Eagle Eye Quotes

We've searched our database for all the quotes and captions related to Eagle Eye. Here they are! All 100 of them:

The bald eagle is America’s national bird, but it’s merely a figurehead, a puppet. The great horned owl is the true ruler. Shrouded in the darkness of the night, hidden from the common eye, it dictates all terms from its hidden throne.
Jasun Ether (The Beasts of Success)
Festus just detected a large group of eagles behind us—long-range radar, still not in sight.” Piper leaned over the console. “Are you sure they’re Roman?” Leo rolled his eyes. “No, Pipes. It could be a random group of giant eagles flying in perfect formation. Of course they’re Roman!
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
According to the conventions of the genre, Augustus Waters kept his sense of humor till the end, did not for a moment waiver in his courage, and his spirit soared like an indomitable eagle until the world itself could not contain his joyous soul. But this is the truth, a pitiful boy who desperately wanted not to be pitiful, screaming and crying, poisoned by an infected G-tube that kept him alive, but not alive enough. I wiped his chin and grabbed his face in my hands and knelt down close to him so that I could see his eyes, which still lived. 'I'm sorry. I wish it was like that movie, with the Persians and the Spartans.' 'Me too,' he said. 'But it isn't,' I said. 'I know,' he said. 'There are no bad guys.' 'Yeah.' 'Even cancer isn't a bad guy really: Cancer just wants to be alive.
John Green (The Fault in Our Stars)
To hear never-heard sounds, To see never-seen colors and shapes, To try to understand the imperceptible Power pervading the world; To fly and find pure ethereal substances That are not of matter But of that invisible soul pervading reality. To hear another soul and to whisper to another soul; To be a lantern in the darkness Or an umbrella in a stormy day; To feel much more than know. To be the eyes of an eagle, slope of a mountain; To be a wave understanding the influence of the moon; To be a tree and read the memory of the leaves; To be an insignificant pedestrian on the streets Of crazy cities watching, watching, and watching. To be a smile on the face of a woman And shine in her memory As a moment saved without planning.
Dejan Stojanovic
My jaw dropped open. “Holy crows…” “There’s a couple of eagles mixed in there,” Luke commented. "And a few hawks,” Aiden added. I rolled my eyes. “Okay. Holy birds of prey! Is that better?” “Much,” Aiden murmured.
Jennifer L. Armentrout (Sentinel (Covenant, #5))
Then felt I like like some watcher of the skies When a new planet swims into his ken; Like stout Cortes when with eagle eyes He star'd at the Pacific-and all his men Look'd at each other with a wild surmise Silent upon a peak in Darien
John Keats
It's a curious thing with George. With his glasses off, his eyes looked small and weak - blinky and a bit baffled, like an unintelligent sheep that's taken a wrong turn. But when he put them on again, they went all sharp and steely, more like the eyes of an eagle that eats dumb sheep for breakfast.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
If a blind man can gradually be helped to see it is not to be expected that he will at once discern new truths with an eagle eye. One must be glad if he sees anything at all, and if he begins to understand what he sees.
C.G. Jung (Psychology and Alchemy (Collected Works 12))
Doubtless Princess Juliana intended for me to overhear her comment on seeing Theodora in wedding regalia. “She’s like wisteria: beautiful in a vulgarly decorative way, cloyingly scented and an unstoppable climber.” Her eyes met mine and she made a motion as if scribbling in the air, daring me to write down her words.
Carol Strickland (The Eagle and the Swan)
At some point, on our way to a new consciousness, we will have to leave the opposite bank, the split between the two mortal combatants somehow healed so that we are on both shores at once and, at once, see through serpent and eagle eyes. -- Borderlands/La Frontera (1987)
Gloria E. Anzaldúa
He has heart who knows fear, but vanquishes it; who sees the abyss, but with pride. He who sees the abyss, but with eagle's eyes,- he who with eagle's talons grasps the abyss: he has courage.
Friedrich Nietzsche (Thus Spoke Zarathustra)
If you have not touched the rocky wall of a canyon. If you have not heard a rushing river pound over cobblestones. If you have not seen a native trout rise in a crystalline pool beneath a shattering riffle, or a golden eagle spread its wings and cover you in shadow. If you have not seen the tree line recede to the top of a bare crested mountain. If you have not looked into a pair of wild eyes and seen your own reflection. Please, for the good of your soul, travel west.
Daniel J. Rice (This Side of a Wilderness)
Indeed he seemed to her sometimes made differently from other people, born blind, deaf, and dumb, to the ordinary things, but to the extraordinary things, with an eye like an eagle's.
Virginia Woolf
Once when I looked up, I happened to see a sea eagle poised on magisterial wings above the knurled summit of the mountain behind my tent. It was a scene of peerless tranquility, tossed out in Nature's devil-may-care way, which says: Just open your eyes, my friend, and I'll astonish you every minute of your life.
Lawrence Millman (Last Places: A Journey in the North)
I'm hip to their game, hip to the science of war Propoganda makes me fight but what am I fightin for? My way of life? Beans and rice? Give and take, less or more? See through the eyes of the poor, plus I'm black to the core Ignorance is on tour bookin stadiums and more The days of hitler painted pictures patriotic before You raise your flag on a land snatched from bald eagles claw, and stamp the symbol on your currency to finance your war. I'm sayin no. Not in my name. Not in my life. Not by my hands. That ain't my fight. Not in my name. You wage your war against terrorists and violence, and try to wave your guns and fear us all into silence. NO.
Saul Williams
a fierce eagle love flashed in her eyes.
Madeline Miller (Circe)
He met his day in the shower, washing his hair with shampoo that was guaranteed to have never been put in a bunny's eyes and from which ten percent of the profits went to save the whales. He lathered his face with shaving cream free of chlorofluorocarbons, thereby saving the ozone layer. He breakfasted on fertile eggs laid by sexually satisfied chickens that were allowed to range while listening to Brahms, and muffins made with pesticide-free grain, so no eagle-egg shells were weakened by his thoughtless consumption. He scrambled the eggs in margarine free of tropical oils, thus preserving the rain forest, and he added milk from a cartn made of recycled paper and shipped from a small family farm. By the time he finished his second cup of coffee, which would presumably help to educate the children of a poor peasant farmer named Juan Valdez, Sam was on the verge of congratulating himself for single-handedly preserving the planet just by getting up in the morning.
Christopher Moore
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
THOU wast all that to me, love, For which my soul did pine: A green isle in the sea, love, A fountain and a shrine All wreathed with fairy fruits and flowers, And all the flowers were mine. Ah, dream too bright to last! Ah, starry Hope, that didst arise But to be overcast! A voice from out the Future cries, "On! on!"—but o'er the Past (Dim gulf!) my spirit hovering lies Mute, motionless, aghast. For, alas! alas! with me The light of Life is o'er! No more—no more—no more— (Such language holds the solemn sea To the sands upon the shore) Shall bloom the thunder-blasted tree, Or the stricken eagle soar. And all my days are trances, And all my nightly dreams Are where thy gray eye glances, And where thy footstep gleams— In what ethereal dances, By what eternal streams.
Edgar Allan Poe
He’s not sulking,” I said, well aware of Greta’s eagle-eyed presence. “He’s busy.”... “He’s sulking,” Isabella, Greta, and Sloane said in unison.
Ana Huang (King of Wrath (Kings of Sin, #1))
Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.
Nikolai Gogol (Dead Souls)
My death is the life of another, and I will stand again in the windswept grasses and look through the eyes of the fox and take the air with the eagle and run in the track of the deer.
Daniel Quinn (Providence: The Story of a Fifty-Year Vision Quest)
Today You Soar "Like the grand eagle, you spread your wings And put forth the effort to do great things. Looking skyward you dared to challenge the wind, Harnessing power to help you ascend. With an eye on the goal, fixed in flight, You climbed to an impressive height. Undaunted by gusts and unkind gails, You never gave up and would not fail. So now you’ve reached where few even try As the eagle high in a glorious sky. Not superior, but grand. Not proud, but sure. Not a cub, wolf, or bear but an eagle pure. Today you soar.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
The future is as blank as a plane sheet if you don't have an eagle's eye, that's why you should climb to a vantage point to get a good perspective view at your future.
Michael Bassey Johnson
Let me guess. Dark hair, brown eyes, great abs, white teeth, Abercrombie & Fitch.” “Close,” I say. “Light brown hair, correct on the eyes, abs, and teeth, but American Eagle Outfitters all the way.” “Impressive,” she says. “My turn,” I say. “Thick blonde hair, big blue eyes, an adorable little white dress with a matching hat, royal blue skin, and you’re about two feet tall.” She laughs loudly. “You have a thing for Smurfette?
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
Out of the night Hopper came, and Perrin was one with the wolf. Hopper, the cub who had watched the eagles soar, and wanted so badly to fly through the sky as the eagles did. The cub who hopped and jumped and leaped until he could leap higher than any other wolf, who never lost the cub's yearning to soar through the sky. [...] Something crashed into his head, and as he fell, he did not know if it was Hopper or himself who died.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Grief manifested itself in ways that felt like anything but grief; grief obliterated all feelings but grief; grief made a twin wear the same shirt for days on end to preserve the morning on which the dead were still living; grief made a twin peel stars off the ceiling and lie in bed with glowing points adhered to fingertips; grief was bad-tempered, grief was kind; grief saw nothing but itself, grief saw every speck of pain in the world; grief spread its wings large like an eagle, grief huddled small like a porcupine; grief needed company, grief craved solitude; grief wanted to remember, wanted to forget; grief raged, grief whimpered; grief made time compress and contract; grief tasted like hunger, felt like numbness, sounded like silence; grief tasted like bile, felt like blades, sounded like all the noise of the world. Grief was a shape-shifter, and invisible too; grief could be captured as reflection in a twin’s eye. Grief heard its death sentence the morning you both woke up and one was singing and the other caught the song.
Kamila Shamsie (Home Fire)
So much the better — so much the better; for I have always found that a conceited man never knows content. All things prove it. Why have we not the wings of the pigeon, the eyes of the eagle, and the legs of the moose, if it had been intended that man should be equal to all his wishes?
James Fenimore Cooper (Delphi Complete Works of James Fenimore Cooper (Illustrated))
We can feel the vibration that comes from the candle flame, burning it way into our innermind, no blurry images, clear as crystal, we enter into the highest consciousness, on our journey back home, we possess the eagle's eye, the eye that can see the invisible.
Michael Bassey Johnson
But love, first learnèd in a lady's eyes, Lives not alone immurèd in the brain, But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices. It adds a precious seeing to the eye; A lover's eyes will gaze an eagle blind; A lover's ears will hear the lowest sound, When the suspicious head of theft is stopped: Love's feeling is more soft and sensible Than are the tender horns of cockled snails: Love's tongue proves dainty Baccus gross in taste. For valour, is not love a Hercules, Still climbing trees in the Hesperides? Subtle as Sphinx; as sweet and musical As bright Apollo's lute, strung with his hair; And when Love speaks, the voice of all the gods Makes heaven drowsy with the harmony. Never durst poet touch a pen to write Until his ink were tempered with Love's sighs.
William Shakespeare (Love's Labour's Lost)
I wanted to play ball," he stated in a way that my body got very still and my eyes, already locked to his, became glued there. "It wasn't the money. It wasn't the fame. It was the game. The goddamned game. I didn't feel like I was breathin' right if I wasn't playin' or practicin'. Felt like life was still, someone hit pause, then I'd put on my pads and jersey and walk on the field and then everything would come alive. Dad and I were Eagles fans since I could remember. Puttin' that fuckin' jersey on, Christ, Laurie...Christ.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
I want my life to be a celebration of slowness. Walking through the sage from our front door, I am gradually drawn into the well-worn paths of deer. They lead me to Round Mountain and the bloodred side canyons below Castle Rock. Sometimes I see them, but often I don't. Deer are quiet creatures, who, when left to their own nature, move slowly. Their large black eyes absorb all shadows, especially the flash of predators. And their ears catch each word spoken. But today they walk ahead with their halting prance, one leg raised, then another, and allow me to follow them. I am learning how to not provoke fear and flight among deer. We move into a pink, sandy wash, their black-tipped tails like eagle feathers. I lose sight of them as they disappear around the bend. On the top of the ridge I can see for miles.... Inside this erosional landscape where all colors eventually bleed into the river, it is hard to desire anything but time and space. Time and space. In the desert there is space. Space is the twin sister of time. If we have open space then we have open time to breath, to dream, to dare, to play, to pray to move freely, so freely, in a world our minds have forgotten but our bodies remember. Time and space. This partnership is holy. In these redrock canyons, time creates space--an arch, an eye, this blue eye of sky. We remember why we love the desert; it is our tactile response to light, to silence, and to stillness. Hand on stone -- patience. Hand on water -- music.
Terry Tempest Williams (Red: Passion and Patience in the Desert)
I believe in you," she blurted, tears in her eyes. "I just... I want you to know that despite everything... I believe in you.
Rachel Van Dyken (Ember (Eagle Elite, #6))
There are no coincidences in this world... You must see with the eagle's eye. You must detach, lift above a conundrum, and map the terrain of it. Everything happens for a reason, if you can but discern the pattern.
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
So it ends as I guessed it would,' his thoughts said, even as it fluttered away; and it laughed a little within him ere it fled, almost gay it seemed to be casting off all doubt and care and fear. And even as it winged away into forgetfulness it heard voices, and they seemed to be crying in some forgotten world far above: 'The eagles are coming! The eagles are coming!' For one moment more Pippin's thought hovered. "Bilbo! But no! That came in his tale, long long ago. This is my tale, and it ended now. Good-bye!' And his thought fled far away and his eyes saw no more.
J.R.R. Tolkien
Christianity - and that is its greatest merit - has somewhat mitigated that brutal Germanic love of war, but it could not destroy it. Should that subduing talisman, the cross, be shattered, the frenzied madness of the ancient warriors, that insane Berserk rage of which Nordic bards have spoken and sung so often, will once more burst into flame. This talisman is fragile, and the day will come when it will collapse miserably. Then the ancient stony gods will rise from the forgotten debris and rub the dust of a thousand years from their eyes, and finally Thor with his giant hammer will jump up and smash the Gothic cathedrals. ... Do not smile at the visionary who anticipates the same revolution in the realm of the visible as has taken place in the spiritual. Thought precedes action as lightning precedes thunder. German thunder is of true Germanic character; it is not very nimble, but rumbles along ponderously. Yet, it will come and when you hear a crashing such as never before has been heard in the world's history, then you know that the German thunderbolt has fallen at last. At that uproar the eagles of the air will drop dead, and lions in the remotest deserts of Africa will hide in their royal dens. A play will be performed in Germany which will make the French Revolution look like an innocent idyll. (1834)
Heinrich Heine
Can a bird hate? Jon had slain the wildling Orell, but some part of the man remained within the eagle. The golden eyes looked out on him with cold malevolence.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Elsie eyed him puzzledly, and then offered, "Would you like to see my plate?
Naomi Novik (Victory of Eagles (Temeraire, #5))
... but now men who could work preferred to beg, and the artists forgot that their calling was noble and became imitators instead of creators, charging exorbitant sums for the rubbish they churned out with one eye closed.
Pauline Gedge (The Eagle and the Raven (Rediscovered Classics))
To each is given its moment in the blaze, its spark to be surrendered to another when it is sent, so that the blaze may go on. None may deny its spark to the general blaze and live forever. Each is sent to another someday. You are sent; you are on your way. I am sent. To the wolf or the lion or the vulture or the grasses, I am sent. My death is the life of another, and I will stand again in the windswept grasses and look through the eyes of the fox and take the air with the eagle and run in the track of the deer.
Daniel Quinn (Tales of Adam)
Burr had the dark and severe coloring of his Edwards ancestry, with black hair receding from the forehead and dark brown, almost black, eyes that suggested a cross between an eagle and a raven. Hamilton had a light peaches and cream complexion with violet-blue eyes and auburn-red hair, all of which came together to suggest an animated beam of light to Burr’s somewhat stationary shadow.
Joseph J. Ellis (Founding Brothers: The Revolutionary Generation)
Methinks I see in my mind a noble and puissant nation rousing herself like a strong man after sleep, and shaking her invincible locks: methinks I see her as an eagle mewing her mighty youth, and kindling her undazzled eyes at the full midday beam;
John Milton (Areopagitica A speech for the Liberty of Unlicensed Printing to the Parliament of England)
Some say freedom is a gift placed in our hands by our forefathers. Some say freedom is a human right that none should be denied. Some say freedom is a privilege that can and will be seized if taken for granted. Some say freedom is the key that opens doors otherwise meant to imprison. Some say freedom is power to do, to be, to say, and to accomplish what the oppressed cannot. Some say freedom is a responsibility—a weight to be carried and shared by those willing to protect it. Perhaps freedom is all these things. But in my eyes, I see freedom as a treasure. It is a gem so rare and precious the fiercest battles rage over it. The blood of thousands is spilled for it—past, present, and future. Where true and unblemished freedom exists, it shines with perfect clarity, drawing the greedy masses, both those who desire a portion of the spoils and those who would rob the possessor of the treasure, hoping to bury it away. Without freedom I am a slave in shackles on a ship lost at sea. With freedom I am a captain; I am a pirate; I am an admiral; I am a scout; I am the eagle souring overhead; I am the north star guiding a crew; I am the ship itself; I am whatever I choose to be.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Legend claimed Berserkers could move with such speed that they seemed invisible to the human eye until the moment they attacked. They possessed unnatural senses: the olfactory acuity of a wolf, the auditory sensitivity of a bat, the strength of twenty men, the penetrating eyesight of an eagle. The Berserkers had once been the most fearless and feared warriors ever to walk Scotland nearly seven hundred years ago. They had been Odin's elite Viking army. Legend claimed they could assume the shape of a wolf or a bear as easily as the shape of a man. And they were marked by a common feature-unholy blue eyes that glowed like banked coals.
Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
This was a face such as I had never seen before, even in the most fanciful of dreams, a face that was, in its way, a work of art. For it was light and dark, night and day, this world and the Otherworld. On the left side, the face of a youngish man, the skin weathered but fair, the eye gray and clear, the mouth well formed if unyielding in character. On all the right side, extending from an undrawn mark down the exact center, an etching of line and curve and feathery pattern, like the mask of some fierce bird of prey. An eagle? A goshawk? No, it was, I thought, a raven, even as far as the circles about the eye and the suggestion of predatory beak around the nostril. The mark of the raven. If I had not been so frightened, I might have laughed at the irony of it. The pattern extended down his neck and under the border of his leather jerkin and the linen shirt he wore beneath it. His head was completely shaven, and the skull, too, was colored the same, half-man, half-wild creature; some great artist of the inks and needle had wrought this over many days, and I imagined the pain must have been considerable.
Juliet Marillier (Son of the Shadows (Sevenwaters, #2))
Keep reading! Keep travelling! Keep thinking! And finally you will be there, in the Land of Wisdom where the mind has the power of an eagle’s eye!
Mehmet Murat ildan
We roamed between the angels and the eagles. Bats flickered against the starry sky. Moonlight poured down
David Almond (Heaven Eyes)
It is struggle that strengthens and makes us aware, that tempers the spirit and opens the mind’s eye.
Linda Lay Shuler (Voice of the Eagle)
That poem was not by me. It is among the things which quite overpower me; I have never been able to read it without tears coming to my eyes; it sounds like a voice for which I have been waiting and waiting since childhood. The poem is by my friend Lou... She is as shrewd as an eagle and brave as a lion, and yet still a very girlish child, who perhaps will not live long.
Friedrich Nietzsche
We run to height a bit in our family, and there's about five-foot-nine of Aunt Agatha, topped off with a beaky nose, an eagle eye, and a lot of grey hair, and the general effect is pretty formidable. Anyway, it never even occurred to me for a moment to give her the miss-in-baulk on this occasion. If she said I must go to Roville, it was all over except buying the tickets.
P.G. Wodehouse
At the age of three and a half the Taung Child was eaten by an eagle. The evidence is that damage marks to the eye sockets of the fossil are identical to marks made by modern eagles on modern monkeys as they rip out their eyes. Poor little Taung Child, shrieking on the wind as you were borne aloft by the aquiline fury, you would have found no comfort in your destined fame, two and a half million years on, as the type specimen of Australopithecus africanus.
Richard Dawkins (The Greatest Show on Earth: The Evidence for Evolution)
He felt twilight. Not there seemed to be some kind of wet light traveling over his legs and stomach with a deeply attractive smell. It wound itself-this wet light- all about him, splashing and running into his skin. He opened his eyes and saw what he imagined was the great wing of an eagle pouring a wet lightness over him. Some kind of baptism, some kind of blessing, he thought. Everything is going to be all right, it said. Knowing that it was so he closed his eyes and sank back into the bright hole of sleep.
Toni Morrison (Sula)
To make eye contact with Sergio Abandonato was to know both pain and beauty simultaneously. I
Rachel Van Dyken (Empire (Eagle Elite, #8))
I ignored the dark circles under her eyes, just like I ignored the clenching in my stomach that she was starting to bruise more around her hands.
Rachel Van Dyken (Elude (Eagle Elite, #7))
Dream big and see further! Sharpen your eyes; you have the eagle’s sight. Quicken your steps; you have the horse’s limbs. All that is a burden for others would be beaten several times by you!
Israelmore Ayivor (Dream big!: See your bigger picture!)
His large ears Hear everything A hermit wakes And sleeps in a hut Underneath His gaunt cheeks. His eyes blue, alert, Disappointed, And suspicious, Complain I Do not bring him The same sort of Jokes the nurses Do. He is a bird Waiting to be fed,— Mostly beak— an eagle Or a vulture, or The Pharoah's servant Just before death. My arm on the bedrail Rests there, relaxed, With new love. All I know of the Troubadours I bring to this bed. I do not want Or need to be shamed By him any longer. The general of shame Has discharged Him, and left him In this small provincial Egyptian town. If I do not wish To shame him, then Why not love him? His long hands, Large, veined, Capable, can still Retain hold of what He wanted. But Is that what he Desireed? Some Powerful engine Of desire goes on Turning inside his body. He never phrased What he desired, And I am his son.
Robert Bly (Selected Poems)
Portraits of great war leaders or critical battles that looked flattering, well composed, and balanced always felt like propaganda. Tanaka had spent a lot of time in the halls of power. She’d seen many paintings of great men in uniform staring eagle-eyed into the distance where their future glory lay. She’d seen very few paintings of soldiers with only a ragged tent and a dying fire to hold back the cold nights before some stranger tried to bayonet them in the morning.
James S.A. Corey (Leviathan Falls (The Expanse #9))
I slept on my tarp, not wanting to shelter myself on that last night, and woke before dawn to watch the sun rise over Mount Hood. It was really over, I thought. There was no way to go back, to make it stay. There was never that. I sat for a long while, letting the light fill the sky, letting it expand and reach down into the trees. I closed my eyes and listened hard to Eagle Creek. It was running to the Columbia River, like me.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Yeah.” I gulped, my eyes still trained on the gun. “Guns don’t hurt people… people do,” Ax said softly. “Remember that.” “I do.” I met his gaze. “Because in the end, it wasn’t the gun that broke my heart — it was you.
Rachel Van Dyken (Bang Bang (Eagle Elite, #4.6))
Well it seems to me that there are books that tell stories, and then there are books that tell truths...," I began. "Go on," she said "The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy ending and all that. Like Sense and Sensibility or Persuasion. But the second kind, they show you life more like it is. Like in Huckleberry Finn where Huck's pa is a no-good drunk and Jim suffers so. The first kind makes you cheerful and contented, but the second kind shakes you up." "People like happy ending, Mattie. They don't want to be shaken up." "I guess not, ma'am. It's just that there are no Captain Wentworths, are there? But there are plenty of Pap Finns. And things go well for Anne Elliot in the end, but they don't go well for most people." My voice trembled as I spoke, as it did whenever I was angry. "I feel let down sometimes. The people in the books-the heroes- they're always so...heroic. And I try to be, but..." "...you're not," Lou said, licking deviled ham off her fingers. "...no, I'm not. People in books are good and noble and unselfish, and people aren't that way... and I feel, well... hornswoggled sometimes. By Jane Austen and Charles Dickens and Louisa May Alcott. Why do writers make things sugary when life isn't that way?" I asked too loudly. "Why don't they tell the truth? Why don't they tell how a pigpen looks after the sow's eaten her children? Or how it is for a girl when her baby won't come out? Or that cancer has a smell to it? All those books, Miss Wilcox," I said, pointing at a pile of them," and I bet not one of them will tell you what cancer smells like. I can, though. It stinks. Like meat gone bad and dirty clothes and bog water all mixed together. Why doesn't anyone tell you that?" No one spoke for a few seconds. I could hear the clock ticking and the sound of my own breathing. Then Lou quietly said, "Cripes, Mattie. You oughtn't to talk like that." I realized then that Miss Wilcox had stopped smiling. Her eyes were fixed om me, and I was certain she'd decided I was morbid and dispiriting like Miss Parrish had said and that I should leave then and there. "I'm sorry, Miss Wilcox," I said, looking at the floor. "I don't mean to be coarse. I just... I don't know why I should care what happens to people in a drawing room in London or Paris or anywhere else when no one in those places cares what happens to people in Eagle Bay." Miss Wilcox's eyes were still fixed on me, only now they were shiny. Like they were the day I got my letter from Barnard. "Make them care, Mattie," she said softly. "And don't you ever be sorry.
Jennifer Donnelly (A Northern Light)
Kindness is a painless thing to give, and easy, a sop to those you do not need. Friendship and kindness have nought to do with this.' For a moment, the look in his eyes, as brilliant as an eagle's in the harsh inscrutability of his face, terrified her. 'I am not kind to the air I breathe, nor the food I eat, nor to you.
Teresa Denys (The Flesh and the Devil)
(In Austria after VE Day) Sergeant Mercier...dressed in a full German officer's uniform, topped off with a monocle for his right eye. Someone got the bright idea to march him over to the company orderly room and turn him in at rifle point to Captain Speirs. Someone got word to Speirs before Mercier showed up. When troopers brought Mercier up to Speirs's desk, prodding him with bayonets, Speirs did not look up. One of the troopers snapped a salute and declared, "Sir, we have captured this German officer. What should we do with him?" "Take him out and shoot him," Speirs replied, not looking up. "Sir," Mercier called out, "sir, please, sir, it's me, Sergeant Mercier." "Mercier, get out of that silly uniform," Speirs ordered.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
Knowing that wisdom waits to be gathered, I actively search her out. I will change my actions TODAY! I will train my eyes and ears to read and listen to books and recordings that bring about positive changes in my personal relationships and a greater understanding of my fellow man. I will read and listen only to what increases my belief in myself and my future. I will seek wisdom. I will choose my friends with care. I am who my friends are. I speak their language, and I wear their clothes. I share their opinions and their habits. From this moment forward, I will choose to associate with people whose lives and lifestyles I admire. If I associate with chickens, I will learn to scratch at the ground and squabble over crumbs. If I associate with eagles, I will learn to soar to great heights. I am an eagle. It is my destiny to fly. I will seek wisdom. I will listen to the counsel of wise men. The words of a wise man are like raindrops on dry ground. They are precious and can be quickly used for immediate results. Only the blade of grass that catches a raindrop will prosper and grow. I will seek wisdom. I will be a servant to others. A wise man will cultivate a servant’s spirit, for that particular attribute attracts people like no other. As I humbly serve others, their wisdom will be freely shared with me. He who serves the most grows the fastest. I will become a humble servant. I will look to open the door for someone. I will be excited when I am available to help. I will be a servant to others. I will listen to the counsel of wise men. I will choose my friends with care. I will seek wisdom.
Andy Andrews (The Traveler's Gift: Seven Decisions that Determine Personal Success)
A short scuffle, and then out into the gloom, her grey crest raised and her barred chest feathers puffed up into a meringue of aggression and fear, came a huge old female goshawk. Old because her feet were gnarled and dusty, her eyes a deep, fiery orange, and she was beautiful. Beautiful like a granite cliff or a thunder-cloud. She completely filled the room. She had a massive back of sun-bleached grey feathers, was as muscled as a pit bull, and intimidating as hell, even to staff who spent their days tending eagles.
Helen Macdonald (H is for Hawk)
Myth: Vampires have incredible vision. Truth: Yeah, which is cool, unless you're trying to sneak something past your eagle-eyed mom.
Kimberly Pauley
The sexual eagle exults he will gild the earth once more his descending wing his ascending wing sways imperceptibly the sleeves of the peppermint and all the water's adorable undress Days are counted so clearly that the mirror has yielded to a froth of fronds of the sky i see but one star now around us there is only the milk describing its dizzy ellipsis from which sometimes soft intuition with pupils of eyed agate rises to poke its umbrella tip in the mud of the electric light then great reaches cast anchor stretch out in the depths of my closed eyes icebergs radiating the customs of all the worlds yet to come bron from a fragment of you fragment unkown and iced on the wing your existence the giant bouquet escaping fr4om my arms is badly tied it didgs out walls unrolls the stairs of houses loses its leaves in the show windows of the street to gether the news i am always leaving to gather the news the newspaper is glass today and if letters no longer arrive it's that the train has been consumed the great incision of the emerald which gaave birth to the foliage is scarred for always the sawdust of blinding snow and the quarries of flesh are sounding along on the first shelf reversed on this shelf i take the impression of death and life to the liquid air
André Breton
Days, when the ball of our vision Had eagles that flew unabashed to sun; When the grasp on the bow was decision, And arrow and hand and eye were one; When the Pleasures, like waves to a swimmer, Came heaving for rapture ahead!- Invoke then, they dwindle, they glimmer As lights over mounds of the dead. -Ode to Youth and Memory
George Meredith
Melissa caught Luke's eyes and mouthed to him, "I love you." He knew what she was saying, and responded by running over to her, grabbing her face and kissing her in front of six thousand people. "I love you too," he said [...].
Kat Green (Strings (The Black Eagles, #1))
I look in the glass sometimes at my two long, cylindrical bags (so picturesquely rugged about the knees), my stand-up collar and billycock hat, and wonder what right I have to go about making God's world hideous. Then wild and wicked thoughts come into my heart. I don't want to be good and respectable. (I never can be sensible, I'm told; so that don't matter.) I want to put on lavender-colored tights, with red velvet breeches and a green doublet slashed with yellow; to have a light-blue silk cloak on my shoulder, and a black eagle's plume waving from my hat, and a big sword, and a falcon, and a lance, and a prancing horse, so that I might go about and gladden the eyes of the people. Why should we all try to look like ants crawling over a dust-heap? Why shouldn't we dress a little gayly? I am sure if we did we should be happier. True, it is a little thing, but we are a little race, and what is the use of our pretending otherwise and spoiling fun? Let philosophers get themselves up like old crows if they like. But let me be a butterfly.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
Climbing up on solsbury hill I could see the city light Wind was blowing, time stood still Eagle flew out of the night He was something to observe Came in close, I heard a voice Standing stretching every nerve I had to listen had no choice I did not believe the information Just had to trust imagination My heart was going boom boom, boom Son, he said, grab your things, Ive come to take you home. To keeping silence I resigned My friends would think I was a nut Turning water into wine Open doors would soon be shut So I went from day to day Tho my life was in a rut till I thought of what Id say Which connection I should cut I was feeling part of the scenery I walked right out of the machinery My heart was going boom boom boom Hey, he said, grab your things, Ive come to take you home. Yeah back home When illusion spin her net Im never where I want to be And liberty she pirouette When I think that I am free Watched by empty silhouettes Who close their eyes, but still can see No one taught them etiquette I will show another me Today I dont need a replacement Ill tell them what the smile on my face meant My heart was going boom boom boom Hey, I said, you can keep my things, theyve come to take me home.
Peter Gabriel (Peter Gabriel: In His Own Words)
He coiled himself neatly and waited without fidgeting, as was polite; but at length, when Majestatis showed no signs of waking—after ten minutes, or perhaps five—very nearly five—Temeraire coughed; then he coughed again, a little more emphatically, and Majestatis sighed and said, without opening his eyes, “So you are not leaving, I suppose?” “Oh,” Temeraire said, his ruff prickling, “I thought you were only sleeping, not ignoring me deliberately; I will go at once.” “Well, you might as well stay now,” Majestatis said, lifting his head and yawning himself away. “I don’t bother to wake up if it isn’t important enough to wait for, that’s all.
Naomi Novik (Victory of Eagles (Temeraire, #5))
You need to know one thing, sweetheart.” “What?” Her hands froze on my abs. “I would kill my own cousin.” “What?” Her expression turned horrified: Her eyes widened and her mouth dropped open. “I would.” I shrugged. “He knows you aren’t his to touch, you aren’t his to want.” “And I’m yours?” Oh great, now I’ve pissed her off. I gripped her face between my hands and kissed her mouth softly. “Yes. Whether you like it or not, we belong to each other. I’m as much yours as you are mine—I don’t share. I want to freaking murder anyone who even so much as looks in your direction, or at your shoes, and damn if I don’t hate those boots that Chase got you. I want to consume you. I want to be the one that puts a smile on your face. I want to be the one that teaches you pleasure—me. Not anyone else. Sharing you—even by way of my cousin, who I trust more than anyone in the world—has to be one of the hardest things I’ve ever done.
Rachel Van Dyken (Elect (Eagle Elite, #2))
Celaena turned to Chaol. But instead of handing her the plain-as-porridge sword she usually wielded in practice, he drew his own blade. The eagle-shaped pommel glinted in the midday sun. “Here,” he said. She blinked at the blade, and slowly raised her face to look at him. She found the rolling earthen hills of the north in his eyes. It was a sense of loyalty to his country that went beyond the man seated at the table. Far inside of her, she found a golden chain that bound them together. “Take it,” he said. Her heartbeat thundered in her ears.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Indeed he seemed to her sometimes made differently from other people, born blind, deaf and dumb to the ordinary things, but to the extraordinary things, with an eye like an eagle’s. His understanding often astonished her. But did he notice the flowers? No. Did he notice the view? No.
Virginia Woolf (To the Lighthouse)
The greatest gift that humans have is the ability to think. Of all the creatures in the world, humans are physically the most ill-equipped. A human cannot fly like a bird, outrun a leopard, swim like an alligator, nor climb trees like a monkey. A human doesn’t have the eyes of an eagle, nor the claws and teeth of a wild cat. Physically, humans are helpless and defenseless; a tiny insect can kill them. But nature is reasonable and kind. Nature’s greatest gift to humankind is the ability to think. Humans can create their own environment, whereas animals have to adapt to their environment.
Shiv Khera (You Can Win: A Step-by-Step Tool for Top Achievers)
Indeed he seemed to her sometimes made differently from other people, born blind, deaf, and dumb, to the ordinary things, but to the extraordinary things, with an eye like an eagle’s. His understanding often astonished her. But did he notice the flowers? No. Did he notice the view? No. Did he even notice his own daughter’s beauty, or whether there was pudding on his plate or roast beef? He would sit at table with them like a person in a dream.
Virginia Woolf (Virginia Woolf : Complete Works 8 novels, 3 ‘biographies’, 46 short stories, 606 essays, 1 play, her diary and some letters (Annotated))
The unexamined life is eminently worth living, were anyone so fortunate. It would be the life of an animal, brave and alert, with instincts instead of opinions and decisions, loyalty to mate and cubs, to the pack. It might, for all we know, be a life of richest interest and happiness. Dogs dream. The quickened spirit of the eagle circling in high cold air is beyond our imagination. The placidity of cattle shames the Stoic, and what critic has the acumen of a cat? We have used the majesty of the lion as a symbol of royalty, the wide-eyed stare of owls for wisdom, the mild beauty of the dove for the spirit of God.
Guy Davenport
Buttercups" When we were children our papas were stout And colorless as seaweed or the floats At anchor off New Bedford. We were shut In gardens where our brassy sailor coats Made us like black-eyed susans bending out Into the ocean, Then my teeth were cut: A levelled broom-pole butt Was pushed into my thin And up-turned chin-- There were shod hoofs behind the horseplay. But I played Napoleon in my attic cell Until my shouldered broom Bobbed down the room With horse and neighing shell. Recall the shadows the doll-curtains veined On ancrem Winslow's ponderous plate from blue China, the breaking of time's haggard tide On the huge cobwebbed print of Waterloo, With a cracked smile across the glass. I cried To see the Emperor's sabered eagle slide From the clutching grenadier Staff-officer With the gold leaf cascading down his side-- A red dragoon, his plough-horse rearing, swayed Back on his reins to crop The buttercup Bursting upon the braid
Robert Lowell
ah it will never end, there will be no help, no mercy, no living thing, it will all go on, uselessly, through fabrication and old habits, it will continue, a headless body of life, walking old walks, doing old tricks, dreaming old dreams, it will be as alone as a mountain, and despite billions of beings there will not be one real being, there will be everlasting waste and only the animals will be real, they will have the pureness of eye and the grace, they will be the last, the simple, pure, the ember, what it meant truly, the wolf will have the heart and the panther the lungs and the eagle, the eyes, and the last war will be one man sitting in a chair, laughing at it all.
Charles Bukowski (Bone Palace Ballet)
That which we dare invoke to bless; Our dearest faith; our ghastliest doubt; He, They, One, All; within, without; The Power in darkness whom we guess; I found Him not in world or sun, Or eagle's wing, or insect's eye; Nor thro' the questions men may try, The petty cobwebs we have spun: If e'er when faith had fall'n asleep, I heard a voice `believe no more' And heard an ever-breaking shore That tumbled in the Godless deep; A warmth within the breast would melt The freezing reason's colder part, And like a man in wrath the heart Stood up and answer'd `I have felt.' No, like a child in doubt and fear: But that blind clamour made me wise; Then was I as a child that cries, But, crying, knows his father near; And what I am beheld again What is, and no man understands; And out of darkness came the hands That reach thro' nature, moulding men.
Alfred Tennyson (In Memoriam)
The Canonization" For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love. Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill Add one more to the plaguy bill? Soldiers find wars, and lawyers find out still Litigious men, which quarrels move, Though she and I do love. Call us what you will, we are made such by love; Call her one, me another fly, We're tapers too, and at our own cost die, And we in us find the eagle and the dove. The phœnix riddle hath more wit By us; we two being one, are it. So, to one neutral thing both sexes fit. We die and rise the same, and prove Mysterious by this love. We can die by it, if not live by love, And if unfit for tombs and hearse Our legend be, it will be fit for verse; And if no piece of chronicle we prove, We'll build in sonnets pretty rooms; As well a well-wrought urn becomes The greatest ashes, as half-acre tombs, And by these hymns, all shall approve Us canonized for Love. And thus invoke us: "You, whom reverend love Made one another's hermitage; You, to whom love was peace, that now is rage; Who did the whole world's soul contract, and drove Into the glasses of your eyes (So made such mirrors, and such spies, That they did all to you epitomize) Countries, towns, courts: beg from above A pattern of your love!
John Donne
Listening to him play was like discovering an eagle in the wild. It was tumblingly bewitching. She could feel and hear genius—she knew it. “Blake.” She didn’t have to say more. He locked his emerald eyes on hers, and she could not look away. Not for anything. He let his happy song trickle into a more intimate one. Blake’s fingers moved as he held her gaze. “I wrote this one while we danced the other night,” he said softly. The music washed over her. It changed her. Refreshed her. Made her more than she was. Blake stood and twisted the keyboard around, still playing with one hand. He motioned for her with the other. She nearly ran. He scooped her up with one arm and set her on the table next to the keyboard.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I looked a coyote right in the face On the road to Baljennie near my old home town He went running thru the whisker wheat Chasing some prize down And a hawk was playing with him Coyote was jumping straight up and making passes He had those same eyes just like yours Under your dark glasses Privately probing the public rooms And peeking thru keyholes in numbered doors Where the players lick their wounds And take their temporary lovers And their pills and powders to get them thru this passion play No regrets Coyote I just get off up aways You just picked up a hitcher A prisoner of the white lines on the freeway Coyote's in the coffee shop He's staring a hole in his scrambled eggs He picks up my scent on his fingers While he's watching the waitresses' legs He's too far from the Bay of Fundy From appaloosas and eagles and tides And the air conditioned cubicles And the carbon ribbon rides Are spelling it out so clear Either he's going to have to stand and fight Or take off out of here I tried to run away myself To run away and wrestle with my ego And with this flame You put here in this Eskimo In this hitcher In this prisoner Of the fine white lines Of the white lines on the free freeway
Joni Mitchell
Okay,” he called to the room at large, and all noise ceased: Fred and George, who had been cracking jokes for the benefit of those nearest, fell silent, and all of them looked alert, excited. “There’s something we need to find,” Harry said. “Something--something that’ll help us overthrow You-Know-Who. It’s here at Hogwarts, but we don’t know where. It might have belonged to Ravenclaw. Has anyone heard of an object like that? Has anyone ever come across something with her eagle on it, for instance?” He looked hopefully toward the little group of Ravenclaws, to Padma, Michael, Terry, and Cho, but it was Luna who answered, perched on the arm of Ginny’s chair. “Well, there’s her lost diadem. I told you about it, remember, Harry? The lost diadem of Ravenclaw? Daddy’s trying to duplicate it.” “Yeah, but the lost diadem,” said Michael Corner, rolling his eyes, “is lost, Luna. That’s sort of the point.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Going over to their prisoner, Vishous performed a visual assessment on Xcor. When they’d brought the bastard in here, V had strapped him onto the wooden slab table face-up and spread-eagled, locking stainless-steel cuffs on those wrists and ankles and around that thick neck—and what do you know, the guy was right where he’d left him. Color was passable. Eyes were closed. Head wound at the rear of the skull was no longer leaking, having healed already.
J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
Here come warm gusts of decomposing leaves, of rotting vegetation. We are in a swamp now; in a malarial jungle. There is an elephant white with maggots, killed by an arrow shot dead in its eye. The bright eyes of hopping-birds—eagles, vultures—are apparent. They take us for fallen trees. They pick at a worm—that is a hooded cobra—and leave it with a festering brown scar to be mauled by lions. This is our world, lit with crescents and stars of light; and great petals half transparent block the openings like purple windows. Everything is strange. Things are huge and very small. The stalks of flowers are thick as oak trees. Leaves are high as the domes of vast cathedrals. We are giants, lying here, who can make forests quiver.
Virginia Woolf (The Waves)
The castle was as silent as some pole-axed monster. Inert, breathless, spread-eagled. It was a night that seemed to prove by the consolidation of its darkness and its silence the hopelessness of any further dawn. There was no such thing as dawn. It was an invention of the night's or of the old-wives of the night - a fable, immemorially old - recounted century after century in the eternal darkness; retold and retold to the gnomic children in the tunnels and the caves of Gormenghast - a tale of another world where such things happened, where stones and bricks and ivy stems and iron could be seen as well as touched and smelt, could be lit and coloured, and where at certain times a radiance shone like honey from the east and the blackness was scaled away, and this thing they called dawn arose above the woods as though the fable had materialized, the legend come to life. It was a night with a bull's mouth. But the mouth was bound and gagged. It was a night with enormous eyes, but they were hooded.
Mervyn Peake (Gormenghast (Gormenghast, #2))
Alma knelt in the tall grass and brought her face as near as she could to the stone. And there, rising no more than an inch above the surface of the boulder, she saw a great and tiny forest. Nothing moved within this mossy world. She peered at it so closely that she could smell it- dank and rich and old. Gently, Alma pressed her hand into this tight little timberland. It compacted itself under her palm and then sprang back to form without complaint. There was something stirring about its response to her. The moss felt warm and spongy, several degrees warmer than the air around it, and far more damp than she had expected. It appeared to have its own weather. Alma put the magnifying lens to her eye and looked again. Now the miniature forest below her gaze sprang into majestic detail. She felt her breath catch. This was a stupefying kingdom. This was the Amazon jungle as seen from the back of a harpy eagle. She rode her eye above the surprising landscape, following its paths in every direction. Here were rich, abundant valleys filled with tiny trees of braided mermaid hair and minuscule, tangled vines. Here were barely visible tributaries running through that jungle, and here was a miniature ocean in a depression in the center of the boulder, where all the water pooled. Just across this ocean- which was half the size of Alma's shawl- she found another continent of moss altogether. On this new continent, everything was different. This corner of the boulder must receive more sunlight than the other, she surmised. Or slightly less rain? In any case, this was a new climate entirely. Here, the moss grew in mountain ranges the length of Alma's arms, in elegant, pine tree-shaped clusters of darker, more somber green. On another quadrant of the same boulder still, she found patches of infinitesimally small deserts, inhabited by some kind of sturdy, dry, flaking moss that had the appearance of cactus. Elsewhere, she found deep, diminutive fjords- so deep that, incredibly, even now in the month of June- the mosses within were still chilled by lingering traces of winter ice. But she also found warm estuaries, miniature cathedrals, and limestone caves the size of her thumb. Then Alma lifted her face and saw what was before her- dozens more such boulders, more than she could count, each one similarly carpeted, each one subtly different. She felt herself growing breathless. 'This was the entire world.' This was bigger than a world. This was the firmament of the universe, as seen through one of William Herschel's mighty telescopes. This was planetary and vast. These were ancient, unexplored galaxies, rolling forth in front of her- and it was all right here!
Elizabeth Gilbert (The Signature of All Things)
... a tiny room, furnished in early MFI, of which every surface was covered in china ornaments and plaster knick-knacks whose only virtue was that they were small, and therefore of limited individual horribleness. Cumulatively, they were like an infestation. Little vases, ashtrays, animals, shepherdesses, tramps, boots, tobys, ruined castles, civic shields of seaside towns, thimbles, bambis, pink goggle-eyed puppies sitting up and begging, scooped-out swans plainly meant to double as soap dishes, donkeys with empry panniers which ought to have held pin-cushions or perhaps bunches of violets -- all jostled together in a sad visual cacophony of bad taste and birthday presents and fading holiday memories, too many to be loved, justifying themselves by their sheer weight of numbers as 'collections' do.
Cynthia Harrod-Eagles (Blood Lines (Bill Slider, #5))
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
A.E. Via
McCoy, drained and hollow-eyed, couldn't take his eyes off the life vest belonging to the boy who'd slipped away from the group during the night. The empty vest spooked McCoy. All its straps were still tightly tied-it looked like some trick that Houdini might've played. Then McCoy peered into the water and got another shock: the boy was floating below him, spread-eagled, about fifteen feet below the surface. He lay motionless until a current caught him; then it was as if he were flying in the depths. Jesus, McCoy thought, Mother of God. He started saying the rosary over and over. McCoy had never been overly religious; his mom was the spiritual one in the family. But now he began the process of what he'd later call his purification; he'd started asking God to forgive him of his sins. He was resolved to live but he was getting ready to die.
Doug Stanton (In Harm's Way: The Sinking of the USS Indianapolis and the Extraordinary Story of Its Survivors)
The curtain rises. A vista opens across the lake. The moon hangs low above the horizon and is reflected in the water. NINA, dressed in white, is seen seated on a great rock. NINA. All men and beasts, lions, eagles, and quails, horned stags, geese, spiders, silent fish that inhabit the waves, starfish from the sea, and creatures invisible to the eye—in one word, life—all, all life, completing the dreary round imposed upon it, has died out at last. A thousand years have passed since the earth last bore a living creature on her breast, and the unhappy moon now lights her lamp in vain. No longer are the cries of storks heard in the meadows, or the drone of beetles in the groves of limes. All is cold, cold. All is void, void, void. All is terrible, terrible—[A pause] The bodies of all living creatures have dropped to dust, and eternal matter has transformed them into stones and water and clouds; but their spirits have flowed together into one, and that great world-soul am I! In me is the spirit of the great Alexander, the spirit of Napoleon, of Caesar, of Shakespeare, and of the tiniest leech that swims. In me the consciousness of man has joined hands with the instinct of the animal; I understand all, all, all, and each life lives again in me.
Anton Chekhov (The Seagull)
He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.
Arthur Machen (The Secret Glory)
I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.
Chuck Palahniuk (Fight Club)
EAGLE The East direction is represented by eagle and condor, who bring vision, clarity, and foresight. Eagle perceives the entire panorama of life without becoming bogged down in its details. The energies of eagle assist us in finding the guiding vision of our lives. The eyes of condor see into the past and the future, helping to know where we come from, and who we are becoming. When I work with a client who is stuck in the traumas of the past, I help her to connect with the spirit of eagle or condor. As this energy infuses the healing space, my client is often able to attain new clarity and insight into her life. This is not an intellectual insight, but rather a call, faint at first, hardly consciously heard. Her possibilities beckon to her and propel her out of her grief and into her destiny. I believe that while everyone has a future, only certain people have a destiny. Having a destiny means living to your fullest human potential. You don’t need to become a famous politician or poet, but your destiny has to be endowed with meaning and purpose. You could be a street sweeper and be living a destiny. You could be the president of a large corporation and be living a life bereft of meaning. One can make oneself available to destiny, but it requires a great deal of courage to do so. Otherwise our destiny bypasses us, leaving us deprived of a fulfillment known by those who choose to take the road less traveled. Eagle allows us to rise above the mundane battles that occupy our lives and consume our energy and attention. Eagle gives us wings to soar above trivial day-to-day struggles into the high peaks close to Heaven. Eagle and condor represent the self-transcending principle in nature. Biologists have identified the self-transcending principle as one of the prime agendas of evolution. Living molecules seek to transcend their selfhood to become cells, then simple organisms, which then form tissues, then organs, and then evolve into complex beings such as humans and whales. Every transcending jump is inclusive of all of the levels beneath it. Cells are inclusive of molecules, yet transcend them; organs are inclusive of cells, yet go far beyond them; whales are inclusive of organs yet cannot be described by them, as the whole transcends the sum of its parts. The transcending principle represented by eagle states that problems at a certain level are best solved by going up one step. The problems of cells are best resolved by organs, while the needs of organs are best addressed by an organism such as a butterfly or a human. The same principle operates in our lives. Think of nested Russian dolls. Material needs are the tiny doll in the center. The larger emotional doll encompasses them, and both are contained within the outermost spiritual doll. In this way, we cannot satisfy emotional needs with material things, but we can satisfy them spiritually. When we go one step up, our emotional needs are addressed in the solution. We rise above our life dilemmas on the wings of eagle and see our lives in perspective.
Alberto Villoldo (Shaman, Healer, Sage: How to Heal Yourself and Others with the Energy Medicine of the Americas)
Faolan stretched out on the blanket, propping his head on one elbow thoughtfully. “Eire is fine enough, I suppose,” he began, “but if I could have one wish, I’d show ye my Highlands. I’d take ye to the tops of the mountains and show ye where the golden eagles nest. I want ye to see the sun rise and set over the moors. I want to make love to ye in the heather with the warm sun beating down on us.” His eyes widened as an idea occurred to him. “We could sail out to one of the far islands and have it all to ourselves, like Adam and Eve in our very own Eden. I’d take ye walking on the beach in the moonlight, and I wouldna have to share ye with anyone but the selkies.” He gave her hand a gentle squeeze. “I’d teach ye to ride and hunt and fish, mo ruadh, and bank the fires to keep ye warm through the cold winter months.” With a blissful sigh, he pulled her tight against him and buried his face in the crook of her neck. “‘Twould be heaven for sure,” he said, and she could hear the smile in his voice when his lips brushed her ear, “pizza or no.
Shannon MacLeod (Rogue on the Rollaway)
This was the southern sea. The colors that fade when coral is drawn out of its element were garishly bright here, intricate and lovely labyrinths on the bottom. Among the coral, fish went darting; and overhead a sea-bat, a devil-fish, flapped slow wings past, its stingaree tail trailing. Morays coiled by, opening their incredible, wolfish mouths at him, and many-limbed crabs scuttled sidewise over the rocks and little sandy plateaus of the bottom. Groves of seaweed and great fans of colored sponges swung with hypnotic motion, and schools of tiny striped fish went flashing in and out among them, moving all together as if with a single mind. Pete swam down. From a cavern among the brown and purple rocks an octopus looked at him out of huge, alien eyes. Its tentacles hung and quivered. Pete swam away, hovering over an expanse of pale sand where the light from above shimmered and ran in rippling waves, his own shadow hanging spread-eagled below him. In and out of it many little creatures went scuttling busily on their underwater errands. Life here was painted in three dimensions, and there was no gravity. There was only beauty and strangeness and a hint of terror that sent pleasurable excitement thrilling through Pete's blood. ("Before I Wake")
Henry Kuttner (Masters of Horror)
Rich Purnell sipped coffee in the silent building. Only his cubicle illuminated the otherwise dark room. Continuing with his computations, he ran a final test on the software he'd written. It passed. With a relieved sigh, he sank back in his chair. Checking the clock on his computer, he shook his head. 3:42am. Being an astrodynamicist, Rich rarely had to work late. His job was the find the exact orbits and course corrections needed for any given mission. Usually, it was one of the first parts of a project; all the other steps being based on the orbit. But this time, things were reversed. Iris needed an orbital path, and nobody knew when it would launch. A non-Hoffman Mars-transfer isn't challenging, but it does require the exact locations of Earth and Mars. Planets move as time goes by. An orbit calculated for a specific launch date will work only for that date. Even a single day's difference would result in missing Mars entirely. So Rich had to calculate many orbits. He had a range of 25 days during which Iris might launch. He calculated one orbital path for each. He began an email to his boss. "Mike", he typed, "Attached are the orbital paths for Iris, in 1-day increments. We should start peer-review and vetting so they can be officially accepted. And you were right, I was here almost all night. It wasn't that bad. Nowhere near the pain of calculating orbits for Hermes. I know you get bored when I go in to the math, so I'll summarize: The small, constant thrust of Hermes's ion drives is much harder to deal with than the large point-thrusts of presupply probes. All 25 of the orbits take 349 days, and vary only slightly in thrust duration and angle. The fuel requirement is nearly identical for the orbits and is well within the capacity of EagleEye's booster. It's too bad. Earth and Mars are really badly positioned. Heck, it's almost easier to-" He stopped typing. Furrowing his brow, he stared in to the distance. "Hmm." he said. Grabbing his coffee cup, he went to the break room for a refill. ... "Rich", said Mike. Rich Purnell concentrated on his computer screen. His cubicle was a landfill of printouts, charts, and reference books. Empty coffee cups rested on every surface; take-out packaging littered the ground. "Rich", Mike said, more forcefully. Rich looked up. "Yeah?" "What the hell are you doing?" "Just a little side project. Something I wanted to check up on." "Well... that's fine, I guess", Mike said, "but you need to do your assigned work first. I asked for those satellite adjustments two weeks ago and you still haven't done them." "I need some supercomputer time." Rich said. "You need supercomputer time to calculate routine satellite adjustments?" "No, it's for this other thing I'm working on", Rich said. "Rich, seriously. You have to do your job." Rich thought for a moment. "Would now be a good time for a vacation?" He asked. Mike sighed. "You know what, Rich? I think now would be an ideal time for you to take a vacation." "Great!" Rich smiled. "I'll start right now." "Sure", Mike said. "Go on home. Get some rest." "Oh, I'm not going home", said Rich, returning to his calculations. Mike rubbed his eyes. "Ok, whatever. About those satellite orbits...?" "I'm on vacation", Rich said without looking up. Mike shrugged and walked away.
Andy Weir
All about the hills the hosts of Mordor raged. The Captains of the West were foundering in a gathering sea. The sun gleamed red, and under the wings of the Nazgul the shadows of death fell dark upon the earth. Aragorn stood beneath his banner, silent and stern, as one lost in thought of things long past or far away; but his eyes gleamed like stars that shine the brighter as the night deepens. Upon the hill-top stood Gandalf, and he was white and cold and no shadow fell on him. The onslaught of Mordor broke like a wave on the beleaguered hills, voices roaring like a tide amid the wreck and crash of arms. As if to his eyes some sudden vision had been given, Gandalf stirred; and he turned, looking back north where the skies were pale and clear. Then he lifted up his hands and cried in a loud voice ringing above the din: The Eagles are coming! And many voices answered crying: The Eagles are coming! The Eagles are coming! The hosts of Mordor looked up and wondered what this sign might mean. There came Gwaihir the Windlord, and Landroval his brother, greatest of all the Eagles of the North, mightiest of the descendants of old Thorondor, who built his eyries in the inaccessible peaks of the Encircling Mountains when Middle-earth was young. Behind them in long swift lines came all their vassals from the northern mountains, speeding on a gathering wind. Straight down upon the Nazgul they bore, stooping suddenly out of the high airs, and the rush of their wide wings as they passed over was like a gale. But the Nazgul turned and fled, and vanished into Mordor's shadows, hearing a sudden terrible call out of the Dark Tower; and even at that moment all the hosts of Mordor trembled, doubt clutched their hearts, their laughter failed, their hands shook and their limbs were loosed. The Power that drove them on and filled them with hate and fury was wavering, its will was removed from them; and now looking in the eyes of their enemies they saw a deadly light and were afraid. Then all the Captains of the West cried aloud, for their hearts were filled with a new hope in the midst of darkness. Out from the beleaguered hills knights of Gondor, Riders of Rohan, Dunedain of the North, close-serried companies, drove against their wavering foes, piercing the press with the thrust of bitter spears. But Gandalf lifted up his arms and called once more in a clear voice: 'Stand, Men of the West! Stand and wait! This is the hour of doom.' And even as he spoke the earth rocked beneath their feet. Then rising swiftly up, far above the Towers of the Black Gate, high above the mountains, a vast soaring darkness sprang into the sky, flickering with fire. The earth groaned and quaked. The Towers of the Teeth swayed, tottered, and fell down; the mighty rampart crumbled; the Black Gate was hurled in ruin; and from far away, now dim, now growing, now mounting to the clouds, there came a drumming rumble, a roar, a long echoing roll of ruinous noise. 'The realm of Sauron is ended!' said Gandalf. 'The Ring-bearer has fulfilled his Quest.' And as the Captains gazed south to the Land of Mordor, it seemed to them that, black against the pall of cloud, there rose a huge shape of shadow, impenetrable, lightning-crowned, filling all the sky. Enormous it reared above the world, and stretched out towards them a vast threatening hand, terrible but impotent: for even as it leaned over them, a great wind took it, and it was all blown away, and passed; and then a hush fell. The Captains bowed their heads...
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
But these things that Rome had to give, are they not good things?” Marcus demanded. “Justice, and order, and good roads; worth having, surely?” “These be all good things,” Esca agreed. “But the price is too high.” “The price? Freedom?” “Yes—and other things than freedom.” “What other things? Tell me, Esca; I want to know. I want to understand.” Esca thought for a while, staring straight before him. “Look at the pattern embossed here on your dagger-sheath,” he said at last. “See, here is a tight curve, and here is another facing the other way to balance it, and here between them is a little round stiff flower; and then it is all repeated here, and here, and here again. It is beautiful, yes, but to me it is as meaningless as an unlit lamp.” Marcus nodded as the other glanced up at him. “Go on.” Esca took up the shield which had been laid aside at Cottia’s coming. “Look now at this shield-boss. See the bulging curves that flow from each other as water flows from water and wind from wind, as the stars turn in the heaven and blown sand drifts into dunes. These are the curves of life; and the man who traced them had in him knowledge of things that your people have lost the key to—if they ever had it.” He looked up at Marcus again very earnestly. “You cannot expect the man who made this shield to live easily under the rule of the man who worked the sheath of this dagger.” “The sheath was made by a British craftsman,” Marcus said stubbornly. “I bought it at Anderida when I first landed.” “By a British craftsman, yes, making a Roman pattern. One who had lived so long under the wings of Rome—he and his fathers before him—that he had forgotten the ways and the spirit of his own people.” He laid the shield down again. “You are the builders of coursed stone walls, the makers of straight roads and ordered justice and disciplined troops. We know that, we know it all too well. We know that your justice is more sure than ours, and when we rise against you, we see our hosts break against the discipline of your troops, as the sea breaks against a rock. And we do not understand, because all these things are of the ordered pattern, and only the free curves of the shield-boss are real to us. We do not understand. And when the time comes that we begin to understand your world, too often we lose the understanding of our own.” For a while they were silent, watching Cub at his beetle-hunting. Then Marcus said, “When I came out from home, a year and a half ago, it all seemed so simple.” His gaze dropped again to the buckler on the bench beside him, seeing the strange, swelling curves of the boss with new eyes. Esca had chosen his symbol well, he thought: between the formal pattern on his dagger-sheath and the formless yet potent beauty of the shield-boss lay all the distance that could lie between two worlds. And yet between individual people, people like Esca, and Marcus, and Cottia, the distance narrowed so that you could reach across it, one to another, so that it ceased to matter.
Rosemary Sutcliff (The Eagle (The Dolphin Ring Cycle #1))