Ruth Ozeki Quotes

We've searched our database for all the quotes and captions related to Ruth Ozeki. Here they are! All 100 of them:

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Sometimes when she told stories about the past her eyes would get teary from all the memories she had, but they weren't tears. She wasn't crying. They were just the memories, leaking out.
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Ruth Ozeki (A Tale for the Time Being)
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Life is fleeting. Don't waste a single moment of your precious life. Wake up now! And now! And now!
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Ruth Ozeki (A Tale for the Time Being)
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Am I crazy?" she asked. "I feel like I am sometimes." "Maybe," he said, rubbing her forehead. "But don't worry about it. You need to be a little bit crazy. Crazy is the price you pay for having an imagination. It's your superpower. Tapping into the dream. It's a good thing not a bad thing.
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Ruth Ozeki (A Tale for the Time Being)
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But memories are time beings, too, like cherry blossoms or ginkgo leaves; for a while they are beautiful, and then they fade and die.
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Ruth Ozeki (A Tale for the Time Being)
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Print is predictable and impersonal, conveying information in a mechanical transaction with the reader’s eye. Handwriting, by contrast, resists the eye, reveals its meaning slowly, and is as intimate as skin.
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Ruth Ozeki (A Tale for the Time Being)
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I am a time being. Do you know what a time being is? Well, if you give me a moment, I will tell you. A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.
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Ruth Ozeki (A Tale for the Time Being)
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That's what it feels like when I write, like I have this beautiful world in my head, but when I try to remember it in order to write it down, I change it, and I can't ever get it back.
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Ruth Ozeki (A Tale for the Time Being)
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She smiled. β€œLife is full of stories. Or maybe life is only stories. Good night, my dear Nao.
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Ruth Ozeki (A Tale for the Time Being)
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Information is a lot like water; it's hard to hold on to, and hard to keep from leaking away.
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Ruth Ozeki (A Tale for the Time Being)
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I believe it doesn't matter what it is, as long as you can find something concrete to keep you busy while you are living your meaningless life.
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Ruth Ozeki (A Tale for the Time Being)
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Do all kids have to worry about their parents’ mental health? The way society is set up, parents are supposed to be the grown-up ones and look after the kids, but a lot of times it’s the other way around.
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Ruth Ozeki (A Tale for the Time Being)
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The past is weird. I mean, does it really exist ? It feels like it exists, but where is it ? And if it did exists, but doesn’t now, then where did it go ?
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Ruth Ozeki (A Tale for the Time Being)
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What if I travel so far away in my dreams that I can't get back in time to wake up?
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Ruth Ozeki (A Tale for the Time Being)
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For the time being Words scatter Are they fallen leaves?
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Ruth Ozeki (A Tale for the Time Being)
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For the time being, the entire earth and the boundless sky.
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Ruth Ozeki (A Tale for the Time Being)
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But in the time it takes to say now, now is already over. It's already then.
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Ruth Ozeki (A Tale for the Time Being)
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The important thing was that we were being polite and not saying all the things that were making us unhappy, which was the only way we knew how to love each other.
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Ruth Ozeki (A Tale for the Time Being)
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And if you decide not to read anymore, hey, no problem, because you're not the one I was waiting for anyway. But if you decide to read on, then guess what? You're my kind of time being and together we'll make magic!
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Ruth Ozeki (A Tale for the Time Being)
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The ancient Greeks believed that when you read aloud, it was actually the dead, borrowing your tongue, in order to speak again.
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Ruth Ozeki (A Tale for the Time Being)
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Assumptions and expectations will kill any relationship, so let’s you and me not go there, okay?
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Ruth Ozeki (A Tale for the Time Being)
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Live. For Now. For the time being.
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Ruth Ozeki (A Tale for the Time Being)
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The way you write ronin is ζ΅ͺδΊΊ with the character for wave and the character for person, which is pretty much how I feel, like a little wave person, floating around on the stormy sea of life.
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Ruth Ozeki (A Tale for the Time Being)
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An unfinished book. left unattended, turns feral, and she would need all her focus, will and ruthless determination to tame it again.
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Ruth Ozeki (A Tale for the Time Being)
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True freedom comes from being unknown.
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Ruth Ozeki (A Tale for the Time Being)
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When I run out of the things I love, I move on to the things I don't hate too much, and sometimes I even discover that I can love the things I think I hate.
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Ruth Ozeki (A Tale for the Time Being)
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I find myself drawn to literature more now than in the past; not the individual works as much as the idea of literatureβ€”the heroic effort and nobility of our human desire to make beauty of our mindsβ€”which moves me to tears, and I have to brush them away, quickly, before anyone notices.
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Ruth Ozeki (A Tale for the Time Being)
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Do not think that time simply flies away. Do not understand β€œflying” as the only function of time. If time simply flew away, a separation would exist between you and time. So if you understand time as only passing, then you do not understand the time being. Β  To grasp this truly, every being that exists in the entire world is linked together as moments in time, and at the same time they exist as individual moments of time. Because all moments are the time being, they are your time being.
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Ruth Ozeki (A Tale for the Time Being)
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It made me sad when I caught myself pretending that everybody out there in cyberspace cared about what I thought, when really nobody gives a shit. And when I multiplied that sad feeling by all the millions of people in their lonely little rooms, furiously writing and posting to their lonely little pages that nobody has time to read because they’re all so busy writing and posting, it kind of broke my heart.
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Ruth Ozeki (A Tale for the Time Being)
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No matter how much bullying they inflict on my body, as long as I have this hope, I can endure any pain.
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Ruth Ozeki (A Tale for the Time Being)
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I have a pretty good memory, but memories are time beings, too, like cherry blossoms or ginkgo leaves; for a while they are beautiful, and then they fade and die.
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Ruth Ozeki (A Tale for the Time Being)
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Both life and death manifest in every moment of existence. Our human body appears and disappears moment by moment, without cease, and this ceaseless arising and passing away is what we experience as time and being. They are not separate. They are one thing, and in even a fraction of a second, we have the opportunity to choose, and to turn the course of our action either toward the attainment of truth or away from it. Each instant is utterly critical to the whole world.
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Ruth Ozeki (A Tale for the Time Being)
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He's got this thing about Canada. He says it's like America only with health care and no guns, and you can live up to your potential there and not have to worry about what society thinks or about getting sick or getting shot.
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Ruth Ozeki (A Tale for the Time Being)
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There are many answers, none of them right, but some of them most definitely wrong.
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Ruth Ozeki (My Year of Meats)
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Where should I start? I texted my old Jiko this question, and she wrote back this: ηΎεœ¨εœ°γ§ε§‹γΎγ‚‹γΉγ. You should start where you are.
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Ruth Ozeki (A Tale for the Time Being)
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Zazen is better than a home. Zazen is a home that you can't ever lose.
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Ruth Ozeki (A Tale for the Time Being)
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Fed on a media diet of really bad news, we live in a perpetual state of repressed panic. We are paralyzed by bad knowledge, from which the only escape is playing dumb. Ignorance becomes empowering because it enables people to live. Stupidity becomes proactive, a political statement. Our collective norm.
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Ruth Ozeki (My Year of Meats)
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There are lots of superheroes with different superpowers, and some of them are big and flashy, like super strength and super speed, and molecular restructuring, and force fields. But these abilities are really not so different from the superpower stuff that old Jiko could do, like moving superslow, or reading people's minds, or appearing in doorways, or making people feel okay about themselves by just being there.
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Ruth Ozeki (A Tale for the Time Being)
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Books will always have the last word, even if nobody is around to read them.
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Ruth Ozeki (The Book of Form and Emptiness)
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Yes," I told her. "I'm angry, so what?" ..... I went on, giving her an executive summary of my crappy life. .... "So of course I feel angry," I said angrily. "What do you expect? It was a stupid thing to ask." "Yes," she agreed. "It was a stupid thing to ask. I see that you're angry. I don't need to ask such a stupid thing to understand that." "So why did you ask?" Slowly she turned herself around, pivoting on her knees, until finally she was facing me, "I asked for you," she said. "For me?" So you could hear the answer.
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Ruth Ozeki (A Tale for the Time Being)
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Every person is trapped in their own particular bubble of delusion, and it's every person's task in life to break free. Books can help. We can make the past into the present, take you back in time and help you remember. We can show you things, shift your realities and widen your world, but the work of waking up is up to you.
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Ruth Ozeki (The Book of Form and Emptiness)
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I believe that in the deepest places in their hearts, people are violent and take pleasure in hurting each other.
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Ruth Ozeki (A Tale for the Time Being)
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She sat back on her heels and nodded. The thought experiment she proposed was certainly odd, but her point was simple. Everything in the universe was constantly changing, and nothing stays the same, and we must understand how quickly time flows by if we are to wake up and truly live our lives. That’s what it means to be a time being, old Jiko told me, and then she snapped her crooked fingers again. And just like that, you die.
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Ruth Ozeki (A Tale for the Time Being)
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Jiko: "Surfer, wave, same thing." "That's just stupid, " I said. " A surfer's a person. A wave is a wave. How can they be the same?" Jiko looked out across the ocean to where the water met the sky. "A wave is born from deep conditions of the ocean. A person is born from deep conditions of the world. A person pokes up from the world and rolls along like a wave, until it is time to sink down again. Up, down. Person, wave.
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Ruth Ozeki (A Tale for the Time Being)
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Stories never start at the beginning, Benny. They differ from life in that regard. Life is lived from birth to death, from the beginning into an unknowable future. But stories are told in hindsight. Stories are life lived backward.
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Ruth Ozeki (The Book of Form and Emptiness)
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When you beat a drum, you create NOW, when silence becomes a sound so enormous and alive it feels like you're breathing in the clouds and the sky, and your heart is the rain and the thunder.
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Ruth Ozeki (A Tale for the Time Being)
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Do you have a cat and is she sitting on your lap? Does her forehead smell like cedar trees and fresh sweet air?
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Ruth Ozeki (A Tale for the Time Being)
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To study the Way is to study the self. To study the self is to forget the self. To forget the self is to be enlightened by all the myriad things.
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Ruth Ozeki (A Tale for the Time Being)
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A book must start somewhere. One brave letter must volunteer to go first, laying itself on the line in an act of faith, from which a word takes heart and follows, drawing a sentence into its wake. From there, a paragraph amasses, and soon a page, and the book is on its way, finding a voice, calling itself into being.
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Ruth Ozeki (The Book of Form and Emptiness)
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I’m pretty healthy and I don’t mind the idea of dying, but I also don’t want to get mowed down by some freaky high school kid in a trench coat who’s high on Zoloft and has traded in his Xbox for a semiautomatic.
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Ruth Ozeki (A Tale for the Time Being)
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You never know who it's going to be, or what they'll bring, but whatever it is, it's always exactly what is needed.
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Ruth Ozeki (My Year of Meats)
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If his medium had been words instead of war, he would have been a poet.
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Ruth Ozeki (A Tale for the Time Being)
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Old Jiko is supercareful with her time. She does everything really really slowly, even when she's just sitting on the veranda, looking out at the dragonflies spinning lazily around the garden pond. She says that she does everything really really slowly in order to spread time out so that she'll have more of it and live longer, and then she laughs so that you know she is telling you a joke.
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Ruth Ozeki (A Tale for the Time Being)
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In the time it takes to say 'now,' now is already over. It's already 'then.' 'Then' is the opposite of 'now.' So saying 'now' obliterates its meaning, turning it into exactly what it isn't.
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Ruth Ozeki (A Tale for the Time Being)
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Disaster can strike at any moment, but we forget this, distracted by the bright, shiny comforts of our everyday lives. Wrapped in a false sense of security, we fall asleep, and in this dream, our life passes.
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Ruth Ozeki (The Book of Form and Emptiness)
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I helped Jiko to her feet and we walked back to the bus stop together, holding hands again. I was still thinking about what she said about waves, and it made me sad because I knew that her little wave was not going to last and soon she would join the sea again, and even though I know you can't hold on to water , still I gripped her fingers a little more tightly to keep her from leaking away.
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Ruth Ozeki (A Tale for the Time Being)
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Things are needy. They take up space. They want attention, and they will drive you mad if you let them.
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Ruth Ozeki (The Book of Form and Emptiness)
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Even the snap of a finger, he says, provides us with sixty-five opportunities to wake up and to choose actions that will produce beneficial karma and turn our lives around.
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Ruth Ozeki (A Tale for the Time Being)
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She missed the built environment of New York City. It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history. She missed people. She missed human intrigue, drama and power struggles. She needed her own species, not to talk to, necessarily, but just to be among, as a bystander in a crowd or an anonymous witness.
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Ruth Ozeki (A Tale for the Time Being)
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It's the cold fish dying in your stomach feeling. You try to forget about it, but as soon as you do, the fish starts flopping around under your heart and reminds you that something truly horrible is happening.
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Ruth Ozeki (A Tale for the Time Being)
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Ignorance.” In this root sense, ignorance is an act of will, a choice that one makes over and over again, especially when information overwhelms and knowledge has become synonymous with impotence.
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Ruth Ozeki (My Year of Meats)
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Do not think that time simply flies away. Do not understand β€œflying” as the only function of time. If time simply flew away, a separation would exist between you and time. So if you understand time as only passing, then you do not understand the time being.
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Ruth Ozeki (A Tale for the Time Being)
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Everybody has fishes in their stomach so does Jiko. But the biggest fish of all belonged to Haruki#1 and it was more like a whale. After she has become a nun, she learned how to open up her heart so that the whale could swim away.
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Ruth Ozeki (A Tale for the Time Being)
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...and my coffee is Blue Mountain and I drink it black, which is unusual for a teenage girl, but it's definitely the way good coffee should be drunk if you have any respect for the bitter beans.
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Ruth Ozeki (A Tale for the Time Being)
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Truth is like the moon in the sky. Words are like a finger. A finger can point to the moon's location, but it is not the moon. To see the moon, you must look past the finger. To look for the truth in books, the Sixth Patriarch was saying, is like mistaking the finger for the moon. The moon and the finger are not the same thing. "Not same," old Jiko would have said. "Not different, either.
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Ruth Ozeki (A Tale for the Time Being)
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Jiko looked out accross the ocean to where the water met the sky. "A wave is born from the deep conditions of the ocean," she said. "A person is born form the deep conditions of the world. A person pokes up from the world and roll along like a wave. Until it's time to sink down again. Up, down. Person, wave.
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Ruth Ozeki (A Tale for the Time Being)
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If you've ever tried to keep a diary, then you'll know that the problem of trying to write about the past really starts in the present: No matter how fast you write, you're always stuck in the then and you can never catch up to what's happening now, which means that now is pretty much doomed to extinction.
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Ruth Ozeki (A Tale for the Time Being)
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It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history.
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Ruth Ozeki (A Tale for the Time Being)
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Sometimes you don't need words to say what's in your heart.
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Ruth Ozeki (A Tale for the Time Being)
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At one point in my life, I learned how to think. I used to know how to feel. In war, these are lessons best forgotten.
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Ruth Ozeki (A Tale for the Time Being)
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Time itself is being, he wrote, and all being is timeΒ .Β .Β . In essence, everything in the entire universe is intimately linked with each other as moments in time, continuous and separate.
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Ruth Ozeki (A Tale for the Time Being)
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Inside? Outside? What is the difference and how can you tell? When a sound enters your body through your ears and merges with your mind, what happens to it? Is it still a sound then, or has it become something else? When you eat a wing or an egg or a drumstick, at what point is it no longer a chicken? When you read these words on a page, what happens to them, when they become you?
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Ruth Ozeki (The Book of Form and Emptiness)
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Think not-thinking. How do you think not-thinking? Nonthinking. This is the essential art of zazen.
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Ruth Ozeki (A Tale for the Time Being)
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I don’t believe I exist, and soon I won’t. I am a time being about to expire.
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Ruth Ozeki (A Tale for the Time Being)
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Her failure didn’t matter, because at least she’d been true to her impossible dream until the very end.
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Ruth Ozeki (A Tale for the Time Being)
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No hits is the mark of how deeply unfamous you are, because true freedom comes from being unknown.
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Ruth Ozeki (A Tale for the Time Being)
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In Japan if you say β€œthe war,” people know you mean World War II, because that was the last one that Japan fought in. In America it’s different. America is constantly fighting wars all over the place, so you have to be more specific.
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Ruth Ozeki (A Tale for the Time Being)
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But shame is not a pleasant feeling, and some Japanese politicians are always trying to change our children’s history textbooks so that these genocides and tortures are not taught to the next generation. By changing our history and our memory, they try to erase all our shame.
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Ruth Ozeki (A Tale for the Time Being)
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Nowadays, in modern technological culture, sometimes we hear people complain that nothing feels real anymore. Everything in the modern world is plastic or digital or virtual. But I say, that was always life! That is life itself! Plato discussed that things in this life are only shadows of forms. So this is what I mean by the changing and unreal feeling of life.
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Ruth Ozeki (A Tale for the Time Being)
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By changing our history and our memory, they try to erase all our shame.
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Ruth Ozeki (A Tale for the Time Being)
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Why was it that women could never work hard enough to quiet their nagging fear that they were not enough? That they were falling behind? That they could and should be better?
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Ruth Ozeki (The Book of Form and Emptiness)
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Premonitions are coincidences waiting to happen.
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Ruth Ozeki (A Tale for the Time Being)
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He hated the idea of killing people he could not hate.
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Ruth Ozeki (A Tale for the Time Being)
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So then you ask her when her birthday is, and she says, β€œHmm, I don’t really remember being born
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Ruth Ozeki (A Tale for the Time Being)
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At first I was like, No way am I saying that, but when you hang out with people who are always being supergrateful and appreciating things and saying thank you, in the end it kind of rubs off, and one day after I'd flushed, I turned to the toilet and said, "Thanks, toilet," and it felt pretty natural. I mean, it's the kind of thing that's okay to do if you're in a temple on the side of a mountain, but you'd better not try it in your junior high school washroom, because if your classmates catch you bowing and thanking the toilet they'll try to drown you in it. I explained this to Jiko, and she agreed it wasn't such a good idea, but that it was okay just to feel grateful sometimes, even if you don't say anything. Feeling is the important part. You don't have to make a big deal about it.
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Ruth Ozeki (A Tale for the Time Being)
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What is the half-life of information? Does its rate of decay correlate with the medium that conveys it? Pixels need power. Paper is unstable in fire and flood. Letters carved in stone are more durable, although not so easily distributed, but inertia can be a good thing.
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Ruth Ozeki (A Tale for the Time Being)
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Does the half-life of information correlate with the decay of our attention? Is the Internet a kind of temporal gyre, sucking up stories, like geodrift, into its orbit? What is its gyre memory? How do we measure the half-life of its drift?
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Ruth Ozeki (A Tale for the Time Being)
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... there's the fact of her being a hundred and four years old. I keep saying that's her age, but actually I'm just guessing. We don't really know for sure how old she is, and she claims she doesn't remember, either. When you ask her, she says, "Zuibun nagaku ikasarete itadaite orimasu ne." .... (footnote) Zuibun nagaku ikasarete itadaite orimasu ne -- "I have been alive for a very long time, haven't I?" Totally impossible to translate, but the nuance is something like: "I have been caused to live by the deep conditions of the universe to which I am humbly and deeply grateful. P. Arai calls it the "gratitude tense," and says the beauty of this grammatical construction is that "there is no finger pointed to a source." She also says, "It is impossible to feel angry when using this tense.
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Ruth Ozeki (A Tale for the Time Being)
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Over and over, I ran at the sea, beating it until I was so tired I could barely stand. And then the next time I fell down, I just lay there and let the waves wash over me, and I wondered what would happen if I stopped trying to get back up. Just let my body go. Would I be washed out to sea? The sharks would eat my limbs and organs. Little fish would feed on my fingertips. My beautiful white bones would fall to the bottom of the ocean, where anemones would grow upon them like flowers. Pearls would rest in my eye sockets.
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Ruth Ozeki (A Tale for the Time Being)
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Hi! My name is Nao, and I am a time being. Do you know what a time being is? Well, if you give me a moment, I will tell you. A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be. As for me, right now I am sitting in a French maid cafe in Akiba Electricity Town, listening to a sad Chanson that is playing sometime in your past, which is also my present, writing this and wondering about you, somewhere in my future. And if you're reading this, then maybe by now you're wondering about me, too. You wonder about me. I Wonder about you. Who are you and what are you doing?
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Ruth Ozeki (A Tale for the Time Being)
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Spinoza writes, β€œA free man, that is to say, a man who lives according to the dictates of reason alone, is not led by fear of death, but directly desires the good, that is to say, desires to act, and to preserve his being in accordance with the principle of seeking his own profit. He thinks, therefore, of nothing less than death, and his wisdom is a meditation upon life.
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Ruth Ozeki (A Tale for the Time Being)
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When you beat a drum, you create NOW, when silence becomes a sound so enormous and alive it feels like you’re breathing in the clouds and the sky, and your heart is the rain and the thunder. Jiko says that this is an example of the time being. Sound and no-sound. Thunder and silence.
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Ruth Ozeki (A Tale for the Time Being)
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And then, when she’s finished and the book ventures out into the world, the readers take their turn, and here another kind of comingling occurs. Because the reader is not a passive receptacle for a book’s contents. Not at all. You are our collaborators, our conspirators, breathing new life into us. And because every reader is unique, each of you makes each of us mean differently, regardless of what’s written on our pages. Thus, one book, when read by different readers, becomes different books, becomes an ever-changing array of books that flows through human consciousness like a wave.
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Ruth Ozeki (The Book of Form and Emptiness)
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Coming at us like this--in waves, massed and unbreachable--knowledge becomes symbolic of our disempowerment--becomes bad knowledge--so we deny it, riding its crest until it subsides from consciousness... "Ignorance." In this root sense, ignorance is an act of will, a choice that one makes over and over again, especially when information overwhelms and knowledge has become synonymous with impotence... If we can't act on knowledge, then we can't survive without ignorance... Ignorance becomes empowering because it enables people to live. Stupidity becomes proactive, a political statement.
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Ruth Ozeki (My Year of Meats)
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INSTRUCTIONS FOR ZAZEN First of all, you have to sit down, which you’re probably already doing. The traditional way is to sit on a zafu cushion on the floor with your legs crossed, but you can sit on a chair if you want to. The important thing is just to have good posture and not to slouch or lean on anything. Now you can put your hands in your lap and kind of stack them up, so that the back of your left hand is on the palm of your right hand, and your thumb tips come around and meet on top, making a little round circle. The place where your thumbs touch should line up with your bellybutton. Jiko says this way of holding your hands is called hokkai jo-in,113 and it symbolizes the whole cosmic universe, which you are holding on your lap like a great big beautiful egg.
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Ruth Ozeki (A Tale for the Time Being)
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A free man, that is to say, a man who lives according to the dictates of reason alone, is not led by fear of death, but directly desires the good, that is to say, desires to act, and to preserve his being in accordance with the principle of seeking his own profit. He thinks, therefore, of nothing less than death, and his wisdom is a meditation upon life.
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Ruth Ozeki (A Tale for the Time Being)
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Few boys have been as fortunate as I, raised into manhood with only the gentlest of words and blandishments in my ears and the kindest of caresses upon my person, by a mother who sheltered us from everything that is harsh and ugly in this world. I was spoiled, utterly unprepared for cruelty, and perhaps this sounds like I'm complaining, but I'm not! You mustn't think I blame you. I'm afraid I must sound like the most ungrateful son in the world, when in fact the opposite is true. I am more grateful now than ever for the way you raised us, teaching us the value of kindness, of education, of independent thinking and liberal ideals, in the face of the fascism that is sweeping our country. The cruelest punishments now fail to bring even a tear to my eye, but the thought of the hardship you've suffered on behalf of your ideals makes me weep like a baby.
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Ruth Ozeki (A Tale for the Time Being)
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But Hojo-san! The teacup isn’t broken!” He looked up, surprised. β€œTo me, it is,” he said. β€œIt is the nature of a teacup to be broken. That is why it is so beautiful now, and why I appreciate it when I can still drink from it.” He looked at it fondly, took a last sip, and then placed the empty cup carefully back on the tray. β€œWhen it is gone, it is gone.” That day, my teacher gave me a priceless lesson in the impermanence of form, and the empty nature of all things.
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Ruth Ozeki (The Book of Form and Emptiness)
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What Slavoj said was this: People are born from the womb of the world with different sensitivities, and the world needs every single one of you to experience it fully, so that it might be fully experienced. If even one person were left out, the world would be diminished. And he said you don’t have to worry about being creative. The world is creative, endlessly so, and its generative nature is part of who you are. The world has given you the eyes to see the beauty of its mountains and rivers, and the ears to hear the music of its wind and sea, and the voice you need to tell it. We books are evidence that this is so. We are here to help you.
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Ruth Ozeki (The Book of Form and Emptiness)
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Time interacts with attention in funny ways. At one extreme, when Ruth was gripped by the compulsive mania and hyperfocus of an Internet search, the hours seemed to aggregate and swell like a wave, swallowing huge chunks of her day. At the other extreme, when her attention was disengaged and fractured, she experienced time at its most granular, wherein moments hung around like particles, diffused and suspended in standing water. There used to be a middle way, too, when her attention was focused but vast, and time felt like a limpid pool, ringed by sunlit ferns. An underground spring fed the pool from deep below, creating a gentle current of words that bubbled up, while on the surface, breezes shimmered and played.
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Ruth Ozeki (A Tale for the Time Being)
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Information about toxicity in food is widely available, but people don’t want to hear it. Once in a while a story is spectacular enough to break through and attract media attention, but the swell quickly subsides into the general glut of bad news over which we, as citizens, have so little control. Coming at us like this β€” in waves, massed and unbreachableβ€”knowledge becomes symbolic of our disempowermentβ€”becomes bad knowledgeβ€”so we deny it, riding its crest until it subsides from consciousness. . . . In this root sense, ignorance is an act of will, a choice that one makes over and over again, especially when information overwhelms and knowledge has become synonymous with impotence. I would like to think of my β€œignorance” less as a personal failing and more as a massive cultural trend, an example of doubling, of psychic numbing, that characterises the end of the millennium. If we can’t act on knowledge, then we can’t survive without ignorance. So we cultivate the ignorance, go to great lengths to celebrate it, even. The faux-dumb aesthetic that dominates TV and Hollywood must be about this. Fed on a media diet of really bad news, we live in a perpetual state of repressed panic. We are paralyzed by bad knowledge, from which the only escape is playing dumb. Ignorance becomes empowering because it enables people to live. Stupidity becomes proactive, a political statement. Our collective norm.
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Ruth Ozeki (My Year of Meats)