Rubber Shoes Quotes

What was the secret, they wanted to know; in a thousand different ways they wanted to know The Secret. And not one of them was prepared, truly prepared to believe that it had not so much to do with chemicals and zippy mental tricks as with that most unprofound and sometimes heart-rending process of removing, molecule by molecule, the very tough rubber that comprised the bottoms of his training shoes. The Trial of Miles; Miles of Trials.

They seemed to be quiet types, the women and men in rubber-soled shoes. Their favorite word, after literacy, was privacy--for their patrons and themselves.

The rubber tip had worn away from around the right heel, and although she had coloured the shoe in with an old black bingo marker, the sharp metal nail scraped the floor with the screech of hard times.

First, he though, I need shoes with rubber on the bottom. I need gelato.

They’re Crocs, Frankie.’ I’m always willing to put myself in someone else’s shoes. But not if they’re wearing rubber crimes against couture.

Anyone who has ever tried to write a novel knows what an arduous task it is, undoubtedly one of the worst ways of occupying oneself. You have to remain within yourself all the time, in solitary confinement. It's a controlled psychosis, an obsessive paranoia manacled to work completely lacking in the feather pens and bustles and Venetian masks we would ordinarily associate with it, clothed instead in a butcher's apron and rubber boots, eviscerating knife in hand. You can only barely see from that writerly cellar the feet of passers-by, hear the rapping of their heels. Every so often someone stops and bends down and glances in through the window, and then you get a glimpse of a human face, maybe even exchange a few words. But ultimately the mind is so occupied with its own act, a play staged by the self ofr the self in a hasty, makeshift cabinet of curiosities peopled by author and character, narrator and reader, the person describing and the person described, that feet, shoes, heels, and faces become, sooner or later, mere components of that act.

Sean stood there with a mischievous grin, hand still forming a claw. He’d tapped on the door with his fingernails to fool me. I slammed the door in his face. Before the latch caught, the door bounced open again. Cameron stood just behind Sean with the rubber toe of his shoe blocking the door from shutting. “You look like hell,” Cameron said. “I look like Sean.” is was a joke from my darkest memory. If Sean told me I was ugly, I could deflect the insult easily, because he was calling himself the same name. If Cameron told me I was ugly, he was also insulting Sean, and Sean would get revenge on him without me having to do a thing.

On the black earth on which the ice plants bloomed, hundreds of black stink bugs crawled. And many of them stuck their tails up in the air. "Look at all them stink bugs," Hazel remarked, grateful to the bugs for being there. "They're interesting," said Doc. "Well, what they got their asses up in the air for?" Doc rolled up his wool socks and put them in the rubber boots and from his pocket he brought out dry socks and a pair of thin moccasins. "I don't know why," he said. "I looked them up recently--they're very common animals and one of the commonest things they do is put their tails up in the air. And in all the books there isn't one mention of the fact that they put their tails up in the air or why." Hazel turned one of the stink bugs over with the toe of his wet tennis shoe and the shining black beetle strove madly with floundering legs to get upright again. "Well, why do you think they do it?" "I think they're praying," said Doc. "What!" Hazel was shocked. "The remarkable thing," said Doc, "isn't that they put their tails up in the air--the really incredibly remarkable thing is that we find it remarkable. We can only use ourselves as yardsticks. If we did something as inexplicable and strange we'd probably be praying--so maybe they're praying." "Let's get the hell out of here," said Hazel.

As I write this, it is nine o’clock in the morning. In the two hours since I got out of bed I have showered in water heated by North Sea gas, shaved using an American razor running on electricity made from British coal, eaten a slice of bread made from French wheat, spread with New Zealand butter and Spanish marmalade, then brewed a cup of tea using leaves grown in Sri Lanka, dressed myself in clothes of Indian cotton and Australian wool, with shoes of Chinese leather and Malaysian rubber, and read a newspaper made from Finnish wood pulp and Chinese ink.

Dust off your dancing shoes, the ones with wheels attached, because I’ve got banjo sounds FOR SALE. I’ve got boxes and boxes of the stuff labeled “Sexy," and to be sure nobody steals them, they are rubber and waterproof and I store them all on the bottom of my duck pond.

Even a paperback printed on acidic paper, whose pages have yellowed ten years on, can still be read, no matter how badly the spine is cracked or how inflated it's become from being dropped in the bathtub. The pages might separate from the spine, but a rubber band can keep them together. You may loan a book to your circle of closest friends, but shoes are another matter. A great book will never go out of style - books go with every outfit.

Rain with no shoes is just as much fun as rain with big rubber galoshes.

twelve-hundred-dollar chairs and wore sleek designer shoes with tassels. Gone were the days of thick rubber soles and function over form,

A brick could be used to sell new shoes to a man with no hands. I would say a brick could be used to sell a handless man new gloves, but that’s a bit of a stretch, even for a rubber band.


Tania, why don’t you take off your shoes? You’ll be more comfortable.” “I’m fine,” she said. How did he know her feet were killing her? Was it that obvious? “Go on,” he prodded gently. “It will be easier for you to walk on the grass.” He was right. Breathing a sigh of relief, she bent, unstrapped the sandals, and slipped them off. Straightening up and raising her eyes to him, she said, “That is a little better.” Alexander was silent. “Now you’re really tiny,” he said at last. “I’m not tiny,” she returned. “You’re just outsized.” Blushing, she lowered her gaze. “How old are you, Tania?” “Older than you think,” Tatiana said, wanting to sound old and mature. The warm Leningrad breeze blew her blonde hair over her face. Holding her shoes with one hand, she attempted to sort out her hair with the other. She wished she had a rubber band for her ponytail. Standing in front of her, Alexander reached out and brushed the hair away. His eyes traveled from her hair to her eyes to her mouth where they stopped. Did she have ice cream all around her lips? Yes, that must be it. How awkward. She licked her lips, trying to clean the corners. “What?” she said. “Do I have ice cream—” “How do you know how old I think you are?” he asked. “Tell me, how old are you?” “I’m going to be seventeen soon,” she said. “When?” “Tomorrow.” “You’re not even seventeen,” Alexander echoed. “Seventeen tomorrow!” she repeated indignantly. “Seventeen, right. Very grown up.” His eyes were dancing. “How old are you?” “Twenty-two,” he said. “Twenty-two, just.” “Oh,” she said, and couldn’t hide the disappointment in her voice. “What? Is that very old?” Alexander asked, failing to keep the smile off his face. “Ancient,” Tatiana replied, failing to keep the smile off her face. Slowly they walked across the Field of Mars, Tatiana barefoot and carrying the red sandals in her slightly swinging hands.

The next evening she brought him the Royal. It was an office model from an era when such things as electric typewriters, color TVs, and touch-tone telephones were only science fiction. It was as black and as proper as a pair of high-button shoes. Glass panels were set into the sides, revealing the machine’s levers, springs, ratchets, and rods. A steel return lever, dull with disuse, jutted to one side like a hitchhiker’s thumb. The roller was dusty, its hard rubber scarred and pitted.

At any rate, though he never succeeded in laughing at her, as she had done (and continued to do) at him, he fulfilled at least half of what he had predicted he would do when they were married; he beat her. The trouble was, she fought back. And ably, too: for she would snatch up any weapon that was handy, a table lamp, the nail scissors, one of her sharp-heeled shoes, an open box of dusting powder, and once her rubber douche bag. With Amy thus accoutered, husband and wife were about evenly matched. This

His feet went banging down some stairs. He closed his eyes. They went through cinders and dirt, his heels gathering small windrows of trash. A dim world receded above his upturned toes, shapes of skewed shacks erupted bluely in the niggard lamplight. The rusting carcass of an automobile passed slowly on his right. Dim scenes pooling in the summer night, wan ink wash of junks tilting against a paper sky, rorschach boatmen poling mutely over a mooncobbled sea. He lay with his head on the moldy upholstery of an old car seat among packingcrates and broken shoes and suncrazed rubber toys in the dark. Something warm was running on his chest. He put up a hand. I am bleeding. Unto my death.

I opened it. At first sight it appeared to contain nothing except thin white paper, but when I lifted the paper I found a pair of shoes. They were made of canvas of a blue-green colour that reminded me of the Tides of the Southern Halls. The rubber soles were thick and white and they had white laces. I removed them from the box and put them on. They fitted perfectly. I tried walking about in them. My feet felt beautifully cushioned and bouncible. All day long I have been running and dancing for the sheer pleasure of feeling my feet in their new shoes. ‘Look!’ I said to the crows in the First Northern Hall when they flew down from the High Statues to see what I was doing, ‘I have new shoes!’ But the crows only cawed and flew back to their perches.

Well, this girl, this Ashford or whatever her name was, looked like a hippie. She was wearing a very pretty pink flowered skirt that was full and so long, it touched the tops of her shoes, which I soon realized were not shoes, but sort of hiking boots. Her blouse, loose and lacy, was embroidered with pink flowers, and both her wrists were loaded with silver bangle bracelets. Her hair, which was almost as long as my friend Dawn's and was dirty blonde, was pulled into a big fat braid (which I might add, was not held in place with a rubber band or anything; it sort of trailed to an end). But the amazing thing was that because of her hair was pulled back, you could see her ears and she had three pierced earrings in each ear. They were all silver and all dangly, but none matched.

Western clothes were intended for healthy, robust men: to anyone in a weakened condition they were quite insupportable. Around the waist, over the shoulders, under the arms, around the neck - every part of the body was pressed and squeezed by clasps and buttons and rubber and leather, layer over layer, as if you were strapped to a cross. And of course you had to put on stockings before the shoes, stretching them carefully up on your legs by garters. Then you put on a shirt, and then trousers, cinching them in with a buckle and the back till they cut your waist and hanging them from your shoulders with suspenders. Your neck was choked in a close-fitting collar, over which you fastened a noose-like necktie, and stuck a pin in it. If a man is well filled out, the tighter you squeeze him, the more vigorous and bursting with vitality he seems; but a man who is only skin and bones can't stand that. [...] It was only because these Western clothes held him together that he was able to keep on walking at all - but to think of stiffening a limp, helpless body, shackling it hand and foot, and driving it ahead with shouts of "Keep going! Don't you dare collapse!" It was enough to make a man want to cry...

How regretfully did I think at that moment of the petticoats of my youth, so short, so silent, and so woollen! And how convenient the canvas shoes were with the india rubber soles, for creeping about without making a sound! Thanks to them I could always run swiftly and unheard into my hiding-places, and stay there listening to the garden resounding with cries of "Elizabeth! Elizabeth! Come in at once to your lessons!

The Philadelphia Inquirer, would I? “Let’s not delay the inevitable.” Dan put his hand on my shoulder, and I stared at the floor, at his shoes made of such bad fake leather they looked rubber. “You did good in there,” Dan said. “Vencino is a bully. He’s just trying to get under your skin. But you didn’t rise to the occasion. That was good.” “But they think I planned this with Arthur or something,” I said. “How could they think that?” “They don’t,” Dan said. “Like your

As it happened, the first three major advances in my life—and I will list all the advances here— 1. shoe-tying 2. pulling up on Xs 3. steadying hand against sneaker when tying 4. brushing tongue as well as teeth 5. putting on deodorant after I was fully dressed 6. discovering that sweeping was fun 7. ordering a rubber stamp with my address on it to make billpaying more efficient 8. deciding that brain cells ought to die —have to do with shoe-tying, but I don't think that this fact is very unusual.

Excuse me, Mr. Kleinman,” Stein says. “I used to live around the corner, and forty years ago I left a pair of shoes with you for repair. Is it possible you still have them?” Kleinman looks at Stein and says, “Vas dey black ving tips?” Stein remembers and says, “Yes. They were!” “And you vanted a half sole mit rubber heels?” “Yes,” says Stein. “That is exactly what I wanted.” “And you vanted taps on the heels only?” “Yes!” says Stein. “Do you still have them?” Mr. Kleinman looks up at him, squints, and says, “Dey be ready Vendsday.

Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.

A President J.G., F.C. who said he wasn’t going to stand here and ask us to make some tough choices because he was standing here promising he was going to make them for us. Who asked us simply to sit back and enjoy the show. Who handled wild applause from camouflage-fatigue- and sandal-and-poncho-clad C.U.S.P.s with the unabashed grace of a real pro. Who had black hair and silver sideburns, just like his big-headed puppet, and the dusty brick-colored tan seen only among those without homes and those whose homes had a Dermalatix Hypospectral personal sterilization booth. Who declared that neither Tax & Spend nor Cut & Borrow comprised the ticket into a whole new millennial era (here more puzzlement among the Inaugural audience, which Mario represents by having the tiny finger-puppets turn rigidly toward each other and then away and then toward). Who alluded to ripe and available Novel Sources of Revenue just waiting out there, unexploited, not seen by his predecessors because of the trees (?). Who foresaw budgetary adipose trimmed with a really big knife. The Johnny Gentle who stressed above all—simultaneously pleaded for and promised—an end to atomized Americans’ fractious blaming of one another for our terrible 151 internal troubles. Here bobs and smiles from both wealthily green-masked puppets and homeless puppets in rags and mismatched shoes and with used surgical masks, all made by E.T.A.’s fourth- and fifth-grade crafts class, under the supervision of Ms. Heath, of match-sticks and Popsicle-stick shards and pool-table felt with sequins for eyes and painted fingernail-parings for smiles/frowns, under their masks. The Johnny Gentle, Chief Executive who pounds a rubber-gloved fist on the podium so hard it knocks the Seal askew and declares that Dammit there just must be some people besides each other of us to blame. To unite in opposition to. And he promises to eat light and sleep very little until he finds them—in the Ukraine, or the Teutons, or the wacko Latins. Or—pausing with that one arm up and head down in the climactic Vegas way—closer to right below our nose. He swears he’ll find us some cohesion-renewing Other. And then make some tough choices. Alludes to a whole new North America for a crazy post-millennial world.

Up rose the scent of green-apple shampoo. Of river stones once the flood has gone. The taste of winter sky laced with sulfur fumes. A kiss beneath a white-hearted tree. A hot still day holding its breath. We removed the contents one by one. There were two blue plastic hair combs. A tough girl's black rubber-band bracelet. A newspaper advertisement for a secretarial school folded in half. A blond braid wrapped in gladwrap. A silver necklace with a half-a-broken-heart pendant. An address, written in a leftward-slanting hand, on a scrap of paper. Ballet shoes wrapped in laces. From the box came the sound of bicycle tires humming on hot pavement. Of bare feet running through crackling grass. Of frantic fingers unstitching an embroidered flower. Of paper wings rising on a sudden wind. Of the lake breathing against the shore. I didn't say anything. I kept very still.

What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? eh? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can't see the desert if you can't smell it. Dusty? Of course it's dusty—this is Utah! But it's good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that peice of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk—yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it'll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over rocks hunting for rattlesnakes and scorpions and anthills—yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk—walk—WALK upon your sweet and blessed land!

Near the exit to the blue patio, DeCoverley Pox and Joaquin Stick stand by a concrete scale model of the Jungfrau, ... socking the slopes of the famous mountain with red rubber hot-water bags full of ice cubes, the idea being to pulverize the ice for Pirate's banana frappes. With their nights' growths of beard, matted hair, bloodshot eyes, miasmata of foul breath, DeCoverley and Joaquin are wasted gods urging on a tardy glacier. Elsewhere in the maisonette, other drinking companions disentangle from blankets (one spilling wind from his, dreaming of a parachute), piss into bathroom sinks, look at themselves with dismay in concave shaving mirrors, slab water with no clear plan in mind onto heads of thinning hair, struggle into Sam Brownes, dub shoes against rain later in the day with hand muscles already weary of it, sing snatches of popular songs whose tunes they don't always know, lie, believing themselves warmed, in what patches of the new sunlight come between the mullions, begin tentatively to talk shop as a way of easing into whatever it is they'll have to be doing in less than an hour, lather necks and faces, yawn, pick their noses, search cabinets or bookcases for the hair of the dog that not without provocation and much prior conditioning bit them last night. Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast:flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which-- though it is not often Death is told so clearly to fuck off--- the genetic chains prove labyrinthine enough to preserve some human face down ten or twenty generations. . . so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects. . . .

Walking Blues Not Packaged for Individual Sale I learned the word bodega the same day I learned arbitrage riding with you down to Richmond to buy armloads of the cheap cigarettes, the ones you'd packed duffled aboard a Chinatown bus to resell on the sly in Brooklyn. Back on Earth, driving your truck home alone, I turned both words over in my mouth again and again, polishing the gemstones. My mother learned bodega from 'Diamonds on the Soles of Her Shoes' and asked me to take a picture of the first one I saw when I visited you When I tried, you told me Don't preserve the evidence, dumbshit so I never got one. Besides, whatever glitter Paul Simon burnished onto the word had gotten lost among the toilet paper rolls and rubber gloves that lined the ceilings, though I found a glimmer of it napping on the warmth of the ATM, a cat who was named Lucy not after diamonds but after the cigarettes. This was back before you figured out how much more you can make by just stealing what you wanted. Back when I still thought of myself as the kind of friend who would visit you in jail.

I drove to the bar Theodosha had called from and parked on the street. The bar was a gray, dismal place, ensconced like a broken matchbox under a dying oak tree, its only indication of gaiety a neon beer sign that flickered in one window. She was at a table in back, the glow of the jukebox lighting her face and the deep blackness of her hair. She tipped a collins glass to her mouth, her eyes locked on mine. “Let me take you home,” I said. “No, thanks,” she replied. “Getting swacked?” “Merchie and I had another fight. He says he can’t take my pretensions anymore. I love the word ‘pretensions.’” “That doesn’t mean you have to get drunk,” I said. “You’re right. I can get drunk for any reason I choose,” she replied, and took another hit from the glass. Then she added incongruously, “You once asked Merchie what he was doing in Afghanistan. The answer is he wasn’t in Afghanistan. He was in one of those other God-forsaken Stone Age countries to the north, helping build American airbases to protect American oil interests. Merchie says they’re going to make a fortune. All for the red, white, and blue.” “Who is they?” But her eyes were empty now, her concentration and anger temporarily spent. I glanced at the surroundings, the dour men sitting at the bar, a black woman sleeping with her head on a table, a parolee putting moves on a twenty-year-old junkie and mother of two children who was waiting for her connection. These were the people we cycled in and out of the system for decades, without beneficial influence or purpose of any kind that was detectable. “Let’s clear up one thing. Your old man came looking for trouble at the club today. I didn’t start it,” I said. “Go to a meeting, Dave. You’re a drag,” she said. “Give your guff to Merchie,” I said, and got up to leave. “I would. Except he’s probably banging his newest flop in the hay. And the saddest thing is I can’t blame him.” “I think I’m going to ease on out of this. Take care of yourself, kiddo,” I said. “Fuck that ‘kiddo’ stuff. I loved you and you were too stupid to know it.” I walked back outside into a misting rain and the clean smell of the night. I walked past a house where people were fighting behind the shades. I heard doors slamming, the sound of either a car backfiring or gunshots on another street, a siren wailing in the distance. On the corner I saw an expensive automobile pull to the curb and a black kid emerge from the darkness, wearing a skintight bandanna on his head. The driver of the car, a white man, exchanged money for something in the black kid’s hand. Welcome to the twenty-first century, I thought. I opened my truck door, then noticed the sag on the frame and glanced at the right rear tire. It was totally flat, the steel rim buried deep in the folds of collapsed rubber. I dropped the tailgate, pulled the jack and lug wrench out of the toolbox that was arc-welded to the bed of the truck, and fitted the jack under the frame. Just as I had pumped the flat tire clear of the puddle it rested in, I heard footsteps crunch on the gravel behind me. Out of the corner of my eye, I saw a short, thick billy club whip through the air. Just before it exploded across the side of my head, my eyes seemed to close like a camera lens on a haystack that smelled of damp-rot and unwashed hair and old shoes. I was sure as I slipped into unconsciousness that I was inside an ephemeral dream from which I would soon awake.

What was the secret, they wanted to know; in a thousand different ways they wanted to know The Secret. And not one of them was prepared, truly prepared, to believe that it had not so much to do with chemicals and zippy mental tricks as with that most unprofound and sometimes heartrending process of removing, molecule by molecule, the very tough rubber that comprised the bottoms of his training shoes. The Trial of Miles; Miles of Trials. How could they be expected to understand that?

For an illustration of business drift, rational and opportunistic business drift, take the following. Coca-Cola began as a pharmaceutical product. Tiffany & Co., the fancy jewelry store company, started life as a stationery store. The last two examples are close, perhaps, but consider next: Raytheon, which made the first missile guidance system, was a refrigerator maker (one of the founders was no other than Vannevar Bush, who conceived the teleological linear model of science we saw earlier; go figure). Now, worse: Nokia, who used to be the top mobile phone maker, began as a paper mill (at some stage they were into rubber shoes). DuPont, now famous for Teflon nonstick cooking pans, Corian countertops, and the durable fabric Kevlar, actually started out as an explosives company. Avon, the cosmetics company, started out in door-to-door book sales. And, the strangest of all, Oneida Silversmiths was a community religious cult but for regulatory reasons they needed to use as cover a joint stock company.

Paint me. Put me in a sports coat with a big pattern. In silk or wool or cotton. Padded shoulders. Nipped in at the waist. A wide tie. Silk, of course. Paint me in one of my light ties on a white shirt. Make my clean, heavily starched shirt jump from the canvas. Have my good Johnson and Murphy shoes shined. Make my creases sharp. Creases count all seasons of the year. If you don’t want to paint me in spring or autumn in a sports coat, paint me in winter when I have just come in from the cold wearing a suit, with a cashmere coat in the crook of my arm. Hat still on my head. Pocket square. Tie clip. All the Ziggy details in place. Or paint me in one of my shirts that let me wear a collar bar. Remind us that that is how, once upon a time, we did it. That ours was a world of pocket squares, and tie clips—tie clips were most important, as they held a dancer’s tie in place midflight—and stick pins, and gold cigarette lighters and silver key fobs and money clips of metal or a plain rubber band, and cufflinks, and good hats, and mohair V-neck golf sweaters and fine tuxedos and Murine. Don’t paint me dropping Murine in my eyes. Or me in my boxer shorts and white cotton V-neck shirt sitting at my dressing table in my room at the Gotham, my toes tickled by the wool wall-to-wall carpet. Or maybe paint that. How and where we got ready. And we were ready. Paint our readiness.

A good example of what clothes to pack would be 3 t-shirts or tops, 2 jeans or pants, 2 cargo shorts or regular shorts, 1 sneaker or rubber shoes, 2-3 pairs of socks, 1 jacket or coat, 1 scarf or shawl and 3 pairs of underwear. Make sure all these can fit into your bag and that they are washable. Some hitchhikers recommend bringing at least one dressy item of clothing for when you want to get into bars or similar situations.

rubber-soled shoes squeaking on the shiny Marmoleum.

Ryan Carter wants to have dinner with me on Friday. And like a dozen other people. But still." I collapsed onto the sofa and kicked off my shoes. Eva frowned. "But aren't you in a fight?" "Yes. I don't know. Is this a really bad idea? Apparently he suggested it." Eva's grin broadened and her dark eyes twinkled. She peeled off the rubber dish gloves and dropped down next to me on the sagging cushions. "I think it's a great idea." "But what if he's a Wickham?" She shrugged. "Maybe you're a Lydia." I shuddered. "Don't say such things." Lydia might have caught Wickham in the end, but she was still vain and flippant and unlikeable. "I want to be Elizabeth." Eva gave me a look. "Fine." My head dropped against the back of the couch. "I'm a Jane. I'm a Jane, okay?" The staid older sister. "There's nothing wrong with being a Jane." "That's what the Elizabeths always say," I muttered darkly.

2007 Wall Street Journal profile also described how, at one of Schwarzman’s five houses, an “11,000-square-foot home in Palm Beach, Fla., he complained to Jean-Pierre Zeugin, his executive chef and estate manager, that an employee wasn’t wearing the proper black shoes with his uniform…[H]e found the squeak of the rubber soles distracting.” His own mother told the paper that money is “what drives him. Money is the measuring stick.” Schwarzman’s most serious self-inflicted wound, though, was the $3 million sixtieth birthday party he threw for himself in February 2007, at which he paid pop stars Rod Stewart and Patti LaBelle to serenade him. The media sensation stirred by the billionaire bacchanal led directly to congressional calls to close the carried-interest loophole.

The other one was younger, I guessed late twenties, and his back was turned to me. They were both wearing suits with dark jackets, and the older guy had shoes that squeaked. Most people wouldn’t notice, but right then I was hyperaware. He put a foot down on the linoleum in the kitchen and when he went to take another step there was a subtle sound, the squeal of rubber soles that caused those little hairs on my arm to stand up. I weigh a hundred and thirty-seven pounds and stand five foot four. The old one was over six feet, the younger a little taller than me. The young one held his

Excellence is making a rubber shoe initially; later making a leather shoe; then later making a leather shoe with gold medal on top and then making a golden shoe with diamond medal on top; going to make a real diamond shoe!

older guy had shoes that squeaked. Most people wouldn’t notice, but right then I was hyperaware. He put a foot down on the linoleum in the kitchen and when he went to take another step there was a subtle sound, the squeal of rubber soles that caused those little hairs on my arm to stand up. I weigh a hundred and thirty-seven pounds and stand five foot four. The old one was over six feet, the younger a little taller than me. The young one held his hands in

he looked down at me and said, “Are you scared?” “Scared shitless,” I said as I plunged the butcher knife into the center of his chest. The giant clown monster rocked back and then teetered forward, gripping my shoulders to steady himself with what felt like rubber claws. A stream of his warm blood soaked my Phantom of the Opera T-shirt. Urine ran down my leg into my shoe as bright lights illuminated the darkness. Three cameramen and my best friend, Larry, ran into view from the bushes screaming in unison, “You don’t have to be scared. We’re broadcasting this on live TV.

In any chain of command, the leadership must always present a united front to the troops. A public display of discontent or disagreement with the chain of command undermines the authority of leaders at all levels. This is catastrophic to the performance of any organization. As a leader, if you don’t understand why decisions are being made, requests denied, or support allocated elsewhere, you must ask those questions up the chain. Then, once understood, you can pass that understanding down to your team. Leaders in any chain of command will not always agree. But at the end of the day, once the debate on a particular course of action is over and the boss has made a decision—even if that decision is one you argued against—you must execute the plan as if it were your own. When leading up the chain of command, use caution and respect. But remember, if your leader is not giving the support you need, don’t blame him or her. Instead, reexamine what you can do to better clarify, educate, influence, or convince that person to give you what you need in order to win. The major factors to be aware of when leading up and down the chain of command are these: • Take responsibility for leading everyone in your world, subordinates and superiors alike. • If someone isn’t doing what you want or need them to do, look in the mirror first and determine what you can do to better enable this. • Don’t ask your leader what you should do, tell them what you are going to do. APPLICATION TO BUSINESS “Corporate doesn’t understand what’s going on out here,” said the field manager. “Whatever experience those guys had in the field from years ago, they have long forgotten. They just don’t get what we are dealing with, and their questions and second-guessing prevents me and my team from getting the job done.” The infamous they. I was on a visit to a client company’s field leadership team, the frontline troops that executed the company’s mission. This was where the rubber met the road: all the corporate capital initiatives, strategic planning sessions, and allocated resources were geared to support this team here on the ground. How the frontline troops executed the mission would ultimately mean success or failure for the entire company. The field manager’s team was geographically separated from their corporate headquarters located hundreds of miles away. He was clearly frustrated. The field manager had a job to do, and he was angry at the questions and scrutiny from afar. For every task his team undertook he was required to submit substantial paperwork. In his mind, it made for a lot more work than necessary and detracted from his team’s focus and ability to execute. I listened and allowed him to vent for several minutes. “I’ve been in your shoes,” I said. “I used to get frustrated as hell at my chain of command when we were in Iraq. They

My grandmother swaddled her baby, as they did two thousand years ago, and let him swing on a tree branch so she could do backbreaking work for fifteen cents a day. Lizzie talked about working, herself, too, starting when she was eight or nine years old, long before the era of child labor laws, at the Milford Shoe Company. “My first day, they put me at a sewing machine and give me two pieces a leathuh. They told me how to stitch the pieces togethuh—paht of a man’s shoe. Each time I did that, they told me, drop it inna drawa. I thought, this is easy. Zip, zip, zip, one afta anuthuh. End of the day comes, my drawa is full. Lady next to me, olda woman—she didn’t have so many done. The boss fired her right then. They gave me her job afta that.” From that day on, my aunt worked in factories all her life. Like my mother, she was heavy set but solid, as sturdy and muscled as the men who worked beside her, first at Milford Shoe and later at William Lapworth & Sons, a manufacturer of elastic fabrics, whose British-born owner berated her whenever a needle broke on her sewing machine. Later she worked at Archer Rubber, where a chemical spray left a small scar on her cheek. Her final employer was the Stylon Tile Company, known for making pink and black bathroom tiles, which were hard to handle without cutting her hands. She always called her place of work “the shop.” She was “working down at the shop.” Before I left her house, she always gave me something to take with me, like a bag of her hand-made swiss-chard ravioli, or if it was close to Christmas, a plate of her own Italian cookies. My favorites were the ceci, little fried cookies that looked like ravioli but were stuffed with sweet chestnut and honey filling, or the ones that looked like bowties, called cenci, dusted with powdered sugar. No matter how busy she was, she never let anyone leave her house hungry or empty-handed. Once I accompanied Lizzie to the Sacred Heart Cemetery to help her with all the flower baskets she wanted to lay on the gravestones of lost family members. There’s something about Italians and cemeteries. I was never attracted to cemeteries, never finding any comfort in visiting the dead, but for most of my family, it was like attending a family reunion. Seeing Lizzie moving

a Tennessee Eastman employee was moved to immortalize anonymously in verse: In order not to check in late,2236 I’ve had to lose a lot of weight, From swimming through a fair-sized flood And wading through the goddam mud. I’ve lost my rubbers and my shoes Perpetually I have the blues My spirits tumble with a thud Because of all this goddam mud. It’s in my system so that when I cut my finger now and then Instead of bleeding just plain blood Out pours a stream of goddam mud.

The epicenter of what became known as “rubber fever” was Salem, Massachusetts, north of Boston. In 1825 a young Salem entrepreneur imported five hundred pairs of rubber shoes from Brazil. Ten years later, the number of imported shoes had grown to more than 400,000, about one for every forty Americans

You need rubber-soled shoes,” Michael said. You also need a jock strap. The testicles in my boxer shorts were whapping against the Recaro seat like little bowling balls being dropped out fourth-story windows.

he told me i was like a poem, all kinds of feelings bundled into one but i am a song without melody, a screeching noise you don't want to hear i am like an ointment but for the wrong wound; i can't heal you but i would burn i am like that paragraph you delete before sending an okay the last drop of coffee still stuck on your discarded cup i am the rubber band on your wrist, i am lost as soon as you set me down and like the moon on a moonless night i am there but not in your world, not in your eyes, not in your heart. i could have been your comfort shoe, but i broke your feet and you discarded me so now I'm just an occupied space on your shelf you don't use anymore I'm like the stain on the mirror when you're taking pictures; an irritation that stays like the push and shove on the subway station that doesn't make you stop and stare but the one that keeps you moving, completely unaware i'm the stranger on the street that you see yet you don't your eyes pass through me, not in focus, not in the zone i'm not the art kind of beautiful, i'm the beauty that lies there, ignored my existence is poetry, unnoticed, unaware, invisible to your eyes and you just keep moving and i stay, i stay, i stay right there

And there was a new notification from Col. PVS Gill (Retd), pointing out the hard shoes were to be worn in the building at all times. RUBBER SOULS CAUSE SQUEEKING AND ANNOYANCE, it stated.

Caroline held her son to her chest and began to cry, because she knew with absolute clarity that she had been waiting her whole life to meet this boy. Every minute had been leading her to this one now, minute falling into minute, pushing her forward, and thank goodness. Thank God (although Caroline had never before believed in God) she had done everything just as she’d done it so that she might be sitting here now in this achingly bright room, surrounded by these two miraculous women wearing yellow scrubs and rubber shoes that made the smallest, most pleasing squeaks as they moved around the bed, and in her arms holding this tiny, perfect body.

Here, too, were dozens of troopers whom Roosevelt knew only by their contradictory nicknames: “Metropolitan Bill” the frontiersman, “Nigger” the near-albino, “Pork Chop” the Jew, jocular “Weeping Dutchman,” foul-mouthed “Prayerful James,” and “Rubber Shoe Andy,” the noisiest scout in Cuba.59

Track coach Bill Bowerman decided that his team needed better, lighter running shoes. So he went out to his workshop and poured rubber into the family waffle iron. That’s how Nike’s famous waffle sole was born.‡

I put the sweater on and watched the waves come up and fall down on the beach. But not clumsily. On purpose, with a green sort of elegance. Even a drunken man could not collapse with such elegance as those waves. It was September. In the last days when things are getting sad for no reason. The beach was so long and lonely with only about six people on it. The kids quit bouncing the ball because somehow the wind made them sad, too, whistling the way it did, and the kids sat down and felt autumn come along the endless shore. All of the hot-dog stands were boarded up with strips of golden planking, sealing in all the mustard, onion, meat odors of the long, joyful summer. It was like nailing summer into a series of coffins. One by one the places slammed their covers down, padlocked their doors, and the wind came and touched the sand, blowing away all of the million footprints of July and August. It got so that now, in September, there was nothing but the mark of my rubber tennis shoes and Donald and Delaus Arnold's feet, down by the water curve. Sand blew up in curtains on the sidewalks, and the merry-goround was hidden with canvas, all of the horses frozen in mid-air on their brass poles, showing teeth, galloping on. With only the wind for music, slipping through canvas. I stood there. Everyone else was in school. I was not. Tomorrow I would be on my way west across the United States on a train. Mom and I had come to the beach for one last brief moment. There was something about the loneliness that made me want to get away by myself. "Mama, I want to run up the beach aways," I said. "All right, but hurry back, and don't go near the water.