Climax Best Quotes

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I had as yet no notion that life every now and then becomes literature—not for long, of course, but long enough to be what we best remember, and often enough so that what we eventually come to mean by life are those moments when life, instead of going sideways, backwards, forward, or nowhere at all, lines out straight, tense and inevitable, with a complication, climax, and, given some luck, a purgation, as if life had been made and not happened.
Norman Maclean (A River Runs Through It and Other Stories)
The music broke her apart and put her back together, only to rend her asunder again and again. And then the climax, the compilation of all the sounds she had loved best, amplified until they echoed into eternity. As the final note swelled, a gasp broke from her, setting the tears in her eyes spilling down her face. She didn't care who saw.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
The Civil War was the climax of a tragedy that was preordained from the time of the Revolution. Only with the elimination of slavery could this nation that Jefferson had called “the world’s best hope” for democracy even begin to fulfill its great promise.
Gordon S. Wood (Empire of Liberty: A History of the Early Republic, 1789-1815)
His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to be to me such an extraordinary fact that I could hardly realize it. "You appear to be astonished," he said, smiling at my expression of surprise. "Now that I do know it I shall do my best to forget it." "To forget it!" "You see," he explained, "I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones." "But the Solar System!" I protested. "What the deuce is it to me?" he interrupted impatiently; "you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.
Arthur Conan Doyle (Sherlock Holmes: The Ultimate Collection)
Had it not been Nature's intent that man possess this feeling of superiority, she would not have created him stronger than the beings she destines to belong to him at those moments. The debility to which Nature condemned woman incontestably proves that her design is for man, who then more than ever enjoys his strength, to exercise it in all the violent forms that suit him best, by means of tortures, if he be so inclined, or worse. Would pleasure's climax be a kind of fury were it not the intention of this mother of humankind that behavior during copulation be the same as behavior in anger? What well-made man, in a word, what man endowed with vigorous organs does not desire, in one fashion or in another, to molest his partner during his enjoyment of her?
Marquis de Sade (Philosophy in the Bedroom)
As a trafficker in climaxes and thrills and characterization and wonderful dialogue and suspense and confrontations, I had outlined the Dresden story many times. The best outline I ever made, or anyway the prettiest one, was on the back of a roll of wallpaper.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
There is a certain climax in life, at which, notwithstanding all our freedom, and however much we may have denied all directing reason and goodness in the beautiful chaos of existence, we are once more in great danger of intellectual bondage, and have to face our hardest test. For now the thought of a personal Providence first presents itself before us with its most persuasive force, and has the best of advocates, apparentness, in its favor, now when it is obvious that all and everything that happens to us always turns out for the best. (...) We want to leave the Gods alone and (...) wish to content ourselves with the assumption that our own practical and theoretical skillfulness in explaining and suitably arranging events has now reached its highest point. (...) We do not want either to think too highly of this dexterity of our wisdom, when the wonderful harmony which results from playing on our instrument sometimes surprises us too much: a harmony which sounds too well for us to dare to ascribe it to ourselves. In fact, now and then there is one who plays with us beloved Chance: he leads our hand occasionally, and even the all wisest Providence could not devise any finer music than that of which our foolish hand is then capable.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
The best plan of all,” said I, “would certainly be to carry one’s house with one.”   “Oh you snail!” cried Banks.   “My friend,” replied I, “a snail who could leave his shell, and return to it at pleasure, would not be badly off. To travel in one’s own house, a rolling house, will probably be the climax of inventions in the matter of journeying!”   “Perhaps
Jules Verne (The Steam House)
As a trafficker in climaxes and thrills and characterization and wonderful dialogue and suspense and confrontations, I had outlined the Dresden story many times. The best outline I ever made, or anyway the prettiest one, was on the back of a roll of wallpaper. I used my daughter’s crayons, a different color for each main character. One end of the wallpaper was the beginning of the story, and the other end was the end,
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I believe now that no matter what we consciously believe to be our true destination in life, unless we explore them all, we will never find it. The search may continue forever, and sometimes the only way to take some rest, is to convince ourselves that we have finally arrived, till we realise that we cannot stay where we are anymore. Hence we look back at the whole life itinerary, scanning all routes, crossroads and roundabouts, searching for a missing dream. We acknowledge whether we turned right, left, went straight or back. And no matter how far in space and time is that crossroad, we will return there and choose otherwise. When happiness or pain reach their climax, we often believe that the journey is over. And yet I can assure you that this is the best moment to acknowledge which routes we did not take, which dream we didn't dream, and choose again.
Franco Santoro
Who am I? What should I do in life? What is the meaning of life? Humans have been asking these questions from time immemorial. Every generation needs a new answer, because what we know and don’t know keeps changing. Given everything we know and don’t know about science, about God, about politics and about religion – what is the best answer we can give today? What kind of an answer do people expect? In almost all cases, when people ask about the meaning of life, they expect to be told a story. Homo sapiens is a storytelling animal, that thinks in stories rather than in numbers or graphs, and believes that the universe itself works like a story, replete with heroes and villains, conflicts and resolutions, climaxes and happy endings. When we look for the meaning of life, we want a story that will explain what reality is all about and what is my particular role in the cosmic drama. This role defines who I am, and gives meaning to all my experiences and choices. One popular story, told for thousands of years to billions of anxious humans, explains that we are all part of an eternal cycle that encompasses and connects all beings. Each being has a distinctive function to fulfil in the cycle. To understand the meaning of life means to understand your unique function, and to live a good life means to accomplish that function.
Yuval Noah Harari (21 Lessons for the 21st Century)
ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to me to be such an extraordinary fact that I could hardly realize it. “You appear to be astonished,” he said, smiling at my expression of surprise. “Now that I do know it I shall do my best to forget it.
Arthur Conan Doyle (The Complete Sherlock Holmes and Tales of Terror and Mystery)
In the three years Elwood played the role, the one constant was his nervousness at the climax, when Jackson had to kiss his best girl on the cheek. They were to be married and, it was implied, live a happy and fertile life in the new Tallahassee. Whether Marie-Jean was played by Anne, with her freckles and sweet moon face, or by Beatrice, whose buck teeth hooked into her lower lip, or in his final performance by Gloria Taylor, a foot taller and sending him to the tips of his toes, a knot of anxiety tautened in his chest and he got dizzy. All the hours in Marconi’s library had rehearsed him for heavy speeches but left him ill-prepared for performances with the brown beauties of Lincoln High, on the stage and off.
Colson Whitehead (The Nickel Boys)
His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to be to me such an extraordinary fact that I could hardly realize it. “You appear to be astonished,” he said, smiling at my expression of surprise. “Now that I do know it I shall do my best to forget it.” “To forget it!” “You see,” he explained, “I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.” “But the Solar System!” I protested. “What the deuce is it to me?” he interrupted impatiently; “you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.” I was on the point of asking him what that work might be, but something in his manner showed me that the question would be an unwelcome one. I pondered over our short conversation, however, and endeavoured to draw my deductions from it. He said that he would acquire no knowledge which did not bear upon his object. Therefore all the knowledge which he possessed was such as would be useful to him. I enumerated in my own mind all the various points upon which he had shown me that he was exceptionally well-informed. I even took a pencil and jotted them down. I could not help smiling at the document when I had completed it. It ran in this way— SHERLOCK HOLMES—his limits. 1. Knowledge of Literature.—Nil. 2. Philosophy.—Nil. 3. Astronomy.—Nil. 4. Politics.—Feeble. 5. Botany.—Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening. 6. Geology.—Practical, but limited. Tells at a glance different soils from each other. After walks has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them. 7. Chemistry.—Profound. 8. Anatomy.—Accurate, but unsystematic. 9. Sensational Literature.—Immense. He appears to know every detail of every horror perpetrated in the century. 10. Plays the violin well. 11. Is an expert singlestick player, boxer, and swordsman. 12. Has a good practical knowledge of British law.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
In Belarus, as elsewhere, local German policy was conditioned by general economic concerns. By 1943, the Germans were worried more about labor shortages than about food shortages, and so their policy in Belarus shifted. As the war against the Soviet Union continued and the Wehrmacht took horrible losses month upon month, German men had to be taken from German farms and factories and sent to the front. Such people then had to be replaced if the German economy was to function. Hermann Göring issued an extraordinary directive in October 1942: Belarusian men in suspicious villages were not to be shot but rather kept alive and sent as forced laborers to Germany. People who could work were to be 'selected' for labor rather than killed - even if they had taken up arms against Germany. By now, Göring seemed to reason, their labor power was all that they could offer to the Reich, and it was more significant than their death. Since the Soviet partisans controlled ever more Belarusian territory, ever less food was reaching Germany in any case. If Belarusian peasants could not work for Germany in Belarus, best to force them to work in Germany. This was very grim reaping. Hitler made clear in December 1942 what Göring had implied: the women and children, regarded as less useful as labor, were to be shot. "This was a particularly spectacular example of the German campaign to gather forced labor in the East, which had begun with the Poles of the General Government, and spread to Ukraine before reaching this bloody climax in Belarus. By the end of the war, some eight million foreigners from the East, most of them Slavs, were working in the Reich. It was a rather perverse result, even by the standards of Nazi racism: German men went abroad and killed millions of 'subhumans,' only to import millions of other 'subhumans' to do the work in Germany that the German men would have been doing themselves - had they not been abroad killing 'subhumans.' The net effect, setting aside the mass killing abroad, was that Germany became more of a Slavic land than it had ever been in history. (The perversity would reach its extreme in the first months of 1945, when surviving Jews were sent to labor camps in Germany itself. Having killed 5.4 million Jews as racial enemies, the Germans then brought Jewish survivors home to do the work that the killers might have been doing themselves, had they not been abroad killing.)
Timothy Snyder (Bloodlands: Europe Between Hitler and Stalin)
My little undomesticated pornstar pushed me so hard between her legs, my oxygen levels plummeted. She clenched around my fingers through her panties as an orgasm rolled through her in waves. The gush of warmth soaked the cotton. I kissed her through the fabric, again and again, knowing tomorrow everything would return to its proper position—my boundaries, my limits, my hang-ups, my demons. “Can I return the favor?” Dallas sat half up. “But not through your briefs. Men’s briefs always smell like old cheese that’s been sitting in a crockpot for days. I know because whenever my housekeeper went on vacation, we all took turns doing the laundry. And, well, I really shouldn’t say, but Dadd—” Not wanting the moment to be ruined with a conversation about her father’s underwear, I pulled forward, shutting her smart mouth with a kiss that tasted like her sweet pussy. At first, she pinched her lips and made a face, unsure what she thought about her own taste. But when I dragged the tip of my hard cock along her slit through our clothes, she went wild and kissed me back, shoving her tongue so deep down my throat I thought she would fish out my dinner. “Yes.” She wiggled against me. “Please, sir, may I have some more?” She’d quoted Oliver Twist while getting fucked. Truly, the woman was one of a kind. Knowing it was idiotic, and dangerous, and deranged, I pushed my tip through her slit. She was tight—tighter, still, through the tattered, stretched cotton of her ruined panties—but wet and sleek, ready for what was coming. The sensation, how warm and taut she felt, completely undid me. I thrust harder and deeper, entering her through our underwear, fucking her slowly with only flimsy fabric between us. I tore my mouth from hers, eyes glued to my cock each time it sank into her. I could barely fit inside, she was so tight. This was, by far, the best fuck I’d ever had. She panted. “Is this what people call dry-humping?” No. Nothing about this was dry. I was basically fucking her through our underwear. Only, explaining to her that this was full-blown sex with a side order of my issues was not in my plans for tonight. Or ever. “Sure.” Each push brought me closer to a climax. From slow, controlled, teasing thrusts designed to drive her mad with desire, I quickly derailed to jerky, manic, need-to-be-inside-this-woman plunges. Of a man so hungry for human connection, for affection, for carnal needs to be met and satisfied. My head grew dizzy. I’d taken into consideration the possibility that Dallas couldn’t come through penetration. It merely placed her in the same majority as most females on Planet Earth. But she shook, clawed, and reached for me, looking ready to climax. Her tits bounced and jiggled each time I slammed into her. Her mouth opened in awe, probably because this orgasm felt different from the first two. Deeper and more violent. She clutched the lapels of my shirt, shoving her face in mine. “Lose the underwear.” She met my thrust, groaning when my crown peeked past the slot in my boxer briefs. “I want you to come inside me. I want to feel you.” I was about two seconds from fulfilling her demand. Luckily, my logic grabbed the steering wheel, which my cock had seized sometime this evening, and derailed the situation from full-blown calamity. I managed to wait until she came, just barely, before pulling out, flipping her onto her stomach, and jerking off. I aimed for her bare ass but somehow came on her hair. No matter. She had plenty of time to wash it. Her agenda wasn’t exactly full. Dallas fell back onto the pillows, a lopsided grin on her face. (Chapter 31)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
coming together, more than anything I’d ever experienced before. This was her. My best friend. “There’s no coming back from this.” She panted, “I know.” I positioned my knee a little higher, causing her leg to incline with mine. Her breathing spiked, and I knew I was hitting her g-spot better from the angle. My face hovered above hers as we caught our breath, trying to find a rhythm. It was effortless, the two of us coming together. My thrusts became harder and rougher, her body responded perfectly with mine. Our hips moved like we were made for each other. I lapped at her breasts, unable to get enough of her. “Leo,” she breathed out, and I swear my cock got harder. I moved back up to her face, and our mouths parted, we both panted profusely. I felt myself starting to come unhinged which was very unusual for me. Fuck me. Don’t come so fast, Leo. Think about baseball, about football, about anything other than how incredible she felt throbbing on the head of your cock. “Fuck, you feel good. How do you feel this good?” “I’m almost there,” she breathlessly gasped. “Mmm…” I groaned, her pussy gripping onto my dick. “If you do that again, I’m going to come.” “What happened to ladies first?” “No one feels like you, Lala. Jesus, it’s like your pussy was made for me.” Mila apparently liked dirty talk, in less than a second, she exploded around my shaft. Long. Hard. Utterly mind-blowing. Climaxing all the way down to my balls and taking me right over with her. I shook with my release and passionately kissed her. From her neck. To her breasts. Back up to her lips.
M. Robinson (The Kiss (Playboy Pact, #1))
Life every now and then becomes literature [...] long enough to be what we best remember, and often enough so that what we eventually come to mean by life are those moments when life, instead of going sideways, backwards, forward, or nowhere at all, lines out straight, tense and inevitable, with a complication, climax, and, given some luck, a purgation, as if life had been made and not happened.
Norman Maclean (A River Runs Through It and Other Stories)
while we’re at it, please can Quaker Oats ban Ethan Frome from the curriculum altogether? It’s a snoozefest of repressed, milquetoast characters, all building up to the climax of—no joke—a toboggan ride. We should end on the Whartonian high of The Age of Innocence, which is probably the best novel set in New York City, ever. It’s about rich white people planning hits and takedowns at fancy balls like it’s The Godfather. Even though The Age of Innocence was written a hundred years ago, you just know that Edith Wharton knew what was up.
Patricia Park (Imposter Syndrome and Other Confessions of Alejandra Kim)
I imagined nothing more than having my hard dick pounding in and out of her, listening to her moans as my cock filled her. My hands on her hips as I forced her to take my full length to the point where she screamed out in ecstasy and had the best orgasm of her life. I’d massage her tits, caressing them, tweaking her nipples, giving her all I could to make her climax repeatedly.
Holly J. Gill (Solace)
There have been no females born on our planet for the last hundred orbits. And it’s common knowledge that a female cannot become pregnant if she does not climax. So we try our best to make conditions right, but there hasn’t been any success yet.
Anna Carven (Dark Planet Warriors the Series: Book 1 (Dark Planet Warriors, #1))
Our current world I submit that we currently live in a climax stage.21 We have a political model that is based on leading in the popular polls--a model where barely differentiated political leaders pretend to be different by steering voters away from important issues and onto subjects that, albeit emotional, are of little consequence to most people--a model where the election is won by the person with the best marketing, and where consistency and integrity are irrelevant. We have an economic model that is based on pulling resources out of the ground and mostly turning them into unnecessary products, getting people to buy the products by convincing them that they need them, then getting them to throw the products away because they're obsolete. This makes people buy the next model and bury the other one in the ground. The sole goal of this seemingly pointless exercise is to work faster and grow the gross domestic product, which measures the resource churn. We live in a world where the money necessary for our way of life comes out of a slit in the wall as long as we keep showing up for work, yet only experts understand the fiat-based money/credit system. We live in a world where food can be heated in a microwave oven at the touch of a button, yet only experts understand how this works. This goes for most of the other technology we use. All we know is that if we press this or that button, things magically happen. We are aware of large-scale problems, but most of us believe that we can't do anything about them. Instead, we believe in a mythical They who will find a solution, just like They have provided all this wonderful technology we surround ourselves with. We may be more technologically advanced as a group, and correctly but myopically hold up technology as our one indicator of "progress,"22 but in terms of individual understanding we have not come far, and once again live according to old concepts. In fact, we might have turned a full cycle from the last climax stage: The Dark Ages.
Jacob Lund Fisker (Early Retirement Extreme: A philosophical and practical guide to financial independence)
I love you.” “Wow. That too on Valentine’s Day!” “That’s just a coincidence.” A perfect love story started to brew as they embarked on a journey of love and romance. The day the world celebrated love was the day they would start their love story too. What a perfect melodrama, even the best of romantic movies might not have such a climax. A perfect love story was just brewing.
Jagdish Joghee (The Colour of Love: Trumpets and bugles, there was music all over...)
Her ass looks its best here, with the little wrinkles and pockets fairly well ironed out.
Susan Crain Bakos (The Orgasm Bible: The Latest Research and Techniques for Reaching More Powerful Climaxes More Often)
In real life we want only the best for the people we care about. In fiction, we want things to get the worst for the characters we care about the most, at least on their pathway to the climax.
Steven James (Story Trumps Structure: How to Write Unforgettable Fiction by Breaking the Rules)
Other women say they can climax best with the application of pressure deep within the vagina, which led the gynecologist Ernst Grafenberg and his partisans to propose the existence of a Grafenberg, or G, spot, a sort of second, internalized clitoris. The G spot is said to be a two-inch cushion of highly erogenous tissue located on the front wall of the vagina, right where the vagina wraps around the urethra, the tube that carries urine from the bladder. Some have said that the G spot is embedded in the so-called Skene’s glands, which generate mucus to help lubricate the urethral tract. Others have said that the gee-whiz spot is actually the sphincter muscle, which keeps the urethra clamped shut until you’re ready to void. Still others question the existence of a discrete G spot altogether. Let’s not bother inventing novel erogenous loci, they say, when the existing infrastructure will do. The roots of the clitoris run deep, after all, and very likely can be tickled through posterior agitation. In other words, the G spot may be nothing more than the back end of the clitoris.
Natalie Angier (Woman: An Intimate Geography)
One outcome of chronic porn use is unanticipated sexual conditioning – which wasn’t likely in baby boomers using Playboy. A millennial may easily wire his sexual excitement to a screen, constant novelty, voyeurism or bizarre acts. Worst case, he eventually needs both porn’s content and delivery-at-a-click to achieve an erection or sustain arousal. Before I quit I had the utmost trouble getting off. I actually had to close my eyes and imagine a CONSTANT stream of porn to climax. I was more or less using my girlfriends’ bodies to help me jerk off. After a long streak without porn, I could climax easily, without thinking about it. It was a miracle. It was the best feeling ever.
Gary Wilson (Your Brain On Porn: Internet Pornography and the Emerging Science of Addiction)
The best way to think of plot points is as a combination of an inciting incident and a climax. The inciting incident begins a story, raises dramatic questions, and sends a character on a journey. The climax answers dramatic questions and features a tense, potent moment of conflict, which is resolved in a satisfying manner.
Dean Movshovitz (Pixar Storytelling: Rules for Effective Storytelling Based on Pixar’s Greatest Films)
He had mastered the art of conducting a love affair through all its stages, from infatuation to consummation, wholly within its mind. How could he do that? The indispensable first step was to capture what he called “a living image” of the beloved and make it his own. Upon this image he would then dwell, giving breath to it, until he had reached a point where, still in the realm of the imagination, he could begin to make love to this succubus of his and eventually conduct her into the utmost transports; and this whole passionate history would remain unbeknown to the earthly original. [ On the erotic life ] It all hinged, he replied, on being able to capture, through the closest, most dedicated attention, that unique unconscious gesture, too slight or too fleeting to be noticed by the average eye, by which a woman gave herself away - gave away her erotic essence, that is to say, her soul. The way she turned her wrist to look at her wristwatch, for example, or the way she reached down to pull tight the strap of a sandal. Once that unique movement was caught, the erotic imagination could explore it at leisure until the woman’s every last secret was laid open, not excluding how she moved in the arms of a lover, how she came to her climax. From the giveaway gesture all followed “as if by fate”. [ On the erotic life ] That’s the beauty of thoughts, isn’t it, that distance doesn’t matter, and separation. [ On compassion ] The woman from Lausanne complains above all of loneliness. She has created a protective ritual for herself in which she retires to bed at night with music playing in the background and lies cosily reading a book, immersed in what she tells herself is bliss. Then, as she begins to reflect on her situation, bliss turns to disquiet. Is this truly the best that life affords, she asks herself - lying in bed alone with a book? Is it such a good thing to be a comfortable, prosperous citizen of a model democracy, secure in her home in the heart of Europe? Despite herself, she grows more and more agitated. She rises, dons dressing gown and slippers and takes up her pen. [ On fan mail ]
J.M. Coetzee (Diary of a Bad Year)
Stewart was a superb radio actor, overcoming the drift of some scripts into folksy platitude. His narration-in-whisper of one particular climax (The Silver Belt-Buckle) was a gripping moment of truth, and the series as a whole just lacked the fine edge to be found in radio’s two best westerns, Gunsmoke and Frontier Gentleman. In the theme, Basil Adlam provided a haunting melody, conjuring up the wandering plainsman. Despite Stewart’s great prestige, the show was largely sustained. Chesterfield was interested, but Stewart declined, not wanting a cigarette company to counter his largely wholesome screen image.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
A fleet of oil tankers carried oil from the Gulf Coast around Florida and up the Eastern Seaboard to supply Eastern cities and for transshipment to England and Europe. With the German declaration of war in alliance with Japan on 11 December 1941, Germany sent a small submarine force under Admiral and U-boat Commander Karl Dönitz to attack the vulnerable tankers. Dönitz had asked for twelve submarines. Hitler, giving priority at that time to Mediterranean support of his campaign in North Africa, awarded the admiral only five. Dönitz chose the best crews, and in the six weeks between 11 January and 28 February 1942, his U-boats working the American East Coast attacked no fewer than seventy-four tankers, sinking forty-six of them and damaging sixteen more.55 The submarines escaped unscathed. “Our U-boats are operating close inshore along the coast of the United States of America,” Dönitz reported, “so that bathers and sometimes entire coastal cities are witness to the drama of war, whose visual climaxes are constituted by the red glorioles of blazing tankers.
Richard Rhodes (Energy: A Human History)