Run Free My Dog Quotes

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When people visit my farm they often envision their dog, finally off-leash in acres of safely fenced countryside, running like Lassie in a television show, leaping over fallen tree trunks, shiny-eyed with joy at the change to run free in the country. While they're imagining that heartwarming scene, their dog is most likely gobbling up sheep poop as fast as he can. Dog aren't people, and if they have their own image of heaven, it most likely involves poop.
Patricia B. McConnell (For the Love of a Dog: Understanding Emotion in You and Your Best Friend)
It is my belief that, as a rule, creatures of Happy’s ilk—I am thinking here of canines and men both—more often run free than live caged, and it is in fact a world of mud and feces they desire, a world with no Art in it, or anyone like him, a place where there is no talk of books or God or the worlds beyond this world, a place where the only communication is the hysterical barking of starving and hate-filled dogs.
Joe Hill (20th Century Ghosts)
Mary Magdalene With wandering eyes and aimless zeal, She hither, thither, goes; Her speech, her motions, all reveal A mind without repose. She climbs the hills, she haunts the sea, By madness tortured, driven; One hour's forgetfulness would be A gift from very heaven! She slumbers into new distress; The night is worse than day: Exulting in her helplessness; Hell's dogs yet louder bay. The demons blast her to and fro; She has not quiet place, Enough a woman still, to know A haunting dim disgrace. A human touch! a pang of death! And in a low delight Thou liest, waiting for new breath, For morning out of night. Thou risest up: the earth is fair, The wind is cool; thou art free! Is it a dream of hell's despair Dissolves in ecstasy? That man did touch thee! Eyes divine Make sunrise in thy soul; Thou seest love in order shine:- His health hath made thee whole! Thou, sharing in the awful doom, Didst help thy Lord to die; Then, weeping o'er his empty tomb, Didst hear him Mary cry. He stands in haste; he cannot stop; Home to his God he fares: 'Go tell my brothers I go up To my Father, mine and theirs.' Run, Mary! lift thy heavenly voice; Cry, cry, and heed not how; Make all the new-risen world rejoice- Its first apostle thou! What if old tales of thee have lied, Or truth have told, thou art All-safe with Him, whate'er betide Dwell'st with Him in God's heart!
George MacDonald
It is my belief that the writer, the free-lance author, should be and must be a critic of the society in which he lives. … That is all I ask of the author. To be a hero, appoint himself a moral leader, wanted or not. I believe that words count, that writing matters, that poems, essays, and novels — in the long run — make a difference. If they do not, then in the words of my exemplar Aleksandr Solzhenitsyn, the writer’s work is of no more importance than the barking of village dogs at night.
Edward Abbey
The rock under my feet turned out to be sand after all, and in the end the tide came in. Walker says I'm free, like a dog off it's leash. Which is all very well, but what if I run into the road?
Sarah Perry (After Me Comes the Flood)
It was midnight when I read the last page and turned out the light. Still awake, I asked my little dog Rose to come back, and she did, running. She had been waiting for me to call. She was perfect in her joy and I held her and kissed her. I called for my father then, just to see, and he came to me too, and took me in his arms, me and my little dog. My father was nothing but love, a love so certain and pure there was no space to doubt it. I called for my grandmother, my dearest Lucy, my stepfather, and each one came and folded me in her arms, in his arms. There never had been a moment like this in my life, so much love and all of it free from doubt and misunderstanding. This love had always been there, it would always be there, no matter how I rewrote it or forgot about it. I stood inside my gratitude and cried until I finally fell asleep.
Ann Patchett (These Precious Days: Essays)
Fate is a woman, I said to them. In fact, she is three women. Young, like us, so that they will have the courage to be cruel, having no weight of memory to teach temperance. Young, but so old, older than any stone. Their hair is silver, but full and long. Their eyes are black. But when they are at their work they become dogs, wolves, for they are hounds of death, and also hounds of joy. They take the strands of life in their jaws, and sometimes they are careful with their jagged teeth, and sometimes they are not. They gallop around a great monolith, the stone that pierces our Sphere where the meridians meet, that turns the Earth and pins it in place in the world. It is called the Spindle of Necessity, and all round it the wolves of fate run, and run, and run, and the patterns of their winding are the patterns of the world. Nothing can occur without them, but they take no sides. I could also say that there is such a stone, such a place, but the dogs who are women died long ago, and left the strands to fall, and we have been helpless ever since. That in a wolfless world we must find our own way. That is more comforting to me. I want my own way, I want to falter; I want to fail, and I want to be redeemed. All these things I want to spool out from the spindle that is me, not the spindle of the world. But I have heard both tales.
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))
I heard a few men in a restaurant talking about a bayou legend," Savannah said suddenly.She leaned ont he side of the boat,presenting him with an intriguing view of her tight jeans. They clung lovingly to every curve. Gregori moved, a flowing of his body, gliding silently, and his large frame was blanketing Savannah's, blocking out the captain's enticing view.Gregori leaned into her,his arms coming down on either side of the railing to imprison her against him. You are doing it again. His words brushed softly in her mind even as his warm breath teased the tendrils of hair at her neck. Savannah leaned back into him, fitting her bottom into the cradle of his hips. She was happy, free of the oppressive weight of the hunt,of death and violence. THere were only the two of them. Three, he reminded her,his teeth scraping her sensitive pulse.He could feel the answering surge of her blood, the molten lava spreading in his. My mother thinks my father is a cave man.I'm beginning to think you could give him a run for his money. Disrespectful little thing. "Which legend?There are so many," Beau said. "About an old alligator that lies in wait to eat hunting dogs and little children," Savannah said. Gregori tugged at her long braid so that she tilted her head back.His mouth brushed the line of her throat. I could be a hungry alligator, he offered softly.
Christine Feehan (Dark Magic (Dark, #4))
KUNDALINI DANCE Dark and cold and wet were Her hands I felt Her chilly breath inside my throat Her claws deep inside trying to find traces of Fear within me I stayed still Accepting Opening Receiving Within a moment She was inside Two fingers below My belly button In there She found no traces of shivers no traces of resistance, no traces of weakness just clear pure Passage-Way Then She grew into Her most powerful Self She stood undisturbed, unmoved, unchanged Totally free and She screamed AAAAAUUUUUUMMM From the centre of the earth, Through the tunnels of the caves, To the surface of the volcanoes AAAAUUUUUUMMMM To open: Mountain tops untouched by clouds and rain Cherry fields in their full blossom A dog running after a train filled with the excitement A witch laughing at passers-by mirroring their paranoia Death looking us in the eyes searching for the chosen Few Capable to see the Key behind Her magic veil
Nataša Pantović (Tree of Life with Spiritual Poetry (AoL Mindfulness, #9))
True blues ain't no new news about who's been abused For the blues is as old as my stolen soul I sang the blues when the missionaries came Passing out bibles in Jesus' name I sang the blues in the hull of the ship Beneath the sting of the slavemaster's whip I sang the blues when the ship anchored the dark My family being sold on a slave block I sang the blues being torn from my first born And hung my head and cried when my wife took his life And then committed suicide. I sang the blues on the slavemaster's plantation helping Him build his free nation I sang the blues in the cottonfield, hustlin' to make the daily yield I sang the blues when he forced my woman to beg Lord knows how I wished he was dead I sang the blues on the run, ducking the dogs and dodging the gun I sang the blues hanging from the tree in a desperate attempt to break free I sang the blues when the sun went down, cursing the master when he wasn't around I sang the blues in all these wars dying for some unknown cause I sang the blues in a high tone, low moan, loud groan, soft grunt, hard funk I sang the blues in land sea and air, about who when why and where I sang the blues in church on sunday, slaving on monday, misused on tuesday, abused on wednesday, accused on thursday, fried alive on friday, and died on saturday. Sho nuff singing the blues I sang the blues in the summer, fall winter and spring I know sho nuff the blues is my thing I sang the backwater blues, rhythm and blues, gospel blues, saint louis blues, crosstown blues, chicago blues, mississippi GODDAMN blues, the watts blues, the harlem blues, hoe blues, gut-bucket blues, funky chunky blues, i sang the up north cigarette corp blues, the down south sprung out the side of my mouth blues, I sang the blues black, i sang the blues blacker, i sang the blues blackest I SANG BOUT MY SHO NUFF BLUE BLACKNESS! from "True Blues" by the Last Poets
Jalal Mansur Nuriddin
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
she needed rest, but it was more than that—she needed to get someplace where she could breathe a little better, where her daughter could run barefoot without stepping in dog shit and broken glass and where she wasn’t waiting all the time for a catastrophe she couldn’t even name. Later when she heard Joni Mitchell sing about Woodstock, the lyrics, written that same summer, could have been channeled straight from Loraine’s own mind: “I’m going to camp out on the land/I’m going to try an’ get my soul free . . . We’ve got to get ourselves/Back to the garden.” For Loraine, her next move felt obvious. One day, she left.
Kate Daloz (We Are As Gods: Back to the Land in the 1970s on the Quest for a New America)
Finishing her cigarette, Raven put it out in the ashtray then sighed. “I never really bought into the God thing. Religion felt like a lie men told to make people listen to them. Mostly, it seemed dumb to think a magic man in the sky cared about us. Like if I was a magic man and could make the earth or whatever, I wouldn’t waste time on helping out losers.” Raven set the ashtray on the ground and crossed her arms as if cold. “I see what Lark has now with you, this house, the ugly dogs, her friends, and now the baby. It makes me think God might exist. While losers run in our family, Lark could be more if she let herself. Now she has more and I think God might have helped her out. I prayed someone would. Even not believing, I prayed and told God if He was real and wanted me to believe that He needed to help Lark. I guess He heard me because she’s happy like I’ve never seen her happy before. Not even when Phoenix was alive and we were the best we ever were as a family.” “I’m glad you’re here and you’re welcome to stay as long as you want, but, Raven, my dogs aren’t ugly.” She laughed and tapped her foot against mine. “You’re a good guy. I know I said that before, but I didn’t think you would be. I’ve been around and good guys are rare.” “They exist though.” Raven nodded. “I need to quit men the way I need to quit smoking. Just go cold turkey. If I try to be rational about it, I’ll fool myself into falling for another creep. No, just say enough is enough all that shit. Focus on other stuff like a job and roller derby and family.” “If you ever get sick of living here, the Johanssons have an apartment that Cooper used to live in.” “There are plenty of apartments in Ellsberg.” “Yeah, but if you want to avoid loser men, those apartments won’t help. They’re full of assholes. College shitheads and lowlife fuckers. If you stay out there with the Johanssons, no man will bother you. You might even like Bailey. She’s an acquired taste, but a good friend if you can deal with her mouth.” “Bossy bitches are my favorite,” Raven said, pulling her knees up to her chest. “No hurry moving out though. Lark is feeling unsure about stuff and having you here makes her feel more centered. Like she’s combining her old life with her new one and it fits.” “I just have one question, bud,” Raven said, standing up and ready to leave the cold evening. “Are you planning to fix her damn worm?” “I don’t normally tattoo pregnant women.” “You really going to have your kid born to a chick with a worm tattoo?” Smiling at Raven, I nodded. “I don’t want to do anything to jinx the pregnancy. Since we’ve been together, Lark was hurt by Larry, got into a fight with my ex, and had to hide under the table during a bar brawl. I want the rest of her pregnancy to be as pain free as possible.” “Sissy,” she said, grinning. “I’m really glad you aren’t an asshole. It was a pleasant surprise.” “Glad you approve, but don’t mock my dogs again and stop barking at Pollack.” “Fuck off,” she said over her shoulder while walking inside.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Tell me, why did you run away from home? Life is ugly, neither situation looks bright, however, at home, love overwrote my survival instinct, I was a beaten dog, while out here it's free for all, I'm a wild wolf, at least I have a fighting chance.
Et Imperatrix Noctem
became a blurry swirl of shapes and colors narrowing into a luminous spot of white light at the end of a black anoxic tunnel and dissolving into a rapid series of bright sharp images that I recognized at once from my childhood: long forgotten memories of important moments flashing by faster than anything I’d ever experienced, twenty to thirty frames a second, each one of them original, like perfect photographic slides from the archives of my young life, every scene compressed into a complete story with sights and sounds and smells and feelings from the time. Each image was euphoric, rapturous. The smiling face of my beautiful young mother / a gentle touch from her hand on my face / absorbing her love / playing in the sand at the seashore with my father / waves washing up on the beach / feeling the strength and security of his presence / soothing, kind-hearted praise from a teacher at school / faces and voices of adoring aunts and uncles / steam trains coming in at the local railroad station / hearing myself say “choo-choo” / the excitement of shared discovery with my brother on Christmas morning / running free through a familiar forest with a happy dog / hitting a baseball hard and hearing encouraging cries from my parents behind me in the bleachers / shooting baskets in a backyard court with a buddy from high school / a tender kiss from the soft warm lips of a lovely teenage girl / the encouraging thrust of her stomach and thighs against mine.
John Laurence (The Cat From Hue: A Vietnam War Story)
The Revenant I am the dog you put to sleep, as you like to call the needle of oblivion, come back to tell you this simple thing; I never liked you-not one bit. When I licked your face, I thought of biting off your nose. When I watched you toweling yourself dry, I wanted to leap and unman you with a snap. I resented the way you moved, your lack of animal grace, the way you would sit in a chair to eat, a napkin on your lap, knife in your hand. I would have run away, but I was too weak, a trick you taught me while I was learning to sit and heel, and-greatest of insults-shake hands without a hand. I admit the sight of the leash would excite me but only because it meant I was about to smell things you had never touched. You do no want to believe this, but I have no reason to lie. I hated the car, the rubber toys, disliked your friends and, worse, your relatives. The jingling of my tags drove me mad. You always scratched me in the wrong place. All I ever wanted from you was food and fresh water in my metal bowls. While you slept, I watched you breathe as the moon rose in the sky. It took all of my strength not to raise my head and howl. Now I am free of the collar, the yellow raincoat, monogrammed sweater; the absurdity of your lawn, and that is all you need to know about this place except what you already supposed and are glad it did not happen sooner- that everyone here can read and write, the dogs in poetry, the cats and all the others in prose.
Billy Collins (Aimless Love: New and Selected Poems)
fears about the future, and doubts about myself, as all young men and women in their midtwenties are, I did decide that the world is made up of crazy ideas. History is one long processional of crazy ideas. The things I loved most—books, sports, democracy, free enterprise—started as crazy ideas. For that matter, few ideas are as crazy as my favorite thing, running. It’s hard. It’s painful. It’s risky. The rewards are few and far from guaranteed. When you run around an oval track, or down an empty road, you have no real destination. At least, none that can fully justify the effort. The act itself becomes the destination. It’s not just that there’s no finish line; it’s that you define the finish line. Whatever pleasures or gains you derive from the act of running, you must find them within. It’s all in how you frame it, how you sell it to yourself.
Phil Knight (Shoe Dog)
In my life I've done more suffering than thinking— though I believe one understands better that way. You see, dogs aren't enough any more. People feel so damned lonely, they need company, they need something bigger, stronger, to lean on, something that can really stand up to it all. Dogs aren't enough; what we need is elephants. . . It seems that the elephants Morel was trying to save were purely imaginary and symbolic, a parable, as they say, and that the poor bastard was really defending the old human rights, the rights of man, those noble, clumsy, gigantic, anachronistic survivals of another age - another geological epoch. . . you announce this salvation as coming *soon’— though I suppose that in the language of paleontology, which is not exactly that of human suffering, the word soon’ means a few trifling hun- dred thousands of years. Earth was his kingdom, his place, his field— he belonged. . The lorry was literally stuffed with ‘trophies’: tusks, tails, heads, skins— an orgy of butch- ery. De Vries, was certainly not collecting for museums, because most of them had been so riddled with shot as to be unrecognizable and in any case unsuitable for the pleasure of the eye. I suppose there are things that nothing can kill and that remain forever intact. It’s as if nothing could ever j^ppen to human beings. They’re a species over which it’s not easy to triumph. They’ve a way of rising from the ashes, smiling and holding hands. "Well, I finally got an idea. When he fails, do like me: think about free elephant ride through Africa for hundreds and hundreds of wonderful animals that nothing could be built—either a wall or a fence of barbed wire—passing large open spaces and crush everything in its path, and destroying everything—while they live, nothing is able to stop them—what freedom! And even when they are no longer alive, who knows, perhaps continue to race elsewhere still free. So you begin to torment your claustrophobia, barbed wire, reinforced concrete, complete materialism imagine herds of elephants of freedom, follow them with his eyes never left them on their run and will see you soon feel better ... " years of isolation in the depths of the jungle have no power against a tenacious hope, and that a hundred acres of land at the height of the rainy season are easier to clear than are certain little intimate nooks of our soul. she understood perfectly well how unconvincing this sounded, but she couldn’t help it: it was the truth. He felt that, at his age, patience was ceasing to be a virtue and was becoming a luxury he could less and less afford. He strove for one last time to look at the affair with all the detachment and all the serenity suitable to a man of science. the immense sky, filled with absence. with the impassive face of a man who feels perfectly sure of having the last word. Of course to the pure all things are pure.
Romain Gary
My eyes drowned in his. My breasts pressed into his chest, his breath rolled over my lips, his hands pulled me into him, and I was small and protected, nestled into his firm body. It was better than the hug I’d envisioned. It was paralyzing. Say yes. He didn’t answer. He smiled against my lips, wrapped my legs around his waist, and carried me straight to the bedroom, devouring my mouth as he staggered through the door. My dress pushed up around my hips and his hands held my naked thighs against him. The straining in his pants, pressed into my panties, drove me almost mad. I felt like a crazed animal. I wanted to rip his clothes off him with my teeth. He set my feet down in the middle of the room and I tugged at his shirt, desperate to run my hands along his bare chest. He kicked out of his shoes and peeled off his shirt, and his warm masculine scent ensconced me as I grappled with his belt buckle. The metallic clink was like a mating call that made us both frantic. I fumbled with the zipper and he took over, his fingers quicker than mine, pulling his pants down. He sprung free and I gasped. “Oh my God…” The man was a bull. It was the most beautiful penis I’d ever seen. I stared at it, holding my breath, wondering if it would even fit. If this was a Copeland family trait, no wonder his mom had seven kids. I’d never put this away. I’d make this damn thing my screen saver. My wide eyes came back up to his, and he bounced his eyebrows and grinned. Then he turned me and gathered my hair to the side of my neck and kissed along my shoulder, pressing the length of that enormous thing against my ass as he unzipped my dress, letting it fall around my ankles. I panted like a dog in heat.
Abby Jimenez
You came to claim Tamlin?' Amarantha said- it wasn't a question, but a challenge. 'Well, as it happens, I'm bored to tears of his sullen silence. I was worried when he didn't flinch while I played with darling Clare, when he didn't even show those lovely claws... 'But I'll make a bargain with you, human,' she said, and warning bells pealed in my mind. Unless your life depends on it, Alis had said. 'You complete three tasks of my choosing- three tasks to prove how deep that human sense of loyalty and love runs, and Tamlin is yours. Just three little challenges to prove your dedication, to prove to me, to darling Jurian, that your kind can indeed love true, and you can have your High Lord.' She turned to Tamlin. 'Consider it a favour, High Lord- these human dogs can make our kind so lust-blind that we lose all common sense. Better for you to see her true nature now.' 'I want his curse broken, too,' I blurted. She raised a brow, her smile growing, revealing far too many of those white teeth. 'I complete all three of your tasks, and his curse is broken, and we- and all his court- can leave here. And remain free forever,' I added. Magic was specific, Alis had said- that was how Amarantha had tricked them. I wouldn't let loopholes be my downfall. 'Of course,' Amarantha purred. 'I'll throw in another element, if you don't mind- just to see if you're worthy of one of our kind, if you're smart enough to deserve him.' Jurian's eye swivelled wildly, and she clicked her tongue at it. The eye stopped moving. 'I'll give you a way out girl,' she went on. 'You'll complete all the tasks- or, when you can't stand it anymore, all you have to do is answer one question.' I could barely hear her above the blood pounding in my ears. 'A riddle. You solve the riddle, and his curse will be broken. Instantaneously. I won't even need to lift my finger and he'll be free. Say the right answer, and he's yours. You can answer it at any time- but if you answer incorrectly...' She pointed, and I didn't need to turn to know she gestured to Clare. I turned her words over, looking for traps and loopholes within her phrasing. But it all sounded right. 'And what if I fail your tasks?' Her smile became almost grotesque, and she rubbed a thumb across the dome of her ring. 'If you fail a task, there won't be anything left of you for me to play with.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
But despite the fact that I'd let the house get so run down, and despite the fact that it was old-fashioned and impractical, and cold and drafty in the winter and damp and stuffy in the summer, at least it was my very own home, my sanctuary, a place over which I and no one else had control, where my dog could run free and I could work in peace most of the time: no noisy neighbors on the other side of the wall, no footsteps clattering up and down an echoing stairwell, no squabbling kids in the shared courtyard, no communal outdoor spaces were families with children or friends could come along and sit down just as I was relaxing in the sun, noisily snacking or partying around me as if I didn't exist.
Ninni Holmqvist (The Unit)
The other cousin. What was his name? Bill or Ben?” “Beau,” I replied, curious as to what she was going to say. “That’s right. Ugh, I remember the time Beau handcuffed me to the chain-link fence where Sawyer’s daddy kept his hunting dogs. I was terrified of being so close to the gate. I remember thinking that those snarling dogs were going to somehow gnaw my hand off through the fence.” I chuckled at the memory, and Lana twirled around on the bed and frowned at me. “It isn’t funny. You know I’m scared silly of dogs. And that awful boy made me sing ‘I’m a Little Teapot’ at the top of my lungs, over and over. Each time, he told me to sing it louder if I wanted to get free. And the louder I got, the angrier the dogs got. It was horrible.” She stopped, and a soft smile touched her lips, erasing the previous frown. “Then Sawyer showed up, scolded Beau, and unhandcuffed me. You finally popped up out of nowhere about that time and made up some lame excuse about needing Beau’s help with something. The two of you took off running with your giggles trailing behind y’all. Sawyer just shook his head as he watched y’all take off and apologized for his cousin. He was so sweet.” I’d forgotten that escapade. We had had so many that I couldn’t remember them all. But hearing Lana retell it, I laughed out loud. I’d been hiding behind the big ole oak tree just a few feet away. Beau had told me to stay out of sight in case Sawyer showed up. I’d had to shove my fist in my mouth to keep from laughing out loud at the sound of Lana singing so loudly and off-key. “I was so sure the two of you would end up together. You’re still laughing about my torment seven years later. You two were evil.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))