Rust Game Quotes

We've searched our database for all the quotes and captions related to Rust Game. Here they are! All 30 of them:

Minds are like swords, I do fear. The old ones go to rust.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
What did I want? I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword,. I wanted raw red gold in nuggets the size of your fist and feed that lousy claim jumper to the huskies! I wanted to get u feeling brisk and go out and break some lances, then pick a like wench for my droit du seigneur--I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and the Lost Dauphin. I wanted Prestor John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be what they had promised me it was going to be--instead of the tawdry, lousy, fouled-up mess it is.
Robert A. Heinlein (Glory Road)
don't know whether there's a law that stops my doing this, Jim; but if there is, you've got to get round it. You're a lawyer and you know the game. You're my pal and the best pal I've had, Jim, and you'll do it for me." The dying man looked
Edgar Wallace (The Green Rust)
Forgive an old man his wanderings, if you would. Minds are like swords, I do fear. The old ones go to rust.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Their rusted hinges let out a pair of screams, for all those who might have slept through the breaking of the lock.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
We had been so small, so recklessly sure that together we could defy all the dark uncomplicated threats of the adult world, rust straight through them like a game of Red Rover, laughing and away.
Tana French (In the Woods (Dublin Murder Squad, #1))
What did I want? I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword. I wanted raw red gold in nuggets the size of your fist, and feed that lousy claim jumper to the huskies! I wanted to get up feeling brisk and go out and break some lances, then pick a likely wench for my droit du seigneur - I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and Lost Dauphin. I wanted Prester John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and to eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be the way they had promised me it was going to be, instead of the tawdry, lousy, fouled-up mess it is. I had had one chance - for ten minutes yesterday afternoon. Helen of Troy, whatever your true name may be - and I had known it and I had let it slip away. Maybe one chance is all you ever get.
Robert A. Heinlein (Glory Road)
Mostly, this was the fault of white, Rust Belt, out-of-work Democrats. They had voted twice for Barack Obama, but now they were being told that they were racists or white supremacists for voting for Trump and giving him an Electoral College edge. The contrarian liberal genius Michael Moore had been a lonely prophet who had seen it coming, but the Clinton team had ignored him, just as they had ignored their own patriarch, Bill Clinton, who sounded the same warning. In a live performance, Moore had teased voters in Wilmington, Ohio, months before the election, telling them that he knew what they were planning to do. And they laughed with him, like guilty children caught in the act by a bemused cousin. He knew they were going to vote for Trump. He didn’t like it, but at least he was one person who could not be fooled. People who had been overlooked, despised, stomped on, used, taken for granted. This was their moment to speak. They had been shamed into telling the pollsters what they wanted to hear, but in the privacy of their polling booths, they had struck a blow. This
Doug Wead (Game of Thorns: The Inside Story of Hillary Clinton's Failed Campaign and Donald Trump's Winning Strategy)
Maybe that's where it started and they brought it back from the desert, some kind of contagious psychic wound, guilt based. Maybe it's the dark matter, invisibly making up most of the universe. Maybe it was methane thawing at the bottom of the sea, releasing some ancient spore from the melted icebergs. Maybe it was the hole in the ozone, the collapse of the upper atmosphere. Maybe it was the overload of information, the swarms of data generated by every human gesture. Maybe it was the networking craze, the resurrection of dead friendships and memories meant to be lost, now resurfacing like rusted shipwrecks to reclaim our attention and scramble our sense of time. Maybe it was the death of an artist at the hands of a zealot. Maybe it was the particles made to collide. Maybe the mapping of the genome. Maybe the clashing of gods, the tug-of-war over our souls, not one of them refusing to let go, instead opting to see us sliced in two by Soloman's sword. Maybe it was food becoming a prop for food. Maybe it was a distant comet dusting us with its tail of poisoned ice. Maybe it was someone uttering a combination of syllables that should never be uttered. Maybe it was the emergence of collective intelligence, the flattening of the world. Maybe the game we inhabit had a glitch. Maybe the angel's horn had finally been blown.
Kenneth Calhoun (Black Moon)
Carlos leek altijd over zijn toeren, alsof hij net een stuk of vijf benzedrinetabletten had geslikt. Je kon zijn aandacht niet langer dan één minuut op hetzelfde gericht houden. Van een mening over een stuk van Tennessee Williams sprong hij over op de decorontwerpen van een of andere Fransman, een opname van Sarah Bernhardt die hij op de Universidad had gehoord, een stuk dat een student had geschreven en waarvoor hij overwoog de regering om subsidie te vragen, zodat het kon worden gespeeld. Meeslepend, dat wel, maar niet erg bevredigend. En kon uit al die opwinding kunst voortkomen? Was kunst niet – bijna altijd – emotie die in alle rust tot bespiegeling wordt verheven? Ook voor een zuiderling? Theodore moest lachen om zijn eigen vurige ernst.
Patricia Highsmith (A Game for the Living)
AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
seconds later he was out of the house and lying in front of a big yellow bulldozer that was advancing up his garden path. Mr. L. Prosser was, as they say, only human. In other words he was a carbon-based bipedal life form descended from an ape. More specifically he was forty, fat and shabby and worked for the local council. Curiously enough, though he didn’t know it, he was also a direct male-line descendant of Genghis Khan, though intervening generations and racial mixing had so juggled his genes that he had no discernible Mongoloid characteristics, and the only vestiges left in Mr. L. Prosser of his mighty ancestry were a pronounced stoutness about the tum and a predilection for little fur hats. He was by no means a great warrior; in fact he was a nervous, worried man. Today he was particularly nervous and worried because something had gone seriously wrong with his job, which was to see that Arthur Dent’s house got cleared out of the way before the day was out. “Come off it, Mr. Dent,” he said, “you can’t win, you know. You can’t lie in front of the bulldozer indefinitely.” He tried to make his eyes blaze fiercely but they just wouldn’t do it. Arthur lay in the mud and squelched at him. “I’m game,” he said, “we’ll see who rusts first.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Honey And The Moon" Don't know why I'm still afraid If you weren't real I would make you up now I wish that I could follow through I know that your love is true And deep As the sea But right now Everything you want is wrong, And right now All your dreams are waking up, And right now I wish I could follow you To the shores Of freedom, Where no one lives. Remember when we first met And everything was still a bet In love's game You would call; I'd call you back And then I'd leave A message On your answering machine But right now Everything is turning blue, And right now The sun is trying to kill the moon, And right now I wish I could follow you To the shores Of freedom, Where no one lives Freedom Run away tonight Freedom, freedom Run away Run away tonight We're made out of blood and rust Looking for someone to trust Without A fight I think that you came too soon You're the honey and the moon That lights Up my night But right now Everything you want is wrong, And right now All your dreams are waking up, And right now I wish that I could follow you To the shores Of freedom Where no one lives Freedom Run away tonight Freedom freedom Run away Run away tonight We got too much time to kill Like pigeons on my windowsill We hang around Ever since I've been with you You hold me up All the time I've falling down But right now Everything is turning blue, And right now The sun is trying to kill the moon, And right now I wish I could follow you To the shores Of freedom Where no one lives
Joseph Arthur
Oh, by the way, security told me earlier that some guy showed up, claiming to be your assistant.” “Already? What time is it?” “It’s almost one o’clock,” he says. “Are you telling me you actually hired someone?” My heart drops. I shove past Cliff, ignoring him as he calls for me, wanting his question answered. I head straight for security, spotting Jack standing along the side with a guard, looking somewhere between disturbed and amused. “Strangest shit I’ve ever witnessed in Jersey,” Jack says, looking me over. “And that’s saying something, because I once saw a chimpanzee roller skating, and that was weird as fuck.” “I’m going to take that as a compliment, even though I know it isn’t one,” I say, grabbing his arm and making him follow me. It’s about a two-and-a-half hour drive to Bennett Landing, but I barely have two hours. “Please tell me you drove.” Before he can respond, I hear Cliff shouting as he follows. “Johnny! Where are you going?” “Oh, buddy.” Jack glances behind us at Cliff. “Am I your getaway driver?” “Something like that,” I say. “You ever play Grand Theft Auto?” “Every fucking day, man.” “Good,” I say, continuing to walk, despite Cliff attempting to catch up. “If you can get me where I need to be, there will be one hell of a reward in it for you.” His eyes light up as he pulls out a set of car keys. “Mission accepted.” There’s a crowd gathered around set. They figured out we’re here. They know we’re wrapping today. I scan the area, looking for a way around them. “Where’d you park?” I ask, hoping it’s anywhere but right across the street. “Right across the street,” he says. Fuck. I’m going to have to go through the crowd. “You sure you, uh, don’t want to change?” Jack asks, his eyes flickering to me, conflicted. “No time for that.” The crowd spots me, and they start going crazy, making Cliff yell louder to get my attention, but I don’t stop. I slip off of set, past the metal barricades and right into the street, as security tries to keep the crowd back, but it’s a losing game. So we run, and I follow Jack to an old station wagon, the tan paint faded. “This is what you drive?” “Not all of us grew up with trust funds,” he says, slapping his hand against the rusted hood. “This was my inheritance.” “Not judging,” I say, pausing beside it. “It’s just all very ‘70s suburban housewife.” “That sounds like judgment, asshole.” I open the passenger door to get in the car when Cliff catches up, slightly out of breath from running. “What are you doing, Johnny? You’re leaving?” “I told you I had somewhere to be.” “This is ridiculous,” he says, anger edging his voice. “You need to sort out your priorities.” “That’s a damn good idea,” I say. “Consider this my notice.” “Your notice?” “I’m taking a break,” I say. “From you. From this. From all of it.” “You’re making a big mistake.” “You think so?” I ask, looking him right in the face. “Because I think the mistake I made was trusting you.” I get in the car, slamming the door, leaving Cliff standing on the sidewalk, fuming. Jack starts the engine, cutting his eyes at me. “So, where to? The unemployment office?” “Home,” I say, “and I need to get there as soon as possible, because somebody is waiting for me, and I can't disappoint her.
J.M. Darhower (Ghosted)
The Trail-Makers NORTH and west along the coast among the misty islands, Sullen in the grip of night and smiling in the day: Nunivak and Akutan, with Nome against the highlands, On we drove with plated prow agleam with frozen spray. Loud we sang adventuring and lustily we jested; Quarreled, fought, and then forgot the taunt, the blow, the jeers; Named a friend and clasped a hand—a compact sealed, attested; Shared tobacco, yarns, and drink, and planned surpassing years. Then—the snow that locked the trail where famine's shadow followed Out across the blinding white and through the stabbing cold, Past tents along the tundra over faces blotched and hollowed; Toothless mouths that babbled foolish songs of hidden gold. Wisdom, lacking sinews for the toil, gave over trying; Fools, with thews of iron, blundered on and won the fight; Weaklings drifted homeward; else they tarried—worse than dying— With the painted lips and wastrels on the edges of the night. Berries of the saskatoon were ripening and falling; Flowers decked the barren with its timber scant and low; All along the river-trail were many voices calling, And e'en the whimpering Malemutes they heard—and whined to go. Eyelids seared with fire and ice and frosted parka-edges; Firelight like a spray of blood on faces lean and brown; Shifting shadows of the pines across our loaded sledges, And far behind the fading trail, the lights and lures of town. So we played the bitter game nor asked for praise or pity: Wind and wolf they found the bones that blazed out lonely trails.... Where a dozen shacks were set, to-day there blooms a city; Now where once was empty blue, there pass a thousand sails. Scarce a peak that does not mark the grave of those who perished Nameless, lost to lips of men who followed, gleaning fame From the soundless triumph of adventurers who cherished Naught above the glory of a chance to play the game. Half the toil—and we had won to wealth in other station; Rusted out as useless ere our worth was tried and known. But the Hand that made us caught us up and hewed a nation From the frozen fastness that so long was His alone. . . . . . . Loud we sang adventuring and lustily we jested; Quarreled, fought, and then forgot the taunt, the blow, the jeers; Sinned and slaved and vanished—we, the giant-men who wrested Truth from out a dream wherein we planned surpassing years.
Henry Herbert Knibbs
Covered In Chrome Will I drive out in the night Never come back in a mighty fright Stay out longer while I can Picking fossils in the sand I admire all the games Another asshole lights the flame Rusted clotheslines in the sun Noise control, I've sunken I will smile the greatest radiant smile No one to complain Written in chrome and gore it's all the same Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! All I ever wanted was a piece to myself All I ever wanted was a nine to five People hide what they feel inside So they'll cover it up til it's grey and dry A pussy is a piece of skin wrapped in a pocket All the king's men fell down on their knees Raised their arms to the leader outside Praising the devil they said Hell fuck yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! I can't fight it I can't hide Will you take me over Little devil run around inside Will you take me under I can't breathe if I cannot see I can't see if I can't breathe All I ever wanted was an afternoon A middle class and an open sky They rushed in the square with the paper alight They pushed down a statue and spat on it's side A feeling is a piece of skin wrapped in a pocket All the king's men fell down on their knees Raised their arms to a leader outside Praising the devil they said Hell fuck yeah Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! I can't fight it I can't hide Will you take me over Little devil run around inside Will you take me under I can't breathe if I cannot see I can't see if I can't breathe Yeah! Yeah! Yeah! Fuck Yeah! Take me down Take me down Take me down!
Violent Soho
Don't waken the dead as you sleepwalk around If you have a dream, brother, hush, not a sound Just stand there and rust, die if you must But play the game
Richard Thompson
what he was doing. He set a black chess piece on the table in front of me. It was another pawn. “That’s really why I’m here,” Gavin whispered. “I need your help.” I stared at the chess piece. For some reason, sitting in the cold room of detention, it seemed more serious than it had before. There was something dark and brooding about the pawn sitting alone at the center of my desk. “Was there anything else with the piece?” I asked, flicking the pawn over. “Everyone else got a clue with theirs.” Nodding, Gavin pulled out a rusted metal combination lock.
Marcus Emerson (A Game of Chase (Diary of a 6th Grade Ninja, #4))
walked, and wherever I looked the madness of history answered me. In the old GUM building, once host to the world’s most unwearable clothes, burly women of the new Russian rich sampled dresses by Hermès and scents by Estée Lauder, while their chauffeur-driven limousines waited in line outside, bodyguards and chase cars in attendance. Yet glance up and down the street, and there were the skeletons of yesterday dangling from their grimy gibbets: iron quarter-moons with the rusting stars of Soviet triumphalism trailing from their tails, hammers and sickles carved into crumbling façades, fragmented Partyspeak scrawled in drunken tracery against the rain-swept sky. And everywhere, as evening gathered, the beacons of the true conquerors flashing out their gospel: “Buy us, eat us, drink us, wear us, drive us, smoke us, die of us! We are what you get instead of slavery!
John le Carré (Our Game: A Novel)
The Return Season On March 19, 1995, Michael Jordan officially returned to the hardwood floor as an NBA player in a game against the Indiana Pacers wearing jersey number 45, which was his brother Larry’s number and the number he used while playing baseball. Still feeling the rust of being away from competitive basketball for nearly two years, Jordan only had 19 points on a poor 7 out of 28 shooting clip in that loss to the Pacers. But while the Bulls may have lost that outing, they were happy enough that they had the franchise’s greatest player back in time to help them with their playoff push. While Jordan took his sweet time getting his groove back, he still had scoring explosions even as he was shaking off the rust. On March 28th he helped avenge the Bulls’ seven-game series loss to New York the previous year by exploding for 55 points against the Knicks. Just three days before that, he had 32 in a win over the Atlanta Hawks. Just as the Chicago Bulls had hoped, they got the push they needed when Jordan returned to the team. They won 13 of the 17 regular-season games that MJ appeared in and went on to make the playoffs with a 47-win season. In that brief 17-game campaign, Michael Jordan averaged 26.9 points, 6.9 rebounds, and 5.3 assists while shooting 41.1% from the floor. It was clear that
Clayton Geoffreys (Michael Jordan: The Inspiring Story of One of Basketball's Greatest Players (Basketball Biography Books))
Freedom's Call [Verse 1] The wind's whisperin' warnings, the sky's turnin' grey, Our freedoms are vanishin', slippin' away, From the hills to the valleys, each small-town street, They'll take what we cherish unless we rise to our feet. [Verse 2] The big shots in charge, they just don't seem to care, Leadin' us blindly to who knows where, But we ain't just pawns in their twisted game, If you stand, I will too, let's fan this flame. [Chorus] If you don’t get active, if you don’t take a stand, They’ll take all you love with an iron-clad hand, Demand better, my friend, from those who lead you, Or the chains of control will bind me and you. [Verse 3] There's dust on the fields and rust on the plow, Work hard for our keep, but it's harder now, Politics and power play tricks with our lives, Hold tight to your values, keep freedom alive. [Verse 4] From the honky-tonks down to the church hall pews, The heart of our country beats strong and true, Let's raise up our voices, let liberty ring, For the land that we love, let's all dare to dream. [Chorus] If you don’t get active, if you don’t take a stand, They’ll take all you love with an iron-clad hand, Demand better, my friend, from those who lead you, Or the chains of control will bind me and you.
James Hilton-Cowboy
Both teams had rosters of interchangeable millionaires — but the Chicago papers that day had told stories of cash-strapped Clevelanders selling their tickets to wealthy out-of-towners and as the cameras cut to Bill Murray, John Cusack, all the Chicago lovers cheering and clapping in the stands in Cleveland — the game got to me.
Martha Bayne (Rust Belt Chicago: An Anthology)
Wraiths see death in everything. They do not see things in the physical world as they appear, but as they someday will be. A person about to die might appear cadaverous, with hollow eyes and jaundiced skin; a car destined to crash will appear dented in advance. Much of the world seems decayed, a near collapse. Billboards are tattered, roads are potholed, pain is peeling, metal is rusting, buildings are crumpling. To the Restless, much of the world is already dead.
Mark Rein-Hagen (Wraith: The Oblivion)
The Border: A Double Sonnet The border is a line that birds cannot see. The border is a beautiful piece of paper folded carelessly in half. The border is where flint first met steel, starting a century of fires. The border is a belt that is too tight, holding things up but making it hard to breathe. The border is a rusted hinge that does not bend. The border is the blood clot in the river’s vein. The border says Stop to the wind, but the wind speaks another language, and keeps going. The border is a brand, the “Double-X” of barbed wire scarred into the skin of so many. The border has always been a welcome stopping place but is now a Stop sign, always red. The border is a jump rope still there even after the game is finished. The border is a real crack in an imaginary dam. The border used to be an actual place but now it is the act of a thousand imaginations. The border, the word border, sounds like order, but in this place they do not rhyme. The border is a handshake that becomes a squeezing contest. The border smells like cars at noon and woodsmoke in the evening. The border is the place between the two pages in a book where the spine is bent too far. The border is two men in love with the same woman. The border is an equation in search of an equals sign. The border is the location of the factory where lightning and thunder are made. The border is “NoNo” the Clown, who can’t make anyone laugh. The border is a locked door that has been promoted. The border is a moat but without a castle on either side. The border has become Checkpoint Chale. The border is a place of plans constantly broken and repaired and broken. The border is mighty, but even the parting of the seas created a path, not a barrier. The border is a big, neat, clean, clear black line on a map that does not exist. The border is the line in new bifocals: below, small things get bigger; above, nothing changes. The border is a skunk with a white line down its back.
Alberto Alvaro Ríos (A Small Story about the Sky)
It may not seem fair or right. Shouldn’t doing an exceptional job be enough? Unfortunately it’s not. The hard truth is that you must learn to do a great job AND navigate the complex human dynamics. Like dancing a beautiful ballet in a minefield. If you ignore the land mines, or do nothing but complain about them, you’re likely to lose a few toes.
Dan Rust (Workplace Poker: Are You Playing the Game, or Just Getting Played?)
I want the same things out of life you do,” I admit. “I just go about them in a different way. You adapt to your environment, I adapt to mine.” I put my hand back on hers. “Let me show you I’m different. Oye, would you ever date a guy who couldn’t afford to take you to expensive restaurants and buy you gold and diamonds?” “Absolutely.” She slips her hand out from under mine. “But I have a boyfriend.” “If you didn’t, would you give this Mexicano a chance?” Her face turns a deep shade of pink. I wonder if Colin ever makes her blush like that. “I’m not answering that,” she says. “Why not? It’s a simple question.” “Oh, please. Nothing about you is simple, Alex. Let’s not even go there.” She puts the car in first gear. “Can we go now?” “Si, if you want. Are we cool?” “I think so.” I hold my hand out for her to shake. She eyes the tattoos on my fingers, then extends her hand toward mine and shakes it, her enthusiasm apparent. “To hand warmers,” she says with a smile on her lips. “To hand warmers,” I agree. And sex, I add silently. “Do you want to drive back? I don’t know the way.” I drive her back in comfortable silence while the sun sets. Our truce brings me closer to my goals: graduating, the bet…and something else I’m not ready to admit. As I pull her kick-ass car into the dark library parking lot, I say, “Thanks for, you know, lettin’ me kidnap you. I guess I’ll see you around.” Taking my keys out of my front pocket, I wonder if I’ll ever be able to afford a car that isn’t rusted, used, or old. After I step out of her car, I pull out Colin’s picture from my back pocket and toss it on the seat I just vacated. “Wait!” Brittany calls out as I’m walking away. I turn around and she’s right in front of me. “What?” She smiles seductively as if she’s wanting something more than a truce. Way more. Shit, is she gonna kiss me? I’m taken off guard here, which usually doesn’t happen. She bites her bottom lip, as if she’s contemplating her next move. I’m totally game to making out with her. As my brain goes through every scenario, she steps closer to me. And snatches my keys out of my hand. “What do you think you’re doin’?” I ask her. “Getting you back for kidnapping me.” She steps back and with all her might whips my keys into the woods. “You did not just do that.” She backs up, facing me the entire time, as she moves toward her car. “No hard feelings. Payback’s a bitch, ain’t it, Alex?” she says, trying to keep a straight face. I watch in shock as my chem partner gets into her Beemer. The car drives out of the lot without a jolt, jerk, or hitch. Flawless start. I’m pissed off because I’m going to have to either crawl around in the dark woods trying to find my keys or call Enrique to pick me up. I’m also amused. Brittany Ellis bested me at my own game. “Yeah,” I say to her even though she’s probably a mile away and can’t hear me. “Payback is a bitch.” ¡Carajoǃ
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Do you want to drive back? I don’t know the way.” I drive her back in comfortable silence while the sun sets. Our truce brings me closer to my goals: graduating, the bet…and something else I’m not ready to admit. As I pull her kick-ass car into the dark library parking lot, I say, “Thanks for, you know, lettin’ me kidnap you. I guess I’ll see you around.” Taking my keys out of my front pocket, I wonder if I’ll ever be able to afford a car that isn’t rusted, used, or old. After I step out of her car, I pull out Colin’s picture from my back pocket and toss it on the seat I just vacated. “Wait!” Brittany calls out as I’m walking away. I turn around and she’s right in front of me. “What?” She smiles seductively as if she’s wanting something more than a truce. Way more. Shit, is she gonna kiss me? I’m taken off guard here, which usually doesn’t happen. She bites her bottom lip, as if she’s contemplating her next move. I’m totally game to making out with her. As my brain goes through every scenario, she steps closer to me. And snatches my keys out of my hand. “What do you think you’re doin’?” I ask her. “Getting you back for kidnapping me.” She steps back and with all her might whips my keys into the woods. “You did not just do that.” She backs up, facing me the entire time, as she moves toward her car. “No hard feelings. Payback’s a bitch, ain’t it, Alex?” she says, trying to keep a straight face. I watch in shock as my chem partner gets into her Beemer. The car drives out of the lot without a jolt, jerk, or hitch. Flawless start. I’m pissed off because I’m going to have to either crawl around in the dark woods trying to find my keys or call Enrique to pick me up. I’m also amused. Brittany Ellis bested me at my own game. “Yeah,” I say to her even though she’s probably a mile away and can’t hear me. “Payback is a bitch.” ¡Carajoǃ
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Game of Thrones - Feast for Crows. “Ser? My lady?" said Podrick. "Is a broken man an outlaw?" "More or less," Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world . . . "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them . . . but he should pity them as well.
G R R Martin
What did I want? I wanted a Roc’s egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword. I wanted raw red gold in nuggets the size of your fist, and feed that lousy claim jumper to the huskies! I wanted to get up feeling brisk and go out and break some lances, then pick a likely wench for my droit du seigneur – I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, “The game’s afoot!” I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and Lost Dauphin. I wanted Prester John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and to eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be the way they had promised me it was going to be, instead of the tawdry, lousy, fouled-up mess it is.
Robert A. Heinlein (Glory Road)