Peaks And Valleys Quotes

Every couple needs to argue now and then. Just to prove that the relationship is strong enough to survive. Long-term relationships, the ones that matter, are all about weathering the peaks and the valleys.

Humility is the mother of giants. One sees great things from the valley; only small things from the peak.

Long-term relationship - the ones that matter - are all about weathering the peaks and the valleys.

Everybody wants to be on the mountaintop, but if you'll remember, mountaintops are rocky and cold. There is no growth on the top of a mountain. Sure, the view is great, but what's a view for? A view just gives us a glimpse of our next destination-our next target. But to hit that target, we must come off the mountain, go through the valley, and begin to climb the next slope. It is in the valley that we slog through the lush grass and rich soil, learning and becoming what enables us to summit life's next peak.

We're going to be there for every inning. Not just the peaks and valleys.

A light which lives on what the flames devour, a grey landscape surrounding me with scorch, a crucifixion by a single wound, a sky and earth that darken by each hour, a sob of blood whose red ribbon adorns a lyre without a pulse, and oils the torch, a tide which stuns and strands me on the reef, a scorpion scrambling, stinging in my chest-- this is the wreath of love, this bed of thorns is where I dream of you stealing my rest, haunting these sunken ribs cargoed with grief. I sought the peak of prudence, but I found the hemlock-brimming valley of your heart, and my own thirst for bitter truth and art. - Stigmata of Love

Memory is often our only connection to who we used to be. Memories are fossils, the bones left by dead versions of ourselves. More potently, our minds are a hungry audience, craving only the peaks and valleys of experience. The bland erodes, leaving behind the distinctive bits to be remembered again and again. Painful or passionate, surreal or sublime, we cherish those little rocks of peak experience, polishing them with the ever-smoothing touch of recycled proxy living. In so doing—like pagans praying to a sculpted mud figure—we make of our memories the gods which judge our current lives.

The key to life," he told me once, "is to avoid the highs and the lows. It's the peaks and valleys that mess you up.

With peaks of joy and valleys of heartache, life is a roller coaster ride, the rise and fall of which defines our journey. It is both scary and exciting at the same time.

Every season has its peaks and valleys. What you have to try to do is eliminate the Grand Canyon.

Two roads diverged in a yellow wood, but I chose neither one. Instead, I set sail in my little boat to watch a sunset from a different view that couldn't be seen from shore. Then I climbed the tallest mountain peak to watch the amber sun through the clouds. Finally, I traveled to the darkest part of the valley to see the last glimmering rays of light through the misty fog. It was every perspective I experienced on my journey that left the leaves trodden black, and that has made all the difference.

Every life, every story, has peaks and valleys. You are walking through a low spot now. Perhaps it's foggy in the valley. And maybe you can't see the path anymore. But it's there. Keep walking on it. You'll find your way. And when you come through the thicket, with little rabbits hopping about, there will be a clearing, and the sun will be shining down on you with rays that will warm you and inspire you again.

Measurements of people’s minute-by-minute levels of pleasure and pain miss this fundamental aspect of human existence. A seemingly happy life may be empty. A seemingly difficult life may be devoted to a great cause. We have purposes larger than ourselves. Unlike your experiencing self—which is absorbed in the moment—your remembering self is attempting to recognize not only the peaks of joy and valleys of misery but also how the story works out as a whole.

Peaks and valleys. That's what life comes down to, in the end. Fucking geography.

Maybe there is no such thing as success—a final destination where you arrive once and for all. Maybe existence is a never-ending journey of peaks and valleys and forever chasing dreams.

I call the high and light aspects of my being SPIRIT and the dark and heavy aspects SOUL. Soul is at home in the deep shaded valleys. Heavy torpid flowes saturated with black grow there. The rivers flow like arm syrup. They empty into huge oceans of soul. Spirit is a land of high,white peaks and glittering jewel-like lakes and flowers. Life is sparse and sound travels great distances. There is soul music, soul food, and soul love. People need to climb the mountain not because it is there But because the soulful divinity need to be mated with the Spirit. Deep down we must have a rel affection for each other, a clear recognition of our shared human status. At the same time we must openly accept all ideologies and systems as means of solving humanity's problems. No matter how strong the wind of evil may blow, the flame of truth cannot be extinguished.

It mattered little if one was mute; people did not understand one another anyway. They collided with or charmed one another, hugged or trampled one another, but everyone knew only himself. His emotions, memory, and senses divided him from others as effectively as thick reeds screen the mainstream from the muddy bank. Like the mountain peaks around us, we looked at one another, separated by valleys, too high to stay unnoticed, too low to touch the heavens.

It is but it's also true. Long term relationships - the ones that matter - are all about weathering the peaks and the valleys. And you are still thinking long term, right?

The summit is believed to be the object of the climb. But its true object—the joy of living—is not in the peak itself, but in the adversities encountered on the way up. There are valleys, cliffs, streams, precipices, and slides, and as he walks these steep paths, the climber may think he cannot go any farther, or even that dying would be better than going on. But then he resumes fighting the difficulties directly in front of him, and when he is finally able to turn and look back at what he has overcome, he finds he has truly experienced the joy of living while on life's very road.

Here, are the stiffening hills, here, the rich cargo Congealed in the dark arteries, Old veins That hold Glamorgan's blood. The midnight miner in the secret seams, Limb, life, and bread. - Rhondda Valley

And so I would like to thank you. You taught me, again and again again and again and again, not to dream of you. And I listened. I am silent. These words are not words of love, but of the silence that will remain when I walk away when this letter is done. I have listened and I do not continue to imagine our love, for it was not love. You were too busy walking a flowered path, and it was my misstep that I thought we had something more than an hour’s fun for you. Thank you, for clarifying for me what love is not. Love is no thing, and nothing is a gift, space is a playground, and time and distance are merely peaks and valleys in the topography of real love. And I would remind you: I am not one of your fans. For I know what I deserve, and it is one who is not afraid of fear. Love does not require this map: it makes its way across the miles. Love does not heed the time; it is not rooted in the months of one or two moons. Love is not bothered by obstacles—they form the high sides to the left and right of this rocky path. This path does not depend upon external signs: love will find its own way.

Emotions were never permanent. Except no, one of them was. Though hate and anger, happiness and gratitude, jealousy, optimism, paranoia, all of the others were subject to peaks and valleys… love was a constant. True love was immortal.

I love memories. They are our ballads, our personal foundation myths. But I must acknowledge that memory can be cruel if left unchallenged. Memory is often our only connection to who we used to be. Memories are fossils, the bones left by dead versions of ourselves. More potently, our minds are a hungry audience, craving only the peaks and valleys of experience. The bland erodes, leaving behind the distinctive bits to be remembered again and again. Painful or passionate, surreal or sublime, we cherish those little rocks of peak experience, polishing them with the ever-smoothing touch of recycled proxy living. In so doing—like pagans praying to a sculpted mud figure—we make of our memories the gods which judge our current lives. I love this. Memory may not be the heart of what makes us human, but it’s at least a vital organ.

Love must be kind, and it must be a two-way street. Loyalty between two persons in an alliance of true friendship is a noble human endeavor. In true friendship, a human being finds strength. Good times or bad; the highest peak or the lowest valley in one’s life.

I have always wanted to be both man and woman...to share valleys and mountains upon my body the way the earth does in hills and peaks. I would like to enter a woman the way any man can, and be entered--to leave and to be left--to be hot and hard and soft all at the same time in the cause of our loving.

Our hearts may have broken in Nebraska but in Colorado they split open along the fractures, crumble to pieces, blow away. The peaks and green valleys, the lakes set at the foot of mountains like offerings. Beautiful and doomed and thus terrible.

God lives in the peaks and valleys, the jarring transitions, not in the mundane, the safe, the smooth, or the repetitive. But that means there must be at least a certain amount of dissonance. Without dissonance, there is no need of belief, and without belief there surely is no God.

when you get to the peak, remember the valley exists

You Change Your Valley Into A Peak When You Find And Use The Good That Is Hidden In The Bad Time.

All his life Robert Grainier would remember vividly the burned valley at sundown, the most dreamlike business he’d ever witnessed waking—the brilliant pastels of the last light overhead, some clouds high and white, catching daylight from beyond the valley, others ribbed and gray and pink, the lowest of them rubbing the peaks of Bussard and Queen mountains; and beneath this wondrous sky the black valley, utterly still, the train moving through it making a great noise but unable to wake this dead world.

Lucy, you’re a passionate, emotional person. Jude isn’t so much different. What do you expect to be the result when you two come together? You two don’t multiply the peaks and the valleys together; you exponentially affect them.

One of IDEO’s designers even sketched out a “project mood chart” that predicts how people will feel at different phases of a project. It’s a U-shaped curve with a peak of positive emotion, labeled “hope,” at the beginning, and a second peak of positive emotion, labeled “confidence,” at the end. In between the two peaks is a negative emotional valley labeled “insight.

Arguments for preservation based on the beauty of wilderness are sometimes treated as if they were of little weight because they are "merely aesthetic". That is a mistake. We go to great lengths to preserve the artistic treasures of earlier human civilisations. It is difficult to imagine any economic gain that we would be prepared to accept as adequate compensation for, for instance, the destruction of the paintings in the Louvre. How should we compare the aesthetic value of wilderness with that of the paintings in the Louvre? Here, perhaps, judgment does become inescapably subjective; so I shall report my own experiences. I have looked at the paintings in the Louvre, and in many of the other great galleries of Europe and the United States. I think I have a reasonable sense of appreciation of the fine arts; yet I have not had, in any museum, experiences that have filled my aesthetic senses in the way that they are filled when I walk in a natural setting and pause to survey the view from a rocky peak overlooking a forested valley, or by a stream tumbling over moss-covered boulders set amongst tall tree-ferns, growing in the shade of the forest canopy, I do not think I am alone in this; for many people, wilderness is the source of the greatest feelings of aesthetic appreciation, rising to an almost mystical intensity.

You Create A Peak When You Truly Follow Your Sensible Vision. Your Fear Fades And You Become More Peaceful And Successful.

Life has its sunshine and its rain, sir... its days and its nights... its peaks and its valleys...

Bruised and bleeding, he picked himself up and continued on. Eventually, he found a new path.

lmost everything looked more beautiful from a distance, the earth becoming more perfect as one ascended and came closer to seeing the world from God's eyes, man's hovels and palaces disappearing, the peaks and valleys of geography fading to become strokes of a paintbrush on a divine sphere.

What Ye disliked most was seeing the waves that slowly crawled across the display, a visual record of the meaningless noise Red Coast picked up from space. Ye felt this interminable wave was an abstract view of the universe: one end connected to the endless past, the other to the endless future, and in the middle only the ups and downs of random chance—without life, without pattern, the peaks and valleys at different heights like uneven grains of sand, the whole curve like a one-dimensional desert made of all the grains of sand lined up in a row, lonely, desolate, so long that it was intolerable. You could follow it and go forward or backward as long as you liked, but you’d never find the end. On

i always love the moment where the desert gives way to the mountains, because it reminds me that the highest peaks are borne of the lowest valleys, that the radical only exists in proximity to the mundane, because life can only be viewed relative to its opposite.

In the end, people don’t view their life as merely the average of all of its moments—which, after all, is mostly nothing much plus some sleep. For human beings, life is meaningful because it is a story. A story has a sense of a whole, and its arc is determined by the significant moments, the ones where something happens. Measurements of people’s minute-by-minute levels of pleasure and pain miss this fundamental aspect of human existence. A seemingly happy life may be empty. A seemingly difficult life may be devoted to a great cause. We have purposes larger than ourselves. Unlike your experiencing self—which is absorbed in the moment—your remembering self is attempting to recognize not only the peaks of joy and valleys of misery but also how the story works out as a whole. That is profoundly affected by how things ultimately turn out. Why would a football fan let a few flubbed minutes at the end of the game ruin three hours of bliss? Because a football game is a story. And in stories, endings matter. Yet we also recognize that the experiencing self should not be ignored. The peak and the ending are not the only things that count. In favoring the moment of intense joy over steady happiness, the remembering self is hardly always wise. “An inconsistency is built into the design of our minds,” Kahneman observes. “We have strong preferences about the duration of our experiences of pain and pleasure. We want pain to be brief and pleasure to last. But our memory … has evolved to represent the most intense moment of an episode of pain or pleasure (the peak) and the feelings when the episode was at its end. A memory that neglects duration will not serve our preference for long pleasure and short pains.” When our time is limited and we are uncertain about how best to serve our priorities, we are forced to deal with the fact that both the experiencing self and the remembering self matter. We do not want to endure long pain and short pleasure. Yet certain pleasures can make enduring suffering worthwhile. The peaks are important, and so is the ending.

Life, as you know, is a series of cycles, ups and downs. When we reach a peak of any type we have to recognize that you have to descend into the valley to get to the next peak. The valley is what makes us stronger.

He was responsible for my peaks and valleys, the pulsating waves and earth-shattering releases. It didn’t matter if I was bound or not, whether we fucked or made love, he was in control. The reality was he was always in control.

I have my doubts about all this real value in mountaineering, in getting to the top of everything and overlooking everything. Satan was the most celebrated of Alpine guides, when he took Jesus to the top of an exceeding high mountain and showed him all the kingdoms of the earth. But the joy of Satan in standing on a peak is not a joy in largeness, but a joy in beholding smallness, in the fact that all men look like insects at his feet. It is from the valley that things look large; it is from the level that things look high; I am a child of the level and have no need of that celebrated Alpine guide. I will lift up my eyes to the hills, from whence cometh my help; but I will not lift up my carcass to the hills, unless it is absolutely necessary. Everything is in an attitude of mind; and at this moment I am in a comfortable attitude. I will sit still and let the marvels and the adventures settle on me like flies. There are plenty of them, I assure you. The world will never starve for want of wonders; but only for want of wonder.

What is love? Is it a lightning bolt that instantaneously unites two souls in utter infatuation and admiration through the meeting of a simple innocent stare? Or is it a lustful seed that is sown in a dark dingy bar one sweaty summer's night only to be nurtured with romantic rendezvous as it matures into a beautiful flower? Is it a river springing forth, creating lifelong bonds through experiences, heartaches, and missed opportunities? Or is it a thunderstorm that slowly rolls in, climaxing with an awesome display of unbridled passion, only to succumb to its inevitable fade into the distance? I define love as education.... It teaches us to learn from our opportunities, and made the stupidest of decisions for the rightest of reasons. It gives us a hint of what "it" should be and feel like, but then encourages us to think outside the box and develop our own understanding of what "it" could be. Those that choose to embrace and learn from love's educational peaks and valleys are the ones that will eventually find true love, that one in a million. Those that don't are destined to be consumed with the inevitable ring around the rosy of fake I love you's and failed relationships. I have been lucky enough to have some of the most amazing teachers throughout my romantic evolution and it is to them that I dedicate this book. The lessons in life, passion and love they taught me have helped shape who I am today and who I will be tomorrow. To the love that stains my heart, but defines my soul....I thank you.....

The Most Common Reason You Leave A Peak Too Soon Is Arrogance, Masquerading As Confidence. The Most Common Reason You Stay In A Valley Too Long Is Fear, Masquerading As Comfort.

We get smarter and more creative as we age, research shows. Our brain's anatomy, neural networks, and cognitive abilities can actually improve with age and increased life experiences. Contrary to the mythology of Silicon Valley, older employees may be even more productive, innovative, and collaborative than younger ones... Most people, in fact, have multiple cognitive peaks throughout their lives.

I had been educated in the rhythms of the mountain, rhythms in which change was never fundamental, only cyclical. The same sun appeared each morning, swept over the valley and dropped behind the peak. The snows that fell in winter always melted in the spring. Our lives were a cycle—the cycle of the day, the cycle of the seasons—circles of perpetual change that, when complete, meant nothing had changed at all. I believed my family was a part of this immortal pattern, that we were, in some sense, eternal. But eternity belonged only to the mountain.

When you slip down a mountain of Joy , don't Worry. Instead of living gloomily in the dark valley , look up at the next peak and take one step in that direction .

Yet for every peak there is a valley.

All significant action must be followed by inaction.

Avoid Believing Things Are Better Than They Really Are When You Are On A Peak, Or Worse Than They Really Are When You Are In A Valley. Make Reality Your Friend.

It Is Natural For Everyone Everywhere To Have Peaks And Valleys At Work And In Life.

When thinking over one's life, it's the extreme moments that stand out. The peaks and the valleys. He was one of the highest peaks. In some ways looming larger than James. If James was a central mountain in the landscape of my life, then this other was a pinnacle of a different sort. Higher, sharper. You couldn't build upon its fragile precipices. But the view was spectacular.

choose to look at the mountains rather than trying to concentrate on the valleys. It's easier to glance behind you and see the peaks, but it takes actual effort to look down into the darkness of where you've been.

If you skip to the ending, you miss all the best parts, the parts that make all the heartache and strife, all the pain and sorrow worth it. You have to traverse the darkest valleys to reach the highest peaks, Elira.

midmorning. The sky steel blue and not a cloud in sight. His perch was atop a thirty-foot guard tower that had been built on the rocky pinnacle of a mountain, far above the timberline. From the open platform, he had a panoramic view of the surrounding peaks, the canyon, the forest, and the town of Wayward Pines, which from four thousand feet above, was little more than a grid of intersecting streets, couched in a protected valley. His radio squeaked. He answered, “Mustin, over.” “Just had a fence strike in zone four, over.” “Stand by.

Making progress isn't always about moving forward. Sometimes it's about bouncing back. Progress is not only reflected in the peaks you reach-it's also visible in the valleys you cross. Resilience is a form of growth.

One night, Ye was working the night shift. This was the loneliest time. In the deep silence of midnight, the universe revealed itself to its listeners as a vast desolation. What Ye disliked most was seeing the waves that slowly crawled across the display, a visual record of the meaningless noise Red Coast picked up from space. Ye felt this interminable wave was an abstract view of the universe: one end connected to the endless past, the other to the endless future, and in the middle only the ups and downs of random chance—without life, without pattern, the peaks and valleys at different heights like uneven grains of sand, the whole curve like a one-dimensional desert made of all the grains of sand lined up in a row, lonely, desolate, so long that it was intolerable. You could follow it and go forward or backward as long as you liked, but you’d never find the end.

Things in life will not always run smoothly. Sometimes we will be rising toward the heights—then all will seem to reverse itself and start downward. The great fact to remember is that the trend of civilization itself is forever upward; that a line drawn through the middle of the peaks and the valleys of the centuries always has an upward trend.

God plants the talent and it grows, sustained by a spirit-given strength to endure, even in the midst of darkness. It thrives in the valleys of life and ignores the peaks. It blooms like a flower when cradled by the warmth of the sun. It remains in a hidden stairwell in a concentration camp. It grows, fed in secret, in the heart of every artist.

When the Master gives us the vision of what he’s going to do in our lives, He shows us the mountain peaks while He hides the valleys. If you saw the climb you would have to endure to get to the mountaintop, you would abandon the entire trip.

Purple snow capped mountains marched off in either direction, with clouds floating around their middles like fluffy belts. In a massive valley between two of the largest peaks, a ragged wall of ice rose out of the sea, filling the entire gorge. The glacier was blue and white with streaks of black, so that it looked a hedge of dirty snow left behind on a sidewalk after a snowplow had gone by, only four million times as large.

For most of us free-thinking, wild hearts, our relationship with God or the Universe will go through peaks and valleys – transforming into new concepts and beliefs, completely disappearing, at times, only then to instantly explode back into existence by something even as small as a sunset!

Just like the movements in a symphony, the rain sent vibrations through his body, painting the world in a physical map of mountains, valleys and high peaks dropping into deep ravines. The physical structures were all created by sound itself, and the colors were intense and vivid—substance created by sound, by feeling.

The boy stood on the highest knoll of the low country in the Western Kingdom of the Ring, looking north, watching the first of the rising suns. As far as he could see stretched rolling green hills, like camel humps, dipping and rising in a series of valleys and peaks. The burnt-orange rays of the first sun lingered in

And the days move on and the names of the months change and the four seasons bury one another and it is spring again and yet again and the small streams that run over the rough sides of Gormenghast Mountain are big with rain while the days lengthen and summer sprawls across the countryside, sprawls in all the swathes of its green, with its gold and sticky head, with its slumber and the drone of doves and with its butterflies and its lizards and its sunflowers, over and over again, its doves, its butterflies, its lizards, its sunflowers, each one an echo-child while the fruit ripens and the grotesque boles of the ancient apple trees are dappled in the low rays of the sun and the air smells of such rotten sweetness as brings a hunger to the breast, and makes of the heart a sea-bed, and a tear, the fruit of salt and water, ripens, fed by a summer sorrow, ripens and falls … falls gradually along the cheekbones, wanders over the wastelands listlessly, the loveliest emblem of the heart’s condition. And the days move on and the names of the months change and the four seasons bury one another and the field-mice draw upon their granaries. The air is murky, and the sun is like a raw wound in the grimy flesh of a beggar, and the rags of the clouds are clotted. The sky has been stabbed and has been left to die above the world, filthy, vast and bloody. And then the great winds come and the sky is blown naked, and a wild bird screams across the glittering land. And the Countess stands at the window of her room with the white cats at her feet and stares at the frozen landscape spread below her, and a year later she is standing there again but the cats are abroad in the valleys and a raven sits upon her heavy shoulder. And every day the myriad happenings. A loosened stone falls from a high tower. A fly drops lifeless from a broken pane. A sparrow twitters in a cave of ivy. The days wear out the months and the months wear out the years, and a flux of moments, like an unquiet tide, eats at the black coast of futurity. And Titus Groan is wading through his boyhood.

The Path Out Of The Valley Appears When You Choose To See Things Differently.

The land afterward was cleared by oxen, the fallen trees stripped of their bark and cut for lumber that would be used in the construction of the villa, in which the women would live as servants, on whose property their daughters terraced the mountain for orange and lemon groves, where they could see to the east from the peak of Mount Terminus their sons raising swine in the valley below.

I believe finally, that education must be conceived as a continuing reconstruction of experience; that the process and the goal of education are one and the same thing. —JOHN DEWEY I’m standing on the red railway car that sits abandoned next to the barn. The wind soars, whipping my hair across my face and pushing a chill down the open neck of my shirt. The gales are strong this close to the mountain, as if the peak itself is exhaling. Down below, the valley is peaceful, undisturbed. Meanwhile our farm dances: the heavy conifer trees sway slowly, while the sagebrush and thistles quiver,

JANUARY 30 Fortunately [psycho]analysis is not the only way to resolve inner conflicts. Life itself still remains a very effective therapist. —Karen Horney The passage of time, coupled with an openness to the messages gleaned from our conversations with others, can provide answers we need for the way out of painful situations. Life is ebb and flow, peaks and valleys, struggles and sweet times. What we fail to realize, all too often, is that the struggles make possible the times that are sweet. Our conflicts are our special lessons in life. We can learn to flow with them, move through them, trust their value to us as growing, changing women. How good it feels to have found security with one another and that power greater than ourselves who can, when we are willing, show us the path to resolution. Life will never be free of conflict—nor should it be. Our lessons move us to higher planes of awareness. We can experience the joy hidden within the conflict. We can help one another remember that the sweetness of a moment is tied to the pain of a former, forgotten moment. All events, all experiences, are connected. The path I travel, alone and with others, is bringing me brighter days. I will trust my path. It’s right for me.

Only after I had learned those boundaries and generalities of my grief was I able to venture further into the mountains and valleys, the peaks and troughs of my despair. And as I traversed them-breathing a sigh of relief thinking that I'd conquered the worst of it-only then would I finally arrive at the truth about loss, the part no one ever warns you about: that grief is a city all of its own, built high on a hill and surrounded by stone walls. It is a fortress that you will inhabit for the rest of your life, walking its dead-end roads forever. The trick is to stop trying to escape and, instead, to make yourself at home.

The weeks up there were almost the most beautiful in my life. I breathed the pure, clear air, drank the icy water from streams and watched the herds of goats grazing on the steep slopes, guarded by dark-haired, musing goatherds. At times I heard storms resound through the valley and saw mists and clouds at unusually close quarters. In the clefts of rocks I observed the small, delicate, bright coloured flowers and the many wonderful mosses, and on clear days I used to like to walk uphill for an hour until I could see the clearly outlined distant peaks of high mountains, their blue silhouettes, and white, sparkling snow fields across the other side of the hill.

From the mountain peaks for streams descend and flow near the town; in the cascades the white water is calling, but the mistis do not hear it. On the hillsides, on the plains, on the mountaintops the yellow flowers dance in the wind, but the mistis hardly see them. At dawn, against the cold sky, beyond the edge of the mountains, the sun appears; then the larks and doves sing, fluttering their little wings; the sheep and the colts run to and fro in the grass, while the mistis sleep or watch, calculating the weight of their steers. In the evening Tayta Inti gilds the sk, gilds the earth, but they sneeze, spur their horses on the road, or drink coffee, drink hot pisco. But in the hearts of the Puquios, the valley is weeping and laughing, in their eyes the sky and the sun are alive; within them the valley sings with the voice of the morning, of the noontide, of the afternoon, of the evening.

Ye felt this interminable wave was an abstract view of the universe: one end connected to the endless past, the other to the endless future, and in the middle only the ups and downs of random chance—without life, without pattern, the peaks and valleys at different heights like uneven grains of sand, the whole curve like a one-dimensional desert made of all the grains of sand lined up in a row, lonely, desolate, so long that it was intolerable. You

Yes," he replied, "absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me." "She will have nothing to eat--you will starve her," observed Adèle. "I shall gather manna for her morning and night; the plains and hell-sides in the moon are bleached with manna, Adèle." "She will want to warm herself; what will she do for a fire?" "Fire rises out of the lunar mountains; when she is cold, I'll carry her up to a peak and lay her down on the edge of a crater." "Oh, she'll be uncomfortable there! And her clothes, they will wear out; how can she get new ones?" Mr. Rochester professed to be puzzled. "Hem!" said he. "What would you do, Adèle? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow." "She is far better as she is," concluded Adèle, after musing some time; "besides, she would get tired of living with only you in the moon. If I were mademoiselle, I would never consent to go with you.

Life’s journey doesn’t start on the highest mountain peak where a clear view of the trail ahead, obstacles and all, is laid out for us to observe before setting foot on the path. No. Life’s journey begins on a low road, in a valley, or even down inside a pit where the trail beyond can only be seen in short stretches, and any obstacles are met as they come. This makes life trying, even scary at times. Have faith that God gave you this life, and hence it is worth seeing through to the end of the trail.

Adèle heard him, and asked if she was to go to school “sans mademoiselle?” “Yes,” he replied, “absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.” “She will have nothing to eat: you will starve her,” observed Adèle. “I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adèle.” “She will want to warm herself: what will she do for a fire?” “Fire rises out of the lunar mountains: when she is cold, I’ll carry her up to a peak, and lay her down on the edge of a crater.” “Oh, qu’ elle y sera mal—peu comfortable!  And her clothes, they will wear out: how can she get new ones?” Mr. Rochester professed to be puzzled.  “Hem!” said he.  “What would you do, Adèle?  Cudgel your brains for an expedient.  How would a white or a pink cloud answer for a gown, do you think?  And one could cut a pretty enough scarf out of a rainbow.

Think with me here … everybody wants to be on the mountaintop, but if you'll remember, mountaintops are rocky and cold. There is no growth on the top of a mountain. Sure, the view is great, but what's a view for? A view just gives us a glimpse of our next destination — our next target. But to hit that target, we must come off the mountain, go through the valley, and begin to climb the next slope. It is in the valley that we slog through the lush grass and rich soil, learning and becoming what enables us to summit life's next peak.

His lips fell back against mine and in the blink of an eye, our bathing suits were shed. He fisted my hair and tilted my head off to the side, nibbling down my neck as he sucked marks against my skin. I felt my pussy heating for him. I felt my toes curling as he kissed down the valley of my breasts. He cupped them forcefully, massaging and tweaking my puckered peaks as I moaned and squealed and whimpered. “Teo,” I whispered. He growled. “Already so wet for me.” He slid two fingers inside of my body and my back arched dangerously. He crooked them against that pebbled spot as his thumb slid against my clit, and already I felt my ending approaching. I fisted the bed sheets as he pumped his dexterous fingers, tickling that sweet spot that made my eyes widen and my jaw unhinge with silent pleasure. An unearthly drone bubbled up the back of my throat as my orgasm crashed over me. But, nothing felt even remotely wonderful compared to the feeling of his cock sliding between my legs. “Holy fuck,” he growled. He pinned my wrists above my head and pounded against my body. My tits jumped for his viewing pleasure as he planted his knees into the mattress. My legs locked around him as I opened myself up for his assault. His thick dick, sliding against my walls as they clamped around him. My body, puckering at every movement and every sound he graced me with. All I knew was pleasure. All I understood was his presence. And the only name that came to mind as my second orgasm approached was his name. “Teo! Holy shit!” I exclaimed. He grunted. “Come for me. Squeeze that tight little pussy ar—ound—oh, shit.” He slowed his movements long enough to work me through an ecstasy that crashed so hard against my body that my vision tunneled. My body shook and tensed. Contracted and released. Then finally, my back collapsed to the bed. I felt physically spent until Teo’s dick slid from between my legs. And automatically, I missed him.

When you surrender you become a valley; when you are an ego you are like a peak. Ego means you are above everyone else, you are somebody. The others may recognize you, may not recognize you – that is another thing. You recognize that you are above everyone. You are like a peak; nothing can enter you. When one surrenders, one becomes like a valley. One becomes depth, not height. Then the whole existence begins to pour into him from everywhere. He is just a vacuum, just a depth, an abyss, bottomless. The whole existence begins to pour from everywhere. You can say godliness runs from everywhere to him, enters him from every pore, fills him totally. This surrender, this becoming a valley, an abyss, can be felt in many ways. There are minor surrenders; there are major surrenders. Even in minor surrenders you feel it. Surrendering to a master is a minor surrender, but you begin to feel it because the master begins to flow into you immediately. If you surrender to a master, suddenly you feel his energy flowing into you. If you cannot feel energy flowing into you, then know well you have not surrendered even in a minor way. There

The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.

Above all, they cover two periods of time, one leading up to the first coming of the Messiah and one leading to the second. It’s as if Daniel looked through a prophetic telescope and saw two ‘peaks’ of history, a lower in front of a higher, without realizing the length of the valley between them.

While awake, he was all angles and tension- the muscles of his jaw were strung tight as a bow, as though he were in a perpetual state of holding himself back. But now, in slumber, in the glow of the fire, he was... Beautiful. The angles were still there, sharp and perfect, as though a master sculptor had had a hand in creating him- the tilt of his jaw, the cleft of his chin, his long, straight nose, the perfect curve of his brows, and those eyelashes, just as they were when he was a boy, unbelievably long and lush, a black, sooty caress against his cheeks. And his lips. Not pressed in a firm, grim line at the moment, instead lovely and full. They had once been so quick to smile, but... they had become dangerous and tempting in a way they'd never been when he was a boy. She traced the peak and valleys of his upper lip with her gaze, wondering how many women had kissed him. Wondering what his mouth would feel like- soft or firm, light or dark. She exhaled, temptation making the breath long and heavy. She wanted to touch him.

The soul of Sardinia lies in the hills of the interior and the villages peppered among them. There, in areas such as Nuoro and Ozieri, women bake bread by the flame of the communal oven, winemakers produce their potions from small caches of grapes adapted to the stubborn soil and acrid climate, and shepherds lead their flocks through the peaks and valleys in search of the fickle flora that fuels Sardinia's extraordinary cheese culture. There are more sheep than humans roaming this island- and sheep can't graze on sand. On the table, the food stands out as something only loosely connected to the cuisine of Italy's mainland. Here, every piece of the broader puzzle has its own identity: pane carasau, the island's main staple, eats more like a cracker than a loaf of bread, built to last for shepherds who spent weeks away from home. Cheese means sheep's milk manipulated in a hundred different ways, from the salt-and-spice punch of Fiore Sardo to the infamous maggot-infested casu marzu. Fish and seafood may be abundant, but they take a backseat to four-legged animals: sheep, lamb, and suckling pig. Historically, pasta came after bread in the island's hierarchy of carbs, often made by the poorest from the dregs of the wheat harvest, but you'll still find hundreds of shapes and sizes unfamiliar to a mainland Italian. All of it washed down with wine made from grapes that most people have never heard of- Cannonau, Vermentino, Torbato- that have little market beyond the island.

I love memories. They are our ballads, our personal foundation myths. But I must acknowledge that memory can be cruel if left unchallenged. Memory is often our only connection to who we used to be. Memories are fossils, the bones left by dead versions of ourselves. More potently, our minds are a hungry audience, craving only the peaks and valleys of experience. The bland erodes, leaving behind the distinctive bits to be remembered again and again. Painful or passionate, surreal or sublime, we cherish those little rocks of peak experience, polishing them with the ever-smoothing touch of recycled proxy living. In so doing—like pagans praying to a sculpted mud figure—we make of our memories the gods which judge our current lives. I love this. Memory may not be the heart of what makes us human, but it’s at least a vital organ. Nevertheless, we must take care not to let the bliss of the present fade when compared to supposedly better days. We’re happy, sure, but were we more happy then? If we let it, memory can make shadows of the now, as nothing can match the buttressed legends of our past. I think about this a great deal, for it is my job to sell legends. Package them, commodify them. For a small price, I’ll let you share my memories—which I solemnly promise are real, or will be as long as you agree not to cut them too deeply. Do not let memory chase you. Take the advice of one who has dissected the beast, then rebuilt it with a more fearsome face—which I then used to charm a few extra coins out of an inebriated audience. Enjoy memories, yes, but don’t be a slave to who you wish you once had been. Those memories aren’t alive. You are.

Finer feeling, which we now wish to consider, is chiefly of two kinds: the feeling of the *sublime* and that of the *beautiful*. The stirring of each is pleasant, but in different ways. The sight of a mountain whose snow-covered peak rises above the clouds, the description of a raging storm, or Milton's portrayal of the infernal kingdom, arouse enjoyment but with horror; on the other hand, the sight of flower strewn meadows, valleys with winding brooks and covered with grazing flocks, the description of Elysium, or Homer's portrayal of the girdle of Venus, also occasion a pleasant sensation but one that is joyous and smiling. In order that the former impression could occur to us in due strength, we must have *a feeling of the sublime*, and, in order to enjoy the latter well, *a feeling of the beautiful*. Tall oaks and lonely shadows in a sacred grove are sublime; flower beds, low hedges and trees trimmed in figures are beautiful. Night is sublime; day is beautiful. Temperaments that possess a feeling for the sublime are drawn gradually, by the quiet stillness of a summer evening as the shimmering light of the stars breaks through the brown shadows of night and the lonely moon rises into view, into high feelings of friendship, of disdain for the world, of eternity. The shining day stimulates busy fervor and a feeling of gaiety. The sublime *moves*, the beautiful *charms*.

Gregori tugged on her hair to force her back to him. "You make me feel alive, Savannah." "Do I? Is that why you're swearing?" She turned onto her stomach, propping herself up onto her elbows. He leaned into her, brushing his mouth across the swell of her breast. "You are managing to tie me up in knots. You take away all my good judgement." A slight smile curved her mouth. "I never noticed that you had particularly good judgement to begin with." His white teeth gleamed, a predator's smile, then sank into soft bare flesh. She yelped but moved closer to him when his tongue swirled and caressed, taking away the sting. "I have always had good judgement," he told her firmly, his teeth scraping back and forth in the valley between her breasts. "So you say.But that doesn't make it so. You let evil idiots shoot you with poisoned darts. You go by yourself into laboratories filled with your enemies. Need I go on?" Her blue eyes were laughing at him. Her firm, rounded bottom was far too tempting to resist. He brought his open palm down in mock punishment. Savannah jumped, but before she could scoot away, his palm began caressing, producing a far different effect. "Judging from our positions, ma petite, I would say my judgement looks better than yours." She laughed. "All right,I'm going to let you win this time." "Would you care for a shower?" he asked solicitously. When she nodded, Gregori flowed off the bed, lifted her high into his arms,and cradled her against his chest. There was something too innocent about him. She eyed him warily. But in an instant he had already glided across the tiled floor to the balcony door, which flew open at his whim, and carried her, naked, into the cold, glittering downpour. Savannah tried to squirm away, wiggling and shoving at his chest, laughing in spite of the icy water cascading over her. "Gregori! You're so mean. I can't believe you did this." "Well,I have poor judgement." He was grinning at her in mocking, male amusement. "Is that not what you said?" "I take it back!" she moaned, clinging to him, burying her fact on his shoulder as the chill rain pelted her bare breasts, making her nipples peak hard and fast. "Run with me tonight," Gregori whispered against her neck. An enticement. Temptation. Drawing her to him, another tie to his dark world. She lifted her head, looked into his silver eyes, and was lost.The rain poured over her, drenching her, but as Gregori slowly glided with her to the blanket of pine needles below the balcony,she couldn't look away from those hungry eyes.

he snuffed the remaining powder into his other nostril and threw the scrap of thin plastic to the floor. There was no sensation, nothing at all, the world was the same and Billy knew that he had been cheated. Two D’s shot, gone for nothing. He leaned out of the glassless, frameless window and tears mixed with the perspiration on his face. He cried and thought about that for a while and thought how glad he was it was dark and no one could see him crying, not him, eighteen years old. Under his fingers the rough metal of the window opening had the feel of miniature mountain peaks and valleys. Jagged, smooth, soft, hard. He leaned close and stroked with his fingertips and the pleasure of the touch sent shivers of love running the length of his spine. Why had he never noticed this before? Bending, he put out his tongue and the sweet-sour-iron-dirt taste was so wonderful, and when he let the sharp front edges of his teeth touch the metal it felt as though he had bitten off a piece of steel half as big as the bridge.

Like high mountain climbers who set up a base in the valley at the foot of the mountains and another camp and camp number two and camp number three at various heights on the road to the peak, and in every camp they leave food and provisions and equipment to make their last climb easier and to collect on their way back everything that might help them as they descend, so I leave my childhood and my youth and my adult years in various camps with a flag on every camp. I know I shall never return, but to get to the peak with no weight, light, light!

The travelers A monk asked: “I have heard that the masters of old reached great enlightenment through difficult and painful practice, and that it was through various sorts of difficult practice that the masters of our own day too attained complete realization of the Dharma. I can’t quite accept the idea that someone like myself can realize the Unborn Buddha Mind just as I am without engaging in religious practice or attaining enlightenment.” The Master said: “Suppose there’s a group of travelers passing through tall mountain peaks. Arriving at a spot where there’s no water, they become thirsty, and one of them goes off to search for water in a distant valley. After strenuously searching all over, he finds some at last and returns to give it to his companions to drink. Without making any strenuous efforts themselves, the people who drink the water can satisfy their thirst just the same as the one who did make such efforts, can’t they? [On the other hand,] those who harbor doubts and refuse to drink the water will have no way to satisfy their thirst. Because I didn’t meet with any clear-eyed men, I went astray and engaged in strenuous efforts till finally I uncovered the buddha within my own mind. So when I tell all of you that, without painful practice, you [can uncover] the buddha in your own minds, it’s just like [the travelers] drinking the water and slaking their thirst without having gone in search of the water themselves. In this way, when you make use of the Buddha Mind that everyone has, just as it is, and attain peace of mind without delusory difficult practice, that’s the precious true teaching, isn’t it?” (zenshū, p. 126.)

I had a firm policy never to charge up my team on an emotional level. I believe that for every artificial peak you may create there is a valley, and i don't like valleys. Games can be lost in valleys. The ideal is an ever-mounting graph line that peaks with your final performance. There will be difficulty and adversity to overcome, but that is necessary to become stronger. Other coaches believe in charging a team up. I never did and never will. I sought a calm assurances in our dressing room, and a calm assurance warming up on the floor, and ad calm assurance in my final remarks before going out to play.

How did you know you loved Gramps? The way I felt when I was with him. The things he did to me when he wasn't even touching me at all. Just being near him filled me up inside. And those feelings fade through the years. They peak and valley, coming and going, then the real stuff kicks in, and you truly find out if you love one another. Sometimes you think you have grown apart or made a wrong decision. But then you watch him sitting across the table, the same place he's sat for fifty years, having his coffee and reading his newspaper. And you remember all those old feelings, realizing you wouldn't trade him for anything.

SURELY YOU SEE from this that you shouldn’t take your own experience as the rule of thumb by which you judge other contemplatives. For example, those who must work really hard to reach the peak of contemplation, and then only get there occasionally, might make the mistake of using their own experience as the standard for other contemplatives. We must remember that not everyone has a difficult journey to the exceptional ecstasy. Some walk a simple path, routinely meeting the miraculous in the ordinary. On the other hand, these contemplatives must not make the opposite assumption that their experience is universal. Not everyone feels the joy of contemplation whenever they wish. Avoid both close-minded ways of thinking, for you can’t judge another’s unique contemplative experience by your own. Besides, you can’t know God’s wisdom; someone who has struggled a long time with prayer only to know the extraordinary transcendent moment may one day have these moments whenever they want and as often as they want. Moses is a good example of this. To start with, he only rarely caught a glimpse of the Ark’s form and not without first working awfully hard on the mountain. But later, when the Ark was kept in the valley, Moses could see it as often as he liked.1

Our house was made of stone, stucco, and clapboard; the newer wings, designed by a big-city architect, had a good deal of glass, and looked out into the Valley, where on good days we could see for many miles while on humid hazy days we could see barely beyond the fence that marked the edge of our property. Father, however, preferred the roof: In his white, light-woolen three-piece suit, white fedora cocked back on his head, for luck, he spent many of his waking hours on the highest peak of the highest roof of the house, observing, through binoculars, the amazing progress of construction in the Valley - for overnight, it seemed, there appeared roads, expressways, sewers, drainage pipes, "planned" communities with such names as Whispering Glades, Murmuring Oaks, Pheasant Run, Deer Willow, all of them walled to keep out intruders, and, yet more astonishing, towerlike buildings of aluminum and glass and steel and brick, buildings whose windows shone and winked like mirrors, splendid in sunshine like pillars of flame; such beauty where once there had been mere earth and sky, it caught at your throat like a great bird's talons, taking your breath away. 'The ways of beauty are as a honeycomb,' Father told us, and none of us could determine, staring at his slow moving lips, whether the truth he spoke was a happy truth or not, whether even it was truth. ("Family")

In the end, people don’t view their life as merely the average of all of its moments—which, after all, is mostly nothing much plus some sleep. For human beings, life is meaningful because it is a story. A story has a sense of a whole, and its arc is determined by the significant moments, the ones where something happens. Measurements of people’s minute-by-minute levels of pleasure and pain miss this fundamental aspect of human existence. A seemingly happy life may be empty. A seemingly difficult life may be devoted to a great cause. We have purposes larger than ourselves. Unlike your experiencing self—which is absorbed in the moment—your remembering self is attempting to recognize not only the peaks of joy and valleys of misery but also how the story works out as a whole.

Consider the fact that we care deeply about what happens to the world after we die. If self-interests were the primary source of meaning in life, then it wouldn’t matter to people if an hour after their death everyone they know were to be wiped from the face of the earth. Yet, it matters greatly to most people. We feel that such an occurrence would make our lives meaningless. The only way death is not meaningless is to see yourself as part of something greater; a family, a community, a society. If you don’t, mortality is only a horror, but if you do, it is not. Loyalty, said Royce, solves the paradox of our ordinary existence, by showing us outside of ourselves the cause which is to be served, and inside of ourselves, the will which delights to do this service, and is not thwarted, but enriched and expressed in such service… Above the level of self-actualization in Maslow’s hierarchy of needs, they suggest the existence in people of a transcendent desire to see and help other beings achieve their potential. As our time winds down, we all seek comfort in simple pleasures; companionship, everyday routines, the taste of good food, the warmth of sunlight on our faces. We become less interested in the awards of achieving and accumulating and more interested in the rewards of simply being. Yet, while we may feel less ambitious, we also have become concerned for our legacy, and we have a deep need to identify purposes outside ourselves that make living feel meaningful and worthwhile. In the end, people don’t view their life as merely the average of all of its moments, which after all is mostly nothing much, plus some sleep. For human beings, life is meaningful because it is a story. A story has a sense of a whole, and its arc is determined by the significant moments; the ones where something happens. Measurements of people’s minute by minute levels of pleasure and pain miss this fundamental aspect of human existence. A seemingly happy life may be empty. A seemingly difficult life may be devoted to a great cause. We have purposes larger than ourselves. Unlike your experiencing self, which is absorbed in the moment, your remembering self is attempting to recognize not only the peaks of joy and valleys of misery, but also how the story works out as a whole. That is profoundly affected by how things ultimately turn out.

No end of blessings from heaven and earth. As we climb up out of the Moab valley and reach the high tableland stretching northward, traces of snow flying across the road, the sun emerges clear of the overcast, burning free on the very edge of the horizon. For a few minutes the whole region from the canyon of the Colorado to the Book Cliffs—crag, mesa, turret, dome, canyon wall, plain, swale and dune—glows with a vivid amber light against the darkness on the east. At the same time I see a mountain peak rising clear of the clouds, old Tukuhnikivats fierce as the Matterhorn, snowy as Everest, invincible. “Ferris, stop this car. Let’s go back.” But he only steps harder on the gas. “No,” he says, “you’ve got a train to catch.” He sees me craning my neck to stare backward. “Don’t worry,” he adds, “it’ll all still be here next spring.” The

In the end, people don’t view their life as merely the average of all of its moments—which, after all, is mostly nothing much plus some sleep. For human beings, life is meaningful because it is a story. A story has a sense of a whole, and its arc is determined by the significant moments, the ones where something happens. Measurements of people’s minute-by-minute levels of pleasure and pain miss this fundamental aspect of human existence. A seemingly happy life may be empty. A seemingly difficult life may be devoted to a great cause. We have purposes larger than ourselves. Unlike your experiencing self—which is absorbed in the moment—your remembering self is attempting to recognize not only the peaks of joy and valleys of misery but also how the story works out as a whole. That is profoundly affected by how things ultimately turn out.

Prayer and Meditation Matthew 14 AND HE WENT UP INTO THE MOUNTAIN APART TO PRAY This was always the practice of Jesus when he would move into the masses, the crowd, afterwards he would go alone into deep prayer and meditation. Why did he do this? If you have been meditating, you will understand. You will understand that once you start meditating, a very fragile and delicate quality of consciousness is born in you. A flower of the unknown, of the beyond, starts opening, which is delicate. And whenever you move into the crowd, you lose something. Whenever you come back from the crowd, you come back lesser than you had gone. Something has been lost, some contact has been lost. The crowd pulls you down, it has a gravitation of it's own. You may not feel it if you live on the same plane of consciousness. Then there is no problem, then you have nothing to lose. In fact, when you live in the crowd, on the same plane, alone you feel very uneasy. When you are with people, you feel good and happy. But alone, you feel sad, your aloneness is not aloneness. It is loneliness, you miss the other. You do not find yourself in the aloneness, you simply miss the other. When you are alone, you are not alone, beacuse you are not there. Only the desire to be with others is there - that is what loneliness is. Always remember the distinction between aloneness and loneliness. Aloneness is a peak experience - loneliness is a valley. Aloneness has light in it, loneliness is dark. Loneliness is when you desire others; aloneness is when you enjoy yourself. When Jesus would move into the masses, into the crowd, he would tell his disciples to got to the other shore of the lake, and he would move into total aloneness. Not even the disciples were allowed to be with him. This was a constant practice with him. Whenever you go into the crowd, you are infected by it. You need a higher altitude to purify yourself, you need to be alone so that you can become fresh again. You need to be alone with yourself, so that you become together again. You need to be alone, so that you become centered and rooted in yourself again. Whenever you move with others, they push you off centre. AND WHEN THE EVENING WAS COME, HE WAS THERE ALONE Nothing is said about his prayer in the Bible, just the word "prayer". Before God or before existence, you simply need to be vulnerable - that is prayer. You are no to say something. So when you go into prayer, don't start saying something. It will all be desires, demands and deep complaints to God. And prayer with complaints is no prayer, a prayer with deep gratitude is prayer. There is no need to say something, you can just be silent. Hence nothing is said about what Jesus did in his aloneness. It simply says "apart to pray". He went apart, he became alone. That is what prayer is, to be alone, where the other is not felt, where the other is not standing between you and existence. When God's breeze can pass througn you, unhindered. It is a cleansing experience. It revejunates your spirit. To be with God simply means to be alone. You can miss the point, if you start thinking about God, then you are not alone. If you start talking to God, then in imagination you have created the other. And then you God is a projection, it will be a projection of your father. A prayer is not to say something. It is to be silent, open, available. And there is no need to believe in God, because that too is a projection. The only need is to be alone, to be capable of being alone - and immediately you are with God. Whenever you are alone, you are with God.

She goes to the window, curious to look out, and her senses awaken. It was only a moment ago (for sleep knows no time) that the flat horizon was a loamy gray swell merging into the fog behind the icy glass. But now rocky, powerful mountains are massing out of the ground (where have they come from?), a vast, strange overwhelming sight. This is her first glimpse of the unimaginable majesty of the Alps, and she sways with surprise. Just now a first ray of sun through the pass to the east is shattering into a million reflections on the ice field covering the highest peak. The white purity of this unfiltered light is so dazzling and sharp that she has to close her eyes for a moment, but now she's wide awake. One push and the window bangs down, to bring this marvel closer, and fresh air - ice-cold, glass-sharp, and with a bracing dash of snow - streams through her lips, parted in astonishment, and into her lungs, the deepest, purest breath of her life. She spreads her arms to take in this first reckless gulp, and immediately, her chest expanding, feels a luxurious warmth rise through her veins - marvelous, marvelous. Inflamed with cold, she takes in the scene to the left and the right; her eyes (thawed out now) follow each of the granite slops up to the icy epaulet at the top, discovering, with growing excitement, new magnificence everywhere - here a white waterfall tumbling headlong into a valley, there neat little stone houses tucked into crevices like birds' nests, farther off an eagle circling proudly over the very highest heights, and above it all a wonderfully pure, sumptuous blue whose lush, exhilarating power she would never have thought possible. Again and again she returns to these Alps sprung overnight from her sleep, an incredible sight to someone leaving her narrow world for the first time. These immense granite mountains must have been here for thousands of years; they'll probably still be here millions and millions of years from now, every one of them immovably where it's always been, and if not for the accident of this journey, she herself would have died, rotted away, and turned to dust with no inkling of their glory, She's been living as though all this didn't exist, never saw it, hardly cared to; like a fool she dozed off in this tiny room, hardly longer than her arm, hardly wide enough for her feet, just a night away, a day away from this infinitude, these manifold immensities! Indifferent and without desires before, now she's beginning to realize what she's been missing. This contact with the overpowering is her first encounter with travel's disconcerting ability to strip the hard shell of habit from the heart, leaving only the bare, fertile kernel.