Rye Best Quotes

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The best thing about the bedroom was the bed. I liked to stay in bed for hours, even during the day with covers pulled up to my chin. It was good in there, nothing ever occurred in there, no people, nothing.
Charles Bukowski (Ham on Rye)
The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and they're pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way—I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.
J.D. Salinger (The Catcher in the Rye)
I still had this idea that there was a whole world of marvelous golden people somewhere, as far ahead of me as the seniors at Rye when I was in the sixth grade; people who knew everything instinctively, who made their lives work out the way they wanted without even trying, who never had to make the best of a bad job because it never occured to them to do anything less then perfectly the first time. Sort of heroic super-people, all of them beautiful and witty and calm and kind, and I always imagined that when I did find them I'd suddenly know that I Belonged among them, that I was one of them, that I'd been meant to be one of them all along, and everything in the meantime had been a mistake; and they'd know it too. I'd be like the ugly duckling among the swans.
Richard Yates (Revolutionary Road)
The best thing, though, in that museum was that everything always stayed right where it was… The only thing that would be different would be you.
J.D. Salinger (The Catcher in the Rye)
What I like best is a book that's at least funny once in awhile.
J.D. Salinger (The Catcher in the Rye)
You still felt that life was passing you by? Sort of. I still had this idea that there was a whole world of marvelous golden people somewhere, as far ahead of me as the seniors at Rye when I was in sixth grade; people who knew everything instinctively, who made their lives work out the way they wanted without even trying, who never had to make the best of a bad job because it never occurred to them to do anything less than perfectly the first time. Sort of heroic super-people, all of them beautiful and witty and calm and kind, and I always imagined that when I did find them I'd suddenly know that I belonged among them, that I was one of them, that I'd been meant to be one of them all along, and everything in the meantime had been a mistake; and they'd know it too. I'd be like the ugly duckling among the swans.
Richard Yates (Revolutionary Road)
I was like a turd that drew flies instead of like a flower that butterflies and bees desired. I wanted to live alone,I felt best being alone, cleaner,,,
Charles Bukowski (Ham on Rye)
Saving and pinching to get married, you're losing the best time of your life.
Muriel Spark (The Ballad of Peckham Rye)
There are no good wars or bad wars. The only thing bad about a war is to lose it. All wars have been fought for a so-called good Cause on both sides. But only the victor's Cause becomes history's Noble Cause. It's not a matter of who is right or who is wrong, it's a matter of who has the best generals and the better army!
Charles Bukowski (Ham on Rye)
If you've ever read one of those articles that asks notable people to list their favorite books, you may have been impressed or daunted to see them pick Proust or Thomas Mann or James Joyce. You might even feel sheepish about the fact that you reread Pride and Prejudice or The Lord of the Rings, or The Catcher in the Rye or Gone With the Wind every couple of years with some much pleasure. Perhaps, like me, you're even a little suspicious of their claims, because we all know that the books we've loved best are seldom the ones we esteem the most highly - or the ones we'd most like other people to think we read over and over again.
Laura Miller (The Magician's Book: A Skeptic's Adventures in Narnia)
Let me repeat. I have not read all the work of this present generation of writing. I have not had time yet. So I must speak only of the ones I do know. I am thinking now of what I rate the best one, Salinger's Catcher in the Rye, perhaps because this one expresses so completely what I have tried to say. A youth, father to what will—must—someday be a man, more intelligent than some and more sensitive than most, who—he would not even have called it by instinct because he did not know he possessed it because God perhaps had put it there, loved man and wished to be a part of mankind, humanity, who tried to join the human race and failed. To me, his tragedy was not that he was, as he perhaps thought, not tough enough or brave enough or deserving enough to be accepted into humanity. His tragedy was that when he attempted to enter the human race, there was no human race there. There was nothing for him to do save buzz, frantic and inviolate, inside the glass wall of his tumbler, until he either gave up or was himself, by himself, by his own frantic buzzing, destroyed.
William Faulkner
If you want to know the truth, the guy I like best in the Bible, next to Jesus, was that lunatic and all, that lived in the tombs and kept cutting himself with stones. I like him ten times as much as the Disciples, that poor bastard.
J.D. Salinger (The Catcher in the Rye)
When the conduct of men is designed to be influenced, persuasion, kind, unassuming persuasion, should ever be adopted. It is an old and a true maxim, that a “drop of honey catches more flies than a gallon of gall.” So with men. If you would win a man to your cause, first convince him that you are his sincere friend. Therein is a drop of honey that catches his heart, which, say what he will, is the great high road to his reason, and which, when once gained, you will find but little trouble in convincing his judgment of the justice of your cause, if indeed that cause really be a just one. On the contrary, assume to dictate to his judgment, or to command his action, or to mark him as one to be shunned and despised, and he will retreat within himself, close all the avenues to his head and his heart; and tho’ your cause be naked truth itself . . . you shall no more be able to [reach] him, than to penetrate the hard shell of a tortoise with a rye straw. Such is man, and so must he be understood by those who would lead him, even to his own best interest. [Italics added]
Donald T. Phillips (Lincoln On Leadership: Executive Strategies for Tough Times)
out and
Rye Hart (Her Best Men)
But it was worth it. The blonde was some dancer. She was one of the best dancers I ever danced with. I'm not kidding, some of these very stupid girls can really knock you out on a dance floor. You take a really smart girl, and half the time she's trying to lead you around the dance floor, or else she's such a lousy dancer, the best thing to do is stay at the table and just get drunk with her.
J.D. Salinger (The Catcher in the Rye)
In the first place, I'm sort of an atheist. I like Jesus and all, but I don't care too much for most of the other stuff in the Bible. Take the Disciples, for instance. They annoy the hell out of me, if you want to know the truth. They were all right after Jesus was dead and all, but while He was alive, they were about as much use to Him as a hole in the head. All they did was keep letting Him down. I like almost anybody in the Bible better than the Disciples. If you want to know the truth, the guy I like best in the Bible, next to Jesus, was that lunatic and all, that lived in the tombs and kept cutting himself with stones. I like him ten times as much as the Disciples, that poor bastard.
J.D. Salinger (The Catcher in the Rye)
Hunting Down the Secular Humanists" "...What makes them so dangerous is that Secular Humanists look just like you and me. Some of them could be your best friends without you knowing that they are Humanists. They could come into your house, play with your children, eat your food and even watch football with you on television, and you'd never know they have read Catcher in the Rye, Brave New World, and Huckleberry Finn.... No one is safe until Congress sets up an Anti-Secular Humanism Committee to get at the rot. Witnesses have to be called, and they have to name names.
Art Buchwald
I tore through The Catcher in the Rye and Lord of the Flies in elementary school, my pretween brain vibrating with a mixture of titillation and pretension. Ahh, so many swears. Very grown-up, I would think. And Even on an island, I would know it is bad to murder a little boy with glasses, because I am a little boy with glasses..
Josh Gondelman (Nice Try: Stories of Best Intentions and Mixed Results)
The best thing, though, about that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you.
J.D. Salinger (The Catcher in the Rye)
So, now I know there’s a story. Spill the beans, girl.” Frankie sighed. “Fin used to bring his Naval Academy friends home in the summer. They seemed like gods to me.” She smiled, a little one, and thought maybe it was too sad to be real. “Rye Walsh was his best friend. The CO in the sunglasses last night? I had a huge crush on him.” “The guy who looks like Paul Newman? Wow. So, grab his hand and show him—” “He’s engaged.” “Shit. Not again.” Barb took a drink. “And you’re a damn good girl.” “When I danced with Jamie, I felt safe. Loved, I guess. It was like being home,
Kristin Hannah (The Women)
On your left you can see the Stationary Circus in all its splendor! Not far nor wide will you find dancing bears more nimble than ours, ringmasters more masterful, Lunaphants more buoyant!” September looked down and leftward as best she could. She could see the dancing bears, the ringmaster blowing peonies out of her mouth like fire, an elephant floating in the air, her trunk raised, her feet in mid-foxtrot—and all of them paper. The skin of the bears was all folded envelopes; they stared out of sealing-wax eyes. The ringmaster wore a suit of birthday invitations dazzling with balloons and cakes and purple-foil presents; her face was a telegram. Even the elephant seemed to be made up of cast-off letterheads from some far-off office, thick and creamy and stamped with sure, bold letters. A long, sweeping trapeze swung out before them. Two acrobats held on, one made of grocery lists, the other of legal opinions. September could see Latin on the one and lemons, ice, bread (not rye!), and lamb chops on the other in a cursive hand. When they let go of the trapeze-bar, they turned identical flips in the air and folded out into paper airplanes, gliding in circles all the way back down to the peony-littered ring. September gasped and clapped her hands—but the acrobats were already long behind them, bowing and catching paper roses in their paper teeth.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
The book I was reading was this book I took out of the library by mistake. They gave me the wrong book, and I didn't notice it till I got back to my room. They gave me Out of Africa, by Isak Dinesen. I thought it was going to stink, but it didn’t. It was a very good book. I’m quite illiterate, but I read a lot. My favorite author is my brother D.B., and my next favorite is Ring Lardner. My brother gave me a book by Ring Lardner for my birthday, just before I went to Pencey. It had these very funny, crazy plays in it, and then it had this one story about a traffic cop that falls in love with this very cute girl that's always speeding. Only, he's married, the cop, so he can't marry her or anything. Then this girl gets killed, because she's always speeding. That story just about killed me. What I like best is a book that’s at least funny once in a while. I read a lot of classical books, like The Return of the Native and all, and I like them, and I read a lot of war books and mysteries and all, but they don’t knock me out too much. What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn’t happen much, though. I wouldn’t mind calling this Isak Dinesen up. And Ring Lardner, except that D.B. told me he’s dead. You take that book Of Human Bondage, by Somerset Maugham, though. I read it last summer. It’s a pretty good book and all, but I wouldn’t want to call Somerset Maugham up. I don’t know. He just isn’t the kind of a guy I’d want to call up, that’s all. I’d rather call old Thomas Hardy up. I like that Eustacia Vye.
J.D. Salinger (The Catcher in the Rye)
When the conduct of men is designed to be influenced, persuasion, kind, unassuming persuasion, should ever be adopted. It is an old and a true maxim, that a “drop of honey catches more flies than a gallon of gall.” So with men. If you would win a man to your cause, first convince him that you are his sincere friend. Therein is a drop of honey that catches his heart, which, say what he will, is the great high road to his reason, and which, when once gained, you will find but little trouble in convincing his judgment of the justice of your cause, if indeed that cause really be a just one. On the contrary, assume to dictate to his judgment, or to command his action, or to mark him as one to be shunned and despised, and he will retreat within himself, close all the avenues to his head and his heart; and tho’ your cause be naked truth itself . . . you shall no more be able to [reach] him, than to penetrate the hard shell of a tortoise with a rye straw. Such is man, and so must he be understood by those who would lead him, even to his own best interest. [Italics
Donald T. Phillips (Lincoln On Leadership: Executive Strategies for Tough Times)
The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody'd be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way — I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.
J.D. Salinger (The Catcher in the Rye)
The best thing, though, in that museum was that everything always stayed right where it was. Nobody’d move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody’d be different. The only thing that would be different would be you. Not that you’d be so much older or anything. It wouldn’t be that, exactly. You’d just be different, that’s all. You’d have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you’d have a new partner. Or you’d have a substitute taking the class, instead of Miss Aigletinger. Or you’d heard your mother and father having a terrific fight in the bathroom. Or you’d just passed by one of those puddles in the street with gasoline rainbows in them. I mean you’d be different in some way — I can’t explain what I mean. And even if I could, I’m not sure I’d feel like it.
J.D. Salinger (The Catcher in the Rye)
They had this course you had to take, Oral Expression. That I flunked. 'Why?' 'Oh, I don't know.' I didn't feel much like going into it. I was still feeling sort of dizzy or something, and I had a helluva headache all of a sudden. I really did. But you could tell he was interested, so I told him a little bit about it. 'It's this course where each boy in class has to get up in class and make a speech. You know. Spontaneous and all. And if the boy digresses at all, you're supposed to yell "Digression!" at him as fast as you can. It just about drove me crazy. I got an F in it.' 'Why?' 'Oh, I don't know. That digression business got on my nerves. I don't know. The trouble with me is, I like it when somebody digresses. It's more interesting and all.' 'You don't care to have somebody stick to the point when he tells you something?' 'Oh, sure! I like somebody to stick to the point and all. But I don't like them to stick too much to the point. I don't know. I guess I don't like it when somebody sticks to the point all the time. The boys that got the best marks in Oral Expression were the ones that stuck to the point all the time—I admit it. But there was this one boy, Richard Kinsella. He didn't stick to the point too much, and they were always yelling "Digression!" at him. It was terrible, because in the first place, he was a very nervous guy—I mean he was a very nervous guy—and his lips were always shaking whenever it was his time to make a speech, and you could hardly hear him if you were sitting way in the back of the room. When his lips sort of quit shaking a little bit, though, I liked his speeches better than anybody else's. He practically flunked the course, though, too. He got a D plus because they kept yelling "Digression!" at him all the time. For instance, he made this speech about this farm his father bought in Vermont. They kept yelling "Digression!" at him the whole time he was making it, and this teacher, Mr. Vinson, gave him an F on it because he hadn't told what kind of animals and vegetables and stuff grew on the farm and all. What he did was, Richard Kinsella, he'd start telling you all about that stuff—then all of a sudden he'd start telling you about this letter his mother got from his uncle, and how his uncle got polio and all when he was forty-two years old, and how he wouldn't let anybody come to see him in the hospital because he didn't want anybody to see him with a brace on. It didn't have much to do with the farm—I admit it—but it was nice. It's nice when somebody tells you about their uncle. Especially when they start out telling you about their father's farm and then all of a sudden get more interested in their uncle. I mean it's dirty to keep yelling "Digression!" at him when he's all nice and excited... I don't know. It's hard to explain.' I didn't feel too much like trying, either. For one thing, I had this terrific headache all of a sudden. I wished to God old Mrs. Antolini would come in with the coffee. That's something that annoys hell out of me—I mean if somebody says the coffee's all ready and it isn't.
J.D. Salinger (The Catcher in the Rye)
It was in her abode, in the janitorial quarters assigned her on the ground floor rear, that seemingly inoffensive Mrs. Shapiro set up a clandestine alcohol dispensary—not a speakeasy, but a bootleg joint, where the Irish and other shikkers of the vicinity could come and have their pint bottles filled up, at a price. And several times on weekends, when Ira was there, for he got along best with Jake, felt closest to him, because Jake was artistic, some beefy Irishman would come in, hand over his empty pint bottle for refilling, and after greenbacks were passed, and the transaction completed, receive as a goodwill offering a pony of spirits on the house. And once again those wry (rye? Out vile pun!), wry memories of lost opportunities: Jake’s drab kitchen where the two sat talking about art, about Jake’s favorite painters, interrupted by a knock on the door, opened by Mr. Shapiro, and the customer entered. With the fewest possible words, perhaps no more than salutations, purpose understood, negotiations carried out like a mime show, or a ballet: ecstatic pas de deux with Mr. McNally and Mr. Shapiro—until suspended by Mr. Shapiro’s disappearance with an empty bottle, leaving Mr. McNally to solo in anticipation of a “Druidy drunk,” terminated by Mr. Shapiro’s reappearance with a full pint of booze. Another pas de deux of payment? Got it whole hog—Mr. Shapiro was arrested for bootlegging several times, paid several fines, but somehow, by bribery and cunning, managed to survive in the enterprise, until he had amassed enough wealth to buy a fine place in Bensonhurst by the time “Prohibition” was repealed. A Yiddisher kupf, no doubt.
Henry Roth (Mercy of a Rude Stream: The Complete Novels)
The Enchanted Broccoli Forest. Oh, what a pleasure that was! Mollie Katzen's handwritten and illustrated recipes that recalled some glorious time in upstate New York when a girl with an appetite could work at a funky vegetarian restaurant and jot down some tasty favorites between shifts. That one had the Pumpkin Tureen soup that Margo had made so many times when she first got the book. She loved the cheesy onion soup served from a pumpkin with a hot dash of horseradish and rye croutons. And the Cardamom Coffee Cake, full of butter, real vanilla, and rich brown sugar, said to be a favorite at the restaurant, where Margo loved to imagine the patrons picking up extras to take back to their green, grassy, shady farmhouses dotted along winding country roads. Linda's Kitchen by Linda McCartney, Paul's first wife, the vegetarian cookbook that had initially spurred her yearlong attempt at vegetarianism (with cheese and eggs, thank you very much) right after college. Margo used to have to drag Calvin into such phases and had finally lured him in by saying that surely anything Paul would eat was good enough for them. Because of Linda's Kitchen, Margo had dived into the world of textured vegetable protein instead of meat, and tons of soups, including a very good watercress, which she never would have tried without Linda's inspiration. It had also inspired her to get a gorgeous, long marble-topped island for prep work. Sometimes she only cooked for the aesthetic pleasure of the gleaming marble topped with rustic pottery containing bright fresh veggies, chopped to perfection. Then Bistro Cooking by Patricia Wells caught her eye, and she took it down. Some pages were stuck together from previous cooking nights, but the one she turned to, the most splattered of all, was the one for Onion Soup au Gratin, the recipe that had taught her the importance of cheese quality. No mozzarella or broken string cheeses with- maybe- a little lacy Swiss thrown on. And definitely none of the "fat-free" cheese that she'd tried in order to give Calvin a rich dish without the cholesterol. No, for this to be great, you needed a good, aged, nutty Gruyère from what you couldn't help but imagine as the green grassy Alps of Switzerland, where the cows grazed lazily under a cheerful children's-book blue sky with puffy white clouds. Good Gruyère was blocked into rind-covered rounds and aged in caves before being shipped fresh to the USA with a whisper of fairy-tale clouds still lingering over it. There was a cheese shop downtown that sold the best she'd ever had. She'd tried it one afternoon when she was avoiding returning home. A spunky girl in a visor and an apron had perked up as she walked by the counter, saying, "Cheese can change your life!" The charm of her youthful innocence would have been enough to be cheered by, but the sample she handed out really did it. The taste was beyond delicious. It was good alone, but it cried out for ham or turkey or a rich beefy broth with deep caramelized onions for soup.
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
Polish pamphlet called The Perfect Distiller and Brewer, published in 1809, described the process of distilling vodka from potatoes, with the warning that it was the worst kind of vodka, behind vodka made from sugar beets, grains, apples, grapes, and acorns. In fact, potatoes only became a common ingredient in Polish vodka because they were cheap and abundant, not because they made a high-quality spirit. They tended to turn into a thick, sticky paste in the fermentation tank, the starch was not easy to convert to sugar, and they produced higher levels of toxic methanol and fusel oils. Russian vodka makers looked down on cheap Polish potato vodkas; to this day, they insist that the best vodka is made from rye or wheat instead.
Amy Stewart (The Drunken Botanist: The Plants that Create the World's Great Drinks)
Freshly ground cereals were used for breads and gruels. Bone marrow was included in stews. Liver and a liberal supply of whole milk, green vegetables and fruits were provided. In addition, he was provided with a butter that was very high in vitamins having been produced by cows fed on a rapidly growing green grass. The best source for this is a pasturage of wheat and rye grass. All green grass in a state of rapid growth is good, although wheat and rye grass are the best found. Unless hay is carefully dried so as to retain its chlorophyll, which is a precursor of vitamin A, the cow cannot synthesize the fatsoluble vitamins. These two practical cases illustrate the fundamental necessity that there shall not only be an adequate quantity of body-building minerals present, but also that there shall be an adequate quantity of fat-soluble vitamins. Of course, water-soluble vitamins are also essential. While I have reduced the diets of the various primitive races studied to definite quantities of mineral and calorie content, these data are so voluminous that it will not be appropriate to include them here. It will be more informative to discuss the ratios of both body-building and repairing material in the several primitive dietaries, in comparison with the displacing foods adopted from our modern civilization. The amount of food eaten by an individual is controlled primarily by the hunger factor which for our modernized groups apparently relates only to need for heat and energy
Anonymous
They say revenge is a dish best served cold. This isn’t correct. Revenge is a dish best served lukewarm or at room temperature (depending on the room) with a side of sauerkraut lightly sprinkled with pepper, a generous helping of golden brown roasted potatoes, and a large loaf of marble rye, washed down with any kind of unfiltered wheat beer. But whatever you do—and remember this, as it can be a matter of life or death—don’t put any sort of fruit in the beer. Fruit doesn’t belong in beer.
Brian South (The Zombie Sheriff Takes Tucson: A Love Story)
While rye grew well in Pennsylvania and Maryland, corn grew like wildfire in Kentucky. Settlers could plant it quickly, even haphazardly, and its yield was robust and bountiful. Kentucky farmers ate their corn, drank their corn, and fed it to their animals. They also quickly learned that the fastest way to turn their excess harvest into extra cash was to distill it, as liquid traveled better than grain across the mountains that hedged in Kentucky's Bluegrass region.
Francis Lam (Cornbread Nation 7: The Best of Southern Food Writing (Cornbread Nation Ser.))
Rye: A cereal grain with less gluten than wheat, the rye berry can be boiled whole or used in cereals in the rolled form, like oats. You can coarsely grind it in a blender and then soak it and use it to give a nice flavor to coarse breads and crackers. Sorghum: Hearty, chewy sorghum doesn’t have an inedible hull so you can eat it with all its outer layers, thereby retaining the majority of its nutrients. Use it in its whole grain form as an addition to vegetable salads or cooked dishes. It has a mild flavor that won’t compete with the delicate flavors of other food ingredients. For best results, soak it in water overnight, then cook it for about an hour. Teff: Tiny, whole grain teff has been a staple of Ethiopian cooking for thousands of years. It is the smallest grain in the world; about 100 grains are the size of a kernel of wheat. It has a mild, nutty flavor, cooks quickly, and is a good source of calcium and iron. Serve it with fruit and cinnamon for a hot breakfast cereal or add it to stews, baked goods, or veggie burgers.
Joel Fuhrman (The End of Heart Disease: The Eat to Live Plan to Prevent and Reverse Heart Disease (Eat for Life))
But I also watched him closely, waiting to see that love of food. The surprised delight on his face when he took his first slurp of the brisket ramen, enjoying the tender shreds of savory meat, the chew of the crinkly noodles, the light but complex broth that hid the reveal of a plush matzah ball with a thick corn flavor. The concentration as he tried to place the flavor of the rub on the bowl of shredded carnitas that we portioned out ourselves and wrapped in marbled rye tortillas with tiny sour pickles and thinly sliced red onions and shreds of Havarti cheese. ("It's a pastrami sandwich," he murmured as he took the first bite.) The sheer pleasure as he closed his eyes while chewing the duck, rosy and meaty in the middle and crispy-skinned on the outside, in one perfect bite with pickled and fresh beets. I didn't have to look hard. It radiated out of his very soul.
Amanda Elliot (Best Served Hot)
One of St. Augustine’s most famous rumrunners was William McCoy, who was also the purported inventor of the ham sack. McCoy operated a boat taxi service for the Jacksonville–St. Augustine area and a boatyard where he built yachts for Andrew Carnegie, the Vanderbilts and others. When Prohibition hit, he recognized the opportunity for a new, more lucrative business enterprise. He sold the taxi service and the boatyard and bought a schooner, which he named Tomoka. McCoy would sail Tomoka (and later six additional vessels added to his fleet) to the Bahamas, fill it with the best rye, Irish, and Canadian whiskey he could purchase and then sail back to St. Augustine and anchor just outside the three-mile limit. The locals would then sail their own vessels out to the Tomoka and purchase what they needed, a perfectly legal transaction on McCoy’s part. Bill McCoy became famous for the quality of his product and the fact that he never “cut,” or diluted his liquor. When you bought from Bill, you were getting the “Real McCoy,” and that is how we remember him today.
Ann Colby (Wicked St. Augustine)
Rye corrected himself. “I can absolutely imagine you choosing the desires of an imaginary future partner over your own.” It stung, the accuracy of that statement, delivered so gently, and with Rye’s hand on his cheek. As if Rye saw the truth of his home’s yearning—its nearly silent, beige-and-white cry into the darkness: Love me. I won’t assert myself. I am made of space for you. I have emptied myself of any identifiable desires so that yours may flourish.
Roan Parrish (Best Laid Plans (Garnet Run, #2))
This is for the best, Rye. After all, you were afraid to tell my brother about that fake kiss we had on Valentine's Day in college.
Reese Ryan (His Until Midnight (Texas Cattleman’s Club: Bachelor Auction, #4))
In the early 1900s, Soviet agronomist Nikolai Ivanovich Vavilov discovered a strange phenomenon: weeds in crop fields sometimes begin to look like the crop themselves. Original rye plants, he realized, looked nothing like the plump grain that by then was a staple crop in Russia. It was a scraggly, inedible weed. Rye, he realized, had performed an incredible trick of mimicry. Early wheat farmers, weeding by hand, pulled out and discarded the rye-weed to keep their planted crops healthy. So, to survive, a few rye plants took on a form more similar to wheat. Farmers still extricated the pesky rye, when they could spot it. This selective pressure molded the rye to evolve to trick a farmer’s discerning eye. In this case, only the best impressionists survived. Eventually, the rye became so excellent a mimic that it became a crop itself. “Vavilovian mimicry” is now a basic fact of agriculture.* Oats are a product of the same process; they also got their start mimicking wheat. In rice paddies, the weed known as barnyard grass is indistinguishable from the rice at the seedling stage. Recent genetic analysis found that this weed began to change its architecture to match the rice about a thousand years ago, when rice cultivation in Asia was well underway. In lentil fields, common vetch is a ubiquitous weed that masterfully redesigned its previously spherical seeds to be the same flat, round disc shape as lentils themselves. In that case, the plant needed not to trick a farmer’s eye but rather make itself impossible to eliminate from the mechanical threshing process. Winnowing machines simply could not tell the difference between a vetch and a lentil. Weed genomicist Scott McElroy argues that modern herbicide-resistant plants are actually just engaging in Vavilovian mimicry at the biochemical level; they are mimicking the crop plants that have been conveniently engineered to tolerate the herbicide.
Zoë Schlanger (The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth)
The best thing, though, in that museum was that everything always stayed right where it was. Nobody’d move. . . . Nobody’d be different. The only thing that would be different would be you.
J.D. Salinger (Catcher In The Rye)
Bulgur, kamut, barley, triticale, and rye share genetic heritage with wheat and therefore have at least some of the potential effects of wheat and should be avoided. Other nonwheat grains, such as oats (though, for some gluten-intolerant people, especially those with immune-mediated diseases such as celiac disease, even oats may fall into the “never” list), quinoa, millet, amaranth, teff, chia seed, and sorghum, are essentially carbohydrates without the immune or brain effects of wheat. While not as undesirable as wheat, they do take a metabolic toll. Therefore, these grains are best used after the wheat withdrawal process is over, once metabolic goals and weight loss have been achieved, and a relaxation of diet is permissible
William Davis (Wheat Belly: Lose the Wheat, Lose the Weight, and Find Your Path Back to Health)
EASY SOURDOUGH STARTER Technically, the best sourdough starters are made without commercial yeast, but it’s easier to understand the properties of a sponge if you make an easy one to begin with. This one is simple and reliable. 2 cups potato water (water in which potatoes have been boiled until soft), lukewarm ½ cup rye flour ½ cup whole-wheat flour 1 cup unbleached white flour 2 tsp dry yeast In a 2-quart jar, mix the water, flours, and yeast until smooth. Cover loosely with cheesecloth and let stand in a warm spot, stirring every 24 hours, until bubbly and agreeably sour, usually 4–10 days. Taste it every day to know how it is progressing. When it is ready, store loosely covered in the fridge, refreshing it once a week by throwing away half the starter and adding 1 cup water, 1 cup white flour. Can be used in bread recipes, biscuits, pancakes, even corn bread.
Barbara O'Neal (How to Bake a Perfect Life)
Blue comforted me in a way that only a dog can. He was more than a partner, more than a protector, even more than a best friend. Blue was my dog. And there is nothing in this world as great as a dog.
Emily Kimelman (The Girl with the Gun (Sydney Rye, #8))
Charlie hadn’t thought it was possible for love to double, but he felt it, in his gut. And lo and behold, he had space for it. He had all the space in the world for loving Rye.
Roan Parrish (Best Laid Plans (Garnet Run, #2))
old-fashioneds made with bone marrow–infused rye
Holly Hughes (Best Food Writing 2016)
I tore through The Catcher in the Rye and Lord of the Flies in elementary school, my pretween brain vibrating with a mixture of titillation and pretension. Ahh, so many swears. Very grown-up, I would think. And Even on an island, I would know it is bad to murder a little boy with glasses, because I am a little boy with glasses.
Josh Gondelman (Nice Try: Stories of Best Intentions and Mixed Results)
The Perfect Old-Fashioned Mix together –– but not too slowly… It’s best when there’s instant chemistry! 1 sugar cube –– an innocent virgin works best 2 to 3 dashes bitters –– an untamed mountain man if you can find one 2 ounces rye whiskey –– the stronger the better, just like our alphas 1 cherry to garnish –– an unpopped one will taste the sweetest
Frankie Love (His Old Fashioned (The Cocktail Girls))