Rue The Day Quotes

But this is how you walk to the end of the world. This is how you live forever. Here is one day, and here is the next, and the next, and you take what you can, savor every stolen second, cling to every moment, until it’s gone.

When Rome burned, the emperor's cats still expected to be fed on time.

If anything attacked us, we could just panic at it until it went away.

The day passes like a sentence. The sun falls like a scythe.

All right, I've been thinking, when life gives you lemons, don't make lemonade! Make life take the lemons back! Get mad! I don't want your damn lemons! What am I supposed to do with these? Demand to see life's manager! Make life rue the day it thought it could give Cave Johnson lemons! Do you know who I am? I'm the man whose gonna burn your house down - with the lemons!

Cats never listen. They’re dependable that way; when Rome burned, the emperor’s cats still expected to be fed on time.

Estelle used to call these the restless days, when the warmer-blooded gods began to stir, and the cold ones began to settle. When dreamers were most prone to bad ideas, and wanderers were likely to get lost.

We have to burn brightly. We can’t burn forever

There are days when she mourns the prospect of another year, another decade, another century. There are nights when she cannot sleep, moments when she lies awake and dreams of dying. But then she wakes, and sees the pink and orange dawn against the clouds, or hears the lament of a lone fiddle, the music and the melody, and remembers there is such beauty in the world. And she does not want to miss it—any of it.

There weren’t any fairy tales in the streets around me. If there was ever a Cinderella, her glass slippers shattered under her weight and she limped home bleeding from the ball.

It is the kind of day designed for wood fires, and mugs of tea, and well-loved books.

Bitch going to rue the day she decided to unleash Phrixis on the world. (Thorn) Rue the day? (Fang) I’m old enough to make you look like an embryo. Sometimes it shows. (Thorn)

My manners have always been the first thing to go when I get upset, and some people say that they stopped coming back a long time ago.​

Time never runs backward when I need it to. Not for me, and not for anyone else.

For the record," she continued, "it's not my fault I came in here looking like Chesty LaRue. You caught me on laundry day, so I have no undergarments on. Though I will cop to a little extra spring in my step for your benefit.

She laughed like she'd just invented laughter.​

This is how the fight begins. Or rather, this is how it ends. Most fights, after all, are not the work of an instant. They build over days, or weeks, each side gathering their kindling, stoking their flames.

Rose goblins are built like porcupines - if you rub them the right way, you don't have to worry about the spines. They're sort of like people in that regard, too.​

Never tempt fate. It plays for keeps.

Humans have always preferred to live their lives​ by daylight. I used to think it was because human beings have crappy night vision, and it wasn't until I got older and more cynical that I realized it was because they have less to be afraid of during the day.

Why miss out on what God has in store for you while you’re trying to get in on his plan for somebody else? Your plans are the best—for YOU—and so is your personality. You’re so worth it

That’s where the dreams end: with the realization that it doesn’t matter where I am, whether I think I’m a woman or a fish or something in-between. I’ve never really left the pond. I still can’t breathe.

It's not hard to marginalize people when they've already done it to themselves.

We hated each other so well and loved each other so badly...

Mark my words, you will rue this day, lament it in tears. You will come to me on your knees sobbing, begging for forgiveness. But I will tell you now and I will tell you then, you are on your own, Skyla.

Some people live where they work. Others just visit.​

I'm not body-shy--it's hard to grow up in the Summerlands, where clothes are solidly optional, and stay body-shy--but that doesn't mean I enjoy nudity. Naked people are, by definition, unarmed.​

Guys," he says. "After this is over, can we go get a burger or something?" "You're thinking about food now?" Carmel asks. "Hey, you haven't spent the last three days fasting and doing herbal rue steams and drinking nothing but Morfran's gross chrysanthemum purification potions." Carmel and I grin at each other in the mirror. "It isn't easy becoming a vessel. I'm freaking starving.

Past experience told me he could smell my fear; it also told me that the anger accompanying it would pretty much cover the scent. It's good to know how to compensate for your own weaknesses.​

Hello?” I peered into the shadows. Two green circles flashed in the dark. I yelped, jumping backward and pressing myself against the wall. “And may I wish a very good morning to you, too, October.” The voice was amused, underscored by a chuckle like thick cream. “What happened? Did the prettiest little princess miss her carriage home?

Do you know what my daughter's nurse told her today? "In a girl's voice lies temptation - a known fact. Eloquence in a woman means promiscuity. Promiscuity of the mind leads to promiscuity of the body." She doesn't believe it yet, but she will. She'll grow up just like her mother. Marry, raise children and honor her family. Spend her youth in needlepoint and rue the day she was born a girl. And when she dies, she'll wonder why she obeyed all the rules of God and Country for no biblical hell could ever be worse than a state of perpetual inconsequence.

I've never liked being looked at like I was a hero. I always wind up letting someone down. Sometimes I get lucky. Sometimes the only person who gets hurt is me.

Eyes of blue and hair of fire Are the keys to your desire. Angel's voice and will of steel Shall force the dark witch to kneel. Death to bind and bind to break Sun and moon for all our sake. Prince of night, daughter of day, Bound as one the witch they'll slay. Same hour they their first breath drew, On her last, the witch will rue. Join the two named in this verse And see the end of the curse.

When I grow up I mean to be A Lion large and fierce to see. I'll mew so loud that Cook in fright Will give me all the cream in sight. And anyone who dares to say 'Poor Puss' to me will rue the day. Then having swallowed him I'll creep Into the Guest Room Bed to sleep.

Regin to Declan: "Lemme guess," Regin said. "You had your introductory spiel all planned, but rational thought deserted you when you saw me stroll in braless."-- --"For the record," She continued, "it's not my fault I came in here looking like Chesty LaRue. You caught me on laundry day, so I have no undergarments on. Though I will cop to a little extra spring in my step for your benefit.

I love you more than fairy tales.

The nicest days are always the ones we don’t plan.

...You may call me Rue, or if you insist, Captain Rue." "Rue?" "Exactly, as in you will come to rue the day you met me. Most do.

It can’t all be dreams because a broken dream will kill you as surely as a nightmare will, and with a lot less mercy. At least the nightmares don’t smile while they take you down.

Dreamer is too soft a word. It conjures thoughts of silken sleep, of lazy days in fields of tall grass, of charcoal smudges on soft parchment.

Changing clothes in a public restroom is an acquired skill, one that becomes an art when the bathroom floor hasn't been washed in a decade or more.

But sometimes the pieces fall together the way they want to, and you can't change the story; all you can do is try to ride it out.

She'd snickered. "She's growing on you too, Zila." "Oh?" Scarlett's tone turned sly. "She's... not tall." I rue the day I spoke to Scarlett Jones about my taste in women.

We came here because no place would take us after our momma died. They all said go away, come back when you're older, when you know better, when you've learned. Only no one wants to teach how to be older or to know better - not even Devin. They just teach us how to be broken.

My name is October Christine Daye; I live in a city by the sea where the fog paints the early morning, parking is more precious than gold, and Kelpies wait for the unwary on street corners. Neither of the worlds I live in is quite mine, but no one can take them away from me. I did what had to be done, and I think I may finally be starting to understand what's important. It's all about finding the way home, wherever that is. I plan on finding out. I have time.

Promises bind our kind as surely as iron chains or ropes of human hair. The fae never swear by anything we don't believe in. We don't ask for thanks and we don't offer them; no promises, no regrets, no chains. No lies.

He changes when there's a threat to be overcome: it's like he pulls on a second skin, one he almost forgets the rest of the time, and becomes a hero again. A tired, old hero, one who wields a pen instead of a sword and rides waves of paperwork rather than a white charger, but still a hero.​

Humanity has always had a flair for guilt by association.

I will give you a few guarantees of my own, Mukthar. I guarantee that before the sun sets, even if you win, even if my cold, dead body is lying on the field, you will rue the day you ever set foot in the Plains. For every inch you advance I'll exact gallons of Mukthar blood. I guarantee that there will be not one family of the Bear Mukthars or they will mourn at least one of theirs. I guarantee that even if you are triumphant the fruits of victory will taste like dust in your mouth. I guarantee that if you fail to kill me today, you will meet me again. You will meet me at the Ximerionian border. You will meet me at every city, town, village, and hamlet. You will meet me on every Amirathan crossroad, on every hill. I will fight you with every sword at my command, with every arrow, with every dagger. I will fight you with pitchforks. I will fight you with the very rocks of the land you try to conquer. I will never, never, never give up. ~Anaxantis, before the Battle of the Zinchara (May 29th, 1453 aed)

By the end of the day, the wooden wares are gone, and Adeline’s father gives her a copper sol and says she may buy anything she likes. She goes from stall to stall, eying the pastries and the cakes, the hats and the dresses and the dolls, but in the end, she settles on a journal, parchment bound with waxy thread. It is the blankness of the paper that excites her, the idea that she might fill the space with anything she likes.

Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love

I'd never seen the King of Cats fight before. He was suddenly everywhere, made of nothing but fangs and claws and fury, snarling like a chainsaw trying to sing opera. Our witless assassin never stood a chance.

These days, everyone’s looking down,” muses Sam. “It’s nice to see someone looking up.

This book is written in blood. Is it written entirely in blood? No, some of it is written in tears. Are the blood and tears all mine? Yes, they have been in the past, but the future is a different matter. As the bear swore in Pogo after having endured a pot shoved on her head, being turned upside down while still in the pot, a discussion about her edibility, the lawnmowering of her behind, and a fistful of ground pepper in the snoot, she then swore a mighty oath on the ashes of her mothers (i.e. her forebears) grimly but quietly while the apples from the shaken apple tree above her dropped bang thud on her head: OH, SOMEBODY ASIDES ME IS GONNA RUE THIS HERE PARTICULAR DAY.

Alright, I've been thinking. When life gives you lemons, don't make lemonade - make life take the lemons back! Get mad! I don't want your damn lemons, what am I supposed to do with these? Demand to see life's manager. Make life rue the day it thought it could give Cave Johnson lemons. Do you know who I am? I'm the man who's gonna burn your house down! With the lemons. I'm going to to get my engineers to invent a combustible lemon that burns your house down!

I visit her grave as often as I can. I leave bouquets of rosemary and rue, and I tell her that I'm sorry, and I promise her that next time I'll do better. Next time someone makes me a hero, I'll save them.

I might regret my promises, but I keep them.

Henry wonders, as they wait in the queue, if some people have natural style, or if they simply have the discipline to curate themselves every day.

Call me a sucker for a man who had a great ass who knows how to bake a macaroni casserole and can tolerate six hours of Sesame Street a day.

Hutte, for instance, used to quote the case of a fellow he called "the beach man." This man had spent forty years of his life on beaches or by the sides of swimming pools, chatting pleasantly with summer visitors and rich idlers. He is to be seen, in his bathing costume, in the corners and backgrounds of thousands of holiday snaps, among groups of happy people, but no one knew his name and why he was there. And no one noticed when one day he vanished from the photographs. I did not dare tell Hutte, but I felt that "the beach man" was myself. Though it would not have surprised him if I had confessed it. Hutte was always saying that, in the end, we were all "beach men" and that "the sand" - I am quoting his own words - "keeps the traces of our footsteps only a few moments.

The old gods are everywhere,” she says. “They swim in the river, and grow in the field, and sing in the woods. They are in the sunlight on the wheat, and under the saplings in spring, and in the vines that grow up the side of that stone church. They gather at the edges of the day, at dawn, and at dusk.

I haven't visited Evening's building since 1987. From what I could see, it hadn't changed a bit--the place stank of elegance and the sort of timelessness that only money can buy. Stasis is one of the benefits of being very, very rich. Nothing ever changes unless you let it.​

Most cats don't like water, and despite her pretensions of tigerhood, Julie was no different. Yes, tigers have stripes; so do tabbies. If you want to know the difference, try tossing one of each into your swimming pool. Then I would recommend running.

There's never been any love lost between us, and there probably never will be, but you keep your word and I know that if you say you'll do this for me, you'll do it. Your honor might survive betraying a friend because the friend would forgive you. I wouldn't.

I just don’t think it’s a good idea for you to visit right now. Maybe you can come back later? I’ll bake you some cookies . . .” Okay, that was it. I hadn’t had a chance to use the kitchen for anything more elaborate than coffee and fried eggs, and I’d be damned if some invading monster was going to beat me to it. I stepped into the living room, bat still held in front of me like a poor man’s broadsword. “You are not using my kitchen.

Evening was my worst friend and my best enemy, and she never really knew me, because even in the end, she didn't understand that I would've done it without the curse.

The sky outside is a static gray, a thin mist of rain blurring the buildings. It is the kind of day designed for wood fires, and mugs of tea, and well-loved books.

Dramatic exits are the last refuge of the infantile personality," I said. "Now drink your soda and help me think of nasty names to call her next time she shows up.

In the morning I walked down the Boulevard to the rue Soufflot for coffee and brioche. It was a fine morning. The horse-chestnut trees in the Luxembourg gardens were in bloom. There was the pleasant early-morning feeling of a hot day. I read the papers with the coffee and then smoked a cigarette. The flower-women were coming up from the market and arranging their daily stock. Students went by going up to the law school, or down to the Sorbonne. The Boulevard was busy with trams and people going to work.

Only an idiot would trust a Kelpie this close to the water. Getting on its back with the scent of the sea in the air would be a fast, painful means of suicide, and I'm not a fan of pain.

His parents meant well, of course, but they always told him things like cheer up, or it will get better, or worse, it's not that bad, which is easy to say when you've never had a day of rain.

This is how you live forever. Here is one day, and here is the next, and the next, and you take what you can, savor every stolen second, cling to every moment, until it’s gone. So she says yes.

There are different kinds of love, Sarah. I feel one kind of love for your father. A special kind. Another kind for Warren. And still a different kind for you children.' She smiled at me. 'Heaven rue the day we can't feel love for one another. I wouldn't want to live in such a world, would you?

But you're so easy to sneak up on." He crossed his arms, leaning back against the wall. "You should be honored that I bother, since there's no challenge to it." "Right," I said dryly. Tybalt has never made a secret of his contempt for changelings in general and me in particular. Not even the years I spent missing could change that. If anything, it made things worse, because when I came back, I promptly removed myself from all the places he was accustomed to finding me. Hating me suddenly took effort - an effort he's proved annoying glad to make. On the other hand, it's actually been something of a relief, because it is something I can count on. Dawn comes, the moon rises and Tybalt hates me.

If I walked down by different streets to the Jardin du Luxembourg in the afternoon I could walk through the gardens and then go to the Musée du Luxembourg where the great paintings were that have now mostly been transferred to the Louvre and the Jeu de Paume. I went there nearly every day for the Cézannes and to see the Manets and the Monets and the other Impressionists that I had first come to know about in the Art Institute at Chicago. I was learning something from the painting of Cézanne that made writing simple true sentences far from enough to make the stories have the dimensions that I was trying to put in them. I was learning very much from him but I was not articulate enough to explain it to anyone. Besides it was a secret. But if the light was gone in the Luxembourg I would walk up through the gardens and stop in at the studio apartment where Gertrude Stein lived at 27 rue de Fleurus.

In Tybalt's case, it means bloody control of the local Court of Cats. He became their king by right of blood; he's held the position by beating the crap out of anyone who tries to take it away. The Cait Sidhe take a more direct and bloody approach to succession than most of Faerie.

He wants to feel lighter, to feel brighter, but the room darkens, and he can feel a storm creeping in. He was twelve when the first one rolled through. He didn't see it coming. One day the skies were blue and the next the clouds were low and dense, and the next, the wind was up and it was pouring rain. It would be years before Henry learned to think of those dark times as storms, to believe that they would pass, if he could simply hold on long enough.

...the electronic age has broadened the horizons of magical fraud to an astonishing degree. Faerie gold can be used for more than just party tricks; it works pretty well on the stock market, for example, where money's an illusion anyway.

– Tu t'es beaucoup ennuyée? – Soixante-quatre voitures sont passées dans ta rue, dont dix-neuf vertes!

Yes, tigers have stripes; so do tabbies. If you want to know the difference, try tossing one of each into your swimming pool. Then I would recommend running.

most people have better things to do than bother Sylvester, who has a history of permanent solutions to temporary annoyances.

There's nothing wrong with having a few monsters in the shadows. They keep me remembering what it is that I'm walking away from.

I only looked when I was sure he couldn't see me. Some games are too dangerous to play.

I turned, hiking my coat up around my chin. Anyone who looked closely would be able to see that something wasn't right, but the alley was dark and narrow, and frankly, the sort of person you meet in dark alleyways at dawn is looking for things besides pointed ears.​

[Independence Day] will be the most memorable Epocha, in the History of America. I am apt to believe that it will be celebrated, by succeeding Generations, as the great anniversary Festival. It ought to be commemorated, as the Day of Deliverance by solemn Acts of Devotion to God Almighty. It ought to be solemnized with Pomp and Parade, with Shews, Games, Sports, Guns, Bells, Bonfires and Illuminations from one End of this Continent to the other from this Time forward forever more. You will think me transported with Enthusiasm but I am not. I am well aware of the Toil and Blood and Treasure, that it will cost Us to maintain this Declaration, and support and defend these States. Yet through all the Gloom I can see the Rays of ravishing Light and Glory. I can see that the End is more than worth all the Means. And that Posterity will tryumph in that Days Transaction, even altho We should rue it, which I trust in God We shall not.

There’s this family photo,” he says, “not the one in the hall, this other one, from back when I was six or seven. That day was awful. Muriel put gum in David’s book and I had a cold, and my parents were fighting right up until the flash went off. And in the photo, we all look so … happy. I remember seeing that picture and realizing that photographs weren’t real. There’s no context, just the illusion that you’re showing a snapshot of a life, but life isn’t snapshots, it’s fluid. So photos are like fictions. I loved that about them. Everyone thinks photography is truth, but it’s just a very convincing lie.

Death doesn't bother me but murder makes me edgy, and my lack of weaponry suddenly felt like a potentially fatal mistake. If we got back to the hotel alive, I wasn't coming back here again without my knife and the baseball bat. And maybe a tank, if I could find one fast enough.

As presumptive heir to one of the largest Duchies in the Kingdom of the Mists, she could have easily grown up more spoiled than any human princess. Instead she grew into the sort of little girl who's always up a tree or down a hole, a magnet for mud, queen of worms and frogs and crawling things.

There were police everywhere, bustling back and forth, murmuring in the barely audible whisper used only by cops and children. There are more similarities between the two than you might think, starting with whether or not you’d want them waiting for you in a dark alley with a gun. I’ve worked with the police, and I’ve even liked some of them, but that doesn’t mean I have to like them as a breed. Power brings out the worst in almost everyone.

I just wished to know if you mean to marry the girl. Spite of what you said of her lightness, I ha' known her long enough to be sure she'll make a noble wife for any one, let him be what he may; and I mean to stand by her like a brother; and if you mean rightly, you'll not think the worse on me for what I've now said; and if--but no, I'll not say what I'll do to the man who wrongs a hair of her head. He shall rue it to the longest day he lives, that's all. Now, sir, what I ask of you is this. If you mean fair and honourable by her, well and good: but if not, for your own sake as well as hers, leave her alone, and never speak to her more.

There will be other nights, of course, other wretched dawns, and her resolve will always weaken a little as the days grow long, and the anniversary draws near, and treacherous hope slips in like a draft. But the sorrow has faded, replaced by stubborn rage, and she resolves to kindle it, to shield and nurture the flame until it takes far more than a single breath to blow it out.

The Second Day of July 1776, will be the most memorable Epocha, in the History of America. I am apt to believe that it will be celebrated, by succeeding Generations, as the great anniversary Festival. It ought to be commemorated, as the Day of Deliverance by solemn Acts of Devotion to God Almighty. It ought to be solemnized with Pomp and Parade, with Shews, Games, Sports, Guns, Bells, Bonfires and Illuminations from one End of this Continent to the other from this Time forward forever more. You will think me transported with Enthusiasm but I am not. I am well aware of the Toil and Blood and Treasure, that it will cost Us to maintain this Declaration, and support and defend these States. Yet through all the Gloom I can see the Rays of ravishing Light and Glory. I can see that the End is more than worth all the Means. And that Posterity will tryumph in that Days Transaction, even altho We should rue it, which I trust in God We shall not.

TINA: I’ll have to go to the Ministry with what I’ve got. (a wobble in her voice) It was nice to see you again, Mr. Scamander. She strides from the room, leaving NEWT perplexed and upset. INT. FLAMEL HOUSE, HALLWAY—AFTERNOON JACOB follows TINA into the hall. JACOB: Hey, hold on one second, will you? Well, hold on! Wait! Tina! She leaves. As the front door closes, NEWT appears at the drawing room door. JACOB: (to NEWT) You didn’t mention salamanders, did you? NEWT: No, she just—ran. I don’t know . . . JACOB (firm): So you chase after her! NEWT grabs his case. He leaves.  EXT. RUE DE MONTMORENCY—END OF DAY TINA is hurrying up the road. NEWT hastens to catch up. NEWT: Tina. Please, just listen to me— TINA: Mr. Scamander, I need to go talk to the Ministry—and I know how you feel about Aurors— NEWT: I may have been a little strong in the way that I expressed myself in that letter— TINA: What was the exact phrase? “A bunch of careerist hypocrites”? NEWT: I’m sorry, but I can’t admire people whose answer to everything that they fear or misunderstand is “kill it”! TINA: I’m an Auror and I don’t— NEWT: Yes, and that’s because you’ve gone middle head! TINA (stopping): Excuse me? NEWT: It’s an expression derived from the three heads of the Runespoor. The middle one is the visionary. Every Auror in Europe wants Credence dead—except you. You’ve gone middle head. A beat. TINA: Who else uses that expression, Mr. Scamander? NEWT considers. NEWT: I think it might just be me.

Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year

My name is Renee. I am 54 years old. For 27 years I have been the concierge at number 7, rue de Grenelle. . . I live alone with my cat, a big lazy tom who has no distinguishing features other than the fact that his paws smell bad wh...en he is annoyed. Neither he nor I make any effor tto take part in the social doings of our respective species. Because I am rarely friendly- though always polite- I am not liked, but am tolerated nonetheless: I correspond so very well to what social prejudice has collectively construed to be a typical French concierge that I am one of the multiple cogs that make the great universal illusion turn, the illusion according to which life has a meaning that can be easily deciphered. And since it has been written somewhere that concierges are old, ugly, and sour, so has it been branded in fiery letters on the pediment of that same imbecilic firmament that the aforementioned concierges have rather large dither cats who sleep all day on cushions covered with crocheted cases.

I would like there to exist spaces that are stable, unmoving, intangible, untouched and almost untouchable, unchanging, deep-rooted; places that might be points of reference, of departure, of origin: My birthpalce, the cradle of my family, the house where I may have been born, the tree I may have seen grow (that my father may have planted the day I was born), the attic of my childhood filled with intact memories . . . Such places don't exist, and it's because they do'nt exist that space becomes a question, ceases to be self-evident, ceases to be incorporated, ceases to be appropriated. Space is a doubt: I have constantly to mark it, to designate it, It is never mine, never given to me, I have to conquer it. My spaces are fragile: time is going to wear them away, to destroy them. Nothing will any longer reseble waht was, my memories will betray me, oblivion will infiltrate my memory, I shall look at a few old yellowing photographs with broken edges without recognising them. The words 'Phone directory available within' or 'Snacks served at any hour' will no longer be written up in a semi-circle in white porcelain letter on the window of the little café in the Rue Coquillière. Space melts like sand running through one's fingers. Time bears it away and leaves me only Shapeless shreds: To write: to try meticulously to retain something, to cause something to survive; to wrest a few precise scraps from the void as it grows, to leave somewhere a furrow, a trace, a mark or a few signs. Paris 1973-1974

Poem: Roses And Rue (To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love's song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird's throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair - did I tie it? For it always ran riot - Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face - Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, 'You have only wasted your life.' (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets' hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God's heaven and hell.

We have both been talking about you. Cosette loves you so dearly! You must not forget that you have a chamber here, we want nothing more to do with the Rue de l'Homme Armé. We will have no more of it at all. How could you go to live in a street like that, which is sickly, which is disagreeable, which is ugly, which has a barrier at one end, where one is cold, and into one cannot enter? You are to come and install yourself here. And this very day. Or you will have to deal with Cosette. She means to lead us all by the nose, I warn you. You have your own chamber here, it is close to ours, it opens on the garden; the trouble with the clock has been attended to, the bed is made, it is all ready, you have only to take possession of it. Near your bed Cosette has placed a huge, old, easy-chair covered with Utrecht velvet and she has said to it: 'Stretch out your arms to him.' A nightingale comes to the clump of acacias opposite your windows every spring. In two months more you will have it. You will have its nest on your left and ours on your right. By night it will sing, and by day Cosette will prattle. Your chamber faces due South. Cosette will arrange your books for you, your Voyages of Captain Cook and the other,— Vancouver's and all your affairs. I believe that there is a little valise to which you are attached, I have fixed upon a corner of honor for that. You have conquered my grandfather, you suit him. We will live together. Do you play whist? you will overwhelm my grandfather with delight if you play whist. It is you who shall take Cosette to talk on the days when I am at the courts, you shall give her your arm, you know, as you used to, in the Luxembourg. We are absolutely resolved to be happy. And you shall be included in it, in our happiness, do you hear, father? Come, will you breakfast with us to-day?" "Sir," said Jean Valjean, "I have something to say to you. I am an ex-convict.

We find, therefore, Lowell and Mailer ostensibly locked in converse. In fact, out of the thousand separate enclaves of their very separate personalities, they sensed quickly that they now shared one enclave to the hilt: their secret detestation of liberal academic parties to accompany worthy causes. Yes, their snobbery was on this mountainous face close to identical—each had a delight in exactly the other kind of party, a posh evil social affair, they even supported a similar vein of vanity (Lowell with considerably more justice) that if they were doomed to be revolutionaries, rebels, dissenters, anarchists, protesters, and general champions of one Left cause or another, they were also, in private, grands conservateurs, and if the truth be told, poor damn émigré princes. They were willing if necessary (probably) to die for the cause—one could hope the cause might finally at the end have an unexpected hint of wit, a touch of the Lord’s last grace—but wit or no, grace or grace failing, it was bitter rue to have to root up one’s occupations of the day, the week, and the weekend and trot down to Washington for idiot mass manifestations which could only drench one in the most ineradicable kind of mucked-up publicity and have for compensation nothing at this party which might be representative of some of the Devil’s better creations. So Robert Lowell and Norman Mailer feigned deep conversation. They turned their heads to one another at the empty table, ignoring the potentially acolytic drinkers at either elbow, they projected their elbows out in fact like flying buttresses or old Republicans, they exuded waves of Interruption Repellent from the posture of their backs, and concentrated on their conversation, for indeed they were the only two men of remotely similar status in the room. (Explanations about the position of Paul Goodman will follow later.)

It was the first time that I entered the house on the lake. I had often begged the “trap-door lover,” as we used to call Erik in my country, to open its mysterious doors to me. He always refused. I made very many attempts, but in vain, to obtain admittance. Watch him as I might, after I first learned that he had taken up his permanent abode at the Opera, the darkness was always too thick to enable me to see how he worked the door in the wall on the lake. One day, when I thought myself alone, I stepped into the boat and rowed toward that part of the wall through which I had seen Erik disappear. It was then that I came into contact with the siren who guarded the approach and whose charm was very nearly fatal to me. I had no sooner put off from the bank than the silence amid which I floated on the water was disturbed by a sort of whispered singing that hovered all around me. It was half breath, half music; it rose softly from the waters of the lake; and I was surrounded by it through I knew not what artifice. It followed me, moved with me and was so soft that it did not alarm me. On the contrary, in my longing to approach the source of that sweet and enticing harmony, I leaned out of my little boat over the water, for there was no doubt in my mind that the singing came from the water itself. By this time, I was alone in the boat in the middle of the lake; the voice—for it was now distinctly a voice—was beside me, on the water. I leaned over, leaned still farther. The lake was perfectly calm, and a moonbeam that passed through the air hole in the Rue Scribe showed me absolutely nothing on its surface, which was smooth and black as ink. I shook my ears to get rid of a possible humming; but I soon had to accept the fact that there was no humming in the ears so harmonious as the singing whisper that followed and now attracted me. Had I been inclined to superstition, I should have certainly thought that I had to do with some siren whose business it was to confound the traveler who should venture on the waters of the house on the lake. Fortunately, I come from a country where we are too fond of fantastic things not to know them through and through; and I had no doubt but that I was face to face with some new invention of Erik’s. But this invention was so perfect that, as I leaned out of the boat, I was impelled less by a desire to discover its trick than to enjoy its charm; and I leaned out, leaned out until I almost overturned the boat. Suddenly, two monstrous arms issued from the bosom of the waters and seized me by the neck, dragging me down to the depths with irresistible force. I should certainly have been lost, if I had not had time to give a cry by which Erik knew me. For it was he; and, instead of drowning me, as was certainly his first intention, he swam with me and laid me gently on the bank: “How imprudent you are!” he said, as he stood before me, dripping with water. “Why try to enter my house? I never invited you! I don’t want you there, nor anybody! Did you save my life only to make it unbearable to me? However great the service you rendered him, Erik may end by forgetting it; and you know that nothing can restrain Erik, not even Erik himself.” He spoke, but I had now no other wish than to know what I already called the trick of the siren. He satisfied my curiosity, for Erik, who is a real monster—I have seen him at work in Persia, alas—is also, in certain respects, a regular child, vain and self-conceited, and there is nothing he loves so much, after astonishing people, as to prove all the really miraculous ingenuity of his mind. He laughed and showed me a long reed. “It’s the silliest trick you ever saw,” he said, “but it’s very useful for breathing and singing in the water. I learned it from the Tonkin pirates, who are able to remain hidden for hours in the beds of the rivers.