Running River Quotes

We've searched our database for all the quotes and captions related to Running River. Here they are! All 100 of them:

We have an unknown distance yet to run, an unknown river to explore.
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Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.
Norman Maclean (A River Runs Through It and Other Stories)
Human beings are made of water–- we were not designed to hold ourselves together rather run freely like oceans like rivers
Beau Taplin (Hunting Season)
Deep rivers run quiet.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
One final paragraph of advice: do not burn yourselves out. Be as I am - a reluctant enthusiast....a part-time crusader, a half-hearted fanatic. Save the other half of yourselves and your lives for pleasure and adventure. It is not enough to fight for the land; it is even more important to enjoy it. While you can. While it’s still here. So get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, climb the mountains, bag the peaks, run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and contemplate the precious stillness, the lovely, mysterious, and awesome space. Enjoy yourselves, keep your brain in your head and your head firmly attached to the body, the body active and alive, and I promise you this much; I promise you this one sweet victory over our enemies, over those desk-bound men and women with their hearts in a safe deposit box, and their eyes hypnotized by desk calculators. I promise you this; You will outlive the bastards.
Edward Abbey
When you run with the Doctor, it feels like it'll never end. But however hard you try you can't run forever. Everybody knows that everybody dies and nobody knows it like the Doctor. But I do think that all the skies of all the worlds might just turn dark if he ever for one moment, accepts it. Everybody knows that everybody dies. But not every day. Not today. Some days are special. Some days are so, so blessed. Some days, nobody dies at all. (In the library, the Doctor walks back to the TARDIS. He stops, looking at the doors. Then he raises his hand, and stands there poised like that for a long moment. Finally he snaps his fingers. The doors open. He smiles slowly and walks in, joining Donna. Then he snaps his fingers again, and the doors close. River's voice continues over this.) Now and then, every once in a very long while, every day in a million days, when the wind stands fair, and the Doctor comes to call... everybody lives.
Steven Moffat
Fairy tales make rivers run with wine only to make us remember, for one wild moment, that they run with water. a
G.K. Chesterton (Orthodoxy)
Fairy tales say that apples were golden only to refresh the forgotten moment when we found that they were green. They make rivers run with wine only to make us remember, for one wild moment, that they run with water.
G.K. Chesterton (Orthodoxy)
Love is a powerful thing, more powerful than blood, although both run through us like a river.
Tracy Deonn (Legendborn (The Legendborn Cycle, #1))
Each one of us here today will at one time in our lives look upon a loved one who is in need and ask the same question: We are willing to help, Lord, but what, if anything, is needed? For it is true we can seldom help those closest to us. Either we don't know what part of ourselves to give or, more often than not, the part we have to give is not wanted. And so it is those we live with and should know who elude us. But we can still love them - we can love completely without complete understanding.
Norman Maclean (A River Runs Through It and Other Stories)
Mercy is not a proper Indian name."..........."Rash Coyote Who Runs With Wolf. We could shorten it to Dinner Woman.
Patricia Briggs (River Marked (Mercy Thompson, #6))
We can love completely what we cannot completely understand.
Norman Maclean (A River Runs Through It and Other Stories)
Be wild; that is how to clear the river. The river does not flow in polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life. It is made up of divine paradox. To create one must be willing to be stone stupid, to sit upon a throne on top of a jackass and spill rubies from one’s mouth. Then the river will flow, then we can stand in the stream of it raining down.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
One of life's quiet excitements is to stand somewhat apart from yourself and watch yourself softly becoming the author of something beautiful even if it is only a floating ash.
Norman Maclean (River Runs Through It)
It is those we live with and love and should know who elude us.
Norman Maclean (A River Runs Through It and Other Stories)
My father was very sure about certain matters pertaining to the universe. To him all good things-trout as well as eternal salvation-come by grace and grace comes by art and art does not come easy.
Norman Maclean (A River Runs Through It and Other Stories)
At sunrise everything is luminous but not clear.
Norman Maclean (A River Runs Through It and Other Stories)
If you come back to me," he said, making a rare concession, "will you run or crawl?" Nora had pressed her whole body into him at that moment. Resting her head on his strong shoulder, she watched as a tear forged a river down his long and muscled back. "I'll fly.
Tiffany Reisz (The Siren (The Original Sinners, #1))
The world is full of bastards, the number increasing rapidly the further one gets from Missoula, Montana.
Norman Maclean (A River Runs Through It)
To live in peace as long as the waters run in the rivers and creeks, and as long as the stars and moon endure.
Tamanend (The Peace Treaty)
Did you miss me?’ “A little bit,” she said with a shrug. “You have tears running down your cheeks,” he said with a grin. “I think you missed me more than a little.
Robyn Carr (Wild Man Creek (Virgin River, #12))
The total amount of suffering per year in the natural world is beyond all decent contemplation. During the minute that it takes me to compose this sentence, thousands of animals are being eaten alive, many others are running for their lives, whimpering with fear, others are slowly being devoured from within by rasping parasites, thousands of all kinds are dying of starvation, thirst, and disease. It must be so. If there ever is a time of plenty, this very fact will automatically lead to an increase in the population until the natural state of starvation and misery is restored. In a universe of electrons and selfish genes, blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won't find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference.
Richard Dawkins (River Out of Eden: A Darwinian View of Life)
Well, Vin says that there's something behind all this, right? Some evil force of doom or whatever? Well, if I were said force of doom, then I certainly wouldn't have used my powers to turn the land black. It just lacks flair. Red. Now, that would be an interesting color. Think of the possibilities--if the ash were red, the rivers would run like blood. Black is so monotonous that you can forget about it, but red--you'd always be thinking, 'Why, look at that. That hill is red. That evil force of doom trying to destroy me certainly has style.
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
Slowly we became silent, and silence itself if an enemy to friendship.
Norman Maclean (A River Runs Through It and Other Stories)
I didn't know all that was inside of him, either. I thought I did, but people run deep and complicated like rivers, hold their shape and are carved upon like stone.
Ally Condie (Crossed (Matched, #2))
At sunrise everything is luminous but not clear. It is those we live with and love and should know who elude us. You can love completely without complete understanding.
Norman Maclean (A River Runs Through It and Other Stories)
Follow your heart, minute by minute and day by day. Let the course of the river run as it will, instead of tying yourself up in fears that you may never realize" Wulfgar
R.A. Salvatore
Run like the river.
Suzanne Collins (Gregor the Overlander Box Set (Underland Chronicles, #1-5))
All there is to thinking is seeing something noticeable which makes you see something you weren't noticing which makes you see something that isn't even visible.
Norman Maclean (A River Runs Through It and Other Stories)
You will one day experience joy that matches this pain. You will cry euphoric tears at the Beach Boys, you will stare down at a baby’s face as she lies asleep in your lap, you will make great friends, you will eat delicious foods you haven’t tried yet, you will be able to look at a view from a high place and not assess the likelihood of dying from falling. There are books you haven’t read yet that will enrich you, films you will watch while eating extra-large buckets of popcorn, and you will dance and laugh and have sex and go for runs by the river and have late-night conversations and laugh until it hurts. Life is waiting for you. You might be stuck here for a while, but the world isn’t going anywhere. Hang on in there if you can. Life is always worth it.
Matt Haig (Reasons to Stay Alive)
Nina had grieved for her loss of power, for the connection she’d felt to the living world. She’d resented this shadow gift. It had seemed like a sham, a punishment. But just as surely as life connected everything, so did death. It was that endless, fast-running river. She’d dipped her fingers into its current, held the eddy of its power in her hand. She was the Queen of Mourning, and in its depths, she would never drown.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
When the dead do walk seek water's run, for this the Dead will always shun. Swift river's best or broadest lake to ward the dead and have and make. If water fails thee, fire's thy friend, if neither guards it will be thy end.
Garth Nix (Lirael (Abhorsen, #2))
Many of us would probably be better fishermen if we did not spend so much time watching and waiting for the world to become perfect
Norman Maclean (A River Runs Through It and Other Stories)
My feelings for you run very deep." - Loor Not deep enought, I guess." - Bobby (The Rivers of Zadaa)
D.J. MacHale
When I was young, a teacher had forbidden me to say "more perfect" because she said if a thing is perfect it can't be more so. But by now I had seen enough of life to have regained my confidence in it.
Norman Maclean (A River Runs Through It and Other Stories)
But chance runs like a river through all our lives, and being prepared for surprise is the best we can do.
Kenneth Oppel (Skybreaker (Matt Cruse, #2))
I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that new born river that has to run through the center of our hearts to find its way home.
Andrea Gibson (Pole Dancing to Gospel Hymns)
Khusrau darya prem ka, ulti wa ki dhaar, Jo utra so doob gaya, jo dooba so paar. English Translation. Oh Khusrau, the river of love Runs in strange directions. One who jumps into it drowns, And one who drowns, gets across.
Amir Khusrau (The Writings of Amir Khusrau: 700 Years After the Prophet: A 13th-14th Century Legend of Indian-Sub-Continent)
And I do. I do wonder, I think about it all the time. What it would be like to kill myself. Because I never really know, I still can't tell the difference, I'm never quite certain whether or not I'm actually alive. I sit here every single day. Run, I said to myself. Run until your lungs collapse, until the wind whips and snaps at your tattered clothes, until you're a blur that blends into the background. Run, Juliette, run faster, run until your bones break and your shins split and your muscles atrophy and your heart dies because it was always too big for your chest and it beat too fast for too long and you run. Run run run until you can't hear their feet behind you. Run until they drop their fists and their shouts dissolve in the air. Run with your eyes open and your mouth shut and dam the river rushing up behind your eyes. Run, Juliette. Run until you drop dead. Make sure your heart stops before they ever reach you. Before they ever touch you. Run, I said.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
The King beneath the mountains, The King of carven stone, The lord of silver fountains Shall come into his own! His crown shall be upholden, His harp shall be restrung, His halls shall echo golden To songs of yore re-sung. The woods shall wave on mountains. And grass beneath the sun; His wealth shall flow in fountains And the rivers golden run. The streams shall run in gladness, The lakes shall shine and burn, And sorrow fail and sadness At the Mountain-king’s return!
J.R.R. Tolkien (The Hobbit, or There and Back Again)
When I take you to the Valley, you’ll see the blue hills on the left and the blue hills on the right, the rainbow and the vineyards under the rainbow late in the rainy season, and maybe you’ll say, “There it is, that’s it!” But I’ll say. “A little farther.” We’ll go on, I hope, and you’ll see the roofs of the little towns and the hillsides yellow with wild oats, a buzzard soaring and a woman singing by the shadows of a creek in the dry season, and maybe you’ll say, “Let’s stop here, this is it!” But I’ll say, “A little farther yet.” We’ll go on, and you’ll hear the quail calling on the mountain by the springs of the river, and looking back you’ll see the river running downward through the wild hills behind, below, and you’ll say, “Isn’t that the Valley?” And all I will be able to say is “Drink this water of the spring, rest here awhile, we have a long way yet to go and I can’t go without you.
Ursula K. Le Guin (Always Coming Home)
Willows whiten, aspens quiver, little breezes dusk and shiver, thro' the wave that runs forever by the island in the river, flowing down to Camelot. Four gray walls and four gray towers, overlook a space of flowers, and the silent isle imbowers, the Lady of Shalott.
Alfred Tennyson (Selected Poems of Alfred Lord Tennyson)
I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...
Henry Miller (Tropic of Cancer (Tropic, #1))
Beyond the East the sunrise, beyond the West the sea, And East and West the wanderlust that will not let me be; It works in me like madness, dear, to bid me say good-by! For the seas call and the stars call, and oh, the call of the sky! I know not where the white road runs, nor what the blue hills are, But man can have the sun for friend, and for his guide a star; And there's no end of voyaging when once the voice is heard, For the river calls and the road calls, and oh, the call of a bird! Yonder the long horizon lies, and there by night and day The old ships draw to home again, the young ships sail away; And come I may, but go I must, and if men ask you why, You may put the blame on the stars and the sun and the white road and the sky!
Gerald Gould
So it is that we can seldom help anybody. Either we don't know what part to give or maybe we don't like to give any part of ourselves. Then, more often than not, the part that is needed is not wanted. And even more often, we do not have the part that is needed.
Norman Maclean (A River Runs Through It)
By March, the worst of the winter would be over. The snow would thaw, the rivers begin to run and the world would wake into itself again. Not that year. Winter hung in there, like an invalid refusing to die. Day after grey day the ice stayed hard; the world remained unfriendly and cold.
Neil Gaiman (Odd and the Frost Giants)
Yet even in the loneliness of the canyon I knew there were others like me who had brothers they did not understand but wanted to help. We are probably those referred to as "our brother's keepers," possessed of one of the oldest and possible one of the most futile and certainly one of the most haunting instincts. It will not let us go.
Norman Maclean (A River Runs Through It and Other Stories)
He who postpones the hour of living rightly is like the rustic who waits for the river to run out before he crosses.
Horatius
But you cannot understand life and its mysteries as long as you try to grasp it. Indeed, you cannot grasp it, just as you cannot walk off with a river in a bucket. If you try to capture running water in a bucket, it is clear that you do not understand it and that you will always be disappointed, for in the bucket the water does not run. To “have” running water you must let go of it and let it run.
Alan W. Watts (The Wisdom of Insecurity)
I don’t know if you have ever seem a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads in the island; for the Neverland is always more or less and island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose.
J.M. Barrie (Peter Pan)
Instead of a river, God often gives us a brook, which may be running today and dried up tomorrow. Why? To teach us not to rest in our blessings, but in the blesser Himself.
Arthur W. Pink (Elijah)
At some point, as Richard keeps telling me, you gotta let go and sit still and allow contentment to come to you. Letting go, of course, is a scary enterprise for those of us who believe that the world revolves only because it has a handle on the top of it which we personally turn, and that if we were to drop this handle for even a moment, well – that would be the end of the universe. But try dropping it….Sit quietly for now and cease your relentless participation. Watch what happens. The birds do not crash dead out of the sky in mid-flight, after all. The trees do not wither and die, the rivers do not run red with blood. Life continues to go on…. Why are you so sure that your micromanagement of every moment in this whole world is so essential? Why don’t you let it be?
Elizabeth Gilbert (Eat, Pray, Love)
In our family, there was no clear line between religion and fly fishing. We lived at the junction of great trout rivers in western Montana, and our father was a Presbyterian minister and a fly fisherman who tied his own flies and taught others. He told us about Christ's disciples being fishermen, and we were left to assume, as my brother and I did, that all first-class fishermen on the Sea of Galilee were fly fishermen and that John, the favorite, was a dry-fly fisherman.
Norman Maclean (A River Runs Through It and Other Stories)
I am evil incarnate,” the dastardly voice said. “I am the blight upon the skin of this world. And I will bring it to its knees. Prepare for the End of Days! Your time has come, and the rivers will run with the blood of the innocents!” Talia sighed. “He’s such a drama queen.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Feeling scared yet? Want to go somewhere safe?" "It won't help, will it? We'd just run into Godzilla or the Vampire from Hell. Trouble just follows you around." "Hey, Trouble. Let's find out what your mysterious Indian wanted us to know.
Patricia Briggs (River Marked (Mercy Thompson, #6))
Lying in bed, my body and soul bruised and tired, I realize that the Officials are right. Once you want something, everything changes. Now I want everything. More and more and more. I want to pick my work position. Marry who I choose. Eat pie for breakfast and run down a real street instead of on a tracker. Go fast when I want and slow when I want. Decide which poems I want to read and what words I want to write. There is so much that I want. I feel it so much that I am water, a river of want, pooled in the shape of a girl named Cassia.
Ally Condie
THERE IS A river that runs through time and the universe, vast and inexplicable, a flow of spirit that is at the heart of all existence, and every molecule of our being is a part of it. And what is God but the whole of that river?
William Kent Krueger (This Tender Land)
Until the stars burn out, and all worlds end, until the planets collide, and the suns wither, until the moon’s light dies, and the rivers and seas run out, until I grow so old that my memories fade away, and my tongue cannot say your name, until my heart beats for the last time, only then .. will I maybe stop, maybe.
Ahmed Khaled Tawfik
All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
Mark Helprin (Winter's Tale)
Demons run when a good man goes to war. Night will fall and drown the sun, When a good man goes to war. Friendship dies and true love lies, Night will fall and the dark will rise, When a good man goes to war. Demons run, but count the cost. The battle's won but the child is lost.
Steven Moffat
I wanted adventures. I wanted to go up the Nung river to the heart of darkness in Cambodia. I wanted to ride out into a desert on camelback, sand and dunes in every direction, eat whole roasted lamb with my fingers. I wanted to kick snow off my boots in a Mafiya nightclub in Russia. I wanted to play with automatic weapons in Phnom Penh, recapture the past in a small oyster village in France, step into a seedy neon-lit pulqueria in rural Mexico. I wanted to run roadblocks in the middle of the night, blowing past angry militia with a handful of hurled Marlboro packs, experience fear, excitement, wonder. I wanted kicks – the kind of melodramatic thrills and chills I’d yearned for since childhood, the kind of adventure I’d found as a little boy in the pages of my Tintin comic books. I wanted to see the world – and I wanted the world to be just like the movies
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
I know there is poor and hideous suffering, and I've seen the hungry and the guns that go to war. I have lived pain, and my life can tell: I only deepen the wound of the world when I neglect to give thanks for early light dappled through leaves and the heavy perfume of wild roses in early July and the song of crickets on humid nights and the rivers that run and the stars that rise and the rain that falls and all the good things that a good God gives.
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
Do you know who I am?" she demanded. "Well, you're Night, I suppose," said Annabeth. "I mean, I can tell because you're dark and everything, though the brochure didn't say much about you." Nyx's eyes winked out for a moment. "What brochure?" Annabeth patted her pockets. "We had one, didn't we?" Percy licked his lips. "Uh-huh." He was still watching the horses, his hand tight on his sword hilt, but he was smart enough to follow Annabeth's lead. [...] "Anyway," she said, "I guess the brochure didn't say much, because you weren't spotlighted on the tour. We got to see the River Phlegethon, the Cocytus, the arai, the poison glade of Akhlys, even some random Titans and giants, but Nyx...hmm, no you weren't really featured." "Featured? Spotlighted?" "Yeah," Percy said, warming up to the idea. "We came down here for the Tartarus tour--like, exotic destinations, you know? The Underworld is overdone. Mount Olympus is a tourist trap--" "Gods, totally!" Annabeth agreed. "So we booked the Tartarus excursion, but no one even mentioned we'd run into Nyx. Huh. Oh, well. Guess they didn't think you were important.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise. Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of those rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.
Norman Maclean (A River Runs Through It)
By the time it came to the edge of the Forest, the stream had grown up, so that it was almost a river, and, being grown-up, it did not run and jump and sparkle along as it used to do when it was younger, but moved more slowly. For it knew now where it was going, and it said to itself, “There is no hurry. We shall get there some day.” But all the little streams higher up in the Forest went this way and that, quickly, eagerly, having so much to find out before it was too late.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
Sometimes she has imagined what it would be like to fly, to live in the river, to run like a horse. She has dreamed of that freedom, that power, and fears the wildness in herself that wants to live as beasts live, moved purely by need and desire. She has felt torn between the heat of her limbs and the thoughts in her mind telling her to be careful and good and always calm. Don't scream or cry, don't run to him and throw yourself at his feet, pleading for him to take you in his arms, don't strip off your clothes and run naked to the water, wild with wanting.
Francesca Lia Block
I am running and singing and when it’s raining I’m the only one left on the open street, smiling with my eyes fixed on the sky because it’s cleaning me. I’m the one on the other side of the party, hearing laughter and the emptying of bottles while I peacefully make my way to the river, a lonely road, following the smell of the ocean. I’m the one waking up at 4am to witness the sunrise, where the sky touches the sea, and I hold my elbows, grasping tight to whatever I’ve made of myself.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, the position of the electron, or the occurrence of one astonishing frigid winter after another. Even electrons, supposedly the paragons of unpredictability, are tame and obsequious little creatures that rush around at the speed of light, going precisely where they are supposed to go. They make faint whistling sounds that when apprehended in varying combinations are as pleasant as the wind flying through a forest, and they do exactly as they are told. Of this, one is certain. And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was is; everything that ever will be is - and so on, in all possible combinations. Though in perceiving it we image that it is in motion, and unfinished, it is quite finished and quite astonishingly beautiful. In the end, or rather, as things really are, any event, no matter how small, is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
Mark Helprin (Winter's Tale)
Forget the suffering You caused others. Forget the suffering Others caused you. The waters run and run, Springs sparkle and are done, You walk the earth you are forgetting. Sometimes you hear a distant refrain. What does it mean, you ask, who is singing? A childlike sun grows warm. A grandson and a great-grandson are born. You are led by the hand once again. The names of the rivers remain with you. How endless those rivers seem! Your fields lie fallow, The city towers are not as they were. You stand at the threshold mute.
Czesław Miłosz
The fragility of crystal is not a weakness but a fineness. My parents understood that fine crystal glass had to be cared for or may be shattered. But when it came to my brother, they didn’t seem to know or care that their course of their secret action brought the kind of devastation that could cut them. Their fraudulent marriage and our father’s denial of his other son was for Chris a murder of every day’s truth. He felt his whole life turned like a river suddenly reversing the direction of its flow. Suddenly running uphill. These revelations struck at the core of Chris’s sense of identity. They made his entire childhood seem like fiction. Chris never told them he knew and made me promise silence as well.
Jon Krakauer (Into the Wild)
I had as yet no notion that life every now and then becomes literature—not for long, of course, but long enough to be what we best remember, and often enough so that what we eventually come to mean by life are those moments when life, instead of going sideways, backwards, forward, or nowhere at all, lines out straight, tense and inevitable, with a complication, climax, and, given some luck, a purgation, as if life had been made and not happened.
Norman Maclean (A River Runs Through It and Other Stories)
Light, my light, the world-filling light, the eye-kissing light, heart-sweetening light! Ah, the light dances, my darling, at the centre of my life; the light strikes, my darling, the chords of my love; the sky opens, the wind runs wild, laughter passes over the earth. The butterflies spread their sails on the sea of light. Lilies and jasmines surge up on the crest of the waves of light. The light is shattered into gold on every cloud, my darling, and it scatters gems in profusion. Mirth spreads from leaf to leaf, my darling, and gladness without measure. The heaven's river has drowned its banks and the flood of joy is abroad.
Rabindranath Tagore (Gitanjali)
Everyone has always said I look like Bailey, but I don't. I have grey eyes to her green, an oval face to her heart-shaped one, I'm shorter, scrawnier, paler, flatter, plainer, tamer. All we shared is a madhouse of curls that I imprison in a ponytail while she let hers rave like madness around her head. I don't sing in my sleep or eat the petals off flowers or run into the rain instead of out of it. I'm the unplugged-in one, the side-kick sister, tucked into a corner of her shadow. Boys followed her everywhere; they filled the booths at the restaurant where she waitressed, herded around her at the river. One day, I saw a boy come up behind her and pull a strand of her long hair I understood this- I felt the same way. In photographs of us together, she is always looking at the camera, and I am always looking at her.
Jandy Nelson (The Sky Is Everywhere)
When?' said the moon to the stars in the sky Soon' said the wind that followed them all Who?' said the cloud that started to cry Me' said the rider as dry as a bone How?' said the sun that melted the ground and 'Why?' said the river that refused to run and 'Where?' said the thunder without a sound Here' said the rider and took up his gun No' said the stars to the moon in the sky No' said the trees that started to moan No' said the dust that blunted its eyes Yes' said the rider as white as a bone No' said the moon that rose from his sleep No' said the cry of the dying sun No' said the planet as it started to weep Yes' said the rider and laid down his gun
Nick Cave
Treat all men alike.... give them all the same law. Give them all an even chance to live and grow. You might as well expect the rivers to run backward as that any man who is born a free man should be contented when penned up and denied liberty to go where he pleases. We only ask an even chance to live as other men live. We ask to be recognized as men. Let me be a free man...free to travel... free to stop...free to work...free to choose my own teachers...free to follow the religion of my Fathers...free to think and talk and act for myself.
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
Each woman has potential access to Rio Abajo Rio, this river beneath the river. She arrives there through deep meditation, dance, writing, painting, prayermaking, singing, drumming, active imagination, or any activity which requires an intense altered consciousness. A woman arrives in this world-between-worlds through yearning and by seeking something she can see just out of the corner of her eye. She arrives there by deeply creative acts, through intentional solitude, and by practice of any of the arts.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Of course, now I am too old to be much of a fisherman, and now of course I usually fish the big waters alone, although some friends think I shouldn’t. Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise. Eventually, all things merge into one, and a river runs through it. The river was cut by the world’s great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.
Norman Maclean (A River Runs Through It and Other Stories)
Then I thought of the drive back, late at night, along the starlit river to this rickety antique New England hotel on a shoreline that I hoped would remind us both of the bay of B., and of Van Gogh's starry nights, and of the night I joined him on the rock and kissed him on the neck, and of the last night when we walked together on the coast road, sensing we'd run out of last-minute miracles to put off his leaving. I imagined being in his car asking myself, Who knows, would I want to, would he want to, perhaps a nightcap at the bar would decide, knowing that, all through dinner that evening, he and I would be worrying about the same exact thing, hoping it might happen, praying it might not, perhaps a nightcap would decide - I could just read it on his face as I pictured him looking away while uncorking a bottle of wine or while changing the music, because he too would catch the thought racing through my mind and want me to know he was debating the exact same thing, because, as he'd pour the wine for his wife, for me, for himself, it would finally dawn on us both that he was more me than I had ever been myself, because when he became me and I became him in bed so many years ago, he was and would forever remain, long after every forked road in life had done its work, my brother, my friend, my father, my son, my husband, my lover, myself. In the weeks we'd been thrown together that summer, our lives had scarcely touched, but we had crossed to the other bank, where time stops and heaven reaches down to earth and gives us that ration of what is from birth divinely ours. We looked the other way. We spoke of everything but. But we've always known, and not saying anything now confirmed it all the more. We had found the stars, you and I. And this is given once only.
André Aciman (Call Me by Your Name)
This report is maybe 12-years-old. Parliament buried it, and it stayed buried till River dug it up. This is what they feared she knew. And they were right to fear because there's a whole universe of folk who are gonna know it, too. They're gonna see it. Somebody has to speak for these people. You all got on this boat for different reasons, but you all come to the same place. So now I'm asking more of you than I have before. Maybe all. Sure as I know anything I know this, they will try again. Maybe on another world, maybe on this very ground swept clean. A year from now, 10, they'll swing back to the belief that they can make people . . . better. And I do not hold to that. So no more running. I aim to misbehave.
Joss Whedon
The land has a memory. Every stream and river runs with a confession of sorts, history whispered over rocks, lifted in the beaks of birds at a stream, carried out to the sea. Buffalo thunder across plains whose soil was watered with the blood of battles long since relegated to musty books on forgotten shelves. Fields once strewn with blue and gray now flower with uneasy buds. The slave master snaps the lash, and generations later, the ancestral scars remain. Under it all, the dead lie, remembering.
Libba Bray (Lair of Dreams (The Diviners, #2))
Someday I will stop being young and wanting stupid tattoos. There are 7 people in my house. We each have different genders. I cut my hair over the bathroom sink and everything I own has a hole in it. There is a banner in our living room that says “Love Cats Hate Capitalism.” We sit around the kitchen table and argue about the compost pile and Karl Marx and the necessity of violence when The Rev comes. Whatever the fuck The Rev means. Every time my best friend laughs I want to grab him by the shoulders and shout “Grow old with me and never kiss me on the mouth!” I want us to spend the next 80 years together eating Doritos and riding bikes. I want to be Oscar the Grouch. I want him and his girlfriend to be Bert and Ernie. I want us to live on Sesame Street and I will park my trash can on their front stoop and we will be friends every day. If I ever seem grouchy it’s just because I am a little afraid of all that fun. There is a river running through this city I know as well as my own name. It’s the first place I’ve ever called home. I don’t think its poetry to say I’m in love with the water. I don’t think it’s poetry to say I’m in love with the train tracks. I don’t think it’s blasphemy to say I see God in the skyline. There is always cold beer asking to be slurped on back porches. There are always crushed packs of Marlboro’s in my back pockets. I have been wearing the same patched-up shorts for 10 days. Someday I will stop being young and wanting stupid tattoos.
Clementine von Radics
Love Forever If I were the trees ... I would turn my leaves to gold and scatter them toward the sky so they would circle about your head and fall in piles at your feet... so you might know wonder. If I were the mountains ... I would crumble down and lift you up so you could see all of my secret places, where the rivers flow and the animals run wild ... so you might know freedom. If I were the ocean ... I would raise you onto my gentle waves and carry you across the seas to swim with the whales and the dolphins in the moonlit waters, so you might know peace. If I were the stars ... I would sparkle like never before and fall from the sky as gentle rain, so that you would always look towards heaven and know that you can reach the stars. If I were the moon ... I would scoop you up and sail you through the sky and show you the Earth below in all its wonder and beauty, so you might know that all the Earth is at your command. If I were the sun ... I would warm and glow like never before and light the sky with orange and pink, so you would gaze upward and always know the glory of heaven. But I am me ... and since I am the one who loves you, I will wrap you in my arms and kiss you and love you with all of my heart, and this I will do until ... the mountains crumble down ... and the oceans dry up ... and the stars fall from the sky ... and the sun and moon burn out ... And that is forever.
Camron Wright (The Rent Collector)
All things bright and beautiful, All creatures great and small, All things wise and wonderful, The Lord God made them all. Each little flower that opens, Each little bird that sings, He made their glowing colours, He made their tiny wings. The purple headed mountain, The river running by, The sunset, and the morning, That brightens up the sky. The cold wind in the winter, The pleasent summer sun, The ripe fruit in the garden, He made them every one. He gave us eyes to see them, And lips that we might tell, How great is God Almighty, Who has made all things well.
Cecil Frances Alexander
Long Time. The famous seventeenth-century Ming painter Chou Yung relates a story that altered his behavior forever. Late one winter afternoon he set out to visit a town that lay across the river from his own town. He was bringing some important books and papers with him and had commissioned a young boy to help him carry them. As the ferry neared the other side of the river, Chou Yung asked the boatman if they would have time to get to the town before its gates closed, since it was a mile away and night was approaching. The boatman glanced at the boy, and at the bundle of loosely tied papers and books—“Yes,” he replied, “if you do not walk too fast.” As they started out, however, the sun was setting. Afraid of being locked out of the town at night, prey to local bandits, Chou and the boy walked faster and faster, finally breaking into a run. Suddenly the string around the papers broke and the documents scattered on the ground. It took them many minutes to put the packet together again, and by the time they had reached the city gates, it was too late. When you force the pace out of fear and impatience, you create a nest of problems that require fixing, and you end up taking much longer than if you had taken your time.
Robert Greene (The 48 Laws of Power)
The media response to unusual weather is as ritualized and predictable as the stages of grief. First comes denial: "I can't believe there's so much snow." Then anger: "Why can't I drive my car, why are the trains not running?" Then blame: "Why haven't the local authorities sanded the roads, where are the snowplows, and how come the Canadians can deal with this and we can't?" This last stage goes on the longest and tends to trail off into a mumbled grumbling moan, enlivened by occasional ILLEGALS ATE MY SNOWPLOW headlines from the *Daily Mail....*
Ben Aaronovitch (Whispers Under Ground (Rivers of London, #3))
Steven, I look like a raccoon. You do NOT look like a raccoon. Actually, he looked like some deranged anteater, but I didn’t figure that would be the thing to tell him. Yes, I do. Oh, no. What if I stay this way forever? You’re not going to stay that way forever, Jeffy. People get black eyes all the time. If they never got better, the streets would be crowded with raccoon people. Soon the raccoon people would find each other and breed. I was on a roll here. The preschools would fill up with strange ring-eyed children. Soon the raccoons would be taking over our streets, stealing from our garbage cans, leaving eerie tails of Dinty Moore beef stew cams in their wakes. Gangs of them would haunt the malls, buying up all the black-and-gray-striped sportswear. THE RIVERS WOULD RISE! THE VALLEYS WOULD RUN WITH… Steven you’re joking, right?
Jordan Sonnenblick (Drums, Girls & Dangerous Pie (Drums, Girls & Dangerous Pie #1))
"The wanderer in Manhattan must go forth with a certain innocence, because New York is best seen with innocent eyes. It doesn't matter if you are younger or old. Reading our rich history makes the experience more layered, but it is not a substitute for walking the streets themselves. For old-timer or newcomer, it is essential to absorb the city as it is now in order to shape your own nostalgias. That's why I always urge the newcomer to surrender to the city's magic. Forget the irritations and the occasional rudeness; they bother New Yorkers too. Instead, go down to the North River and the benches that run along the west side of Battery Park City. Watch the tides or the blocks of ice in winter; they have existed since the time when the island was empty of man. Gaze at the boats. Look across the water at the Statue of Liberty or Ellis Island, the place to which so many of the New York tribe came in order to truly live. Learn the tale of our tribe, because it's your tribe too, no matter where you were born. Listen to its music and its legends. Gaze at its ruins and monuments. Walk its sidewalks and run fingers upon the stone and bricks and steel of our right-angled streets. Breathe the air of the river breeze."
Pete Hamill (Downtown: My Manhattan)
….So much crueller than any British colony, they say, so much more brutal towards the local Africans, so much more manipulative after begrudgingly granting independence. But the history of British colonialism in Africa, from Sierra Leone to Zimbabwe, Kenya to Botswana and else-where, is not fundamentally different from what Belgium did in the Congo. You can argue about degree, but both systems were predicated on the same assumption: that white outsiders knew best and Africans were to be treated not as partners, but as underlings. What the British did in Kenya to suppress the pro-independence mau-mau uprising in the 1950s, using murder, torture and mass imprisonment, was no more excusable than the mass arrests and political assassinations committed by Belgium when it was trying to cling on to the Congo. And the outside world's tolerance of a dictator in the Congo like Mobutu, whose corruption and venality were overlooked for strategic expedience, was no different from what happened in Zimbabwe, where the dictator Robert Mugabe was allowed to run his country and its people into the ground because Western powers gullibly accepted the way he presented himself as the only leader able to guarantee stability and an end to civil strife. Those sniffy British colonial types might not like to admit it, but the Congo represents the quintessence of the entire continent’s colonial experience. It might be extreme and it might be shocking, but what happened in the Congo is nothing but colonialism in its purest, basest form.
Tim Butcher (Blood River: A Journey to Africa’s Broken Heart)
Who indeed knows the secret of the earthly pilgrimage? Who indeed knows why there can be comfort in a world of desolation? Now God be thanked that there is a beloved one who can lift up the heart in suffering, that one can play with a child in the face of such misery. Now God be thanked that the name of a hill is such music, that the name of a river can heal. Aye, even the name of a river that runs no more. Who indeed knows the secret of the earthly pilgrimage? Who knows for what we live, and struggle and die? Who knows what keeps us living and struggling, while all things break about us? Who knows why the warm flesh of a child is such comfort, when one's own child is lost and cannot be recovered? Wise men write many books, in words too hard to understand. But this, the purpose of our lives, the end of all our struggle, is beyond all human wisdom.
Alan Paton (Cry, the Beloved Country)
No duties. I don’t have to be profound. I don’t have to be artistically perfect. Or sublime. Or edifying. I just wander. I say: ‘You were running, That’s fine. It was the thing to do.’ And now the music of the worlds transforms me. My planet enters a different house. Trees and lawns become more distinct. Philosophies one after another go out. Everything is lighter yet not less odd. Sauces, wine vintages, dishes of meat. We talk a little of district fairs, Of travels in a covered wagon with a cloud of dust behind, Of how rivers once were, what the scent of calamus is. That’s better than examining one’s private dreams. And meanwhile it has arrived. It’s here, invisible. Who can guess how it got here, everywhere. Let others take care of it. Time for me to play hooky. Buena notte. Ciao. Farewell.
Czesław Miłosz
I had always buried things, even when I was small; I remember that once I quartered the long field and buried something in each quarter to make the grass grow higher as I grew taller, so I would always be able to hide there. I once buried six blue marbles in the creek bed to make the river beyond run dry. 'Here is a treasure for you to bury,' Constance used to say to me when I was small, giving me a penny, or a bright ribbon; I had buried all my baby teeth as they came out one by one and perhaps someday they would grow as dragons. All our land was enriched with my treasures buried in it, thickly inhabited just below the surface with my marbles and my teeth and my colored stones, all perhaps turned to jewels by now, held together under the ground in a powerful taut web which never loosened, but held fast to guard us.
Shirley Jackson (We Have Always Lived in the Castle)
As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: "Love has no ending. "I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, "I'll love till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky. "The years shall run like rabbits, For in my arms I hold The Flower of the Ages, And the first love of the world." But all the clocks in the city Began to whirr and chime: "O let not Time deceive you, You cannot conquer Time. "In the burrows of the Nightmare Where Justice naked is, Time watches from the shadow And coughs when you would kiss. "In headaches and in worry Vaguely life leaks away, And Time will have his fancy Tomorrow or today. "Into many a green valley Drifts the appalling snow; Time breaks the threaded dances And the diver's brilliant bow. "O plunge your hands in water, Plunge them in up to the wrist; Stare, stare in the basin And wonder what you've missed. "The glacier knocks in the cupboard, The desert sighs in the bed, And the crack in the teacup opens A lane to the land of the dead. "Where the beggars raffle the banknotes And the Giant is enchanting to Jack, And the Lily-white Boy is a Roarer, And Jill goes down on her back. "O look, look in the mirror, O look in your distress; Life remains a blessing Although you cannot bless. "O stand, stand at the window As the tears scald and start; You shall love your crooked neighbor With all your crooked heart." It was late, late in the evening, The lovers they were gone; The clocks had ceased their chiming, And the deep river ran on.
W.H. Auden
I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still. Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
J.M. Barrie
In order to elucidate especially and most clearly the origination of this error (...) let us imagine a man who, while standing on the street, would say to himself: "It is six o'clock in the evening, the working day is over. Now I can go for a walk, or I can go to the club; I can also climb up the tower to see the sunset; I can go to the theater; I can visit this friend or that one; indeed, I also can run out of the gate, into the wide world, and never return. All of this is strictly up to me, in this I have complete freedom. But still I shall do none of these things now , but with just as free a will I shall go home to my wife". This is exactly as if water spoke to itself: "I can make high waves (yes! in the sea during a storm), I can rush down hill (yes! in the river bed), I can plunge down foaming and gushing (yes! in the waterfall), I can rise freely as a stream of water into the air (yes! in the fountain), I can, finally boil away and disappear (yes! at a certain temperature); but I am doing none of these things now, and am voluntaringly remaining quiet and clear water in the reflecting pond.
Arthur Schopenhauer (Essay on the Freedom of the Will)
Uphill? There's nothing up the hill," Colly said, trying desperately to work out where this conversation was going. "As a matter of fact, there is. There's a bluff about twelve meters high, with a river running below it. The water's deep, so it'll be quite safe for you to jump." In his brief glimpse of the river, Halt had noticed that the fast-flowing water cut under the bluff in a sharp curve. That should mean that the bottom had been scoured out over the years. A thought struck him. "You can swim, I assume?" "Yes. I can swim," Colly said. "But I'm going jumping off some bluff just because you say to!" "No, no. Of course not. That'd be asking far too much of you. You'll jump off because if you don't, I'll shoot you. It'll be the same effect, really. If I have to shoot you, you'll fall off. But I thought I'd give you a chance to survive." Halt paused, then added, "Oh, and if you decide to run downhill, I'll also shoot you with an arrow. Uphill and off is really your only chance of survival." "You can't be serious!" Colly said. "Do you really-" But he got no further. Halt leaned forward, putting a hand up to stop the outburst. "Colly, take a good, long look into my eyes and tell me if you see anything, anything at all, that says I'm not deadly serious." His eyes were deep brown, almost black. They were steady and unwavering and there was no sign of anything there but utter determination. Colly looked at them and after a few second, his eyes dropped away. halt nodded as the other man's gaze slid away from his. "Good. Now we've got that settled, you should try to get some sleep. You have a big day ahead of you tomorrow.
John Flanagan (The Kings of Clonmel (Ranger's Apprentice, #8))
I'm speechless.I think at the rooftops of Paris. he touches my cheek,pulling my gaze back to him.I suck in my breath. "Anna.I'm sorry for what happened in Luxembourg Gardens.Not because of the kiss-I've never had a kiss like that in my life-but because I didn't tell you why I was running away.I chased after Meredith because of you." Touch me again. Please,touch me again. "All I could think about was what that bastard did to you last Christmas. Toph never tried to explain or apologize. How could I do that to Mer? And I ought to have called you before I went to Ellie's,but I was so anxious to just end it,once and for all,that I wasn't thinking straight." I reach for him. "St. Clair-" He pulls back. "And that.Why don't you call me Etienne anymore?" "But...no one else calls you that.It was weird.Right?" "No.It wasn't." His expression saddens. "And every time you say 'St. Clair,' it's like you're rejecting me again." "I have never rejected you." "But you have.And for Dave." His tone is venomous. "And you rejected me for Ellie on my birthday. I don't understand.If you liked me so much,why didn't you break up with her?" He gazes at the river. "I've been confused. I've been so stupid." "Yes.You have." "I deserve that." "Yes.You do." I pause. "But I've been stupid,too.You were right.About...the alone thing.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye. But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower. And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats. She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter. She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing. His dark brows knitted together. “I wasn’t sure. Should I not have—” She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?” “A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—” “No,” she said as the tears spilled over at last. “It was not a mistake.” “Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.” Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible. Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.” Kaz nodded as if steeling himself, flexed his fingers once more. “Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?” Inej laughed, her hood falling back from her hair. “That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground. “Mama!” she called out. “Papa!” Inej saw them turn, saw her mother grip her father’s arm. They were running toward her. Her heart was a river that carried her to the sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Tatiana fretted over him before he left as if he were a five-year-old on his first day of school. Shura, don't forget to wear your helmet wherever you go, even if it's just down the trail to the river. Don't forget to bring extra magazines. Look at this combat vest. You can fit more than five hundred rounds. It's unbelievable. Load yourself up with ammo. Bring a few extra cartridges. You don't want to run out. Don't forget to clean your M-16 every day. You don't want your rifle to jam." Tatia, this is the third generation of the M-16. It doesn't jam anymore. The gunpowder doesn't burn as much. The rifle is self-cleaning." When you attach the rocket bandolier, don't tighten it too close to your belt, the friction from bending will chafe you, and then irritation follows, and then infection... ...Bring at least two warning flares for the helicopters. Maybe a smoke bomb, too?" Gee, I hadn't thought of that." Bring your Colt - that's your lucky weapon - bring it, as well as the standard -issue Ruger. Oh, and I have personally organized your medical supplies: lots of bandages, four complete emergency kits, two QuickClots - no I decided three. They're light. I got Helena at PMH to write a prescription for morphine, for penicillin, for -" Alexander put his hand over her mouth. "Tania," he said, "do you want to just go yourself?" When he took the hand away, she said, "Yes." He kissed her. She said, "Spam. Three cans. And keep your canteen always filled with water, in case you can't get to the plasma. It'll help." Yes, Tania" And this cross, right around your neck. Do you remember the prayer of the heart?" Lord Jesus Christ, Son of God, have mercy on me, a sinner." Good. And the wedding band. Right around your finger. Do you remember the wedding prayer?" Gloria in Excelsis, please just a little more." Very good. Never take off the steel helmet, ever. Promise?" You said that already. But yes, Tania." Do you remember what the most important thing is?" To always wear a condom." She smacked his chest. To stop the bleeding," he said, hugging her. Yes. To stop the bleeding. Everything else they can fix." Yes, Tania.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))