Tap Your Feet Quotes

Will bit at his lip. This was the last time Jem, as Jem, might ever touch him. The sharp memory went through him like a knife—of years of Jem’s light tap on his shoulder, his hand reaching to help Will up when he fell, Jem holding him back when he was furious, Will’s own hands on Jem’s thin shoulders as Jem coughed blood into his shirt. “Listen to me. I am leaving, but I am living. I will not be gone from you entirely, Will. When you fight now, I will be still by you. When you walk in the world, I will be the light at your side, the ground steady under your feet, the force that drives the sword in your hand. We are bound, beyond the oath. The Marks did not change that. The oath did not change that. It merely gave words to something that existed already.

You deserved to get run over. And besides, I barely tapped you. The only reason you broke your leg was because you panicked and tripped over your own feet.

With a chaste heart With pure eyes I celebrate your beauty Holding the leash of blood So that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surf In aromatic loam, or in sea music Beautiful nude Equally beautiful your feet Arched by primeval tap of wind or sound Your ears, small shells Of the splendid American sea Your breasts of level plentitude Fulfilled by living light Your flying eyelids of wheat Revealing or enclosing The two deep countries of your eyes The line your shoulders have divided into pale regions Loses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns of Burnished gold Fine alabaster To sink into the two grapes of your feet Where your twin symmetrical tree burns again and rises Flowering fire Open chandelier A swelling fruit Over the pact of sea and earth From what materials Agate? Quartz? Wheat? Did your body come together? Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remained Astonished The fine and firm feminine form It is not only light that falls over the world spreading inside your body Yet suffocate itself So much is clarity Taking its leave of you As if you were on fire within The moon lives in the lining of your skin.

Hey, Mister! I’m talking to you!” she said, tapping her feet. Stranger looked down at her. “You’re a big, fat, giant TICK!

The War Has Been Declared. Your Ally Been Ensnared. It Is Now Or It Is Never. Break The Code Or Die Forever. Time Is Running Out Running Out Running Out To the Warrior Give My Blade By His Hand Your Fate Is Made But Do Not Forget the Ticking Or the Clicking, Clicking, Clicking While a Rat's Tongue May Be Flicking With Its Feet It Does the Tricking For the Paw and Not the Jaw Makes the Code of Claw Time Is Standing Still Standing Still Standing Still Since the Princess Is the Key To Unlock the Treachery She Cannot Avoid the Matching or the Scratching, Scratching, Scratching When a Secret Plot is Hatching In the Naming Is the Catching What She Saw, It Is the Flaw Of the Code of Claw Time is Turning Back Turning Back Turning Back When the Monster's Blood Is Spilled When the Warrior Has Been Killed You Must Not Ingore the Rapping Or the Tapping, Tapping, Tapping If the Gnawers Find you Napping You Will Rot While They Are Mapping Out the Law of Those Who Gnaw In the Code of Claw

You deserved to get run over. And besides, I barely tapped you. The only reason you broke your leg was because you panicked and tripped over your own feet." "You're lucky I didn't sue you." "You're lucky I didn't put the car into reverse and back over you three or four times.

Alex propped himself against the metal railing where Willow had just stood. "Okay, let's get something straight," he said in Spanish."If you think I don't know you're after my girfriend, you're crazy. And if you try to put any sleazy moves on her while you're here, you're going to regret it." Seb's knapsack was at his feet. He took out a pack of cigarettes; tapped out the last one and lit it.Settling back against the door jamb, he gave Alex a considering, faintly humorous look. "Sleazy moves?" he repeated. "Don't worry, I don't do sleazy moves." "Let me rephrase," said Alex coldly "Any moves, just keep your hands off her.

Brendan cleared his throat hard. “What does ‘follow’ mean?” “Don’t,” Deke rushed to say. “Don’t press it.” His thumb was already on the way back up. “Too late.” All three of his crew members surged to their feet. “No. Brendan, don’t tell me you just tapped the blue button,” Sanders groaned, hands on his mop of red hair. “She’s going to see you followed her. She’s going to know you internet stalked her.” “Can’t I just unfollow now?” Brendan started to tap again. Fox lunged forward. “No! No, that’s even worse. If she already noticed you followed her, she’s just going to think you’re playing games.” “Jesus. I’m deleting the whole thing,” Brendan said, throwing the offending device onto the dashboard.

Quinn hesitated, then said what his heart demanded."Lizzy, even if you don't believe, I will still be your friend. Nothing is going to change that. I'm loyal to my friends for a lifetime. There are no qualifications." She just looked at him for a long time, and then the smile that could make his heart roll over appeared. She got to her feet and lightly tapped his arm with the sombrero. "You're forgiven for asking me out fourth." She would have passed him but he snagged her hand. "Lizzy." She stopped. "I saved the best for last.

INELUCTABLE MODALITY OF THE VISIBLE: AT LEAST THAT IF NO MORE, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, maestro di color che sanno. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it, it is a gate, if not a door. Shut your eyes and see. Stephen closed his eyes to hear his boots crush crackling wrack and shells. You are walking through it howsomever. I am, a stride at a time. A very short space of time through very short times of space. Five, six: the nacheinander. Exactly: and that is the ineluctable modality of the audible. Open your eyes. No. Jesus! If I fell over a cliff that beetles o'er his base, fell through the nebeneinander ineluctably. I am getting on nicely in the dark. My ash sword hangs at my side. Tap with it: they do. My two feet in his boots are at the end of his legs, nebeneinander. Sounds solid: made by the mallet of Los Demiurgos. Am I walking into eternity along Sandymount strand? Crush, crack, crick, crick. Wild sea money. Dominie Deasy kens them a'. Won't you come to Sandymount, Madeline the mare? Rhythm begins, you see. I hear. A catalectic tetrameter of iambs marching. No, agallop: deline the mare. Open your eyes now. I will. One moment. Has all vanished since? If I open and am for ever in the black adiaphane. Basta! I will see if I can see. See now. There all the time without you: and ever shall be, world without end.

Admit it. You sleep with your feet covered because you’re too afraid of something touching them in the middle of the night. -Food for thought

I am a Dancer; rehearsing the steps of our unheard song with utmost perfection. Never will you tap your feet consciously. I am a Singer; singing the tune of the song I always wanted you to hear. Never will the melody bring back our memories to you. I am an Orator; emphasizing and emoting what I feel for you. Never will you hear your name throughout. I am a Writer; penning all the unsaid intentions with sincerity. Never will you see your name at the top. Because at the end of it all I am Actor; Nevertheless you taught me how well to pretend!

It is our custom to consume the person we love. Taboo flesh: swollen genitalia nipples the scrotum the vulva the soles of the feet the palm of the hand heart and liver taste best. Cannibalism is blessed. I'll wear your jawbone round my neck listen to your vertebrae bone tapping bone in my wrists. I'll string your fingers round my waist - what a rigorous embrace. Over my heart I'll wear a brooch with a lock of hair. Nights I'll sleep cradling your skull sharpening my teeth on your toothless grin. Sundays there's Mass and communion and I'll put your relics to rest.

Physics says: go to sleep. Of course you’re tired. Every atom in you has been dancing the shimmy in silver shoes nonstop from mitosis to now. Quit tapping your feet. They’ll dance inside themselves without you. Go to sleep. Geology says: it will be all right. Slow inch by inch America is giving itself to the ocean. Go to sleep. Let darkness lap at your sides. Give darkness an inch. You aren’t alone. All of the continents used to be one body. You aren’t alone. Go to sleep. Astronomy says: the sun will rise tomorrow, Zoology says: on rainbow-fish and lithe gazelle, Psychology says: but first it has to be night, so Biology says: the body-clocks are stopped all over town and History says: here are the blankets, layer on layer, down and down.

Fire! Your nose ignites, flameless kerosene (and, some say, Drano) laced with ephedrine you want to cry powdered demons bite through cartilage and sinuses, take dead aim at your brain, jump inside want to scream troops of tapping feet fall into rhythm, marking time, right between your eyes get the urge to dance louder, louder, ultra gray-matter power, shock waves of energy mushroom inside your head you want to let go detonate, annihilate barriers, bring down the walls, unleashing floodwaters, freeing long-captive dreams to ride the current through arteries and capillaries, pulsing, rushing, raging torrents pounding against your heart sweeping you away

But I know, with all the certainty of my being, that Jesus has no interest in my doing this. To just say, "Jesus, Jesus, Jesus, I'm your biggest fan," causes him to stare at his watch, tap his feet, and order a double Glenlivet on the rocks with a twist. Fandom is of no interest to Jesus. What matters to him is the authentic following of a disciple. We all settle for saying, "Jesus," but Jesus wants us to be in the world who he is.

I place a palm at his chest. His heartbeat knocks rapidly against my skin. "I never would have guessed." "What's that?" he asks on a hoarse whisper. "That you're one of those netherlings who has a rare penchant for kindness and courage." "Tut." He presses his glove over my hand. "Only when there's fringe benefits." Smiling, I rise to my toes, grip his lapels, and kiss each one of his jewels until they change to a captivating dark purple—the color of passion fruit. I ease back to the balls of my feet. "So beautiful," I whisper, tapping one of the sparkling gems. Morpheus catches my palm and kisses the scars there. "I couldn't agree more."

The feet and their tapping Write many a lovely couplet The body dances to your rhythm O lord After all, you are the master and I a puppet

Even ripples have a rhythm To feel it, listen to their sound Tap your feet as they direct And joy shall abound…

Okay, where’s the camera icon?” Setne fumbled with his phone. “We have to get a picture together before I destroy you.” “Destroy me?” demanded the cobra goddess. She lashed out at Setne, but a sudden gust of rain and wind pushed her back. I was ten feet away from Annabeth. Riptide’s blade glowed as I dragged it through the mud. “Let’s see.” Setne tapped his phone. “Sorry, this is new to me. I’m from the Nineteenth Dynasty. Ah, okay. No. Darn it. Where did the screen go? Ah! Right! So what do modern folks call this…a snappie?” He leaned in toward the cobra goddess, held out his phone at arm’s length, and took a picture. “Got it!” “WHAT IS THE MEANING OF THIS?” Wadjet roared. “YOU DARE TAKE A SELFIE WITH THE COBRA GODDESS?” “Selfie!” said the magician. “That’s right! Thanks. And now I’ll take your crown and consume your essence. Hope you don’t mind.

So,” I say, tapping my feet on the floor while I sit. I take in a deep breath. “I think I’m gonna enter the SupaFan Contest.” His head snaps up. “Huh?” “I want to enter the contest.” He sits up straight. “You do?” “Yes.” He cocks his head to the side. “What made you change your mind?” I shift awkwardly in my seat, already feeling nervous about my decision. “Talking to Josie.

So,Batman,eh?" Effing St. Clair. I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it. St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..." "Yes,great,I get it.Ha ha. Stupid me." "What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!" "Wait." I frown. "What?" "What what?" "You're singing it wrong." "No,I'm not." He pauses. "How do you sing it?" I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-" St. Clair snorts. "Laid an egg? Robin didn't lay an egg-" "'Batmobile lost a wheel,and the Joker got away.'" He stares at me for a moment,and then says with perfect conviction. "No." "Yes.I mean,seriously,what's up with the motorway thing?" "M1 motorway. Connects London to Leeds." I smirk. "Batman is American. He doesn't take the M1 motorway." "When he's on holiday he does." "Who says Batman has time to vacation?" "Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today." "Thanks." "You." He prods my leg with a finger. "Slept in." I focus on the guy's laptop again. "Yeah.You mentioned that." He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done." I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting. I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.

Instead, I yelled at him. “You deserved to get run over. And besides, I barely tapped you. The only reason you broke your leg was because you panicked and tripped over your own feet.

You know what I love? The spaces between I love you. The tap of your fork against the plate and how my cup of wine clicks against our table. The scratchy voice coming from the radio in the other room. The quiet sound of your hand reaching across the table and whispering over mine. How your voice sounds like your mouth on the back of my neck. The soft murmur of our easy conversation. Between these quiet Tuesday night routines, following every comma and right after every pause for breath, is I, love, and you. In the middle of every I love you is a sink full of dishes, whisper of socked feet tangled in white sheets, and gentle kisses against curved cheeks. We lyric ourselves into the laundry that needs to be finished, into the ends of every smile that follows me repeating your name. We write ourselves into the grocery bags we need to carry, the cracks running up our rented walls, the sides of the bed we choose to drag up the sails of heavy eyed dreams. Like the spaces between our fingers, in the spaces between I, love, and you, we wait. The in-betweens have always been my favorite.

Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.

This young woman,” said Diana, “was responsible for the destruction of the Triumvirate’s fleet.” “Well, I had a lot of help,” Lavinia said. “I don’t understand,” I said, turning to Lavinia. “You made all those mortars malfunction?” Lavinia looked offended. “Well, yeah. Somebody had to stop the fleet. I did pay attention during siege-weapon class and ship-boarding class. It wasn’t that hard. All it took was a little fancy footwork.” Hazel finally managed to pick her jaw off the pavement. “Wasn’t that hard?” “We were motivated! The fauns and dryads did great.” She paused, her expression momentarily clouding, as if she remembered something unpleasant. “Um…besides, the Nereids helped a lot. There was only a skeleton crew aboard each yacht. Not, like, actual skeletons, but—you know what I mean. Also, look!” She pointed proudly at her feet, which were now adorned with the shoes of Terpsichore from Caligula’s private collection. “You mounted an amphibious assault on an enemy fleet,” I said, “for a pair of shoes.” Lavinia huffed. “Not just for the shoes, obviously.” She tap-danced a routine that would’ve made Savion Glover proud. “Also to save the camp, and the nature spirits, and Michael Kahale’s commandos.” Hazel held up her hands to stop the overflow of information. “Wait. Not to be a killjoy—I mean, you did an amazing thing!—but you still deserted your post, Lavinia. I certainly didn’t give you permission —” “I was acting on praetor’s orders,” Lavinia said haughtily. “In fact, Reyna helped. She was knocked out for a while, healing, but she woke up in time to instill us with the power of Bellona, right before we boarded those ships. Made us all strong and stealthy and stuff.” Hazel asked, “Is it true about Lavinia acting on your orders?” Reyna glanced at our pink-haired friend. The praetor’s pained expression said something like, I respect you a lot, but I also hate you for being right. “Yes,” Reyna managed to say. “Plan L was my idea. Lavinia and her friends acted on my orders. They performed heroically.” Lavinia beamed. “See? I told you.” The assembled crowd murmured in amazement, as if, after a day full of wonders, they had finally witnessed something that could not be explained.

Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.

So we call upon the author to explain (Doop doop doop doop dooop) Our myxomatoid kids spraddle the streets, we've shunned them from the greasy-grind The poor little things, they look so sad and old as they mount us from behind I ask them to desist and to refrain And then we call upon the author to explain (Doop doop doop doop dooop)Rosary clutched in his hand, he died with tubes up his nose And a cabal of angels with finger cymbals chanted his name in code We shook our fists at the punishing rain And we call upon the author to explain (Doop doop doop doop dooop) He said everything is messed up around here, everything is banal and jejune There is a planetary conspiracy against the likes of you and me in this idiot constituency of the moon Well, he knew exactly who to blame And we call upon the author to explain (Doop doop doop doop dooop) Prolix! Prolix! Nothing a pair of scissors can't fix! Prolix! Prolix! Nothing a pair of scissors can't fix!(Doop doop doop doop dooop) Well, I go guruing down the street, young people gather round my feet Ask me things, but I don't know where to start They ignite the power-trail ssstraight to my father's heart And once again I call upon the author to explain (Doop doop doop doop dooop ...)We call upon the author to explain Who is this great burdensome slavering dog-thing that mediocres my every thought? I feel like a vacuum cleaner, a complete sucker, it's fucked up and he is a fucker But what an enormous and encyclopaedic brain I call upon the author to explain (Doop doop doop doop dooop ...) Oh rampant discrimination, mass poverty, third world debt, infectious diseease Global inequality and deepening socio-economic divisions Well, it does in your brain And we call upon the author to explain (Doop doop doop doop dooop ...) Now hang on, my friend Doug is tapping on the window (Hey Doug, how you been?) Brings me back a book on holocaust poetry complete with pictures Then tells me to get ready for the rain And we call upon the author to explain (Doop doop doop doop dooop ...) I say prolix! Prolix! Something a pair of scissors can fix Bukowski was a jerk! Berryman was best! He wrote like wet papier mache, went the Heming-way weirdly on wings and with maximum pain We call upon the author to explain (Doop doop doop doop dooop ...) Down in my bolthole I see they've published another volume of unreconstructed rubbish "The waves, the waves were soldiers moving". Well, thank you, thank you, thank you And again I call upon the author to explain Yeah, we call upon the author to explain Prolix! Prolix! There's nothing a pair of scissors can't fix!

God, San Francisco was such a thief. A lady of the night, a sorceress with her hands out. Every time, all my years as a child, that we crossed the bridge, we had to pay to get in, pay to get out, pay for every little thing. Oakland was free, San Francisco was not. Pay me, pay me. Pay for the Pacific Ocean and the beach. I am expensive, the city always said, so pay me for my wonderful dark treats like the Steinhart Aquarium, with its dark wide hall lit up by tank after tank of bright gold green blue sharks dolphins whales stinger fish, cold-eyed still-as-a-corpse fish that didn't blink or budge when we tapped the thick glass with our fingernails. Pay, the voice said, to whomever took us on Saturday to the Fleischacker Zoo ... the hand of San Francisco reaches out to grab your stupid little nickels and dimes. Pay. Even as I stood in front of the Fat Lady, whose cackling gap-toothed twelve-feet-high, three-feet-wide body made me laugh for a solid hour, even as I collapsed in tears driven out of my eyes by laughter, I understood that the other name for San Francisco wasn't Frisco; it was pay you dumb jerks from Oakland pay.

Tradition now dictated that anyone could try and pull the couple apart. Whoever succeeded in separating them at their ribbons would be able to sit beside the couple as they feasted in celebration. The field became a tumble of laughing mates and contestants as males tried to remove males and females tried to remove females. Jacob grabbed his newly healed bride and floated out of the reach of the would-be renders, a cry of protest rising from below them. Gideon and Legna were left unmolested, Gideon’s imposing reputation having a quelling effect on the nerves of any who might have approached. He was kissing his bride when he felt a tap on his shoulder. He turned and saw Damien arching a challenging brow at him. Legna laughed, delighted as Gideon gave the Prince a dirty look. Her humor lasted about two seconds. That was when Damien’s partner in crime tapped Legna’s shoulder. Siena gave the bride a feline grin. “Oh, you bitch,” Legna choked out, laughing in her shock at the excellent maneuver on the Queen’s part. “Uh-uh,” the Queen scolded, her collar winking in the firelight. “That’s not very diplomatic of you, Ambassador.” “You realize this means war,” Legna said archly. “As if I would settle for anything less,” Siena returned. Legna and Gideon sighed, looking at each other and rolling their eyes. Husband grabbed hold of wife by their joined arms and then they braced their feet. Legna felt slim, strong arms around her waist and shoulders, and Gideon was seized in a similar hold by the determined Damien. “Darling?” Legna said. “Yes, love.” “Yes?” “Definitely yes.” The Vampire and Lycanthrope pulled, and immediately found themselves holding nothing but air. They both fell over hard into the dirt, dazedly watching a pair of ribbons floating down to the ground. “Oh look, they won,” Legna remarked from her and Gideon’s new position a few feet away. “How about that,” Gideon mused. “See you both at dinner. Congratulations on your victory.” The couple popped off to who knows where, leaving indignant but dubiously victorious royalty behind.

You’re a werewolf,” said Nemane. “Samuel Cornick.” There was a pause. “The Marrok is Bran Cornick.” I kept my gaze on Samuel. “I was just explaining to Dr. Altman why it would be inadvisable for them to eliminate me even though I’m sticking my nose in their business.” Comprehension lit his eyes, which he narrowed at the fae. “Killing Mercy would be a mistake,” he growled. “My da had Mercy raised in our pack and he couldn’t love Mercy more if she were his daughter. For her he would declare open war with the fae and damned be the consequences. You can call him and ask, if you doubt my word.” I’d expected Samuel to defend me—and the fae could not afford to hurt the son of the Marrok, not unless the stakes were a lot higher. I’d counted on that to keep Samuel safe or I’d have found some way to keep him out of it. But the Marrok… I’d always thought I was an annoyance, the only one Bran couldn’t count on for instant obedience. He’d been protective, still was—but his protective instinct was one of the things that made him dominant. I’d thought I was just one more person he had to take care of. But it was as impossible to doubt the truth in Samuel’s voice as it was to believe that he’d be mistaken about Bran. I was glad that Samuel was focused on Nemane, who had risen to her feet when Samuel began speaking. While I blinked back stupid tears, she leaned on the walking stick and said, “Is that so?” “Adam Hauptman, the Columbia Basin Pack’s Alpha, has named Mercy his mate,” continued Samuel grimly. Nemane smiled suddenly, the expression flowing across her face, giving it a delicate beauty I hadn’t noticed before. “I like you,” she said to me. “You play an underhanded and subtle game—and like Coyote, you shake up the order of the world.” She laughed. “Coyote indeed. Good for you. Good for you. I don’t know what else you’ll run into—but I’ll let the Others know what they are dealing with.” She tapped the walking stick on the floor twice. Then, almost to herself, she murmured, “Perhaps…perhaps this won’t be a disaster after all.

Maybe you are a nihilistic death-metal punk. You are deeply skeptical and pessimistic. You find meaning nowhere. You hate everything, just on principle. But then your favorite nihilistic death-metal punk band lead guitarist and his bandmates start to blast out their patterned harmonies—each in alignment with the other—and you are caught! “Ah, I do not believe in anything—but, God, that music!” And the lyrics are destructive and nihilistic and cynical and bitter and hopeless but it does not matter, because the music beckons and calls to your spirit, and fills it with the intimation of meaning, and moves you, so that you align yourself with the patterns, and you nod your head and tap your feet to the beat, participating despite yourself. It is those patterns of sound, layered one on top of another, harmoniously, moving in the same direction, predictably and unpredictably, in perfect balance: order and chaos, in their eternal dance. And you dance with it, no matter how scornful you are. You align yourself with that patterned, directional harmony. And in that you find the meaning that sustains.

I had the most ridiculous dream.” I point at my brother. “You were there.” I point at Simon beside him. “And you.” Then Franny, all of them huddled on the floor around me. “And you too. You . . . abdicated the throne, Nicholas. And they all wanted to make me king.” A maniacal laugh passes my lips . . . until I turn to the right and see dark blue eyes, sweet lips. and black, swirling hair. Then I scream like a girl. “Ahhhh!” It’s Olivia. My brother’s wife. His very American wife. I turn back to Nicholas. “It wasn’t a dream, was it?” “No, Henry.” I lie back down on the floor. “Fuuuuuck.” Then I feel sort of bad. “Sorry, Olive. You know I think you’re top-notch.” She smiles kindly. “It’s okay, Henry. I’m sorry you’re having a hard time.” I scrub my hand over my face, trying to think clearly. “It’s all right. This is a better, new plan—I won’t have to live under the stage now.” “You were going to live under the stage?” Nicholas asks. I wave my hand. “Forget it. It was Potter’s stupid idea. Boy Wonder Wizard, my arse.” And now my brother looks really worried. I gesture to him. “But you’re here now. You can take me with you back to the States.” “Henry . . .” “Give me your tired, poor, huddled masses yearning to be free—that describes me perfectly! I’m a huddled mass, Nicholas!” He squeezes my arms, shaking just a bit. “Henry. You can’t move to America.” I grasp his shirt. And my voice morphs into an eight-year-old boy’s, confessing he sees dead people. “But she’s so mean, Nicholas. She’s. So. Mean.” He taps my back. “I know.” Nicholas and Simon drag me up, holding on so that I stay on my feet. “But we’ll figure it out,” Nicholas says. “It’s going to be all right.” I shake my head. “You keep saying that. I’m starting to think you don’t know what the hell you’re talking about.

The cheer that came from the couch the first time that the diminutive helicopter touched down intact with a full load of miniature people was just a little too loud. My father’s head snapped to the window to check whether he’d disturbed me, and he caught me dead in the eyes. I leaped into bed, pulled up the blanket, and lay perfectly still as my father’s heavy steps approached my room. He tapped on the window. “It’s past your bedtime, buddy. Are you still up?” I held my breath. Suddenly, he opened the window, reached into my bedroom, picked me up—blanket and all—and pulled me through into the den. It all happened so quickly, my feet never even touched the carpet. Before I knew it, I was sitting on my father’s lap as his copilot. I was too young and too excited to realize that the joystick he’d given me wasn’t plugged in. All that mattered was that I was flying alongside my father.

I whirled on him. He was spattered with blood, breathing hard, head down, eyes narrowed, and fury was rolling off him in thick, dangerous waves. How dare he be furious with me? I was the wronged party! My battle was interrupted, bloodlust was bottled up inside me, a turbo engine revved to redline. “The vamp was mine< Barrons.” “Inspect his teeth, Ms. Lane,” he said tightly. “They were cosmetic enhancements. He was no vampire.” I punched him lightly in the shoulder. “I don’t care what he was! It was my fight, you bastard!” He punched me back with the same light, warning force. “You were taking too long to finish it up.” “Who are you to decide how long is too long?” I gave him another tap in the shoulder. He returned the blow with equal force. “You were enjoying it!” “I was not!” “You were smiling, bouncing on the balls of your feet, egging him on.” “I was trying to end the fight!” I punched his shoulder, hard this time. “You were way past trying to end it,” he snapped, punching me back. I nearly fell over. “You were prolonging it. You were glorying in it.” “You don’t know what the feck you’re talking about!” I shouted. “I couldn’t tell the difference between the two of you anymore!” he roared. I smashed my fist into his face. Lies roll off us. It’s the truths we work hardest to silence. “Then you weren’t looking hard enough! I’m the one with boobs!” “I know you’re the one with boobs! They’re in my fucking face every fucking time I turn around!” “Maybe you need to get a grip on your libido, Barrons!” “Fuck you, Ms. Lane!” “You just try. I’ll kick the shit out of you!” “You think you could?” “Bring it on.” He grabbed a fistful of my T-shirt, and dragged me up against him until our noses touched. “I’ll bring it on, Ms. Lane. But remember you asked for it. So don’t even think about trying to tap out on the mat and quit the fight.” “You hear anybody crying ‘Uncle’ here, Barrons? I don’t.” “Fine.” “Fine.

But you are not listening, sapperment! great big she-fool that you are—sheep’s-head! Dummkopf! Donnerwetter! you are looking at the chimney-pots when Svengali talks! Look a little lower down between the houses, on the other side of the river! There is a little ugly grey building there, and inside are eight slanting slabs of brass, all of a row, like beds in a school dormitory, and one fine day you shall lie asleep on one of those slabs—you, Drilpy, who would not listen to Svengali, and therefore lost him! … And over the middle of you will be a little leather apron, and over your head a little brass tap, and all day long and all night the cold water shall trickle, trickle, trickle all the way down your beautiful white body to your beautiful white feet till they turn green, and your poor, damp, draggled, muddy rags will hang above you from the ceiling for your friends to know you by; drip, drip, drip! But you will have no friends…. ‘And people of all sorts, strangers, will stare at you through the big plate-glass window—Englanders,

The sun tapped at the window pane, softly but firmly he was calling my name. He said rise, let me place this crown upon your head. I said, it's the weekend everybody's still in bed. This isn't for them, the sun made himself clear. Do you understand, LaNina, or should I call you Lear? I'm up, I replied throwing my diamond in the sky. Through the all seeing eye, he re-energized my life. Now you're, ready, the sun said, as I no longer felt heavy. It's time to hustle, LaNina, I mean Lear, you know this grind stays steady. I know, I remarked soaking up the energy from the sun. Lightly lifted from the ground, closed my eyes, stretched my arms until my refill was done. Let's get it, I yelled as my feet touched the floor. The sun said, wait, I'm going to fill you with more. I gave thanks for the new day & love for God from the core. I'm ready, I said while the sun filled me. I opened my eyes to a different side of life, but much better I could see. I'm free. He said, go ahead but work with you isn't done. I know. However, it was a pleasure coming face to face with 'The Son'.

In the Kübler-Ross model, there are five stages of grief: denial, anger, bargaining, depression, and acceptance. The model is supposed to apply to most major losses. Stuff like death, breakups, dealing with your parents’ divorce, overcoming addiction. In general, it works. But for Haruka, and she imagines most others like her, the smart ones, the brave ones, there is another stage: revenge. That’s not the same as anger, revenge. No. Anger is a much simpler concept. An easy emotion to tap into. Primitive. It’s rooted in the limbic system, the amygdala. A banging of the fists and stomping of the feet and overall feeling of “I’m mad!” Anger can be reduced to an emoji, or several with slight variations. Although, they’re usually a little too cute for what’s at the core of that actual emotion, anger. It can be very scary when witnessed. Revenge is more complicated. More sophisticated. It’s also less scary-looking, almost clinical when carried out. It would take at least two distinct emojis to express properly. More like three. Something to depict a wrongdoing, something to show contemplation, then lastly the victim committing an evil act with a calm, satisfied smile.

Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.

What the hell is that?' Cassian was grinning that next evening as he waved a hand toward the pile of pine boughs dumped on the ornate red rug in the centre of the foyer. 'Solstice decorations. Straight from the market.' Snow clung to his broad shoulders and dark hair, and his tan cheeks were flushed with cold. 'You call that a decoration? He smirked. 'A heap of pine in the middle of the floor is Night Court tradition.' I crossed my arms. 'Funny.' 'I'm serious.' I glared, and he laughed. 'It's for the mantels, the banister, and whatever else, smartass. Want to help?' He shrugged off his heavy coat, revealing a black jacket and shirt beneath, and hung it in the hall closet. I remained where I was and tapped my foot. 'What?' he said, brows rising. It was rare to see Cassian in anything but his Illyrian leathers, but the clothes, while not as fine as anything Rhys or Mor usually favoured, suited him. 'Dumping a bunch of trees at my feet is really how you say hello these days? A little time in that Illyrian camp and you forget all your manners.' Cassian was on me in a second, hoisting me off the ground to twirl me until I was going to be sick. I beat at his chest, cursing at him. Cassian set me down at last. 'What did you get me for Solstice?' I smacked his arm. 'A heaping pile of shut the hell up.' He laughed again, and I winked at him. 'Hot cocoa or wine?' Cassian curved a wing around me, turning us toward the cellar door. 'How many good bottles does little Rhysie have left?

No one will think anything, Alma. It’s an empty room, remember – you said so yourself.’ I began to sit cross-legged at his feet so as to listen to his operatic flourishes. Soon I was running to meet him when he came home, then crawling up onto his lap so I could see the words on the page. I still didn’t say much, and I was mute with all strangers and continued to hide my face in my grandmother’s skirts. We were sat this way one afternoon when there was a tap at the window that startled us both. We looked, but there was nothing there. It sounded like something had been thrown at it, so my grandfather told me to stay inside while he went out to investigate. When he came back, he was carrying a tiny bird in his hands. ‘It’s a little dunnock, Susannah. He must have got himself confused, or scared, chased by a sparrowhawk maybe, and flown into the glass. He’s only stunned himself. We’ll find him a box and keep him warm, see if he comes to.’ The bird looked dead to me, but my grandfather lined an old box with straw, placed the tiny bird inside and closed the lid. ‘We need to remove him from all the terrors of the world for a while, let his little body recover. You know, it’s a very good thing for an animal to hide if he’s injured or in danger. All the clever animals do it. He crawls into the tiniest space he can find and makes his world very small. It’s a natural thing, when you’re very scared, to make your world very small indeed. The trick is to understand when the danger is gone, to be very brave and let the world be big again, or else there may as well be no world at all.

He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.

He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.

But now be so kind as to tell me: what does a baby smell like when he smells the way you think he ought to smell? Well?’ ‘He smells good,’ said the wet nurse. ‘What do you mean, “good”?’ Terrier bellowed at her. ‘Lots of things smell good. A bouquet of lavender smells good. Stewed meat smells good. The gardens of Arabia smell good. But what does a baby smell like, is what I want to know?’ The wet nurse hesitated. She knew very well how babies smell, she knew precisely – after all she had fed, tended, cradled and kissed dozens of them … She could find them at night with her nose. Why, right at that moment she bore that baby smell clearly in her nose. But never until now had she described it in words. ‘Well?’ barked Terrier, clicking his fingernails impatiently. ‘Well it’s – ’ the wet nurse began, ‘it’s not all that easy to say, because … because they don’t smell the same all over, although they smell good all over, Father, you know what I mean? Their feet for instance, they smell like a smooth warm stone – or no, more like curds … or like butter, like fresh butter, that’s it exactly. They smell like fresh butter. And their bodies smell like … like a pancake that’s been soaked in milk. And their heads, up on top, at the back of the head, where the hair makes a cowlick, there, see where I mean, Father, there where you’ve got nothing left …’ And she tapped the bald spot on the head of the monk who, struck speechless for a moment by this flood of detailed inanity, had obediently bent his head down. ‘There, right there, is where they smell best of all. It smells like caramel, it smells so sweet, so wonderful, Father, you have no idea! Once you’ve smelled them there, you love them whether they’re your own or somebody else’s. And that’s how little children have to smell – and no other way. And if they don’t smell like that, it they don’t have any smell at all up there, even less than cold air does, like that little bastard there, then … you can explain it however you like, Father, but I’ – and she crossed her arms resolutely beneath her bosom and cast a look of disgust towards the basket at her feet as if it contained toads – ‘I, Jeanne Bussie, will not take that thing back!

There is a show tonight in the Highwood, John. There will be all sorts of people to play music there. We must go tonight to the Highwood, john. we'll breathe in the music and the cold-starred air. * And Cornelius has taken down the moon - hasn't he? - with gleam-of-eye and giddying snout and his touch on the wheel is delicate as the spring, here a soft tip, there a glanced tap for each swerve of the road as it runs the country and turns. Oh this is the knack of it - John can see clearly now - the carefree life, and he envies him the spring. And before we know it, John? The summer proper will be in on top of us and the woods will be whispering. Fuck the whispering woods, Cornelius. Just get me to my fucking island. But he is snagged again; he turns helplessly. How'd you mean, about the woods? Cornelius beams - There are things we can't describe, he says. Go on? What we see around us is only at the ten per cent level, John. Of? The reality. And what's the leftover? Unseen. How'd you mean? Well, he says. The way sometimes you'd walk across a field and a sense of elation would come over you. Are you with me? Okay... You're half risen from the skin. the feet are not touching the stones. The little heart is about to hop out of your chest from the sheer fucken joy. And the strange thing about it? Go on. That patch of happiness could be floating around the field for the last ten years. Or for the last three hundred and fifty years. Out of love that was had there or a child that was playing or an old friend that was found again after a long time lost. Whatever it was, it caused a great happy feeling and it was left there in the field. You're after walking into it. And for half a minute you're lifted and soaring but then you're out the far side again and back into your own poor stride and woes. You'd find a sadness just the same? Or an evil, John. Or a blackness. Or terror, John, or fucken terror, because there's plenty of terror in the world. Always was and has been. A soft whisper - I mean take a look out the window. A sweep of the arm for the greys and sea-greens of the moonful hills, the pale night as they pass by - I mean why'd you think I've the fucken foot down, John?

It was a charming and delightful day at Lord's as Ford and Arthur tumbled haphazardly out of a space-time anomaly and hit the immaculate turf rather hard. The applause of the crowd was tremendous. It wasn't for them, but instinctively they bowed anyway, which was fortunate because the small red heavy ball which the crowd actually had been applauding whistled mere millimetres over Arthur's head. In the crowd a man collapsed. They threw themselves back to the ground which seemed to spin hideously around them. "What was that?" hissed Arthur. "Something red," hissed Ford back at him. "Where are we?" "Er, somewhere green." "Shapes," muttered Arthur. "I need shapes." The applause of the crowd had been rapidly succeeded by gasps of astonishment, and the awkward titters of hundreds of people who could not yet make up their minds about whether to believe what they had just seen or not. "This your sofa?" said a voice. "What was that?" whispered Ford. Arthur looked up. "Something blue," he said. "Shape?" said Ford. Arthur looked again. "It is shaped," he hissed at Ford, with his brow savagely furrowing, "like a policeman." They remained crouched there for a few moments, frowning deeply. The blue thing shaped like a policeman tapped them both on the shoulders. "Come on, you two," the shape said, "let's be having you." These words had an electrifying effect on Arthur. He leapt to his feet like an author hearing the phone ring and shot a series of startled glanced at the panorama around him which had suddenly settled down into something of quite terrifying ordinariness. "Where did you get this from?" he yelled at the policeman shape. "What did you say?" said the startled shape. "This is Lord's Cricket Ground, isn't it?" snapped Arthur. "Where did you find it, how did you get it here? I think," he added, clasping his hand to his brow, "that I had better calm down." He squatted down abruptly in front of Ford. "It is a policeman," he said, "What do we do?" Ford shrugged. "What do you want to do?" he said. "I want you," said Arthur, "to tell me that I have been dreaming for the last five years." Ford shrugged again, and obliged. "You've been dreaming for the last five years," he said. Arthur got to his feet. "It's all right, officer," he said. "I've been dreaming for the last five years. Ask him," he added, pointing at Ford, "he was in it.

When a Single Glance Can Cost a Million Dollars Under conditions of stress, the human body responds in predictable ways: increased heart rate, pupil dilation, perspiration, fine motor tremors, tics. In high-pressure situations, such as negotiating an employment package or being cross-examined under oath, no matter how we might try to play it cool, our bodies give us away. We broadcast our emotional state, just as Marilyn Monroe broadcast her lust for President Kennedy. We each exhibit a unique and consistent pattern of stress signals. For those who know how to read such cues, we’re essentially handing over a dictionary to our body language. Those closest to us probably already recognize a few of our cues, but an expert can take it one step further, and closely predict our actions. Jeff “Happy” Shulman is one such expert. Happy is a world-class poker player. To achieve his impressive winnings, he’s spent much of his life mastering mystique. At the highest level of play, winning depends not merely on skill, experience, statistics, or even luck with the cards, but also on an intimate understanding of human nature. In poker, the truth isn’t written just all over your face. The truth is written all over your body. Drops of Sweat, a Nervous Blink, and Other “Tells” Tournament poker is no longer a game of cards, but a game of interpretation, deception, and self-control. In an interview, Happy says that memorizing and recognizing your opponent’s nuances can be more decisive than luck or skill. Imperceptible gestures can reveal a million dollars’ worth of information. Players call these gestures “tells.” With a tell, a player unintentionally exposes his thoughts and intentions to the rest of the table. The ability to hide one’s tells—and conversely, to read the other players’ tells—offers a distinct advantage. At the amateur level, tells are simpler. Feet and legs are the biggest moving parts of your body, so skittish tapping is a dead giveaway. So is looking at a hand of cards and smiling, or rearranging cards with quivering fingertips. But at the professional level, tells would be almost impossible for you or me to read. Happy spent his career learning how to read these tells. “If you know what the other player is going to do, it’s easier to defend against it.” Like others competing at his level, Happy might prepare for a major tournament by spending hours reviewing tapes of his competitors’ previous games in order to instantly translate their tells during live competition.

Come on, show me what you got” Shelby said throwing a set of gear to wing before pulling on a pair of gloves herself “I'll try not to hurt you too badly” “how reassuring” Wing said pulling on his gloves he had been giving Shelby hand-to-hand combat training for some time back at H.I.V.E And what she lacked in technique she made up for in speed and cunning. “Bring it” Shelby said with a grin raising both gloves in a defensive stance and beckoning him towards her “It will be brought” Wing replied. He feinted to her left and she went to block as he simultaneously swung a low blow into her other side, carefully pulling his punch so that he just tapped her. “Two perhaps three broken ribs” Wing said matter of factly “maintain your guard” Shelby nodded and took a quick jab at his jaw which wing blocked effortlessly “Try not to look where you are striking you betray your intentions” They went on like that for a couple more minutes just as in their previous sparring sessions Wing noticed that once they began Shelby became totally focused. There were none of this smart comments or sarcasm that she'd normally used - she was suddenly deadly serious. “Broken job possible unconsciousness” Wing said calmly as he struck her passed her guard stopping his fist millimetres from her chin. “Oh my God” Shelby gasped suddenly, staring in shock at something over wings shoulder. He spun around, his guard raised. Shelby dropped low swinging her leg out, sweeping Wing's feet out from under him and sending him crashing to the floor. “Wounded pride, possible humiliation” Shelby said with a grin offering her hand to Wing and pulling him up off the floor. “and so ends today's lesson” she said pulling off her head guard. “an unconventional tactic” Wing said with a nod, taking off his own helmet. “but a successful one none the less” “ I kinda like unconventional tactics” Shelby said stepping towards him. “never underestimate the power of surprise” She grabbed the back of his neck and kissed him for a few long seconds. “what was that about maintaining your guard?” she said with a smile as she pulled away from him. “sometimes one should let ones guard down” Wing said staring at her for a moment before drawing her towards him and kissed her back. “Er...guys?” a familiar voice said causing Wing and Shelby to spring apart. “Dr Nero wants you to report to the briefing room” Wing winced slightly as he saw Nigel and Franz standing in the doorway. Nigel was looking pointedly at the floor and Franz was staring at him and Shelby, his mouth hanging open in surprise. “come on big guy - no rest for the wicked” Shelby said to Wing with a grin, taking his hand and dragging him out of the room past Nigel and the stunned looking Franz.

Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window. He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly. “Open the bloody window, Grey!” Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it. He staggered to the window, unlatched it and swung it open. “What the hell do you want?” Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?” “You’re not my favorite,” Grey scowled. Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?” Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?” “You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?” “Rose tell you that?” “She did. I’m surprised you took such a risk just to see her.” Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.” “Worth it, eh? So worth it you immediately came home and got sloshed.” “Something like that. And then Rose came home and I got even more sloshed.” Archer’s expression turned to concern as he leaned against the window frame. “What happened?” Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.” His brother snorted. “That girl has always known exactly what kind of man you are.” The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?” Arch shook his head. “Come to the stables with me. I want to show you something.” He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him… He wasn’t a coward. He just didn’t wish to be seen looking less than his best. An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling. Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull. “What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?” Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.” “To do what?” Grey demanded. “Die?

Develop a rapid cadence. Ideal running requires a cadence that may be much quicker than you’re used to. Shoot for 180 footfalls per minute. Developing the proper cadence will help you achieve more speed because it increases the number of push-offs per minute. It will also help prevent injury, as you avoid overstriding and placing impact force on your heel. To practice, get an electronic metronome (or download an app for this), set it for 90+ beats per minute, and time the pull of your left foot to the chirp of the metronome. Develop a proper forward lean. With core muscles slightly engaged to generate a bracing effect, the runner leans forward—from the ankles, not from the waist. Land underneath your center of gravity. MacKenzie drills his athletes to make contact with the ground as their midfoot or forefoot passes directly under their center of gravity, rather than having their heels strike out in front of the body. When runners become proficient at this, the pounding stops, and the movement of their legs begins to more closely resemble that of a spinning wheel. Keep contact time brief. “The runner skims over the ground with a slithering motion that does not make the pounding noise heard by the plodder who runs at one speed,” the legendary coach Percy Cerutty once said.7 MacKenzie drills runners to practice a foot pull that spends as little time as possible on the ground. His runners aim to touch down with a light sort of tap that creates little or no sound. The theory is that with less time spent on the ground, the foot has less time to get into the kind of trouble caused by the sheering forces of excessive inward foot rolling, known as “overpronation.” Pull with the hamstring. To create a rapid, piston-like running form, the CFE runner, after the light, quick impact of the foot, pulls the ankle and foot up with the hamstring. Imagine that you had to confine your running stride to the space of a phone booth—you would naturally develop an extremely quick, compact form to gain optimal efficiency. Practice this skill by standing barefoot and raising one leg by sliding your ankle up along the opposite leg. Perform up to 20 repetitions on each leg. Maintain proper posture and position. Proper posture, MacKenzie says, shifts the impact stress of running from the knees to larger muscles in the trunk, namely, the hips and hamstrings. The runner’s head remains up and the eyes focused down the road. With the core muscles engaged, power flows from the larger muscles through to the extremities. Practice proper position by standing with your body weight balanced on the ball of one foot. Keep the knee of your planted leg slightly bent and your lifted foot relaxed as you hold your ankle directly below your hip. In this position, your body is in proper alignment. Practice holding this position for up to 1 minute on each leg. Be patient. Choose one day a week for practicing form drills and technique. MacKenzie recommends wearing minimalist shoes to encourage proper form, but not without taking care of the other necessary work. A quick changeover from motion-control shoes to minimalist shoes is a recipe for tendon problems. Instead of making a rapid transition, ease into minimalist shoes by wearing them just one day per week, during skill work. Then slowly integrate them into your training runs as your feet and legs adapt. Your patience will pay off.

A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.

Bailey,” I say, my voice carrying easily across the marble floor. “Wait.” She turns back and rolls her eyes, clearly annoyed to see me coming her way. She quickly wipes at her cheeks then holds up her hand to wave me off. “I’m off the clock. I don’t want to talk to you right now. If you want to chew me out for what happened back there, you’ll have to do it on Monday. I’m going home.” “How?” Her pretty brown eyes, full of tears, narrow up at me in confusion. “How what?” “How are you getting home? Did you park on the street or something?” Her brows relax as she realizes I’m not about to scold her. “Oh.” She turns to the window. “I’m going to catch the bus.” The bus? “The stop is just down the street a little bit.” “Don’t you have a car?” She steels her spine. “No. I don’t.” I’ll have to look into what we’re paying her—surely she should have no problem affording a car to get her to and from work. “Okay, well then what about an Uber or something?” Her tone doesn’t lighten as she replies, “I usually take the bus. It’s fine.” I look for an umbrella and frown when I see her hands are empty. “You’re going to get drenched and it’s freezing out there.” She laughs and starts to step back. “It’s not your concern. Don’t worry about me.” Yes, well unfortunately, I do worry about her. For the last three weeks, all I’ve done is worry about her. Cooper is to blame. He fuels my annoyance on a daily basis, updating me about their texts and bragging to me about how their relationship is developing. Relationship—I find that laughable. They haven’t gone on a date. They haven’t even spoken on the phone. If the metric for a “relationship” lies solely in the number of text messages exchanged then as of this week, I’m in a relationship with my tailor, my UberEats delivery guy, and my housekeeper. I’ve got my hands fucking full. “Well I’m not going to let you wait out at the bus stop in this weather. C’mon, I’ll drive you.” Her soft feminine laugh echoes around the lobby. “Thank you, but I’d rather walk.” What she really means is, Thank you, but I’d rather die. “It’s really not a request. You’re no good to me if you have to call in sick on Monday because you caught pneumonia.” Her gaze sheens with a new layer of hatred. “You of all people know you don’t catch pneumonia just from being cold and wet.” She tries to step around me, but I catch her backpack and tug it off her shoulder. I can’t put it on because she has the shoulder straps set to fit a toddler, so I hold it in my hand and start walking. She can either follow me or not. I tell myself I don’t care either way. “Dr. Russell—” she says behind me, her feet lightly tap-tap-tapping on the marble as she hurries to keep up. “You’re clocked out, aren’t you? Call me Matt.” “Doctor,” she says pointedly. “Please give me my backpack before I call security.” I laugh because really, she’s hilarious. No one has ever threatened to call security on me before. “It’s Matt, and if you’re going to call security, make sure you ask for Tommy. He’s younger and stands a decent chance of catching me before I hightail it out of here with your pink JanSport backpack. What do you have in here anyway?” It weighs nothing. “My lunchbox. A water bottle. Some empty Tupperware.” Tupperware. I glance behind me to check on her. She’s fast-walking as she trails behind me. Am I really that much taller than her? “Did you bring more banana bread?” She nods and nearly breaks out in a jog. “Patricia didn’t get any last time and I felt bad.” “I didn’t get any last time either,” I point out. She snorts. “Yeah well, I don’t feel bad about that.” I face forward again so she can’t see my smile.

Eli: You know what's the good thing about no soap, you can smell a hijacker from a mile away Hijack Leader: The hijackers come out of hiding "I am impressed, this man can smell us from thirty feet away, now what's that say about our hygiene! To Eli " What's in the bag? Eli: What bag? Hijack Leader: You got a gun, he's got a gun, tip it on the ground Eli: I can't do that Hijack Leader: This guy's a fucking genius, drop the fucking bag on the ground!Are you listening to me? "He taps Eli on the side of the shoulder" Eli: Yeah, are you listening to me, touch me with that hand again and you're not getting it back Hijack Leader: He laughs and goes to touch Eli again, Eli cuts off his hand "He cut off my hand, what are you standing around for kiss him! Hijacker: Why'd he say? Eli: He's in shock, I think he meant kill him.

Come on, tough guy.” “You can get fresh with me in the snow and threaten me with a gun all you want. But if you really want my help, you’ll put your weight on me and move your feet.” “In about two minutes, my extremities are going to be so numb I won’t be able to do anything for either of us—even if you do shoot. So move.” He couldn’t have been rescued by some meek, mousy thing who’d do what he said without the attitude? He tapped the butt of the gun against her shoulder. “That’s pretty bold talk for a woman who’s got no advantage.” “Uh-huh. I’m not the one bleeding to death.

Who is Blue?” “You’ll see. She’ll be out in a minute.” Jenna walked out leading Blue by a rope, the three guards following. Blue sidestepped and nearly knocked down one of the men. “You let her ride that stallion. Are you crazy? He’ll kill her.” “Watch. That horse is the meanest sonofabitch I’ve ever put into that barn. He’s bitten just about every ranch hand on the spread. Given a chance, he’ll kick the shit out of you.” “And you trust him with your pregnant fiancé?” “Patience,” Jack said and smiled with pride. Jenna stopped just outside the doors and stood in front of Blue and rubbed a hand down his long nose. He bent his head and rested it between her breasts and down her chest and belly like he did every time she came to see him. She rubbed his ears and his face. “Oh my God. She just turned that big, giant stallion into a puppy.” Jack’s pride swelled. She was amazing. “Just watch, Sam.” Jenna kept rubbing and talking to Blue. Blue raised his head and rested it over Jenna’s shoulder and down her back as if giving her a hug. She wrapped her arms around his head and neck. He raised her right off her feet. He put her down gently again. She whispered into his ear and walked to his side. She pulled on the lead rope indicating she wanted him to go down to the ground, and he happily obliged. Sam watched in astonishment as the stallion literally kneeled on the ground with his front legs and allowed Jenna to mount him. Still very high off the ground, even when kneeling, but Jenna managed as if she’d done it a hundred times. Then she gave him a tap in the side with her heels and the horse stood up. “Amazing,” Sam said. “That horse is in love with her.” “Yes, I know. I hate to admit it, but sometimes I’m jealous.” -Sam, Jack, & Jenna

Then, impossibly, another figure ran toward her. The sideburns and stiff-collared jacket looked ridiculous out of the context of Pembrook Park, though he’d stuck on a baseball cap and trench coat, trying to blend. His face was flushed from running, and when he saw Jane, he sighed with relief. Jane dropped her jaw. Literally. She had never, even in her most ridiculous daydreaming, imagined that Mr. Nobley would come after her. She took a step back, hit something slick with her boot heel, and tottered almost to the ground. Mr. Nobley caught her and set her back up on her feet. Is this why women wear heels? thought Jane. We hobble ourselves so we can still be rescued by men? She annoyed herself by having enjoyed it. Briefly. “You haven’t left yet,” Nobley said. He seemed reluctant to let go of her, but he did and took a few steps back. “I’ve been panicked that…” He saw Martin. “What are you doing here?” The brunette was watching with hungry intensity, though she kept tapping at a keyboard as though actually very busy at work. “Jane and I got close these past weeks and--” Martin began. “Got close. That’s a load of duff. It’s one thing when you’re toying with the dowagers who guess what you are, but Jane should be off limits.” He took her arm. “You can’t believe a word he says. I’m sorry I couldn’t tell you earlier, but you must know now that he’s an actor.” “I know,” Jane said. Nobley blinked. “Oh.” “So, what are you doing here?” She couldn’t help it if her tone sounded a little tired. This was becoming farcical. “I came to tell you that I--” he rushed to speak, then composed himself, looked around, and stepped closer to her so he did not need to raise his voice to be heard. The brunette leaned forward just a tad. “I apologize for having to tell you here, in this busy, dirty…this is not the scene I would set, but you must know that I…” He took off his cap and rubbed his hair ragged. “I’ve been working at Pembrook Park for nearly four years. All the women I see, week after week, they’re the same. Nearly from the first, that morning when we were alone in the park, I guessed that you might be different. You were sincere.” He reached for her hand. He seemed to gain confidence, his lips started to smile, and he looked at her as though he never wished to look away.

For once in his life, Charles didn't care what anyone thought of his behavior.  He marched straight up to Perry, tapped him on the shoulder, and jerked his thumb to indicate that Perry had better relinquish Amy to him. Now. Perry, grinning, bowed and backed off.  At the same time, Amy turned her head and saw Charles, her face breaking into such an expression of joy that he was nearly undone. "Charles!" she cried, and he knew then that if they weren't in the middle of a crowded ballroom, with everyone staring at them, she would've thrown herself straight into his arms.  As it was, she stumbled such that he had to catch her and set her on her feet, a move that he managed to carry off such that she barely missed a step.  "Oh, Charles, I've been waiting all evening for you to arrive!  Where have you been?" "Looking for you."  He stared at her.  "Amy, you look . . . ravishing," he said, and it was all he could do not to claim those smiling, carmine-rouged lips and kiss her senseless. "For once in my life, I actually feel ravishing!  Oh, Charles — will you look at all these powdered heads, the jewels and silks and satins, everyone having such a good time!  Isn't it just wonderful?  Isn't this just the most magical place on earth?" He swung her through the steps.  "Amy, I do not wish to spoil your enjoyment, but exactly what are you doing?" "I'm dancing!" she said, her cheeks flushed, her eyes sparkling as he led her through the steps.  "Oh, Charles, this is such fun!  Your brother was so kind to give me this night . . . I feel like Cinderella!" "What?" "Lucien!  He was so grateful for what I did for you back in America that he gave me this night, this gown, a new identity, and . . . and, even these diamonds at my ears!  Well, he didn't actually give them to me, I understand that they belonged to your grandmother but he said that only someone with my coloring would be able to carry them off. . . ."  She blushed.  "Charles, you don't think everyone's staring at me because I'm the only one here with unpowdered hair, do you?  Lucien said that I really should leave it natural, and —" "No, Amy," he said tightly, realizing that everyone was staring at her, and it had nothing to do with her hair. It was because she was the most strikingly beautiful woman in the room and one couldn't help but stare at her. "Charles, are you angry?" "Yes, Amy, I am angry, quietly furious, in fact, but not with you." "Then with who?  Certainly, not Perry I hope, because he's now dancing with your sister — she has a tendre for him, you know." "And where did you learn that word, Amy?" "Oh, Nerissa taught it to me.  I understand it is quite the thing to know some French.  Oh, Charles, please don't be angry with Perry, he did nothing wrong —" "It's not Perry I'm angry with, it's Lucien."  The dance ended.  "And by God, I'm going to give him a piece of my mind." His

Stonesnake had passed the rope around the smooth spike of rock he was waiting on, but as soon as Jon reached him he shook it loose and was off again. This time there was no convenient cleft when he reached the end of their tether, so he took out his felt-headed hammer and drove a spike deep into a crack in the stone with a series of gentle taps. Soft as the sounds were, they echoed off the stone so loudly that Jon winced with every blow, certain that the wildlings must hear them too. When the spike was secure, Stonesnake secured the rope to it, and Jon started after him. Suck on the mountain’s teat, he reminded himself. Don’t look down. Keep your weight above your feet. Don’t look down. Look at the rock in front of you. There’s a good handhold, yes. Don’t look down. I can catch a breath on that ledge there, all I need to do is reach it. Never look down.

The trembly fellow sighed and said, “I’m all out of whack. I’m going uptown and see my doctor.” Mr. Flood snorted again. “Oh, shut up,” he said. “Damn your doctor! I tell you what you do. You get right out of here and go over to Libby’s oyster house and tell the man you want to eat some of his big oysters. Don’t sit down. Stand up at that fine marble bar they got over there, where you can watch the man knife them open. And tell him you intend to drink the oyster liquor; he’ll knife them on the cup shell, so the liquor won’t spill. And be sure you get the big ones. Get them so big you’ll have to rear back to swallow, the size that most restaurants use for fries and stews; God forgive them, they don’t know any better. Ask for Robbins Islands, Mattitucks, Cape Cods, or Saddle Rocks. And don’t put any of that red sauce on them, that cocktail sauce, that mess, that gurry. Ask the man for half a lemon, poke it a time or two to free the juice, and squeeze it over the oysters. And the first one he knifes, pick it up and smell it, the way you’d smell a rose, or a shot of brandy. That briny, seaweedy fragrance will clear your head; it’ll make your blood run faster. And don’t just eat six; take your time and eat a dozen, eat two dozen, eat three dozen, eat four dozen. And then leave the man a generous tip and go buy yourself a fifty-cent cigar and put your hat on the side of your head and take a walk down to Bowling Green. Look at the sky! Isn’t it blue? And look at the girls a-tap-tap-tapping past on their pretty little feet! Aren’t they just the finest girls you ever saw, the bounciest, the rumpiest, the laughingest? Aren’t you ashamed of yourself for even thinking about spending good money on a damned doctor? And along about here, you better be careful. You’re apt to feel so bucked-up you’ll slap strangers on the back, or kick a window in, or fight a cop, or jump on the tailboard of a truck and steal a ride.

1 A STRANGER IN THE NIGHT The moon shone in the rocking horse’s eye, and in the mouse’s eye, too, when Tolly fetched it out from under his pillow to see. The clock went tick-tock, and in the stillness he thought he heard little bare feet running across the floor, then laughter and whispering, and a sound like the pages of a big book being turned over. L. M. Boston, The Children of Green Knowe Rain fell that night, a fine, whispering rain. Many years later, Meggie had only to close her eyes and she could still hear it, like tiny fingers tapping on the windowpane. A dog barked somewhere in the darkness, and however often she tossed and turned Meggie couldn’t get to sleep. The book she had been reading was under her pillow, pressing its cover against her ear as if to lure her back into its printed pages. “I’m sure it must be very comfortable sleeping with a hard, rectangular thing like that under your head,” her father had teased the first time he found a book under her pillow. “Go on, admit it, the book whispers its story to you at night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she

Drops of Sweat, a Nervous Blink, and Other “Tells” Tournament poker is no longer a game of cards, but a game of interpretation, deception, and self-control. In an interview, Happy says that memorizing and recognizing your opponent’s nuances can be more decisive than luck or skill. Imperceptible gestures can reveal a million dollars’ worth of information. Players call these gestures “tells.” With a tell, a player unintentionally exposes his thoughts and intentions to the rest of the table. The ability to hide one’s tells—and conversely, to read the other players’ tells—offers a distinct advantage. At the amateur level, tells are simpler. Feet and legs are the biggest moving parts of your body, so skittish tapping is a dead giveaway. So is looking at a hand of cards and smiling, or rearranging cards with quivering fingertips. But at the professional level, tells would be almost impossible for you or me to read. Happy spent his career learning how to read these tells. “If you know what the other player is going to do, it’s easier to defend against it.” Like others competing at his level, Happy might prepare for a major tournament by spending hours reviewing tapes of his competitors’ previous games in order to instantly translate their tells during live competition.

In the Kübler-Ross model, there are five stages of grief: denial, anger, bargaining, depression, and acceptance. The model is supposed to apply to most major losses. Stuff like death, breakups, dealing with your parents’ divorce, overcoming addiction. In general, it works. But for Haruka, and she imagines most others like her, the smart ones, the brave ones, there is another stage: revenge. That’s not the same as anger, revenge. No. Anger is a much simpler concept. An easy emotion to tap into. Primitive. It’s rooted in the limbic system, the amygdala. A banging of the fists and stomping of the feet and overall feeling of ‘I’m mad!’ Anger can be reduced to an emoji, or several with slight variations. Although, they’re usually a little too cute for what’s at the core of that actual emotion, anger. It can be very scary when witnessed. Revenge is more complicated. More sophisticated. It’s also less scary-looking, almost clinical when carried out. It would take at least two distinct emojis to express properly. More like three. Something to depict a wrongdoing, something to show contemplation, then lastly the victim committing an evil act with a calm, satisfied smile.

In the Kübler-Ross model, there are five stages of grief: denial, anger, bargaining, depression, and acceptance. The model is supposed to apply to most major losses. Stuff like death, breakups, dealing with your parents’ divorce, overcoming addiction. In general, it works. But for Haruka, and she imagines most others like her, the smart ones, the brave ones, there is another stage: revenge. That’s not the same as anger, revenge. No. Anger is a much simpler concept. An easy emotion to tap into. Primitive. It’s rooted in the limbic system, the amygdala. A banging of the fists and stomping of the feet and overall feeling of “I’m mad!” Anger can be reduced to an emoji, or several with slight variations. Although, they’re usually a little too cute for what’s at the core of that actual emotion, anger. It can be very scary when witnessed. Revenge is more complicated. More sophisticated. It’s also less scary-looking, almost clinical when carried out. It would take at least two distinct emojis to express properly. More like three. Something to depict a wrongdoing, something to show contemplation, then lastly the victim committing an evil act with a calm, satisfied smile.

already knew that in my speech I wouldn’t be thanking Jesus. This is not because he is less important to me or my life. But I know, with all the certainty of my being, that Jesus has no interest in my doing this. To just say, “Jesus, Jesus, Jesus, I’m your biggest fan,” causes him to stare at his watch, tap his feet, and order a double Glenlivet on the rocks with a twist. Fandom is of no interest to Jesus. What matters to him is the authentic following of a disciple. We all settle for saying, “Jesus,” but Jesus wants us to be in the world who he is.

Your dad says you have a boyfriend,” she says and smiles. I nod. “Matthew,” I tell her. She doesn’t deserve the details. “The one with the tattoos,” she says. “He’s very handsome.” “He’s good and kind,” I correct. Then I smile, because thinking of him brings it out in me. “And handsome.” “Do you love him?” she asks. I nod my head. “As much as I know about love,” I say. “If I have to say yes or no, I say yes. But I’m not completely sure what that means.” “I’m sorry we made you doubt yourself so much. You’re worth so much more.” She swipes a hand beneath her nose. “We were terrible examples.” “I don’t trust him with my heart,” I admit. “I’m terrified to love him.” “Afraid he’ll turn on you?” she asks. “Or that he’ll walk away?” “Or that he’ll love me till the end of time,” I say. That’s just as scary, because I don’t know what to do with it. “You should look into some Al-Anon meetings,” she says. “They’re for families of addicts.” “Okay,” I say. She taps my leg. “For you,” she says. “Not for me.” She lights a new cigarette. I raise my brow at her. She laughs. “I’ve never felt quite so exposed. It’s a new and scary feeling. So, forgive me my vices. I’ll quit when I get through this.” “Okay.” I understand. I think. “Don’t be afraid to let him love you, Sky,” she says quietly. “I was afraid to let your dad love me. I didn’t think I deserved it, after the things I did when I was drinking. So I shut him out. Let Matthew in. Let him love you. Take it all in and let it seep into your bones. Don’t let it go. If he breaks your heart, at least you’ll know you still have one. Don’t die inside, like me. Let love in. Let it surround you and keep you on your feet when you can’t go anymore. Let. Love. In.

She lifts her feet up onto the couch. Her thighs are plump and perfect and I suddenly want to touch them. I have to fight to keep my hands on my side of the couch, because while she might like me, she’s definitely not at the same place I’m at. “Stop it,” she says. I jerk my eyes back up to her face. “Stop what?” “Stop staring at my fat.” “I wasn’t staring at fat.” I look into her eyes. “I was staring at those awesomely gorgeous legs, if you must know.” She rolls her eyes. “Well, stop it.” “Can’t. Sorry. They’re awesome. And awesome things get stared at. Deal with it.” I grin at her. She’s not amused. She puts her feet back down on the floor. “I think I’m going to go to bed.” “Don’t go.” I grab her as she tries to get up, but with my bum leg, I can’t chase her down. I grab her forearm and gently pull her back down, only this time she’s on the middle couch cushion. “I’m sorry. I’ll stop.” I hold up my hands like I’m surrendering to the cops. “I promise.” She settles back against the sofa. “You make me nervous,” she admits. What? “Why?” “I don’t know how to take you.” I shrug. “Just take me at face value, I guess?” I make it sound like a question, but it’s not. “But you have so many faces.” She covers her own face with her hands and groans. “No, I don’t.” I look at her. Really look at her. “I’m the same guy you see every single time I’ve been with you.” “I didn’t mean to make you angry.” She has been talking to me for about five minutes without tapping or banging anything. I look down at her feet. She’s tapping out a rhythm with her bare, pink little toes. “I’m not angry,” I tell her. “Then what are you?” “I’m just a guy with a seriously hot chick on his couch watching the chef cook-off show.” I lay my hands on my stomach. “My belly is full, my apartment’s not empty for the first time in months, and I’m happy you’re here. Can you just live with that?” She

There's a jangle to the music of the dead. I mean that certain something that's so happy and so sad at the same time. The notes almost make a perfect harmony but don't. Then they do but quickly crash into dissonance. They simmer in that sweet in-between, rhythm section rattling along all the while. Chords collapse chaotically into each other, and just when you think it's gonna spill into total nonsense, it stands back up and comes through sweet as a lullaby on your mami's lips. Songs that'll make people tap their feet and drink melancholically but not realize the twisting genius lurking within until generations later. That's the kind of music I make, and the dead do too. We make it together. *

When at last he sprang to his feet, she retreated a step, lifting her chin so the lapping water couldn’t reach her mouth. He bent to retrieve the buffalo robe and beckoned for her. “Keemah.” She knew by now that the word meant “come.” She shuddered and looked longingly at the fur he held. “Keemah,” he repeated. When she made no move to obey, he sighed. Sinking lower into the water, Loretta accidentally took a mouthful and choked. He glanced skyward, clearly exasperated. “This Comanche is not stupid. You would run like the wind if I took my eyes from you.” She shook her head. Frowning, he studied her for a long moment. “This is not pe-nan-de taquoip, the honey talk. It is a promise you make?” She nodded, her teeth chattering. “And you will not make a lie of it?” When he assured him she wouldn’t with another shake of her head, he dropped the fur to the ground and pivoted on one foot. She could scarcely believe he truly meant to keep his back to her. She stared at the broad expanse of his shoulders, at the curve of his spine, at his long, leather-clad legs. Like the wild animals he hunted, he was lithe and lean, his large frame padded with sleek, powerful muscle. If she tried to run, he would be upon her before she had gone more than a few steps. Plowing her way through the water to shore, she kept her eyes riveted to his back. A small rock cut into the sole of her foot as she scrambled up the bank. She bit her lip and kept going, afraid to hesitate even for a second. By the time she reached him, her heart was slamming. She grabbed up the fur and slung it around her shoulders, clasping the edges tightly to her chest. Standing this close to him, she could see the sheen of oil on his skin, the dark hair that dusted the crease of his armpits. She didn’t want to touch him. The seconds ticked past. Was his hearing so keen that he knew she was still behind him? She sensed he was waiting her out, testing her in some way she couldn’t fathom, proving his mastery over her. She worked one hand free from the heavy robe. So fast that she scarcely felt her fingertips graze his skin, she tapped his shoulder and snatched her hand back. He turned to look at her, his gaze lingering a moment on her bare feet and legs. Humiliation scorched her cheeks. He stepped toward her, stooping as he did to catch her behind the knees and toss her over his shoulder. As Loretta grabbed his belt for support, she realized two things: the cold water had eased her headache, and the hilt of the Comanche’s knife was within her reach… Without stopping to think of the possible consequences, she reached out, imagining how it would feel to bury the blade into his back, to be free of him. Just as her fingers curled around the knife handle, he spoke. “Kill me, Yellow Hair, and my friends will avenge me. The blood of your loved ones will be spilled as slowly as sap drips from a wounded tree.” He kept walking and made no move to grab her hand. “My friends know the way to your wooden walls, eh? Make no grief behind you. It is wisdom.

Mum gets to her feet and slides around until she’s mostly blocking me. “If that’s how you feel is appropriate to speak to my daughter, you won’t be speaking to her at all,” she informs him frostily. “Your partner can deal with us, while you back the hell away.” As the officer stumbles through an apology, Corgi leans over to tap my knee. “Keep learning from your mama, Blue Girl,” he whispers. “Together you two could scare the world into behaving right.” I

A wandering Taoist who for sake of this story we shall call Golden Sunlight At Deaths Dawn arrived in a town in the state of Wu. He was dressed quite shabbily. He looked a sorry thing. His hair was unkempt and his strange tattoos could hardly be seen for need of a wash. When he looked at people it was as if he could see right through them. Rumours of his mysterious abilities travelled afar. It was said that he could heal the sick, that he could catch ghosts, that he could read minds and that he could kill with just a look. One day he even defeated a master swordsman with just a tea cup held in his hand. The sword made from a long-lost art of metal forging was unbreakable they said, but the cup was slid only once along the blade guiding the sword tip into the ground, then with a slight tap of the cup the blade was shattered. He would teach those who would listen and ignore those who didn’t. One day he was approached by a rich merchant who threw a bag of silver at his feet, ‘Tell me about the art of effortless living,’ he said. Golden Sunlight At Deaths Dawn sat down and opened the bag of silver. He gazed at the money for some time, and with a heavy sigh he replied, ‘Only the dead know of this art.’ ‘Is that it? That is your answer?’ the merchant replied sharply. Not wanting to be outdone he then asked, ‘Do the dead know the highest Truth?’ ‘A blind man fights ghosts in daylight. The dead don’t know of death. The Truth remains silent,’ replied the Taoist as he handed the bag of silver back to the merchant.

Restorative yoga is just one way to slow down the DMN. Once you start searching, there are plenty of good mindfulness exercises that can “ground” you—get you out of your damn head and into the world. I started trying all of them out and asking friends what worked for them. For some people, popping an ice cube into their mouth or eating a big bite of wasabi helps shock their systems into paying attention to a sensory experience. A journalist I knew had a lot of success tapping his face and hands. Lacey loves to focus on the rhythmic feeling of her feet hitting the pavement during a long walk or taking a swim in icy water. Another friend melts into a happy puddle when she covers herself with her weighted blanket.

A knock came at the door and I stiffened, getting to my feet so that I could open it. Darius stood outside wearing a black tux which looked like it had been made specifically for him. It fit perfectly and my mouth dried up as my gaze roamed over him. His dark hair was slicked back and the rough stubble lining his jaw ached for me to brush my fingers over it. No, no, no. Bad Tory. “Darcy’s not here yet,” I said in place of a greeting. “I can see that,” he replied. Before I could lose myself to the spell of his unfairly good looks, I turned away from him, heading back to the mirror which hung on the wall as I applied another coat of lipstick which wasn’t in any way necessary. He stayed by the door, leaning against the frame as he watched me. “You’re not wearing the dress I sent you.” “This might be a good time for you to realise, I don’t tend to do as I’m told,” I said dismissively. “I think I like this one better anyway.” I turned to look at him in surprise as his gaze slid over me in a way that made heat rise along my skin. “Nice to know you can admit when you’re wrong,” I said. “So you’re actually going to stick to your word about being nice?” Darius flashed me a smile which transformed his face in a way I’d never seen before. “I am. Just try not to fall in love with me though, it could make things awkward when we go back to fighting with each other tomorrow.” I scoffed at that and tossed my lipstick into my clutch just as my Atlas pinged. Darcy: I bumped into Orion by The Orb. He says he’s coming with us and that you should meet us here... I raised an eyebrow in surprise and tapped out a quick response. Tory: Okay, I’ll be there to rescue you from his grumpy face ASAP x “Darcy says she’s going to meet us at The Orb. She ran into your bestie and he told her he can’t bear to spend the evening away from you so he’s tagging along. I just hope that this party isn’t going to be dull, because inviting a teacher has really lowered my expectations for debauchery,” I said as I moved out of my room and locked up behind me. “In all honesty, Lance is more likely to add to the debauchery than detract from it,” Darius said, offering me his arm. “Ooo Lance has a first name. Will he want me using that or is it a special right only given to those who get a tattoo in his honour?” I asked, touching my fingers to Darius’s forearm where I knew the Libra brand sat on his skin beneath the fancy suit. I didn’t take his arm though and started walking down the corridor unassisted. “What makes you think that tattoo is for him?” Darius asked, falling into step with me easily despite the fast pace I set. “Oh is it a secret? I thought everyone knew he was your Guardian and you’ve got that little soul bond thing going on.” “Who told you that?” Darius demanded, his voice dropping an octave. “You just did.” I flashed him a smile and he scowled at me. “Done playing nice so soon?” He released a long breath as we reached the common room but didn’t reply. A lot of eyes turned our way. I guessed the sight of the two of us suddenly hanging out was pretty weird. (Tory)

But then Azriel approached her. Nesta had blinked at the gift the shadowsinger set in her lap. 'I didn't get you anything,' she murmured to Az, her cheeks turning rosy. 'I know,' he said, smiling. 'I don't mind.' ... ...his gaze snagged on Nesta's fingers as she opened the small box. She peered at what was inside, then looked at Azriel in confusion. 'What is it?' Azriel plucked up the small folded silver wand within and unfurled it. One end held a clip, the other a small glass sphere. 'You can attach this to whatever book you're reading, and the little ball of faelight will shine. So you don't have to squint when you're reading at night.' Nesta touched the glass ball, no bigger than her thumbnail, and faelight flickered within, casting a bright, easy glow upon her lap. She tapped it again and it turned off. And then she jumped to her feet and flung her arms around Azriel. The room went silent for a beat. But Azriel chuckled and squeezed her gently. Cassian smiled to see it- to see them. 'Thank you,' Nesta said, quickly pulling away to marvel at the device. 'It's brilliant.' Azriel blushed and stepped back, shadows swirling.

Healthy Choices are the Way of a Healthy Lifestyle!!! If you work 9-6, then you should be healthier but there is nothing you can do in our busy schedule and yeah sometimes 9-6 desk job pretty much limits you from doing a lot of stuff including Working Out and Eating a well-balanced diet. Healthy Lifestyle always associated with a good diet and proper exercise. Let’s start off with some general diet(healthy breakfasts, workout snacks, and meal plans) and exercise recommendations: The Perfect Morning Workout If You’re Not a Morning Person: 45-minute daily workout makes it easy to become (and stay) a morning exerciser. (a) Stretching Inchworm(Warm up your body with this gentle move before you really start to sweat): How to do it: Remain with feet hip-width separated, arms by your sides. Take a full breath in and stretch your arms overhead, squeezing palms together and lifting your chest as you admire the roof. Breathe out and gradually crease forward, opening your arms out to your sides and afterward to the floor (twist knees as much as expected to press hands level on the ground). Gradually walk your hands out away from your feet, moving load forward, bringing shoulders over hands and bringing down the middle into the full board position. Prop your abs in tight and hold for 1 check. Delicately discharge your hips to the floor and curve your lower back, lifting head and chest to the roof, taking a full breath in as you stretch. Breathe out, attract your abs tight and utilize your abs to lift your hips back up into full board position. Hold for 1 tally and afterward gradually walk your hands back to your feet and move up through your spine to come back to standing. Rehash the same number of times in succession as you can for 1 moment. (b) Pushups(pushup variation that works your chest, arms, abs, and legs.): How to do it: From a stooping position, press your hips up and back behind you with the goal that your body looks like a topsy turvy "V." Bend your knees and press your chest further back towards your thighs, extending shoulders. Move your weight forward, broaden your legs, and lower hips, bowing elbows into a full push up (attempt to tap your chest to the ground if conceivable). Press your hips back up and come back to "V" position, keeping knees bowed. Power to and fro between the push up and press back situation the same number of times as you can for 1 moment. (c) Squat to Side Crunch: (Sculpt your legs, butt, and hips while slimming your waist with this double-duty move.) How to do it: Stand tall with your feet somewhat more extensive than hip-width, toes and knees turned out around 45 degrees, hands behind your head. Curve your knees and lower into a sumo squat (dropping hips as low as you can without giving knees a chance to clasp forward or back). As you press back up to standing, raise your correct knee up toward your correct elbow and do a side mash with your middle to one side. Step your correct foot down and quickly rehash sumo squat and mash to one side. Rehash, substituting sides each time, for 1 moment. Starting your day with a Healthy Meal: Beginning your day with a solid supper can help recharge your glucose, which your body needs to control your muscles and mind. Breakfast: Your body becomes dehydrated after sleeping all night, re-energize yourself with a healthy breakfast. Eating a breakfast of essential nutrients can help you improve your overall health, well-being, and even help you do better in school or work. It’s worth it to get up a few minutes earlier and throw together a quick breakfast. You’ll be provided with the energy to start your day off right. List of Breakfast Foods That Help You to Boost Your Day: 1. Eggs 2. Wheat Germ 3. Bananas 4. Yogurt 5. Grapefruit 6. Coffee 7. Green Tea 8. Oatmeal 9. Nuts 10. Peanut Butter 11. Brown Bread By- Instagram- vandana_pradhan

Tapping a snorer’s feet in the heat of a sweet sleep is a defeat of intention, because he’ll repeat the hullaballoo till he completes your nightmare.

When the guide led the others upstairs, they strayed behind. Michele looked frustrated at the velvet ropes blocking the doors to the rooms. "We've got to get in those closets!" she said urgently. Overhead she could hear the footsteps of the people proceeding from one side of the house to the other. She wondered which room had the head. She wanted to be the one to find it. "We don't have much time," Brian said, as the muffled footsteps clomped into another room. "Oh, you take the study, I'll take the dining room," Michele said uncertainly. Brian ducked under one rope and Michele did the same in the other room. She tiptoed carefully past a table covered with fragile-looking china. They were really trespassing, she worried, hoping Brian was being careful too. If they accidentally broke something, she guessed their allowance forever would never begin to pay for a priceless antique. She pulled the small door open just enough to slip inside. She looked down at the floor, assuming the head would be sitting in the corner, maybe in a box or something. But instead of a head, she saw two feet. Michele jumped and looked up at a head and squealed in surprise. "Brian! You scared me to death!" "You sure you're brave enough to find the pirate's missing head?" he teased. She could tell he was tickled to have scared her so. "You're in my closet," she admonished. "No, you're in mine," Brian said, motioning behind him towards the door to the study. "There are two entrances to this chimney room." "Look," he said, tapping on the window. Below, waving at them were Michael and Jo Dee. Brian made silly faces back at them.

Pay attention to where the urge is coming from in your body. In the same way music gives you the urge to nod your head or tap your feet, the majority of urges are felt somewhere in the body. Once you have located where the urge is coming from, focus all your attention on that area and observe the sensations you are experiencing. Spend 2 minutes focusing on your breath. Imagine that every sensation and urge you are feeling is a wave. As the urge intensifies and subsides, look at it as a wave rising and falling. As the urge settles down, pay attention to the changes you are feeling.

What’s your point?” “Ask our best guys about that second shot. Ask them about two trigger pulls, like a fast double tap, with nothing in between except a six-inch deflection at fourteen hundred yards. All with a rifle over five feet long, that weighs more than an iron bar.” “What would they tell me?” “They’d tell you hell yes sir, they could make that shot blindfolded.” “So what’s the problem?” “Problem is, then you’d say, stop with the rah-rah bullshit, soldier, and tell me the truth, and to a man they’d swear that shot was impossible.

Say hello to your nephew.” Declan preens like a peacock showing off its feathers. It’s the most un-Declan-like behavior I have seen, which only makes me laugh. “Could be a girl,” I tease. Declan taps his chest. “I have a good intuition, and my gut tells me it’s a boy.” Rowan’s eyes roll. “And if it is a girl?” “I already have a heart doctor on speed dial and every police captain in Chicago under my payroll to arrest anyone who steps within six feet of her.” “You can’t arrest every guy or girl they’re interested in,” I say. He swipes the photo out of Rowan’s hands while glaring at me. “Watch me.

If you never listen to me, Rich Girl, listen to me right now.” His chin lowers, gaze fixed on mine. “You are my number one priority here.” He taps his temple. “And here.” He taps his left pec right over his heart. “You’ve been since I met you and that ain’t changing. Like it or not, fight me or not, it doesn’t matter. You’re mine. Today, tomorrow, always. Even when I’m six feet under. Never question that.

You like someone? Imagine dancing with them. No music, nothing to interrupt. Just you and her, and the sound of your feet tapping on the wooden floor making a perfect rhythm. For a very brief moment, you almost forget everything around you, your pain, your responsibilities, and you just live. Imagine that. Just imagine that.

Because the guy seems like a douche. Because he’s not me. Because he doesn’t fucking know you as I do. He doesn’t know that you need someone to push you out of your comfort zone. He doesn’t know that you’re someone who would enjoy something like a drag show but would never go yourself. He doesn’t know that you’d appreciate a quiet walk along an empty boardwalk where you can appreciate the small things like a starry sky and the sound of your feet tapping along the old wood.

I’d never been winched out of the sea by a hovering helicopter before and it was a little bit of an experience.  I knew I’d be pretty heavy but the crewman made it look very easy when he spun me around and pulled me in the cabin.      Capt Birbeck and he were both talking to me at once, wanting to know if I was alright.  He and the crewman were busy examining the mark on my neck.      “Spicer, are you sure you’re all right?”      “Yeah, I got a little scrape on my throat from the helmet chin strap and a small lump on the bridge of my nose, but I’m ok; why, is there something wrong?”      “You might say that.  The pilot decided he didn’t like the way the swell was running and decided to move to a different location to put us out.  The crewman was tapping you on the shoulder to tell you to get back in because we were going someplace else.  We aren’t sure but think you may have gone out about 100 feet instead of 50 and we were pretty sure you’d be injured.  You may have accidentally broken a record.”      “NO SHIT?!!”      “They were really worried but I told them you can’t hurt one of those damn U.S. Marines!”      “Same for the Royal Marines, right!”      He broke into a big grin and gave me a light tap on the head.      He said, “Right, but I’m not jumping out of this helicopter at a hundred fucking feet just to prove it mate!!!

With that jaunty tick of her chin, she darted around a chair and moved directly into his path. "You cannot frighten me with your scowl, Captain." "I was not attempting to either frighten or scowl. It is this inconvenient affectation, you see." He tapped his finger to his cheek and stepped toward her. She remained still but seemed to vibrate upon the balls of her feet now. She was a little slip of a thing, barely reaching his chin yet erect and determined. He couldn't resist grinning. "You don't look any taller to me standing on your toes, you know. I am uncowed." Her heels hit the floor. "Perhaps you take pleasure in playing at notoriety with this pirate costume." "Again with the pirate accusation." He shook his head. "You see no hook on my wrist or parrot on my shoulder, do you? And I have all the notoriety I wish without pretending a part." -Arabella & Luc

You should take your boots off. Stick your feet in the water.” “Why?” I don’t understand why she’s so excited to get her feet wet. She laughs. “Because it’s fun.” She taps my thigh. “Take them off.” I shake my head. She tilts her head at me like an inquisitive puppy. “Please,” she says. “Don’t make me sit here and feel funny being the only one with naked feet.” I groan and pull my foot up, then tug my boot off. Then I repeat it with the other one and set the boots on the dock behind me with my socks stuffed inside. “In the water,” she says with a fierce jab of her finger. I hesitantly stick my feet in, and she laughs at the wounded look on my face when I realize how cold it is. “Quit being such a baby,” she scolds with a laugh. I gently palm the side of her head and give it a playful push. “Did you seriously just call me a baby?” “That might have to be your nickname for the rest of our lives.

There's a jangle to the music of the dead. I mean that certain something that's so happy and so sad at the same time. The notes almost make a perfect harmony, but don't. Then they do but quickly crash into dissonance. They simmer in that sweet in-between rhythm section rattling along all the while. Chords collapse chaotically into one another and just when you think it's gonna spill into total nonsense, it stands back up and comes through sweet as a lullaby on your mami's lips. Songs that'll make people tap their feet and drink melancholically but not realize the twisting genius lurking within until generations later.

I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.

BILATERAL COORDINATION Ball Catch—Toss a large beach ball gently to the child from a short distance. As he becomes more competent, use a smaller ball and step farther away. Ball Whack—Have the child hold a baseball bat, rolling pin, broomstick, book, cardboard tube, or ruler in both hands. Remind her to keep her feet still. Toss her a big ball. As she swings, her body will rotate, as her arms cross the midline. Two-Handed Tetherball—Suspend a sponge ball at the child’s eye level from a string attached to a wide doorframe. Let your child choose different “bats.” Have her count how many hits she makes without missing. Try four-handed tetherball, in which you play, too. Balloon Fun—Using both hands together, the child bounces or tosses up a balloon and catches it. He can keep it afloat by whacking it with open hands or batting it repeatedly with hands clasped together in one large “fist.” Rolling-Pin Fun—Provide the child with a cylindrical block or a rolling pin without handles, so he presses down with his opened hands. Have him roll real dough, playdough, crackers, clay—or mud! Body Rhythms—While you chant or sing, clap, and tap different body parts and have your child imitate your motions. Tip your head from side to side, wave your arms overhead, shake icky sticky glue off your hands, pound your chest, slap your hips, bend from side to side, hunch and relax your shoulders, stamp your feet, and hop from foot to foot. Use both hands together or alternately.

Pippa said, “I don’t see how it can possess more power than ours, though. It’s smaller than our models.” The quicksilver-bright suit would stand about seven feet high. “You know what you’re looking at?” Ruhn asked Hunt, scratching his head. “It’s like a robot,” Bryce said, peering into the box. “It’s not,” Hunt said. He rocked back on his heels, mind racing. “I heard rumors about this kind of thing being made, but I always thought it was a long shot.” “What is it?” Pippa demanded. “Impatient, are we?” Hunt mocked. But he tapped a finger on the suit. “This metal has the same makeup as gorsian stones.” He nodded to Bryce. “Like what they did with the synth—they were seeking ways to weaponize the gorsian stones.” “We already have them in our bullets,” Pippa said smugly.