Ruled By Venus Quotes

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I would rather be an artist than a leader. Ironically, a leader has to follow the rules.
Criss Jami (Venus in Arms)
Venus of Eryx, from her mountain throne, Saw Hades and clasped her swift-winged son, and said: 'Cupid, my child, my warrior, my power, Take those sure shafts with which you conquer all, And shoot your speedy arrows to the heart Of the great god to whom the last lot fell When the three realms were drawn. Your mastery Subdues the gods of heaven and even Jove, Subdues the ocean's deities and him, Even him, who rules the ocean's deities. Why should Hell lag behind? Why not there too Extend your mother's empire and your own....? Then Cupid, guided by his mother, opened His quiver of all his thousand arrows Selected one, the sharpest and the surest, The arrow most obedient to the bow, And bent the pliant horn against his knee And shot the barbed shaft deep in Pluto's heart.
Ovid (Metamorphoses)
By the way, were we to find life-forms on Venus, we would probably call them Venutians, just as people from Mars would be Martians. But according to rules of Latin genitives, to be “of Venus” ought to make you a Venereal. Unfortunately, medical doctors reached that word before astronomers did. Can’t blame them, I suppose. Venereal disease long predates astronomy, which itself stands as only the second oldest profession.
Neil deGrasse Tyson (Death by Black Hole: And Other Cosmic Quandaries)
Blue must be worn for protection. Moonstones were useful in connecting with the living, topaz to contact the dead. Copper, sacred to Venus, will call a man to you, and black tourmaline will eliminate jealousy. When it came to love, you must always be careful. If you dropped something belonging to the man you loved into a candle flame, then added pine needles and marigold flowers, he would arrive on your doorstep by morning, so you would do well to be certain you wanted him there. The most basic and reliable love potion was made from anise, rosemary, honey, and cloves boiled for nine hours on the back burner of the old stove. It had always cost $9.99 and was therefore called Love Potion Number Nine, which worked best on the ninth hour of the ninth day of the ninth month.
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
A woman can only stay in love with a man for as long as she continues loving herself when she's with him. As soon as she starts to hate who she has become while in the relationship, she will move heaven and earth to end it. Does she get hurt? Definitely. It doesn't mean that she wants to leave her love for him has faded or diminished. However, just like the most basic rule of human existence, you cannot continue giving what you do not have.
Laarni Venus Marie Giango
Poets represent love as sculptors design beauty, as musicians create melody; that is to say, endowed with an exquisite nervous organization, they gather up with discerning ardor the purest elements of life, the most beautiful lines of matter, and the most harmonious voices of nature. There lived, it is said, at Athens a great number of beautiful girls; Praxiteles drew them all one after another; then from these diverse types of beauty, each one of which had its defects, he formed a single faultless beauty and created Venus. The man who first created a musical instrument, and who gave to harmony its rules and its laws, had for a long time listened to the murmuring of reeds and the singing of birds. Thus the poets, who understand life, after knowing much of love, more or less transitory, after feeling that sublime exaltation which real passion can for the moment inspire, eliminating from human nature all that degrades it, created the mysterious names which through the ages fly from lip to lip: Daphnis and Chloe, Hero and Leander, Pyramus and Thisbe. To try to find in real life such love as this, eternal and absolute, is but to seek on public squares a woman such as Venus, or to expect nightingales to sing the symphonies of Beethoven.
Alfred de Musset (The Confession of a Child of the Century)
Taurus (April 20th-May 20th) This sign is ruled by Venus, making you value the sensual side of life. When you feel the pull of attraction you can’t help but give in. Just be sure that your conquest is worthy of your passionate, possessive love.
Livia Lang (Taurus (The Erotic Zodiac #5))
My Venus is damaged, or in exile, that’s what you say of a Planet that can’t be found in the sign where it should be. What’s more, Pluto is in a negative aspect to Venus, and in my case Pluto rules the Ascendant. The result of this situation is that I have, as I see it, Lazy Venus syndrome. That’s what I call this Conformity. In this case we’re dealing with a Person whom fortune has gifted generously, but who has entirely failed to use their potential. Such People are bright and intelligent, but don’t apply themselves to their studies, and use their intelligence to play card games or patience instead. They have beautiful bodies, but they destroy them through neglect, poison themselves with harmful substances, and ignore doctors and dentists. This Venus induces a strange kind of laziness—lifetime opportunities are missed, because you overslept, because you didn’t feel like going, because you were late, because you were neglectful. It’s a tendency to be sybaritic, to live in a state of mild semiconsciousness, to fritter your life away on petty pleasures, to dislike effort and be devoid of any penchant for competition. Long mornings, unopened letters, things put off for later, abandoned projects. A dislike of any authority and a refusal to submit to it, going your own way in a taciturn, idle manner. You could say such people are of no use at all.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
My horoscope had told me I'd be ruled by Venus today. And that was the horniest fucking planet in the solar system. I should have been prepared to deal with it.
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Kandinski looked up. 'Do you read science fiction?' he asked matter-of-factly. 'Not as a rule,' Ward admitted. When Kandinski said nothing he went on: 'Perhaps I’m too skeptical, but I can’t take it too seriously.' Kandinski pulled at a blister on his palm. 'No one suggests you should. What you mean is that you take it too seriously.' Accepting the rebuke with a smile at himself, Ward pulled out one of the magazines and sat down at a table next to Kandinski. On the cover was a placid suburban setting of snugly eaved houses, yew trees, and children’s bicycles. Spreading slowly across the roof-tops was an enormous pulpy nightmare, blocking out the sun behind it and throwing a weird phosphorescent glow over the roofs and lawns. 'You’re probably right,' Ward said, showing the cover to Kandinski. 'I’d hate to want to take that seriously.' ("The Venus Hunters")
J.G. Ballard
Moonstones were useful in connecting with the living, topaz to contact the dead. Copper, sacred to Venus, will call a man to you, and black tourmaline will eliminate jealousy.
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
Love-matches, my dear, are foolish things. I know not how you will find it some time hence: No general rule, however, without exceptions, you know. Violent Love on one side, is enough in conscience, if the other be not a fool, or ungrateful: The Lover and Lovée make generally the happiest couple. Mild, sedate convenience, is better than a stark staring-mad passion. The wall-climbers, the hedge and ditchleapers, the river-forders, the window-droppers, always find reason to think so. Who ever hears of darts, flames, Cupids, Venus’s, Adonis’s, and suchlike nonsense, in matrimony? — Passion is transitory; but discretion, which never bois over, gives durable  happiness.
Samuel Richardson (Complete Works of Samuel Richardson)
There is no equality in love," I replied solemnly. "Whenever it is a matter of choice for me of ruling or being ruled, it seems much more satisfactory to me to be the slave of a beautiful woman. But where shall I find the woman who knows how to rule, calmly, full of self-confidence, even harshly, and not seek to gain her power by means of petty nagging?
Leopold von Sacher-Masoch (Venus in Furs)
[Julius Caesar] rode a remarkable horse, too, with feet that were almost human; for its hoofs were cloven in such a way as to look like toes. This horse was foaled on his own place, and since the soothsayers had declared that it foretold the rule of the world for its master, he reared it with the greatest care, and was the first to mount it, for it would endure no other rider. Afterwards, too, he dedicated a statue of it before the temple of Venus Genetrix.
Suetonius (The Lives of the Twelve Caesars)
Frequency is translated into chemistry. The vibratory pitch of your attitude at any given moment is transferred to your DNA and quickly becomes your reality. Knowing this you have the freedom to choose how you design your life. It is you who designs your own health, your own relationships, and your own inner fulfilment. The second golden rule comes in the form of another caution; that we need to be very careful about using our knowledge (consciously or unconsciously) as a weapon. In our relationships we can all too easily point out the Shadows of others. Our ego can get a hold of knowledge and use it to try and help someone else, when in fact your urge to help the other has become a distraction from your own process. If you wish to truly help others, then you would do best to forget their Shadows altogether and contemplate their Gifts and Siddhis. If they are caught in a Shadow pattern then give them the frequency of their Siddhi as a response. Model the higher frequencies of others for others. The Shadows are for you alone!
Richard Rudd (Love: A guide to your Venus Sequence (The Gene Keys Golden Path Book 2))
Today, I declare your rule to be at its end. Your cities are not your cities. Your vessels are not your vessels. Your planets are not your planets. They were built by us. And they belong to us, the common trust of man. Now we take them back. Never mind the darkness you spread, never mind the night you summon, we will rage against it. We will howl and fight till our last breath, not just in the mines of Mars, but on the shores of Venus, on the dunes of Io’s sulfur seas, in the glacial valleys of Pluto. We will fight in the towers of Ganymede and the ghettos of Luna and the storm-stricken oceans of Europa. And if we fall, others will take our place, because we are the tide. And we are rising.” Then
Pierce Brown (Morning Star (Red Rising, #3))
But everywhere dark shapes were already melting into the night, seeking asylum in the undergrowth and the jungle. Those not caught in the first haul headed for the mountains, stealing canoes and boats to make their way upstream; they were unarmed, almost naked, but determined to return to the way of life of their ancestors, somewhere the whites would not be able reach them. As they passed the outlying plantations, they spread the news amongst their own people, and ten, twenty, more men would abandon their work, deserting the fields of indigo and clover, to swell the numbers of the runaways. And in parties of one hundred, two hundred at a time, followed by their wives carrying children, they moved off into the interior, through thickets and crags, in search of a place they could build a palisade. As they fled they scattered mullein seeds in the streams and rivulets, so that fish would be poisoned and infect the water with their miasma as they putrefied. Beyond this torrent, beyond that mountain clothed in waterfalls, Africa would begin again; they would go back to forgotten tongues, to the rites of circumcision, to the worship of the earlier gods, who had preceded the recent gods of Christianity. The undergrowth closed behind men who were retracing the course of history, to regain an age when Creation had been ruled by the fertile Venus, with her huge breasts and her ample belly, who was worshipped in deep caves where a hand was haltingly tracing its first configurations of the activities of the chase, and of ceremonies dedicated to the stars.
Alejo Carpentier (El siglo de las luces)
Note some odd things about the self’s world. One is that it is not the same as the Cosmos-environment. The planet Venus may be a sign in the self’s world as the evening star or the morning star, but the galaxy M31 may not be present at all. Another oddity is that the self’s world contains things which have no counterpart in the Cosmos, such as centaurs, Big Foot, détente, World War I (which is past), World War III (which may not occur). Yet another odd thing is that the word apple which you utter is part of my world but it is not a singular thing like an individual apple. It is in fact understandable only insofar as it conforms to a rule for uttering apples. But the oddest thing of all is your status in my world. You—Betty, Dick—are like other items in my world—cats, dogs, and apples. But you have a unique property. You are also co-namer, co-discoverer, co-sustainer of my world—whether you are Kafka whom I read or Betty who reads this. Without you—Franz, Betty—I would have no world.
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
What you call ‘Western civilization.’ Do you think it’s just an abstract concept? No, it’s a living force. A collective consciousness that has burned bright for thousands of years. The gods are part of it. You might even say they are the source of it, or at least, they are tied so tightly to it that they couldn’t possibly fade, not unless all of Western civilization were obliterated. The fire started in Greece. Then, as you well know—or as I hope you know, since you passed my course—the heart of the fire moved to Rome, and so did the gods. Oh, different names, perhaps—Jupiter for Zeus, Venus for Aphrodite, and so on—but the same forces, the same gods.” “And then they died.” “Died? No. Did the West die? The gods simply moved, to Germany, to France, to Spain, for a while. Wherever the flame was brightest, the gods were there. They spent several centuries in England. All you need to do is look at the architecture. People do not forget the gods. Every place they’ve ruled, for the last three thousand years, you can see them in paintings, in statues, on the most important buildings. And yes, Percy, of course they are now in your United States. Look at your symbol, the eagle of Zeus. Look at the statue of Prometheus in Rockefeller Center, the Greek facades of your government buildings in Washington. I defy you to find any American city where the Olympians are not prominently displayed in multiple places. Like it or not—and believe me, plenty of people weren’t very fond of Rome, either—America is now the heart of the flame. It is the great power of the West. And so Olympus is here.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Totality of Spheres excerpt : Far-night comes our consummation in time star shapes in separate lakes the you-sheen : Rag to wipe down the child’s mercury brow blood-heat doesn’t end it begins our work : Egret at pond’s edge of mind vague regret of venus holding an apple holding her breath : Lust wants what wound it can find heals the harm by balming the blade : Himself he says to himself the trembling king creates a cloud to hide away the hours : Rhyme in a ring undoes into child’s song time’s titan rule a no-atom-bell resounding : Obit of the discarded orders or truth suffers into oblivion or the fact wears a shroud : Lain down at long last the bones beauty wore inside herself on ocean bed lovely : Sings in the outermost undergrove shadowwaste soulspent worldwant some form or art : Your word some angel I guess some cherub embroidered on the veil that note : Word sewn on the love veil solar sail star primer tone tome tomb the readerless name
Dan Beachy-Quick
Technically, Sheena predates even Superman, having first appeared in the primordial dawn of comic books in 1937. But her true origins are older than that. Sheena is often described as the female version of Edgar Rice Burroughs’ 1912 creation, Tarzan. The majority of Burroughs’ popular works revolves around a tension between the savage and the civilized, also seen in Sheena’s adventures. Burroughs’ work, like that of fellow adventure writer H. Rider Haggard, came out of the colonial era, and was written for men and boys who yearned for an escape from stifling modern life, through tales of dangerous worlds and exotic women. The common theme of these stories is that a man from the civilized world finds his way to a fantastic, often barbaric, world of adventure, where he falls in love with an intoxicating savage princess. While most of Burroughs’ heroines, like Dejah Thoris or Dian the Beautiful, were in need of rescuing, Haggard’s 1886 novel She introduced a stronger heroine. The novel’s English protagonist encounters the beautiful queen Ayesha, the ruler of a lost city in Africa. Ayesha is referred to as “she who must be obeyed,” and is a creature that provokes both fear and lust. Ayesha was the ultimate fantasy of civilized man: the beautiful, savage white queen, ruling a kingdom unhindered by the laws of modern morality. This brand of men’s fiction produced the swirling foam of exotic and erotic fantasy from which rose the jungle Venus known as Sheena. (...) Now that we have some historical context on these female monarchs, let’s talk about their specific origins. In the 1930s, there were several studios that produced art and stories for the various publishers who were getting into the new field of comic books. One of the most successful and prolific was the Universal Phoenix Studio, operated by two young artists named Will Eisner and Jerry Iger. In 1937, they created a female Tarzan-type character named Sheena for the British tabloid Wags. The strip was credited to the pseudonym W. Morgan Thomas, and the heroine’s name was meant to remind readers of H. Rider Haggard’s She. Demand for new comic book material was growing in the United States, and American pulp magazine publisher Fiction House was looking for material for a new comic book. Sheena made her American debut in 1938’s Jumbo Comics #1, just three months after Superman’s now legendary first appearance. She was the first female adventure character in comic books. This would be just one of her claims to fame.
Mike Madrid (The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines)
To sum up, the tonal is the perception attached to physical matter and to our five senses. It is governed by sunlight and responsible for creating our identity and location in time and space when we are awake. Nahual comes from two words: nehua, which means ‘I’, and nahualli, which means ‘what can be extended’. In the ancient cosmology, it refers to everything that extends beyond the tonal — that is, who we really are. The tonal is solely ruled by solar energy, but the nahual is ruled by the energy of the whole universe, and mainly by the energy of the moon, Venus and the Pleiades. At a human level, we can detect this energy as a bluish-grey radiance, similar to the cold moon’s light, that is located around the navel when we are awake but moves up around the head when we are asleep or when we enter an altered state of consciousness. The nahual is the energy body that travels to the world of slumber, the one in which we dream. That’s why we perceive things differently when sleeping and dreaming. The nahual also allows us to go to the Mictlan, the land of the dead, and to other worlds. In other words, when we’re asleep, we’re very close to being what is known nowadays as a spirit.
Sergio Magana "Ocelocoyotl (The Toltec Secret)
As the symbol for this sign suggests, Libras are all about balance, and need it more in their lives than any other sign. They like to find that balance between work, social, recreational and family lives and are quite capable of doing so. Eventually, that is. Because they need to take their time to come to the right decision, Libras can seem wishy washy to those around them. In the end, however, whatever choice they make is almost always a win/win for everyone involved. Libras are air elementals ruled by Venus. They are diplomatic, gracious, cooperative, social and most of all, fair-minded. They like harmony, sharing, the outdoors and are generally very gentle. This sign finds happiness when others are happy, and when the world around them is balanced and harmonious. They are charming, and that charm is what draws people to them. They enjoy just about any form of meditation, because it helps them find balance on the inside that they so desperately need. On the upside, Libras are fair and just. They become upset if this is not the case. They like to discuss their favorite topics at great length, and the decisions a Libra make will benefit the greatest number of people. They are self-sacrificing for the greater good of their family or teammates. On the downside, because they take so long to make a decision, it may appear to others that they are lazy or absent-minded. Libras don’t like to be in charge, but they will make it a point to be heard. If they perceive a situation to be unfair or unjust, they will become argumentative. This sign is most compatible with Gemini, Sagittarius, Leo and Aquarius. Gemini: In this relationship, the
Luna Sidana (Astrology: The 12 Zodiac Signs: Their Traits, Their Meanings & The Nature of Your Soul)
southern star or constellation which once temporarily gained prominence in the sky, or may stand for some recurrent phenomenon, he most likely represented different ‘things’ on different occasions. Bali was guided by Venus, the guru of the asuras who, as we saw in “The Greatness of Saturn,” possesses the Sanjivani Vidya, which can revive the dead. Indeed, Venus is always dying (disappearing from view when it goes too close to the sun) and being reborn (reappearing after a predictable period of residence in the ‘underworld’). Asuras are known to be stronger at night, which they rule, but each dawn the potential chaos that night represents is dispelled by the sun, who reappears to separate the earth from the sky and to measure the world by rising in the east, appearing overhead at noon, and setting in the west. These may be the three great strides that the dwarf Vamana uses in The Begging of the Universe incident from the “The Greatness of Saturn” to subdue Bali and return him to the celestial underworld. Or perhaps the three steps are measured at the vernal equinox, when Vamana’s left foot reaches to the North (celestial)
Robert E. Svoboda (The Greatness of Saturn: A Therapeutic Myth)
By a law of August 1822, Jews had been excluded from state academic posts–a ruling aimed specifically at Gans. Ten years later Heine defended his Protestantism as his ‘Protest against injustice’, his ‘warlike enthusiasm which made me take part in the struggles of this militant church’. But this was nonsense, for he also argued that the spirit of Protestantism was not really religious at all: ‘The blooming flesh in Titian’s paintings–that is all Protestantism. The loins of his Venus are much more fundamental theses than those the German monk stuck on the church door of Wittenberg.’ And at the time of his baptism, he wrote to his friend Moses Moser: ‘I should not like it if you saw my baptism in a favourable light. I can assure you, if our laws allowed the stealing of silver spoons, I would not have done it.’71 His saying that baptism was ‘the entrance-ticket to European culture’ became notorious.
Paul Johnson (History of the Jews)
Oh, honey,” said Venus, “that’s for the plebes. We make the rules, so we get to break them.
Sheila Yasmin Marikar (The Goddess Effect)
Murnau now inserts scenes with little direct connection to the story, except symbolically. One involves a scientist who gives a lecture on the Venus flytrap, the “vampire of the vegetable kingdom.” Then Knock, in a jail cell, watches in close-up as a spider devours its prey. Why cannot man likewise be a vampire? Knock senses his Master has arrived, escapes, and scurries about the town with a coffin on his back. As fear of the plague spreads, “the town was looking for a scapegoat,” the titles say, and Knock creeps about on rooftops and is stoned, while the street is filled with dark processions of the coffins of the newly dead. Ellen Hutter learns that the only way to stop a vampire is for a good woman to distract him so that he stays out past the first cock’s crow. Her sacrifice not only saves the city but also reminds us of the buried sexuality in the Dracula story. Bram Stoker wrote with ironclad nineteenth-century Victorian values, inspiring no end of analysis from readers who wonder if the buried message of Dracula might be that unlicensed sex is dangerous to society. The Victorians feared venereal disease the way we fear AIDS, and vampirism may be a metaphor: The predator vampire lives without a mate, stalking his victims or seducing them with promises of bliss—like a rapist or a pickup artist. The cure for vampirism is obviously not a stake through the heart, but nuclear families and bourgeois values. Is Murnau’s Nosferatu scary in the modern sense? Not for me. I admire it more for its artistry and ideas, its atmosphere and images, than for its ability to manipulate my emotions like a skillful modern horror film. It knows none of the later tricks of the trade, like sudden threats that pop in from the side of the screen. But Nosferatu remains effective: It doesn’t scare us, but it haunts us. It shows not that vampires can jump out of shadows, but that evil can grow there, nourished on death. In a sense, Murnau’s film is about all of the things we worry about at three in the morning—cancer, war, disease, madness. It suggests these dark fears in the very style of its visuals. Much of the film is shot in shadow. The corners of the screen are used more than is ordinary; characters lurk or cower there, and it’s a rule of composition that tension is created when the subject of a shot is removed from the center of the frame. Murnau’s special effects add to the disquieting atmosphere: the fast motion of Orlok’s servant,
Roger Ebert (The Great Movies)
Depending on the planets Venus interacts with, this planetary influence can be lovingly compassionate or excessively hedonistic. It’s a planet that points out what you value with your money, time, and energy. Venus energy also manifests in the way that we seek pleasure, pampering, and money. Venus’s energy is feminine, but not in the same way as the moon. Where the moon’s take on femininity is about security and nurturing, Venus’s femininity is all about seduction, charm, and attraction. No matter your gender or your belief about your own ability to charm people’s socks off, Venus’s influence is present in your psychological makeup, and when you learn to work with this energy, you find a deep reserve of power and confidence. To illustrate all the ways Venusian energy influences our lives, let’s consider the zodiac signs that Venus rules. Personal Planets The planets closest to the sun including Mars, Venus, and Mercury are called “the personal planets” because their impacts are more readily felt in our lives. The luminaries (sun and moon) are also sometimes considered personal planets. All of these together form the basic energies of our charts, and their influence in our lives depends on where (which house) these planets are in.
Sanctuary Astrology (What's Your Sign?: A Guide to Astrology for the Cosmically Curious)
27 Nakshatra and their Lords in Astrology As per Vedic astrology and Indian mythology, the planets, earth, and stars all affect human life. The same goes for the nakshatras, as they can tell everything from a person’s present life to their future. That’s why astrologers use the word nakshatra to predict someone’s life. Actually, the nakshatras help in dealing with life issues and also help you know about the life of an individual. Nakshatra and their lords Ashwini - Ketu - Aswini is the first among the nakshatras and their lords. It is under the rule of Ketu. You might have heard of the Ashwani twins, who are also part of the Aswini Nakshatra. Well, the people born in this nakshatra and their lords are adventurous and full of life. They always try to bring new changes and also use words carefully that can heal others. Bharani – Venus. These kinds of people are usually born under the Bharani Nakshatra. Bharani is ruled by Venus. This nakshatra tells about the cycle of birth, fertility, and many other related things. Babies born under Bharani are usually responsible in the future and love to care for others. Krittika – Sun. Krittika, is ruled by God Sun. Yes, the sun is known for its fiery determination to burn and shine. People born under this nakshatra are full of determination and willpower. Rohini -Moon Such people who love peace and want harmony everywhere are usually born under Rohini Nakshatra. It is under Shree Krishna (Vishnu Ji). People born under this Nakshatra are emotional, have artistic abilities, and have a lovely nature too. Mrigasira – Mars This deer-shaped Mrigashira is ruled by Sri Chandra Sudeshwar (Lord Shiva) and Mars. People born under this have intelligence, good nature, and love exploring knowledge. Ardra – Rahu Adra is ruled by Rahu. An Ardra Nakshtra-born individual can break their limitations and adapt to changes. Punarvasu –Jupiter Yes if you see leadership qualities in people around you then it’s sure that the person is born in Punarvasu and ruled by Jupiter. Jyestha – Mercury Jyestha locals frequently demonstrate superior intellectual abilities, a perceptive disposition, and a knack for solving problems. Moola – Ketu Those who are from Moola frequently have an air of mystery, a strong sense of purpose, and a desire to solve life’s riddles. Revati – Mercury Revati babies have a kind and compassionate disposition, a great desire to help others, and a creative spirit. Natives of Revati frequently succeed in careers that let them use their creativity to express themselves and help others, such as counseling, writing, performing arts, or any other line of work involving the arts. For more details about this articles: Click Here
Occultscience2
Our fourth chakra is our heart chakra that gives pure love, compassion, good parent quality, self-confidence and detachment. Our spirit is most importantly in our heart, and the spirit is nothing but love. Its ruling planet is Venus, which represents the signs of Taurus and Libra as love, beauty, art and rule. A Venus which works well creates harmony and beauty wherever it is. It makes you feel nice to people. Strong Venus in a birth chart adds significant beauty to a male. The uniqueness stretches out from a person's inner nature and focuses on a person's behavior and attitude. Benevolence and sweetness encourage us to create positive emotions in people and help us transform them. When our heart opens, we become more connected with our subconscious. The spirit of pure love that is ignited in our heart naturally extends to our surroundings and also sparks similar emotions among the people around us. •       The Vishuddhi is called the fifth Chakra. This chakra located in our throat area helps us to feel that we are part and parcel of the whole. When this chakra is open we feel that we are a part of the whole. When this chakra is open, we experience the sensation of being one with the universe, with nature and with other humans. Saturn is the ruling planet for that center of energy. Saturn also rules the Capricorn and Aquarius signs. In our birth chart difficult aspects of Saturn make us feel lonely in life. Saturn is something of a disciplined teacher. Saturn's position in our birth chart offers us life field checks and lets us develop our shortcomings. It reveals the human character parts which need to be completed. It sometimes limits, creates hurdles and makes initiatives useless. Saturn is doing this so we are learning the lesson it is trying to teach. Once we learn our limitations and discover them, Saturn gives us stability, robustness and detachment. The fifth chakra also governs the ability within us to discern between right and wrong. During moments that Saturn is questioning us, with the aid of this chakra, we will use our power of judgment to realize what is right and wrong. This center of energy also gives us a state of witness. This allows us to enjoy life while playing our role and as a drama experience all the tragedy and difficulties. In this game the earth, the whole universe and planets play a role and put it on stage. Saturn creates a pessimistic personality when functioning badly, who cannot see the good things in life and feels sorry for himself.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
O femeie este ca un val. Când se simte iubită, respectul de sine îi crește și îi scade întocmai. Când se simte într-adevăr bie, va atinge un maxim, dar apoi dispoziția i se poate schimba și valul ei se sparge. Căderea este temporară. După ce atinge pragul de jos, dispoziția i se va schimba brusc și va începe din nou să fie mulțumită de sine. Valul va începe de la sine să crească. Când valul unei femei este în creștere, ea simte că are de oferit multă afecțiune dar, când este în scădere, simte existența unui gol interior și nevoia să-l compenseze prin dragoste. Această perioadă de regres este momentul în care face ordine în sentimente. Dacă ea și-a suprimat niște sentimente negative sau s-a negat pe sine pentru a fi mai iubitoare în partea ascendentă a valului atunci, la coborâre, va începe să resimtă aceste sentimente ca negative, ca nevoi nesatisfăcute. Mai ales în această perioadă de cădere, ea are nevoie să vorbească despre problemele ei, să fie ascultată și înțeleasă.
John Gray (Men Are from Mars Women Are from Venus, The New Rules, Why Men Marry Bitches 3 Books Collection Set)
The Watchers are paralleled in the myth of Anu (Heavens, Sky) copulating with Ki (Earth) to produce the Seven Udug-Hul or Evil Rebel Gods and Lamastu in Mesopotamian (Akkadian, NeoAssyrian, Babylonian) myth. In the Hittite and Hurrian myths of Kumarbi describe the rebellion against the King of Heaven, Tesub, descending from his high abode. Kumarbi copulates and impregnates an earthly female stone or rock, a diorite giant monster, Ullikummi is the offspring of the union, who then causes chaos and devastation in heaven and earth. In an earlier Hurrian myth, Illuyanka the Dragon defeats the storm god Tesub. The offspring of the Dragon then came up with Illuyanka and ate and drank from the earth. The storm god Tesub then defeated the Dragon and restored himself to the rule of the heavens. In Late Bronze Age Ugarit, the Hurrian associations survive in the cycle of this mythic pattern of this Canaanite cultural legend of Ashtar the Rebel. Ashtar the Rebel goes up to the heights of Mount Zaphon, sitting upon the throne of Aliyan Baal Hadad (who is in Hell, devoured by Mot). Ashtar could not properly fill the throne, proclaiming he would not rule the heavens as Baal and came down to reign over the whole of the vast Earth7. As explored in “Dragon of the Two Flames”, the origin of the modern archetype of Lucifer is found in the Epithet of 'Ngh w Srr', 'The Shining One/Venus the Rebel' which is 'Ashtar'. In the later Isaiah myth in the Old Testament, this tale is told with the Luciferian name ‘Helel ben Sahar’ as a Prince of Tyre.
Michael W. Ford (Fallen Angels: Watchers and the Witches Sabbat)