Rugs Quotes

We've searched our database for all the quotes and captions related to Rugs. Here they are! All 100 of them:

I will not play at tug o' war. I'd rather play at hug o' war, Where everyone hugs Instead of tugs, Where everyone giggles And rolls on the rug, Where everyone kisses, And everyone grins, And everyone cuddles, And everyone wins.
Shel Silverstein (Where the Sidewalk Ends)
You buy furniture. You tell yourself, this is the last sofa I will ever need in my life. Buy the sofa, then for a couple years you're satisfied that no matter what goes wrong, at least you've got your sofa issue handled. Then the right set of dishes. Then the perfect bed. The drapes. The rug. Then you're trapped in your lovely nest, and the things you used to own, now they own you.
Chuck Palahniuk (Fight Club)
When someone beats a rug, the blows are not against the rug, but against the dust in it.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
I knew I rode a rugged crest of turmoil that might crash on the rocky shore of irrational behavior.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
From the antique Persian rugs covering the gleaming hardwood floors to the molded tin ceilings and ornate chandeliers, the house was a showstopper. Throughout its long life, no one had allowed this home to fall into disrepair. Every detail of the wainscoting, every pocket door, every window, floor tile, and bathtub was original to the house.
Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
Old pictures look very rugged and young, and the people in the photographs always seem a lot happier than you are.
Stephen Chbosky (The Perks of Being a Wallflower)
Dead kids are put on pedestals, but mentally ill kids get hidden under the rug.
Neal Shusterman (Challenger Deep)
Wishing, like sipping a glass of punch, or pulling aside a bearskin rug in order to access a hidden trapdoor in the floor, is merely a quiet way to spend one's time before the candles are extinguished on one's birthday cake.
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
Our eyes meet and hold, and the world starts to fall away, time does, years rolling up like rugs, until everything that’s happened unhappens, and for a moment, it’s us again, more one than two.
Jandy Nelson (I'll Give You the Sun)
Warmth, perfume, rugs, soft lights, books. They do not appease me. I am aware of time passing, of all the world contains that I have not seen, of all the interesting people I have not met.
Anaïs Nin (A Cafe in Space: The Anais Nin Literary Journal, Volume 3)
Words are things. You must be careful, careful about calling people out of their names, using racial pejoratives and sexual pejoratives and all that ignorance. Don’t do that. Some day we’ll be able to measure the power of words. I think they are things. They get on the walls. They get in your wallpaper. They get in your rugs, in your upholstery, and your clothes, and finally in to you.
Maya Angelou
I really am ruggedly handsome, aren't I?
Richard Castle (Heat Rises (Nikki Heat, #3))
I once got attacked by a bearskin rug, two days before it was a rug.
Jarod Kintz (It Occurred to Me)
The look in her eyes told me that under any other circumstances, I would either already be naked with her on top of me, or lying in a pool of my own blood on the rug.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
In a dog's life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us.
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
We all too often have socialism for the rich and rugged free market capitalism for the poor.
Martin Luther King Jr.
..in that moment i realize how much i love the little everyday routines of my life..the details that are my life's special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced. so many things become beautiful when you really look.
Lauren Oliver (Before I Fall)
If you own a rug you own too much.
Jack Kerouac
With Snorri troubles were always put front and centre and dealt with. My style was more to shove them under the rug until the floor got too uneven to navigate, and then to move house.
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
I don't trust happiness. I turn it over as if it were a glass at a flea market or a rug at a souk, looking for chipped rims or loose threads.
Jennifer Weiner
Burns from dropped matches, Ms. Lane? Matches one might have dropped while flirting with a pernicious Fae, Ms. Lane? Have you any idea the value of this rug?” I didn’t think his nostrils could flare any wider. His eyes were black flame. “Pernicious? Good grief, is English your second language? Third?” Only someone who’d learned English from a dictionary would use such a word. “Fifth,” he snarled. “Answer me.
Karen Marie Moning (Bloodfever (Fever, #2))
An orange on the table Your dress on the rug And you in my bed Sweet present of the present Cool of night Warmth of my life
Jacques Prévert
The fear of not living is a deep, abiding dread of watching your own potential decompose into irredeemable disappointment when 'should be' gets crushed by what is. Sometimes I think it would be easier to die than to face that, because 'what could have been' is much more highly regarded than 'what should have been.' Dead kids are put on pedestals, but mentally ill kids get hidden under the rug.
Neal Shusterman (Challenger Deep)
The details that are my life's special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced.
Lauren Oliver (Before I Fall)
Are you up? Dressing? (Astrid) No. I’m pissing on your rug. What do you think I’m doing? (Zarek) I’m blind. For all I know you really are peeing on my rug, which is a very nice rug incidentally, so I hope you’re kidding. (Astrid)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
Cost to clean deeply soiled rugs: $200. Cost to replace shiny, black, stack-heeled, pilgrim-toed boots: $185. Cost to fix every single delicious table and chair leg in the house: $490. Life with two shelter dogs: fucking priceless.
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
You don't have to shoot me," says the young lion. "I will be your rug and I will lie in front of your fireplace and I won't move a muscle and you can sit on me and toast all the marshmallows you want. I love marshmallows.
Shel Silverstein (Lafcadio, the Lion Who Shot Back)
A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread. "Holy Mother of God!" Úrsula shouted.
Gabriel García Márquez (One Hundred Years of Solitude)
The serious artist must be as open as nature. Nature does not give all of herself in a paragraph. She is rugged and not set apart into discreet categories.
Ezra Pound
Love", I said, "is the rug they pull out from under you. Love is Lucy always lifting the football at the last second so that Charlie Brown falls on his ass. Love is something that every time you believe in it, it goes away. Love is for suckers, and I'm not going to be a sucker ever again.
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
People expect all stories of abuse to be loud and angry but they're not. Sometimes they're quiet and cruel and swept under the rug.
Trista Mateer (Aphrodite Made Me Do It)
You get born and you try this and you don't know why only you keep on trying it and you are born at the same time with a lot of other people, all mixed up with them, like trying to, having to, move your arms and legs with strings only the same strings are hitched to all the other arms and legs and the others all trying and they don't know why either except that the strings are all in one another's way like five or six people all trying to make a rug on the same loom only each one wants to weave his own pattern into the rug; and it can't matter, you know that, or the Ones that set up the loom would have arranged things a little better, and yet it must matter because you keep on trying or having to keep on trying and then all of a sudden it's all over.
William Faulkner (Absalom, Absalom!)
A leather jacket,” Kami said as he shrugged into it. “Aren’t you trying a little too hard to play into certain bad boy clichés?” “Nah”, said Jared. “You’re thinking of black leather. Black leather’s for bad boys. It’s all in the color. You wouldn’t think I was a bad boy if I was wearing a pink leather jacket.” “That’s true,” Kami said. “What I would think of you, I do not know. So what does brown leather mean, then?” “I’m going for manly,” Jared said. “Maybe a little rugged.” “It’s bits of dead cow; don’t ask it to perform miracles.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
Snowflakes fascinate me... Millions of them falling gently to the ground... And they say that no two of them are alike! Each one completely different from all the others... The last of the rugged individualists!
Charles M. Schulz
Knowledge is a rug of a certain size, and the world is larger. It’s not what remains uncovered at the edges that should worry you, rather what is swept beneath.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
We talk of wild animals but man is the only wild animal. It is man that has broken out. All other animals are tame animals; following the rugged respectability of the tribe or type.
G.K. Chesterton
Every American wants MORE MORE of the world and why not, you only live once. But the mistake made in America is persons accumulate more more dead matter, machinery, possessions & rugs & fact information at the expense of what really counts as more: feeling, good feeling, sex feeling, tenderness feeling, mutual feeling. You own twice as much rug if you're twice as aware of the rug.
Allen Ginsberg
Baby, in a couple of minutes I'm going to rip off your god damned panties and show you some turkey neck you'll remember all the way to the graveside. I have a vast and curved penis, like a sickle, and many a gutted pussy has gasped come upon my callous and roach-smeared rug. First let me finish this drink.
Charles Bukowski (Notes of a Dirty Old Man)
I'd hate to find out that the universe really wasn't conspiring against me. It would jerk the rug out from under my persecution complex.
Jim Butcher (Grave Peril (The Dresden Files, #3))
Nature is always pulling the rug out from under our pompous ideals.
Camille Paglia (Sexual Personae)
The trouble is the kind of guy I want to go out with doesn't even exist... Like a rugged, chain-smoking, intellectual, adventurer guy who's really serious, but also really funny and mean...
Daniel Clowes (Ghost World)
He immediately started charming my mom until she was nothing but a gooey puddle in the middle of the foyer. He loved her new haircut.She got one?I guessed her hair did look different.Like she’d washed it or something.Daemon told her that the diamond earrings were beautiful.The rug below the steps was really nice.And that leftover scent of mystery dinner—because I still hadn’t figured out what she fed me—smelled divine.He admired nurses worldwide,and by that point,I couldn’t keep my eye rolls to a minimum. Daemon was ridiculous.
Jennifer L. Armentrout (Opal (Lux, #3))
Dă-i societății aripi și le va arde pe rug.
Marin Sorescu
You picked that out?” Caine asked. “That pink, plastic toy?” I turned to look at him. “I happen to have been a little girl, once upon a time, detective. I know what they like. Every little girl wants to be a princess.” A thoughtful frown overcame the angry tension on Caine’s rugged face. “And what happens when they grow up?” I thought of my mother and sisters and all the horrors that had happened the day they’d died. A bitter laugh escaped from my tight lips. “Then they just want to be little girls again.
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
Theophane gave birth to a magical ram named Krysomallos, who for some reason had wool made of gold. Eventually, Krysomallos would be skinned for his fleece, which became known as the Golden Fleece, which means I am related to a sheepskin rug.
Rick Riordan (Percy Jackson's Greek Gods)
I didn’t say, You are such a stuffy asshole. And he didn’t say, If you ever burn one of my quarter-of-a-million dollar rugs again I’ll take it out of your hide, and I didn’t say, Oh, honey, wouldn’t you like to? And he didn’t say Grow up, Ms. Lane, I don’t take little girls to my bed, and I didn’t say I wouldn’t go there if it was the only safe place from the Lord Master in all of Dublin.
Karen Marie Moning (Bloodfever (Fever, #2))
One cannot be pessimistic about the West. This is the native home of hope. When it fully learns that cooperation, not rugged individualism, is the quality that most characterizes and preserves it, then it will have achieved itself and outlived its origins. Then it has a chance to create a society to match its scenery.
Wallace Stegner (The Sound of Mountain Water)
No one expects the rug to be yanked out from underneath them; life-changing events usually don’t announce themselves. While instinct and intuition can help provide some warning signs, they can do little to prepare you for the feeling of rootlessness that follows when fate flips your world upside down. Anger, confusion, sadness, and frustration are shaken up together inside you like a snow globe. It takes years for the emotional dust to settle as you do your best to see through the storm.
Slash (Slash)
Ty laughed, a carefree, boyish sound, and glanced to his side, distracted by what he saw. “You moved the rug.” “I kitty-cornered it.” “Why would you do that?” Ty asked, aghast. “To see you lose your shit when you got home.” Zane leaned closer, grinning evilly. “There are other things out of order too. Books not alphabetized. Coffee mug handles facing different directions.” He lowered his voice to a whisper as Ty’s eyes widened in horror. “The closet isn’t color coded.” “You’re just watching the world burn, huh?” Zane laughed. “God I missed you.” Ty said in a rush of breath.
Abigail Roux (Touch & Geaux (Cut & Run, #7))
So really, it was just as well that Godmother had caught up to me, in spite of my best efforts to avoid her. I'd hate to find out that the universe really wasn't conspiring against me. It would jerk the rug out from under my persecution complex." -Harry
Jim Butcher (Grave Peril (The Dresden Files, #3))
There is something about Christmas that requires a rug rat. Little kids make Christmas fun. I wonder if could rent one for the holidays. When I was tiny we would by a real tree and stay up late drinking hot chocolate and finding just the right place for the special decorations. It seems like my parents gave up the magic when I figured out the Santa lie. Maybe I shouldn't have told them I knew where the presents really came from. It broke their hearts. I bet they'd be divorced by now if I hadn't been born. I'm sure I was a huge disappointment. I'm not pretty or smart or athletic. I'm just like them- an ordinary drone dressed in secrets and lies. I can't believe we have to keep playacting till I graduate. It's a shame we just can't admit that we have failed at family living, sell the house, split up the money, and get on with our lives. Merry Christmas.
Laurie Halse Anderson (Speak)
            It was stated by an Australian Army Officer, “Phuoc Tuy offers the perfect terrain for guerrilla warfare. It has a long coastline with complex areas of mangrove swamps, isolated ranges of very rugged mountains and a large area of uninhabited jungle containing all of the most loathsome combinations of thorny bamboos, poisonous snakes, insects, malaria, dense underbrush, swamps and rugged ground conditions that the most dedicated guerrilla warfare expert could ask for.
Michael G. Kramer (A Gracious Enemy)
I look at the field, and I think about the boy who just made the touchdown. I think that these are the glory days for that boy, and this moment will just be another story someday because all the people who make touchdowns and home runs will become somebody's dad. And when his children look at his yearbook photograph, they will think that their dad was rugged and handsome and looked a lot happier than they are. I just hope I remember to tell my kids that they are as happy as I look in my old photographs. And I hope that they believe me.
Stephen Chbosky (The Perks of Being a Wallflower)
A is for Amy who fell down the stairs. B is for Basil assaulted by bears. C is for Clara who wasted away. D is for Desmond thrown out of a sleigh. E is for Ernest who choked on a peach. F is for Fanny sucked dry by a leech. G is for George smothered under a rug. H is for Hector done in by a thug. I is for Ida who drowned in a lake. J is for James who took lye by mistake. K is for Kate who was struck with an axe. L is for Leo who choked on some tacks. M is for Maud who was swept out to sea. N is for Neville who died of ennui. O is for Olive run through with an awl. P is for Prue trampled flat in a brawl. Q is for Quentin who sank on a mire. R is for Rhoda consumed by a fire. S is for Susan who perished of fits. T is for Titus who flew into bits. U is for Una who slipped down a drain. V is for Victor squashed under a train. W is for Winnie embedded in ice. X is for Xerxes devoured by mice. Y is for Yorick whose head was bashed in. Z is for Zillah who drank too much gin.
Edward Gorey
The Argentine tango isn't here to play nicely with the other children. The Argentine tango is here to seduce your women, spill things on your rug, and sneak out your bedroom window in the middle of the night.
Seanan McGuire (Discount Armageddon (InCryptid, #1))
Your breathing should flow gracefully, like a river, like a watersnake crossing the water, and not like a chain of rugged mountains or the gallop of a horse. To master our breath is to be in control of our bodies and minds. Each time we find ourselves dispersed and find it difficult to gain control of ourselves by different means, the method of watching the breath should always be used.
Thich Nhat Hanh (The Miracle of Mindfulness: An Introduction to the Practice of Meditation)
Perhaps the seeds of redemption lay not just in perseverance, hard work, and rugged individualism. Perhaps they lay in something more fundamental—the simple notion of everyone pitching in and pulling together.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I don’t like this, Artemis. I’m not a dog to be chained outside your house because you’re afraid I’ll piss on your rug. (Acheron)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
Lorcan rolled his eyes, and Aelin deemed that acceptance enough as she asked them all, “Did anyone bother to sleep?” Only Fenrys lifted his hand. Aedion frowned at the dark stain on the stones. “We’re putting a rug over it,” Aelin told him. Lysandra laughed. “Something tacky, I hope.” “I’m thinking pink and purple. Embroidered with flowers. Just what Erawan would have loved.” The Fae males gaped at them, Ren blinking. Elide ducked her head as she chuckled. Rowan snorted again. “At least this court won’t be boring.” Aelin put a hand on her chest, the portrait of outrage. “You were honestly worried it would be?” “Gods help us,” Lorcan grumbled.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
To my surprise, I recognized Dimitri Belikov-Rose's boyfriend-among those doing crowd control. He was easy to spot since he was almost always taller than everyone around him. Dhampirs look very human, and even I could admit that he was pretty good-looking. There was a rugged handsomeness to him, and even in a still photograph, I could see a fierceness as he watched the crowd.
Richelle Mead (Bloodlines (Bloodlines, #1))
She regards me the same way I would a cat – like I’m distasteful, occasionally entertaining, and not to be trusted not to pee on the rug. Which is completely unfair – I only thought about it once.
Eliza Crewe (Crushed (Soul Eaters, #2))
Christ is sufficient. We do not need "support groups" for each and every separate tribulation. The most widely divergent sorrows may all be taken to the foot of the same old rugged cross and find there cleansing, peace, and joy.
Elisabeth Elliot (These Strange Ashes)
[Daniel] was still glowing, as if lit from within. She could still clearly see his violet-gray eyes and his full mouth. His strong hands and broad shoulders. She could reach out and fold herself into her love's light. He reached for her. Luce closed her eyes at his touch, expecting something too otherworldly for her human body to withstand. But no. It was simply, reassuringly, Daniel. She reached around his back to finger his wings. She reached for them nervously, as if they could burn her, but they flowed around her fingers, softer than the smoothest velvet, the plushest rug. The way she'd like to imagine that a fluffy, sun-drenched cloud would feel if she could cup it in her hands. "You're so...beautiful.
Lauren Kate (Fallen (Fallen, #1))
I remember years ago a guy I knew told me that people going to England find exactly what they go looking for. I said I'd go looking for the England of English Literature, and he nodded and said: 'It's there.' Maybe it is, and maybe it isn't. Looking around the rug one thing's for sure: it's here.
Helene Hanff (84, Charing Cross Road)
His big claim to fame was that the Golden Fleece—that magical sheepskin rug I'm related to—ended up in his kingdom, which made the place immune to disease, invasion, stock-market crashes, visits from Justin Bieber and pretty much any other natural disaster.
Rick Riordan (Percy Jackson's Greek Gods)
I noticed him right away. No, it wasn’t his lean, rugged face. Or the dark waves of shiny hair that hung just a little too long on his forehead. It wasn’t the slim, collarless biker jacket he wore, hugging his lean shoulders. It was the way he stood. The confident way he waited in the cafeteria line to get a slice of pizza. He didn’t saunter. He didn’t amble. He stood at the center, and let the other people buzz around him. His stance was straight and sure.
Priya Ardis (Ever My Merlin (My Merlin, #3))
She looked up at me with a polite smile, her dark hair long and appealing...I liked the smile. Maybe I didn't look like a beaten-up bum. Maybe on me it just looked ruggedly determined. "I'm sorry, sir," she said, "but the addiction counseling center is on twenty-six." Sigh.
Jim Butcher (Turn Coat (The Dresden Files, #11))
You can’t know this right now, but… your ragged, rugged honesty… your crazy, passionate, naked vulnerability… your trusting plunge into the unknown of Life at every turn… your journey of love and healing… these change your world, the world of those around you and the world as a whole. Someday you’ll know how important you are.
Jacob Nordby
So now I just assume that it won't work, and that if it does work, I'll lose it anyway. This is meant to protect me, although it doesn't, because somehow the hope sneakily finds its way in. I'm never aware of the hope until it's gone, whooshed away like a rug pulled from under my feet, each time I hear another "I'm sorry.
Liane Moriarty (What Alice Forgot)
Are you okay with what we ordered?” Angeline asked him. “You didn’t pipe up with any requests.” Neil shook his head, face stoic. He kept his dark hair in a painfully short and efficient haircut. It was the kind of no-nonsense thing the Alchemists would’ve loved. “I can’t waste time quibbling over trivial things like pepperoni and mushrooms. If you’d gone to my school in Devonshire, you’d understand. For one of my sophomore classes, they left us alone on the moors to fend for ourselves and learn survival skills. Spend three days eating twigs and heather, and you’ll learn not to argue about any food coming your way.” Angeline and Jill cooed as though that was the most rugged, manly thing they’d ever heard. Eddie wore an expression that reflected what I felt, puzzling over whether this guy was as serious as he seemed or just some genius with swoon-worthy lines.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
It may be that we exist and cease to exist in alternations, like the minute dots in some forms of toned printing or the succession of pictures on a cinema film. It may be that reality is an illusion of movement in an eternal, static, multidimensional universe. We may be only a story written on the ground of the inconceivable; the pattern on a rug beneath the feet of the incomprehensible.
H.G. Wells
لله درّ من قال: وليس بناج من مقالة طاعن ولو كنت في غار على جبل وعر ومن ذا الذي ينجو من الناس سالماً ولو غاب عنهم بين خافيتي نسر Nor could I ever escape from abuse, Even were I in a cave in a rugged mountain; For who can escape from the people unharmed, Even if he hides behind the eagle's wings?
محمد ناصر الدين الألباني (صفة صلاة النبي صلى الله عليه وسلم من التكبير إلى التسليم كأنك تراها)
I smoked and looked down at the bottom of Pittsburgh for a little while, watching the kids playing tiny baseball, the distant figures of dogs snatching at a little passing car, a miniature housewife on her back porch shaking out a snippet of red rug, and I made a sudden, frightened vow never to become that small, and to devote myself to getting bigger and bigger and bigger.
Michael Chabon (The Mysteries of Pittsburgh)
Will remembered the two of them, running through the dark streets of London, jumping from rooftop to rooftop, seraph blades gleaming in their hands; hours in the training room, shoving each other into mud puddles, throwing snowballs at Jessamine from behind an ice fort in the courtyard, asleep like puppies on the rug in front of the fire.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
How do I look to him?" she asked herself. She got up and brought a long mirror towards the window. She stood it on the floor against a chair. Then she sat down in front of it on the rug and, facing it, slowly opened her legs. The sight was enchanting. The skin was flawless, the vulva, roseate and full. She thought it was like the gum plant leaf with its secret milk that the pressure of the finger could bring out, the odorous moisture that came like the moisture of the sea shells. So was Venus born of the sea with this little kernel of salty honey in her, which only caresses could bring out of the hidden recesses of her body.
Anaïs Nin (Delta of Venus)
Did you kiss?" asked Hermione briskly. Ron sat up so fast that he sent his ink bottle flying all over the rug. Disregarding this completely he stared avidly at Harry. "Well?" he demanded. Harry looked from Ron's expression of mingled curiosity and hilarity to Hermione's slight frown, and nodded. "HA!" Ron made a triumphant gesture with his fist an went into a raucous peal of laughter that made several timid-looking second years over beside the window jump. A reluctant grin spread over Harry's face as he watched Ron rolling around on the hearthrug. Hermione gave Ron a look of deep disgust and returned to her letter.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug. "It's so dreadful to be poor!" sighed Meg, looking down at her old dress. "I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff. "We've got Father and Mother, and each other," said Beth contentedly from her corner.
Louisa May Alcott (Little Women)
Contentment has learned how to find out what she needs to know. Last year she went on a major housecleaning spree. First she stood on her head until all the extra facts fell out. Then she discarded about half her house. Now she knows where every thing comes from—who dyed the yarn dark green and who wove the rug and who built the loom, who made the willow chair, who planted the apricot trees. She made the turquoise mugs herself with clay she found in the hills beyond her house. When Contentment is sad, she takes a mud bath or goes to the mountains until her lungs are clear. When she walks through an unfamiliar neighborhood, she always makes friends with the local cats.
J. Ruth Gendler (The Book of Qualities)
And so, from the first, we separated our pleasure. She lay on the rug and I lay at right angles to her so that only our lips might meet. Kissing in this way is the strangest of distractions. The greedy body that clamors for satisfaction is forced to content itself with a single sensation and, just as the blind hear more acutely and the deaf can feel the grass grow, so the mouth becomes the focus of love and all things pass through it and are re-defined. It is a sweet and precise torture.
Jeanette Winterson (The Passion)
I'm a spiritual person, she said. "I believe in Allah, you know, though I don't always call It 'Allah' and I pray the way I want to pray. Sometimes I just look out at the stars and this love-fear thing comes over me, you know? And sometimes I might sit in a Christian church listening to them talk about Isa with a book of Hafiz in my hands instead of the hymnal. And you know what, Yusef? Sometimes, every once in a while, I get out my old rug and I pray like Muhammad prayed. I never learned the shit in Arabic and my knees are uncovered, but if Allah has a problem with that then what kind of Allah do we believe in?
Michael Muhammad Knight
Some days you go bear hunting and you get eaten. Some days you come home with a nice rug to roll around on, and bear steaks. What they don't tell you as a kid is that sometimes you get the rug and steaks, but you also get some nice scars to go with them. As a child you don't understand that you can win, but that's it's not always worth the price. Once you understand and accept that possibility you become a real grown up, and the world becomes a much more serious place. Not less fun, but once you realize what can go wrong, it's a lot scarier to go hunting "bears".
Laurell K. Hamilton
Some years ago, there was a lovely philosopher of science and journalist in Italy named Giulio Giorello, and he did an interview with me. And I don’t know if he wrote it or not, but the headline in Corriere della Sera when it was published was "Sì, abbiamo un'anima. Ma è fatta di tanti piccoli robot – "Yes, we have a soul, but it’s made of lots of tiny robots." And I thought, exactly. That’s the view. Yes, we have a soul, but in what sense? In the sense that our brains, unlike the brains even of dogs and cats and chimpanzees and dolphins, our brains have functional structures that give our brains powers that no other brains have - powers of look-ahead, primarily. We can understand our position in the world, we can see the future, we can understand where we came from. We know that we’re here. No buffalo knows it’s a buffalo, but we jolly well know that we’re members of Homo sapiens, and it’s the knowledge that we have and the can-do, our capacity to think ahead and to reflect and to evaluate and to evaluate our evaluations, and evaluate the grounds for our evaluations. It’s this expandable capacity to represent reasons that we have that gives us a soul. But what’s it made of? It’s made of neurons. It’s made of lots of tiny robots. And we can actually explain the structure and operation of that kind of soul, whereas an eternal, immortal, immaterial soul is just a metaphysical rug under which you sweep your embarrassment for not having any explanation.
Daniel C. Dennett
Well,” said a very amused voice. “This is unexpected.” Tessa sat bolt upright, pulling the heavy coverlet around her. Beside her, Will stirred, propping himself up on his elbows, eyelids fluttering open slowly. “What—” The room was filled with bright light. The torches had come on at full strength, and it was like the place was lit with daylight. Tessa could see the wreck of the room that they had made: their clothes scattered across the floor and the bed, the rug before the fireplace rucked up, the bedclothes wound about them. On the other side of the invisible wall was lounging a familiar figure in an elegant dark suit, one thumb hooked into the waistband of his trousers. His cat-pupilled eyes glimmered with mirth. Magnus Bane. “You might want to get up,” he said. “Everyone will be here quite soon to rescue you, and you may prefer to have clothes on when they arrive.” He shrugged. “I would, at any rate, but then, I am well known to be remarkably shy.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
What Rangers do, or more correctly, what Rangers’ apprentices do, is the housework.” Will had a sinking feeling as the suspicion struck him that he’d made a tactical error. “The…housework?” he repeated. Halt nodded, looking distinctly pleased with himself. “That’s right. Take a look around.” He paused, gesturing around the interior of the cabin for Will to do as he suggested, then continued, “See ay servants?” “No, sir,” Will said slowly. “No sir indeed!” Halt said. “Because this isn’t a mighty castle with a staff of servants. This is a lowly cabin. And it has water to be fetched and firewood to be chopped and floors to be swept and rugs to be beaten. And who do you suppose might do all those things, boy?” Will tried to think of some answer other than the one which now seemed inevitable. Nothing came to mind, so he finally said, in a defeated tone, “Would that be me, sir?” “I believe it would be,” the Ranger told him, then rattled off a list of instructions crisply. “Bucket there. Barrel outside the door. Water in the river. Ax in the lean-to, firewood behind the cabin. Broom by the door and I believe you can probably see where the floor might be?” “Yes, sir,” said Will, beginning to roll up his sleeves.
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
Before Jesse could say another word, the bedroom door jerked open and Lucie’s father stood on the threshold, looking alarmed. “Lucie?” he said. “Did you call out? I thought I heard you.” Lucie tensed, but the expression in her father’s blue eyes didn’t change—mild worry mixed with curious puzzlement. He really couldn’t see Jesse. Jesse looked at her and, very irritatingly, shrugged as if to say, I told you so. “No, Papa,” she said. “Everything is all right.” He looked at the manuscript pages scattered all over the rug. “Spot of writer’s block, Lulu?” Jesse raised an eyebrow. Lulu? he mouthed. Lucie considered whether it was possible to die of humiliation. She did not dare look at Jesse.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
I'll keep it," she said. "Then, when you get back, after you and the dark one are done making out and planning a future filled with blond-haired, green-eyed, pigment-challeneged rug rats, I'll bring it over and you can add it to your scrapbook, right before you start cooking me dinner. I like vegetarian lasagna with cottage cheese instead of ricotta." "Gwen?" "And don't forget the mushrooms. Garlic bread, too, please. That is, as long as your vampire lover doesn't object." "I want to say thank you," Isobel said. "For... everything." "No," Gwen said. "Thank you for the delicious dinner. I can almost taste the baklava you and Darth Vader will be making for dessert. Something tells me you're gonna have to look that one up, though.
Kelly Creagh (Enshadowed (Nevermore, #2))
I throw my makeshift jai-namaz, my prayer rug, on the floor and I get on my knees, lower my forehead to the ground, my tears soaking through the sheet. I bow to the west. Then I remember I haven’t prayed for over fifteen years. I have long forgotten the words. But it doesn’t matter, I will utter those few words I still remember: La illaha ila Allah, Muhammad u rasul ullah. There’s no God but Allah, and Muhammad is his messenger. I see now that Baba was wrong, there’s a God, there always had been. I see Him here, in the eyes of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him, not the white masjid with its bright diamond lights, and towering minarets. There’s a God, there has to be, and now I will pray, I will pray that He forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need, I pray that He is as merciful, benevolent, and gracious as His book says He is. [...] I hear a whimpering and realize it is mine, my lips are salty with the tears trickling down my face. I feel the eyes of everyone in this corridor on me and still I bow to the west. I pray. I pray that my sins have not caught up with me the way I'd always feared they would.
Khaled Hosseini (The Kite Runner)
When it rains, the moisture in the humid air blankets our town with the smell of damp coffee grounds wafting in from the Nescafé factory at the town’s eastern edge. I don’t like coffee but I like that smell. It’s comforting; it unites the town in a common sensory experience; it’s good industry, like the roaring rug mill that fills our ears, brings work and signals our town’s vitality. There is a place here—you can hear it, smell it—where people make lives, suffer pain, enjoy small pleasures, play baseball, die, make love, have kids, drink themselves drunk on spring nights and do their best to hold off the demons that seek to destroy us, our homes, our families, our town.
Bruce Springsteen (Born to Run)
See that little stream — we could walk to it in two minutes. It took the British a month to walk to it — a whole empire walking very slowly, dying in front and pushing forward behind. And another empire walked very slowly backward a few inches a day, leaving the dead like a million bloody rugs. No Europeans will ever do that again in this generation.” “Why, they’ve only just quit over in Turkey,” said Abe. “And in Morocco —” “That’s different. This western-front business couldn’t be done again, not for a long time. The young men think they could do it but they couldn’t. They could fight the first Marne again but not this. This took religion and years of plenty and tremendous sureties and the exact relation that existed between the classes. The Russians and Italians weren’t any good on this front. You had to have a whole-souled sentimental equipment going back further than you could remember. You had to remember Christmas, and postcards of the Crown Prince and his fiancée, and little cafés in Valence and beer gardens in Unter den Linden and weddings at the mairie, and going to the Derby, and your grandfather’s whiskers.” “General Grant invented this kind of battle at Petersburg in sixty- five.” “No, he didn’t — he just invented mass butchery. This kind of battle was invented by Lewis Carroll and Jules Verne and whoever wrote Undine, and country deacons bowling and marraines in Marseilles and girls seduced in the back lanes of Wurtemburg and Westphalia. Why, this was a love battle — there was a century of middle-class love spent here. This was the last love battle.
F. Scott Fitzgerald (Tender is the Night)
Manage me, I am a mess, swept under the rug of yesterday’s home improvement, a whimsical urge tossed aside for the easy reassurance of home and comfort. I am the photograph tucked away as a book-mark, in a book left half unread, once reopened to find memories crawling back into peripheral sight, faded, creased and lonely. I long to be admired, long to be held, torn and laughed at, laughed with, like a distant relative or an old friend breathing in their last breath. I missed the moment when time collapsed and memory was erased, replaced by finicky social experiments, lost in the blur of intoxication, sucked through multi-colored bendy-straws, making way for a spinning world where hub-caps stood still, but our vision didn’t. If I could leave you with only one thing, it would be small, foldable, and made from trees, with a few careless words, scribbled in blue; Take a minute to learn me, take a moment to love me, because I need your love to live,and without it, I am nothing.
Alex Gaskarth
Lead, Kindly Light, amidst th'encircling gloom, Lead Thou me on! The night is dark, and I am far from home, Lead Thou me on! Keep Thou my feet; I do not ask to see The distant scene; one step enough for me. I was not ever thus, nor prayed that Thou Shouldst lead me on; I loved to choose and see my path; but now Lead Thou me on! I loved the garish day, and, spite of fears, Pride ruled my will. Remember not past years! So long Thy power hath blest me, sure it still Will lead me on. O’er moor and fen, o’er crag and torrent, till The night is gone, And with the morn those angel faces smile, Which I have loved long since, and lost awhile! Meantime, along the narrow rugged path, Thyself hast trod, Lead, Saviour, lead me home in childlike faith, Home to my God. To rest forever after earthly strife In the calm light of everlasting life.
John Henry Newman
Rush please," I begged, fighting the urge to grab his hand and force him to bring me relief from the throbbing underneath his touch "I need..." I didn't know what I needed. I just needed. Rush lifted his head and ran his nose up my neck then pressed a kiss to my chin. "I know what you need. I'm just not sure I can handle watching you get it. You've got me all kinds of worked up, girl. I'm trying hard to be a good boy. I can't lose control in the back of damn car." I shook my head. He couldn't stop. I didn't want him to be good. I wanted him inside me. Now. "Please, don't be good. Please," I begged. Rush let out a rugged breath "Shit, baby. Stop it. I'm going to explode. I'll give you your release but when I finally bury myself inside you for the first time you won't be sprawled in the back of my car. You'll be in my bed." His hand moved before I could respond and my eyes rolled back in my head. "That's it. Come for me, sweet Blaire. Come on my hand and let me feel it. I want to watch you." His words sent me spiralling over the edge of the cliff I'd been trying so hard to reach. "Ruuuuuush!" I heard the loud cry that came from me as i went falling into complete bliss. I knew I was crying for him, screaming out his name and maybe even clawing at him but I could no longer control myself. The ecstasy was too much.
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
Don't step on the rug. It's a bit ... peckish." ... In a billow of skirts, Bramble leaped. It was a grand jeté worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his. "Oh ... my," said Clover. No one seemed more surprised than Lord Teddie, who stumbled back under Bramble's assault. He staggered onto the magicked rug. In a blur of red, the rug clapped over them like a red snapdragon. The entire package overbalanced and fell to the ground with a whumpf. No one moved inside the rug. Everyone stared. "Sorry," said Eve. "What just happened?" From the rug came a muffled Mmm mmm mmfph. "We'd better take them out," said Azalea. "Before they start to digest.
Heather Dixon Wallwork (Entwined)
Feyre," he said--softly enough that I faced him again. "Why?" He tilted his head to the side. "You dislike our kind on a good day. And after Andras . . ." Even in the darkened hallway, his usual bright eyes were shadowed. "So why?" I took a step closer to him, my blood-covered feet sticking to the rug. I glanced down the stairs to where I could still see the prone form of the faerie and the stumps of his wings. "Because I wouldn't want to die alone," I said, and my voice wobbled as I looked at Tamlin again, forcing myself to meet his stare. "Because I'd want someone to hold my hand until the end, and awhile after that. That's something everyone deserves, human or faerie." I swallowed hard, my throat painfully tight. "I regret what I did to Andras," I said, the words so strangled they were no more than a whisper. "I regret that there was . . . such hate in my heart. I wish I could undo it--and . . . I'm sorry. So very sorry.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
You had a fucking friend who needed you. What the hell was that, Jocelyn?" He shook his head slowly. "Don't," he whispered hoarsely, dipping his head so our noses were almost touching. "Don't do this. Not now. Whatever shit your spinning in that head of yours, stop. She needs you, babe." He shallowed hard, his eyes glimmering in the streetlights. "I need you." I felt that familiar choking in the bottom of my throat. "I didn't ask you to need me," I whispered back. I saw it. The hurt flickered across his face before he quickly banked it. Abruptly, he let go of me. "Fine. I don't have time for your multitude of emotional issues. I have a wee sister who may or may not have brain cancer, and she needs me, even if you don't. But I'll tell you something Jocelyn," he stepped forward, point a finger in my face, his own hardened with anger, "If you don't see her through this, you'll hate yourself for the rest of your life. You can pretend you don't give a shit about me, but you can't pretend Ellie means nothing to you. I've seen you. Do you hear me?" He hissed, his hot breath blowing across my face, his words cutting though my soul. "You love her. You can't sweep that under the rug because it's easier to pretend she means nothing to you than it is to bear the thought of losing her. She deserves better than that.
Samantha Young (On Dublin Street (On Dublin Street, #1))
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
Reading these stories, it's tempting to think that the arts to be learned are those of tracking, hunting, navigating, skills of survival and escape. Even in the everyday world of the present, an anxiety to survive manifests itself in cars and clothes for far more rugged occasions than those at hand, as though to express some sense of the toughness of things and of readiness to face them. But the real difficulties, the real arts of survival, seem to lie in more subtle realms. There, what's called for is a kind of resilience of the psyche, a readiness to deal with what comes next. These captives lay out in a stark and dramatic way what goes on in every life: the transitions whereby you cease to be who you were. Seldom is it as dramatic, but nevertheless, something of this journey between the near and the far goes on in every life. Sometimes an old photograph, an old friend, an old letter will remind you that you are not who you once were, for the person who dwelt among them, valued this, chose that, wrote thus, no longer exists. Without noticing it you have traversed a great distance; the strange has become familiar and the familiar if not strange at least awkward or uncomfortable, an outgrown garment. And some people travel far more than others. There are those who receive as birthright an adequate or at least unquestioned sense of self and those who set out to reinvent themselves, for survival or for satisfaction, and travel far. Some people inherit values and practices as a house they inhabit; some of us have to burn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.
Rebecca Solnit (A Field Guide to Getting Lost)
Read it if you like or don't read it if you like. Because you make so little impression, you see. You get born and you try this and you don't know why only you keep on trying it and you are born at the same time with a lot of other people, all mixed up with them, like trying to, having to, move your arms and legs with string only the same strings are hitched to all the other arms and legs and the others all trying and they don't know why either except that the strings are all in one another's way like five or six people all trying to make a rug on the same loom only each one wants to weave his own pattern into the rug; and it can't matter, you know that, or the Ones that set up the loom would have arranged things a little better, and yet it must matter because you keep on trying and then all of a sudden it's all over and all you have left is a block of stone with scratches on it provided there was someone to remember to have the marble scratched and set up or had time to, and it rains on it and then sun shines on it and after a while they don't even remember the name and what the scratches were trying to tell, and it doesn't matter. And so maybe if you could go to someone, the stranger the better, and give them something-a scrap of paper-something, anything, it not to mean anything in itself and them not even to read it or keep it, not even bother to throw it away or destroy it, at least it would be something just because it would have happened, be remembered even if only from passing from one hand to another, one mind to another, and it would be at least a scratch, something, something that might make a mark on something that was once for the reason that it can die someday, while the block of stone can't be is because it never can become was because it can't ever die or perish...
William Faulkner (Absalom, Absalom!)
This was the last time I ever saw my mother alive. Just the same, this picture gets all mixed up in my mind with pictures I had of her when she was younger. The way I always see her is the way she used to be on Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She'd be sitting on the sofa. And my father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it's real quiet in the room. For a moment nobody's talking, but every face looks darkening, like the sky outside. And my mother rocks a little from the waist, and my father's eyes are closed. Everyone is looking at something a child can't see. For a minute they've forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody's got a kid in his lap and is absent-mindedly stroking the kid's head. Maybe there's a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frighten the child obscurely. He hopes that the hand which strokes his forehead will never stop-- will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk. But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won't talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk anymore because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him.
James Baldwin
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago." Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear." But Mrs. Bentley had stubbornly kept them. "It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen." It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors." If he were alive tonight, what would he say? "You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture." "Affidavits?" No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you." Mrs. Bentley nodded at the memory, breathing easier. "Yes, I see. I see." The gold-feruled cane lay silently on the moonlit rug. "In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do." She slept . . .
Ray Bradbury (Dandelion Wine)