Rum Sayings Quotes

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It gave me a strange feeling, and the rest of that night I didn’t say much, but merely sat there and drank, trying to decide if I was getting older and wiser, or just plain old.
Hunter S. Thompson (The Rum Diary)
That to understand someone, you had to listen to the words they didn’t say, had to watch them closely.
Etaf Rum (A Woman Is No Man)
You was talkin' out of yer head last night, too," chortles Davy. "No one's gonna fancy me. I'm gonna be ugly and no on'es gonna fancyme!" he mimics, mincing about the hammock. "You are such a rum cove, Jacky, for thinkin' such things when yer just about beat t' death! Fancy me? Fancy me? Jacky, no one's gonna fancy us, we're all gonna end up lookin' like Snag!" "Which is how a salty dog sailor's supposed to look," says Willy with a firm nod. "And you're halfway there, Jack-o!" crows Tink. Ah, the sweet comfort of friends.
L.A. Meyer
Fareeda knew that no matter what any woman said, culture could not be escaped. Even if it meant tragedy. Even if it meant death. At least she was able to recognize her role in their culture, own up to it, instead of sitting around saying “If only I had done things differently.” It took more than one woman to do things differently. It took a world of them. She had comforted herself with these thoughts so many times before, but tonight they only filled her with shame.
Etaf Rum (A Woman Is No Man)
Don't ya wanna hear the secret?' his eyes were narrow and mean, despite the glaze of rum. Louer drained his glass and slammed it to the bar. 'You get happy by learnin' to say 'yes' to what life offers you, but stay happy by rememberin' when to start sayin' 'no'.
T.B. McKenzie (The Dragon and the Crow)
Sam and Bill and I would cut a hole in a watermelon and fill it with rum so Jimmy didn’t know we were drinking. “Boy, you men sure like your watermelon,” Jimmy would say.
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Were you ever going to tell me?” “About the Grail?” He returned to the couch and handed her a glass. “I wasn’t planning on it.” She knocked back the rum and swallowed, setting the empty glass on the table. Impressive. She met his eyes. “So even if we had slept together last night, you were going to keep telling me you were descended from a pirate, not an actual pirate.” He took a swig, his gaze locked on hers. “Would you have believed me?” “No.” She shrugged. “Just wondering how long you would have lied to me.” “I could ask you the same thing.” She rolled her eyes. “I played you. There’s a difference.” She shrugged. “Besides that, was before our no lies between us deal.” “I see this as more of an omission.” He finished off his drink and placed the glass beside hers. “In my defense, I’ve never told anyone who I really am. You’re the first.” She raised a brow. “Are you saying I should feel…special?” “Aye.” He cleared his throat. “I’ve never taken a bullet for anyone either, not even my crew.” “Thanks for that.” A reluctant smile curved her lips as she met his eyes. “Pretty heroic for a pirate.” He chuckled. “It’s less heroic when you’re certain you won’t die.” “But you knew it would hurt.” He nodded slowly. “True.” She pinched her fingertips close together in the air. “It might’ve been a tiny bit heroic.” Her dark eyes sparkled with the mischief he was growing much too fond of. “Not bad for a pirate.” He admitted.
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
I cannot understand the principle at all,' said Stephen. 'I should very much like to show it to Captain Aubrey, who is so very well versed in the mathematics and dynamics of sailing. Landlord, pray ask him whether he is willing to part with the instrument.' Not on your fucking life,' said the Aboriginal, snatching the boomerang and clasping it to his bosom. He says he does not choose to dispose of it, your honour,' said the landlord. 'But never fret. I have a dozen behind the bar that I sell to ingenious travelers for half a guinea. Choose any one that takes your fancy, sit, and Bennelong will throw it to prove it comes back, a true homing pigeon, as we say. Won't you?' This much louder, in the black man's ear. Won't I what?' Throw it for the gentleman.' Give um dram.' Sir, he says he will be happy to throw it for you; and hopes you will encourage him with a tot of rum. (pp. 353-354)
Patrick O'Brian (The Nutmeg of Consolation (Aubrey/Maturin, #14))
Any movement or sound is a profession of faith, as the millstone grinding is explaining how it believes in the river. No metaphor can explain this, but I cannot stop pointing to the beauty. Every moment and place says, Put this design in your carpet. I want to be in such a passionate adoration that my tent gets pitched against the sky. Let the beloved come and sit like a guard dog in front of the tent. When the ocean surges, don't let me just hear it. Let is splash inside my chest.
Jalal ad-Din Muhammad ar-Rumi
What I'm trying to say is that if you believe you have power over your life, then you ultimately will. And if you believe you don't, then you won't.
Etaf Rum (A Woman Is No Man)
In Treasure Island, Savannah is the place where Captain John Flint, the murderous pirate with the blue face, has died of rum before the story begins. It is on his death bed in Savannah that Flint bellows his last command - "Fetch aft the rum, Darby!" - and hands Billy Bones a map of Treasure Island. "He gave it me at Savnnah," says Bones, "when he lay a-dying." The book has a drawing of Flint's map in it with an X marking the location of the buried treasure.
John Berendt (Midnight in the Garden of Good and Evil)
Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
Sala called for more drink and Sweep brought four rums, saying they were on the house. We thanked him and sat for another half hour, saying nothing. Down on the waterfront I could hear the slow clang of a ship’s bell as it eased against the pier, and somewhere in the city a motorcycle roared through the narrow streets, sending its echo up the hill to Calle O’Leary. Voices rose and fell in the house next door and the raucous sound of a jukebox came from a bar down the street. Sounds of a San Juan night, drifting across the city through layers of humid air; sounds of life and movement, people getting ready and people giving up, the sound of hope and the sound of hanging on, and behind them all, the quiet, deadly ticking of a thousand hungry clocks, the lonely sound of time passing in the long Caribbean night.
Hunter S. Thompson (The Rum Diary)
Why would you go on a pirate dinner cruise?” He had to know. Her jaw dropped. “Are you kidding me? Why wouldn’t you go on a pirate dinner cruise? There’s pirates and dinner. And you get to say ‘argh’ and ‘matey’ while drinking lots of rum without anyone looking at you funny.” Her breath caught. “Maybe one of them will even have a real parrot!” Perhaps he’d overestimated her—just a little.
Elle Rush (Puerto Vallarta Sunsets)
his wound, showed a wonderful clean pair of heels and disappeared over the edge of the hill in half a minute. The captain, for his part, stood staring at the signboard like a bewildered man. Then he passed his hand over his eyes several times and at last turned back into the house. "Jim," says he, "rum"; and as he spoke, he reeled a little, and caught himself with one hand against the wall. "Are you hurt?" cried I. "Rum," he repeated. "I must get away from here. Rum! Rum!" I ran to fetch it, but I was quite unsteadied by
Robert Louis Stevenson (Treasure Island)
it was brought to him, he drank slowly, like a connoisseur, lingering on the taste and still looking about him at the cliffs and up at our signboard. "This is a handy cove," says he at length; "and a pleasant sittyated grog-shop. Much company, mate?" My father told him no, very little company, the more was the pity. "Well, then," said he, "this is the berth for me. Here you, matey," he cried to the man who trundled the barrow; "bring up alongside and help up my chest. I'll stay here a bit," he continued. "I'm a plain man; rum
Robert Louis Stevenson (Treasure Island)
Fareeda knew that no matter what any woman said, culture could not be escaped. Even if it meant tragedy. Even if it meant death. At least she was able to recognize her role in their culture, own up to it, instead of sitting around saying “If only I had done things differently.” It took more than one woman to do things differently. It took a world of them.
Etaf Rum (A Woman Is No Man)
Come on up to Riv’era Beach and say those things, you be dead.
Elmore Leonard (Rum Punch (Ordell Robbie & Louis Gara #2))
She hoped she would be lying on a sun-drenched veranda somewhere tropical, sipping rum while Nate painted her toenails Island Pink and, maybe, she dreamed, with a little girl at their feet chattering to her dolls in Russian and English. Would my children be synesthetes? What would Nate say after all these years of keeping the secret? Would we be happy together? Will it ever happen?
Jason Matthews (The Kremlin's Candidate (Red Sparrow Trilogy, #3))
Oh. I’m sorry,” she heard herself say. For what exactly, she wasn’t sure. For starting problems lately, for cutting her hair, for standing there pathetically—for apologizing for all of it. Ridiculous.
Etaf Rum (Evil Eye: Don’t miss this gripping family drama novel from New York Times Best-selling author!)
I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
She could have asked those questions aloud, but she knew people only told you what you wanted to hear. That to understand someone, you had to listen to the words they didn't say, had to watch them closely.
Etaf Rum (A Woman Is No Man)
Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.
Robert Louis Stevenson (Treasure Island)
That goddamn Louis, you see what he done? Put his cigarette butt in here. I’m gonna punch him right in his smokin’ mouth.” Max turned back to the form, glades mutual casualty printed across the top. He said, “I know how you feel. But when you hit an ex-con who’s done three falls, they say you better kill him.
Elmore Leonard (Rum Punch (Ordell Robbie & Louis Gara #2))
The orator acknowledg'd the fault, but laid it upon the rum; and then endeavored to excuse the rum by saying, "The Great Spirit, who made all things, made every thing for some use, and whatever use he design'd any thing for, that use it should always be put to. Now, when he made rum, he said 'Let this be for the Indians to get drunk with,' and it must be so." And, indeed, if it be the design of Providence to extirpate these savages in order to make room for cultivators of the earth, it seems not improbable that rum may be the appointed means. It has already annihilated all the tribes who formerly inhabited the sea-coast.
Benjamin Franklin (The Autobiography of Benjamin Franklin)
She forgets that she was raised in a filthy old camp, and instead of being grateful for an apartment with food and electricity, halal markets down the street, Palestinian neighbors—she walks around wanting more, like this life’s not good enough for her. No, no, no,” he says, his index finger twitching. “The woman has lost her damn mind, I tell you.
Etaf Rum (Evil Eye: Don’t miss this gripping family drama novel from New York Times Best-selling author!)
See, that’s my point,” she said. “Why do I always have to watch the kids? You travel all the time and you don’t ask for permission. But the moment I want to go somewhere, not only do I have to ask you, but you can say no. It’s a total double standard.” Fadi sighed. “It’s not my fault we live in a world of double standards. It’s not just an Arab thing, it’s everywhere.
Etaf Rum (Evil Eye: Don’t miss this gripping family drama novel from New York Times Best-selling author!)
Trip Advisor: Travel the World with Haiku [D] Jerusalem, Israel Jews pray motionless and the Western Wall shakes. It's all relative. Capetown, South Africa And the coloured girls say, 'We're not Africaans, we're English.' In a total Africaans accent. Bulls Bay, Jamaica Weed, rum, guava jelly, Reggae, Marley, Red Stripe beer, O Baby, jerk that chicken. Istanbul, Turkey I asked my driver, 'Why do you believe in Allah?' He answers: 'If not, He hit me!' Cairo, Egypt Cairo International Airport, Porter drops my bags six times. Descendents of the Pharaohs, my ass. Santorini Island, Greece Greeks are like the current, They push you over and then Try to suck you in. Christiania, Denmark One thousand drug dealers, Five hundred thousand tourists. Alway$ Chri$tma$ here.*
Beryl Dov
The lyrics, though, are pretty symbolic, " I venture. "From time immemorial, symbolism and poetry have been inseparable. Like a pirate and his rum. " "Do you think Miss Saeki knew what all the lyrics mean?" Oshima looks up, listening to the thunder as if calculating how far away it is. He turns to me and shakes his head. "Not necessarily. Symbolism and meaning are two separate things. I think she found the right words by bypass­ ing procedures like meaning and logic. She captured words in a dream, like delicately catching hold of a butterfly's wings as it flutters around. Artists are those who can evade the verbose." "So you're saying Miss Saeki maybe found those words in some other space-like in dreams?" "Most great poetry is like that. If the words can't create a prophetic tunnel connecting them to the reader, then the whole thing no longer func­ tions as a poem." "But plenty of poems only pretend to do that." "Right. It's a kind of trick, and as long as you know that it isn't hard. As long as you use some symbolic-sounding words, the whole thing looks like a poem of sorts." "In 'Kafka on the Shore' I feel something urgent and serious." "Me too, " Oshima says.
Haruki Murakami
Darren says his mum told him a secret recently about Australians. She said this secret would make him a rich man. She said the greatest secret about Australia is the nation's inherent misery. Bich Dang laughs at the ads on telly with Paul Hogan putting another shrimp on the barbie. She said foreign visitors should rightfully be advised about what happens five hours later at that Australian shrimp barbecue, when the beers and the rums mix with the hard sun headaches and widespread Saturday night violence spreads across the country behind closed front doors. Truth is, Bich said, Australian childhoods are so idyllic and joyous, so filled with beach visits and backyard games of cricket, that Australian adulthoods can’t possibly meet our childhood expectations. Our perfect early lives in this vast island paradise doom us to melancholy because we know, in the hard honest bones beneath our dubious bronze skin, that we will never again be happier than we were once before. She said we live in the greatest country on earth but we’re actually all miserable deep down inside and the junk cures the misery and the junk industry will never die because Australian misery will never die.
Trent Dalton (Boy Swallows Universe)
What would you do to me if we married? Would you let me pursue my dreams? Would you leave me at home to raise the children while you worked? Would you love me? Would you own me? Would you beat me? She could have asked those questions aloud, but she knew people only told you want you wanted to hear. That to understand someone, you had to listen to the words they didn't say, had to watch them closely.
Etaf Rum (A Woman Is No Man)
Artichokes Until you had been the last ones sitting in the cafe on the corner and she has kissed the dark rum from the rim of your glass and schooled you in the art of eating artichokes until then, you are not yet a woman. Until you put soft leaf to lip touch tongue to flesh, bite the lobe, swallow the juice she says will purify you until you open it up, sigh at the color, see it’s very middle and learn what fingers are best at until you reach further still into that thick, hot heart life has not yet started. Before you had been promised. Before she is a liar. Before you are dismantled, fixed and broke again you are not yet a lover. Remember on the right night and under the right light any idea can seem like a good one and love love is mostly ill-advised but always brave. The most important thing to do is not to worry. The lines on your face will never stop the sun from coming up. Your tears cannot affect the weather. There are wars going on. The one in your body is the only one you can be sure of losing or winning, then losing again. You drink more water than rum these days, don’t you? But you drink to her memory, don’t you? And you only take artichokes in salad. Never whole. Not in a cafe on a dusky street at midnight. Not with her. Never with her, or anyone like her.
Yrsa Daley-Ward (Bone)
Well," he asked, "whaddya expect?" It was so obviously a rhetorical question that of course I answered it. My truth impulse seemed stronger around this boy,my impulse control way under par. "I would expect you to be dancing." His expression was unreadable in the limited light. "Is that an invitation?" "No. An observation." He shrugged. "Okay. I needed a break. It was either keep an eye on Chase while he pukes up a fifth of cheap rum in the guys' bathroom or follow the girls into the ladies' room." I almost smiled and told him about Willing's bathrooms and me. Instead, some truly horrific and irresistible impulse had me announcing, "Amanda looks really pretty tonight." "So do you." Bizarrely, I felt my breath catch in my chest, and for a long, awful second, I thought I might cry. I gripped the top of my pad tightly, concentrated on the spiral metal binding where it dug into my skin. "It's a cool costume," he said. "Water nymph?" "Sea goddess," I answered quietly. "Roman." "Hmm." Alex was staring out toward the garden now,looking so at ease that I went from pretzel to knot. Could it really be that easy for him? To say things like he did without thinking? Without meaning them at all? "Too many mermaids tonight. Not that I have anything against mermaids.Mermaids are hot. I mean,you saw my drawing." I nodded. "You know," he went on, "that day in the hall,you compared my stuff to two Japanese artists-" I nodded again,even though he was looking out into the darkened gardens now and not at me. "Suzuki Harunobu and Utagawa Kuniyoshi. They were eighteenth and nineteeth-century woodblock print masters-" "Ella," he interrupted. "I know who they are." "Oh." "In fact, I have a couple original Kuniyoshi prints." "Oh.Wow.Wow.
Melissa Jensen (The Fine Art of Truth or Dare)
Blue pencils, blue noses, blue movies, laws, blue legs and stockings, the language of birds, bees and flowers as sung by longshoremen, that lead-like look the skin has when affected by cold, contusion, sickness, fear; the rotten rum or gin they call blue ruin and the blue devils of its delirium; Russian cats and oysters, a withheld or imprisoned breath, the blue they say that diamonds have, deep holes in the ocean and the blazers which English athletes earn that gentlemen may wear; afflictions of the spirit--dumps, mopes, Mondays--all that's dismal--low-down gloomy music, Nova Scotians, cyanosis, hair rinse, bluing, bleach; the rare blue dahlia like the blue moon shrewd things happen only once in, or the call for trumps in whist (but who remembers whist or what the death of unplayed games is like?), and correspondingly the flag, Blue Peter, which is our signal for getting under way; a swift pitch, Confederate money, the shaded slopes of clouds and mountains, and so the constantly increasing absentness of Heaven (ins Blaue hinein, the Germans say), consequently the color of everything that's empty: blue bottles, bank accounts, and compliments, for instance.
William H. Gass (On Being Blue)
And so, he gently chided Apostle John A. Widtsoe, whose wife advocated such a rigid interpretation of the Word of Wisdom as to proscribe chocolate because of the stimulants it contained, saying, “John, do you want to take all the joy out of life?”85 But he didn’t stop there. At a reception McKay attended, the hostess served rum cake. “All the guests hesitated, watching to see what McKay would do. He smacked his lips and began to eat.” When one guest expostulated, “‘But President McKay, don’t you know that is rum cake?’ McKay smiled and reminded the guest that the Word of Wisdom forbade drinking alcohol, not eating
Gregory A. Prince (David O. McKay and the Rise of Modern Mormonism)
Don't you drink? I notice you speak slightingly of the bottle. I have drunk since I was fifteen and few things have given me more pleasure. When you work hard all day with your head and know you must work again the next day what else can change your ideas and make them run on a different plane like whisky? When you are cold and wet what else can warm you? Before an attack who can say anything that gives you the momentary well-being that rum does?... The only time it isn't good for you is when you write or when you fight. You have to do that cold. But it always helps my shooting. Modern life, too, is often a mechanical oppression and liquor is the only mechanical relief.
Charles River Editors (American Legends: The Life of Ernest Hemingway)
Bygones" The weatherman says heavy rain, instead it dribbles like an old man unable to urinate. In the small orbit of the car, daylight clings to my collar, simmers in sweat, but I shall drive despite this meridian fry. I travel in the tremble of tin and tires. Up ahead, Barron Lake, your lost butterfly locket, Woodport, the warm rocks before the dive. The sun legs gently over the turbine hills, and always with a little luck I find your house, where torn cotton knits dry on an iron gate, and a vintage bicycle sinks in the garden. Over rum we discuss the length of our severance, agree to let bygones vanish amid the fray. Then kisses wheedle the lower back down till daybreak quiet as cat paws... treads the bedroom floor.
Robert Karaszi
The next day, sensible they had misbehav'd in giving us that disturbance, they sent three of their old counselors to make their apology. The orator acknowledg'd the fault, but laid it upon the rum; and then endeavored to excuse the rum by saying, "The Great Spirit, who made all things, made every thing for some use, and whatever use he design'd any thing for, that use it should always be put to. Now, when he made rum, he said 'Let this be for the Indians to get drunk with,' and it must be so." And, indeed, if it be the design of Providence to extirpate these savages in order to make room for cultivators of the earth, it seems not improbable that rum may be the appointed means. It has already annihilated all the tribes who formerly inhabited the sea-coast.
Benjamin Franklin (The Autobiography of Benjamin Franklin)
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
People are not sophisticated. They see dark, they think “bad,” “shady,” “untrustworthy.” They see light, they think “clean,” “pure,” “fresh.” Jason tells me this is racist. So sue me: I’m just saying what I’ve observed. In the ice cream industry, you always want your chocolate-based flavors to appear creamy, not earthy or bitter. Our Devil’s Food Cake, our Molten Fudge, our Cocoa-Loco. Marvelous flavors, all of them, but most of them sat in the cases for weeks, slowly crystallizing. Vanilla, meanwhile, is the number-one-selling flavor in America. You can’t tell me this is simply because of the taste. Not when you have rum raisin available. Or mint chip. Yet Aryanism still carries the day, darlings, even in the ice cream freezer. I don’t like this any more than you do. But there it is.
Susan Jane Gilman (The Ice Cream Queen of Orchard Street)
BLUE pencils, blue noses, blue movies, laws, blue legs and stockings, the language of birds, bees, and flowers as sung by longshoremen, that lead-like look the skin has when affected by cold, contusion, sickness, fear; the rotten rum or gin they call blue ruin and the blue devils of its delirium; Russian cats and oysters, a withheld or imprisoned breath, the blue they say that diamonds have, deep holes in the ocean and the blazers which English athletes earn that gentlemen may wear; afflictions of the spirit—dumps, mopes, Mondays—all that’s dismal—low-down gloomy music, Nova Scotians, cyanosis, hair rinse, bluing, bleach; the rare blue dahlia like that blue moon shrewd things happen only once in, or the call for trumps in whist (but who remembers whist or what the death of unplayed games is like?), and correspondingly the flag, Blue Peter, which is our signal for getting under way; a swift pitch, Confederate money, the shaded slopes of clouds and mountains, and so the constantly increasing absentness of Heaven (ins Blaue hinein, the Germans say), consequently the color of everything that’s empty: blue bottles, bank accounts, and compliments, for instance, or, when the sky’s turned turtle, the blue-green bleat of ocean (both the same), and, when in Hell, its neatly landscaped rows of concrete huts and gas-blue flames; social registers, examination booklets, blue bloods, balls, and bonnets, beards, coats, collars, chips, and cheese . . . the pedantic, indecent and censorious . . . watered twilight, sour sea: through a scrambling of accidents, blue has become their color, just as it’s stood for fidelity.
William H. Gass (On Being Blue: A Philosophical Inquiry (New York Review Books (Paperback)))
Zozie was still watching me with that patient half-smile, as if she expected me to say something more. When I didn't, she simply shrugged and held out a dish of mendiants. She makes them as I do myself: the chocolate thin enough to snap but thick enough to satisfy; a generous sprinkle of fat raisins; a walnut, an almond; a violet; a crystallized rose. "Try one," she said. "What do you think?" The gunpowder scent of chocolate arose from the little dish of mendiants, smelling of summer and lost time. He had tasted of chocolate when I first kissed him; and the scent of damp grass had come from the ground where we had lain side by side; and his touch had been unexpectedly soft, and his hair like summer marigolds in the dying light- Zozie was still holding out the dish of mendiants. It's made of blue Murano glass, with a little gold flower on the side. It's only a bauble, and yet I'm fond of it. Roux gave it to me in Lansquenet, and I have carried it with me ever since, in my luggage, in my pockets, like a touchstone. I looked up and saw Zozie looking at me. Her eyes were a distant, fairytale blue, like something you might see in dreams. "You won't tell anyone?" I said. "Of course not." She picked up a chocolate between delicate fingers and held it out for me to take. Rich, dark chocolate, rum-soaked raisins, vanilla, rose, and cinnamon... "Try one, Vianne," she said with a smile. "I happen to know they're your favorites.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
Although many reviews have compared my novels to those written by Garrison Keillor, Phil Gulley, or Jan Karon, I personally try to stay clear of comparing and contrasting one author or series to another. What I can say, though, is that Lumby — its valleys, streets, townsfolk and stories — is an escape...a gentle, quirky sanctuary from life's harsher realities. At the heart of the town is the decency, levity and honorableness of good people who are carving out the best lives they know how. It is a town that is reminiscent of yesteryear, a community as it was intended to be—caring, forthright, ethical and authentic. And within that wonderful place, humor is a mainstay and an antidote (as I think it is in life) where the moral compass always points due north unless someone has dropped it in the PortiPotty at the county fair. With the help of the two well-intentioned inn keepers, the monks from Saint Cross Abbey (who make a tremendous rum sauce), a trustworthy newspaper publisher and a cast of unforgettable characters along Main Street, Lumby has a place in all of our hearts. From Christian Book Previews: "The Lumby Lines goes straight to the heart. The simplicity, humor, and downright friendliness make reading it a pleasure. Readers will close the book with a sigh of contentment and a desire to visit Lumby again. The author has faithfully carved out a slice of small-town living and topped it off with a large helping of humor. This reviewer can't wait for her next visit to Lumby!
Gail Fraser
A plane in mathematics is not merely a flat surface but a flat surface of infinite thinness and size. Trivial? Not to us. When I say plane, I'm not thinking of a tabletop or sheet of glass or a piece of paper. You might point to any one of these objects; but all of them are precisely that: objects. They exist in the world. And because they do, they are defined by their breadth and reach. To a mathematician, a tabletop is no more a plane than a slice of rum cake is. In the world we know, in fact, the only thing that can actually be called a plane--or a portion of one, anyhow--is a shadow. You see? Words fail us. Even the world fails us. Are there not a thousand forms of sorrow? Is the sorrow of death the same as the sorrow of knowing the pain in a child's future? What about the melancholy of music? Is it the same as the melancholy of a summer dusk? Is the loss I was feeling for my father the same I would have felt for a man better-fit to the world who might have thrown a baseball with me or taken me out in the mornings to fish? Both we call grief. I don't think we have words for our feeling any more than we have words for our thoughts. I don't even believe that we actually do the things we call thinking and feeling. We do something, but it is only out of crudeness that we call it thinking; and when we do the other thing, we call it feeling. But I can tell you, if you asked Archimedes ... or Brahmagupta ... or Hilbert ... when they'd first known that they'd solved their great problem, I suspect they'd all say they had a feeling.
Ethan Canin (A Doubter's Almanac)
Mama made the coach stop at a barber shop around the corner from their house. 'Go in there,' she told Francie, 'and get your father’s cup.' Francie didn't know what she meant. 'What cup?' she asked. 'Just ask for his cup.' Francie went in. There were two barbers but no customers. One of the barbers sat on one of the chairs in a row against the wall. His left ankle rested on his right knee and he cradled a mandolin. He was playing 'O, Sole Mio.' Francie knew the song. Mr. Morton had taught it to them saying the title was 'Sunshine.' The other barber was sitting in one of the barber chairs looking at himself in the long mirror. He got down from the chair as the girl came in. 'Yes?' he asked. 'I want my father’s cup.' 'The name?' 'John Nolan.' 'Ah, yes. Too bad.' He sighed as he took a mug from the row of them on a shelf. It was a thick white mug with 'John Nolan' written on it in gold and fancy block letters. There was a worn-down cake of white soap at the bottom of it and a tired-looking brush. He pried out the soap and put it and the brush in a bigger unlettered cup. He washed Johnny’s cup. While Francie waited, she looked around. She had never been inside a barber shop. It smelled of soap and clean towels and bay rum. There was a gas heater which hissed companionably. The barber had finished the song and started it over again. The thin tinkle of the mandolin made a sad sound in the warm shop. Francie sang Mr. Morton’s words to the song in her mind. Oh, what’s so fine, dear, As a day of sunshine. The storm is past at last. The sky is blue and clear. Everyone has a secret life, she mused.
Betty Smith
As those people are extreamly apt to get drunk, and, when so, are very quarrelsome and disorderly, we strictly forbad the selling any liquor to them; and when they complain'd of this restriction, we told them that if they would continue sober during the treaty, we would give them plenty of rum when business was over. They promis'd this, and they kept their promise, because they could get no liquor, and the treaty was conducted very orderly, and concluded to mutual satisfaction. They then claim'd and receiv'd the rum; this was in the afternoon; they were near one hundred men, women, and children, and were lodg'd in temporary cabins, built in the form of a square, just without the town. In the evening, hearing a great noise among them, the commissioners walk'd out to see what was the matter. We found they had made a great bonfire in the middle of the square; they were all drunk, men and women, quarreling and fighting. Their dark-colour'd bodies, half naked, seen only by the gloomy light of the bonfire, running after and beating one another with firebrands, accompanied by their horrid yellings, form'd a scene the most resembling our ideas of hell that could well be imagin'd; there was no appeasing the tumult, and we retired to our lodging. At midnight a number of them came thundering at our door, demanding more rum, of which we took no notice. The next day, sensible they had misbehav'd in giving us that disturbance, they sent three of their old counselors to make their apology. The orator acknowledg'd the fault, but laid it upon the rum; and then endeavored to excuse the rum by saying, "The Great Spirit, who made all things, made every thing for some use, and whatever use he design'd any thing for, that use it should always be put to. Now, when he made rum, he said 'Let this be for the Indians to get drunk with,' and it must be so." And, indeed, if it be the design of Providence to extirpate these savages in order to make room for cultivators of the earth, it seems not improbable that rum may be the appointed means. It has already annihilated all the tribes who formerly inhabited the sea-coast.
Benjamin Franklin (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
People are so soon gone; let us catch them. That man there, by the cabinet; he lives, you say, surrounded by china pots. Break one and you shatter a thousand pounds. And he loved a girl in Rome and she left him. Hence the pots, old junk found in lodging-houses or dug from the desert sands. And since beauty must be broken daily to remain beautiful, and he is static, his life stagnates in a china sea. It is strange though; for once, as a young man, he sat on damp ground and drank rum with soldiers. One must be quick and add facts deftly, like toys to a tree, fixing them with a twist of the fingers. He stoops, how he stoops, even over an azalea. He stoops over the old woman even, because she wears diamonds in her ears, and, bundling about her estate in a pony carriage, directs who is to be helped, what tree felled, and who turned out tomorrow. (I have lived my life, I must tell you, all these years, and I am now past thirty, perilously, like a mountain goat, leaping from crag to crag; I do not settle long anywhere; I do not attach myself to one person in particular; but you will find that if I raise my arm, some figure at once breaks off and will come.) And that man is a judge; and that man is a millionaire, and that man, with the eyeglass, shot his governess “through the heart with an arrow when he was ten years old. Afterwards he rode through deserts with despatches, took part in revolutions and now collects materials for a history of his mother’s family, long settled in Norfolk. That little man with a blue chin has a right hand that is withered. But why? We do not know. That woman, you whisper discreetly, with the pearl pagodas hanging from her ears, was the pure flame who lit the life of one of our statesmen; now since his death she sees ghosts, tells fortunes, and has adopted a coffee-coloured youth whom she calls the Messiah.* That man with the drooping moustache, like a cavalry officer, lived a life of the utmost debauchery (it is all in some memoir) until one day he met a stranger in a train who converted him between Edinburgh and Carlisle by reading the Bible. Thus, in a few seconds, deftly, adroitly, we decipher the hieroglyphs written on other people’s faces. Here, in this room, are the abraded and battered shells cast on the shore.
Virginia Woolf (The Waves)
When Florence Allen took a bite of her dessert the expression on her face changed completely. She looked puzzled at first, as if she wasn't at all sure it was cake that she was eating. She cut herself another bite and then held up her fork and looked at it for a minute before slipping it into her mouth. She chewed slowly, as if she were a scientist engaged in an important experiment. She lifted up her plate and held it up to the light, studied it from different angles. Then she dipped down her nose and inhaled the cake. "This is sweet potato." I dabbed at my eyes again and told her that it was. "Sweet potatoes and raisins and... rum? That's a spiked glaze?" I nodded. She took another bite and this time she ate it like a person who knew what she was getting into. She closed her eyes. She savored. "This is," she said. "This is..." "Easy," I said. "I can give you the recipe." She opened up her eyes. She had lovely dark eyes. "This is brilliant. This is a brilliant piece of cake." In my family people tended to work against the cake. They wished it wasn't there even as they were enjoying it. But Florence Allen's reaction was one I rarely saw in an adult: She gave in to the cake. She allowed herself to love the cake. It wasn't that she surrendered her regrets (Oh well, I'll just have to go to the gym tomorrow, or, I won't have any dinner this week). She had no regrets. She lived in the moment. She took complete pleasure in the act of eating cake. "I'm glad you like it," I said, but that didn't come close to what I meant. "Oh, I don't just like it. I think this is-" But she didn't say it. Instead she stopped and had another bite. I could have watched her eat the whole thing, slice by slice, but no one likes to be stared at. Instead I ate my own cake. It was good, really. Every raisin bitten gave a sweet exhalation of rum. It was one of those cakes that most people say should be made for Thanksgiving, that it was by its nature a holiday cake, but why be confined? I was always one to bake whatever struck me on any given day. Florence Allen pressed her fork down several times until she had taken up every last crumb. Her plate was clean enough to be returned to the cupboard directly. "I've made sweet potato pies," she said. "I've baked them and put them in casseroles, but in a cake? That never crossed my mind." "It isn't logical. They're so dense. I think of it as the banana bread principle.
Jeanne Ray (Eat Cake)
Look at that ship. That clipper cost me a queen’s ransom, even with the Kestrel thrown in the bargain. But it was the fastest ship to be had.” He took her hands in his. “Forget money. Forget society. Forget expectations. We’ve no talent for following rules, remember? We have to follow our hearts. You taught me that.” He gathered her to him, drawing her hands to his chest. “God, sweet, don’t you know? You’ve had my heart in your pocket since the day we met. Following my heart means following you. I’ll follow you to the ends of the earth if I have to.” He shot an amused glance at the captain. “Though I’d expect your good captain would prefer I didn’t. In fact, I think he’d gladly marry us today, just to be rid of me.” “Today? But we couldn’t.” His eyebrows lifted. “Oh, but we could.” He pulled her to the other side of the ship, slightly away from the gaping crowd. Wrapping his arms around her, he leaned close to whisper in her ear, “Happy birthday, love.” Sophia melted in his embrace. It was her birthday, wasn’t it? The day she’d been anticipating for months, and here she’d forgotten it completely. Until Gray had appeared on the horizon, she hadn’t been looking forward to anything. But now she did. She looked forward to marriage, and children, and love and grand adventure. Real life and true passion. All of it with this man. “Oh, Gray.” “Please say yes,” he whispered. “Sophia.” The name was a caress against her ear. “I love you.” He kissed her cheek and pulled away. “I’ve been remiss in not telling you. You can’t know how I’ve regretted it. But I love you, Sophia Jane Hathaway. I love you as no man ever loved a woman. I love you so much, I fear I’ll burst with it. In fact, I think I shall burst if I go another minute without kissing you, so if you’ve any mind to say yes, I’d thank you to-“ Sophia flung her arms around his neck and kissed him. Hard at first, to quiet the fool man; then gently, to savor him. oh, how she loved the taste of him, like freshly baked bread and rum. Warm and wholesome and comforting, with just a hint of spice and danger. “Yes,” she sighed against his lips. She pulled back and looked into his eyes. “Yes, I will marry you.” His arms tightened about her waist. “Today?” “Today. But you must let me change my gown first.” Smiling, she stroked his smooth cheek. “You even shaved.” “Every day since we left Tortola.” He gave her a rueful smile. “I’ve a few new scars to show for it.” “Good.” She kissed him. “I’m glad. And I don’t care if society casts us out for the pirates we are, just as long as I’m with you.” “Oh, I don’t know that we’ll be cast out, exactly. We’re definitely not pirates. After your stirring testimony”-he chucked her under the chin-“Fitzhugh decided to make the best of an untenable situation. Or an unhangable pirate, as it were. If he couldn’t advance on his career by convicting me, he figured he’d advance it by commending me. Awarded me the Kestrel as salvage and recommended me to the governor for a special citation of valor. There’s talk of knighthood.” He grinned. “Can you believe it? Me, a hero.” “Of course I believe it.” She laced her fingers at the back of his neck. “I’ve always known it, although I should curse that judge and his ‘citation of valor.’ As if you needed a fresh supply of arrogance. Just remember, whatever they deem you-gentleman or scoundrel, hero or pirate-you are mine.” “So I am.” He kissed her soundly, passionately. “And which would you prefer tonight?” At the seductive grown in his voice, shivers of arousal swept down to her toes. “Your gentleman? Your scoundrel? Your hero or your pirate?” She laughed. “I imagine I’ll enjoy all four on occasion. But tonight, I believe I shall find tremendous joy in simply calling you my husband.” He rested his forehead against hers. “My love.” “That, too.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
He followed her into the kitchen, then stood dripping in front of the sink. Miranda brought him towels, made a pot of strong coffee, and pulled out Aunt Teeta’s latest homemade confection--bread pudding with rum sauce--which she popped into the microwave. “Great. My favorite.” Nodding approval, Etienne continued towel drying his hair. “Aunt Teeta told me you say that about every single thing she makes.” “And it’s true. They’re all my favorites.” Pausing, he shoved his wet hair back from his face and stared at her, eyes narrowed. “Hey, you okay, cher?” “Well”--Miranda drew a deep breath--“I wasn’t okay just a few minutes ago. But I think I am now.” “Ah. Is that your way of telling me I’m your hero?” Miranda couldn’t resist. “No. It’s my way of telling you that I had a nightmare, but I woke up.” “That’s cruel, cher. You just stabbed me straight in my heart.” “You’ll live.” She watched his lips quirk at the edges, his dark eyes shining with amusement.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
But Stanley persisted in the kitchen, performing the small yet demanding apprentice's tasks she set for him- removing the skin from piles of almonds, grating snowy hills of lemon zest, the nightly sweeping of the kitchen floor and sponging of metal shelves. He didn't seem to mind: every day after school, he'd lean over the counter, watching her experiment with combinations- shifting flavors like the beads in a kaleidoscope- burnt sugar, hibiscus, rum, espresso, pear: dessert as a metaphor for something unresolvable. It was nothing like the slapdashery of cooking. Baking, to Avis, was no less precise than chemistry: an exquisite transfiguration. Every night, she lingered in the kitchen, analyzing her work, jotting notes, describing the way ingredients nestled: a slim layer of black chocolate hidden at the bottom of a praline tart, the essence of lavender stirred into a bowl of preserved wild blueberries. Stanley listened to his mother think out loud: he asked her questions and made suggestions- like mounding lemon meringue between layers of crisp pecan wafers- such a success that her corporate customers ordered it for banquets and company retreats. On the day Avis is thinking of, she sat in the den where they watched TV, letting her hand swim over the silk of her daughter's hair, imagining a dessert pistou of blackberry, creme fraiche, and nutmeg, in which floated tiny vanilla croutons. Felice was her audience, Avis's picky eater- difficult to please. Her "favorites" changed capriciously and at times, it seemed, deliberately, so that after Avis set out what once had been, in Felice's words, "the best ever"- say, a miniature roulade Pavlova with billows of cream and fresh kumquat- Felice would announce that she was now "tired" of kumquats.
Diana Abu-Jaber (Birds of Paradise)
Darren says his mum told him a secret recently about Australians. She said this secret would make him a rich man. She said the greatest secret about Australia is the nation’s inherent misery. Bich Dang laughs at the ads on telly with Paul Hogan putting another shrimp on the barbie. She said foreign visitors should rightfully be advised about what happens five hours later at that Australian shrimp barbecue, when the beers and the rums mix with the hard sun headaches and Saturday night violence spreads across the country behind closed front doors. Truth is, Bich said, Australian childhoods are so idyllic and joyous, so filled with beach visits and backyard games of cricket, that Australian adulthoods can’t possibly meet our childhood expectations. Our perfect early lives in this vast island paradise doom us to melancholy because we know, in the hard honest bones beneath our dubious bronze skin, that we will never again be happier than we were once before. She said we live in the greatest country on earth but we’re actually all miserable deep down inside and the junk cures the misery and the junk industry will never die because Australian misery will never die.
Trent Dalton (Boy Swallows Universe)
The best thing to do," said one of the malingerers, "is to sham madness. In the next room there are two other men from the school where I teach and one of them keeps shouting day and night : 'Giordano Bruno's stake is still smoldering ; renew Galileo's trial !'” “I meant at first to act the fool too and be a religious maniac and preach about the infallibility of the Pope, but finally I managed to get some cancer of the stomach for fifteen crowns from a barber down the road." "That's nothing," said another man. "Down our way there's a midwife who for twenty crowns can dislocate your foot so nicely that you're crippled for the rest of your life.” “My illness has run me into more than two hundred crowns already," announced his neighbor, a man as thin as a rake. "I bet there's no poison you can mention that I haven't taken. I'm simply bung full of poisons. I've chewed arsenic, I've smoked opium, I've swallowed strychnine, I've drunk vitriol mixed with phosphorus. I've ruined my liver, my lungs, my kidneys, my heart—in fact, all my insides. Nobody knows what disease it is I've got." "The best thing to do," explained someone near the door, "is to squirt paraffin oil under the skin on your arms. My cousin had a slice of good luck that way. They cut off his arm below the elbow and now the army'll never worry him any more.” “Well," said Schweik, "When I was in the army years ago, it used to be much worse. If a man went sick, they just trussed him up, shoved him into a cell to make him get fitter. There wasn't any beds and mattresses and spittoons like what there is here. Just a bare bench for them to lie on. Once there was a chap who had typhus, fair and square, and the one next to him had smallpox. Well, they trussed them both up and the M. O. kicked them in the ribs and said they were shamming. When the pair of them kicked the bucket, there was a dust-up in Parliament and it got into the papers. Like a shot they stopped us from reading the papers and all our boxes was inspected to see if we'd got any hidden there. And it was just my luck that in the whole blessed regiment there was nobody but me whose newspaper was spotted. So our colonel starts yelling at me to stand to attention and tell him who'd written that stuff to the paper or he'd smash my jaw from ear to ear and keep me in clink till all was blue. Then the M.O. comes up and he shakes his fist right under my nose and shouts: 'You misbegotten whelp ; you scabby ape ; you wretched blob of scum ; you skunk of a Socialist, you !' Well, I stood keeping my mouth shut and with one hand at the salute and the other along the seam of my trousers. There they was, running round and yelping at me. “We'll knock the newspaper nonsense out of your head, you ruffian,' says the colonel, and gives me 21 days solitary confinement. Well, while I was serving my time, there was some rum goings-on in the barracks. Our colonel stopped the troops from reading at all, and in the canteen they wasn't allowed even to wrap up sausages or cheese in newspapers. That made the soldiers start reading and our regiment had all the rest beat when it came to showing how much they'd learned.
Jaroslav Hašek (The Good Soldier Schweik)
The Great Chicken (Gallus gallus maximus): His breast is already very tough. He's very old. That's the reason why they decided no to kill him, his flesh would be of no use. He began to study like mad and became a lawyer. He abandoned all that he had and went to pontificate in a foreign hen-coop. After some years, he realised that he could tell what he knew and he couldn't stop talking. Now he has the appearance of a typical Mexican. He even speaks like a Mexican. But at heart he is an Indian chicken from Cuilapa. The only thing that he doesn't forget every night after talking and talking all day is to eat his tortillas and beans. Then he shuts himself away to read so he can continue talking. He doesn't understand a bloody word of it, but no matter, he talks and talks and reads and reads. On Saturdays he drinks Castillo rum. Only that brand because all others disagree with him. As he doesn't like whiskey because it cracks his tongue and in Altillo Universidad there's no Indita hooch, he's into Castillo rum that he drinks with Macaw. Shit-faced, the two birds talk for hours on end. There's no way Gallus ditto maximus will cough up any cash, sometimes he takes out a knotted handkerchief, undoes it and says I'll put one peso, then, afterwards, he makes a great fuss about it. When he's alone he becomes honest with himself, nostalgic for his old hen-coop he plays Luna de Xelajú, dresses like an Indian with a cloth on his head and starts to dance to the beat of the Guatemalan Son. Then he goes out like a light.
Marco Antonio Flores (Comrades)
Dusk. They park at the edge of a wide, sandy bank. Omkar hums Shanth wahate Krishna-mai. He says the lyrics mean that a truly great person is as quiet as the river Krishna. It's the same river at Menavali Ghat, but here she is in full sweep, dark and slow under the clouds. This is where Ek Sangharsh ends, with a teenaged Omkar watching the river surge past the Dhom dam and leave the town. Standing next to Omkar, he feels a new reverence for this water and soil. Then Omkar takes his hand... and it's just a simpler, sweeter kind of friendship, the kind made in school, intense but free of homophobia, so it's nothing if, an hour later, he is resting like this, his head on Omkar's thigh, the mist coming down the hills on all sides. Beneath them, the Krishna is swelling. He has a quart of rum on his chest since it's 'the thing to do on the dam', not that Omkar drinks. Omkar is telling stories of pranks from his schooldays, and the moment feels pure...
Devika Rege (Quarterlife)
Rachel reached down beside her chair to produce a bottle of coconut rum. She locked eyes with Linda as she poured into her mug, as if daring her to say something contrary about it. It was a gross drink.
Sarah Langan (A Better World)
Never would she invite a man like him into her home. “Unless you’re going to tell me that you’re closing your saloon, I have nothing to say to you. I’m a widow trying to support myself. The noise from that rum hole has chased away every one of my boarders.
Wendy Lindstrom (Only You (Second Chance Brides #3))
People would say that if the Rum Preacher was all that stood between Heaven and Hell, then everybody had better stock up on asbestos.
Marlon James (John Crow's Devil)
She reached the door and added, ‘Myfanwy says you drink too much rum. I think she was right.’ ‘It’s my aftershave.’ ‘Well, then, you drink too much aftershave.
Malcolm Pryce (Don't Cry For Me Aberystwyth (Aberystwyth Noir, #4))
As a Persian scholar wrote, around 1115, “The people of China are the most skilfull of men in handicrafts. No other nation approaches them in this. The people of Rum (the Eastern Roman Empire) are highly proficient (in technology) too, but they do not reach the standards of the Chinese. The latter say that all men are blind in craftsmanship, except the men of Rum, who however are one-eyed, that is, they know only half the business.
Tonio Andrade (The Gunpowder Age: China, Military Innovation, and the Rise of the West in World History)
Here’s the part that’s off the hook! Say you’re at a bash, and some dude wants a drink, and you say, ‘I’ll get it. Is rum and Coke good?’ He says, ‘Goddamn right.’ And you go in the kitchen giggling and make the drink. And you drop these ice cubes in the glass, except they’re not normal ice cubes. They’re the ones where you froze half, stuck a Mentos in the middle, then froze the other half on top of it. But the guy’s not going to see the Mentos in the middle of the cubes because rum and Coke is dark, and you hand the drink to him while he’s talking up some chick. And a few minutes later when the cubes melt . . .” Coleman waved both arms in the air. “Bloooooshhhhhh! Foam exploding everywhere, all over the guy’s clothes, up his nose, in his eyes, and all over the pissed-off chick, who’s definitely not going to fuck him now.” “So Mentos can also be used for birth control.
Tim Dorsey (Tiger Shrimp Tango (Serge Storms #17))
Ogilvy never wrote an advertisement in the office: “Too many interruptions.” He started by looking at every advertisement for competing products for the past 20 years: “Study the precedents.” Then he’d go to work on a headline. Finally, when he could no longer postpone the actual copy, he would start writing, usually throwing away the first 20 attempts. “If all else fails, I drink a half a bottle of rum and play a Handel oratorio on the gramophone. This generally produces a gush of copy.” The next morning, he would get up early and edit the gush. “I am a lousy copywriter,” he would say, “but a good editor.
Kenneth Roman (The King of Madison Avenue: David Ogilvy and the Making of Modern Advertising)
For God’s sake, Eve Windham, it was just a kiss under the mistletoe, probably inspired by your papa’s wassail more than anything else.” She had to put her hand on his arm while the feeling of the ground shifting beneath her feet swept over her. “My brothers said it was white rum.” “The occasional tot makes the holiday socializing less tedious. You really do not look well.” The last observation was grudging, almost worried. “I did not mean to swill from your glass, Deene. You should have stopped me.” They had to get to the coach. The night felt like it was closing in, and Deene’s voice—a perfect example of male aristocratic euphony—was swelling and shrinking in the oddest way. “I might have stopped you, except you downed the whole drink before I realized what was afoot, and then you were accosting me in the most passionate—” Eve clutched his arm and swayed into him, breathing shallowly through her mouth. “If you insist on arguing with me, my lord, I will be ill all over these bushes.” “Why didn’t you say so?” He slipped an arm around her waist and promenaded her down the steps. By the time they got to the garden gate, the nausea was subsiding, though Eve was leaning heavily on her escort. She had the notion that the scents of cedar and lavender coming from Deene’s jacket might have helped quiet her stomach. Deene ushered her through the gate, which put them on a quiet, mercifully dark side street. “How often do these headaches befall you?” “Too often. Sometimes I go for months between attacks, sometimes only days. The worst is when it hits on one side, subsides for a day, then strikes on the other.” Deene pulled one of his gloves off with his teeth, then used two fingers to give a piercing, three-blast whistle. “Sorry.” All the while he kept his arm around Eve’s waist, a solid, warm—and quite unexpected—bulwark against complete disability. “The coach will here in moments. Is there anything that helps?” “Absolute quiet, absolute dark, time.” Though her mother used to rub her neck, and that had helped the most. He said nothing more—Deene wasn’t stupid—and Eve just leaned on him. Her grandmother had apparently suffered from these same headaches, though neither Eve’s parents nor her siblings were afflicted. The clip-clop of hooves sounded like so much gunfire in Eve’s head, but it was the sound of privacy, so Eve tried to welcome it. Deene gave the coachy directions to the Windham mansion and climbed in after Eve. “Shall I sit beside you, my lady?” An odd little courtesy, that he would even ask. “Please. The less I move, the less uncomfortable I am.” He settled beside her and looped an arm around her shoulders. Without a single thought for dignity, skirmishes, or propriety, Eve laid her head on his shoulder, closed her eyes, and was grateful. ***
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Standing up on the deck just a minute ago, I realized why men and women who have been to war yearn to reunite. Not to tell stories or look at old pictures. Not to laugh or weep. Comrades gather because we long to be with those who once acted their best, who suffered and sacrificed, who were stripped raw, right down to their humanity. I didn’t pick you. You were delivered here by fate. But I know you in a way I know no other. I have never given anyone such trust. As long as I have memory I will think of you all every day and I’m sure that when I leave this world, my last thought will be of you, my family.” A chorus of shouts went up and glasses and bottles were raised high. I tossed down the rum and it seemed to ignite a fire in me. “That’s more words than I’ve ever heard you say at one time,” Stockwell said as he poured me another. “Hi Travis. Is this fine Navy rum of your doing?” “Deuce told me how you sea faring types liked to celebrate, so I thought I’d do what I could to help. Have a nice nap?” “You must be getting old,” a
Wayne Stinnett (Fallen Pride (Jesse McDermitt Caribbean Adventure #4))
PUDOVKIN: Kind of pooped, eh? You’ll lose that bay window before we’re through with you. BESSEMER (panting): Say, bud, bring me a glass of water, will you? MRS. BESSEMER: I’ll take some plain ginger ale. PUDOVKIN: Wouldn’t you rather have a tall, cool rum collins with mint and lots of ice? MRS. BESSEMER: Why, that sounds delicious. PUDOVKIN (comfortably) : Doesn’t it? I’ll hop down the mountain and get one. It’s only four miles—the exercise’ll do me good. BESSEMER: Look, if it’s any trouble, I’d just as soon— PUDOVKIN: Nonsense, that’s what I’m paid for, to run down every time some lush wants a snort. Or if you prefer, I can carry you down on my back.
S.J. Perelman (The World of SJ Perelman: The Marx Brother's Greatest Scriptwriter)
Even as a child, Alma innately comprehended that there were two types of silent men in the world: one type was meek and deferential; the other type was Dick Yancey. His eyes were a pair of slowly circling sharks, and as he stared at Alma now, those eyes were clearly saying: "Bring the rum.
Elizabeth Gilbert (The Signature of All Things)
He opens a lower cabinet to reveal that it is a mini fridge, and brings over two plates that each have a slice of what looks like flan, dark at the top from being baked with caramel. He hands me a plate and fork, and pours me a glass of wine. I take a bite. And my eyes snap open. "Gateau de semoule?" I say in disbelief. "Mais oui, mademoiselle, bien sur." He smiles. "I thought you might like it." "I adore it. And I haven't had it in years." The very French dessert is essentially baked creme caramel-type custard, thickened with semolina for an amazing texture and added nuttiness. There are juicy golden raisins, which I believe he has soaked in rum, and the caramel you make for the bottom of the baking dish turns itself into a light sauce when you unmold it. It is the kind of dessert that any French maman would make on a weeknight for dessert. Unfunny, unfussy, and completely comforting and delicious.
Stacey Ballis (Out to Lunch)
On the coffee table is a bottle of Madeira, a plate of dark chocolates, a bowl of tiny tangerines. He opens a lower cabinet to reveal that it is a mini fridge, and brings over two plates that each have a slice of what looks like flan, dark at the top from being baked with caramel. He hands me a plate and fork, and pours me a glass of wine. I take a bite. And my eyes snap open. "Gateau de semoule?" I say in disbelief. "Mais oui, mademoiselle, bien sur." He smiles. "I thought you might like it." "I adore it. And I haven't had it in years." The very French dessert is essentially baked creme caramel-type custard, thickened with semolina for an amazing texture and added nuttiness. There are juicy golden raisins, which I believe he has soaked in rum, and the caramel you make for the bottom of the baking dish turns itself into a light sauce when you unmold it. It is the kind of dessert that any French maman would make on a weeknight for dessert. Unfancy, unfussy, and completely comforting and delicious.
Stacey Ballis (Out to Lunch)
Calling to Measure It’s an obsession now, this matching And measuring, comparing, for instance, The coral-violet of the inner lip Of a queen conch to the last rim of dusk On the purple-flowering raspberry To the pure indigo of the bird-voiced Tree frog’s twittering tongue, then converting The result to an accepted standard Of rose-scarlet gradations. It’s difficult to say which is greater- The brevity of the elk’s frosty bellow Or the moments of fog sun-lifted Through fragrances of blue spruce Or the fading flavor in one spoonful Of warm chocolate rum. I mark out space by ten peas Strung on a string. The pane perimeter Of my window, for instance, is twenty-eight Lengths, twelve lengths over. Seventy pea-strings stretch from bed To door, Four go round my neck. My longing for you is more painful Than the six-times folding, doubling And doubling, of a coyote’s Most piercing cry, more inconsolable Than a whole night of moonlight blinded By thunderclouds, more constant Than black at the center of a cavern Stone below leagues of granite. I gauge my cold by the depth Of stillness in the pod heart of a frozen Wren. I time my breath by the faltering Leaves of aspen in wind. I count the circles Of my dizziness by the spreading rings Of rain-lassos on the pond, by the repeating Bell chimes of the corridor clock, By the one unending ring of the horizon. Where is the tablet, where the rule, where The steel weights, the balance, the book, Properly to make measure of a loss So grand and deep I can spread and stitch it To every visible star I name- Arcturus, Spica, Vega, Regulus- in this dark Surrounding dark surrounding dark?
Pattiann Rogers (Quickening Fields (Penguin Poets))
As Sultan Valad remembered... '[Rumi] went to Damascus like a partridge, and returned to Rum like a falcon. A drop of his soul became as expansive as the sea. The degree of his love became even greater. Because he became like this, don't ever say, "He didn't find him." Whatever he was seeking, he truly found.... His love was filled with waves like a stormy sea....
Brad Gooch (Rumi's Secret: The Life of the Sufi Poet of Love)
Though the pirates’ emotions were entertaining, to say the least. How one could feel deep and undying romantic love for rum was beyond me.
Kat Blackthorne (Dragon (The Halloween Boys, #2))
Not that they prefer rum. I never knew a sailor, in my life, who would not prefer a pot of hot coffee or chocolate, in a cold night, to all the rum afloat. They all say that rum only warms them for a time; yet, if they can get nothing better, they will miss what they have lost. The momentary warmth and glow from drinking it; the break and change which is made in a long, dreary watch by the mere calling all hands aft and serving of it out; and the simply having some event to look forward to, and to talk about; give it an importance and a use which no one can appreciate who has not stood his watch before the mast. On my passage round Cape Horn before, the vessel that I was in was not under temperance articles, and grog was served out every middle and morning watch, and after every reefing of topsails; and though I had never drank rum before, and never intend to again, I took my allowance then at the capstan, as the rest did, merely for the momentary warmth it gave the system, and the change in our feelings and aspect of our duties on the watch.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
When it was over, he suggested I come across to 24 Sussex and join him for an informal, off-the-record chat. These sessions happen occasionally, and I'd had them with other prime ministers in the past and some since. They can be useful and often lead to stories. So, I thought, let's see what happens. I joined the PM in the living room. He opened up the conversation by saying he had something for me, and an aide appeared with two glasses and what was obviously a bottle of liquor. "One of my Caribbean fellow prime ministers gave me this," he said. "It's the best rum in the world." He poured two glasses. And I mean poured. "But, Prime Minister," I said. "It's ten a.m., not my normal drinking time. Plus, I have to get back to Toronto to do The National tonight." He wasn't buying it. He wanted me to drink his rum. So, I sipped. I'm sure it could have started a car, it was so strong. He encouraged me to stop sipping and instead finish things off. I did. I don't remember anything else after that. It might have taken a few years, but revenge had been had.
Peter Mansbridge (Off the Record)
Someone’s gotta do it. No one’s gonna do it. So I’ll do it. Your honor, I rise in defense of drunken astronauts. You’ve all heard the reports, delivered in scandalized tones on the evening news or as guaranteed punch lines for the late-night comics, that at least two astronauts had alcohol in their systems before flights. A stern and sober NASA has assured an anxious nation that this matter, uncovered by a NASA-commissioned study, will be thoroughly looked into and appropriately dealt with. To which I say: Come off it. I know NASA has to get grim and do the responsible thing, but as counsel for the defense—the only counsel for the defense, as far as I can tell—I place before the jury the following considerations: Have you ever been to the shuttle launchpad? Have you ever seen that beautiful and preposterous thing the astronauts ride? Imagine it’s you sitting on top of a 12-story winged tube bolted to a gigantic canister filled with 2 million liters of liquid oxygen and liquid hydrogen. Then picture your own buddies—the “closeout crew”—who met you at the pad, fastened your emergency chute, strapped you into your launch seat, sealed the hatch and waved smiling to you through the window. Having left you lashed to what is the largest bomb on planet Earth, they then proceed 200 feet down the elevator and drive not one, not two, but three miles away to watch as the button is pressed that lights the candle that ignites the fuel that blows you into space. Three miles! That’s how far they calculate they must go to be beyond the radius of incineration should anything go awry on the launchpad on which, I remind you, these insanely brave people are sitting. Would you not want to be a bit soused? Would you be all aflutter if you discovered that a couple of astronauts—out of dozens—were mildly so? I dare say that if the standards of today’s fussy flight surgeons had been applied to pilots showing up for morning duty in the Battle of Britain, the signs in Piccadilly would today be in German. Cut these cowboys some slack. These are not wobbly Northwest Airlines pilots trying to get off the runway and steer through clouds and densely occupied airspace. An ascending space shuttle, I assure you, encounters very little traffic. And for much of liftoff, the astronaut is little more than spam in a can—not pilot but guinea pig. With opposable thumbs, to be sure, yet with only one specific task: to come out alive. And by the time the astronauts get to the part of the journey that requires delicate and skillful maneuvering—docking with the international space station, outdoor plumbing repairs in zero-G—they will long ago have peed the demon rum into their recycling units.
Charles Krauthammer (Things That Matter: Three Decades of Passions, Pastimes, and Politics)
It will be more than a decade before I meet the advocate and scholar Deborah Small, who will say that this is a nation founded on addiction - the production of rum and other alcohols, tobacco, sugar. And now, she will say, they put people in prison for it.
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
It didn’t take me long to settle into my new life as a beach bar owner in paradise. Truthfully, it wasn’t a demanding career. Trust me when I say that serving rum drinks to girls in tiny bikinis isn’t that big of a chore.
Anthony Lee Head (Driftwood: Stories from the Margarita Road)
I did that about ten months ago for Captain Hook!” We all could figure out exactly who he meant by that—except Alexander, who reacted slowly. “Captain Hook?” he asked. “Joshua,” Zoe explained. “Ten months ago, he had a hook instead of that mechanical prosthetic. And without an eye or a leg, he looked kind of like a pirate.” “He did, didn’t he?” Orion asked, with surprising friendliness for someone whose home had just been infiltrated. “I kept expecting him to say ‘Arrrrrr, matey’ or ‘Yo-ho-ho and a bottle of rum.’ Are you guys friends of his?
Stuart Gibbs (Spy School British Invasion)
Are you Russian?” “To the core.” “Well then, let me say at the outset that I am positively enamored with your country. I love your funny alphabet and those little pastries stuffed with meat. But your nation’s notion of a cocktail is rather unnerving. . . .” “How so?” The captain pointed discreetly down the bar to where a bushy-eyebrowed apparatchik was chatting with a young brunette. Both of them were holding drinks in a striking shade of magenta. “I gather from Audrius that that concoction contains ten different ingredients. In addition to vodka, rum, brandy, and grenadine, it boasts an extraction of rose, a dash of bitters, and a melted lollipop. But a cocktail is not meant to be a mélange. It is not a potpourri or an Easter parade. At its best, a cocktail should be crisp, elegant, sincere—and limited to two ingredients.” “Just two?” “Yes. But they must be two ingredients that complement each other; that laugh at each other’s jokes and make allowances for each other’s faults; and that never shout over each other in conversation. Like gin and tonic,” he said, pointing to his drink. “Or bourbon and water . . . Or whiskey and soda . . .” Shaking his head, he raised his glass and drank from it. “Excuse me for expounding.” “That’s quite all right.” The
Amor Towles (A Gentleman in Moscow)
and then endeavored to excuse the rum by saying, "The Great Spirit, who made all things, made every thing for some use, and whatever use he design'd any thing for, that use it should always be put to. Now, when he made rum, he said 'Let this be for the Indians to get drunk with,' and it must be so.
Anonymous
Did you take part in the chocolate production directly?" she asks, without quite knowing why. Maybe because she can't imagine his bulky fists tinkering with soft caramel and finely ground licorice powder. "Oh, yes. Every step in the process. White chocolate, milk chocolate, dark chocolate." A much younger man smiles through the wrinkles surrounding his brown eyes. "There isn't a sweet temptation that doesn't lure me in." Ingrid has to smile back, feels the optimism like a gust breezing through her. No, like a taste on her tongue! Wildrid can feel the saliva pooling behind her teeth: soft mint spreading out on the back of her tongue, salty caramel sticking to her molars. Chili chocolate burning the inside of her cheeks, rum cream with ginger melting down her throat. "Pineapple truffle!" she says. "Mango nougat! Marzipan-covered kiwi!" Johnny looks at her and chuckles. "I thought you said you wanted to start slowly and carefully?" The others grow quiet and Ingrid stops, embarrassed by her outburst. An erotic poem wrapped in cellophane.
Anne Østby (Pieces of Happiness)