Sack Of Rome Quotes

We received our colouring from the Norsemen, hairy savages who hacked their gods to pieces and hung the flesh from trees. We are the ones who sacked Rome. Fear only feeble old age and death in bed. Don't forget who you are.

he sacked Rome in 410, an event which shocked the Roman world much as 11 September 2001 shocked the United States, a huge, upsetting, symbolic blow to its self-confidence; but it was without other repercussions,

We received our coloring from Norsemen. Hairy savages who hacked their gods to pieces and hung the flesh from trees. We are the ones who sacked Rome. Fear only feeble old age and death in bed. Don't forget who you are.

Oddly, none of the chroniclers who describe this 'sack of Rome' seem at all interested in the fact that what was being taken had actually been brought to the city as loot in the first place. And whereas the Romans had destroyed the places from which they took their plunder, not a single building in Rome was destroyed by the Vandals.

That little rock you’re so curious about may have seen Alaric sack Rome; it may have glittered in the eyes of Pharaohs. Scythian queens might have danced all night wearing it. Wars might have been fought over it.

What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation. It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed. 

What are its enemies?
 
Well, first of all fear — fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything or change anything. The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. 

There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed — it would have been better than nothing. Of course, civilisation requires a modicum of material prosperity—

What civilization needs:

confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in one’s own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline. Vigour, energy, vitality: all the civilisations—or civilising epochs—have had a weight of energy behind them. People sometimes think that civilisation consists in fine sensibilities and good conversations and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid.

Ancient Rome, the punishment for killing one's father (parricide) was poena cullei or "penalty of the sack." This death penalty consisted of being sewn up in a sack along with a viper, a dog, and a cock, which was then thrown into water.

You know how diamonds—how all crystals—grow, Laurette? By adding microscopic layers, a few thousand atoms every month, each atop the next. Millennia after millennia. That’s how stories accumulate too. All the old stones accumulate stories. That little rock you’re so curious about may have seen Alaric sack Rome; it may have glittered in the eyes of Pharaohs. Scythian queens might have danced all night wearing it. Wars might have been fought over it.

The light of reason and civilization was virtually snuffed out by the Barbarian hordes who swarmed across Europe, annihilating everything the Romans had put in place, sacking Rome itself and consigning Europe to the Dark Ages. The Barbarians brought only chaos and ignorance, until the Renaissance rekindled the fires of Roman learning and art. It's a familiar story, but it's codswallop.

Father and son had been on poor terms (even Cicero acknowledged this) and it was arranged for the young man to be accused of parricide. This was among the most serious offenses in the charge book and was one of the few crimes to attract the death penalty under Roman law. The method of execution was extremely unpleasant. An ancient legal authority described what took place: “According to the custom of our ancestors it was established that the parricide should be beaten with blood-red rods, sewn in a leather sack together with a dog [an animal despised by Greeks and Romans], a cock [like the parricide devoid of all feelings of affection], a viper [whose mother was supposed to die when it was born], and an ape [a caricature of a man], and the sack thrown into the depths of the sea or a river.

That was some shady shit out there, Rome,” Braeden said once the total chaos of winning the game had gone down to a considerable roar. We were finally in the locker room, and I was stripping off my sweat and grass-stained gear. “Total douche move.” I agreed. It wasn’t the first time a team had tried to take me out of a game. It was pretty much common practice, especially when something like a title and championship was at stake. Still, I’d never quite had anyone come at me like that before. The play was already in progress. Sacking me wouldn’t have changed the touchdown I’d just thrown. Except of course to keep me from throwing another one. That guy deliberately came in like a freight train and plowed me down. I lay there stunned for long moments, waiting for the air to come back in my lungs and for my body to process the shock of the hit. Thankfully, he wasn’t that good at tackling and it did nothing more than stun me. And it got him thrown out of the game. It really hadn’t been a big deal. Like I said, it happened a lot. But it was the first time it happened in front of Rimmel. I couldn’t help but notice how the large screen on the field had zeroed in on the girl in number twenty-four’s hoodie, who was climbing over the railing and preparing to leap down onto the field. The security guard was yelling at her, but she barely noticed him. Her eyes were trained out on the field, where I was. It was almost laughable that her tiny ass was going to rush out onto a field full of men more than double her size to make sure I was okay. G**damn. I loved her even more just then. When the guard put his hand on her ankle, trying to stop her from going back to her seat, something happened. Something that never had in my entire life of playing football. The game faded away. For once, I was out on the field and unable to focus on only the game. It took a backseat to the girl teetering on the edge of the railing.

To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack.

A year before Bramante’s death, in 1513, Pope Julius II commissioned Raphael to decorate the Vatican apartments and Michaelangelo to paint the Sistine chapel.    In 1527 Rome was sacked by the army of the holy Roman empire led by the Holy Roman Emperor Charles V and the work once again ground to a halt. Over the next twenty years very little was done and then in 1546 Pope Paul II persuaded an elderly Michaelangelo to complete the building. Michaelangelo reverted back to the original plan of Bramante’s to create a church of Greek style cross plan.

In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.

The people of Rome had particular reason to associate a god more commonly worshipped as the patron of prophecy and self-discipline with vicious cruelty. In the Forum, next to the sacred fig tree, there stood the statue of a pot-bellied man with a wine-sack on his shoulder. This was Marsyas, a satyr who had once challenged Apollo to a musical contest, been cheated of the victory that was rightfully his, and then been flayed alive for his presumption. Such, at any rate, was the version of the story told by the Greeks – but in Italy an altogether happier ending was reported. Marsyas, they claimed, had escaped the irate Apollo and fled to the Apennines, where he had taught the arts of augury to the natives and fathered the snake-charming Marsians. Rome was not the only city to commemorate him. Statues of Marsyas were to be found in public squares across Italy.

Perhaps if this abbey exists and if we still speak of the Holy Roman Empire, we owe it to the Irish. At that time, the rest of Europe was reduced to a heap of ruins; one day they declared invalid all baptisms imparted by certain priests in Gaul because they baptized 'in nomine patris et filae' [In the name of the Father and of the Daughter]--and not because they practiced a new heresy and considered Jesus a woman, but because they no longer knew any Latin.... Vikings from the Far North came down along the rivers to sack Rome. The pagan temples were falling into ruins, and the Christian ones did not yet exist. It was only the monks of Hibernia in their monasteries who wrote and read, read and wrote, and illuminated, and then jumped into little boats made of animal hide and navigated towards these lands and evangelized them as if you people were infidels, you understand?

You know how diamonds—how all crystals—grow, Laurette? By adding microscopic layers, a few thousand atoms every month, each atop the next. Millennia after millennia. That’s how stories accumulate too. All the old stones accumulate stories. That little rock you’re so curious about may have seen Alaric sack Rome; it may have glittered in the eyes of Pharaohs. Scythian queens might have danced all night wearing

Though Christianity’s early history was troubled, fortune eventually favored the new religion when, in the fourth century AD, the Emperor Constantine himself converted to it, banned the persecution of Christians and returned confiscated Church properties. Gradually, the remains of the Popes and important martyrs were removed from catacombs and buried in consecrated ground within the grounds of churches. The sack of Rome by the Goths in AD 410 put an end to the use of the catacombs for fresh burials, though for centuries pilgrims continued to visit them and Popes did their best to preserve and even embellish the important vaults.

David Landes, the distinguished economic historian, has even seen in the political fragmentation of the Old Continent one of the roots of its later global dominance. By decentralizing authority, fragmentation made Europe safe from single-stroke conquest – the fate of many empires of the past, from Persia after Issus (333 BC) and Rome after the sack of Alaric (410 AD) to Aztec Mexico and Inca Peru. The American historian concludes his argument with a citation from Patricia Crone’s Pre-Industrial Societies: ‘Far from being stultified by imperial government, Europe was to be propelled forward by constant competition between its component parts’ (Landes 1998: 528). These and other scholars stressing the importance of inter-state competition in European history have been inspired by the arguments advanced by Eric Jones in his well-known book The European Miracle. The miracle the British historian wished to explain is the fact that one thousand years ago, more or less, nobody would have thought possible that Europe could ever be able to challenge the great empires of the East, but five hundred years later European global dominance was already becoming a reality. According to Jones the essence of this ‘European miracle’ lies in politics rather than in economics: in its long-lasting system of competing but also cooperating states. Considered as a group, the members of the European states system realized the benefits of competitive decision-making but also some of the economies of scale expected of an empire: ‘Unity in diversity gave Europe some of the best of both worlds, albeit in a somewhat ragged and untidy way’ (Jones 1987: 110).

In the thirty-third year of the reign of Augustus, a Jewish rebel named Judas the Galilean rose up and led a revolt against Rome. The Roman governor had ordered a census of Judea in order to increase their taxes. Judas and a fellow Pharisee, Zadok, were driven by a holy zeal for the Law of God and used as their model of inspiration the Maccabean revolt of a hundred and seventy years earlier. Jews had a particular animosity toward censuses because they felt it was an encroachment upon Yahweh’s right to number his people and upon his ownership of the land. Judas considered armed rebellion the only option for faithful Jews and even started a slogan, “No king but God.” “Caesar” was Latin for emperor or universal king. Such slogans were therefore a denial of the emperor’s universal rule. And for Romans, such insurrection would not be tolerated. Judas gained two thousand followers, but was ultimately defeated in Sepphoris when the Romans sacked the city. They crucified all the rebels on poles along the thoroughfares of Galilee as a warning sign for the disobedient. The Imperial legions were not known for respecting innocent civilians and killed too many of them as collateral damage in their frenzied retribution. Demas’s parents were among the victims of this barbarous atrocity.

AD 476, the year when Romulus Augustulus, the last Roman emperor of the West, was deposed. But in fact the removal of Romulus was only the final, inevitable step in a process that had begun long before. By 476, the emperor was a puppet without any effective power; the empire had already broken up and was losing one piece after another; barbarians were dominant in Gaul, in Spain, in Africa, and even in Italy; and Rome had been sacked more than once, by the Goths in 410 and again by the Vandals in 455. In short, the dissolution of the empire was already so far advanced that the deposition of the last Western emperor was not very important news. A famous essay by Arnaldo Momigliano titled "An Empire's Silent Fall" demonstrates that the so-called great event of 476, the dethronement of Romulus Augustulus, was noted by few at the time. But if things had reached this point, if the western half of the Roman Empire had been reduced to an empty shell that a barbarian chieftain could sweep aside without eliciting a protest, it was because of a series of traumas that had begun exactly a century before. In 376, an unforeseen flood of refugees at the frontiers of the empire, and the inability of the Roman authorities to manage this emergency properly, gave rise to a dramatic conflict that was to culminate in Rome's most disastrous military defeat since Hannibal's Carthaginians destroyed the Roman army at Cannae in 216 BC.

She was wearing her If You’re Really a Goth, Where Were You When We Sacked Rome? T-shirt

The Vandals were another Germanic tribe that attacked and sacked the city.

These same enemies would again play a pivotal role in Roman history in the end. In 410 CE, Rome was sacked by Visigoths under King Alaric. Alaric’s forces quickly took what they wanted from the city, including hostages, and continued into the south of Italy.

The great intellectual tradition that comes down to us from Pythagoras and Plato was never interrupted or lost through such trifles as the sack of Rome, the triumph of Attila or all the barbarian invasions of the Dark Ages. It was only lost after the introduction of printing, the discovery of America, the founding of the Royal Society and all the enlightenment of the Renaissance and the modern world.

The myth of Rome’s everlastingness had been given relentless voice in Virgil’s Aeneid, only to shatter with the sack of Rome in 410.

What followed seemed barely unbelievable, in the sense that Europe reeled from an assault that seemed impossible, heretical, demonic.

the end. In 410 CE, Rome was sacked by Visigoths under King

Why do you think Rome fell?” “They stopped fighting their wars and paid others to do it. Rome became decadent and when they ultimately didn’t pay the mercenary armies, they turned on Rome and sacked it. Rome turned its back on all their culture, traditions, and behaviors that made them strong. Rome was little more than a city ruled by mobs by the time it fell.

The great intellectual tradition that comes down to us from the past was never interrupted or lost through such trifles as the sack of Rome, the triumph of Attila, or all the barbarian invasions of the Dark Ages. It was lost after … the coming of the marvels of technology, the establishment of universal education, and all the enlightenment of the modern world. And thus was lost—or impatiently snapped—the long thin delicate thread that had descended from distant antiquity; the thread of that unusual human hobby: the habit of thinking.

I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.

We will only understand the Torah if we recall that every other religion in the ancient world worshiped nature. That is where they found God, or more precisely, the gods: in the sun, the moon, the stars, the storm, the rain that fed the earth and the earth that gave forth food. Even in the 21st century, people for whom science has taken the place of religion still worship nature. For them we are physical beings. For them there is no such thing as a soul, merely electrical impulses in the brain. For them there is no real freedom: we are what we are because of genetic and epigenetic causes over which we have no real control. Freewill, they say, is an illusion. Human life, they believe, is not sacred, nor are we different in kind from other animals. Nature is all there is. Such was the view of Lucretius in ancient Rome and Epicurus in pre-Christian Greece, and it is the view of scientific atheists today. The faith of Abraham and his descendants is different. God, we believe, is beyond nature, because He created nature. And because He made us in His image, there is something in us that is beyond nature also. We are free. We are creative. We can conceive of possibilities that have not yet existed, and act so as to make them real. We can adapt to our environment, but we can also adapt our environment to us. Like every other animal we have desires, but unlike any other animal we are capable of standing outside our desires and choosing which to satisfy and which not. We can distinguish between what is and what ought to be. We can ask the question “Why?

Plato, however, in the “Laws,” classes the Celts among the races who are drunken and combative, and much barbarity is attributed to them on the occasion of their irruption into Greece and the [pg 18] sacking of Delphi in the year 273 B.C. Their attack on Rome and the sacking of that city by them about a century earlier is one of the landmarks of ancient history. The history of

Chen pointed to the cub. "There's your brute." Then he pointed to the pups. "And there's your domestication. For the most part, Westerners are descendants of barbarian, nomadic tribes such as the Teutons and the Anglo-Saxons. They burst out of the primeval forest like wild animals after a couple of thousand years of Greek and Roman civilization, and sacked ancient Rome. They eat steak, cheese, and butter with knives and forks, which is how they've retained more primitive wildness than the traditional farming races. Over the past hundred years, domesticated China has been bullied by the brutish West. It's not surprising that for thousands of years the Chinese colossus has been spectacularly pummeled by tiny nomadic peoples.

What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation. It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed. What are its enemies? Well, first of all fear – fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything or change anything. The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed – it would have been better than nothing. Of course, civilisation requires a modicum of material prosperity – enough to provide a little leisure. But, far more, it requires confidence – confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in one’s own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline. Vigour, energy, vitality: all the great civilisations – or civilising epochs – have had a weight of energy behind them. People sometimes think that civilisation consists in fine sensibilities and good conversation and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid. So if one asks why the civilisation of Greece and Rome collapsed, the real answer is that it was exhausted.

Sobre el ascenso y el ejercicio de gobierno de Silvio Berlusconi, véase Alexander Stille, The Sack of Rome: Media + Money + Celebrity = Power = Silvio Berlusconi, Nueva York, Penguin, 2006 (trad. cast.: El saqueo de Roma: de cómo un bonito país con un pasado glorioso y una cultura deslumbrante fue sometido por un individuo llamado Silvio Berlusconi, Barcelona, Papel de Liar, 2010). Sobre el derrumbe del sistema de partidos de posguerra, véanse L. Morlino, «Crisis of Parties and Change of Party System in Italy», en Party Politics, 2, 1, 1996, págs. 5-30; y L. Bardi, «Anti-party Sentiment and Party System Change in Italy», en European Journal of Political Research, 29, 3, 1996, págs. 345-363.

I want to tell you of something which has brought me no small comfort, in the hope that perhaps it may have some power to lighten your sorrow too. AS I was on my way back from Asia [to Rome on changing sides after Pharsalus], sailing from Aegina towards Megara, I began to gaze at the landscape around me. There behind me was Aegina, in front of me Megara, to the right Piraeus, to the left Corinth; once flourishing towns, now lying low in ruins before one’s eyes. [These cities had not recovered from the Roman annexation of Greece in the middle of the previous century: Corinth had been sacked.] I began to think to myself: “Ah, how can we little creatures wax indignant if one of us dies or is killed, ephemeral beings as we are, when the corpses of so many towns lie abandoned in a single spot? Check yourself, Servius, and remember that you were born a mortal man.” That thought, I do assure you, strengthened me not a little. If I may suggest it, picture the same spectacle to yourself. Not long ago so many great men died at one time, the Roman Empire was so gravely impaired, all its provinces shaken to pieces; can you be so greatly moved by the loss of one poor little woman’s frail spirit?

The feelings are similar, in some ways, to those one has in Rome or Athens, but quite different in other ways, because this culture is so different: so completely sun-oriented, sky-oriented, wind- and weather-oriented, as a start. The buildings face outward, life faces outward, whereas in Greece and Rome the focus is inward:

The Oxford English Dictionary itself feebly admits that 'In Middle English it is often doubtful whether blac, blak, blacke, means "black, dark," or "pale, colourless, wan, livid".' ... Utterly illogical though all this may sound, there are two good explanations. Unfortunately, nobody is quite sure which one is true. So I shall give you both. Once upon a time, there was an old Germanic word for burnt, which was black, or as close to black as makes no difference. The confusion arose because the old Germanics couldn't decide between black and white as to which color burning was. Some old Germans said that when things were burning they were bright and shiny, and other old Germans said that when things were burnt they turned black. The result was a hopeless monochrome confusion, until everybody got bored and rode off to sack Rome. ... The other theory (which is rather less likely, but still good fun) is that there was an old German word black which meant bare, void, and empty. What do you have if you don't have any colours? Well, it's hard to say really. If you close your eyes you see nothing, which is black, but a blank piece of paper is, usually, white. Under this theory, blankness is the original sense and the two colors—black and white—are simply different interpretations of what blank means.

Quintus’s performance as governor threatened to realize his brother’s worst fears. He had two men found guilty of killing their father sewn up in a sack and drowned—the traditional Roman penalty.