“
You should thank me for tolerating you. I had hoped that becoming a royal would cure your foul manners."
"That's interesting. My father hoped that stripping me of royalty would do the same thing.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
Above all else, I think that you are a compulsive liar."
My laughter was tense, but sincere. "Hardly. In fact, I consider myself a compulsive truth teller. It's only that everyone else seems compelled to misunderstand me.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
Bite me, Harry Potter.
”
”
Meg Cabot (Runaway (Airhead, #3))
“
Fink had a full bowl and grinned at me as he sat back on the bench. "It would help if you used words like 'please' and 'thank you.'"
"Then I'll thank you to please stay out of my business.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
An open Facebook page is simply a psychiatric dry erase board that screams, “Look at me. I am insecure. I need your reaction to what I am doing, but you’re not cool enough to be my friend. Therefore, I will just pray you see this because the approval of God is not all I need.
”
”
Shannon L. Alder
“
You can't kick me down, I'm already on the ground. No, you can't, but you couldn't catch me anyhow.Blue skies, but the sun isn't comming out, no. Today, it is like I'm under a heavy cloud."
Avril Lavigne (Runaway)
”
”
Avril Lavigne
“
If you become a bird and fly away from me, I will be a tree that you come home to.
”
”
Margaret Wise Brown (The Runaway Bunny)
“
With introductions out of the way, Erick got down to the business of having abducted me.
"Why were you asking Fink about the priest?"
"I have some sins to confess," I said. "For ruining the life of the last man to kidnap me.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
That educated didn’t mean smart. He had a point. Nothing in my education or knowledge of the future had helped me to escape. Yet in a few years an illiterate runaway named Harriet Tubman would make nineteen trips into this country and lead three hundred fugitives to freedom.
”
”
Octavia E. Butler (Kindred)
“
Do you laugh at me?"
He was quiet for a moment and finally the tention drained from him. "No, Jaron," he said darkly. "I curse you with every breath I exhale, but I do not laugh.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
Is it true?" Devlin asked me. "You're Prince Jaron?"
"KING Jaron, actually. News must travel slower amongst the illiterate." I glared at Gregor with every inch of disdain I felt. "Shouldn't you be groveling to me or bowing or something?"
Gregor smiled. "I think before I have the chance, you will already be dead."
"Ah. So much for all your toasts to my long life.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
You'll address me by my title," I said sharply. "And bow until your pointed chin scrapes the floor.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
He tried to learn seductive phrases in all languages, but the only Swedish he had ever really needed was, "Do you serve anything aside from pickled fish?" and "If you wrap me in furs, I can pretend to be your little fuzzy bear.
”
”
Cassandra Clare (The Runaway Queen (The Bane Chronicles, #2))
“
I thought you were from a civilized country," he said. "How have you come to look more like Carthya's whipping boy than its king?"
"I have a habit of irritating some of our less civilized people," I answered. "But you seem like a civilized...pirate. I'd much prefer it if you didn't have me whipped."
"And why shouldn't I?"
With some effort, I forced a smile to my face. "Because it will hurt.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
Kerwyn pulled me aside as the last of the supplies were being loaded. "Please, Jaron, don't go."
Despite his pleas, I could only shake my head. "There's no other choice now."
"I thought a little sleep would change your mind."
Placing my hand on Kerwyn's shoulder, I said, "I had the same concern, so I kept myself awake.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
You’ve one mark on your record,” Tamas said. “You once punched a na-baron in the face. Broke his jaw. Tell me about that.”
Olem grimaced. “Officially, sir, I was pushing him out of the way of a runaway carriage. Saved his life. Half my company saw it.”
“With your fist?”
“Aye.”
“And unofficially?”
“The man was a git. He shot my dog because it startled his horse.”
“And if I ever have cause to shoot your dog?”
“I’ll punch you in the face.”
“Fair enough. You have the job.
”
”
Brian McClellan (Promise of Blood (Powder Mage, #1))
“
I know all about the missionary position, Angel. In fact, I believe I was trying to acquaint you with it earlier when you cock blocked me.
”
”
Katie Ashley (Music of the Heart (Runaway Train, #1))
“
You make me think things... feel things I never have before .
”
”
Katie Ashley (Music of the Heart (Runaway Train, #1))
“
But this is inaccurate. A runaway train is an accident. Me, I'll jump in front of the tracks. I'll even tie myself down in front of the speeding engine. There's some illogical part of me hat still believes if you want Superman to show up, first there's got to be someone worth saving.
”
”
Jodi Picoult (My Sister’s Keeper)
“
I miss school.
What’s wrong with me?
”
”
Wendelin Van Draanen (Runaway)
“
Have you tried this shrimp? It's freaking amazing.
Would you get away from me? I hate you.
You're so moody. Just because I kidnapped you and tried to force you to be my girlfriend. I thought you would be over that by now.
”
”
Meg Cabot (Runaway (Airhead, #3))
“
I have to find a place to hide
An island in the sea
Surrounded by a racing tide
Where I can live with me
”
”
Laurie Matthew (Groomed)
“
As they began to tie me, I wanted to yell out, to release some of my fear that way, but I held it in. Imogen wouldn't be that far from here yet, and I didn't want her to know what was about to happen.
If it was possible to scream on the inside, though, I was, and the sound of it was deafening.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
My hands folded into fists. "As king, that is my order."
"Forgive me, but the king's order is the most reckless thing he's ever said, which we both know is quite an accomplishment. If you want to stop me from dragging you back to Drylliad, then you'll have to kill me here."
"I can't do that," I said. "Who'll make sure Tobias gets back safely? He can hardly cross a road without endangering himself."
"I can too," Tobias said.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
I'll put a bullet through my own brain. Let alone wait for stark to do it. Your sister will drive me to it, Howard. No offense.
”
”
Meg Cabot (Runaway (Airhead, #3))
“
I have a bed and enough to eat and kind people about me. God is still with me. For these things I am grateful and have no reason to complain
”
”
Tracy Chevalier (The Last Runaway)
“
By now, Gregor had recovered. "Sage? Devlin, forgive my accusation, but you are a fool. Don't you know who this is?"
Devlin didn't appear to forgive the accusation. With a sneer on his face, he folded his arms and said, "Enlighten me."
Gregor looked at me and frowned. "He can perform the Avenian accent as well as his own Carthyan tongue. And although he has a reputation for being able to steal the white off snow if he chooses to, this boy is far from being a mere thief. Devlin, you are facing the boy who has haunted the pirates for the past four years. This is Jaron, the lost prince of Carthya.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
Erick had underestimated the distance, both to the ground and the cliff above me, yet the texture of the cliff wall was better than I'd hoped for. Vines and plants grew dense and well rooted, and there were many rocks and missing chunks of earth. I didn't know whether I could make it to the top on one leg or not, but I thought it was a great day to try.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
Finally I grinned and said, "I won't eat meat if it's been overcooked." She (Amarinda) glanced up at me, confused, and I added, "I thought you should know that, since we're going to be friends now."
Amarinda's smile widened. "I think it's unfair that women aren't allowed to wear trousers. They seem far more comfortable than dresses."
I chuckled. "They're not. Every year I think fashion invents one more piece I have to add to my wardrobe."
"And one more layer to my skirts." She thought for a moment, then said, "I think it's funny when you're rude to the cook. I shouldn't admit that, but his face turns all sorts of colors when you are and there's nothing he can do about it."
"He can overcook my meat.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
There were days when I still put on make up
in case you’d come back,
but I wear the same clothes and shower in the rain
and eat when I can and sleep when I can,
which is rare and not often,
so if you’d see me now
on these streets
where I once imagined walking with you
you’d have a hard time recognising me.
I takes a lot to run away.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
When I started to my roost, Jake grabbed my arm, pulling me against him. “Sleep with me,” he whispered in my ear.
I jerked away, ready to launch into a tirade for him playing on my emotions to put the moves on me when the tormented expression on his face stopped me cold.
He stared pleadingly into my eyes. “I’m still so fucking scared, Angel. I need someone just to hold tonight so I won’t be alone.
”
”
Katie Ashley (Music of the Heart (Runaway Train, #1))
“
Oh, Jason, I couldn't get my locker open...I know, I tried twisting it right, then left, but it wouldn't budge. I guess I'm just not strong enough. Could you help me? Please? Oh, great. Oh, Jason, you're so strong...
Seriously? That was me now?
On the other hand , a guy was following me.
”
”
Meg Cabot (Runaway (Airhead, #3))
“
There was something you failed to understand about me. I never run!
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
I replied with an Avenian accent. "Is the priest of this church still here?"
"No." He squinted at me. "Never seen you before. You from out of town?"
"I've never seen you before either," I said. "So maybe you're the one from out of town."
That amused him. "My name is Fink. Well, that's not really m name, but it's what everyone calls me."
"What's your name, then."
"Dunno. Everyone just calls me Fink."
"Don't you have anywhere else to go?"
"Not really. Why d'you want the priest?"
"A doctrinal question. What punishment does the Book of Faith recommend for a kid who's being too nosy?
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
Life was persistent. There it was, every day. Each morning it woke me up. It was loud and brash. A bully. A lounge singer in a garish sequin dress. A runaway truck. A jackhammer. A brush fire. A canker sore. Death was different. It was tender, a mystery.
”
”
Ottessa Moshfegh (Death in Her Hands)
“
I certainly couldn't have survived my childhood without books. All that deprivation and pain--abuse, broken home, a runaway sister, a brother with cancer--the books allowed me to withstand. They sustained me. I read still, prolifically, with great passion, but never like I read in those days: in those days it was life or death.
”
”
Junot Díaz
“
Grab your coat, leave a note, and run away with me.
”
”
William Chapman
“
I operate under the assumption that people don't notice the good in me. That's just how things always seem to play out. I get blamed, while con-artist kids like Venus, and Camille, and Gemma get believed. But the rescue lady noticed. In the background, just observing, she noticed.
”
”
Wendelin Van Draanen (Runaway)
“
I firmly believe in small gestures: pay for their coffee, hold the door for strangers, over tip, smile or try to be kind even when you don’t feel like it, pay compliments, chase the kid’s runaway ball down the sidewalk and throw it back to him, try to be larger than you are— particularly when it’s difficult. People do notice, people appreciate. I appreciate it when it’s done to (for) me. Small gestures can be an effort, or actually go against our grain (“I’m not a big one for paying compliments…”), but the irony is that almost every time you make them, you feel better about yourself. For a moment life suddenly feels lighter, a bit more Gene Kelly dancing in the rain.
”
”
Jonathan Carroll
“
The last scud of day holds back for me, It flings my likeness after the rest and true as any on the shadow'd wilds,
It coaxes me to the vapor and the dusk.
I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags.
I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles.
You will hardly know who I am or what I mean,
But I shall be good health to your nevertheless,
And filter and fibre your blood.
Failing to fetch me at first keep encouraged,
Missing me one place, search another,
I stop somewhere waiting for you.
”
”
Walt Whitman
“
You;re colling me, So i fugure you must not hate me anymore. dOES THIS MEAN YOU WANNA GO OUT? iI'm free tonight. I mean , I have plans, but i can break them. For you.
Brandon, you kidnapped me. And then you made the only person I'll ever love in my life hate me. I completely despise you.
So..., I take that as a no, you do not want to go out with me tonight.
”
”
Meg Cabot (Runaway (Airhead, #3))
“
Running my fastest not from my past. Running from those who have hurt me in it. And, they can't catch me anymore. I escaped from the land of make believe.
”
”
Jill Telford
“
It used to bother me, that I didn't know who I was or where I came from, just that my mother was a runaway with a fake name. But when I met you none of that mattered because I figured out who I was- the man who was born to love you.
”
”
Erin McCarthyCarthy (You Make Me (Blurred Lines, #1))
“
Words can't fix my life.
Words can't give me a family.
Words can't do jack.
You may be a teacher, Ms. Leone, but face it: You don't know squat.
”
”
Wendelin Van Draanen (Runaway)
“
Thank you for helping me turn the page.
”
”
Wendelin Van Draanen (Runaway)
“
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out.
So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote:
Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send.
HUCK FINN.
I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper.
It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself:
"All right, then, I'll GO to hell"--and tore it up.
”
”
Mark Twain (The Adventures of Huckleberry Finn)
“
I'm not that nice," I said. People were always telling me how nice I was. You'd think it would be a compliment, but it was amazing how sometimes it just felt like a kinder way of saying "blah." "I just keep my horrible side well hidden.
”
”
Hester Browne (The Runaway Princess)
“
Books had taught me new ideas and had shown me ways of life that I would not have known about otherwise, and they offered a refuge when, like now, real life seemed too hard.
”
”
Peg Kehret (Runaway Twin)
“
Gert: What... what just happened?
Chase: I don't know, but guess who totally stole Cookie Monster's glasses!
Gert: Whew, for a second there, I was worried we almost learned something.
Chase: Ooo, look at me! I'm a big fluffy nerd!
”
”
Brian K. Vaughan (Runaways: The Complete Collection, Vol. 2)
“
That day I brought Nila here, you asked me to stay the night. Was that a sincere offer?" "Of course it was." "Because of what I'd done for her?" "Because you looked like someone who needed a place to stay.
”
”
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
“
Frozen, I stood staring at him like he was a vision or something. His hair was still damp, and a few droplets glistened on his face. When he caught me, warmth burned across my cheeks.
“Were you just ogling me, Angel?”
“No, I wasn’t.”
He chuckled. “I think you were.”
I whirled around and swept my hands to my hips. “Fine I was ogling you. Happy now?”
“Actually I am. I like it when you look at me like you want me. Like you think I’m… handsome.”
My brows rose in surprise. “Handsome? That doesn’t sound like the way you would describe yourself.”
With a grin, he asked, “And just how would I describe myself?”
“Hmm, sexy, hot as hell, and panty melting?” I challenged as I handed him a Coke.
“Yeah, you’re right. Those really describe me better.
”
”
Katie Ashley (Music of the Heart (Runaway Train, #1))
“
Because thee remains there, it is easier for me to go, for thee can be the shore I look back on, the star that remains fixed."
from "The Last Runaway
”
”
Tracy Chevalier
“
When people who remember her better than me talk of her, she is always described as headstrong and irresponsible, which, if you think about it, are just different words for untameable. The wind is untameable, and so are rivers, and there is something poetic in that.
”
”
Claire Wong (The Runaway)
“
Your NOT FALLING APART, i tell my self. IF ONLY YOU KNEW, its HARDER TO BREATH with out you. THE AIR I BREATH is not the same with out you. I dont want to LOVE SOMEBODY else. MAKES ME WONDER if i could ever tell you, but I'm OUT OF GOODBYES. I don't want to lose you. This is MISERY, I CANT LIE, i am LOSING MY MIND over you. NOTHING LAST FOREVER, but THIS LOVE dose. Its a TANGLED mystery. ONE MORE NIGHT goes bye with no reply. The FORTUNE TELLER said you would never be mine. I end up BACK AT YOUR DOOR, when THE SUN comes back to life. This is are LAST CHANCE, RUNAWAY with me tonight. And lets never say goodbye.
”
”
Rhyan Roads
“
On the way, a great many demanded it, read it, and passed on. Those having the air and appearance of gentlemen, whose dress indicated the possession of wealth, frequently took no notice of me whatever; but a shabby fellow, an unmistakable loafer, never failed to hail me, and to scrutinize and examine me in the most thorough manner. Catching runaways is sometimes a money-making business.
”
”
Solomon Northup (12 Years a Slave)
“
It was the way your sweet, soft hands wiped away my tears, and the way your body just curved into mine when you let me hold you. It all made me feel, for just an instant, that everything really was going to be all right. No one has ever comforted me like that…except my mom.” What the fuck? Did I just say all that out loud? I shook my head furiously from side to side as the room started spinning me like a Tilt-a-Whirl at the county fair back home.
Abby grabbed my shoulders to steady me. I blinked my eyes trying to focus on her blurry, but beautiful image. “Most of all, it’s that I want someone like you to want me—just for me, not for Jake Slater the singer of Runaway Train.” I smacked my hand hard against my chest. “For what’s really inside me.
”
”
Katie Ashley (Music of the Heart (Runaway Train, #1))
“
What good's a black face if it means I'm just someone else's property? Why give me these arms and legs just to carry someone else's load, not my own?
”
”
Stacey Lee (Under a Painted Sky)
“
When you fell into my life, I was shattered beyond repair. But as the shining angel of redemption, you didn’t seem to care. While the tempest swirled around me, you led me to solid ground. You’re the purest, deepest love a man like me has ever found. There is a fire that burns within me that only you can ignite. You’re the light that fills my soul in the darkest, bleakest night. You’re the balm that cures the wound; the lifeline in the storm. You are the song of my heart, the music of my soul.
”
”
Katie Ashley (Music of the Soul (Runaway Train, #2.5))
“
Sister, why do you do that?"
"Do what?"
"Cage the animals at night?"
"Well..." She looked up and out through the barred window before answering me."We don't want to, Jennings, but we have to. You see, the animals that are given to us we have to take care of. If we didn't cage them up in one place, we might lose them, they might get hurt or damaged. It's not the best thing, but it's the only way we have to take care of them."
"But if somebody loved one them," I asked, "wouldn't it be a good idea to let them have one? To keep, I mean?"
"Yes, it would be. But not everyone would love them and take care of them as you would. I wish I could give them all away tomorrow." She looked at me. There were tears in her eyes. "But I can't. My heart would break if I saw just one of those animals lying by the wayside uncared for, unloved. No, Jennings. It's better if we keep them together.
”
”
Jennings Michael Burch (They Cage the Animals at Night: The True Story of an Abandoned Child's Struggle for Emotional Survival)
“
What helped me go through it was reminding myself of famous people who went through bad shit and were still alive. It was kind of creepy, but it helped. Like, Joaquin Phoenix had watched his brother die, and had to call 911. Keanu Reeves had lost his stillborn baby and the love of his life eighteen months apart. Oprah Winfrey had been a fourteen-year-old runaway after being sexually abused. Charlize Theron watched her mother shoot her father to death in self-defense. These people still lived. Laughed. Breathed. Got married. Had babies. Moved on.
”
”
L.J. Shen (Broken Knight (All Saints High, #2))
“
I read, I daydreamed, I wandered the city so ardently in part because it was a means of wandering in my thoughts, and my thoughts were runaways, constantly taking me away in the midst of the conversation, the meal, the class, the work, the play, the dance, the party. They were a place I wanted to be, thinking, musing, analyzing, imagining, hoping, tracing connections, integrating new ideas, but they grabbed me and ran with me from the situations at hand over and over. I disappeared in the middle of conversations, sometimes because I was bored but just as often because someone said something so interesting that my mind chased after the idea they offered and lost track of the rest of what they said. I lived in a long reverie for years, went days without much interruption to it, which was one of the gifts of solitude.
”
”
Rebecca Solnit (Recollections of My Nonexistence: A Memoir)
“
I won’t let you fall.”
“You say that and it’s sweet. But you don’t get it.”
“Get what?”
“I need to do this on my own.”
“Understandable. Think of me as a safety net.”
“I’ve never had a safety net.”
“You do now.
”
”
Devney Perry (Forsaken Trail (Runaway, #4))
“
What happens next?" she whispered.
Connor turned to her and smiled faintly. Always a question, that was Rebecca.
There's more?" he said in mock wonderment
Rebecca dimpled.
You know very well there is more."
Tell me all about it," he encouraged.
In Papa's book—"
Tell me all about it without mentioning your papa.
”
”
Julie Anne Long (The Runaway Duke)
“
If there was a common thread between the great warriors and runaways of my Hulkinov ancestors, and my father the pathological expatriate, and me, it was just that: hotheaded self-righteousness. And not the bad kind, either. We actually were right. We just cared more about being right than doing what was right. And we cared more about being right than about our own lives.
”
”
Rebecca Makkai (The Borrower)
“
What would you tell her about me?”
He did not just ask that.
“You did not just ask that.” She chuckled.
“I’m serious,” he smiled.
“Very well, if you must know, I would say that you are arrogant and foolish, too handsome for your own good and far too cognizant of your own intellect. Unbending, unsympathetic, dogmatic, pig-headed—”
“Handsome?” he interrupted, unable to keep the smile from his face. “And intelligent?”
“Don’t forget arrogant.
”
”
Leigh LaValle (The Runaway Countess (Nottinghamshire, #1))
“
Are you going to be okay?'
'I thought I was. I'll get over it.' I'd heard too many characters say the same thing in too many novels. It let the runaway lover off the hook. It allowed everyone to save face. It restored dignity and courage to the one whose cover had been completely blown.
”
”
André Aciman (Call Me by Your Name)
“
I depart as air .... I shake my white locks at the runaway sun,
I effuse my flesh in eddies and drift it in lacy jags.
I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your bootsoles.
”
”
Walt Whitman (Leaves of Grass)
“
I didn't see it happening, but the wheels were falling off of me. I didn't care about responsibilities like paying rent, I was just on a runaway train ride. The horribly ironic cosmic trick of drug addiction is that drugs are a lot of fun when you first start using them, but by the time the consequences manifest themselves, you're no longer in a position to say, 'Whoa, gotta stop that.' You've lost that ability, and you've created this pattern of conditioning and reinforcement. It's never something for nothing when drugs are involved.
”
”
Anthony Kiedis (Scar Tissue)
“
He knows what will upset me before it even happens and like a superhero, bends the track of the runaway train before it strikes.
”
”
Jodi Picoult
“
You ask me to write you a poem,
I pen you an empty ocean,
You run away.
You ask me who I am,
I paint you a breaking sky,
You weep in the rain.
”
”
Jenim Dibie (The Calligraphy of God: A Collection of Love Poems)
“
They always wanted to hang out with me because I had grass: when you’re a teenager, drugs can be an important bonding tool.
”
”
Cherie Currie (Neon Angel: A Memoir of a Runaway)
“
So do you think there's more to her than meets the eye!" he teased, and Alex cursed herself for being so easy to read.
"My guess is she's running from something.
"No shit Sherlock", she agreed silently. "Probably a guy. It's nearly always a guy.
”
”
Melissa Hill (Please Forgive Me)
“
I've decided this is all your fault, Ms. Leone. I've run away before, you know, but stowed away or jumped trains or broke into buildings, I just ran away and got caught. But I think all that stuff you told us about the Underground Railroad got lodged in my subconscious, and somewhere inside it gave me the strength or courage or insanity to really get away. So see? This is all your fault.
”
”
Wendelin Van Draanen (Runaway)
“
His gaze on mine was completely steady and unblinking, and there was an upward curl at the corners of his mouth . . . he was smiling like he was actually enjoying this.
But I couldn't help feeling as if, behind those blue eyes, there was a different Christopher – the old Christopher – begging me to call him on his asinine behavior. To say, I'm asking for your help now. Will you help us? Will you help me?
Only I didn't.
Because I was too angry with him. Why was he acting like such a four-year-old? I'd already explained to him why I'd made the decisions I had. They'd been perfectly decent, rational decisions.
So why was he acting this way?
”
”
Meg Cabot (Runaway (Airhead, #3))
“
And then I got to thinking about how, if someone met me for the first time now, they would need to know about Uncle Ed and my parents in order to understand me. Sometimes it feels as though I’m defined by all the people I’ve lost , like one of those negative-space pictures, where what’s not there is just as important as what is.
”
”
Claire Wong (The Runaway)
“
I reminded him of the poverty and hardships he must encounter among strangers. I told him he might be caught and brought back; and that was terrible to think of.
He grew vexed, and asked if poverty and hardships with freedom, were not preferable to our treatment in slavery. "Linda," he continued, "we are dogs here; foot-balls, cattle, every thing that's mean. No, I will not stay. Let them bring me back. We don't die but once.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Back home there was a slot in which my life was meant to fit. Then it was taken away and it felt as if there was no place for me. I thought it better to go and start somewhere new. So I thought.' 'That's a very American notion, leaving problems behind and movin' on', Belle said. 'If you thought that, maybe you're not so English after all (...)
”
”
Tracy Chevalier (The Last Runaway)
“
What about you and me, Adina?” Duff said, sidling up to her by the railing. “I know I screwed up. But do you think we could start over?”
Adina thought about everything that had happened. Part of her wanted to kiss Duff McAvoy, the tortured British trust-fund-runaway-turned-pirate-of-necessity who loved rock ‘n’ roll and mouthy-but-vulnerable bass-playing girls from New Hampshire. But he didn’t exist. Not really. He was a creature of TV and her imagination, a guy she’d invented as much as he’d invented himself. And this was what she suddenly understood about her mother: how with each man, each husband, she was really trying to fill in the sketchy parts of herself and become somebody she could finally love. It was hard to live in the messiness and easier to believe in the dream. And in that moment, Adina knew she was not her mother after all. She would make mistakes, but they wouldn’t be the same mistakes. Starting now.
“Sorry,” she said, heading for the bow, where a spot of sun looked inviting. ”Oh, also, about that blog? Just so you know, my dads know a lot of gay lawyers. Bitches will take your ass down if you try to publish that. Peace out.
”
”
Libba Bray (Beauty Queens)
“
Part of me wanted to swoon into nothing, but the other women’s bones were talking. I didn’t see the bones but I knew they were there, under the house. The little runaway bones of skinny, hungry girls who didn’t think they were worth much—anything—so they stayed after the party was over and let Derrick Blue tell them his stories. He probable didn’t even have to use much force on most of them.
”
”
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
“
You really have the nerve to stand there and ask me that?” When he didn’t respond, I practically growled as I took a step towards him. “You blow so hot and cold with me that I’m not sure which way is up. It’s a wonder I don’t need a chiropractor from your emotional whiplash. One minute you’re telling me you want a girl like me to be interested in you and the next you’re coyly asking how I feel about Garrett.” Finally toe to toe, I glared up at him. “You’re really good at charming the panties off girls at ten paces, but you can’t even tell a girl how you really feel when she’s up close and personal!
”
”
Katie Ashley (Music of the Heart (Runaway Train, #1))
“
I had a teacher at school who told me once that I was a mistress of self-reinvention. I didn't know what he was on about at the time, I thought he was putting me on, but I've since come to like the idea. Runaway, lover, wife, waitress, gallery manager, nanny, and a few more in between. So who do I want to be tomorrow?
”
”
Paula Hawkins
“
Do I have a code name? II'm pretty sure I get a code name. I'd like to choose it."
His fingers fall from my elbow. A pity. "Yes," he says. "As a matter of fact, you do have a code name."
"I knew it!" My twirl is the glee-filled kind. "What is it? Sidewinder or Lightning or maybe Pegasus?"
"We were calling you Butterfly."
Huh. "That's nice, I guess." A little soft, but okay.
"Then, the tabloids gave you the moniker. The Lost Butterfly, so we had to change it."
I perk up.
"I suggested it," he baits.
"What did you suggest?" I look up at Akio with stars in my eyes. The possibilities are endless---Sunshine, Moonflower, Cherry Blossom. My thoughts are a runaway train. Maybe he likes me. Maybe he's not as mean as he seems. Maybe I've terribly misjudged him and this is just a rocky start to a friendship that turns to love that will last the ages. Our affair will inspire folksy campfire ballads.
It's the first time I see Akio smile. It's part evil, part satisfied, as if he's just won a bet with himself. "Radish.
”
”
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
“
Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
”
”
William Shakespeare (Romeo and Juliet)
“
I took another road, past the old sugar works and the water wheel that had not turned for years. I went to parts of Coulibri that I had not seen, where there was no road, no path, no track. And if the razor grass cut my legs and arms I would think 'It's better than people.' Black ants or red ones, tall nests swarming with white ants, rain that soaked me to the skin - once I saw a snake. All better than people.
Better, better, better than people.
”
”
Jean Rhys (Wide Sargasso Sea)
“
The Bear had once confided to me that Durrell's ego could fit snugly in the basilica of St. Peter's in Rome but in very few other public places. This runaway megalomania marked him as a blood member of the fraternity of generals. If looks alone could make generals, Durrell would have been a cinch. He was built lean and slim and dark, like a Doberman. A man of breeding and refrigerated intelligence, he ordered his life like a table of logarithms.
”
”
Pat Conroy (The Lords of Discipline)
“
I waited in vain for someone like me to stand up and say that the only thing those of us who don't believe in god have to believe is in other people and that New York City is the best place there ever was for a godless person to practice her moral code. I think it has to do with the crowded sidewalks and subways. Walking to and from the hardware store requires the push and pull of selfishness and selflessness, taking turns between getting out of someone's way and them getting out of yours, waiting for a dog to move, helping a stroller up steps, protecting the eyes from runaway umbrellas. Walking in New York is a battle of the wills, a balance of aggression and kindness. I'm not saying it's always easy. The occasional "Watch where you're going, bitch" can, I admit, put a crimp in one's day. But I believe all that choreography has made me a better person. The other day, in the subway at 5:30, I was crammed into my sweaty, crabby fellow citizens, and I kept whispering under my breath "we the people, we the people" over and over again, reminding myself we're all in this together and they had as much right - exactly as much right - as I to be in the muggy underground on their way to wherever they were on their way to.
”
”
Sarah Vowell (The Partly Cloudy Patriot)
“
One night, a couple of weeks before school started--they must have though I was asleep--Nilda started telling Rafa about her plans for the future. I think even she knew what was about to happen. Listening to her imagining herself was about the saddest thing you ever heard. How she wanted to get away from her moms and open up a group home for runaway kids. But this one would be real cool, she said. It would be for normal kids who just got problems. She must have loved him because she went on and on. Plenty of people talk about having a flow, but that night I really heard one, something that was unbroken, that fought itself and worked together all at once. Rafa didn't say nothing. Maybe he had his hands in her hair or maybe he was just like, fuck you. When she finished, he didn't even say wow. I wanted to kill myself with embarrassment. About a half hour later she got up and dressed. She couldn't see me or she would have known that I thought she was beautiful. She stepped into her pants and pulled them up in one motion, sucked in her stomach while she buttoned them. I'll see you later, she said.
Yeah, he said.
”
”
Junot Díaz (This Is How You Lose Her)
“
Already the people murmur that I am your enemy
because they say that in verse I give the world your me.
They lie, Julia de Burgos. They lie, Julia de Burgos.
Who rises in my verses is not your voice. It is my voice
because you are the dressing and the essence is me;
and the most profound abyss is spread between us.
You are the cold doll of social lies,
and me, the virile starburst of the human truth.
You, honey of courtesan hypocrisies; not me;
in all my poems I undress my heart.
You are like your world, selfish; not me
who gambles everything betting on what I am.
You are only the ponderous lady very lady;
not me; I am life, strength, woman.
You belong to your husband, your master; not me;
I belong to nobody, or all, because to all, to all
I give myself in my clean feeling and in my thought.
You curl your hair and paint yourself; not me;
the wind curls my hair, the sun paints me.
You are a housewife, resigned, submissive,
tied to the prejudices of men; not me;
unbridled, I am a runaway Rocinante
snorting horizons of God's justice.
You in yourself have no say; everyone governs you;
your husband, your parents, your family,
the priest, the dressmaker, the theatre, the dance hall,
the auto, the fine furnishings, the feast, champagne,
heaven and hell, and the social, "what will they say."
Not in me, in me only my heart governs,
only my thought; who governs in me is me.
You, flower of aristocracy; and me, flower of the people.
You in you have everything and you owe it to everyone,
while me, my nothing I owe to nobody.
You nailed to the static ancestral dividend,
and me, a one in the numerical social divider,
we are the duel to death who fatally approaches.
When the multitudes run rioting
leaving behind ashes of burned injustices,
and with the torch of the seven virtues,
the multitudes run after the seven sins,
against you and against everything unjust and inhuman,
I will be in their midst with the torch in my hand.
”
”
Julia de Burgos Jack Agüero Translator
“
While I was busy wondering if we were expecting anybody, it took me by surprise when an arm—which I was starting to get very well acquainted with at this rate—snaked around my waist and pulled me backward. My ass landed on something hard and hot, immediately molding into the space. Aaron’s lap. His breath caressed the shell of my ear. “You didn’t say good morning.” My back straightened as I remembered my lame runaway moment. “You almost made me drop my cookie, Mr. Robot.” It was so weird, so strange, calling him that, like I had done so many times in the past. As if that belonged to a whole different life. To two different people. Aaron chuckled, and it tickled my neck. “I wouldn’t dare. I know better than that.” His arm tightened around me, and I had to restrain myself from wrapping my hands around it. “What are you doing?” I whispered loudly. Charo would come back in at any second. “I was feeling lonely,” he admitted, lowering his voice and making my mind fly with everything he wasn’t saying. Stupid. I need to stop being stupid. “And if I’m going to sit through this one-sided interrogation, the least you can do is keep me company. Plus, you owe me a conversation.” “I was right there.” My voice came out strangled. “And Charo is not here now.” He hummed, and that noise traveled straight to my lower belly. “She will be back though. You know I like to be extra prepared.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
When I was thinking about How Poetry Saved My Life entering the “big literary world” I more so viewed it as sub genre or an underdog book because there are still comparatively so few books about sex work, especially from authors who once worked street, like I have. Disclosing to working street-level sex work still feels risky to me. Apart from Runaway by Evelyn Lau (published in 1989) I have yet to read a first person memoir about street work. More of these stories must be out there—perhaps I just haven’t found them yet.
”
”
Amber Dawn
“
There are sparkles of rain on the bright
Hair over your forehead;
Your eyes are wet and your lips
Wet and cold, your cheek rigid with cold.
Why have you stayed
Away so long, why have you only
Come to me late at night
After walking for hours in wind and rain?
Take off your dress and stockings;
Sit in the deep chair before the fire.
I will warm your feet in my hands;
I will warm your breasts and thighs with kisses.
I wish I could build a fire
In you that would never go out.
I wish I could be sure that deep in you
Was a magnet to draw you always home.
from "Runaway
”
”
Kenneth Rexroth (Collected Shorter Poems)
“
I wished I were like those soldiers in films who run out of bullets and toss away their guns as though they would never again have any use for them, or like runaways in the desert who, rather than ration the water in the gourd, yield to thirst and swill away, then drop their gourd in their tracks. Instead, I squirreled away small things so that in the lean days ahead glimmers from the past might bring back the warmth. I began, reluctantly, to steal from the present to pay off debts I knew I'd incur in the future. This, I knew, was as much a crime as closing the shutters on sunny afternoons. But I also knew that in Mafalda's superstitious world, anticipating the worst was as sure a way of preventing it from happening.
When we went on a walk one night and he told me that he'd soon be heading back home, I realized how futile my alleged foresight had been. Bombs never fall on the same spot; this one, for all my premonitions, fell exactly in my hideaway.
”
”
André Aciman (Call Me by Your Name)
“
Imagine if you can ... a world in which half the inhabitants are larger and stronger than you and are thus able to force you to their will at any time or any place. That unchangeable fact colors everything in your life - from the route you choose when you walk down the street to what you look for when you enter a room, how you dress, how you smile, how you assess people on first meeting? Friend or foe? Is this person a threat? Will that one do me harm? It's all about survival. ... Mock a a woman's desire for jewels and fine clothes and grand houses if you must, but understand that they are simple manifestations of what she truly desires - survival, safety, security - because those baubles are the thing that proclaim to the world that she is of value and, as such, will be protected.
”
”
Kaki Warner (Bride of the High Country (Runaway Brides, #3))
“
Like many of the kids I write about, I once was a runaway myself—and a few (but not all) of the other writers in the series also come from troubled backgrounds. That early experience influences my fiction, no doubt, but I don't think it's necessary to come from such a background in order to write a good Bordertown tale. To me, "running away to Bordertown" is as much a metaphorical act as an actual one. These tales aren't just for kids who have literally run away from home, but also for every kid, every person, who "runs away" from a difficult or constrictive past to build a different kind of life in some new place. Some of us "run away" to college . . . or we "run away" to a distant city or state . . . or we "run away" from a safe, secure career path to follow our passions or artistic muse. We "run away" from places we don't belong, or from families we have never fit into. We "run away" to find ourselves, or to find others like ourselves, or to find a place where we finally truly belong. And that kind of "running away from home"—the everyday, metaphorical kind—can be just as hard, lonely, and disorienting as crossing the Nevernever to Bordertown . . . particularly when you're in your teens, or early twenties, and your resources (both inner and outer) are still limited. I want to tell stories for young people who are making that journey, or contemplating making that journey. Stories in which friendship, community, and art is the "magic" that lights the way.
(speaking about the Borderland series she "founded")
”
”
Terri Windling
“
Imagine what it's like to be (untouchable)
Better not take a chance on me (untouchable)
I'm the bad boy your mama told you about
I'm dangerous, without a doubt
Even coming off a ten-year drought
Untouchable
I'm the rose with hidden thorns (untouchable)
Don't tell me that you haven't been warned (untouchable)
I'm pretty poison under the skin,
The bite of the apple that's a mortal sin
In a game of love you'll never win
Untouchable
My reputation's fairly earned (untouchable)
If you play with fire, you will get burned (untouchable)
Stay out of the kitchen if you can't take the heat,
My kisses are deadly as they are sweet,
I'm a runaway bus on a dead-end street
Untouchable
Fools rush in, that's what they say(untouchable)
But angels fall, too, most every day (untouchable)
I'm the snake in the garden, the siren on the reef
I have the face of a saint and the heart of a thief
I'll promise you love! And bring you nothing but grief
Untouchable
Hearing Jonah sing like this was like watching him slice himself open and show off his insides. Why would he do that? Why would be write such a song?
And then Emma answered her own question. Because good music always tells the truth, no matter how much it hurts.
Emma couldn't be the only one who felt the bite of the blade, but everyone else seemed to take it in stride. Did they know? Did they all know about Jonah?
Of course they did. They were there when it happened. They'd allow Jonah to keep the secrets that were most important to him. She knew she shouldn't resent that, but she still did. They must have known she was falling for him. They must have.
”
”
Cinda Williams Chima (The Sorcerer Heir (The Heir Chronicles, #5))
“
When they reached the table, Hannah started to introduce them. “Layla, this is Joe. Joe, this is—”
“We’ve already met,” said Joseph, extending his hand and smiling.
“Have we?” asked Layla, baffled.
“Have you?” said Hannah. This was news to her.
“Yeah, we have,” continued Joseph. “A couple of hours ago. On the road into the village. You tried to kill me, remember?”
“Kill you?” gasped Layla. “You’re the biker? The one I knocked over?”
“You knocked him over?” repeated Hannah in horror.
“I didn’t mean to,” explained Layla quickly. “It was an accident. I was going to tell you about it. I just haven’t had the chance yet.”
Turning to Joseph, Hannah asked, “Are you okay? Are you hurt at all?”
“Well,” he replied somberly, “apart from my right arm, which I’m not sure is going to be of much use to me ever again, I’m fine.”
As Layla’s jaw dropped open, he added quickly, “I’m joking. Really, it’s just a joke. I’m fine.”
“Right, well, in that case,” Hannah continued, “as I was saying, Layla, this is Joseph Scott. Joe, this is Layla Lewis, your would-be killer, next door neighbor, and my best friend. She’s house-sitting whilst Lenny’s in Scotland.”
“Next door neighbor, huh?” replied Joseph, taking a swig from his pint glass. “That could prove interesting.
”
”
Shani Struthers (The Runaway Year (The Runaway Series, #1))
“
What did you think when I first told you about the animals I found?”
He seemed confused. It obviously wasn’t what he’d expected. “Violet, I was seven years old. I thought it was badass. I think I was probably even jealous.”
She made a face at him. “Didn’t you think it was creepy? Or that I was weird?”
“Yeah,” he agreed enthusiastically. “That’s why I was so jealous. I wanted to be the one finding dead bodies. You were like an animal detective or something. You were only weird ‘cause you were a girl.” He grinned. “But I learned to overlook that since you always took me on such cool adventures.”
Violet released a breath, smiling. She knew he was telling the truth, which only made it funnier to hear him saying the words out loud. Of course, what little boy didn’t want to go scavenging through the woods and digging in the dirt?
She tried again. “Did you ever tell anyone? Does your mom know?”
He lifted her hand to his mouth and rubbed her knuckles across his lower lip, his gaze locked with hers. “No,” he promised. “I swore I wouldn’t, not even her. I think she knows something, or at least she thinks you have the worst luck ever, since you found all those dead girls.” He lowered his voice. “She was really worried about you after the shooting last year. You’re like a daughter to her.” He leaned close. “Of course, that makes it kind of creepy when I do things like this.”
He kissed her. It was intimate. Not soft or sweet this time, it was deep and passionate, stealing Violet’s breath. She laid her hand against his chest, savoring the feel of his heartbeat beneath her palm, and then traced her fingertips up to his neck, into his hair.
He pulled her over the console that separated them, dragging her onto his lap. He ran his hands up her back restlessly, drawing her as close as he could.
It was nearly impossible for her to pull herself away. “Wait,” she insisted breathlessly. “Please, wait.” She had her hands braced against his shoulders, struggling more against herself than him.
His glazed eyes teased her. “I thought I was the one who was supposed to say no. I’m the girl, right?”
She sighed heavily, leaning her head against his shoulder and trying to recapture her runaway thoughts. She still wanted to talk. She wanted the other things, too, but she needed to sort through her thoughts first.
“Sorry, it’s just…I have a lot of…” She shrugged against him. His damp T-shirt was warm and practically paper-thin, tempting her to touch him. She ran her finger down the length of his stomach. She knew it wasn’t fair to tease him, but she couldn’t help herself. He was too enticing. “…I have some stuff I need to work through.” It was the best she could do for an explanation.
He caught her hand before she’d reached his waistline, and he held it tightly in his grip. “I’m trying to be patient, Violet, I really am. If there’s something you want to tell me…Well, I just wish you’d trust me.”
“I’ll get there,” she explained. “I’ll figure it all out. I’m just a little confused right now.”
He let out a shaky breath and then he kissed the top of her head, still not releasing her hand. “So, when you do, we’ll pick up where we left off.”
She nodded against him. She thought she would keep talking; she still had so many doubts about what she should, and shouldn’t, be doing.
But instead she just stayed there, curled up on his lap, absorbing him, taking relief from his touch…and strength from his presence.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
The last time I’d been unwell, suicidally depressed, whatever you want to call it, the reactions of my friends and family had fallen into several different camps:
The Let’s Laugh It Off merchants: Claire was the leading light. They hoped that joking about my state of mind would reduce it to a manageable size. Most likely to say, ‘Feeling any mad urges to fling yourself into the sea?’
The Depression Deniers: they were the ones who took the position that since there was no such thing as depression, nothing could be wrong with me. Once upon a time I’d have belonged in that category myself. A subset of the Deniers was The Tough Love people. Most likely to say, ‘What have you got to be depressed about?’
The It’s All About Me bunch: they were the ones who wailed that I couldn’t kill myself because they’d miss me so much. More often than not, I’d end up comforting them. My sister Anna and her boyfriend, Angelo, flew three thousand miles from New York just so I could dry their tears. Most likely to say, ‘Have you any idea how many people love you?’
The Runaways: lots and lots of people just stopped ringing me. Most of them I didn’t care about, but one or two were important to me. Their absence was down to fear; they were terrified that whatever I had, it was catching. Most likely to say, ‘I feel so helpless … God, is that the time?’ Bronagh – though it hurt me too much at the time to really acknowledge it – was the number one offender.
The Woo-Woo crew: i.e. those purveying alternative cures. And actually there were hundreds of them – urging me to do reiki, yoga, homeopathy, bible study, sufi dance, cold showers, meditation, EFT, hypnotherapy, hydrotherapy, silent retreats, sweat lodges, felting, fasting, angel channelling or eating only blue food. Everyone had a story about something that had cured their auntie/boss/boyfriend/next-door neighbour. But my sister Rachel was the worst – she had me plagued. Not a day passed that she didn’t send me a link to some swizzer. Followed by a phone call ten minutes later to make sure I’d made an appointment. (And I was so desperate that I even gave plenty of them a go.) Most likely to say, ‘This man’s a miracle worker.’ Followed by: ‘That’s why he’s so expensive. Miracles don’t come cheap.’
There was often cross-pollination between the different groupings. Sometimes the Let’s Laugh It Off merchants teamed up with the Tough Love people to tell me that recovering from depression is ‘simply mind over matter’. You just decide you’re better. (The way you would if you had emphysema.)
Or an All About Me would ring a member of the Woo-Woo crew and sob and sob about how selfish I was being and the Woo-Woo crew person would agree because I had refused to cough up two grand for a sweat lodge in Wicklow.
Or one of the Runaways would tiptoe back for a sneaky look at me, then commandeer a Denier into launching a two-pronged attack, telling me how well I seemed. And actually that was the worst thing anyone could have done to me, because you can only sound like a self-pitying malingerer if you protest, ‘But I don’t feel well. I feel wretched beyond description.’
Not one person who loved me understood how I’d felt. They hadn’t a clue and I didn’t blame them, because, until it had happened to me, I hadn’t a clue either.
”
”
Marian Keyes
“
I will have you for husband tonight,” she said in fierce, low tones, “or I will not go until I do!” “If there was any way, I would,” he protested. “Daise Congar would crack my head if I wanted to go against custom. For the love of the Light, Faile, just carry the message, and I’ll wed you the very first day I can.” He would. If that day ever came. Suddenly she was very intent on his beard, smoothing it and not meeting his eyes. She started speaking slowly but picked up speed like a runaway horse. “I … just happened to mention … in passing … I just mentioned to Mistress al’Vere how we had been traveling together—I don’t know how it came up—and she said—and Mistress Congar agreed with her—not that I talked to everybody!—she said that we probably—certainly—could be considered betrothed already under your customs, and the year is just to make sure you really do get on well together—which we do, as anyone can see—and here I am being as forward as some Domani hussy or one of those Tairen galls—if you ever even think of Berelain—oh, Light, I’m babbling, and you won’t even—” He cut her off by kissing her as thoroughly as he knew how. “Will you marry me?” he said breathlessly when he was done. “Tonight?” He must have done ever better with the kiss than he thought; he had to repeat himself six times, with her giggling against his throat and demanding he say it again, before she seemed to understand. Which was how he found himself not half an hour later kneeling opposite her in the common room, in front of Daise Congar and Marin al’Vere, Alsbet Luhhan and Neysa Ayellin and all the Women’s Circle. Loial had been roused to stand for him with Aram, and Bain and Chiad stood for Faile. There were no flowers to put in her hair or his, but Bain, guided by Marin, tucked a long red wedding ribbon around his neck, and Loial threaded another through Faile’s dark hair, his thick fingers surprisingly deft and gentle. Perrin’s hands trembled as he cupped hers. “I, Perrin Aybara, do pledge you my love, Faile Bashere, for as long as I live.” For as long as I live and after. “What I possess in this world I give to you.” A horse, an axe, a bow. A hammer. Not much to gift a bride. I give you life, my love. It’s all I have. “I will keep and hold you, succor and tend you, protect and shelter you, for all the days of my life.” I can’t keep you; the only way I can protect you is to send you away. “I am yours, always and forever.” By the time he finished, his hands were shaking visibly. Faile moved her hands to hold his. “I, Zarine Bashere …” That was a surprise; she hated that name. “ … do pledge you my love, Perrin Aybara … .” Her hands never trembled at all.
”
”
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
“
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing.
A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback?
The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at.
I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting.
It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.”
“Emma, run!” Mom yells.
Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing.
Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.”
Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another.
I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that.
Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs.
He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack.
Mom has never been girlie.
Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.”
Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))