Runway Fashion Quotes

Even if you fall on the runway, I wouldn't blame you. It would mean that we made a mistake in choosing you.

A wise friend once told me, 'Don't wear what fashion designers tell you to wear. Wear what _they_ wear.' His point being that most designers, no matter what they throw onto the runway, favor simple, flattering pieces for themselves.

Like it or not, we are trendsetters. Just as every fashion model ever to strut the runway, we affect the minds of others by what we wear. With usch power it's vital to question ourselves: 'Am I an example of Christ-centeredness? Or have I just gotten comfortable in the "Christian routine" and forgotten why I've chosen to live this way?

Enough. Enough with these wafish elves walking your impossible clothing down an ugly runway with ugly lighting and noisy music. Life doesn’t look like that runway. Let’s see some ass up there and not just during the specially themed plus size show. We girls over size 6, 8, 10, 12, 14, 16, we don’t want a special day! We want every day and we want you to get out of our fucking way because we are already here. You are living in the past, all you dated, strange magazines representing the weird fashion world that presents bizarre clothing that no one I have ever met wears.

I wrote about everything I didn’t write on The Fame. While traveling the world for two years, I’ve encountered several monsters, each represented by a different song on the new record: my ‘Fear of Sex Monster,’ my ‘Fear of Alcohol Monster,’ my ‘Fear of Love Monster,’ my ‘Fear of Death Monster,’ my ‘Fear of Loneliness Monster,’ etc. I spent a lot of nights in Eastern Europe, and this album is a pop experimentation with industrial/Goth beats, 90’s dance melodies, an obsession with the lyrical genius of 80’s melancholic pop, and the runway. I wrote while watching muted fashion shows and I am compelled to say my music was scored for them.

Cutouts from fashion magazines were taped to the edges of the mirror over the low vanity and sink: Claudia Schiffer’s Guess Jeans ad. Kate Moss in her Calvins. Runway stick figures. Linda Evangelista. Kate Moss. Kate Moss. Kate Moss.

I loved that sports gave women a reason to be unpretty, in the traditional sense. It made stamina, strength, endurance, and mental toughness attractive. Flushed cheeks were your makeup, muscles your accessory, and sweat your glitter. I fit in well in this fashion runway show.

Mr. Wonderful was probably taking his sweet time, right?” “No, it was actually my fault this morning. I was busy with…paperwork.” “Oh. Well, that’s alright. Don’t worry about it. What kind of paperwork?” He smiled. “Nothing important.” Mr. Kadam held the door for me, and we walked out into an empty hallway. I was just starting to relax at the elevator doors when I heard a hotel room door close. Ren walked down the hall toward us. He’d purchased new clothes. Of course, he looked wonderful. I took a step back from the elevator and tried to avoid eye contact. Ren wore a brand new pair of dark-indigo, purposely faded, urban-destruction designer jeans. His shirt was long-sleeved, buttoned-down, crisp, oxford-style and was obviously of high quality. It was blue with thin white stripes that matched is eyes perfectly. He’d rolled up the sleeves and left his shirt untucked and open at the collar. It was also an athletic cut, so it fit tightly to his muscular torso, which made me suck in an involuntary breath in appreciation of his male splendor. He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it’s like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century. I again quickly ran through my list of reasons for not being with Ren and said a few “He’s not for me’s.” The good thing about seeing his mouthwatering self and watching him walk around like a regular person was that it tightened my resolve. Yes. It would be hard because he was so unbelievably gorgeous, but it was now even more obvious to me that we didn’t belong together. As he joined us at the elevator, I shook my head and muttered under my breath, “Figures. The guy is a tiger for three hundred and fifty years and emerges from his curse with expensive taste and keen fashion sense too. Incredible!” Mr. Kadam asked, “What was that, Miss Kelsey?” “Nothing.” Ren raised an eyebrow and smirked. He probably heard me. Stupid tiger hearing. The elevator doors opened. I stepped in and moved to the corner hoping to keep Mr. Kadam between the two of us, but unfortunately, Mr. Kadam wasn’t receiving the silent thoughts I was projecting furiously toward him and remained by the elevator buttons. Ren moved next to me and stood too close. He looked me up and down slowly and gave me a knowing smile. We rode down the elevator in silence. When the doors opened, he stopped me, took the backpack off my shoulder, and threw it over his, leaving me with nothing to carry. He walked ahead next to Mr. Kadam while I trialed along slowly behind, keeping distance between us and a wary eye on his tall frame.

You can wear a variety of clothing. But you should have one designer you favor. I suggest Amano." "Ooh," Noriko hums. "I love him." Ichiko taps out something on her tablet and hands me photographs of his latest runway show. "I see it now. You are a small-town girl who supports the local artist. An up-and-comer like you. That's your brand." She winks at me. "Amano's pieces are flattering with a nod to classical elements, but with a certain modern flair." Women strut down a white runway. One wears a black silk furisode with flowing kimono sleeves and a lotus flower motif. Another sports a red evening gown with a matching capelet. Another, a turquoise fitted dress with a square neckline and beaded belt. All so pretty. I like.

Suzanne rolled her eyes. “I didn’t mean you were modeling kites, George,” she explained. “I just meant that in a fashion show, everyone takes a turn walking down the runway. When one person finishes, the next one goes.” “You mean take turns,” Manny said. Suzanne nodded. “Exactly.” “Why didn’t you just say that?” Kevin asked. “Because then it wouldn’t have been a Suzanne idea,” Katie told the boys. The kids all laughed. That was true. Suzanne definitely had her own way of saying things. “How will we know who wins the contest if the kites don’t fly at the same time?” Manny asked. “Dudes, you’re all winners,” Mr. G. assured the boys. “You made kites that are designed to fly high for a long time.” “Yeah, that’s true,” Jeremy said. “We’re the kings of kites,” George agreed

In 1972, Sara Kapp had been living for some time at Karmê Chöling without daring to ask to speak to Chögyam Trungpa. But when a New York modeling agency wanted to sign her as a model, she decided to ask his advice. Posing in front of the camera all day did not seem appropriate for someone who was trying to cut through her ego. Chögyam Trungpa asked her why she wanted to become a model. She explained how she had experienced some difficulty in sticking to any one thing after finishing college. So she thought that maybe picking out something for a few years might be beneficial. If that is the reason, he replied, then there’s no problem. He encouraged her to follow her career, and as she continued to hesitate, he told her: “The only obstacle I can see is if you do this work hoping to earn lots of money or to be on the cover of Vogue. That would be sad, because you’d be losing youself in the future. It’s a real shame when people regret not having enough money, or having missed a career opportunity, because they are then fixing themselves in the past. It’s very, very sad.” Then staring into her eyes, he repeated: “It’s very, very, very sad because that way we miss out on the present, and the present is marvelous.” She went on to become one of the best-known runway models of her day. For a period of time, one could find mannequins of Sara Kapp in Saks and other epxensive department stores throughout the United States. Her last major modeling contract was as the first Princes Borghese for Revlon. She now works behind the scenes in the fashion industry in Milan.

So now I was a beauty editor. In some ways, I looked the part of Condé Nast hotshot—or at least I tried to. I wore fab Dior slap bracelets and yellow plastic Marni dresses, and I carried a three-thousand-dollar black patent leather Lanvin tote that Jean had plunked down on my desk one afternoon. (“This is . . . too shiny for me,” she’d explained.) My highlights were by Marie Robinson at Sally Hershberger Salon in the Meatpacking District; I had a chic lavender pedicure—Versace Heat Nail Lacquer V2008—and I smelled obscure and expensive, like Susanne Lang Midnight Orchid and Colette Black Musk Oil. But look closer. I was five-four and ninety-seven pounds. The aforementioned Lanvin tote was full of orange plastic bottles from Rite Aid; if you looked at my hands digging for them, you’d see that my fingernails were dirty, and that the knuckle on my right hand was split from scraping against my front teeth. My chin was broken out from the vomiting. My self-tanner was uneven because I always applied it when I was strung out and exhausted—to conceal the exhaustion, you see—and my skin underneath the faux-glow was full-on Corpse Bride. A stylist had snipped out golf-ball-size knots that had formed at the back of my neck when I was blotto on tranquilizers for months and stopped combing my hair. My under-eye bags were big enough to send down the runway at Mercedes-Benz Fashion Week: I hadn’t slept in days. I hadn’t slept for more than a few hours at a time in months. And I hadn’t slept without pills in years. So even though I wrote articles about how to take care of yourself—your hair, your skin, your nails—I was falling apart.

Remember: confidence is key when wearing cute cat themed clothes. Own every step as if you were strutting down the runway during Fashion Week in Paris.

I knew it was you! Only you could turn Main Street into your own fashion runway.” Alana Castillo, one of my high school classmates, waves.

I knew it was you! Only you could turn Main Street into your own fashion runway.” Alana Castillo,

Every time the fashion runway makes a place for a plus size woman, an eccentric tomboy, an awkward aristocrat, or four dozen sorority girls, it is a nod to Versailles. That was a moment when the individual trumped the group, when five Americans triumphed not because of the cut of the clothes or any extraordinary embellishments, but because of the spirit in which they were worn. American individualism showed its best face.

I knew it was you! Only you could turn Main Street into your own fashion runway.” Alana Castillo, one of my high school classmates, waves. Of all the people from my past I could have run into, Alana is the best option. Not only is she nice, but we actually got along pretty well in high school despite being part of different friend groups. Her dark hair shines under the sun, bringing out the different brown tones. A tall, handsome, blond man beside her whispers something in her ear before taking off toward the Pink Tutu with her daughter, who is dressed in a leotard, neon green ballet skirt, and combat boots.

A fashion event in Seattle? What, like a raincoat runway walk? A North Face show?

We’re in Key West Bight,” Gina replied. “We’re also here looking for someone else.” “Who?” Carly asked, as Amber turned and strutted toward them as if she were on a fashion runway. Her attitude reminded him of Cathy, a girl he’d gone out with several times when he’d returned home from boot camp. “Being aware of how you look to others,” Mam had often told him, “and striving to show others how you look, are two different things. One is neatness, and the other, vanity.

Myron turned. The setting sun was blocked now as though by an eclipse. Big Cyndi was ambling toward them. She was dressed entirely in white spandex. Very tight white spandex. No undergarments. Tragically, you could tell. On a seventeen-year-old runway model, the spandex jumpsuit would be a fashion risk. On a woman of forty who weighed more than three hundred pounds . . . well, it took guts, lots of them, all of which were on full display, thank you very much. Everything jiggled as she trundled toward them; various body parts seemed to have lives of their own, moving of their own accord, as if dozens of animals were trapped in a white balloon and trying to squirm their way out. Big

A wise friend once told me, “Don’t wear what fashion designers tell you to wear. Wear what they wear.” His point being that most designers, no matter what they throw onto the runway, favor simple, flattering pieces for themselves.

In July 1964 an alleged incident involving Paco Rabanne rocked the model community to its foundations. The innovative Spanish-born designer had used black beauties in his Paris show to model his futuristic plastic dresses, a move that enraged the American fashion press. According to Rabanne in Barbara Summers’s book Skin Deep, things got out of hand backstage after the show. ‘I watched them coming,’ he said, ‘the girls from American Vogue and Harper’s Bazaar. “Why did you do that?” they said. “You don’t have the right to do that, to take those kind of girls. Fashion is for us, white people.” They spat in my face. I had to wipe it off.’ Rabanne was subsequently blacklisted by the fashion cartels until black runway models finally became chic in the 1970s.

With cars I like newer models, but with people I like older models. Why aren’t there more walkers on fashion runways?

I’ve gotta go walk the runway at my girlfriend’s fashion show now.

I am especially concerned that American fashion not be forgotten. Once, I met the head of a hot design school in the Netherlands, and she expressed nothing but contempt for American design – an attitude I find very offensive when espoused by Europeans and downright tragic when held by Americans. When I look through ‘Project Runway’ applications, I am always struck by how few American designers are cited in their influences section. Invariably, the only designers they name are Alexander McQueen, Christian Dior, and Coco Chanel – often misspelled ‘Channel.’ You only rarely see American designers listed. If you do, it’s usually Donna Karan. (I don’t understand why people don’t write Michael Kors – even just in their own political self-interest.

Welcome!’ said the lady with the clipboard. She looked like a flight attendant – blue business suit, perfect makeup, hair pulled back in a ponytail. She shook our hands as we stepped onto the dock. With the dazzling smile she gave us, you would’ve thought we’d just got off the Princess Andromeda rather than a bashed-up rowboat. Then again, our rowboat wasn’t the weirdest ship in port. Along with a bunch of pleasure yachts, there was a U.S. Navy submarine, several dugout canoes and an old-fashioned three-masted sailing ship. There was a helipad with a ‘Channel Five Fort Lauderdale’ helicopter on it, and a short runway with a Learjet and a propeller plane that looked like a World War II fighter. Maybe they were replicas for tourists to look at or something. ‘Is this your first time with us?’ the clipboard lady enquired. Annabeth and I exchanged looks. Annabeth said, ‘Umm…’ ‘First – time – at – spa,’ the lady said as she wrote on her clipboard. ‘Let’s see…’ She looked us up and down critically. ‘Mmm. An herbal wrap to start for the young lady. And of course, a complete makeover for the young gentleman.

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