplace.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
Americans are loath to talk about enslavement in part because what little we know about it goes against our perception of our country as a just and enlightened nation, a beacon of democracy for the world. Slavery is commonly dismissed as a “sad, dark chapter” in the country’s history. It is as if the greater the distance we can create between slavery and ourselves, the better to stave off the guilt or shame it induces.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
When he thought of worldly matters, he found much delight; but after growing weary and dismissing them, he found that he was dry and unhappy. But when he thought of going barefoot to Jerusalem and eating nothing but herbs and of imitating the saints in all the austerities they practiced, he not only found consolation in these thoughts, but even after they had left him he remained happy and joyful. He did not consider nor did he stop to examine this difference until one day his eyes were partially opened, and he began to wonder at this difference and to reflect upon it. From experience he knew that some thoughts left him sad while others made him happy, and little by little he came to perceive the different spirits that were moving him; one coming from the devil, the other coming from God.
Joseph N. Tylenda (A Pilgrim's Journey: The Autobiography of Ignatius of Loyola)
If our parents fell short in soothing our emotions and thinking about what we needed, we’re more likely to regard our partner’s failure of responsiveness as an emergency. Say you are trying to talk to your wife and she appears bored or critical. If you grew up in a family where people responded to your needs and emotions, and misattunements were generally followed by repair, you will likely apply a nondire lens to this situation. Uncomfortable and frustrating, yes; desperate, no. But what if the adults you depended on were dismissive toward your emotions or so easily overwhelmed that they couldn’t offer a calming perspective? What if they were so depressed or self-absorbed or even, frankly, crazy that you had the repeated experience of being left alone with your fear or anger or sadness without any reassurance that comfort would be reliably offered? Perhaps you were even blamed or punished for having your feelings at all. In that case, when your wife fails to tune in empathically, you will likely be sent right back into the soup of your troubling childhood emotions. No one helped you make sense of your emotions back then, after all; no one received your signals in a way that helped you integrate them into an understanding of what they meant, or how to manage them.
Daphne de Marneffe (The Rough Patch: Marriage and the Art of Living Together)
This was the first time, in a long life, that he had savoured to the full the pleasures of his senses. He remembered the extraordinary sensations he had felt, when bedbound, on his sudden awareness of the inanimate objects in the bedroom. That had been the beginning of his new response to his surroundings, although weakness then had blurred some of the pleasure. Now, with ever-growing strength, he gave thanks for the miracles around him, and his ability to recognise them. Sickness, reflected Robert, changed a man. He thought of the invalids he had known. How often he had dismissed their querulousness and complaints as the outcome of self-pity! He knew better now. It was not only with themselves and their pain that the sick were concerned. They worried for their others. They grieved for the work they were causing, for the disruption of other people's lives, the sapping of their energy, the tensions within a family, and the awful possibility of increasing helplessness. He had been lucky, he thought soberly. Lucky to have had his darling Milly as a constant support, a doctor he trusted, and a loving family. Lucky too, to have realised this further truth, that the sick are sad, not only for themselves, but for those they love. He would never forget it.
Miss Read (Return to Thrush Green (Thrush Green, #5))
No one person, however brilliant or well-informed in the Mysteries, can come in one lifetime to such fullness of understanding as to safely judge and dismiss the customs or institutions of his society. These customs are the culminations of the wisdom of generations of experiment in the crucible of history. A youth boiling with emotions will wonder why he—or she—should not give full freedom to his or her desires. Alas, we have learned from sad experience that if the young are left unchecked by customs, morals, or traditions, they may well ruin their lives before they mature sufficiently to understand this essential truth; desire is a river of living fire that must be banked, cooled, and channeled by copious measures if it is not to consume in a flood of burning chaos both the individual and society.” —Lady Corinne of Pavenham Sky
Jeff Wheeler (Storm Glass (Harbinger, #1))
I remember one of the few (awkward. Oh God, so, so awkward) sex-centered conversations I had with my mom. It was right before she… died, and she’d caught me checking out a guy while we waited in line at a store. She waited until we were in the car, thank God, before she said anything. I felt her worry long before she said anything. “Don’t ever… give yourself to someone you don’t trust, Meda,” Mom finally started. I’m pretty sure I had a bratty comeback regarding the euphemism “give yourself”. Probably paired with the classic snotty-shit eye roll I’d managed to perfect in my fifteen years on earth. She ignored me like the brat I was, and kept talking. “When you sleep with someone, whether you know it or not, whether you want to or not, you give them a little piece of you they can break.” I had another dismissive comment on the tip of my tongue, but there was something in her voice that stopped me. Something dark and sad. Something that scared me enough to shut the hell up and just nod. She’d turned toward me. “You may think you’re different, but you’re not.” Her eyes grew distant. “Trust me.
Eliza Crewe (Crushed (Soul Eaters, #2))
And sadly, it's all too common for qualified Black women to find themselves facing off with white ignorance. White men have yelled at me in defensiveness, challenged the entirety of my talks during open Q and A sessions, and simply ignored me as if I don't exist, gathering all their privilege like a shield. White women have dismissed me completely, crumbled into tears, or launched into stories that center on That One Time Something Bad Happened to Them. Beneath the volatility, the combativeness, white people become disturbed because they often can't fathom Black people have something important to teach them about themselves and about the world.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
This kind of “visual reading,” the ground upon which reading is built, is sadly dismissed in favor of just words when our children get to school. Picture books give way to books with fewer and fewer illustrations. Ultimately, the image becomes an afterthought, with much sacrificed along the way. We spend countless hours on letters and words, but hardly anything on the images.
Stephen Apkon (The Age of the Image: Redefining Literacy in a World of Screens)
In light, I see my skin as black; in darkness, it glows white in the heat of this rage I cannot dismiss. Would that I had the courage to depart, this place or his life, or to stand openly against the wrongness that is the world of theses, my kin. To seek an existence that does not run afoul to that which I believe, and to that which I hold dear faith is true.
R.A. Salvatore (Homeland (Forgotten Realms: The Dark Elf Trilogy, #1; Legend of Drizzt, #1))
While my lack of enthusiasm kept the bulk of humanity at arm’s length, it almost seemed to attract people like Charles. Maybe it’s the fact that we misanthropes don’t discriminate—the people hater hates everybody equally. Maybe this sad sack egalitarianism makes the Charleses of the world, used as they are to being dismissed out of hand, feel raised to uncommon heights of social desirability when bathed in its jaundiced glow.
Adrian Barnes (Nod)
And so, it would be sad enough if Japanese internment could be dismissed as an aberration of the American past, but the feelings and reasonings that resulted in that injustice are all too present in the nation today. On December 7, 2015, the seventy-fourth anniversary of the Japanese attack on Pearl Harbor, the Washington Post reported, “Donald Trump called Monday for a ‘total and complete shutdown’ of the entry of Muslims to the United States ‘until our country’s representatives can figure out what is going on.’” After his election, President Trump attempted to institute just such a ban. For a time, district and circuit courts, the lower two rungs on the federal judiciary ladder, ruled against the Trump administration, calling the proposal racially motivated, but eventually, after transparently sanitizing the initiative by restricting the order to citizens of specific countries that Trump claimed, without evidence, were hotbeds of terrorism, the Supreme Court in Hawaii v. Trump upheld the ban, as in Korematsu, on the grounds of national security.
Lawrence Goldstone (Days of Infamy: How a Century of Bigotry Led to Japanese American Internment (Scholastic Focus))