Rub On Wall Quotes

We've searched our database for all the quotes and captions related to Rub On Wall. Here they are! All 100 of them:

Anne, I don't want to live. . . . Now listen, life is lovely, but I Can't Live It. I can't even explain. I know how silly it sounds . . . but if you knew how it Felt. To be alive, yes, alive, but not be able to live it. Ay that's the rub. I am like a stone that lives . . . locked outside of all that's real. . . . Anne, do you know of such things, can you hear???? I wish, or think I wish, that I were dying of something for then I could be brave, but to be not dying, and yet . . . and yet to [be] behind a wall, watching everyone fit in where I can't, to talk behind a gray foggy wall, to live but to not reach or to reach wrong . . . to do it all wrong . . . believe me, (can you?) . . . what's wrong. I want to belong. I'm like a jew who ends up in the wrong country. I'm not a part. I'm not a member. I'm frozen.
Anne Sexton (Anne Sexton: A Self-Portrait in Letters)
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor. "What do you want?" I demanded. "A moment of peace and quiet," he snapped, rubbing his temples. I paused. "From what?" He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess." I sat up farther on my pallet of the hay. I'd never seen him so candid. "That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot." So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?" The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - " "You can leave if you're just going to insult me." "But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
You're trying to play a game designed by men. You'll never win, because the deck is stacked and marked, and also you've been blindfolded and set on fire. You can work hard and believe in yourself and be the smartest person in the room and you'll still get beat by the boys who haven't two cents to rub together. So if you can't win the game, you have to cheat. You operate outside the walls they've built to fence you in. You rob them in the dark, while they're drunk on spirits you offered them. Poison their waters and drink only wine.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
My memories of them had rubbed thin with overuse, worn to frail color transparencies flickering on the walls of my mind
Tana French (In the Woods (Dublin Murder Squad, #1))
Oh, this is a special blend for you." Taking one of the fingers she hadn't licked, he rubbed it along her lips. "What we usually shed is apparently comparable to the most delicious of chocolates or the finest of wines. Decadent, rich, and very expensive." She told herself she wasn't going to lick the glitter off her lips. "And this blend?" The taste was inside her mouth without her having any knowledge of taking it in. And Raphael was incredibly close, his wings creating a white gold wall all around them his hands strong and warm on her hips. "What's so special about it?" "This blend," he murmured, bending his head, "is about sex." She put her hands on his chest but it wasn't a protest. After the blood, the fear, she needed to touch him, to know this glorious creature existed. "Another form of mind control?" He shook his head, his mouth a hairbreadth from hers. "It's only fair." "Fair?" She flicked her tongue along his lower lip. It made his hands clench on her hips. "If I licked you between your thighs, your taste would have the same aphrodisiac effect on me.
Nalini Singh (Angels' Blood (Guild Hunter, #1))
Lowering my chin, I sighed. What my Seth wanted, I wanted, but... daimons? I rubbed my hands on my bent knees and sighed again - louder, like a petulant child. Aiden's back twisted as he turned his head. "What, Alex?" "Nothing," I mumbled. "There's something." He leaned back, tipping his head against the bar. "You have that tone." I frowned at the wall. "What tone?" "The 'I have something I want to say but I shouldn't' tone" A little bit of humor seeped into his voice. "I'm well familiar with it." Well... damn.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion.
Vladimir Nabokov (Lolita)
But . . . maybe I could find something. Maybe there would be one person who’d still want to kiss me when I had a runny nose or would rub my shoulders after a long day of meetings. Maybe I could find someone who didn’t seem so scary, who made letting him past the wall seem natural. But all that still could be asking for too much.
Kiera Cass (The Heir (The Selection, #4))
The gingko tree leans lazily against the facing wall or perhaps it supports it; Stephen cannot be sure. The dense ridges of its bark now appear like rippled sand with, here and there, pools left behind by the tide. The bark is pocked with white spots, holed and crinkled with age, seemingly dead but for the life sprouting in its leaves, so smooth, so green, so deep. How remarkable this tree is, how changeable, how mysterious its leaves and branches and trunk … how infinite. Stephen reaches for another pipe. The smoke rubs out his yesterdays and tomorrows. There is only now, this tree, this pipe. Another pipe, ah, another pipe.
Michael Tobert (Karna's Wheel)
I thought how lovely and how strange a river is. A river is a river, always there, and yet the water flowing through it is never the same water and is never still. It’s always changing and is always on the move. And over time the river itself changes too. It widens and deepens as it rubs and scours, gnaws and kneads, eats and bores its way through the land. Even the greatest rivers- the Nile and the Ganges, the Yangtze and he Mississippi, the Amazon and the great grey-green greasy Limpopo all set about with fever trees-must have been no more than trickles and flickering streams before they grew into mighty rivers. Are people like that? I wondered. Am I like that? Always me, like the river itself, always flowing but always different, like the water flowing in the river, sometimes walking steadily along andante, sometimes surging over rapids furioso, sometimes meandering wit hardly any visible movement tranquilo, lento, ppp pianissimo, sometimes gurgling giacoso with pleasure, sometimes sparkling brillante in the sun, sometimes lacrimoso, sometimes appassionato, sometimes misterioso, sometimes pesante, sometimes legato, sometimes staccato, sometimes sospirando, sometimes vivace, and always, I hope, amoroso. Do I change like a river, widening and deepening, eddying back on myself sometimes, bursting my banks sometimes when there’s too much water, too much life in me, and sometimes dried up from lack of rain? Will the I that is me grow and widen and deepen? Or will I stagnate and become an arid riverbed? Will I allow people to dam me up and confine me to wall so that I flow only where they want? Will I allow them to turn me into a canal to use for they own purposes? Or will I make sure I flow freely, coursing my way through the land and ploughing a valley of my own?
Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
The love of our neighbor is the only door out of the dungeon of self, where we mope and mow, striking sparks, and rubbing phosphorescences out of the walls, and blowing our own breath in our own nostrils, instead of issuing to the fair sunlight of God, the sweet winds of the universe.
George MacDonald
What the hell," I said, pushing off the wall, ready to take off the head of whatever stupid salesperson had decided to get cozy with me. My elbow was still buzzing, and I could feel a hot flush creeping up my neck: bad signs. I knew my temper. I turned my head and saw it wasn't a salesman at all. It was a guy with black curly hair, around my age, wearing a bright orange T-shirt. And for some reason he was smiling. "Hey there," he said cheerfully. "How's it going?" "What is your problem?" I snapped, rubbing my elbow. "Problem?" "You just slammed me into the wall, asshole." He blinked. "Goodness," he said finally. "Such language." I just looked at him. Wrong day, buddy, I thought. You caught me on the wrong day. "The thing is," he said, as if we'd been discussing the weather or world politics, "I saw you out in the showroom. I was over by the tire display?" I was sure I was glaring at him. But he kept talking. "I just thought to myself, all of a sudden, that we had something in common. A natural chemistry, if you will. And I had a feeling that something big was going to happen. To both of us. That we were, in fact, meant to be together." "You got all this," I said, clarifying, "at the tire display?" "You didn't feel it?" he asked. "No. I did, however, feel you slamming me into the wall," I said evenly. "That," he said, lowering his voice and leaning closer to me, "was an accident. An oversight. Just an unfortunate result of the enthusiasm I felt knowing I was about to talk to you.
Sarah Dessen (This Lullaby)
Life, authentic life, is supposed to be all struggle, unflagging action and affirmation, the will butting its blunt head against the world's wall, suchlike, but when I look back I see that the greater part of my energies was always given over to the simple search for shelter, for comfort, for, yes, I admit it, for cosiness. This is a surprising, not to say shocking, realisation. Before, I saw myself as something of a buccaneer, facing all-comers with a cutlass in my teeth, but now I am compelled to acknowledge that this was a delusion. To be concealed, protected, guarded, that is all I have ever truly ever wanted, to burrow down into a place of womby warmth and cower there, hidden from the sky's indifferent gaze and the air's harsh damagings. That is why the past is just such a retreat for me, I go there eagerly, rubbing my hands and shaking off the cold present and the colder future. And yet, what existence, really, does it have, the past? After all, it is only what the present was, once, the present that is gone, no more than that. And yet.
John Banville (The Sea)
Can you rework your past, the grit that rubs in you, until it is shiny and smooth as a pearl?
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
We need a man for this shit,” Grace said as I struggled with my keys. “We need men for sex and foot rubs,” I replied. “We can carry our own furniture.” “In
Louise Bay (King of Wall Street (The Royals Collection, #1))
At some point Levi had put his left arm around her and pulled her back against his chest—she’d been fidgeting and rubbing her back on the wall, and Levi just reached behind her and pulled her into him.
Rainbow Rowell (Fangirl)
I went down by a different staircase, and i saw another "fuck you" on the wall. I tried to rub it off with my hand again, but this one was scratched on, with a knife or something. It wouldn't come off. It's hopeless, anyway. If you had a million years to do it in, you couldn't rub out even half the "fuck you" signs in the world.
J.D. Salinger (The Catcher in the Rye)
Before Butch knew what was doing, V grabbed his forearm, bent down, and licked the cut, sealing it up quick. Butch yanked out of his roommate's hold. "Jesus, V! What if that blood's contaminated!" "It's fine. Just f-" With a boneless lurch, Vishous gasped and collapsed against the wall, eyes rolling back in his head, body twitching. "Oh, God...!" Butch reached out in horror- Only to have V cut the seizure off and calmly take a drink from his glass. "You're fine, cop. Tastes perfectly okay. Well fine for a human guy which really ain't my 'tail of choice, you feel me?" Butch hauled back and nailed his roommate in the arm with his fist. And as the brother cursed, Butch popped him another one. V glared and rubbed himself. "Christ, cop." "Suck it up, you deserve it.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.
Jeffrey McDaniel
My hand touches his cheek. “You want me to keep fighting this?” His eyes close as he rubs his face in my palm. “I love watching your walls crumble. I love watching your reasons diminish. I’m really going to enjoy it when you finally realize just how much you want me.” His voice drops, and he looks at me again, serious this time. “Because make no mistake— you’ll want me. I’m makin’ damn sure of it.
Corinne Michaels (Say You Want Me (The Hennington Brothers, #2))
I wasn’t convinced anyone felt the exact same way I did. That’s the rub about being human, I guess. You have all these tools to express yourself, art and music and poetry and stuff, but no one will ever truly know how you feel unless you somehow manage to create a projection of your brain and play it on to the wall. Even then it might not be as vivid. Even then it might not be as close.
Savannah Brown (The Truth About Keeping Secrets)
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing. “Mom.” “Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?” “Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?” “I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.” “Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.” “The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.” “Our car doesn’t have air bags,” Blue pointed out. Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.” Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?” “You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?” “I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.” Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.” “If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested. “This is what you get, Maura, for using your DNA to make a baby,” Calla said. Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.” Calla growled, “Don’t be one of them.” “Persephone?” asked Maura. In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.” “Okay,” Blue said hurriedly. “I’m out.” “You could at least say sorry,” Maura said. “Pretend like I have some power over you.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Fulfillment comes from striving to succeed, to survive by your own wits and strength. Such things make each of us who we are.” Using the blanket, he rubbed his hair. “You lose that in captivity, lose yourself, and that loss saps your capacity for joy. I think comfort can be a curse, an addiction that without warning or notice erodes hope. You know what I mean?” He looked at each of them, but no one answered. “Live with it long enough and the prison stops being the walls or the guards. Instead, it’s the fear you can’t survive on your own, the belief you aren’t as capable, or as worthy, as others. I think everyone has the capacity to do great things, to rise above their everyday lives; they just need a little push now and then.
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
Tyler knelt and rummaged through the empty waste basket.  He frowned. No glasses and no gum. “Wait a minute…” He walked up to the hanging toile and stared at it. What’s going on this looks like Aunt Meg’s wallpaper… Tyler stepped closer. He rubbed his hand over the paper and nothing happened. As he tried to pull the paper from the wall, two smaller greenish hands grabbed Tyler’s leg and pulled.
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
And the part where I push you flush against the wall and every part of your body rubs against the bricks, shut up I'm getting to it.
Richard Siken (Crush)
I don’t know. D’you think? He’s pretty wide in the chest.” The girl looked at me, and I was frozen. So I said, “Yeah. I work out.” Violet asked me, “What are you? What’s your cup size?” I shrugged and played along. “Like, nine and a half?” I guessed. “That’s my shoe size.” Violet said, “I think he’d like something slinky, kind of silky.” I said, “As long as you can stop me from rubbing myself up against a wall the whole time.” “Okay,” said Violet, holding her hands up like she was annoyed. “Okay, the chemise last week was a mistake.
M.T. Anderson (Feed)
My memories of them had rubbed thin with overuse, worn to frail color transparencies flickering on the walls of my mind: Jamie scrambling intent and surefooted up to a high branch, Peter's laugh arcing out of the trompe-l'oeil dazzle of green ahead. Through some slow sea change they had become children out of a haunting storybook, bright myths from a lost civilization; it was hard to believe they had once been real and my friends.
Tana French (In the Woods (Dublin Murder Squad, #1))
The walls of the bookstore have wood panels up to just above her head, but beyond that is blue wallpaper. Maya can't reach the wallpaper unless she has a chair. The wallpaper has a bumpy, swirling pattern, and it is pleasing to rub her face against it. She will read the word damask in a book one day and thinks, Yes, of course, that's what it's called. In contrast, the word wainscoting will come as a huge disappointment.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
You're trying to play a game designed by men. You'll never win, because the deck is staked and marked, and also you've been blindfolded and set on fire. You can work hard and believe in yourself and be the smartest person in the room and you'll still get beat by the boys who haven't two cents to rub together. So if you can't win the game, you have to cheat. You operate outside the walls they've built to fence you in. You rob them in the dark, while they're drunk on spirits you offered them. Poison their waters and drink only wine.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
there was a mews in a lane which runs down by one wall of the garden. I lent the ostlers a hand in rubbing down their
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
If you happened to be born on third base, you didn't rub it in the face of the guy who wasn't even born in the stadium. Self-interest was generally checked at the door with your coat and hat.
Suskind (Confidence Men: Wall Street, Washington, and the Education of a President)
My tribesmen and I party deep into the night, drinking and dancing and going balls-to-the-wall, slap-yo-grandma buck-ass wild, just as the Chief had instructed. Also, I found out that the term “balls-to-the-wall” is not just a figure of speech here, and the drunken islanders and I spent a good portion of the evening just stumbling around the village, rubbing our nutsacks on various buildings and things
Danger Slater (DangerRAMA)
Watch this." Hayden "Oh this is so weird." Hayden in Dragon form.Then he slapped his tail into the wall. "Ow! Have to watch that." He jerked it back and hit himself in the head with the barbed end. Instantly he returned to being human so he could rub his unintended injury. "Oh my God! Is that blood? Look at that! I'm bleeding." Hayden "Oh my God! only my idiot twin could knock himself out with his own tail. How stupid are you?" Edena
Sherrilyn Kenyon (Dragonbane (Dark-Hunter, #24; Lords of Avalon, #4; Were-Hunter, #8; Hellchaser, #7))
His punch knocked her back a meter into the wall. His fist had moved of his own volition, carrying a rage and frustration all its own. To his dismay, she didn’t fall. People so small as her always fell. No tears pooled in her eyes; instead they flared golden amber as she rubbed her jaw and pushed off the wall to stand rigid straight. A peculiar smile danced across her lips as blood trickled from the corner of her mouth and down her chin.
G.S. Jennsen (Vertigo (Aurora Rhapsody, #2))
Kallias is going to explode on me at any moment. He’ll have me thrown into prison until he decides on the proper day and manner for killing me. He’ll— Kallias laughs so loudly and abruptly, I nearly topple out of the armchair. He has his hands on his knees while his whole body shakes from the force of the laughter. What the devils? Did I break the king? He manages to straighten after a moment and look over at me, but then his face contorts and he’s back to uncontrollable laughter. I feel my limbs grow tight, my face grow hot, anger pooling into every muscle. “What the hell is wrong with you?” I snap, shouting over the top of his laughter. He wasn’t even this bad when he read Orrin’s love letter. He says something I can’t quite make out, then rubs tears from his eyes and tries again. “You killed him!” He throws his head back and laughs and laughs. And somehow, I know that I’m not in trouble. How can I be if he’s this jovial over the fact? I could deny it. Plead on my behalf. But Kallias isn’t stupid. Though the constable doesn’t have enough evidence to convict me, Kallias knows the truth of it. “I’ve an inclination to kill again,” I say, glaring at him. Kallias props himself up on the nearest wall of books, catching his breath. Once he’s calm, he strides over to me and places his gloved hands on either side of my head. “My little hellion. Quite the force to be reckoned with, aren’t you? Oh, say you’ll marry me, Alessandra!” I swallow, thoroughly confused. “You’re not going to hang me?” “Hang you?” he repeats, letting his hands fall to his sides. “The man did you wrong, Alessandra. Honestly, you’ve saved me the trouble of tracking him down and killing him myself.
Tricia Levenseller (The Shadows Between Us (The Shadows Between Us, #1))
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
Salman Rushdie (Fury)
Kurushima and Inonaka, however, had grown up sheltered in their housing-development capsules, never directly encountering any cold walls. For them, the walls of control were covered in velvet, beckoning them to come rub their cheeks against the soft surface obediently.
Masahiko Shimada
I hold the hands of people I never touch. I provide comfort to people I never embrace. I watch people walk into brick walls, the same ones over and over again, and I coax them to turn around and try to walk in a different direction. People rarely see me gladly. As a rule, I catch the residue of their despair. I see people who are broken, and people who only think they are broken. I see people who have had their faces rubbed in their failures. I see weak people wanting anesthesia and strong people who wonder what they have done to make such an enemy of fate. I am often the final pit stop people take before they crawl across the finish line that is marked: I give up. Some people beg me to help. Some people dare me to help. Sometimes the beggars and the dare-ers look the same. Absolutely the same. I'm supposed to know how to tell them apart. Some people who visit me need scar tissue to cover their wounds. Some people who visit me need their wounds opened further, explored for signs of infection and contamination. I make those calls, too. Some days I'm invigorated by it all. Some days I'm numbed. Always, I'm humbled by the role of helper. And, occasionally, I'm ambushed. ~ Stephen White "Critical Conditions
Stephen White (Critical Conditions (Alan Gregory, #6))
Glorious,' said Steerpike, 'is a dictionary word. We are all imprisoned by the dictionary. We choose out of that vast, paper-walled prison our convicts, the little black printed words, when in truth we need fresh sounds to utter, new enfranchised noises which would produce a new effect. In dead and shackled language, my dears, you *are* glorious, but oh, to give vent to a brand new sounds that might convince you of what I really think of you, as you sit there in your purple splendour, side by side! But no, it is impossible. Life is too fleet for onomatopoeia. Dead words defy me. I can make no sound, dear ladies, that is apt.' 'You could try,' said Clarice. 'We aren't busy.' She smoothed the shining fabric of her dress with her long, lifeless fingers. 'Impossible,' replied the youth, rubbing his chin. 'Quite impossible. Only believe in my admiration for your beauty that will one day be recognized by the whole castle. Meanwhile, preserve all dignity and silent power in your twin bosoms.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Extraordinary—that Willowdale Academy and Calvin Coolidge High School should both be institutions of learning! The contrast is stunning. I had a leisurely tea with the Chairman of the English Department. I saw several faculty members sitting around in offices and lounges, sipping tea, reading, smoking. Through the large casement windows bare trees rubbed cozy branches. (One of my students had written wistfully of a dream-school that would have "windows with trees in them"!) Old leather chairs, book-lined walls, air of cultivated casualness, sound of well-bred laughter.
Bel Kaufman (Up the Down Staircase)
Hi," she said. The gloomy interior of the car lit up with a warm green glow and the scent of sage filled the air. Virginia rubbed her forefinger and thumb together, and in the mirror, Josh saw a tiny ball of green energy appear. She flicked the ball at the motorcyclist. "You missed!" Dee snapped. "Here,let me..." "Patience,Doctor,patience," Virginia said. The rubber on the bike's front tire abruptly crumbled to black powder. Spokes collapsed, the wheel buckled and the bike careered across the road, the front forks scraping a shower of sparks from the concrete. Then the bike hit the low restraining wall on the bay side of the road and the rider was catapulted over it, disappearing without a sound. "Subtle,as always, Virginia," Dee said.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
I could have made analytical comparisons with kisses I’d had from other boys, trying to work out just why Gideon did it so much better. I might also have stopped to remember that there was a wall between us, and a confessional window through which Gideon had squeezed his head and arms, and these were not the ideal conditions for kissing. Quite apart from the fact that I could do without any more chaos in my life, after discovering only two days ago that I’d inherited my family’s time-traveling gene. The fact was, however, that I hadn’t been thinking anything at all, except maybe oh and hmm and more! That’s why I hadn’t noticed the flip-flop sensation inside me, and only new, when the little gargoyle folded his arms and flashed his eyes at me from his pew, only when I saw the confessional curtain—brown, although it had been green velvet a moment ago—did I work it out that meanwhile we’d traveled back to the present. “Hell!” Gideon moved back to his side of the confessional and rubbed the back of his head. Hell? I came down from cloud nine with a bump and forgot the gargoyle. “Oh, I didn’t think it was that bad,” I said, trying to sound as casual as possible. Unfortunately, I was rather breathless, which tended to spoil the effect. I couldn’t look Gideon in the eye, so instead I kept staring at the brown polyester curtain in the confessional.
Kerstin Gier
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
That was the rub of being human. You had all these tools to express yourself, art and music and poetry and stuff, but no one would ever truly know how you felt unless you somehow managed to create a projection of your brain and played it on a wall. Even then, it might not be as vivid. Even then, it might not be as close.
Savannah Brown (The Truth About Keeping Secrets)
Eyes on her, he rubbed his wet finger over her lower lip slowly, coating it with her moistness, then leaned forward, licking the juice he’d smeared there. Her walls clenched. “Ambrosia,
RuNyx (Gothikana)
Her womb from her body. Separation. Her clitoris from her vulva. Cleaving. Desire from her body. We were told that bodies rising to heaven lose their vulvas, their ovaries, wombs, that her body in resurrection becomes a male body. The Divine Image from woman, severing, immortality from the garden, exile, the golden calf split, birth, sorrow, suffering. We were told that the blood of a woman after childbirth conveys uncleanness. That if a woman's uterus is detached and falls to the ground, that she is unclean. Her body from the sacred. Spirit from flesh. We were told that if a woman has an issue and that issue in her flesh be blood, she shall be impure for seven days. The impure from the pure. The defiled from the holy. And whoever touches her, we heard, was also impure. Spirit from matter. And we were told that if our garments are stained we are unclean back to the time we can remember seeing our garments unstained, that we must rub seven substances over these stains, and immerse our soiled garments. Separation. The clean from the unclean. The decaying, the putrid, the polluted, the fetid, the eroded, waste, defecation, from the unchanging. The changing from the sacred. We heard it spoken that if a grave is plowed up in a field so that the bones of the dead are lost in the soil of the field, this soil conveys uncleanness. That if a member is severed from a corpse, this too conveys uncleanness, even an olive pit's bulk of flesh. That if marrow is left in a bone there is uncleanness. And of the place where we gathered to weep near the graveyard, we heard that planting and sowing were forbidden since our grieving may have tempted unclean flesh to the soil. And we learned that the dead body must be separated from the city. Death from the city. Wilderness from the city. Wildness from the city. The Cemetery. The Garden. The Zoological Garden. We were told that a wolf circled the walls of the city. That he ate little children. That he ate women. That he lured us away from the city with his tricks. That he was a seducer and he feasted on the flesh of the foolish, and the blood of the errant and sinful stained the snow under his jaws. The errant from the city. The ghetto. The ghetto of Jews. The ghetto of Moors. The quarter of prostitutes. The ghetto of blacks. The neighborhood of lesbians. The prison. The witch house. The underworld. The underground. The sewer. Space Divided. The inch. The foot. The mile. The boundary. The border. The nation. The promised land. The chosen ones.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
Almost daily I return to the high country. Mountain is shoulder: I rub against it and step forward. The hinge squeals, an arm lifts, a rock wall slides, and for a moment the mountain’s inner sanctum is revealed.
Gretel Ehrlich (Unsolaced: Along the Way to All That Is)
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
I remember one day - the day I had to leave after a month here alone. I had just had lunch in some small tratoria on the remotest part of the Fondamente Nuove, grilled fish and half a bottle of wine. With that inside, I set out for the place I was staying, to collect my bags and catch a vaporetto. I walked a quarter of a mile along the Fondamente Nuove, a small moving dot in that gigantic watercolor, and then turned right by the hospital of Giovanni e Paolo. The day was warm, sunny, the sky blue, all lovely. And with my back to the Fondamente and San Michele, hugging the wall of the hospital, almost rubbing it with my left shoulder and squinting at the sun, I suddenly felt : I am a cat. A cat that has just had a fish. Had anyone addressed me at that moment, I would have meowed. I was absolutely, animally happy. Twelve hours later, of course, having landed in New York, I hit the worst possible mess in my life - or the one that appeared that way at the time. Yet the cat in me lingered; had it not been for the cat, I'd be climbing the walls now in some expensive institution.
Joseph Brodsky (Watermark)
That was before Clay moved those big, warm hands up over her body, spreading one on her lower back while the other curved around her nape. The hold was so proprietary, so aggressive, it should’ve scared her into running in the other direction. Instead it sparked a darkly sexual heat in her, stoking her need past blazing. She melted into him, pressing her aching breasts against the solid wall of his chest. He purred into her mouth. Nipples shocked into sudden pleasure by the vibration, she pulled back. “You purr?” His smile was pure cat. “Only for you.” Any resistance she might’ve harbored to this dangerous, inevitable escalation in their relationship dissolved into a big fat pool at her feet. He was being charming. Clay did not do charm, not for anyone. Except, it seemed, her. She pressed a kiss to his jaw. “Stop being so sexy.” His smile widened and, sliding his hand from her nape to her hair, he tugged back her head so he could kiss her again. The embers in her stomach burst into flame as she realized she was rubbing her nipples against him. He didn’t seem to mind—he was doing that purring thing again.
Nalini Singh (Mine to Possess (Psy-Changeling, #4))
Septimus had no need to untie Spit Fyre as the dragon had already chewed his way through the rope. They followed Aunt Zelda and Jenna out the side door at the foot of the turret and down to the Palace Gate. Aunt Zelda kept up a brisk pace. Showing a surprising knowledge of the Castle’s narrow alleyways and sideslips, she hurtled along. Oncoming pedestrians were taken aback at the sight of the large patchwork tent approaching them at full speed. They flattened themselves against the walls, and, as the tent passed by with the Princess, the ExtraOrdinary Apprentice and a feral-looking boy with bandaged hands—not to mention a dragon—in its wake, people rubbed their eyes in disbelief.
Angie Sage (Flyte (Septimus Heap, #2))
Wrapping his good arm around her waist, he lifted her against him. He pushed his hard, aching cock against her belly, rubbing her nakedness through the barrier of his trousers. “Do you feel that?” Her gasp was more of a squeak. “Yes.” “I have a bad side, Emma. One that has nothing to do with my scars. You’ve no idea what I’d like to do to you. Push you against a wall. Drive my cock into your sweet, wet heat. Tup you senseless. Raw. So hard that you wouldn’t walk for days. And that’s only to start.” Heat sparked and crackled between them. Her nipples hardened, pressing against his chest like spear points. “Was that speech meant to put me off?” Her voice was breathless. “Because if so, I must tell you it backfired.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
He pushes me back against the wall, and I suck in a breath, dropping the loofah. His hand dives between my legs, and he lifts up my knee, opening me for him. He softly and slowly rubs my clit in circles, making me pulse and go weak in the knees.
Penelope Douglas (Birthday Girl)
My own walls caved. Tears trickled from the corner of my eyes. Then strong arms enveloped me. “Don’t cry.” Ben’s hot breath on my cheek. “We’ll find her. And the twins. I promise.” “Don’t make promises you can’t keep,” I hiccupped. “People always do that.” “I mean it.” Firmly spoken. “I won’t let us fail. Not at this.” The sobs broke free. I burrowed into Ben’s chest, letting everything go. I cried and cried and cried, unthinking, releasing a week’s worth of pent-up emotion in a few hot seconds. Ben held me, silent, softly rubbing my back. A thought floated from somewhere far away. This isn’t so bad. I pushed away, gently breaking Ben’s embrace. Looked into his eyes. His face was a whisper from mine. I thought of Ben’s confession during the hurricane. How he’d wanted to be more than just packmates. Emotions swirled in my chest, making me dizzy. Off balance. “Ben . . . I . . .” “Tory?” My father’s voice sent us flying apart as if electroshocked. Kit was descending the steps, an odd look on his face. “Yes?” Discreetly wiping away tears. I saw a thousand questions fill Kitt’s eyes, but, thankfully, he kept them shelved. “I hate to do this, kiddo, but Whitney’s party starts in an hour. She’s trying to be patient, but, frankly, that isn’t her strong suit.” “No. Right.” I stood, smoothing clothes and hair. “Mustn’t keep the Duchess waiting.” Kit frowned. “Say the word, and we cancel right now. No question.” “No, sorry. I was just being flip. It’s really fine.” Forced smile. “Might be just the thing.” “All right, then. We need to get moving.” Kit glanced at Ben, still sitting on the bench, striving for invisible. A smile quirked my father’s lips. “And you, Mr. Blue? Ready for a good ol’-fashioned backyard barbeque? My daughter will be there.” Ben’s uneasy smile was his only response.
Kathy Reichs (Exposure (Virals, #4))
I stood in silence where I was, for I did not know what to do. Of bell or knocker there was no sign; through these frowning walls and dark window openings it was not likely that my voice could penetrate. The time I waited seemed endless, and I felt doubts and fears crowding upon me. What sort of place had I come to, and among what kind of people? What sort of grim adventure was it on which I had embarked? Was this a customary incident in the life of a solicitor’s clerk sent out to explain the purchase of a London estate to a foreigner? Solicitor’s clerk! Mina would not like that. Solicitor—for just before leaving London I got word that my examination was successful; and I am now a full-blown solicitor! I began to rub my eyes and pinch myself to see if I were awake.
Bram Stoker (Dracula)
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
Elle Kennedy (The Mistake (Off-Campus, #2))
I put my back against the wall. I slide down to the floor. I imagine Ryan sitting next to me. I imagine him rubbing my back, the way he did when my grandfather died. I imagine him saying, "She's going to a better place. She's OK." I imagine the way my grandfather might have done this for my grandmother when she lost her own mom or her own grandmother. I imagine my grandmother sitting where I am now, my grandfather kneeling beside her, telling her all the things I want to be told. Holding her the way that only someone in particular can hold you. When I'm her age, when I'm lying in a hospital bed, ready to die, whom will I be thinking of? It's Ryan. It's always been Ryan. Just because I can live without him doesn't mean I want to. And I don't. I don't want to. I want to hear his voice. The way it is rough but sometimes smooth and almost soulful. I want to see his face, with his stubble from never shaving down to the skin. I want to smell him again. I want to hold the roughness of his hands. I want to feel the way they envelop mine, dwarfing them, making me feel small. I need my husband.
Taylor Jenkins Reid (After I Do)
I’m sorry,” she whispered, fixing her glasses. “I just, I saw them, and I saw you, and I thought—” I cut off the rest of her words with my hand behind her head, guiding her into me for another bruising kiss. This time, I pinned her against the wall, and she gasped when my abdomen rubbed along her center.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
The two of you well fed, tanned, pretty, Beg pardon folks, just passing through, through the cesspool your bad intentions and good intentions created, the sewage in which human beings must make lives for themselves swimming in centuries of your filth. What did you imagine yourselves doing. What do you imagine you're doing with me. What gives you the right to rub the privilege of your whiteness, your immunity, in dying people's faces. Slinking through a place so down and out even niggers with nothing to lose avoid it if they can. Dog-eat-dog back-of-the-wall and at night too. Who the fuck did you think you were. What kind of daydream were you strolling around in.
John Edgar Wideman (God's Gym: Stories)
BALLOONS Since Christmas they have lived with us, Guileless and clear, Oval soul-animals, Taking up half the space, Moving and rubbing on the silk Invisible air drifts, Giving a shriek and pop When attacked, then scooting to rest, barely trembling. Yellow cathead, blue fish--- Such queer moons we live with Instead of dead furniture! Straw mats, white walls And these traveling Globes of thin air, red, green, Delighting The heart like wishes or free Peacocks blessing Old ground with a feather Beaten in starry metals. Your small Brother is making His balloon squeak like a cat. Seeming to see A funny pink world he might eat on the other side of it, He bites, Then sits Back, fat jug Contemplating a world clear as water. A red Shred in his little fist. --written 5 Feburary 1963
Sylvia Plath (The Collected Poems)
The thigh pressing his legs apart rubbed side to side, massaging the growing bulge in his jeans. James groaned and bit down on one corner of his lower lip to hold back a startled yelp when the pressure increased to the point of near pain. "Does that feel good to you, baby? Like that? Like it slow and gentle?" He lessened the pressure and slipped a hand between them, thumbing open the buttons of James’ jeans as he talked. Finding nothing under them except heated flesh, he shoved his hand inside and grabbed James’ cock, dragging calluses and fingernails lightly over the sensitive organ. James squirmed and made a strangled, animal sound in the back of his throat. "No, you wouldn’t be on this side of town, in this bar, if gentle was what you were looking for. Maybe you want it a little rougher." He shoved his fingers down farther and captured the tight sac beneath. "A little harder." He massaged James, grinning at the increased squirming and guttural whimpers his heavy caress produced. "A little deeper." Kicking James’ legs farther apart, he slid two fingers behind the sac, tracing the thin ridge of sensitive flesh that led up to his opening. Without hesitation, he shoved both fingers into James’ body, twisting and stroking the hot, slippery walls of muscle within. A guttural gasp rewarded his efforts. He chuckled low and throaty, nudging James’ cheek with his nose, silently commanding him to look up until their eyes met. "You got yourself all ready for me, baby. All nice," the long agile fingers twisted roughly, "and slick," plunged deeper, "and tight.
Laura Baumbach
Shall we, my lady?" "You go on," she said coolly. "I need to speak to Mr. Pinter alone." Glancing from her to Jackson, the duke nodded. "I'll expect a dance from you later, my dear," he said with a smile that rubbed Jackson raw. "Of course." Her gaze locked with Jackson's. "I'd be delighted." The minute the duke was gone, however, any "delight" she was feeling apparently vanished. "How dare you interfere! You should be upstairs searching my suitors' rooms or speaking to their servants or something useful instead of-" "Do you realize what could have happened if I hadn't come along?" he snapped. "This room is private and secluded, with a nice hot stove keeping it cozy. All he would have had to do was lay you down on one of those damned benches that are everywhere and-" He caught himself. But not quickly enough. "And what?" she prodded. "I would have let him ravish me like the wanton I am?" Confound it all. "I wasn't saying that." "That's what it sounded like. Apparently you have some notion that I have no restraint, no ability to resist the attentions of a man I've known since childhood." "You have no idea what a man can do to a woman!" Jackson shouted. She paled. "It was just a kiss." He strode up to her, driven by a madness he couldn't control. "That's how it begins. A man like him coaxes you into a kiss, then a caress, then..." "I would never let it go beyond a kiss," she said in outrage. "What sort of woman do you think I am?" He backed her toward the wall. "The sort who is too trusting to realize what some men are really after. You can't control every situation, my lady. Some men take what they want, and there isn't a damned thing you can do about it." "I know more about the true nature of men than you think." She stopped short as she came up against the wall. "I can take care of myself." "Can you?" He thrust his hands against the wall on either side of her, trapping her. He thought of his mother and the heartbreak she'd endured because some nobleman had taken a fancy to her. A roiling sickness swamped him at the idea of Lady Celia ever suffering such a thing because she was too reckless and naïve to recognize that she was not invincible. Bending in close, he lowered his voice. "You really believe you can stop any man who wants to hurt you, no matter how strong and determined he is?" Challenge shone in her eyes. "Absolutely." It was time someone made her realize he vulnerability. "Prove it," he growled. Then he brought his mouth down on hers.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx
Holly Smale (Picture Perfect (Geek Girl, #3))
Sile looked momentarily stymied, then shook his head sharply. "You won't go alone." "I can't ask anyone--" "You aren't asking," Sile said firmly. "I'm insisting--" "Grandfather, nay," Runach said, stunned. "I couldn't allow it." "Allow it?" Sile repeated, looking as if the gale were readying for another good blow. "Who do you think you are, whelp, to tell me what to do?" "I believe, your Majesty," Aisling said quietly, "he's someone who loves you..." Runach didn't dare smile, because his grandfather would have made the effort to get up out of his chair so he could deliver a brisk blow to the back of a grandson's head, of that he was certain. "Besides, I'm going to go along to keep him safe." Sile closed his eyes briefly before he leaned forward and looked at Aisling seriously. "You, my gel?" "Me, Your Majesty." Runach watched his grandfather look at his wife in consternation. "Are you listening to this?" he asked in disbelief. "She isn't even spawn of mine, and yet she exhibits this unsettling 'independence'." "I find it quite admirable, husband." Runach pushed away from the wall and walked over to squat down by Aisling's chair. He looked up at her. "I want you to stay here." She looked at him for a moment or two, then reached out and touched his scarred cheek. "This is my quest, and I must see it through to the end, wherever that end might lie." "I'll think about it," he said, and by that he meant not a chance in hell. He rose and glanced at his grandfather. "I appreciate your concern, but I'm going alone." Sile rubbed his hands over his face. "Breagha?" "Aye, my love?" "When did I lose control over my progeny?" "Several centuries ago, I believe, dear." "It seems more recent than that." "I don't think so, darling.
Lynn Kurland (River of Dreams (Nine Kingdoms, #8))
The Hotel dining-room, like most of the others I was to find in the Highlands, had its walls covered with pictures of all sorts of wild game, living or in the various postures of death that are produced by sport. Between these pictures the walls were alert with the stuffed heads of deer, furnished with antlers of every degree of magnificence. A friend of mine has a theory that these pictures of dying birds and wounded beasts are intended to whet the diner's appetite, and perhaps they did in the more lusty age of Victoria; but I found they had the opposite effect on me, and had to keep my eyes from straying too often to them. In one particular hotel this idea was carried out with such thoroughness that the walls of its dining room looked like a shambles, they presented such an overwhelming array of bleeding birds, beasts and fishes. To find these abominations on the walls of Highland hotels, among a people of such delicacy in other things, is peculiarly revolting, and rubs in with superfluous force that this is a land whose main contemporary industry is the shooting down of wild creatures; not production of any kind but wholesale destruction. This state of things is not the fault of the Highlanders, but of the people who have bought their country and come to it chiefly to kill various forms of life.
Edwin Muir (Scottish Journey)
His mouth closed, his tongue moved, and Lexi’s mind disintegrated in pleasure. Jax didn’t just use a flick of his tongue or a little suckle of his lips. Jax ate her. He used his entire mouth in a fervent attack, taking her in, licking and stroking every inch of her until she thought she’d come apart, only to stop just before she exploded and slowly suck her out of his mouth. He stroked her with his hand, separated her with his fingers, then dove back in with his full, open mouth, repeating the exquisite torture until she was writhing against the wall, panting his name. “You wanted me to savor you…inside…little Lexi.” He released her hips. “Let everything go and ride my mouth.” When he put his mouth back to her this time, he thrust his tongue up inside her. “Oh fuck.” She grabbed the corner of the wall with one hand, his head with the other, and let his hands guide her hips to his mouth. He pulled her hips forward each time he drove his tongue inside, then held her against his mouth while he stroked and sucked. “Jax.” It was too much. Too damn much. It was crazy, amazing, blistering pleasure. “Jax. Jax.” He thrust into her, hummed, and rubbed his face against her pussy. The friction sent her skyward, and she splintered. Pleasure knifed through every part of her body, filling, overflowing, then bursting.
Skye Jordan (Reckless (Renegades, #1))
The city loomed out of the landscape like a fortress. I saw what walls we build against the prairie, how timidly we huddle together, how effectively we close off its vastness of space and make for ourselves another space of more human proportions. Nearly every inch of land [along my 600 mile drive] had been painstakingly turn over, furrow by furrow. It seemed some unknowable comment on the human spirit that we should, despite our walls, have turned ourselves into an army of Lady Macbeths, rubbing out so relentlessly such a terrible space.
Paul Gruchow (Journal of a Prairie Year)
But once in a while I get a kid like you who wants to know the point of all this.” “And what do you tell them?” “That telling someone your sins… actually telling someone your sins is like admitting you are flawed.” “You think we don’t know we’re flawed? Why does that need to be rubbed in our faces all the time?” “Would you accept it if I told you that it’s just another way to communicate with God?” “And if I don’t believe in God?” “Then use the time to think about the kind of person you want to be. And at the very least believe in yourself.
Julia Walton (Words on Bathroom Walls)
Hey, baby,” Chelsea said in a voice that bordered on baby talk as Mike bent down to give her a quick kiss. “Miss me?” Violet almost rolled her eyes. “I thought about you all period,” he answered, his voice husky. “Did you get the note I left in your backpack?” Violet couldn’t hold back any longer; she rolled her eyes. Neither of them noticed. “I did. You’re so sweet.” The cooing verged on sickening. “Did anyone say anything about your mustache?” Mike winced, as if he suddenly remembered the patchy hair on his upper lip. “A coupla’ people,” he reluctantly responded, and Violet suspected that he’d taken his hair share of ribbing over it. Chelsea ignored the obvious distress in his voice. “Vi and I gotta run or we’ll be late.” She stretched up to kiss him and then rubbed her thumb across the hairs above his lip as if she were petting them. “See you after class.” Chelsea tugged at Violet, who was still staring at his unsightly mustache. It was like seeing a car accident…hard to look away. “So do you? Like it, I mean?” Violet asked as she was being dragged down the hallway. “The mustache?” Chelsea grimaced. “God, no. It’s hideous on him.” “Then, why?” “I told you, to see if he’d actually do it. Don’t worry. I’m gonna make him shave it this weekend.” Violet wasn’t sure whether to congratulate her friend on her training abilities or reprimand her for being so cruel. In the end, she didn’t do either, mostly because she knew it wouldn’t make any difference. Chelsea was Chelsea. Trying to convince her that what she’d done was wrong would be like banging your head against a brick wall. It would be painful to you but accomplish nothing.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
The day came: a Monday at the end of September. The night before he had realized that it was almost exactly a year since the beating, although he hadn’t planned it that way. He left work early that evening. He had spent the weekend organizing his projects; he had written Lucien a memo detailing the status of everything he had been working on. At home, he lined up his letters on the dining room table, and a copy of his will. He had left a message with Richard’s studio manager that the toilet in the master bathroom kept running and asked if Richard could let in the plumber the following day at nine – both Richard and Willem had a set of keys to his apartment – because he would be away on business. He took off his suit jacket and tie and shoes and watch and went to the bathroom. He sat in the shower area with his sleeves pushed up. He had a glass of scotch, which he sipped at to steady himself, and a box cutter, which he knew would be easier to hold than a razor. He knew what he needed to do: three straight vertical lines, as deep and long as he could make them, following the veins up both arms. And then he would lie down and wait. He waited for a while, crying a bit, because he was tired and frightened and because he was ready to go, he was ready to leave. Finally he rubbed his eyes and began. He started with his left arm. He made the first cut, which was more painful than he had thought it would be, and he cried out. Then he made the second. He took another drink of the scotch. The blood was viscous, more gelatinous than liquid, and a brilliant, shimmering oil-black. Already his pants were soaked with it, already his grip was loosening. He made the third. When he was done with both arms, he slumped against the back of the shower wall. He wished, absurdly, for a pillow. He was warm from the scotch, and from his own blood, which lapped at him as it pooled against his legs – his insides meeting his outsides, the inner bathing the outer. He closed his eyes. Behind him, the hyenas howled, furious at him. Before him stood the house with its open door. He wasn’t close yet, but he was closer than he’d been: close enough to see that inside, there was a bed where he could rest, where he could lie down and sleep after his long run, where he would, for the first time in his life, be safe.
Hanya Yanagihara (A Little Life)
Think about two young adults who go to college. One is brilliant, a genius who floats above her colleagues like a cirrus cloud, the other is merely a plodder: dogged, determined, competent. Throughout their education, the genius has always been able to leap obstacles as though they’re not there while the plodder has, through necessity, learned patiently to climb walls. One day, say in the second year of their Ph.D. programme, that genius will come across a wall so high even she can’t jump it. But she doesn’t know how to climb. The plodder, on the other hand, rubs his hands, checks his equipment, and starts hammering in the first piton. Who do you think will reach the top first?
Nicola Griffith (The Blue Place (Aud Torvingen, #1))
Tell me something else instead. Tell me what you’re looking forward to most about going to school here.” “You go first. What are you most excited about?” Right away, Peter says, “That’s easy. Streaking the lawn with you.” “That’s what you’re looking forward to more than anything? Running around naked?” Hastily I add, “I’m never doing that, by the way.” He laughs. “It’s a UVA tradition. I thought you were all about UVA traditions.” “Peter!” “I’m just kidding.” He leans forward and puts his arms around my shoulders, rubbing his nose in my neck the way he likes to do. “Your turn.” I let myself dream about it for a minute. If I get in, what am I most looking forward to? There are so many things, I can hardly name them all. I’m looking forward to eating waffles every day with Peter in the dining hall. To us sledding down O-Hill when it snows. To picnics when it’s warm. To staying up all night talking and then waking up and talking some more. To late-night laundry and last-minute road trips. To…everything. Finally I say, “I don’t want to jinx it.” “Come on!” “Okay, okay…I guess I’m most looking forward to…to going to the McGregor Room whenever I want.” People call it the Harry Potter room, because of the rugs and chandeliers and leather chairs and the portraits on the wall. The bookshelves go from the floor to the ceiling, and all of the books are behind metal grates, protected like the precious objects they are. It’s a room from a different time. It’s very hushed--reverential, even. There was this one summer--I must have been five or six, because it was before Kitty was born--my mom took a class at UVA, and she used to study in the McGregor Room. Margot and I would color, or read. My mom called it the magic library, because Margot and I never fought inside of it. We were both quiet as church mice; we were so in awe of all the books, and of the older kids studying. Peter looks disappointed. I’m sure it’s because he thought I would name something having to do with him. With us. But for some reason, I want to keep those hopes just for me for now. “You can come with me to the McGregor Room,” I say. “But you have to promise to be quiet.” Affectionately Peter says, “Lara Jean, only you would look forward to hanging out in a library.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I’m your friend now,” she told Harley as she massaged his neck and shoulders. “I have plenty of soul to spare. I’m rubbing it into you right now, can you tell?” She was kneading his lower back with her knuckles, and Harley nodded because the warmth was spreading. Pumpkin was making her way into his heart, lighting the corners of his empty soul with a red-gold flame. “You won’t be alone now,” Pumpkin crooned. “I’m part of you, like it or not.” And Harley could sleep. He could close his eyes without spinning away in darkness. He though that sleeping beside Pumpkin must be better than Frank Pike’s crazy sex adventures, but he would keep her a secret. He would keep her locked in that little chamber she’d reached with her fingers through the very walls of his back.
Susan Power (The Grass Dancer)
There are moments of silence and smiles and breaths taken away from the chest, wherein you truly feel a deep understanding for your position in your life, in this world, and within the walls of yourself that you call bones and tissue. You madly understand yourself (your thoughts, your desires, what you want to be living for, really) and it's amazing because it is within those moments where you will come to see how very few people should actually be important to your heart and to your path: because your heart and your path are glorious and different and breathtaking and not everyone belongs there with you. We all often feel pangs of loneliness and we clamour to hold onto other people because it has not yet dawned on us, that not everyone we wish to hold onto will fit on our paths with us. If you could come to an understanding of your own space, and what it means to occupy that space, then you would come to know, and to feel, and to realise, that we are not lonely in our hearts because others do not occupy with us; rather, we are painfully lonely in our hearts because we do not occupy our own skin. We do not occupy our own souls. We do not occupy the space we've been given by our own dreams, desires, longings... what makes you cry? What makes you laugh? It doesn't matter if you're the only one who cries or who laughs! What matters is that you fill up your space so full that your soul rubs up against your bones and pushes up against just below the surface of your skin. You will never be lonely, we would never be lonely, if we knew to occupy all that we are!
C. JoyBell C.
hot and close. The walls were hung with deep-dyed tapestries and old weapons kept gleaming by servants. Achilles walked past them and knelt at his father’s feet. “Father, I come to ask your pardon.” “Oh?” Peleus lifted an eyebrow. “Speak then.” From where I stood his face looked cold and displeased. I was suddenly fearful. We had interrupted; Achilles had not even knocked. “I have taken Patroclus from his drills.” My name sounded strange on his lips; I almost did not recognize it. The old king’s brows drew together. “Who?” “Menoitiades,” Achilles said. Menoitius’ son. “Ah.” Peleus’ gaze followed the carpet back to where I stood, trying not to fidget. “Yes, the boy the arms-master wants to whip.” “Yes. But it is not his fault. I forgot to say I wished him for a companion.” Therapon was the word he used. A brother-in-arms sworn to a prince by blood oaths and love. In war, these men were his honor guard; in peace, his closest advisers. It was a place of highest esteem, another reason the boys swarmed Peleus’ son, showing off; they hoped to be chosen. Peleus’ eyes narrowed. “Come here, Patroclus.” The carpet was thick beneath my feet. I knelt a little behind Achilles. I could feel the king’s gaze on me. “For many years now, Achilles, I have urged companions on you and you have turned them away. Why this boy?” The question might have been my own. I had nothing to offer such a prince. Why, then, had he made a charity case of me? Peleus and I both waited for his answer. “He is surprising.” I looked up, frowning. If he thought so, he was the only one. “Surprising,” Peleus echoed. “Yes.” Achilles explained no further, though I hoped he would. Peleus rubbed his nose in thought. “The boy is an exile with a stain upon him. He will add no luster to your reputation.” “I do not need him to,” Achilles said. Not proudly or boastfully. Honestly. Peleus acknowledged this. “Yet other boys will be envious that you have chosen such a one. What will you tell them?” “I will tell them nothing.” The answer came with no hesitation, clear and crisp. “It is not for them to say what I will do.” I found my pulse beating thickly in my veins, fearing Peleus’ anger. It did not come. Father and son met each other’s gaze, and the faintest touch of amusement bloomed at the corner of Peleus’ mouth. “Stand up, both of you.” I did so, dizzily. “I pronounce your sentence. Achilles, you
Madeline Miller (The Song of Achilles)
How long could we remain true to the girls? How long could we keep their memory pure? As it was, we didn’t know them any longer, and their new habits - of opening windows, for instance, to throw out a wadded paper towel - made us wonder if our vigilance had been only the fingerprinting of phantoms. Our talismans ceased to work. Lux’s tartan, when touched, summoned only a hazy memory of her wearing it in class - one bored hand fiddling with the silver kilt pin, undoing it, leaving the folds unfastened on her bare knees, about to fall open any minute but never… We had to rub the skirt for minutes to see it clearly. And every other slide in our carousel began to fade in the same way, or we clicked and absolutely nothing fell into the projection slot, leaving us staring at goose bumps on a white wall.
Jeffrey Eugenides (The Virgin Suicides)
Anything . . . supernatural?” I asked. “No. Yes.” Jackaby rubbed his eyes. “Everything. The walls, the floor, even the ceiling . . .” “What?” I said. “Ha!” He shook his head and spun in place, marveling at the dark, dusty cobwebs hanging over us. “It’s been scrubbed clean, every inch.” I looked around. “This might be why you and Jenny rarely see eye to eye about housekeeping,” I said. “Not scrubbed clean of dust or droppings,” he said. “There are plenty of those, of course.” I decided not to look too closely for confirmation about the droppings. “Scrubbed clean of magical residue. I can’t pick out any unique otherworldly auras in this space.” “Couldn’t that just mean that this place doesn’t have any?” “Hardly. When you were young, did you ever spill red wine on your parents’ carpet?” I blinked. “Er—yes? I knocked a bottle of merlot off of the table once.” “And what did your mother do to clean it up?” “Nothing. My mother never did the cleaning. She always had a maid handle that sort of thing.” “Precisely—white vinegar! Nothing better for a stain. Except that the carpet is never quite like it used to be, is it? Even if you can’t see the red anymore, there’s always something about that spot. It’s a little too clean for the rest of the rug, and it keeps that lingering vinegar smell, right? Now a healthy suspension of sodium bicarbonate might help with that, but there’s always something left behind.” “You know a lot about cleaning carpets for someone whose floor looks like a topical map of the East Indies.” “I know the Viennese waltz, too, but I don’t waste my time doing it every day. Focus, Rook. 
William Ritter (Ghostly Echoes (Jackaby, #3))
She was confusing me. This was my tragedy. Why were we talking about her? “I’d get there and people would stare at me,” I said. “Look at me!” “Look at me!” she shot back. She pointed accusingly at herself in the full-length mirror. Her hair looked wilty. Her bottom lip sagged. “I’m thirty-eight years old and still living with my mother. I’ve wanted to get away from that woman all my life. And here it is, ten-thirty at night. I’m tired, Dolores. I just want to go to bed. But instead, I’m on my way to work, dressed up like . . . one of the goddamned Andrews sisters.” In the mirror, we shared a smile. I wanted to reach over and rub her back, tell her I loved her. I opened my mouth to say it, but something else came out. “What if I get so depressed down there that I slit my wrists? They could call here and say they found me in a pool of blood.” “Oh for Christ’s sweet sake!” Her hairbrush flew past me and hit the wall. She slammed into the bathroom, banging the medicine-cabinet door once, twice, three times. Tap water ran for several minutes. When she came back, her eyes were red. She bent over and picked up the brush, picked strands of hair from the bristles. “You don’t want to go to college? Don’t go. I can’t keep this up. I thought I could, but I can’t.” “I’ll get a job,” I said. “Maybe I’ll go on a diet. I’m sorry.” “You’re sorry, I’m sorry, everybody’s sorry,” she sighed. “Write that girl a letter. Don’t let her get stuck with those bedspreads.” I stopped her as she headed for the stairs. “Ma?” I said. She turned and faced me and I saw, in her eyes, the dazed woman she’d been those first days when she’d returned from the mental hospital years before. “Goddamnit, Dolores,” she said. “You’ve made me so goddamned tired.” Then she was down the stairs and out the door.
Wally Lamb (She's Come Undone)
No one ever understood what got into us that year, or why we hated so intensely the crust of dead bugs over our lives. Suddenly, however, we couldn't bear the fish flies carpeting our swimming pools, filling our mailboxes, blotting out stars on our flags. The collective action of digging the trench led to cooperative sweeping, bag-carting, patio-hosing. A score of brooms kept time in all directions as the pale ghosts of fish flies dropped from walls like ash. We examined their tiny wizards' faces, rubbing them between our fingers until they gave off the scent of carp. We tried to light them but they wouldn't burn (which made the fish flies seem deader than anything). We hit bushes, beat rugs, turned on windshield wipers full blast. Fish flies clogged sewer grates so that we had to stuff them down with sticks. Crouching over sewers, we could hear the river under the city flowing away. We dropped rocks and listened for the splash
Jeffrey Eugenides (The Virgin Suicides)
She could be in a warehouse, someone’s home. She might not even be in Kerch anymore. It didn’t matter. She was Inej Ghafa, and she would not quiver like a rabbit in snare. Wherever I am, I just have to get out. She’d managed to nudge her blindfold down by scraping her face against the wall. The room was pitch-black, and all she could hear in the silence was her own rapid breathing as panic seized her again. She’d leashed it by controlling her breath, in through the nose, out through the mouth, letting her mind turn to prayer as her Saints gathered around her. She imagined them checking the ropes at her wrists, rubbing life into her hands. She did not tell herself she wasn’t afraid. Long ago, after a bad fall, her father had explained that only fools were fearless. We meet fear, he’d said. We greet the unexpected visitor and listen to what he has to tell us. When fear arrives, something is about to happen. Inej intended to make something happen.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
You should give him a picture of you to keep him company, if you know what I mean.” She frowns at me. “Do you know what I mean?” “Like, a sexy picture? No way!” I start backing away from her. “Look, I’ve gotta go to class.” The last thing I want to do is think about Peter and random girls. I’m still trying to get used to the idea that we won’t be together at UVA this fall. Chris rolls her eyes. “Calm down. I’m not talking about a nudie. I would never suggest that for you of all people. What I’m talking about is a pinup-girl shot, but not, like, cheesy. Sexy. Something Kavinsky can hang up in his dorm room.” “Why would I want him to hang up a sexy picture of me in his dorm room for all the world to see?” Chris reaches out and flicks me on the forehead. “Ow!” I shove her away from me and rub the spot where she flicked me. “That hurt!” “You deserved it for asking such a dumb question.” She sighs. “I’m talking about preventative measures. A picture of you on his wall is a way for you to mark your territory. Kavinsky’s hot. And he’s an athlete. Do you think other girls will respect the fact that he’s in a long-distance relationship?” She lowers her voice and adds, “With a Virgin Mary girlfriend?” I gasp and then look around to see if anyone heard. “Chris!” I hiss. “Can you please not?” “I’m just trying to help you! You have to protect what’s yours, Lara Jean. If I met some hot guy in Costa Rica with a long-distance gf who he wasn’t even sleeping with? I don’t think I’d take it very seriously.” She gives me a shrug and a sorry-not-sorry look. “You should definitely frame the picture too, so people know you’re not someone to mess with. A frame says permanence. A picture taped on a wall says here today, gone tomorrow.” I chew on my bottom lip thoughtfully. “So maybe a picture of me baking, in an apron--” “With nothing underneath?” Chris cackles, and I flick her forehead lightning quick. “Ow!” “Get serious then!
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The abbe then showed Dantes the sketch he had made for their escape. It consisted of a plan of his own cell and that of Dantes, with the passage which united them. In this passage he proposed to drive a level as they do in mines; this level would bring the two prisoners immediately beneath the gallery where the sentry kept watch; once there, a large excavation would be made, and one of the flag-stones with which the gallery was paved be so completely loosened that at the desired moment it would give way beneath the feet of the soldier, who, stunned by his fall, would be immediately bound and gagged by Dantes before he had power to offer any resistance. The prisoners were then to make their way through one of the gallery windows, and to let themselves down from the outer walls by means of the abbe’s ladder of cords. Dantes’ eyes sparkled with joy, and he rubbed his hands with delight at the idea of a plan so simple, yet apparently so certain to succeed. That
Alexandre Dumas (The Count of Monte Cristo)
The second Ramón closed the door, he pushed Julieta against the wall. His hands gripped her waist, and he pulled off her bikini bottoms. He loved eating her pussy. "Ramón!" She was so wet. She moaned as he devoured her. Once she was right where he wanted her, Ramón stopped. He grabbed a condom, slipped it over his cock, and turned her around so her hands were against the wall. He removed her bikini top, then squeezed her incredible ass. She was naked except for her mesh coverup, which was the sexiest thing he had ever seen. He rubbed her pussy again, and she was so wet, so ready for him. Ramón teased her with the tip of his cock. "Please, just fuck me." He slowly slid in and reached around and rubbed her clit. She moaned as she pressed her ass back against him. Ramón was in heaven inside her. He fucked her harder and harder, and she was so loud. "Ay, Dios mío. Don't stop." He squeezed her nipple while working her clit, until her pussy clamped around him. She came, and Ramón did, too.
Alana Albertson (Ramón and Julieta (Love & Tacos, #1))
When he climbed back on the bed, Michaels was abruptly flipped over onto his stomach. “Yes,” he breathed. He was so used to doing the handling himself, he didn’t mind Judge taking over for a while. He heard Judge spit against his hole and aggressively rub it in, pushing his thick middle finger in, working his walls. He spit again and Michaels’ dick jerked at the sexiness of the vulgar sound and then the way Judge rubbed his saliva into his skin. He had the lube… why was he spitting on him? Oh my god. This is new. Judge was into spit, huh? Oh, very nice. Michaels wasn’t against that in the least. He imagined Judge fucking him face to face, Michaels opening his mouth begging for his spit…. “I’m ready. I’m fuckin’ ready.” Michaels hurried Judge. His cock was about to bust and he wasn’t even touching it. He reached his hand behind him and rubbed the warm moisture against his hole, spreading it onto his ass, and showing Judge that he liked this, liked bathing in his spit, liked it a lot. He heard Judge groan and swear behind him. Michaels
A.E. Via (Don't Judge (Nothing Special, #4))
THE sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow, spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woollen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp reused it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue fingerprint of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.
Virginia Woolf (The Waves)
There are no standards in this process because it’s a contractual obligation. All I care about is finding someone who’s practical, fertile, and has a face considered proportionate enough to be deemed attractive.”  Cal grins. “With that kind of charm, I bet you’ll be walking down the aisle in no time.”  Declan shoots a withering glare into the camera.  “Will I be your best man? Before you decide, think about it. Rowan wouldn’t know the first thing about planning a bachelor party. He considers puffing cigars at your house a good time.” “That’s because it is a good time.”  “Think about it. I’m talking Vegas. Buffets. Strip clubs. Casinos.” Cal ticks off each on his fingers.  “If you’re trying to sell me on this, you lost me at Vegas.”  I laugh. “Declan’s happy place happens to be the four walls of his home.”  Cal rubs his stubbled chin. “Okay. I’ll compromise and bring Vegas to you.”  “Neither of you will be my best man because I’m eloping.”  Cal scoffs. “You and Rowan are so boring it’s no wonder you get along so well. Only you would skip out on a massive party to elope.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
Nick tugged her head back, his tormented gaze raking over her face. His trembling fingertips traced the line of her cheek and jaw. “My God. Lottie…” As his panicked exploration continued, he discovered the bruises on her throat, and he uttered a cry of fury. “Holy hell! Your neck. He dared to… I’m going to slaughter that bastard—” Lottie placed her fingers over his mouth. “I’m all right,” she said gently. Feeling the way his large body shook, she drew her hand over his chest in a calming stroke. After the traumatic events of the past hours, it was so wonderful to be with him that her lips curved in a wobbly smile. She gazed into his dusty, sweat-streaked face with concern. “In fact, I believe I may be in better condition than you, my darling.” A primitive groan came from his throat, and he clutched her with his right arm, bending over her hungrily. “I love you,” he said in a low, shaken voice. “I love you so much, Lottie.” His lips covered hers in a fiercely ardent kiss. Clearly he was too unsettled to recall that there were others in the room. Lottie turned her face away with a muffled laugh. “I love you, too,” she whispered. “Not here, darling. Later, with more privacy, we can—” She was silenced as Nick seized her mouth once more. Suddenly she found herself pushed up against the wall by six feet of aroused, overwrought male. Realizing that there was no hope of subduing him, Lottie stroked his broad back in an effort to soothe him. He possessed her with deep, fervent kisses, while his lungs worked so violently that she could feel his rib cage expanding with each breath. She tried to comfort him, gently rubbing the back of his neck as his mouth worked roughly over hers. His breath came in ragged shivers, and in between kisses he breathed her name as if it were a prayer. “Lottie… Lottie…” Each time she tried to answer, he dove for her mouth again. “Sydney,” Sir Grant said after some prolonged throat-clearing had failed to capture his attention. “Ahem. Sydney…” After a long time, Nick finally lifted his head. Lottie pushed at his chest, making him loosen his grip on her. Red-faced and breathless, she saw that Sayer had developed a keenly absorbing interest in the weather outside the window, while Daniel had excused himself to wait outside.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
The rock came loose, but Jake’s satisfied grunt turned into a howl of outraged pain as a set of huge teeth in the next stall clamped into Jake’s ample rear end. “You vicious bag of bones,” he shouted, jumping to his feet and throwing himself half over the rail in an attempt to land a punch on Attila’s body. As if the horse anticipated retribution, he sidled to the edge of his stall and regarded Jake from the corner of his eye with an expression that looked to Jake like complacent satisfaction. “I’ll get you for that,” Jake promised, and he started to shake his fist when he realized how absurd it was to threaten a dumb beast. Rubbing his offended backside, he turned to Mayhem and carefully put his own rump against the outside wall of the barn. He checked the hoof to make certain it was clean, but the moment his fingers touched the place where the rock had been lodged the chestnut jerked in pain. “Bruised you, did it?” Jake said sympathetically. “It’s not surprisin’, considering the size and shape of the rock. But you never gave a sign yesterday that you were hurtin’,” he continued. Raising his voice and infusing it with a wealth of exaggerated admiration, the patted the chestnut’s flank and glanced disdainfully at Attila while he spoke to Mayhem. “That’s because you’re a true aristocrat and a fine, brave animal-not a miserable, sneaky mule who’s not fit to be your stallmate!” If Attila cared one way or another for Jake’s opinion, he was disappointingly careful not to show it, which only made Jake’s mood more stormy when he stomped into the cottage. Ian was sitting at the table, a cup of steaming coffee cradled between his palms. “Good morning,” he said to Jake, studying the older man’s thunderous frown. “Mebbe you think so, but I can’t see it. Course, I’ve spent the night freezin’ out there, bedded down next to a horse that wants to make a meal of me, and who broke his fast with a bit of my arse already this mornin’. And,” he finished irately as he poured coffee from the tin pot into an earthenware mug and cast a quelling look at his amused friend, “your horse is lame!” Flinging himself into the chair beside Ian, he gulped down the scalding coffee without thinking what he was doing; his eyes bulged, and sweat popped out on his forehead. Ian’s grin faded. “He’s what?” “Picked up a rock, and he’s favoring his left foreleg.” Ian’s chair legs scraped against the wooden floor as he shoved his chair back and started to go to the barn. “There’s no need. It’s just a bruise.
Judith McNaught (Almost Heaven (Sequels, #3))
While I was walking up the stairs, though, all of a sudden I thought I was going to puke again. Only, I didn’t. I sat down for a second, and then I felt better. But while I was sitting down, I saw something that drove me crazy. Somebody’d written “Fuck you” on the wall. It drove me damn near crazy. I thought how Phoebe and all the other little kids would see it, and how they’d wonder what the hell it meant, and then finally some dirty kid would tell them—all cockeyed, naturally—what it meant, and how they’d all think about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever’d written it. I figured it was some perverty bum that’d sneaked in the school late at night to take a leak or something and then wrote it on the wall. I kept picturing myself catching him at it, and how I’d smash his head on the stone steps till he was good and goddam dead and bloody. But I knew, too, I wouldn’t have the guts to do it. I knew that. That made me even more depressed. I hardly even had the guts to rub it off the wall with my hand, if you want to know the truth. I was afraid some teacher would catch me rubbing it off and would think I’d written it. But I rubbed it out anyway, finally. Then I went on up to the principal’s office.
J.D. Salinger (The Catcher in the Rye)
Until that moment Elizabeth wouldn’t have believed she could feel more humiliated than she already did. Robbed of even the defense of righteous indignation, she faced the fact that she was the unwanted gest of someone who’d made a fool of her not once but twice. “How did you get here? I didn’t hear any horses, and a carriage sure as well can’t make the climb.” “A wheeled conveyance brought us most of the way,” she prevaricated, seizing on Lucinda’s earlier explanation, “and it’s gone on now.” She saw his eyes narrow with angry disgust as he realized he was stuck with them unless he wanted to spend several days escorting them back to the inn. Terrified that the tears burning the backs of her eyes were going to fall, Elizabeth tipped her head back and turned it, pretending to be inspecting the ceiling, the staircase, the walls, anything. Through the haze of tears she noticed for the first time that the place looked as if it hadn’t been cleaned in a year. Beside her Lucinda glanced around through narrowed eyes and arrived at the same conclusion. Jake, anticipating that the old woman was about to make some disparaging comment about Ian’s house, leapt into the breach with forced joviality. “Well, now,” he burst out, rubbing his hands together and striding forward to the fire. “Now that’s all settled, shall we all be properly introduced? Then we’ll see about supper.” He looked expectantly at Ian, waiting for him to handle the introductions, but instead of doing the thing properly he merely nodded curtly to the beautiful blond girl and said, “Elizabeth Cameron-Jake Wiley.” “How do you do, Mr. Wiley,” Elizabeth said. “Call me Jake,” he said cheerfully, then he turned expectantly to the scowling duenna. “And you are?” Fearing that Lucinda was about to rip up at Ian for his cavalier handling of the introductions, Elizabeth hastily said, “This is my companion, Miss Lucinda Throckmorton-Jones.” “Good heavens! Two names. Well, no need to stand on formality, since we’re going to be cooped up together for at least a few days! Just call me Jake. What shall I call you?” “You may call me Miss Throckmorton-Jones,” she informed him, looking down the length of her beaklike nose. “Er-very well,” he replied, casting an anxious look of appeal to Ian, who seemed to be momentarily enjoying Jake’s futile efforts to create an atmosphere of conviviality. Disconcerted, Jake ran his hands through his disheveled hair and arranged a forced smile on her face. Nervously, he gestured about the untidy room. “Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?
Judith McNaught (Almost Heaven (Sequels, #3))
You’re the one who didn’t keep his word. And speaking of your word and its dubious worth, don’t change the subject. I saw the looks you and Miss Turner were exchanging. The lady goes bright pink every time you speak to her. For God’s sake, you put food on her plate without even asking.” “And where’s the crime in that?” Gray was genuinely curious to hear the answer. He hadn’t forgotten that shocked look she’d given him. “Come on, Gray. You know very well one doesn’t take such a liberty with a mere acquaintance. It’s…it’s intimate. The two of you are intimate. Don’t deny it.” “I do deny it. It isn’t true.” Gray took another swig from his flask and wiped his mouth with the back of his hand. “Damn it, Joss. Sooner or later, you’re going to have to trust me. I gave you my word. I’ve kept it.” And it was the truth, Gray told himself. Yes, he’d touched her tonight, but he’d never pledged not to touch her. He had kept his word. He hadn’t bedded her. He hadn’t kissed her. God, what he wouldn’t give just to kiss her… He rubbed the heel of his hand against his chest. That same ache lingered there-the same sharp tug he’d felt when she’d brought her foot down on his and pursed her lips into a silent plea. Please, she’d said. Don’t. As if she appealed to his conscience. His conscience. Where would the girl have gathered such a notion, that he possessed a conscience? Certainly not form his treatment of her. A bitter laugh rumbled through his chest, and Joss shot him a skeptical look. “Believe me, I’ve scarcely spoken to the girl in weeks. You can’t know the lengths I’ve gone to, avoiding her. And it isn’t easy, because she won’t stay put in her cabin, now will she? No, she has to go all over the ship, flirting with the crew, tacking her little pictures in every corner of the boat, taking tea in the galley with Gabriel. I can’t help but see her. And I can see she’s too damn thin. She needs to eat; I put food on her plate. There’s nothing more to it than that.” Joss said nothing, just stared at him as though he’d grown a second head. “Damn it, what now? Don’t you believe me?” “I believe what you’re saying,” his brother said slowly. “I just can’t believe what I’m hearing.” Gray folded his arms and leaned against the wall. “And what are you hearing?” “I wondered why you’d done all this…the dinner. Now I know.” “You know what?” Gray was growing exasperated. Most of all, because he didn’t know. “You care for this girl.” Joss cocked his head. “You care for her. Don’t you?” “Care for her.” Joss’s expression was smug. “Don’t you?” The idea was too preposterous to entertain, but Gray perked with inspiration. “Say I did care for her. Would you release me from that promise? If my answer is yes, can I pursue her?” Joss shook his head. “If the answer is yes, you can-and should-wait one more week. It’s not as though she’ll vanish the moment we make harbor. If the answer is yes, you’ll agree she deserves that much.” Wrong, Gray thought, sinking back into a chair.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Help,’ Jo moaned. ‘I think I’m in a coma.’ It was seven o’clock. The library walls were scrubbed clean and Allie’s neck and shoulders ached whenever she even thought about raising her arms as she sat on the dust sheet next to Jo. ‘Do your arms hurt?’ Allie asked, rubbing her shoulders. ‘God yes.’ ‘Then you’re not in a coma.’ Gingerly Allie stretched out her legs. ‘Jesus. What have I got myself into? Rachel has a swimming pool and horses. Horses, Jo. I could be floating in a pool and petting soft pony noses if I were still at her house.’ ‘Here.’ Jo turned to face her. ‘My nose is soft. You can pet it.’ Allie stroked her nose tiredly. ‘Wow. This is just like being at Rachel’s. Where’s the pool?’ ‘No pool,’ Jo said. ‘Showers.’ ‘Sucks.’ ‘Totally.’ ‘Are you two just going to lie there complaining? Or are you coming to dinner?’ Allie looked up to see Carter standing above them, studying them doubtfully. ‘Jo’s in a coma,’ Allie informed him. ‘She no longer needs food.’ ‘Wait. Did you say food? I think I’m actually awake.’ Jo scrambled to her feet. ‘My God,’ Allie said mildly. ‘It’s a miracle.’ ‘You’ve only been doing this one day, Sheridan.’ Carter reached down to pull her up. ‘You can’t be tired already.’ ‘Everything hurts,’ she said. ‘Shoulders, arms, back …’ ‘Legs, feet, head …’ Jo offered helpfully. ‘Ankles. Shins. Name a body part,’ Allie said. ‘It hurts.’ Carter didn’t look impressed. ‘Food will ease your pain.’ He steered them towards the dining hall. ‘He’s very wise,’ Allie told Jo. ‘Clearly,’ Jo replied.
C.J. Daugherty (Legacy (Night School, #2))
Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back. As if he sensed Bram’s predicament, Colin started to laugh. “What’s so amusing?” “Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.” “You keep saying that like I should know the name. I don’t.” “You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.” “And so…?” “And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.” “There have to be men. There’s no such thing as a village with no men.” “Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.” Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?” “These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.” “Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.” “You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.” “These women aren’t my concern.” Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Grabbing my hair and pulling it to the point my skull throbs, I rock back and forth while insanity threatens to destroy my mind completely. Father finally did what Lachlan started. Destroyed my spirit. The angel is gone. The monster has come and killed her. Lachlan Sipping his whiskey, Shon gazes with a bored expression at the one-way mirror as Arson lights the match, grazing the skin of his victim with it as the man convulses in fear. “Show off,” he mutters, and on instinct, I slap the back of his head. He rubs it, spilling the drink. “The fuck? We are wasting time, Lachlan. Tell him to speed up. You know if you let him, he can play for hours.” All in good time, we don’t need just a name. He is saving him for a different kind of information that we write down as Sociopath types furiously on his computer, searching for the location and everything else using FBI databases. “Bingo!” Sociopath mutters, picking up the laptop and showing the screen to me. “It’s seven hours away from New York, in a deserted location in the woods. The land belongs to some guy who is presumed dead and the man accrued the right to build shelters for abused women. They actually live there as a place of new hope or something.” Indeed, the center is advertised as such and has a bunch of stupid reviews about it. Even the approval of a social worker, but then it doesn’t surprise me. Pastor knows how to be convincing. “Kids,” I mutter, fisting my hands. “Most of them probably have kids. He continues to do his fucked-up shit.” And all these years, he has been under my radar. I throw the chair and it bounces off the wall, but no one says anything as they feel the same. “Shon, order a plane. Jaxon—” “Yeah, my brothers will be there with us. But listen, the FBI—” he starts, and I nod. He takes a beat and quickly sends a message to someone on his phone while I bark into the microphone. “Arson, enough with the bullshit. Kill him already.” He is of no use to us anyway. Arson looks at the wall and shrugs. Then pours gas on his victim and lights up the match simultaneously, stepping aside as the man screams and thrashes on the chair, and the smell of burning flesh can be sensed even here. Arson jogs to a hose, splashing water over him. The room is designed security wise for this kind of torture, since fire is one of the first things I taught. After all, I’d learned the hard way how to fight with it. “On the plane, we can adjust the plan. Let’s get moving.” They spring into action as I go to my room to get a specific folder to give to Levi before I go, when Sociopath’s hand stops me, bumping my shoulder. “Is this a suicide mission for you?” he asks, and I smile, although it lacks any humor. My friend knows everything. Instead of answering his question, I grip his shoulder tight, and confide, “Valencia is entrusted to you.” We both know that if I want to destroy Pastor, I have to die with him. This revenge has been twenty-three years in the making, and I never envisioned a different future. This path always leads to death one way or another, and the only reason I valued my life was because I had to kill him. Valencia will be forever free from the evils that destroyed her life. I’ll make sure of it. Once upon a time, there was an angel. Who made the monster’s heart bleed.
V.F. Mason (Lachlan's Protégé (Dark Protégés #1))
I flip the lock back in place and turn, hitting a concrete wall of a man. “What’s he made of? Concrete and sex?” I whisper into the phone like the man in front of me can’t hear me. “Good, he’s already there,” I hear Elle say as my eyes travel up and up an endless span of chest. Up, up, up, until my eyes finally land on a hard face with a clenched jaw. He’s hot in that oh-my-God-he-could-crush-me way. Wait, is that hot? “Listen here, Hulk. You can take your incredible body and vacate my home. I won’t be needing your services.” “I’m standing in the middle of your apartment, and you didn't so much as scream. This is despite you knowing someone has been stalking you. I could have been that someone. Fuck. I could be that someone.” I snort and roll my eyes. “Yeah right, Hulk-man.” I pat him on the chest before resting my hand there. I start to rub. I only meant to do a quick pat, but now I can’t seem to remove my hand. I like the feel of him. I don’t think I’ve ever liked the feel of a man before. I don’t think I’ve ever had the urge to touch one before. “You think I couldn’t hurt you?” He grabs my wrist, pulling it away from his chest. The action makes me frown. Oh, I know he could hurt me, but someone like him would never stalk me. That just didn’t add up to me. If anything, I’d end up stalking him. “Oh, I’m sure you could Hulk smash me.” Now that I’m not touching him, I bring my other hand up to his chest and continue doing what I was doing before, but he just grabs that wrist, too. “Then why aren’t you worried?” His words are hard and laced with anger. So unlike the soft hold he has on my wrist. I could easily pull away with one good tug. Maybe. “Someone like you wouldn’t stalk me.In fact, I don’t see anyone stalking me. There has to be a mi...” His mouth hits mine, cutting off my words. He gives a little tug on my wrist, and I fall into him, gasping when I feel his erection press into me. He takes the opening and pushes his tongue into my mouth. I let my eyes close as he devours me. My body feels like I’m buzzing. I push further into him, wanting to be closer. I deepen the kiss. He goes to pull back, but I wrap my hands around his neck, not even noticing that I’m eye level with him and that my feet are no longer on the floor as I pull him back to me. I move against him, needing the friction. His cock is settled against my core, and I move my hips against him, taking what I want. What I need. Everything else is forgotten, my mind just shuts off. He growls into my mouth, and I swear the sound vibrates through my whole body and goes straight to where I need it. My body explodes. A moan falls from my lips as I finally pull them from his. I let my head drop back and enjoy the sensations rocking through my whole body. I feel like I’m floating. When I finally come back down, I realize I kind of am. My legs are wrapped around his waist and I’ve somehow ended up with my back to a wall. I feel his tongue come out and lick my neck, making my body jerk. “I wanna do that again,” I say lazily. I think I could do that over and over again. “Your place isn’t secure. Come to mine and I’ll do it over and over again.” “Mmkay,” is all I say. I’d probably go anywhere he asked me at the moment. “Holy shit.” I roll my head to the side and see my sister standing in the doorway. A man stands beside her with a shocked looked on his face, mirroring Elle’s expression. I’m guessing that’s her guard. “I’m keeping this one,” I say, locking my arms around him, not wanting to do a trade. “Fuck,” Hart says, placing me on the floor. I regretfully let my arms fall from around his neck. He steps in front of me, blocking my view of my sister and the other man. “I don’t think you should be her guard, Hart,” I hear the other man say. His words make my heart drop. “I’m moving in with him,” I retort, popping my head out from behind him. Elle giggles.
Alexa Riley (Guarding His Obsession)
She slipped into the shadows and waited, like a she-wolf, for her quarry. Bay caught her breath when Owen Blackthorne stepped into the cool night air. He was close enough to touch. His shaggy black hair looked rumpled, as though he’d shoved both hands through it in agitation. When he started to move off the porch, Bay reached out and grasped his sleeve. A second later she was slammed back against the wall, a powerful male hand at her throat choking her. She could feel the heat of him, the solid maleness of him. And panicked. She clawed at Owen’s flesh with her nails and drove her knee upward toward his genitals. Her thrust her upraised knee aside, and the full weight of his over-six-foot frame shoved hard against her from shoulders to thighs. Bay froze, staring up at him in mute horror. Her body trembled in shock. She tried to speak, but there was no air to be had beneath the crushing pressure of his grip on her throat. “What the hell . . .?” He released her throat and grabbed her arms to yank her into the narrow stream of light from the kitchen doorway. She gasped a breath of air, coughed, then gasped another, pressing a shaky hand to her injured throat. She wrenched to free herself, but he let her go without a struggle and took a wary step back. She rubbed her arms where he’d held her, wishing she’d approached him more directly. “What are you doing out here, Mizz Creed?” His voice was clipped but controlled. The violence she’d felt in his touch was still there in his eyes, which glittered with hostility. “It’s Dr. Creed,” she rasped, glaring back at him. He lifted a black brow. “Well, Dr. Creed.” She opened her mouth to say I need your help. But the words wouldn’t come. There was nothing wrong with her voice. She just hated the thought of asking a Blackthorne for anything. “I haven’t got all night,” he said. “There’s an emergency at the barn—” “Ruby’s foal has already been delivered safely,” she said. “I made up that story because I wanted to speak privately with you.
Joan Johnston (The Texan (Bitter Creek, #2))
The sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woolen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp raised it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue finger-print of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.
Virginia Woolf (The Waves)
The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!
Marcel Ray Duriez (Nevaeh The Miracle)
I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls. I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show. I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC. A bell tinkled as I stepped inside. His head whipped around and he half-stood, books sliding to the floor. The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke. Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore. Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me. What am I, Mac? he’d say. My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory. So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that. Like what? Can’t all be like you, Barrons. His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing? I shivered.
Karen Marie Moning (Shadowfever (Fever, #5))
So what brought you here?” Emilio asks. I don’t set the icing bag down, because it’s nice to have something to do with my hands, although they’re suddenly shaking. “I wanted to talk to you about Peck.” “What about her?” “I wanted to see if you’d have any objections to me asking her to marry me.” I hear a whoop from the other room. Emilio rolls his eyes. “Why do you want to marry her?” Why do I want to marry her? She’s just Peck. And I feel like she was made for me. “Um…” “The answer is no, if that’s the best you can do.” He points to the cupcakes. “Ice them,” he says. I ice quietly for a few minutes, trying to gather my thoughts. “Didn’t expect you to give up quite so easily,” he suddenly says. I look up. “Oh, I’m not giving up. I’m just thinking.” “You about done with that?” I shake my head. “Not yet.” “Keep icing.” Suddenly, Marta strolls into the room. There’s purpose in her stride and I back up against the wall, because I’m afraid I’m her target. But I quickly see I’m not. She goes for Emilio, but he must be used to this. He runs around the corner of the center island and she chases him. She picks up a rolling pin and runs, but he runs a little bit faster. Suddenly, she stops and blows a stray lock of hair from her eyes. “Stop tormenting the poor boy,” she says. She shakes the rolling pin at him. “Oh, Jesus Christ,” he breathes. “I was having fun with it!” He grins. Then he sobers completely. “Did Peck tell you about the day we met?” “Yes, sir,” I tell him. “What she didn’t tell you was my side of it.” He rubs at the back of his hand. “I had been hanging out in the boys’ ward at the home, and one of the little assholes bit me on the back of the hand, so I was in a bad mood. I wanted nothing more than to get out of there. I walked around the corner, trying to find Marta, and I saw her sitting beside a little girl. I took one look at that kid and I said to myself, She’s my daughter.” He takes a deep breath. “I know it sounds stupid, and I suppose it should. But she was sitting there on the edge of the bed and she wouldn’t speak. But when she looked at me, she said a million words with her eyes.” Marta wipes a tear from her cheek. “I have loved that little girl from the minute I met her. I never doubted that she belonged to us, and neither did she.” He waits a beat. “The first time she spoke to me was when she had a set of drumsticks in her hand.” He looks at me. “Do you know what she said?” I shake my head, and swallow past the lump in my throat. “She took my hand and said, ‘I’m glad you’re my dad.’ It was one big stutter, and I loved every syllable. She makes me so fucking proud.” He points a finger at me. “She’s fucking perfect, so if you so much as make her cry, I will find you and jam her drumsticks so far up your ass that you’ll taste them ten years from now. Do you understand?” “Yes, sir.” I swallow again. “So, yes, you can marry my daughter. And you better make her happy every day for the rest of her life, because I will be watching. Understand?” “Yes, sir.” He points to the cupcakes. “Keep icing.” “Yes, sir.” I grin. Marta lays a hand on my shoulder. “Did you get a ring yet?” “No, ma’am. I wanted to get permission first.” She looks at Emilio and quirks a brow. He nods. She disappears into a bedroom and comes back a minute later with a box. “It was my mother’s,” Emilio says. “Peck used to try it on all the time when she was small, and she loves it. So you can use it if you want to.” He’s grumbling, but I can tell he’s serious. I pop open the box and stare down at a beautiful antique ring. “It’s lovely. Are you sure it’s okay if I use it?” He nods. He points to the cupcakes. “Keep icing.” “Yes, sir.” I smile.
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))