Rust Creek Quotes

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Even when I encountered racism outside Salmon Creek, it usually rolled off me. The worst of it often came from rednecks whipping past in rusted pickups. I looked at them and I looked at me-class leader, track star, straight-A student- and their slurs about dirty Indians and drunk Indians and dumb Indians were laughable. Mom says crap like that comes from people who´ve accomplished so little in lifethat they feel the need to lift themselves above someone, anyone. So they pick skin color or religion or sexual orientation and say, "Well, I might not be much, but at least I´m not a ..." I´d look at those guys, and see the truth of her words.
Kelley Armstrong (The Rising (Darkness Rising, #3))
On the Divide Near Rattlesnake Creek, on the side of a little draw stood Canute's shanty. North, east, south, stretched the level Nebraska plain of long rust-red grass that undulated constantly in the wind.
Willa Cather (The Troll Garden and Selected Stories)
Summer days in the valley were the closest thing I had to religion. The shattered-glass water in the creek, the abundance of the mill, running like the wind was carrying me against an earth full of bones. It was awe and repentance, holy baptism washing the soles of my dirty feet. It was daydreaming that felt real for survival. It was all sacred ritual, inadvertent and weightless as grace.
Raechel Anne Jolie (Rust Belt Femme)
The next morning there was time before the funeral to wander around my sister’s neighborhood, the same neighborhood we moved to when I was in eighth grade and she was in second, the same neighborhood where our father had lived as an even younger child. I found the spot at the end of the road where rusted tracks emerged from the weeds, the exact place where my father had waited for his own father to step off the trolley after work. I stopped at the bridge over the creek where my eighth-grade boyfriend first held my hand. I named to myself all the neighbors who had once lived on our street, every one of them gone now, as a scent drifted on the air that I couldn’t place. Then, finally: gardenia! It blooms in profusion in Birmingham but not at all in Nashville, where I have lived for decades.
Margaret Renkl (The Comfort of Crows: A Backyard Year)
We hear them often in the night. Their wild yelping makes the hair on my neck rise, even as I am always compelled to go to the nearest window and fling it open to listen, despite the cold. You can hear them moving: nearer, nearer up the frozen creek bed, until they are just beyond the edge of the porch light, the moon a grinning wedge above the trees. And then they’re gone, racing up the valley into the dark. I can feel how they’re close now, beyond the meadow’s edge, somewhere in the woods there, maybe asleep or watching us with yellow eyes, alerted by our footsteps and the sharp, ringing singsong of my son’s eager voice. This is always the case: The line between us and the wild is slender, like the bit of thread I find coiled in my pocket. My fingers tease it, wanting to know how it’s wound. This is always the way. I always want to know. The thread is yellow and snarled and comes from the windowsill of the bedroom above the garage. I stuck it in my pocket this morning while tidying, meaning to throw it away. It was from tha same window that I saw the foxes last week. The ruckus of the chickens alerted me, and when I looked down, one was right below me in the snowy driveway, looking up. I pounded my fist on the glass and began to yell, but it didn’t run. Instead it just stared at me, not moving a muscle until I ran down and out into the snow without a hat or gloves or jacket, boots unlaced, shrieking like a madwoman. Of course it ran then, though not far at first—just to the top of the nearest field—and when I followed after, another joined it. They’d staked the chicken house out for sure. And even though they were a threat to our unwitting hens, I was sad when they disappeared among the white trunks of a stand of birches, and I can still feel the way my heart was hammering hard and raw in my chest after running through the snow, hair flyaway, clapping my hands. Their fur was rust-colored, and when they ran
Christina Rosalie (Field Guide to Now: Notes On Mindfulness And Life In The Present Tense)
Nobody else knew it, but the creek was magic. There was one bend in particular where the banks widened to form a craggy circle; the bed beneath had been formed millions of years ago when the earth sighed and shifted and great rock slabs were brought together jaggedly, so what was shallow at the rims deepened and darkened suddenly at its center. And that's where Vivien had made her discovery. She'd been fishing with the glass jars she'd pilfered from Mum's kitchen and kept now in the rotten log behind the ferns. Vivien stored all her treasures inside that log. There was always something to find within the creek's waters: eels and tadpoles, rusted old buckets from the gold-rush days. Once, she'd even found a set of false teeth.
Kate Morton (The Secret Keeper)