“
I didn’t know enough to dream you, Bree, but somehow you came true anyway. How did that happen?” He rubbed his nose along mine, pausing and then pulling back again. “Who read my mind and knew exactly what I wanted, even when I didn’t?
”
”
Mia Sheridan (Archer's Voice)
“
It's not something you tell your single best friend. It'd be like rubbing your nose in the poop of my happiness.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
Gandalf never had this kind of problem.
He had exactly this problem, actually, standing in front of the hidden Dwarf door to Moria. Remember when . . .
I sighed. Sometimes my inner monologue annoys even me. “Edro, edro,” I muttered. “Open.” I rubbed at the bridge of my nose and ventured, “Mellon.”
Nothing happened. The wards stayed. I guessed the Corpsetaker had never read Tolkien. Tasteless bitch.
”
”
Jim Butcher (Ghost Story (The Dresden Files, #13))
“
Ash sighed. "Don't say anything, Goodfellow."
"What? Me?" I grinned at him. "Say something? I'm not the type who would point out that, for once, this absurd situation isn't my fault. Of Course, I know better than to make deals with crazy Exile Queens with goddess complexes. And if I did, I would expect them to call in the favor at the worst possible time. But I'm certainly not one to rub it in. That would just be wrong."
Ash pinched the bridge of his nose. "I'm beginning to regret inviting you."
"You wound me deeply Prince." --- Puck
”
”
Julie Kagawa (Summer's Crossing (Iron Fey, #3.5))
“
I turned my face to let his nose rub my cheek. "Mason, let's just stay here," I told him breathlessly.
He chuckled, huskily and dangerously. "Oh, no, absolutely not. I'm not to be trusted with you alone right now.
”
”
Shelly Crane (Wide Awake (Wide Awake, #1))
“
He’s only with me because I’m your sister,” I said hotly.
“Diana—Demeter, she’s my mother. She decided to have me in a last-ditch effort to save Henry because she felt so damn guilty for what you did to him, and she didn’t want to be responsible for him fading. He married me because he couldn’t have you, and I was the next best thing. Thanks for rubbing my nose in it.
”
”
Aimee Carter (Goddess Interrupted (Goddess Test, #2))
“
I crept into his lap. “What am I, Reid? Say it again.”
“You’re a witch.”
“And what are you?” He didn’t hesitate, and my heart swelled. “I am too.”
“Only partly right, I’m afraid.” My smile—now genuine—grew at his confusion, and I leaned forward, rubbing my nose against his. He closed his eyes. “Allow me to fill in the gaps for you.” I kissed his nose. “You are a huntsman.” Though he recoiled slightly, I didn’t let him escape, kissing his cheek. “You are a son.” I kissed his other cheek. “You are a brother.” His forehead. “You are a husband.” His eyelids and his chin. “You are brave and strong and good .” And, finally, his lips. “But most important, you are loved.
”
”
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
“
He didn’t hold the door open, instead letting it fly back and knock me in the face.
“Thanks,” I muttered, rubbing my nose.
“You’re welcome,” he said, my sarcasm lost on him as always.
”
”
A. Meredith Walters (Reclaiming the Sand (Reclaiming the Sand, #1))
“
But . . . maybe I could find something. Maybe there would be one person who’d still want to kiss me when I had a runny nose or would rub my shoulders after a long day of meetings. Maybe I could find someone who didn’t seem so scary, who made letting him past the wall seem natural. But all that still could be asking for too much.
”
”
Kiera Cass (The Heir (The Selection, #4))
“
Maybe there would be one person who'd still want to kiss me when I had a runny nose or would rub my shoulders after a long day of meetings.
”
”
Kiera Cass (The Heir (The Selection, #4))
“
Georgie pretended to dance. She clung to Neal's shirt. They rubbed their noses together. "You're my wife," Neal said, and then he laughed, and she tried to catch his dimples with her teeth. (Like if she caught them she might get to keep them.)
"Yours," she said.
”
”
Rainbow Rowell (Landline)
“
Whatever game you’re playing, you’re going to lose,” he whispers. “And I’ll be right there to rub your nose in it when it happens.”
“Great. Well, at least I have something to look forward to.” I cross my arms. “Now why don’t you go parade your lack of dignity somewhere else?
”
”
Rachel Morgan (The Faerie Guardian (Creepy Hollow, #1))
“
I talk to him when I'm lonesome like; and I'm sure he understands. When he looks at me so attentively, and gently licks my hands; then he rubs his nose on my tailored clothes, but I never say naught thereat. For the good Lord knows I can buy more clothes, but never a friend like that.
”
”
W. Dayton Wedgefarth
“
My eyes are so close together that when I cross my eyes, my irises actually trade places. My skin is so craterous that Neil Armstrong annually rubs my face just to reminisce about his time on the moon. And my nose is so long that my penis is jealous. But enough about how handsome I am.
”
”
Jarod Kintz (Gosh, I probably shouldn't publish this.)
“
He bends over me, curls his sleek, cut body all around me, making himself my world. Flicking his eyes all over my face, he whispers, “Dark curls; Golden eyes.” He rubs our noses together. “Thirteen freckles; Flowers between her thighs.” He skims his lips over mine. “Sweet; So sweet; My heart; My sweetheart.
”
”
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
“
Stories are a kind of thing, too. Stories and objects share something, a patina. I thought I had this clear, two years ago before I started, but I am no longer sure how this works. Perhaps a patina is a process of rubbing back so that the essential is revealed, the way that a striated stone tumbled in a river feels irreducible, the way that this netsuke of a fox has become little more than a memory of a nose and a tail. But it also seems additive, in the way that a piece of oak furniture gains over years and years of polishing, and the way the leaves of my medlar shine.
”
”
Edmund de Waal (The Hare With Amber Eyes: A Family's Century of Art and Loss)
“
Did I never explain to you about love, Reva?' Pa asked. I gave him a look, and he laughed uncomfortably. 'I guess not. Let me put it in a way you'll understand. Love is like stinging nettles. Only they prick from the inside out, starting at your heart and bursting on around. It's worse when it gets here'--he rubbed the bridge of his nose--'then your vision goes a little strange. But eventually the nettles stop stinging--once she agrees to kiss you. But they start right back up again when she agrees to marry you--'
'Pa,' I interrupted, 'that's not love, that's fear.'
Pa shook his head, looking off admiringly in the direction where Lacrimora had disappeared. 'Same thing, in my case.
”
”
Merrie Haskell (The Princess Curse)
“
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing.
“Mom.”
“Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?”
“Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?”
“I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.”
“Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.”
“The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.”
“Our car doesn’t have air bags,” Blue pointed out.
Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.”
Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?”
“You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?”
“I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.”
Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.”
“If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested.
“This is what you get, Maura, for using your DNA to make a baby,” Calla said.
Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.”
Calla growled, “Don’t be one of them.”
“Persephone?” asked Maura.
In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.”
“Okay,” Blue said hurriedly. “I’m out.”
“You could at least say sorry,” Maura said. “Pretend like I have some power over you.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
I wanted to deny him, but that's the terrible power of a diary: it not only calls forth the person you used to be but rubs your nose in him, reminding you that not all change is evolutionary. More often than not, you didn't learn from your mistakes. You didn't get wiser, but simply older, growing from the twenty-five-year-old who got stoned and accidentally peed on his friend Katherine's kitten to the thirty-five-year-old who got drunk and peed in the sandbox at his old elementary school. "The sandbox!" my sister Amy said at the time. "Don't you realize that children have to pee in there?
”
”
David Sedaris (Let's Explore Diabetes with Owls: Essays, Etc.)
“
What are your dreams, Archer?" I whispered, wanting to know what was in his heart. He looked at me for another couple beats and then pushed himself back onto his knees and pulled me up so that I was straddling his lap. I smiled at him, wrapping my arms around his neck, but pulling back to let him speak. He brought his hands up and said, I didn't know enough to dream you, Bree, but somehow you came true anyway. How did that happen? He rubbed his nose along mine, pausing and then pulling back again. Who read my mind and knew exactly what I wanted, even when I didn't?
”
”
Mia Sheridan (Archer's Voice)
“
Vi?" Jag's soft voice called from the other room. I'd been soaking so long, the water in the tub was cold. I stepped out, careful not to get the book wet, and wrapped a towel around myself.
"In here," I whispered. He had switched the lamp on and was rubbing his eyes when I came into the bedroom.
"Hey."
I slipped the book back onto the table next to his bed. "I didn't get it wet."
"Not. That." His eyes raked over my only-towel-covered body with a hungry expression.
"Knock it off." I pulled the towel tighter and returned to the bathroom. He followed me, putting his hand on the door before I could close it. I looked anywhere but at him. Lying fully clothed in bed with him was bad enough.
I couldn't help it when I drank him in, starting at his feet and slowly creeping up to his neck, past his chin, lips, nose to his eyes. When I finally reached them, my heart clutched almost painfully. I swallowed hard and cleared my throat, playing with the end of my towel.
"Vi, babe-"
"Don't talk like that," I said.
He smiled his Jag-winner. I took a shuddering breath and tried to focus. "Don't smile like that either. It's not fair."
"Okay, then. Let's talk about being fair." He carefully wove his fingers through mine. The way he studied the ground was adorable. He took a few slow steps back into the bedroom, pulling me with him.
"Jag-
”
”
Elana Johnson (Possession (Possession, #1))
“
Vegard and Riston's job today was to guard and protect me. And considering that I was in a tower room in the Guardians' citadel, it looked like a pretty plum assignment. I mean, how much trouble could a girl get into under heavy guard in a tower room? Notice I didn't ask that question out loud. No need to rub Fate's nose in something when I'd been tempting her enough lately.
Phaelan had generously his guard services as well, just in case something happened to me that my Guardian bodyguards couldn't handle. Phaelan's guard-on-duty stance resembled his pirate-on-shore-leave stane of leaning back in a chair with his feet up, but instead of a tavern table, his boots were doing a fine job of holding down the windowsill. I don't know how I'd ever felt safe without him.
”
”
Lisa Shearin (Armed & Magical (Raine Benares, #2))
“
...You see I believe in that stuff to: yoga and mystical powers. I once knew a man who could kill himself on command. Can you believe that? . . . Why do you laugh? . . . Believe it! By will of his own mind, he could make his heart stop beating for good' My neighbor poised and looked seriously at me, searching in my eyes. '...You laugh!' he repeated once more… 'You laugh, but he was a master at it! He could commit suicide at his own will!'
Indeed, hearty laughter streamed through my nose. 'Could he do it perpetually?' I asked.
'Perpetually...?' My neighbor rubbed his waxy chin.
'I mean, is he still able to do it?'
'I’m not sure I understand.'
'Well? Then is he dead…?!'
My neighbor's puzzled face slowly began to transform into a look of realization. 'But sir,' he said, 'Of course he’s dead! I mean to say... this man could kill himself on command, you see. And you don’t come back from the dead!'
The two of us found ourselves crossing to the door so I could let my visitor out. I slapped him with friendliness on the shoulder.
'No, you don’t come back from the dead,' I agreed.
”
”
Roman Payne
“
A dragonfly settles on a bulrush an inch from my nose. Its wings are like cellophane and Jonah says, “Its wings are like cellophane,” and I say, “I was just thinking that,” but Jonah says, “Just thinking what?” so maybe I just thought he’d said it. Valium rubs out speech marks and pops thought-bubbles. I’ve noticed it before.
”
”
David Mitchell (Slade House)
“
This is it
I’m not coming after you
I’m going to lie down for half an hour
This is it
I’m not going down
On your memory
I’m not rubbing my face in it anymore
I’m going to yawn
I’m going to stretch
I’m going to put a knitting needle
Up my nose
And poke out my brain
I don’t want to love you
For the rest of my life
I want your skin
To fall off my skin
I want my clamp
To release your clamp
I don’t want to live
With this tongue hanging out
And another filthy song
In the place
Of my baseball bat
This is it
I’m going to sleep now darling
Don’t try to stop me
I’m going to sleep
I’ll have a smooth face
And I’m going to drool
I’ll be asleep
Whether you love me or not
This is it
The new world order
Of wrinkles and bad breath
It’s not going to be
Like it was before
Eating you
With my eyes closed
Hoping you won’t get up
And go away
It’s going to be something else
Something worse
Something sillier
Something like this
Only shorter
”
”
Leonard Cohen (Book of Longing)
“
It will be your duty, and it will be your pleasure too—of course I know that; I am not delivering a lecture—to estimate her (as you chose her) by the qualities she has, and not by the qualities she may not have. The latter you must develop in her, if you can. And if you cannot, child,' here my aunt rubbed her nose, 'you must just accustom yourself to do without 'em. But remember, my dear, your future is between you two. No one can assist you; you are to work it out for yourselves. This is marriage, Trot; and Heaven bless you both, in it, for a pair of babes in the wood as you are!
”
”
Charles Dickens (David Copperfield)
“
I can’t seem to wipe away the blood. I rub my hands against my nightgown, but traces of the red remain, staining the lines of my palms and the crescents beneath my fingernails. I wipe harder, gathering and bunching the soft cotton inside my fists. The fabric has been slit up the center and for a moment I worry that I’ve been cut, that maybe the blood is my own. I try to ask what’s happening, but there’s a mask over my mouth and nose. Suddenly it hits me—I’m in an ambulance.
I don’t remember how I got here.
”
”
Paula Stokes (Vicarious (Vicarious, #1))
“
I always want you, and you know how fighting gets my blood up, but did it cross my mind that I’d be literally rubbing his nose in it? Yes. Better he lose his illusions, fast, when it comes to you. But would I have acted any differently if we were alone? Of course not. I can’t get enough of you.” “This isn’t going to be easy,” I grumbled as we headed toward the exit. Bones shrugged. “Nothing worthwhile ever is.
”
”
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
“
Sounds good. What sort of fun did you
have in mind?”
I rubbed my nose against his. “It’s kind of like putting together
toys on Christmas morning. You have to insert dowel rod A into slot B
until it fits firmly….”
“Oh, yes?”
“…and then you move things around until you break something
and make a big mess.
”
”
Stephen Osborne (Pop Goes the Weasel)
“
One time I took my knife and sliced off the end of a hog’s nose, just like a piece of salami. The hog went crazy for a few seconds. Then it sat there looking kind of stupid. So I took a handful of salt and rubbed it on the wound. Now that hog really went nuts. It was my way of taking out frustration. Another time, there was a live hog in the pit. It hadn’t done anything wrong, wasn’t even running around. It was just alive. I took a three-foot chunk of pipe and I literally beat that hog to death. It was like I started hitting the hog and I couldn’t stop. And when I finally did stop, I’d expended all this energy and frustration, and I’m thinking what in God’s sweet name did I do.
”
”
Gail A. Eisnitz (Slaughterhouse: The Shocking Story of Greed, Neglect, And Inhumane Treatment Inside the U.S. Meat Industry)
“
What happened?" I ask. My heart hurts.
"That big guy," he says. His voice is high and tight. "Number forty-six. Jeez, he just bashed his shoulder right into my chest, and when I was on the ground, he steps on my leg with his cleat." He sniffs hard, rubs his nose on his sleeve, doesn't meet my eyes.
"That bastard," I say. "The minute he gets off the field I'm going to kick him in the balls." Oliver laughs a little, his eyes filling up at the same time. "He'll never know what hit him. His balls are gonna go flying, I promise you that. People will wish they brought their catcher's mitts.
”
”
Deb Caletti (The Nature of Jade)
“
He cupped my chin with his big hand and watched me. He breathed hard through his nose. His shoulders heaved way harder than they should have after a few minutes
of kissing. I was about to suggest some additional conditioning exercises before football season started. I opened my mouth to tell him.
He kissed me again. His tongue passed my lips and played across my teeth. We’d only been kissing like this for a week, but it seemed very natural when I kissed him back
the same way. My body was on autopilot as I reached blindly for his waist and dragged him even closer, his torso skin-to-skin with mine against the tree. Who were we? I
was turning into any of the assorted older girls who’d been seen leaving the cab of Sean’s truck at night. I’d always viewed those girls with a mixture of awe and derision.
Sexual attraction was funny. Lust was hilarious.
Now, not so much. Those girls had my sympathy, because I totally got it. I ran my fingers lightly up Adam’s bare back.
He gasped.
I opened my eyes to see if I’d done something wrong. He still touched the tree, but his muscles were taut, holding on to it for dear life. His eyes were closed. He rubbed
his rough cheek slowly against mine. I had done nothing wrong. He was savoring.
I knew how he felt. Tracing my fingernails down his back again, I whispered, “Stubble or what?”
Eyes still closed, he chuckled. “I’m not shaving until our parents let us date again.” He kissed my cheek.
“What if it takes… a… while?” I asked, struggling to talk.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
For a moment I don’t move. We’re nose to nose, blinking into each other’s eyes. Wes’s tongue emerges to slick my lower lip. And I dive onto his mouth, jamming my tongue inside. There isn’t a lot of space for me to move, but it doesn’t matter. I’m riding him in short, fast strokes. The angle is heaven—I can bear down on him just where I need him. Wes is cupping my ass in strong hands, and with each thrust, he lets out a sexy grunt. Our chests rub together as our mouths lock again. My dick is trapped between our stomachs, slicking us both with pre-come.
”
”
Sarina Bowen (Him (Him, #1))
“
She turned to the three men in her life. “I don’t want any of you trying to protect me tonight.” Marcus, Nick, and Eli frowned. “I mean it. I’ll be nothing but a distraction if all you’re thinking about is my safety. Besides, if you really want me safe, the way to do it is to rip apart any jackal you see—you concentrate on what’s in front of you. Got me?” Her brothers nodded with an unhappy sigh.
Marcus rubbed his nose against hers. “I got you, sweetheart. But that works both ways.” He almost smiled at her rebellious expression. He and his wolf liked that was she so protective. “Don’t worry about me. You just worry about this.” He lightly tapped her ass. “It’s mine, and I want it safe.
”
”
Suzanne Wright (Dark Instincts (The Phoenix Pack, #4))
“
In her fantastic mood she stretched her soft, clasped hands upward toward the moon.
'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.'
Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand.
The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously.
"Music! more music!" she cried.
Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream.
The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")
”
”
Barry Pain (Ghostly By Gaslight)
“
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
”
”
Brian Doyle (Mink River)
“
If he lies pressed against me, he gently twines his legs about mine and our legs are merged by the very soft cloth of our pajamas; he then takes great pains to find the right spot to cuddle his cheek. So long as he is not sleeping, I feel the quivering of his eyelids and upturned lashes against the very sensitive skin of my neck. If he feels a tickling in his nostrils, his laziness and drowsiness keep him from lifting his hand, so that in order to scratch himself he rubs his nose against my beard, thus giving me delicate little taps with his head, like a young calf sucking its mother.
”
”
Jean Genet (The Thief's Journal)
“
There is strange, and yet not strange, is the kiss. It is strange because it mixes silliness with tragedy, and yet not strange because there is good reason for it. There is shaking by the hand. That should be enough. Yet a shaking of hands is not enough to give a vent to all kinds of feeling. The hand is too hard and too used to doing all things, with too little feeling and too far from the organs of taste and smell, and far from the brain, and the length of an arm from the heart. To rub a nose like the blacks, that we think is so silly, is better, but there is nothing good to the taste about the nose, only a piece of old bone pushing out of the face, and a nuisance in winter, but a friend before meals and in a garden, indeed. With the eyes we can do nothing, for if we come too near, they go crossed and everything comes twice to the sight without good from one or other.
There is nothing to be done with the ear, so back we come to the mouth, and we kiss with the mouth because it is part of the head and of the organs of taste and smell. It is temple of the voice, keeper of breath and its giving out, treasurer of tastes and succulences, and home of the noble tongue. And its portals are firm, yet soft, with a warmth, of a ripeness, unlike the rest of the face, rosy, and in women with a crinkling of red tenderness, to the taste not in compare with the wild strawberry, yet if the taste of kisses went , and strawberries came the year round, half of joy would be gone from the world. There is no wonder to me that we kiss, for when mouth comes to mouth, in all its stillness, breath joins breath, and taste joins taste, warmth is enwarmed, and tongues commune in a soundless language, and those things are said that cannot find a shape, have a name, or know a life in the pitiful faults of speech.
”
”
Richard Llewellyn (How Green Was My Valley)
“
The one-eyed man stood helplessly by. "I'll help ya if ya want," he said. "Know what that son-of-a-bitch done? He come by an' he got on white pants. An' he says, 'Come on, le's go out to my yacht.' By God, I'll whang him some day!" He breathed heavily. "I ain't been out with a woman sence I los' my eye. An' he says stuff like that." And big tears cut channels in the dirt beside his nose.
Tom said impatiently, "Whyn't you roll on? Got no guards to keep ya here."
"Yeah, that's easy to say. Ain't so easy to get a job - not for a one-eye' man."
Tom turned on him. "Now look-a-here, fella. You got that eye wide open. An' ya dirty, ya stink. Ya jus' askin' for it. Ya like it. Lets ya feel sorry for yaself. 'Course ya can't get no woman with that empty eye flappin' aroun'. Put somepin over it an' wash ya face. You ain't hittin' nobody with no pipe wrench."
"I tell ya, a one-eye' fella got a hard row," the man said. "Can't see stuff the way other fellas can. Can't see how far off a thing is. Ever'thing's jus' flat."
Tom said, "Ya full of crap. Why, I knowed a one-legged whore one time. Think she was takin' two-bits in a alley? No, by God! She's gettin' half a dollar extra. She says, 'How many one-legged women you slep' with? None!' she says. 'O.K.,' she says. 'You got somepin pretty special here, an it's gonna cos' ya half a buck extry.' An' by God, she was gettin' 'em, too, an' the fellas comin' out thinkin' they're pretty lucky. She says she's good luck. An' I knowed a hump-back in - in a place I was. Make his whole livin' lettin' folk rub his hump for luck. Jesus Christ, an' all you got is one eye gone."
The man said stumblingly, "Well, Jesus, ya see somebody edge away from ya, an' it gets into ya."
"Cover it up then, goddamn it. Ya stickin' it out like a cow's ass. Ya like to feel sorry for yaself. There ain't nothin' the matter with ya. Buy yaself some white pants. Ya gettin' drunk and cryin' in ya bed, I bet."
...
The one-eyed man said softly, "Think - somebody'd like - me?"
"Why, sure," said Tom. "Tell 'em ya dong's growed sence you los' your eye.
”
”
John Steinbeck (The Grapes of Wrath)
“
The first lifelong friend I made at Oxford was A. K. Hamilton Jenkin, since known for his books on Cornwall. He continued (what Arthur had begun) my education as a seeing, listening, smelling, receptive creature. Arthur had had his preference for the Homely. But Jenkin seemed able to enjoy everything; even ugliness. I learned from him that we should attempt a total surrender to whatever atmosphere was offering itself at the moment; in a squalid town to seek out those very places where its squalor rose to grimness and almost grandeur, on a dismal day to find the most dismal and dripping wood, on a windy day to seek the windiest ridge. There was no Betjemannic irony about it; only a serious, yet gleeful, determination to rub one’s nose in the very quiddity of each thing, to rejoice in its being (so magnificently) what it was.
”
”
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
“
Have you ever been in a demon rumble before, Jenna?” I asked.
Hoisting her own demonglass dagger, she shook her head. “Nope. I have a feeling it’s going to be super violent.”
“Maybe we can talk to them,” I said, rubbing my nose with the back of my hand. “Have a little sit-down chat.”
“With tea.”
“Ooh, yeah, with the nice china, and those little sandwiches that don’t have crusts.”
Cal came to stand with us. Aislinn and Finley were getting to their feet, but I could tell they were far away from optimum Brannick strength. “I don’t want to kill these kids,” Cal said.
“Neither do I. But I don’t want them to kill me, either.”
“Not sure what we want is going to matter that much,” Jenna said. I stared out into the trees, hearing my fate move closer.
And here’s the thing: I knew I was supposed to be courageous. I was supposed to use my magic for as long as I could, and be all Braveheart about it. But I didn’t want to. I wanted to cry. I wanted to hug my mom and dad again. I wanted to see Archer. And I wanted to know that I’d done more here than just delay Aislinn’s and Finley’s deaths by a few minutes.
So there was no stoic badass facing down the demon hordes. There was just a teenage girl with tears streaming down her face, her two best friends on either side of her, as all kinds of hellish creatures rushed forward.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
The rock spun out of his hand so fast, she heard it buzz through the air. It skimmed across the water, hop after hop like a leapfrog racing across the water. It went on and on until it had crossed the lake and had hopped onto the opposite shore. “Well,” he mused softly, a masculine taunt in his voice, “I would say that about wraps things up. Twenty-two skips all the way to the other side.” He sounded very complacent. “I believe you get to be my slave and brush my hair for me at each rising.”
Francesca shook her head. “What I believe is, you rigged this wager. You did something to win.”
“It is called practice. I have spent much time skipping rocks across the lake.”
Francesca laughed softly. “You are not telling the truth, Gabriel. I don’t believe you ever skipped a rock in your life until now. You tricked me.”
“You think?” He asked it innocently. Too innocently.
“You know you did. Just to win a silly bet. I can’t believe you.”
He reached out to tuck a wayward strand of hair behind her ear, making her heart leap wildly. “It was not just a silly bet, honey, it was a way to get you to brush my hair. No one has ever done such a thing for me and I think I crave attention.” He rubbed the bridge of his nose again and grinned at her almost boyishly. “I asked Lucian to do so once and he threatened to beat me to a bloody pulp.” He shrugged his broad shoulders. “Some things are just not worth it, you know.
”
”
Christine Feehan (Dark Legend (Dark, #7))
“
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?”
Ben snorted. “He deserved it.”
“I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.”
I pinched my nose. “Ugh, don’t remind me.”
Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.”
Then everyone had a story. Our funeral became a wake.
The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye.
I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.”
Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.”
The boys glanced at each other. Their smiles faded.
Something passed between them.
Abruptly, both looked at me.
I could see a question in their eyes. A resolve to see something through.
They talked. Oh God, they talked about me.
They’re going to make me choose.
In a flash of dread, I realized I could delay this no longer.
With another jolt, I realized I didn’t need to.
There was no point putting it off.
There was also no decision to make.
My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully.
I smiled. Even as my heart pounded.
Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall.
But my second foot successfully followed the first.
I walked over to Ben’s side.
Slipped my hand inside his.
Squeezed for dear life.
Ben’s eyes widened. He gasped quietly, his chest rising and falling.
I met his startled gaze. Smiled through my blushes.
A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine.
No decision to make.
Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips.
Chance nodded slightly.
Not one word spoken. Volumes exchanged.
The silence stretched, like a living breathing force.
Finally, Hi cleared his throat. “Um.”
My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace.
Still no one said a word.
This was the most painful moment of my life.
“So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.”
“OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.”
Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes.
“But why six stamps?”
“Just wait and see.”
A few seconds later, I understood.
As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout.
One of Nick’s ended up on his nose.
And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur.
Finally, when we both had one stamp left, I stopped giggling. I had to win this.
So I swallowed, wiped my eyes and took a few deep breaths.
Then I reached out my hand.
“Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head.
So I promptly leapt off too.
Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be.
Nick, in the meantime, had ended up flat on his back on the grass next to me.
With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open.
“I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox.
A few seconds later, I wobbled after him.
And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize.
Finally, he picked me up and, without any effort, popped me on top of a high wall.
Like Humpty Dumpty.
Or some kind of really unathletic cat.
“Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!”
“Course it is,” he shouted back. “All’s fair in love and war.”
And Nick kissed the envelope then put it in the postbox with a flourish.
I had to wait three days.
Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there.
Finally, the letter arrived: crumpled and stained with grass.
Ha. Told you I was faster.
LBxx
”
”
Holly Smale (Picture Perfect (Geek Girl, #3))
“
For myself, I have no aim. I have no ambition. I will let myself be carried on by the general impulse. The surface of my mind slips along like a pale-grey stream reflecting what passes. I cannot remember my past, my nose, or the colour of my eyes, or what my general opinion of myself is. Only in moments of emergency, at a crossing, at a kerb, the wish to preserve my body springs out and seizes me and stops me, here, before this omnibus. We insist, it seems, on living. Then again, indifference descends. The roar of the traffic, the passage of undifferentiated faces, this way and that way, drugs me into dreams; rubs the features from faces. People might walk through me. And, what is this moment of time, this particular day in which I have found myself caught? The growl of traffic might be any uproar – forest trees or the roar of wild beasts. Time has whizzed back an inch or two on its reel; our short progress has been cancelled. I think also that our bodies are in truth naked. We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence.
”
”
Virginia Woolf
“
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.”
“I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm.
She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances.
“Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.”
Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?”
“What about it?” she asked.
“I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.”
She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby.
“Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.”
“Obviously,” came a deep, gruff voice that cut like a knife.
Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said.
Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind.
“Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?”
“What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?”
His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice.
Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her.
Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!”
“You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!”
Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned.
Cecily wasn’t backing down an inch. Neither was Tate.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Never in my life had I even contemplated making love on a motorcycle, but there was no way Gareth would let me fall. I understood this on a primal level. He would keep me from harm, protect me... No matter how much I distracted and pleasured him.
He pulled gently at the sensitive tip of my breast with his lips, soothing and teasing all at once. I reached behind to brace myself on the handlebars, my back arching toward him, offering myself as I watched his mouth on my skin, his tongue circling my nipple. He moved his other hand lower, pushing the bottom of my dress up. Moving his fingers up the soft skin of my inner thigh, he rubbed and teased me through the thin fabric of my thong underwear.
"I need you," I gasped. "Now."
He ripped my thong like it'd been made of tissue paper, and slid his fingers deep inside of me. His growl made me shiver with desire as he discovered just how ready I was for him. I gripped the handlebars tighter and leaned back a little, breaking the kiss as I stared into his eyes. Gareth took hold of my hips and pulled me closer, guiding me onto him. Every rock hard inch slid into me so slowly, my entire body shuddered with pleasure.
He reached forward, taking my hands from the grips and putting them around his neck. Nose to nose, his dark eyes locked on mine as he thrust deeper inside of me. "You're mine. I'm yours."
I wasn't sure what was happening, but my wolf came alive in my soul and I whispered, "I claim my mate.
”
”
Lisa Kessler (Blood Moon (Moon, #3))
“
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?”
He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.”
He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.”
“I’m the worst fiancé ever, aren’t I?”
Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.”
Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind.
Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.”
“Got room for two more?”
Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say.
Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.”
“You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“
“With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.”
I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.”
“Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand.
“Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared.
“I’m just hoping to be the Not Dead Guy,” Cal muttered.
We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.”
“See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand.
And then, moving almost as one, we stepped into the rock.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Sarah sits up and reaches over, plucking a string on my guitar. It’s propped against the nightstand on her side of the bed. “So . . . do you actually know how to play this thing?”
“I do.”
She lies down on her side, arm bent, resting her head in her hand, regarding me curiously. “You mean like, ‘Twinkle, Twinkle, Little Star,’ the ‘ABC’s,’ and such?”
I roll my eyes. “You do realize that’s the same song, don’t you?”
Her nose scrunches as she thinks about it, and her lips move as she silently sings the tunes in her head. It’s fucking adorable. Then she covers her face and laughs out loud.
“Oh my God, I’m an imbecile!”
“You shouldn’t be so hard on yourself, but if you say so.”
She narrows her eyes. “Bully.” Then she sticks out her tongue.
Big mistake.
Because it’s soft and pink and very wet . . . and it makes me want to suck on it. And then that makes me think of other pink, soft, and wet places on her sweet-smelling body . . . and then I’m hard.
Painfully, achingly hard.
Thank God for thick bedcovers. If this innocent, blushing bird realized there was a hot, hard, raging boner in her bed, mere inches away from her, she would either pass out from all the blood rushing to her cheeks or hit the ceiling in shock—clinging to it by her fingernails like a petrified cat over water.
“Well, you learn something new every day.” She chuckles. “But you really know how to play the guitar?”
“You sound doubtful.”
She shrugs. “A lot has been written about you, but I’ve never once heard that you play an instrument.”
I lean in close and whisper, “It’s a secret. I’m good at a lot of things that no one knows about.”
Her eyes roll again. “Let me guess—you’re fantastic in bed . . . but everybody knows that.” Then she makes like she’s playing the drums and does the sound effects for the punch-line rim shot. “Ba dumb ba, chhhh.”
And I laugh hard—almost as hard as my cock is.
“Shy, clever, a naughty sense of humor, and a total nutter. That’s a damn strange combo, Titebottum.”
“Wait till you get to know me—I’m definitely one of a kind.”
The funny thing is, I’m starting to think that’s absolutely true.
I rub my hands together, then gesture to the guitar. “Anyway, pass it here. And name a musician. Any musician.”
“Umm . . . Ed Sheeran.”
I shake my head. “All the girls love Ed Sheeran.”
“He’s a great singer. And he has the whole ginger thing going for him,” she teases. “If you were born a prince with red hair? Women everywhere would adore you.”
“Women everywhere already adore me.”
“If you were a ginger prince, there’d be more.”
“All right, hush now smartarse-bottum. And listen.”
Then I play “Thinking Out Loud.” About halfway through, I glance over at Sarah. She has the most beautiful smile, and I think something to myself that I’ve never thought in all my twenty-five years: this is how it feels to be Ed Sheeran.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
hot and close. The walls were hung with deep-dyed tapestries and old weapons kept gleaming by servants. Achilles walked past them and knelt at his father’s feet. “Father, I come to ask your pardon.” “Oh?” Peleus lifted an eyebrow. “Speak then.” From where I stood his face looked cold and displeased. I was suddenly fearful. We had interrupted; Achilles had not even knocked. “I have taken Patroclus from his drills.” My name sounded strange on his lips; I almost did not recognize it. The old king’s brows drew together. “Who?” “Menoitiades,” Achilles said. Menoitius’ son. “Ah.” Peleus’ gaze followed the carpet back to where I stood, trying not to fidget. “Yes, the boy the arms-master wants to whip.” “Yes. But it is not his fault. I forgot to say I wished him for a companion.” Therapon was the word he used. A brother-in-arms sworn to a prince by blood oaths and love. In war, these men were his honor guard; in peace, his closest advisers. It was a place of highest esteem, another reason the boys swarmed Peleus’ son, showing off; they hoped to be chosen. Peleus’ eyes narrowed. “Come here, Patroclus.” The carpet was thick beneath my feet. I knelt a little behind Achilles. I could feel the king’s gaze on me. “For many years now, Achilles, I have urged companions on you and you have turned them away. Why this boy?” The question might have been my own. I had nothing to offer such a prince. Why, then, had he made a charity case of me? Peleus and I both waited for his answer. “He is surprising.” I looked up, frowning. If he thought so, he was the only one. “Surprising,” Peleus echoed. “Yes.” Achilles explained no further, though I hoped he would. Peleus rubbed his nose in thought. “The boy is an exile with a stain upon him. He will add no luster to your reputation.” “I do not need him to,” Achilles said. Not proudly or boastfully. Honestly. Peleus acknowledged this. “Yet other boys will be envious that you have chosen such a one. What will you tell them?” “I will tell them nothing.” The answer came with no hesitation, clear and crisp. “It is not for them to say what I will do.” I found my pulse beating thickly in my veins, fearing Peleus’ anger. It did not come. Father and son met each other’s gaze, and the faintest touch of amusement bloomed at the corner of Peleus’ mouth. “Stand up, both of you.” I did so, dizzily. “I pronounce your sentence. Achilles, you
”
”
Madeline Miller (The Song of Achilles)