Russian Doll Quotes

But I think the first real change in women’s body image came when JLo turned it butt-style. That was the first time that having a large-scale situation in the back was part of mainstream American beauty. Girls wanted butts now. Men were free to admit that they had always enjoyed them. And then, what felt like moments later, boom—Beyoncé brought the leg meat. A back porch and thick muscular legs were now widely admired. And from that day forward, women embraced their diversity and realized that all shapes and sizes are beautiful. Ah ha ha. No. I’m totally messing with you. All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.

My love is like one of those wooden Russian nesting dolls (matryoshka doll). I know, because your heart fits perfectly inside mine.


People were like Russian nesting dolls - versions stacked inside the latest edition. But they all still lived inside, unchanged, just out of sight.

It's no accident, I think, that tennis uses the language of life. Advantage, service, fault, break, love, the basic elements of tennis are those of everyday existence, because every match is a life in miniature. Even the structure of tennis, the way the pieces fit inside one another like Russian nesting dolls, mimics the structure of our days. Points become games become sets become tournaments, and it's all so tightly connected that any point can become the turning point. It reminds me of the way seconds become minutes become hours, and any hour can be our finest. Or darkest. It's our choice.

As it unfolded, the structure of the story began to remind me of one of those Russian dolls that contain innumerable ever-smaller dolls within. Step by step the narrative split into a thousand stories, as if it had entered a gallery of mirrors, its identity fragmented into endless reflections.

I hate the thought that I'm just some kind of Russian nesting doll with the big outside and inevitably, rattling around under all the layers, a crude little peg with a face is the truth of me.

Keep thinking. You can hear our brains rattling around inside us, like the littler Russian dolls.

It occurs to him that there are different versions of himself to farewell—the abandoned eight-year-old; the delusional soldier who hovered somewhere in hell; the lightkeeper who dared to leave his heart undefended. Like Russian dolls, these lives sit within him.

Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.

The first thing I hate is called a Russian doll. It holds a smaller version of itself inside it, and another inside that and so on. How awful. They are prisoners. I imagine them all screaming in the dark, unable to move or speak. The doll’s face is broad and blankly smiling. It looks so happy to be holding its children captive.

All of it was hers, hers and Nat's, and all those years were nestled inside them like one of those Russian dolls, holding dozens of tiny selves inside it.

I hate Russian dolls,” Bingley says. “So full of themselves.

I was thinking. What if the world was like one of those Russian nesting dolls? What if we only saw one surface of it, the outside, but there was all kinds of other stuff going on, too? All the time. Underneath. But we just don't see it, even if we're part of it? Even if we're in it? And what if you had a chance to see a different layer, like flipping a channel or something? Would you want to look? Even if what you saw looked like hell? Or worse?

NASA are idiots. They want to send canned primates to Mars!" Manfred swallows a mouthful of beer, aggressively plonks his glass on the table: "Mars is just dumb mass at the bottom of a gravity well; there isn't even a biosphere there. They should be working on uploading and solving the nanoassembly conformational problem instead. Then we could turn all the available dumb matter into computronium and use it for processing our thoughts. Long-term, it's the only way to go. The solar system is a dead loss right now – dumb all over! Just measure the MIPS per milligram. If it isn't thinking, it isn't working. We need to start with the low-mass bodies, reconfigure them for our own use. Dismantle the moon! Dismantle Mars! Build masses of free-flying nanocomputing processor nodes exchanging data via laser link, each layer running off the waste heat of the next one in. Matrioshka brains, Russian doll Dyson spheres the size of solar systems. Teach dumb matter to do the Turing boogie!

The beautiful came to this city [Hollywood] in huge pathetic herds, to suffer, to be humiliated, to see the powerful currency of their beauty devalued like the Russian ruble or Argentine peso;to work as bellhops, as bar hostesses, as garbage collectors, as maids. The city was a cliff and they were its stampeding lemmings. At the foot of the cliff was the valley of the broken dolls.

the way I understand my life is as a kind of Russian doll, with different versions inside other versions, each one enclosing the other, whereby the life before isn’t seen from the outside but is still there.

People were like Russian nesting dolls—versions stacked inside the latest edition. But they all still lived inside, unchanged, just out of sight.

I learned vulnerability is a bit like those Russian nesting dolls, the ones that get smaller and smaller in size when you twist the top off and pull another one out. In the end, you’re left with the tiniest dull, that one nugget. No more layers to take off. Nothing left but a surprise, the surprise of finding out the littlest doll is the most solid of them all. It doesn’t hide inside of itself.

Russian Dolls: How we hide those parts of ourselves, the ones that we can conceal, is by constructing an elaborate emotional infrastructure not unlike nested Russian dolls. True healing requires going through all the hidden layers.

Ah yes, the facts. I've spent my whole life running after them, convinced that if I found demonstrable, incontrovertible facts I would also find some kind of truth. Now aged sixty-three, faced with this war which has only just begun and with an unsettling premonition of what is soon to follow, I'm beginning to think the facts are just a front and that the truth they mask is at best like a Russian doll: as soon as you open it up you find a smaller one inside, then another which is even smaller, then another and another, till finally all you are left with is something the size of a grain. Letters against the war: Letter from Quetta, 2011.

She looked, thought Alex, like one of those wooden Russian dolls - pop off her head and a slightly smaller version would be revealed.

If mysterious means a bunch of freaks being brought together by a freak car-accident, then, yes, God does vork in mysterious vays' declared the eldest Russian Doll.

the voices of culture influence our parents’ inner voices, which in turn influence our own, and so on through the many cultures and generations that combine to tune our minds. We are like Russian nesting dolls of mental conversations.

Most of us are like those Russian nesting dolls, presenting a slightly different visage to the world depending on which world we're dealing with at the time. The outermost doll isn't a lie; mine still offers part of who I am, but it's not all of who I am. As I get closer to people, the nesting dolls open and the masks change. But it's a rare person whom I allow to see what's at my core: my innermost thoughts and fears, my dreams and desires, my pettiness and peevishness.

Why does he feel the need to write one woman off because he has the superficial need for another's unique trait? We are the ultimate Russian Dolls. Keep twisting us open and - voila! Another. Then another. Some men just don't have the patience, or the skill, to discover what they're missing.

What is a turducken? An exclusive culinary creation available by special order from some little Cajun town down south. Entirely deboned, a turducken consists of a turkey, stuffed with duck, stuffed with a chicken, like an edible Russian nesting doll. Some were stuffed with alligator, crap, shrimp; my favorite was the traditional cornbread variety.

When a man is standing at the top of a cliff, it isn’t fear of falling that keeps him rooted to the edge — it’s the fear of not being able to resist the desire to jump, just to see what falling feels like.

Some ancient eukaryote swallowed a photosynthesizing bacteria and became a sunlight gathering alga. Millions of years later one of these algae was devoured by a second eukaryote. This new host gutted the alga, casting away its nucleus and its mitochondria, keeping only the chloroplast. That thief of a thief was the ancestor or Plasmodium and Toxoplasma. And this Russian-doll sequence of events explains why you can cure malaria with an antibiotic that kills bacteria: because Plasmodium has a former bacterium inside it doing some vital business.

I'd understood that grief is a Russian nesting doll: it never ends, it just hides inside new grief, and every new instance of grief contains all the previous ones. So my grief was invisible but it was there, inside every stupid daily disappointment.

Anachronism is not the inconsequential juxtaposition of epochs, but rather their inter-penetration, like the telescoping legs of a tripod, a series of tapering structures. Since it's quite far from one end to the other they can be opened out like an accordion; but they can also be stacked inside one another like Russian dolls, where the walls around time periods are extremely close to one another. The people of other centuries hear our phonographs blaring, and through the walls of time we see them raising their hands towards the deliciously prepared meal.

Russian Dolls: The more we stay layered up, the more we stay reactive. Instead of healing, our hardnesses bump into one another. We knock each other off balance, intentionally or not. That might sometimes peel away a little paint, making a crack in an outer façade. But those cracks allow light and insights in. And out.

I wanted to be her north star. I wanted to be her map. I wanted to drink coffee with her in the cafes in the morning and do things, as you do, as she did, instead of just philosophizing about them and deconstructing their endless Russian-doll layers of meaning. I was alone before I met her. I wanted to disappear with her, and fold her into my life. I wanted to be her compass. I wanted to be her last speaker, her interpreter, her language. I wanted to be her translator, Zed, but none of the languages we knew were the same.

There can be such a sky, and such A play of rays, that our heart feels An insult to a doll is more Piteous than an insult to oneself. ("It Happened at Vallen-Koski")

The Russian Dolls would sue a snowman for sexual harassment if they thought the sun would stay away.

There are things you do when you are a teenager, or a dancer, or just a girl, I guess. You cut your food up in special ways, or you cut yourself, or paper dolls. You pretend that there is an invisible audience watching you all the time, and you do things to impress them or pretend that they didn’t see what you just did because their live video feed was interrupted somehow. You steal things or tell lies or speak to strangers in a Russian accent. You have sex with someone you love, or with someone who gets you really drunk. You lie to your parents, your boyfriend, yourself, your therapist. You cheat on your homework or do other people’s homework for money. You get up, you take class, you rehearse, you perform, you go to bed. How do you decide which of these things are truly crazy and which are just being alive?

Gust used to explain the whole world that way: the mind as a house living in the house of the body, living in the house of a house, living in the larger house of the town, in the larger house of the state, in the houses of America and society and the universe. He said these houses fit inside one another like the Russian nesting dolls they bought for Harriet.

I don't see the kids and the car seats and all the ways we've changed. What I see is a girl who was wild about a boy, and a bot who loved that girl right back. And it makes me happy to know they're still in there, still inside us, like Russian dolls.

The older you get, the harder it is to experience a singular grief. Instead, when loss comes again, it doesn't bring something solid all the way through or isolated, it brings you a Russian doll. Loss comes; a new layer of grief forms. And instead of staying still, it opens, and out all the others pour, popping into their composite forms until you are sitting surrounded by an eager, bleeding crowd of them. Grief is cumulative and to feel one kind is to feel at least a little of them all, renewed. When I wake from the shock, there it is, right here in my hands. All my past losses, nestled.

If that moment was a Russian nesting doll, I was paying attention to the smallest figurine. I did not see all the other metaphorical dolls. The one wrapped around the smallest one, and the one wrapped around the next-smallest one and the next and the next after that. What neurotypical people call the context.

Have you ever seen Russian nesting dolls?” Thrown by the questions, she opened her eyes. Why would he suddenly speak about a child’s toy? “I own a few of them.” “Then you must understand that undressing you is like playing with one of those dolls. I open one to find another beneath it. I took away your gown to find you are still as clothed as you were a moment ago and I wonder how many more layers I will have to work through to get down to you—the doll I’m searching for.

As it unfolded, the structure of the story began to remind me of one of those Russian dolls that contain innumerable diminishing replicas of itself inside. Step by step the narrative split into a thousand stories, as if it had entered a gallery of mirrors, its identity fragmented into endless reflections. The minutes and hours glided by as in a dream. When the cathedral bells tolled midnight, I barely heard them. Under the warm light cast by the reading lamp, I was plunged into a new world of images and sensations peopled by characters who seemed as real to me as my surroundings. Page after page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story's spell or bid farewell to its characters just yet.

(a Russian nesting doll of a sentence if I ever heard one).

When you are appointed to head an office in the Ogilvy & Mather chain, I send you one of these Russian dolls. Inside the smallest you will find this message: ‘If each of us hires people who are smaller than we are, we shall become a company of dwarfs, but if each of us hires people who are bigger than we are, Ogilvy & Mather will become a company of giants.’ With

And here’s what’s crazy: I was so afraid that if I faced the silence I would find that inside myself, there’s simply nothing, that I’m hollow like a set of Russian dolls missing the center doll, all shells and no core. Or I thought that what I would find in the silence is weak, crumbling, unable to face life without the swirling blanket of chaos. Instead, around every corner I’m finding that willingness to be fragile actually makes me strong. In the silence, I have found love. I have found love, and peace, and stillness, and gratitude. I used to overwork in order to feel important. What I’m learning now is that feeling important to someone else isn’t valuable to me the way I thought it was. Feeling connected is very valuable. But feeling helpful to strangers doesn’t do it for me anymore.

Every crew brings its own small, tethered "g meter", a toy or figurine we hang in front of us so we know when we are weightless. Ours was Klyopa, a small knitted doll based on a character in a Russian children's television program, courtesy of Anastasia, Roman's 9-year-old daughter. When the string that was holding her suddenly slackened and she began to drift upward, I had a feeling I'd never felt before in space: I'd come home.

There was nothing the military had that the men did not believe would be more properly stowed within the concavities of other personages, animals or objects. There in the budding warmth in the back of the truck, while their wet clothes steamed and a canteen of spirits was passed from hand to hand, the men squared away the whole Army, calibrating every one of its tyrannies and stowing it like a Russian doll up the arse of the next-smallest tyranny, until the whole great apparatus of war seemed certain to find its inevitable resting place, deep within the German Führer’s fundament.

She hoped she would be lying on a sun-drenched veranda somewhere tropical, sipping rum while Nate painted her toenails Island Pink and, maybe, she dreamed, with a little girl at their feet chattering to her dolls in Russian and English. Would my children be synesthetes? What would Nate say after all these years of keeping the secret? Would we be happy together? Will it ever happen?

I learned vulnerability is a bit like those Russian nesting dolls, the ones that get smaller and smaller in size when you twist the top off and pull another one out. In the end, you’re left with the tiniest doll, that one nugget. No more layers to take off. Nothing left but a surprise, the surprise of finding out the littlest doll is the most solid of them all. It doesn’t hide inside of itself.

At the beginning of the twentieth century we understood the workings of nature on the scales of classical physics that are good down to about a hundredth of a millimetre. The work on atomic physics in the first thirty years of the century took our understanding down to lengths of a millionth of a millimetre. Since then, research on nuclear and high-energy physics has taken us to length scales that are smaller by a further factor of a billion. It might seem that we could go on forever discovering structures on smaller and smaller length scales. However, there is a limit to this series as with a series of nested Russian dolls. Eventually one gets down to a smallest doll, which can’t be taken apart any more. In physics the smallest doll is called the Planck length and is a millimetre divided by a 100,000 billion billion billion. We are not about to build particle accelerators that can probe to distances that small.

InnoCentive works in part because, as specialists become more narrowly focused, “the box” is more like Russian nesting dolls. Specialists divide into subspecialties, which soon divide into sub-subspecialties. Even if they get outside the small doll, they may get stuck inside the next, slightly larger one. Cragin and Davis were outside the box to begin with, and saw straightforward solutions that eluded insiders with seemingly every training and resource advantage.

What is especially striking about the earth is the way in which it contains time capsules nested within time capsules, like a Russian doll. Individual biological cells (properly interpreted) are time capsules from which biologists read genetic time. Organs within the body are again time capsules, and contain traces of the history and morphogenesis of our bodies. The body itself is a time capsule. History is written in a face, which carries a date - the approximate date of our birth. We can all tell the rough age of a person from a glance at their face. Wherever we look, we find mutually consistent time capsules - in grains of sand, in ripe cherries, in books in libraries. This consistent meshing of stories even extends far from the Earth and into the outermost reaches of the universe. The abundances of the chemical elements and isotopes in the gas of stars and the waters of the oceans tell the story of the stars and a Big Bang that created the lightest elements. It all fits together so well.

Preventing a radioactive release is the highest priority at any nuclear facility, so power stations are built and operated with a safety philosophy of ‘defense in depth’. Defense in depth aims to avoid accidents by embracing a safety culture, but also accepts that mechanical (and human) failures are inevitable. Any possible problem - however unlucky - is then anticipated and factored into the design with multiple redundancies. The goal, therefore, is to provide depth to the safety systems; akin to the way Russian dolls have several layers before reaching the core doll. When one element fails, there is another, and another, and another that still functions. The first barrier are the fuel ceramic pellets themselves, followed by each fuel rod’s zirconium alloy cladding. In an ordinary modern commercial nuclear plant, the nuclear core where the fission reaction takes place would be contained inside a third barrier: an almost unbreakable metal shield enveloping the reactor, called a ‘pressure vessel’.

EAGLE The East direction is represented by eagle and condor, who bring vision, clarity, and foresight. Eagle perceives the entire panorama of life without becoming bogged down in its details. The energies of eagle assist us in finding the guiding vision of our lives. The eyes of condor see into the past and the future, helping to know where we come from, and who we are becoming. When I work with a client who is stuck in the traumas of the past, I help her to connect with the spirit of eagle or condor. As this energy infuses the healing space, my client is often able to attain new clarity and insight into her life. This is not an intellectual insight, but rather a call, faint at first, hardly consciously heard. Her possibilities beckon to her and propel her out of her grief and into her destiny. I believe that while everyone has a future, only certain people have a destiny. Having a destiny means living to your fullest human potential. You don’t need to become a famous politician or poet, but your destiny has to be endowed with meaning and purpose. You could be a street sweeper and be living a destiny. You could be the president of a large corporation and be living a life bereft of meaning. One can make oneself available to destiny, but it requires a great deal of courage to do so. Otherwise our destiny bypasses us, leaving us deprived of a fulfillment known by those who choose to take the road less traveled. Eagle allows us to rise above the mundane battles that occupy our lives and consume our energy and attention. Eagle gives us wings to soar above trivial day-to-day struggles into the high peaks close to Heaven. Eagle and condor represent the self-transcending principle in nature. Biologists have identified the self-transcending principle as one of the prime agendas of evolution. Living molecules seek to transcend their selfhood to become cells, then simple organisms, which then form tissues, then organs, and then evolve into complex beings such as humans and whales. Every transcending jump is inclusive of all of the levels beneath it. Cells are inclusive of molecules, yet transcend them; organs are inclusive of cells, yet go far beyond them; whales are inclusive of organs yet cannot be described by them, as the whole transcends the sum of its parts. The transcending principle represented by eagle states that problems at a certain level are best solved by going up one step. The problems of cells are best resolved by organs, while the needs of organs are best addressed by an organism such as a butterfly or a human. The same principle operates in our lives. Think of nested Russian dolls. Material needs are the tiny doll in the center. The larger emotional doll encompasses them, and both are contained within the outermost spiritual doll. In this way, we cannot satisfy emotional needs with material things, but we can satisfy them spiritually. When we go one step up, our emotional needs are addressed in the solution. We rise above our life dilemmas on the wings of eagle and see our lives in perspective.

Of the Poet’s Youth" When the man behind the counter said, “You pay by the orifice,” what could we do but purchase them all? Ah, Sandy, vou were clearly the deluxe doll, modish and pert in your plastic nurse whites, official hostess to our halcyon days, where you bobbed in the doorway of our dishabille apartment, a block downwind from the stockyards. Holding court on the corroded balcony, K. and I passed hash brownies, collecting change for the building’s monthly pool to predict which balcony would fall off next. That’s when K. was fucking M. and M. was fucking J., and even B. and I threw down once on the glass-speckled lawn, adrift in the headlights of his El Camino. Those were immortal times, Sandy! Coke wasn’t addictive yet, condoms prevented herpes and men were only a form of practice for the Russian novel we foolishly hoped our lives would become. Now it’s a Friday night, sixteen years from there. Don’t the best characters know better than to live too long? My estranged husband house-sits for a spoiled cockatoo while saving to buy his own place. My lover’s gone back to his gin and the farm-team fiancée he keeps in New York. What else to do but read Frank O’Hara to my tired three-year-old? When I put him to bed, he mutters “more sorry” as he turns into sleep. Tonight, I find you in a box I once marked “The Past.” Well, therapy’s good for some things, Sandy, but who’d want to forgive a girl like that? Frank says Destroy yourself if you don’t know! Deflated, you’re simply the smile that surrounds a hole. I don’t know anything.

you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control?

I got a servant, a nice clean German girl from the Volga. Her village had been devastated—no other word can convey my meaning—by the liquidation of the Kulaks. In the German Volga Republic the peasants, who had been settled there two hundred years before to set an example to the Russians, had been better farmers and so enjoyed a higher standard of life than most peasants in Russia. Consequently, the greater part of them were classified as Kulaks and liquidated. *** The girls came to the towns to work as servants, and were highly prized, since they were more competent, cleaner, more honest and self-respecting than the Russian peasants. Curiously, they were the most purely Teutonic Germans I had ever seen, Germans like the pictures in Hans Andersen fairy tales, blue-eyed, with long golden plaits and lovely, fair skins. Being Protestants, and regarding the Russians around them as no better than barbarians, they had intermarried little and retained a racial purity which would no doubt have delighted Hitler. *** My Hilda seemed a treasure. She could cook, she could read and write, she kept herself and the rooms clean and looked like a pink and flaxen doll. I could treat her as an equal without finding that this led to her stealing my clothes and doing no work. The servant problem in Moscow for Jane and me lay in our inability to bully and curse and drive, which was the only treatment the Russian servant understood. It was quite natural that this should be so, since Soviet society, like Tsarist society but to a far higher degree, was based on force and cheating. *** I was amazed at the outspoken way in which Hilda and Sophie (another German girl who worked for Jane) voiced their hatred and contempt of the Soviet Government. Sophie, one of thirteen children of a bedniak (poor peasant) would shake her fist and say: “Kulaks! The Kulaks are up there in the Kremlin, not in the village.” Since the word “Kulak” originally signified an exploiter and usurer, her meaning was quite plain.

Russian dolls, or Matryoshka dolls, are wooden figurine dolls of decreasing size where each doll fits inside the doll next in size

The word begone is a Russian doll. A small, single word, which contains so many others; and when all the smaller words inside line up, they look like a bridge: Be Beg Ego Go On One.

But more important, he also spotted an encrypted block of code that turned out to be Stuxnet’s mother lode—a large .DLL file (dynamic link library) that contained about three dozen other .DLLs and components inside, all wrapped together in layers of encryption like Russian nesting dolls.

Nesting like Russian dolls. Each larger creation becomes more than the sum of its parts yet remains entirely dependent on them.

Give…give me a second.” Aleks spoke quietly. He lifted his hands to his face, wiping the sweat and tears from his eyes, then with an almighty roar, he rose up like a grizzly bear, grabbed the chair that had held him prisoner, and smashed it into Dostiger’s remaining interrogator. The man doubled over, trying to shield his face. Aleks dropped the chair and grabbed him by his collar, hauling him across the room like a doll. He swept the man’s legs from under him, catching him around the neck in a powerful chokehold. The solid Russian’s bicep bulged and the man’s face turned a deathly gray as Aleks whispered something in his ear. The man’s eyes grew wide and he scrabbled at the Russian’s arm in a feeble attempt to escape the deathly grip, then with a shudder, he went limp and was dropped to the floor unconscious. Aleks turned and spat at the corpse of the other torturer. “This piece of shit was going to drill out my eyes. Let’s get the fuck out of here.

Encapsulation is almost always a good thing to do, but sometimes information can be hidden in the wrong place. This makes the code difficult to understand, to integrate, or to build behavior from by composing objects. The best defense is to be clear about the difference between the two concepts when discussing a design. For example, we might say: • “Encapsulate the data structure for the cache in the CachingAuctionLoader class.” • “Encapsulate the name of the application’s log file in the PricingPolicy class.” These sound reasonable until we recast them in terms of information hiding: • “Hide the data structure used for the cache in the CachingAuctionLoader class.” • “Hide the name of the application’s log file in the PricingPolicy class.” Context independence tells us that we have no business hiding details of the log file in the PricingPolicy class—they’re concepts from different levels in the “Russian doll” structure of nested domains. If the log file name is necessary, it should be packaged up and passed in from a level that understands external configuration.

From the Bridge” by Captain Hank Bracker Nesting Dolls The first stacked dolls better known as Russian Nesting Dolls, matryoshka dolls or Babushka Dolls, were first made in 1890 by Vasily Zvyozdochkin. Much of the artistry is in the painting of the usual 5 dolls, although the world record is 51 dolls. Each doll, which when opened reveals a smaller doll of the same type inside ending with the smallest innermost doll, which is considered the baby doll and is carved from a single piece of wood. Frequently these dolls are of a woman, dressed in a full length traditional Russian peasant dress called a sarafan. When I served with the Military Intelligence Corps of the U.S.Army, the concept of onion skins was a similar metaphor used to denote that we were always encouraged to look beyond the obvious. That it was essential to delve deeper into a subject, so as to arrive at the essence of the situation or matter. This is the same principle I employed in writing my award winning book, The Exciting Story of Cuba. Although it can be considered a history book, it is actually a book comprised of many stories or vignettes that when woven together give the reader a view into the inner workings of the Island Nation, just 90 miles south of Key West. The early 1950’s are an example of this. At that time President Batista was hailed a champion of business interests and considered this a direct endorsement of his régime. Sugar prices remained high during this period and Cuba enjoyed some of its best years agriculturally. For those at the top of the ladder, the Cuban economy flourished! However, it was during this same period that the people lower on the economic ladder struggled. A populist movement was started, resulting in a number of rebel bands to challenge the entrenched regime, including the followers of autocrats such as Fidel and Raul Castro. Castro’s M 26 7 militia had a reputation of indiscriminately placing bombs, one of which blew a young woman to pieces in the once-grand theater, “Teatro America.” A farmer, who failed to cooperate with Batista’s army, was locked into his home with his wife and his daughter, which was then set on fire killing them all. What had been a corrupt but peaceful government, quickly turned into a war zone. Despite of Batista’s constitutional abuses and his alliance with the Mafia, the years under his régime were still the most prosperous ones in Cuba’s history. Of course most of the money went to those at the top of the economic ladder and on the lower end of the scale a house maid was lucky to make $25 to $30 a month. History tends to repeat itself. Civilized countries that experience economically difficult times, because of greed by the elite and privileged few, become ripe for a civil insurrection. It is not enough to accept the first solution we encounter, but rather we must peel back the layers of onion skin to understand what has happened and how to rectify the problem. Usually things are not as simple as they seem, and to embrace the first person that offers a simple solution can plunge us deeper into an economic abyss. This is what happened in Italy and Cuba as well as Germany in 1933. Remember that Adolf Hitler was elected with a 90% plurality. Following a populist movement can be disastrous. Strictly adhering to a party doctrine, by the less informed, is outright dangerous. It is important in a democracy that people retain civility and are educated and knowledgeable. It is crucial that we understand history as well as the perils and consequences that are possible. Reading books like The Exciting Story of Cuba allows us to peel away one onion skin after the other, or open one nesting doll after another, until we understand the entire picture. What has happened in other civilized countries can happen here in the United States…. Beware!

But who says lovers only get one meet-cute? Why can’t a lifetime include many of them, as each partner meets the more intimate selves inside the other’s Russian doll? Shakespeare

Keep in mind this Edicule has been built and rebuilt four times over the centuries and the church around it has also undergone enormous periodic changes. This structure we’re in is from the nineteenth century. Essentially the Edicule is like a Russian nesting doll, one building inside another inside another. The actual tomb is probably below us but it would take an earthquake literally to get the church authorities to agree to any kind of modern archaeological exploration.

Stuck I sit at the door of of your heart and hard as I try, I can't walk in. Studying with the yoga masters, I've stretched my eight limbs with Ashtanga, and still get jammed at the portal. I've shvitzed for hours in a Swedish sauna, shedding pounds like sheep at a shearing, and still can't squeeze through. Believing all I would need is magic, I've dislocated my shoulders like Houdini, but I still get stuck at the door. I mused that maybe it's my bloated ego that gets me stuck. So I gave up bits of myself in small sacrifices, each bringing me closer, and now I fit snugly inside you, perfectly at peace like a swaddled Russian doll.

I thought of how she'd been at three, at six, at nine. No one warns you about the losses. No one tells you you'll miss them, those earlier children. They disappear, but are they still there, sealed one inside the next like those little wooden Russian dolls?

We learned that to lie to a machine, you don't need to be a perfect writer: rather, you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control? None of this is as it appears.

We learned that to lie to a machine, you don't need to be a perfect liar: rather, you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control? None of this is as it appears.

People were like Russian nesting dolls—versions stacked inside the latest edition.

RUSSIAN NESTING DOLLS Have you ever seen these things? They’re these little egg-shaped, hand-painted, wooden dolls that split in half to reveal a smaller doll inside, and another inside that, all the way down to an adorable, itty-bitty little doll nugget. Yeah, so . . . that’s your brain.

To explain the origins of physical order, Ludwig connected phenomena occurring at different spatial scales, mainly atoms and gases.1 Although it makes sense today, in Ludwig’s time working across spatial scales was a practice that violated an implicit contract among scientists. Many of Ludwig’s colleagues saw science as a hierarchy of Russian nesting dolls, with new structures emerging at each level. In this hierarchy, transgressing boundaries was thought unnecessary. Economics did not need psychology, just as psychology did not need biology. Biology did not need chemistry, and chemistry did not need physics. Explaining gases in terms of atoms, although not as preposterous as explaining human behavior in terms of biology, was seen as a betrayal of this implicit deal.

Her mother’s voice began to hum to her softly, tunelessly. Jane whispered, “How did you come?” “I’m not out there anymore, Jane. I’m inside you now, and my mother is inside me, and her mother is inside her, all the way back. We’re all here, just like those Russian dolls, one inside the other.

How many selves do we contain, like Russian dolls concealed within one another.

I began to see this as a series of dilemmas nested like Russian dolls. Can today’s SETI community agree on a policy about active SETI? Even if collectively forged and broadly ratified, would such an agreement actually control or change global behavior, as perceived from the outside? How would you get everyone to go along? Can human society in some sense agree on active SETI? Should we, as a species, cautiously try to hide our presence, or hopefully announce ourselves to the universe?

It’s no accident, I think, that tennis uses the language of life. Advantage, service, fault, break, love, the basic elements of tennis are those of everyday existence, because every match is a life in miniature. Even the structure of tennis, the way the pieces fit inside one another like Russian nesting dolls, mimics the structure of our days. Points become games become sets become tournaments, and it’s all so tightly connected that any point can become the turning point. It reminds me of the way seconds become minutes become hours, and any hour can be our finest. Or darkest. It’s our choice. But

Picture the four essential parts of every human like Russian nesting dolls. The smallest is the body, which is essentially a spacesuit that allows us to survive in the Earth environment. Then the ego, which, in its healthy state, gives us the focus and confidence to function in the human world. The soul is an eternal, individualized creation that grows, learns and seeks ever-closer union with God. And Spirit—present in everything, everyone, everywhere—is God, the One, the same for all of us and always available as the essence of who we are.

Kashmareck went out, returning a few moments later with a woman who set all the men’s eyes ablaze. About forty, she had long legs, blond hair, and the face of a Russian doll. She quickly scanned the group, settled into a chair that seemed to be reaching out for her, and opened a memo pad. With her firm, decisive movements, she must have been used to subduing the troops. She explained briefly, in discursive tones, that she worked for the military, customs, and the police, especially in antiterrorism and hostage negotiations. A heavyweight in her field. Lucie had never felt such attention around her. The testosterone level was rising. At least this bombshell had the power to capture their minds.

Afterward I could not help admiring the discrimination of the host and hostess in the distribution of the children’s presents. The little girl, who had already a portion of three hundred thousand rubles, received the costliest doll. Then followed presents diminishing in value in accordance with the rank of the parents of these happy children; finally, the child of lowest degree, a thin, freckled, red-haired little boy of ten, got nothing but a book of stories about the marvels of nature and tears of devotion, etc., without pictures or even woodcuts. He was the son of a poor widow, the governess of the children of the house, an oppressed and scared little boy. He was dressed in a short jacket of inferior nankeen. After receiving his book he walked around the other toys for a long time; he longed to play with the other children, but did not dare; it was evident that he already felt and understood his position. I

We are like Russian nesting dolls of mental conversations.

For all that I loved him, I never got to the core of Joe. I never reached his innermost Russian doll. He always kept a part of himself locked well away.

An invincible determination can accomplish almost anything, and in this lies the great distinction between great men and little men,’’’ I recall from memory. For no particular reason, this is one of the only quotes I know by heart. Somehow it has stayed with me since I read it in a literature book a few years ago. ‘Hmm, Thomas Fuller,’ my friend replies after a moment’s silence. Porca vacca, I roll my eyes. Is there anything this man doesn’t know?

Was this what I wanted, the rest of my days being laid out for me? A life not of my choosing. Would I be able to live it out here, in this isolation, six months on an island, the days unfolding one into another, a series of Russian dolls, diminishing in their intensity and diminishing me as well. Would I be diminished? Or was this what I needed, to live here undisturbed for the rest of my life and never have to interact with the fractiousness of city living ever again?

I suppose the way I understand my life is as a kind of Russian doll, with different versions inside other versions, each one enclosing the other, whereby the life before isn’t seen from the outside but is still there.

You won’t ever have babies, Sarah. I took care of that the first year you were here. You’re as empty as a Russian doll at a thrift store.” He waves me off, holding his hand out for the slide Ingvar is holding. “Now go to your room. I have work to do.

But you don’t shed blackness by shedding black culture. You simply end up like a black Russian doll, undressing out of yourself into infinity, always further within yourself to go. Either lost or found in self.

It’s a Russian doll of remorse. Guilt tucked into guilt that she’s ruining the only thing that has yet to be ruined.

Does time nest like Russian dolls?

​“I told you. Government.” ​“But what part of it—CIA, military, who?” ​“Government within government within government. Like Matrioshka.” ​“What’s that?” ​“Dolls within dolls.” ​“You mean Russian dolls?” ​“I mean, Matrioshka,” the old woman snapped.

I’d watched Russian Doll recently, then sat down to watch the news, and a section on knife crime caught my attention. This is how it happens for writers. Never at the desk, never at the right time, but always, inevitably, the ideas come, and I think this is my best one yet.

We can't escape being the product of things we can't change.

The Project constituted a precedent in which, like those Russian wooden dolls-within-dolls, sat other precedents, and primarily this: that never before had physicists, engineers, chemists, nucleonicists, biologists, or information theorists held in their hands an object of research that represented not only a certain material—hence natural—puzzle, but which had been intentionally made by Someone and transmitted, and where the intent must have taken into account the potential addressee. Because scientists learn to conduct so-called games with nature, with a nature that is not—from any permissible point of view—a personal antagonist, they are unable to countenance the possibility that behind the object of investigation there indeed stands a Someone, and that to become familiar with that object will be possible only insofar as one draws near, through reasoning, to its completely anonymous creator. Therefore, though they supposedly knew and freely admitted that the Sender was a reality, their whole life’s training, the whole acquired expertise of their respective fields, worked against that knowledge.

Trauma is a topographical map written on the child, and it takes a lifetime to read.

The folk-like crafted goods of Sergei Maliutin, the principal artist at Talashkino, were pure invention. Maliutin was the creator of the first matrioshka, or Russian nesting doll, in 1891. At that time he was working at the Moscow zemstvo’s craft workshops at Sergiev Posad which specialized in making Russian toys. Contrary to the popular belief today, the matrioshka has no roots in Russian folk culture at all. It was dreamed up in response to a commission from the Mamontovs to make a Russian version of the Japanese nesting doll. Maliutin created a red-cheeked peasant girl in the shape of a barrel with a chicken underneath her arm. Each smaller doll portrayed a different aspect of peasant life; and at the core was a baby tightly swaddled in the Russian style. The design became immensely popular and by the end of the 1890s several million dolls were being manufactured every year. The myth was then established that the matrioshka was an ancient Russian toy.

She is still inside me, Edwina decides, thinking of the Russian dolls she once owned. All the Edwinas are still in there, from lonely boarding-school girl to excitable art student, young wife, mother, widow – all her former selves are stacked one inside the other, right down to the tiniest baby-doll Edwina buried deep within her, the size of a monkey nut, she supposes.

In my thirty-fourth year to heaven, I find myself at the copy machine of an exalted, ivy-embroidered university, pressing down on the spine of a memoir by Vladimir Nabokov. The green light under my hands slides over the book’s face, and the spillage from the edges scalds through my shut eyelids. It’s seven-thirty a.m., and I can feel the corpse tint of my face: Frankenstein-monster green. The machine goes whap…whap at slower intervals than the throb in my head, which sounds like thunk. The whaps stab me. The thunks make my eyes bulge in their sockets like a squeezed rubber doll’s. It’s my first year teaching six classes, which has freed me from the deeply respectable but non-writer-esque telecom consulting I could spend eighty hours a week at. Not a new-mom job by any stretch, that work. The sole vestige of the career? I’m on retainer freelancing for a business mag whose editor has left two strongly worded messages on our machine. I’m late with my article on the new Russian perestroika. Whap…thunk. The image of my blond three years’ son this morning, sobbing and holding out his arms to me while Warren strapped him into the child seat, is a hot stove I can’t stop touching. Warren drops him off at daycare now for reasons that are complex.

I am sickened by time, by the image of that vanished self, though I care nothing for her because I prefer myself now. But that self is contained in the present one, along with the others, like millions of Russian dolls.

The computer is able to take all of this complexity and recognize a Russian doll pattern. If two species share many novelties between only themselves, they must be each other’s closest relatives. If those two species share other novelties with a third animal, those three must be more closely related to one another than to the remainder of the dinosaurs. And so on, until a complete family tree has been drawn. This whole process is what we in the business call a cladistic analysis.

another and another, each of them identical, each with the same conviction that it was the nation’s official army and that, therefore, it had the right to violate whomever it pleased. To kill whomever it pleased. To denounce whomever it pleased as a traitor to the fatherland. And each time they passed through his land, it seemed to Francisco that, like the Russian doll, they grew smaller, if not in number then in their credibility and sense of justice. In their humanity.

A collection of Russian matryoshka dolls painted brightly in red and blue peeked out at me expectantly from one of the shelves. I couldn’t resist opening one, revealing a smaller doll inside. I opened that too, on and on until I had five dolls, each decreasing in size, all made to perfectly fit inside the largest one. It was exactly how I felt: a fully formed woman, but the little girl inside was still there.