Running In Humidity Quotes

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Fuck You Poem #45 Fuck you in slang and conventional English. Fuck you in lost and neglected lingoes. Fuck you hungry and sated; faded, pock marked, and defaced. Fuck you with orange rind, fennel and anchovy paste. Fuck you with rosemary and thyme, and fried green olives on the side. Fuck you humidly and icily. Fuck you farsightedly and blindly. Fuck you nude and draped in stolen finery. Fuck you while cells divide wildly and birds trill. Thank you for barring me from his bedside while he was ill. Fuck you puce and chartreuse. Fuck you postmodern and prehistoric. Fuck you under the influence of opiun, codeine, laudanum, and paregoric. Fuck every real and imagined country you fancied yourself princess of. Fuck you on feast days and fast days, below and above. Fuck you sleepless and shaking for nineteen nights running. Fuck you ugly and fuck you stunning. Fuck you shipwrecked on the barren island of your bed. Fuck you marching in lockstep in the ranks of the dead. Fuck you at low and high tide. And fuck you astride anyone who has the bad luck to fuck you, in dank hallways, bathrooms, or kitchens. Fuck you in gasps and whispered benedictions. And fuck these curses, however heartfelt and true, that bind me, till I forgive you, to you.
Amy Gerstler (Ghost Girl)
I know there is poor and hideous suffering, and I've seen the hungry and the guns that go to war. I have lived pain, and my life can tell: I only deepen the wound of the world when I neglect to give thanks for early light dappled through leaves and the heavy perfume of wild roses in early July and the song of crickets on humid nights and the rivers that run and the stars that rise and the rain that falls and all the good things that a good God gives.
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
When it rains, the moisture in the humid air blankets our town with the smell of damp coffee grounds wafting in from the Nescafé factory at the town’s eastern edge. I don’t like coffee but I like that smell. It’s comforting; it unites the town in a common sensory experience; it’s good industry, like the roaring rug mill that fills our ears, brings work and signals our town’s vitality. There is a place here—you can hear it, smell it—where people make lives, suffer pain, enjoy small pleasures, play baseball, die, make love, have kids, drink themselves drunk on spring nights and do their best to hold off the demons that seek to destroy us, our homes, our families, our town.
Bruce Springsteen (Born to Run)
They say that in D.C., all the museums and the monuments have been concessioned out and turned into a tourist park that now generates about 10 percent of the Government's revenue. The Feds could run the concession themselves and probably keep more of the gross, but that's not the point. It's a philosophical thing. A back-to-basics thing. Government should govern. It's not in the entertainment industry, is it? Leave entertaining to Industry weirdos -- people who majored in tap dancing. Feds aren't like that. Feds are serious people. Poli-sci majors. Student council presidents. Debate club chairpersons. The kinds of people who have the grit to wear a dark wool suit and a tightly buttoned collar even when the temperature has greenhoused up to a hundred and ten degrees and the humidity is thick enough to stall a jumbo jet. The kinds of people who feel most at home on the dark side of a one-way mirror.
Neal Stephenson (Snow Crash)
Crazy, jingle-jangle summer days and long, steamy Carioca nights. Narcisa and I running from the cops together, merging into humid nighttime shadows, hand in hand, laughing through it all. Jingle days. Times to remember forever.
Jonathan Shaw (Narcisa: Our Lady of Ashes)
Starvation was the first indication of my self-discipline. I was devoted to anorexia. I went the distance of memorizing the calorie content within every bite of food while calculating the exact amount of exercise I needed to burn double my consumption. I was luckily young enough to mask my excessive exercise with juvenile hyperactivity. Nobody thought twice about the fact that I was constantly rollerblading, biking, and running for hours in stifling summer humidity. I learned to cut my food into tiny bites and move it around my plate. I read that standing burned more calories than sitting, so I refused to watch television without doing crunches, leg lifts, or at least walking in place. When socially forced to soldier through a movie, I tapped my foot in desperation to knock out about seventy-five extra calories. From age eleven to twelve, I dropped forty pounds and halted the one period I’d had.
Maggie Georgiana Young (Just Another Number)
What to wear on a Minnesota farm? The older farmers I know wear brown polyester jumpsuits, like factory workers. The younger ones wear jeans, but the forecast was for ninety-five degrees with heavy humidity. The wardrobe of Quaker ladies in their middle years runs to denim skirts and hiking boots. This outfit had worked fine for me in England. But one of my jobs in Minnesota will be to climb onto the industrial cuisinart in the hay barn and mix fifty-pound bags of nutritional supplement and corn into blades as big as my body. Getting a skirt caught in that thing would be bad news for Betty Crocker.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
But I actually like the heat early in the morning, before the humidity sets in, the grass still wet and jewel-green as the sun climbs over the horizon. It feels good, the sweat running down my back, stinging my eyes behind my sunglasses.
Rachel Hawkins (The Wife Upstairs)
He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.
Nicole Krauss
You’re not wearing drawers,” he murmured, his hand wandering avidly over her bare limbs. “It’s too hot today,” she said breathlessly, wiggling to evade him, pushing ineffectually at the mound of his hand beneath her dress. “I most certainly did not discard them for your benefit, and… Nick, stop that. The maid is going to come in at any moment.” “Then I’ll have to be fast.” “You’re never fast. Nick… oh…” Her body curled against his as he reached the patch of hair between her thighs, the sweet cleft already rich with moisture as her well-tutored body responded to his touch. “I’m going to do this to you next week at the Markenfields’ ball,” he said softly, running his thumb along the humid seam of her sex. “I’m going to take you to some private corner… and pull up the front of your dress, and stroke and tease you until you come.” “No,” she protested faintly, her eyes closing as she felt his long middle finger slide inside her. “Oh, yes.” Nick withdrew his wet finger and ruthlessly tickled the softly straining crest until he felt her body tensing rhythmically in his lap. “I’ll keep you quiet with my mouth,” he whispered. “And I’ll be kissing you when you climax with my fingers inside you… like this…” He thrust his two middle fingers inside the warm, pulsing channel and covered her lips with his as she moaned and shuddered violently. When he had siphoned the last few shivers of pleasure from her body, Nick lifted his mouth and smiled smugly into her flushed face. “Was that fast enough for you?” -Nick & Lottie
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Our house was made of stone, stucco, and clapboard; the newer wings, designed by a big-city architect, had a good deal of glass, and looked out into the Valley, where on good days we could see for many miles while on humid hazy days we could see barely beyond the fence that marked the edge of our property. Father, however, preferred the roof: In his white, light-woolen three-piece suit, white fedora cocked back on his head, for luck, he spent many of his waking hours on the highest peak of the highest roof of the house, observing, through binoculars, the amazing progress of construction in the Valley - for overnight, it seemed, there appeared roads, expressways, sewers, drainage pipes, "planned" communities with such names as Whispering Glades, Murmuring Oaks, Pheasant Run, Deer Willow, all of them walled to keep out intruders, and, yet more astonishing, towerlike buildings of aluminum and glass and steel and brick, buildings whose windows shone and winked like mirrors, splendid in sunshine like pillars of flame; such beauty where once there had been mere earth and sky, it caught at your throat like a great bird's talons, taking your breath away. 'The ways of beauty are as a honeycomb,' Father told us, and none of us could determine, staring at his slow moving lips, whether the truth he spoke was a happy truth or not, whether even it was truth. ("Family")
Joyce Carol Oates (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
I shake myself. What is wrong with me? I’ve seen pretty men before, I’ve been attracted to men before, and yet this one, this man who I hardly know at all, has me all tongue-tied. Reid takes a few tentative steps towards the elevator, leading me out the door and to the dark street below. The streetlights are dull behind the office building and the roads are almost completely absent of cars. The Michigan air is a bit thick tonight, the humidity sticking to my skin and making my already curled hair poof out even farther away from my head. I run a hand through it and Reid notices. “It’s fine.” I blush a little and shrug my shoulders. I wonder if that means he thinks my hair looks fine or if he likes it the way it is… Why do men have to be so vague? …Why do I care?
Allana Kephart (Best Thing I Never Had (Anthology))
shot through and through.  Cocked rifles swept the bush with nervous apprehension.  But there was no rustle, no movement; nothing but the humid oppressive silence. “Bushmen he no stop,” Binu Charley called out, the sound of his voice startling more than one of them.  “Allee same damn funny business.  That fella Koogoo no look ’m eye belong him.  He no savvee little bit.” Koogoo’s arms had crumpled under him, and he lay quivering where he had fallen.  Even as Binu Charley came to the front the stricken black’s breath passed from him, and with a final convulsive stir he lay still. “Right through the heart,” Sheldon said, straightening up from the stooping examination.  “It must have been a trap of some sort.” He noticed Joan’s white, tense face, and the wide eyes with which she stared at the wreck of what had been a man the minute before. “I recruited that boy myself,” she said in a whisper.  “He came down out of the bush at Poonga-Poonga and right on board the Martha and offered himself.  And I was proud.  He was my very first recruit—” “My word!  Look ’m that fella,” Binu Charley interrupted, brushing aside the leafy wall of the run-way and exposing a bow so massive that no one bushman could have bent it. The Binu man traced out the mechanics of the trap, and exposed the hidden fibre in the tangled undergrowth that at contact with Koogoo’s foot had released the taut bow. They were deep in the primeval forest.  A dim twilight prevailed, for no random shaft of sunlight broke through the thick roof of leaves and creepers overhead.  The Tahitians were plainly awed by the silence and gloom and mystery of the place and happening, but they showed themselves doggedly unafraid, and were for pushing on.  The Poonga-Poonga men, on the contrary, were not awed.  They were bushmen themselves, and they were used to this silent warfare, though the devices were different from those employed by them in their own bush.  Most awed of all were Joan and Sheldon, but, being whites, they were
Jack London (Adventure)
I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.” I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm. Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit. From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection. I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt. “Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol. The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that. I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches. Not to be redundant, but . . . idiots. None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
He’s close enough now that I can hear his footfall on the pavement, and I know my chances of outrunning him are slim. I’m practically in a full sprint, and my pounding heart is begging me to take it down a notch. I try to will my feet to keep pace with its beat; but I think it’s humanly impossible to run that fast. And then it dawns on me that my footsteps are the only ones I hear. Somewhere along the way, Tristan’s must have come to a stop. And I can’t quite explain why I’m running this fast in the first place. I slow to a jog, intending to just pick up with my original pace; but I can’t seem to suck in breaths fast enough to propel my feet any further. My molten shoes stutter to a stop, as my hands come to rest on my knees. I’m still wheezily sucking in breath after breath of thick, humid air, when I warily turn to look over my shoulder. Tristan’s standing about fifty feet back, hands on his hips and a completely flummoxed twist in his forehead, his chest rising and falling with equally winded gasps. Evidently I was running faster than I gave myself credit for. As he silently watches me, regaining his breath as I do mine, the confusion on his face turns to undeniable hurt (and not the physical kind). I’ve wounded him, and I can’t even explain why. Man, I really am an ass. I start the slow walk of shame back to where he stands, one hand upon my hip as I pull in a few more calming deep breaths. I’m debating whether to concoct some excuse for my behavior…Maybe I left my contacts out today, and didn’t recognize his face? Who would blame me for running for my life, if a stranger seemed to be following me? But as I amble closer—his wrinkled forehead already fading in the wake of a welcoming smile—I decide not to dig myself a deeper hole. I’m already a straight-up jerk. I’d rather not add lying to my repertoire.
M.A. George (Aqua)
Hey…you okay?” Marlboro Man repeated. My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined. I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way. “You need anything?” Marlboro Man continued. A drop of sweat trickled down my upper lip. “Oh, no…I’m fine!” I answered. “I’ll be right out! You go on back to the party!” Go on, now. Run along. Please. I beg you. “I’ll be out here,” he replied. Dammit. I heard his boots travel a few steps down the hall and stop. I had to get dressed; this was getting ridiculous. Then, as I stuck my big toe into the drenched leg of my panty hose, I heard what I recognized as Marlboro Man’s brother Tim’s voice. “What’s she doing in there?” Tim whispered loudly, placing particularly uncomfortable emphasis on “doing.” I closed my eyes and prayed fervently. Lord, please take me now. I no longer want to be here. I want to be in Heaven with you, where there’s zero humidity and people aren’t punished for their poor fabric choices. “I’m not sure,” Marlboro Man answered. The geyser began spraying again. I had no choice but to surge on, to get dressed, to face the music in all my drippy, salty glory. It was better than staying in the upstairs bathroom of his grandmother’s house all night. God forbid Marlboro Man or Tim start to think I had some kind of feminine problem, or even worse, constipation or diarrhea! I’d sooner move to another country and never return than to have them think such thoughts about me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
Stewart Emery reports a startling experiment done with amoebas in California. In his book Actualizations, he reveals how two tanks of amoebas were set up in order to study the conditions most conducive to growing living organisms. In one tank, the amoebas were given ultimate comfort. The temperature, humidity, water levels, and other conditions were constantly adjusted for ultimate ease in living and proliferation. In the other tank, the amoebas were subjected to rude shocks. They were given rapidly whipsawing changes in fluid level, temperature levels, protein, and every other condition they could think of. To the total amazement of the researchers, the amoebas in the more difficult conditions grew faster and stronger than those in the comfort zone. They concluded that having things too set and too perfect can cause living things to decay and die, whereas adversity and challenge lead to strength and the building of the life force. This might also explain why suicide rates in America have always gone down during times of war. And why in Denmark, where a very comfortable government-run lifestyle is guaranteed to everyone, the suicide rate is the highest in the world. There is not much difference between death and the comfort zone. Crossing the line is easy. The only difference between a rut and a grave is a few feet.
Steve Chandler (The Ultimate Key Steps to Self-Discipline)
Flotsam Some people figuratively, although sometimes literately, washed up on the barren beaches of West Africa because they were unwelcome in most other countries. Adventurers, seamen, construction contractors, military mercenaries, as well as missionaries and professional government employees, found themselves here. Money was frequently the motivating factor for people who came to this third world country and most of the typical tropical tramps I knew were involved in the many unsavory activities going on. The dank weather which is usually heavy with moisture from May until October, with a short reprieve of a week or two in July or August, contributed to the bleak attitude people had. What passes for a dry season lasts from November through April with the least likely chance of rain in December and January. The frequent heavy showers and rainstorms make Liberia and Sierra Leone the wettest climatic region in Africa. One way or another, everyone was always wet…. This in turn attributed to the heavy drinking and it was said that if the moisture didn't come from the sky it certainly came from the pores... Generally speaking in West Africa near the Equator the climate is tropical, hot and humid all year round! There were numerous meeting places or drinking holes for the expats. Guaranteed, there was no way any of us would be able to survive the conditions of West Africa without occasionally imbibing, which in reality we did constantly. The most popular bars for Europeans, which in Liberia included Americans, were run by foreigners to the country and these included the more upscale American Hotel and the old Ducor Hotel, near the Cape Mesurado Lighthouse on Mamba Point.
Hank Bracker
The RPF mustered separately from the rest of us, so they were easy to identify. In 110-degree Florida heat and humidity, these men, women, and even children were forced to wear all black from head to toe as theydid heavy MEST work (MEST is an acronym for matter, energy, space, and time) like cleaning grease traps in the kitchen or scrubbing dumpsters. And that wasn’t all they had to do for their “spiritual rehabilitation.” They also had to run everywhere they went—to the bathroom, to the galley, anywhere. They had virtually no liberties. As long as they were in the RPF they worked pretty much seven days a week, 365 days a year, and that’s not including all the time spent doing security checks for their transgressions.
Leah Remini (Troublemaker: Surviving Hollywood and Scientology)
Creation Myth I'm the great-grandson of a sheep farmer, child of sumacs, trash trees shedding their ancient scales. I'm drawn from fair grass on the north end, my molecules spat from coal and cattle, the Indiana dusk. I'm notes scrawled on freezer paper, the one looped oven mitt Aunt Bev crocheted while the baby lay feverish in its crib. I rise from a day gone thin as Cousin Ceily, who wore her cancer wigs to church. I come from boys unfastening in the 4-H bathroom, the stink of urinal cakes, dirty hands that scratched an itch. I breathe in arc welders and air compressors. I breathe out milk leaking from nurse cows, Uncle Jake's spoiled old bitches. I'm run through with moths and meth labs, a child of the KKK, men who lynched Tom Shipp from a split oak in Marion, August 1930. My cells carry his shadow swaying over uncut grass. They carry my second third cousin cheering in the back. I rise from aphids in honeysuckle, egg yolks flecked with blood. Born one humid summer night, my body hums like a black cricket, transmitting August across the fields. I sing till my throat bleeds. I smoke like a pan of scorched sugar. I'll never forget the miracle of firecrackers, freezer meat, murky gray lemonade. I'm born to thunder in the veins, a child of form, a rusted gasket ring, some disenchanted thing, the promise of a worm.
Bruce Snider (Fruit (Volume 1) (Wisconsin Poetry Series))
A guy once asked me to go with him to Indonesia to help people after the latest tsunami hit. I said yes. I had no idea what I was doing. We arrived in Banda Aceh two weeks after the destruction. (Indonesia alone lost a mind-bending two hundred thousand lives.) We weren’t welcomed by everyone. Most people love the help, sure. But I felt unwelcome when a group of Muslim separatists threatened to kill us. (I have a sixth sense about this kind of thing.) They were opposed to Western interference in Aceh and didn’t want us saying anything about Jesus. I just wanted to help some people. I also wanted a hotel. I wanted a safer place. I didn’t want to die. I had no idea what I was getting into. We took supplies to what was, before the tsunami, a fishing village. It was now a group of people living on the ground, some in tents. I just followed what the rest of our little group was doing. They had more experience. We distributed the food, housewares, cooking oil, that sort of thing, and stayed on the ground with them. That’s how our little disaster-response group operated, even though I wanted a hotel. They stayed among the victims and lived with them. After the militant group threatened to slit our throats, I felt kind of vulnerable out there, lying on the ground. As a dad with two little kids, I didn’t sign up for the martyr thing. I took the threat seriously and wanted to leave. The local imam resisted our presence, too, and this bugged me. “Well, if you hate us, maybe we should leave. It’s a thousand degrees, we’ve got no AC or running water or electricity, and your co-religionists are threatening us. So, yeah. Maybe let’s call it off.” But it wasn’t up to me, and I didn’t have a flight back. As we helped distribute supplies to nearby villages, people repeatedly asked the same question: “Why are you here?” They simply couldn’t understand why we would be there with them. They told us they thought we were enemies. One of the members of our group spent time working in a truck with locals, driving slowly through the devastation, in the sticky humidity, picking up the bodies of their neighbors. They piled them in the back of a truck. It was horrific work. They wore masks, of course, but there’s no covering the smell of death. The locals paused and asked him too: “Why? Why are you here?” He told them it was because he worshiped Jesus, and he was convinced that Jesus would be right there, in the back of the truck with them. He loves them. “But you are our enemy.” “Jesus told us to love our enemies.” The imam eventually warmed up to us, and before we left, he even invited our little group to his home for dinner! We sat in his home, one of the few in the area still standing. He explained through an interpreter that he didn’t trust us at first, because we were Christians. But while other “aid” groups would drive by, throw a box out of a car, and get their pictures taken with the people of his village, our group was different. We slept on the ground. He knew we’d been threatened, he knew we weren’t comfortable, and he knew we didn’t have to be there. But there we were, his supposed enemies, and we would not be offended. We would not be alienated. We were on the ground with his people. His wives peered in from the kitchen, in tears. He passed around a trophy with the photo of a twelve-year-old boy, one of his children. He told us the boy had been lost in the tsunami, and could we please continue to search for him? Was there anything we could do? We were crying too.
Brant Hansen (Unoffendable: How Just One Change Can Make All of Life Better)
The beetle, endemic to Africa’s Namib desert—where there is just 1.3 cm of rainfall a year—has inspired a few proof-of-concepts in the academic community, but this is the first time a self-filling water bottle has been proposed. The beetle survives by collecting condensation from the ocean breeze on the hardened shell of its wings. The shell is covered in tiny bumps that are water attracting (hydrophilic) at their tips and water-repelling (hydrophobic) at their sides. The beetle extends and aims the wings at incoming sea breezes to catch humid air; tiny droplets 15 to 20 microns in diameter eventually accumulate on its back and run straight down towards its mouth. NBD
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
I only deepen the wound of the world when I neglect to give thanks for early light dappled through leaves and the heavy perfume of wild roses in early July and the song of crickets on humid nights and the rivers that run and the stars that rise and the rain that falls and all the good things that a good God gives. Why
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
He’s close enough now that I can hear his footfall on the pavement, and I know my chances of outrunning him are slim. I’m practically in a full sprint, and my pounding heart is begging me to take it down a notch. I try to will my feet to keep pace with its beat; but I think it’s humanly impossible to run that fast. And then it dawns on me that my footsteps are the only ones I hear. Somewhere along the way, Tristan’s must have come to a stop. And I can’t quite explain why I’m running this fast in the first place. I slow to a jog, intending to just pick up with my original pace; but I can’t seem to suck in breaths fast enough to propel my feet any further. My molten shoes stutter to a stop, as my hands come to rest on my knees. I’m still wheezily sucking in breath after breath of thick, humid air, when I warily turn to look over my shoulder. Tristan’s standing about fifty feet back, hands on his hips and a completely flummoxed twist in his forehead, his chest rising and falling with equally winded gasps. Evidently I was running faster than I gave myself credit for. As he silently watches me, regaining his breath as I do mine, the confusion on his face turns to undeniable hurt (and not the physical kind). I’ve wounded him, and I can’t even explain why. Man, I really am an ass. I start the slow walk of shame back to where he stands, one hand upon my hip as I pull in a few more calming deep breaths. I’m debating whether to concoct some excuse for my behavior…Maybe I left my contacts out today, and didn’t recognize his face? Who would blame me for running for my life, if a stranger seemed to be following me? But as I amble closer—his wrinkled forehead already fading in the wake of a welcoming smile—I decide not to dig myself a deeper hole. I’m already a straight-up jerk. I’d rather not add lying to my repertoire.
M.A. George
Lilus shivers between two humid sheets. She doesn't know why she's sick. The illness surged without warning, traitorous, like a great wave of solitude. Health is an easily lost object:"But I had it in my hand, only a little while ago I saw it." That is how her illness was:"But only yesterday I was running on the stairway." Lilus's illness wasn't a cold, nor the flu, nor a stomach ache. She tended to fall ill over something said to her. Upon hearing something unexpected, she became afraid. She wouldn't turn to anyone, nor did she want to be babied. Secretly she embraced her illness. She'd let herself be invaded by the feeling, and it would seem that the whole world penetrated her being.
Elena Poniatowska
I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.” I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm. Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit. From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection. I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt. “Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol. The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that. I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches. Not to be redundant, but . . . idiots. None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.
Suzanne Johnson
I have lived pain, and my life can tell: I only deepen the wound of the world when I neglect to give thanks for early light dappled through leaves and the heavy perfume of wild roses in early July and the song of crickets on humid nights and the rivers that run and the stars that rise and the rain that falls and all the good things that a good God gives. Why would the world need more anger, more outrage? How does it save the world to reject unabashed joy when it is joy that saves us? Rejecting joy to stand in solidarity with the suffering doesn’t rescue the suffering. The converse does. The brave who focus on all things good and all things beautiful and all things true, even in the small, who give thanks for it and discover joy even in the here and now, they are the change agents who bring fullest Light to all the world. When we lay the soil of our hard lives open to the rain of grace and let joy penetrate our cracked and dry places, let joy soak into our broken skin and deep crevices, life grows. How can this not be the best thing for the world? For us? The clouds open when we mouth thanks.
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
One of the hottest days of the year was in mid-July, when the mercury climbed above one hundred degrees and the humidity was over 80 percent. The heat index was off the charts, and the air quality was shit too. The county issued a warning advising residents to remain indoors. In Gogglish, that meant it was the perfect day for a twenty-two-mile run.
David Goggins (Never Finished)
My mother is gone. The maples morph into gumtrees; their limbs fall and crash around me. Around and around the park I keep going. The merry-go-round blurs the Photoshopped greenery and the laughter of children and the yapping of Natsuki and the caw of crows and the thick, sticky humidity of the air and the sweat dripping down my arms and face and chest. Faster and faster it turns. My father is gone. I run past the bird fountain. It’s shattered on the floor. As I pass, it melts into the pavement. Everything becomes one. I can’t remember Dad’s face. I leap over a dead manatee. My limbs are cast off, like lizards dropping tails. They all leave me. I keep going.
Christy Anne Jones (The Bird Fountain)
I walked through the cool, sterile halls of the hospital where my children and my grandchild were born and where Papa had died, and out into the heavy, humid air. The sun hung low, bright and hot, and the air was thick with light. This was my home and I would not leave Marina and her baby. I would not be run off.
Cheryl Reid (As Good as True)
I think I had overheard one of the students bitching about having to run a mile. If you mix teenagers who somehow still don’t all understand the concept of body odor or the blessing that is deodorant with the salty, humid air that Florida is famous for, you get an olfactory nightmare.
J.J. Rossum (Thou Shalt Not)
This Darren,” Chiara finally says as we approach Riomaggiore, still huddled under the bright umbrella. “Is he the same boy you told me about in Roma? The one you saw times two?” “Two times,” I correct, “and yes. Same guy.” She stops in her tracks. The rain’s still sheeting down, so I stop with her to keep as dry as possible. I slide my hand over my tote bag to check it. It’s just a little moist, not soaking wet. Yet. We really need to keep moving. “And he happened to be there when you were hurt?” Her wide eyes stare back into mine. “And he left. And he came back.” “Yes…” She places her free hand on my shoulder, our skin clammy from the humidity. “Can you not see?” I swallow hard. “You’re scaring me.” Her tone is serious. “Pippa. This is why you are here. Why you knew you must come here.” A shiver travels down my spine. Could that be? Did I feel the pull of Cinque Terre because I’d find Darren here again? “I know things,” Chiara continues, still looking me in the eye. “And I know that Darren is for you.” But there could be another reason I was led here. “Are you just saying that because you don’t want me with Bruno?” “Run from the truth all that you want. It always has a way of finding you.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
One humid summer afternoon, Remy got to missing his dad, who was in Japan doing fieldwork. After searching around the house, I found him in the backyard sitting on a rock and crying tears that were so sincere and alone that I immediately cried right along with him--out of both empathy and also a sense of joy that he, after a mere five years on this earth, was able to feel so deeply for someone else. Because I was crying, I was short on words, but I carried him inside to an overstuffed chair and let his little heaving body fill in every space on my stomach and chest. We stayed there for a long time without speaking while he calmed--he seemed to want to melt right into me until any hurt he felt was gone. I had already been thinking a lot about bodies and the spirit, but that moment brought new clarity to my abstract ideas and tentative conclusions. My body is home to my children. I lie between my children each night while they fall asleep, and they reach out in the dark and stroke my face or reach for my hand. It's like the reaffirmation of both their place in the world and their place in a larger plan, as they run their tiny hands across the familiar and tangible landscape of my body. My body for them is a manifestation of home, and home is what the spirit has always felt like for me. There have been times in my life, more than I'd like to admit, that I've spent copious amounts of thought and energy trying to rearrange the home of my body. Roughly pushing furniture around with dissatisfaction, barging in with the latest trend, sitting at the window wishing my home was anything other than what it was. I think, like many, I've been harsh to my body, spoken unkindly to and about it. Watching Thea move through the world with almost comical confidence has shifted my paradigm. Since she has been around, I slowly, one step and one day at a time, began reclaiming confidence in my body. I feel fierce in protecting her confidence, and I've learned in order to do that I have to protect my own. I've learned that in order to be an efficacious woman with any sort of spiritual power, I first have to love my body.
Ashley Mae Hoiland (One Hundred Birds Taught Me to Fly: The Art of Seeking God)
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