Rowing The Boat Together Quotes

The way I see it, is the quicker we work together, the quicker you can row, row, row your boats back across the Atlantic.

Neither is necessarily a better or more valuable oarsman than the other; both the long arms and the strong back are assets to the boat. But if they are to row well together, each of these oarsmen must adjust to the needs and capabilities of the other. Each must be prepared to compromise something in the way of optimizing his stroke for the overall benefit of the boat...Only in this way can the capabilities that come with diversity...be turned to advantage rather than disadvantage. p179

I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death. He smashed that one first. My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven. He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands. 'Daddy?' Buckley said. My brother held the doorknob with his hand. My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him. My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived. 'You are so special to me, little man,' my father said, clinging to him. Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult. 'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.

Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That’s the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. But it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.

Where my love is going There will I go. Where his boat is rowing I will row. We will laugh together, Together we will cry. If he lives I will live, If he dies I die. Where my love is going There will I go. Where his boat is rowing I will row.

Oh," he said again and picked up two petals of cherry blossom which he folded together like a sandwich and ate slowly. "Supposing," he said, staring past her at the wall of the house, "you saw a little man, about as tall as a pencil, with a blue patch in his trousers, halfway up a window curtain, carrying a doll's tea cup-would you say it was a fairy?" "No," said Arrietty, "I'd say it was my father." "Oh," said the boy, thinking this out, "does your father have a blue patch on his trousers?" "Not on his best trousers. He does on his borrowing ones." 'Oh," said the boy again. He seemed to find it a safe sound, as lawyers do. "Are there many people like you?" "No," said Arrietty. "None. We're all different." "I mean as small as you?" Arrietty laughed. "Oh, don't be silly!" she said. "Surely you don't think there are many people in the world your size?" "There are more my size than yours," he retorted. "Honestly-" began Arrietty helplessly and laughed again. "Do you really think-I mean, whatever sort of a world would it be? Those great chairs . . . I've seen them. Fancy if you had to make chairs that size for everyone? And the stuff for their clothes . . . miles and miles of it . . . tents of it ... and the sewing! And their great houses, reaching up so you can hardly see the ceilings . . . their great beds ... the food they eat ... great, smoking mountains of it, huge bogs of stew and soup and stuff." "Don't you eat soup?" asked the boy. "Of course we do," laughed Arrietty. "My father had an uncle who had a little boat which he rowed round in the stock-pot picking up flotsam and jetsam. He did bottom-fishing too for bits of marrow until the cook got suspicious through finding bent pins in the soup. Once he was nearly shipwrecked on a chunk of submerged shinbone. He lost his oars and the boat sprang a leak but he flung a line over the pot handle and pulled himself alongside the rim. But all that stock-fathoms of it! And the size of the stockpot! I mean, there wouldn't be enough stuff in the world to go round after a bit! That's why my father says it's a good thing they're dying out . . . just a few, my father says, that's all we need-to keep us. Otherwise, he says, the whole thing gets"-Arrietty hesitated, trying to remember the word-"exaggerated, he says-" "What do you mean," asked the boy, " 'to keep us'?

How well we pull together, don't we?" said Amy, who objected to silence just then. "So well that I wish we might always pull in the same boat. Will you, Amy?" very tenderly. "Yes, Laurie," very low. Then they both stopped rowing, and unconsciously added a pretty little tableau of human love and happiness to the dissolving views reflected in the lake.

...she tried to understand how the scariest person from her childhood was at that moment sitting in her living room, waiting for her, and that their worry for Peter, the person they each loved most, bound them, put them in the same boat together , and they could either row hard as one or else drift while he drowned nearby.

How well we pull together, don’t we?” said Amy, who objected to silence just then. “So well that I wish we might always pull in the same boat. Will you, Amy?” very tenderly. “Yes, Laurie,” very low. Then they both stopped rowing, and unconsciously added a pretty little tableau of human love and happiness to the dissolving views reflected in the lake.

Obviously, she couldn’t possibly be rowing with Evans. An elite rower like Evans would never deign to get in a boat with a novice, even if they were sleeping together. Scratch that; especially if they were sleeping together. Evans probably signed her up for some beginner crew, and Zott, wanting to prove that she could hold her own—per usual—went along with it. He shuddered at the thought of a bunch of struggling rowers, their blades hitting the water like out-of-control spatulas.

Daniel's wings were concealed, but he must have sensed her eyeing the place where they unfurled from his shoulders. "When everything is in order, we'll fly wherever we have to go to stop Lucifer. Until then it's better to stay low to the ground." "Okay," Luce said. "Race you to the other side?" Her breath frosted the air. "You know I'd beat you." "True." He slipped an arm around her waist, warming her. "Maybe we'd better take the boat, then. Protect my famous pride." She watched him unmoor a small metal rowboat from a boat slip. The soft light on the water made her think back to the day they'd raced across the secret lake at Sword & Cross. His skin had glistened as they had pulled themselves up to the flat rock in the center to catch their breath, then had lain on the sun-warmed stone, letting the day's heat dry their bodies. She'd barely known Daniel then-she hadn't known he was an angel-and already she'd been dangerously in love with him. "We used to swim together in my lifetime in Tahiti, didn't we?" she asked, surprised to remember another time she'd seen Daniel's hair glisten with water. Daniel stared at her and she knew how much it meant to him finally to be able to share some of his memories of their past. He looked so moved that Luce thought he might cry. Instead he kissed her forehead tenderly and said, "You beat me all those times, too, Lulu." They didn't talk much as Daniel rowed. It was enough for Luce to watch the way his muscles strained and flexed each time he dragged back, hearing the oars dip into and out of the cold water, breathing in the brine of the ocean.

Feeling that she had not mended matters much, Amy took the offered third of a seat, shook her hair over her face, and accepted an oar. She rowed as well as she did many other things; and, though she used both hands, and Laurie but one, the oars kept time, and the boat went smoothly through the water. “How well we pull together, don’t we?” said Amy, who objected to silence just then. “So well that I wish we might always pull in the same boat. Will you, Amy?” very tenderly. “Yes, Laurie,” very low. Then they both stopped rowing, and unconsciously added a pretty little tableau of human love and happiness to the dissolving views reflected in the lake.

I answer that, There are not two angels in the same place. The reason of this is because it is impossible for two complete causes to be the causes immediately of one and the same thing. This is evident in every class of causes: for there is one proximate form of one thing, and there is one proximate mover, although there may be several remote movers. Nor can it be objected that several individuals may row a boat, since no one of them is a perfect mover, because no one man's strength is sufficient for moving the boat; while all together are as one mover, in so far as their united strengths all combine in producing the one movement. Hence, since the angel is said to be in one place by the fact that his power touches the place immediately by way of a perfect container, as was said (A[1]), there can be but one angel in one place.

At first I thought he meant the Husky Clipper, the racing shell in which he had rowed his way to glory. Or did he mean his teammates, the improbable assemblage of young men who had pulled off one of rowing’s greatest achievements? Finally, watching Joe struggle for composure over and over, I realized that “the boat” was something more than just the shell or its crew. To Joe, it encompassed but transcended both—it was something mysterious and almost beyond definition. It was a shared experience—a singular thing that had unfolded in a golden sliver of time long gone, when nine good-hearted young men strove together, pulled together as one, gave everything they had for one another, bound together forever by pride and respect and love. Joe was crying, at least in part, for the loss of that vanished moment but much more, I think, for the sheer beauty of it.

And capitalizing on diversity is perhaps even more important when it comes to the characters of the oarsmen. A crew composed entirely of eight amped-up, overtly aggressive oarsmen will often degenerate into a dysfunctional brawl in a boat or exhaust itself in the first leg of a long race. Similarly, a boatload of quiet but strong introverts may never find the common core of fiery resolve that causes the boat to explode past its competitors when all seems lost. Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That’s the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. But it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.

Suppose you entered a boat race. One hundred rowers, each in a separate rowboat, set out on a ten-mile race along a wide and slow-moving river. The first to cross the finish line will win $10,000. Halfway into the race, you’re in the lead. But then, from out of nowhere, you’re passed by a boat with two rowers, each pulling just one oar. No fair! Two rowers joined together into one boat! And then, stranger still, you watch as that rowboat is overtaken by a train of three such rowboats, all tied together to form a single long boat. The rowers are identical septuplets. Six of them row in perfect synchrony while the seventh is the coxswain, steering the boat and calling out the beat for the rowers. But those cheaters are deprived of victory just before they cross the finish line, for they in turn are passed by an enterprising group of twenty-four sisters who rented a motorboat. It turns out that there are no rules in this race about what kinds of vehicles are allowed. That was a metaphorical history of life on Earth. For the first billion years or so of life, the only organisms were prokaryotic cells (such as bacteria). Each was a solo operation, competing with others and reproducing copies of itself. But then, around 2 billion years ago, two bacteria somehow joined together inside a single membrane, which explains why mitochondria have their own DNA, unrelated to the DNA in the nucleus.35 These are the two-person rowboats in my example. Cells that had internal organelles could reap the benefits of cooperation and the division of labor (see Adam Smith). There was no longer any competition between these organelles, for they could reproduce only when the entire cell reproduced, so it was “one for all, all for one.” Life on Earth underwent what biologists call a “major transition.”36 Natural selection went on as it always had, but now there was a radically new kind of creature to be selected. There was a new kind of vehicle by which selfish genes could replicate themselves. Single-celled eukaryotes were wildly successful and spread throughout the oceans.

Riding, balancing, and walking on a seesaw. Balancing on a Teeter-Totter—Center a board over a railroad timber. (See The Out-of-Sync Child Has Fun for ideas.) Sitting on a T-stool—A T-stool helps improve balance, posture, and attention. (See The Out-of-Sync Child Has Fun for ideas.) Balancing on a Large Therapy Ball—Your child can lie on her stomach, on her back, or sit and bounce. Some balls have handles for bouncing up and lower (hippity-hopping). Tummy Down, Head Up—Have the child lie on her stomach. On the floor, she can rock to and fro to “Row, Row, Row Your Boat”; draw on paper while listening to music, using crayons, which require her to bear down to make a mark; and play with small toys. On a swing or therapy ball, she can “draw” on the ground or carpet with a stick; throw sponges into a basket; and bat a suspended ball with a cardboard tube. Jogging—Run around the block together!

Cass didn’t know what she and Falco were looking for, but whatever it was, they weren’t going to find it rowing around wealthy neighborhoods in the dark. “This is pointless,” she said. “The man with the falcon mask could live in any of these palazzos, or none at all. Besides, we don’t even know if he has anything to do with this mess.” Falco shook his dark hair back from his face. “I was worried this would be a dead end, but I…” He trailed off. “You what?” Cass asked. Falco rubbed at the scar under his eye. “I wanted to see you,” he said. “I wanted to spend time with you.” Cass looked away from him. Again, she felt like someone was stabbing her between her ribs. “Maybe that’s pointless too,” she said. Their boat floated past a gondola. Two forms were visible in the moonlight. A man and woman lay intertwined on the base of the boat. Bare skin, gentle rocking. Falco followed her eyes. “You know that I care about you, Cass.” “But it doesn’t mean anything.” Cass tried to keep her voice from trembling. “Because it can’t lead to anything more.” Falco set aside the oars and turned her face toward his. “You’re wrong. It means everything. You mean everything.” He held her chin between his thumbs and forefingers. “Why do my feelings have to lead anywhere at all? Why can’t we just be here, now, in this moment?” His touch made shivers dance up and down her back. Maybe Falco was right. Why did she care so much about the future? Maybe she should just be thankful that they could be together here, right now. “Why can’t you just be who you are?” Falco asked, his lips moving toward hers. Because I don’t know who that is anymore. “You’re changing me,” she whispered. “I see everything differently now.” Cass didn’t fight it when Falco leaned in and kissed her. She didn’t resist as he tipped her gently backward and laid her down on the wooden bottom of the batèla. Just be who you are. Easy to say, but so difficult to do. Falco unfolded a blanket over her. “So you don’t get cold,” he said. “What’s going to keep you warm?” Cass asked softly, reaching up to tousle his hair. Falco laughed. “Trust me, I’m plenty warm.” “Prove it,” Cass said, pulling him down to her level.

And capitalizing on diversity is perhaps even more important when it comes to the characters of the oarsmen. A crew composed entirely of eight amped-up, overtly aggressive oarsmen will often degenerate into a dysfunctional brawl in a boat or exhaust itself in the first leg of a long race. Similarly, a boatload of quiet but strong introverts may never find the common core of fiery resolve that causes the boat to explode past its competitors when all seems lost. Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That's the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. Bit it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.

the boys threw their long bodies into each stroke, rowing furiously, flawlessly, and with uncanny elegance. Their oars were bending like bows, the blades entering and leaving the water cleanly, smoothly, efficiently, the shell’s whale-oil-slick hull ghosting forward between pulls, its sharp cedar prow slicing through dark water, boat and men forged together, bounding fiercely forward like a living thing. Then

So I loved you because I thought you would be fat. I thought you would increase, multiply, develop a big belly, double cheeks, triple chins, dimpled knees. I thought there would be more of you. You'd stand out in a crowd, flaunt fashion. We'd have to buy clothes in stores catering to the big fellow. In your hands birds would nest. On your knees children would perch. You would rock marvelously— better than any rocking chair, better than any row boat. You would conjure up the sound and feel of water, the expanse of sea—its waves and calms, its storms under control. In your arms I would be sailing without the bother of shipwreck. All our gardens would grow if you dropped the seeds. Pumpkins would explode for fullness. Tomatoes so heavy would collapse their vines. Cauliflowers sprouting the size of streetlights. Your voice would fill the house— raise the ceilings, flood the windows. I'd hear you in every room. Over storms your voice would carry, lightning would not diminish you. What happened? You are no larger than me. Our voices fill the same small space. No soft flesh to press my fingers into deeply before I hit the road of your body. Your bones are as clear to find as mine, neither distinct nor hidden. They are simply the usual set— they suffice. They hold us together with no genius. The self you offer me is not unlike my self— no great dimensions, no extraordinary appetite. I don't live in the tower of your sound. Trees are outside our human scale and birds belong more properly in them. The only nest we can build is a nest for ourselves. In short, my dear you are my equal. We can only grow what every other can grow— the seeds we have been given.

It only looked as though we were making the journey in two separate boats. The journey was ours, together, and the burden of having someone to watch out for, someone to care about more than myself, both deepened the risk and heightened the joy.

In Boat 6, Margaret Brown had doffed her sables to free her up for rowing. She had encouraged the other women to row as well, defying the quartermaster who railed at her from the stern. But Robert Hichens had chosen the wrong group of women to bully. In addition to the forceful Mrs. Brown, the plucky Mrs. Candee, and the voluble Berthe Mayné, there were two English suffragettes on board, Elsie Bowerman and her mother, Edith Chibnall. Both were active members of Sylvia Pankhurst’s Women’s Social and Political Union, the most militant of Britain’s votes-for-women organizations. Edith was one of ten women who had accompanied Mrs. Pankhurst on a 1910 deputation to Parliament that had resulted in arrests after a scuffle with police. She had also donated a banner for a Hyde Park demonstration that read “Rebellion to tyrants is obedience to God.” A full-scale rebellion against one male tyrant was soon under way in Boat 6. The women tried to taunt the quartermaster into joining them at the oars, but Hichens refused, preferring to stand at the tiller shouting out rowing instructions and doom-filled warnings that they could be lost for days with no food or water. Eventually Boat 16 came near and the two lifeboats tied up together. Margaret Brown spotted a chilled, thinly clad stoker in the adjoining boat and after he jumped over into Boat 6 to help with the rowing, she wrapped him in her sables, tying the tails around his ankles. She then handed him an oar and instructed Boat 16 to cut them loose so they could row to keep warm. Howling curses in protest, Hichens moved to block this but an enraged Mrs. Brown rose up and threatened to throw him overboard. The fur-enveloped stoker reproached Hichens for his foul language in the broadest of Cockney accents: “Soy, don’t you know you are talking to a loidy!

god of war, and was also sacred to other deities. Hermonthis lay on the opposite bank of the Nile to the Upper Kingdom’s capital city of Thebes and had immense prestige. An inscription from Hermonthis, recording the burial of this Buchis bull more than twenty years later, stated that: He reached Thebes, the place of installation, which came into existence aforetime, beside his father, Nun the old. He was installed by the king himself in the year 1, Phamenoth 19 [22 March 51 BC]. The Queen, the Lady of the Two Lands, the Goddess Philopator, rowed him in the boat of Amen, together with all the barges of the king, all the inhabitants of Thebes and Hermonthis and priests being with him. He reached Hermonthis, his dwelling place …3 Such inscriptions were formulaic, so that we need to be cautious about reading

Monastery Nights I like to think about the monastery as I’m falling asleep, so that it comes and goes in my mind like a screen saver. I conjure the lake of the zendo, rows of dark boats still unless someone coughs or otherwise ripples the calm. I can hear the four AM slipperiness of sleeping bags as people turn over in their bunks. The ancient bells. When I was first falling in love with Zen, I burned incense called Kyonishiki, “Kyoto Autumn Leaves,” made by the Shoyeido Incense Company, Kyoto, Japan. To me it smelled like earnestness and ether, and I tried to imagine a consciousness ignorant of me. I just now lit a stick of it. I had to run downstairs for some rice to hold it upright in its bowl, which had been empty for a while, a raku bowl with two fingerprints in the clay. It calls up the monastery gate, the massive door demanding I recommit myself in the moments of both its opening and its closing, its weight now mine, I wanted to know what I was, and thought I could find the truth where the floor hurts the knee. I understand no one I consider to be religious. I have no idea what’s meant when someone says they’ve been intimate with a higher power. I seem to have been born without a god receptor. I have fervor but seem to lack even the basic instincts of the many seekers, mostly men, I knew in the monastery, sitting zazen all night, wearing their robes to near-rags boy-stitched back together with unmatched thread, smoothed over their laps and tucked under, unmoving in the long silence, the field of grain ripening, heavy tasseled, field of sentient beings turned toward candles, flowers, the Buddha gleaming like a vivid little sports car from his niche. What is the mind that precedes any sense we could possibly have of ourselves, the mind of self-ignorance? I thought that the divestiture of self could be likened to the divestiture of words, but I was wrong. It’s not the same work. One’s a transparency and one’s an emptiness. Kyonishiki.... Today I’m painting what Mom calls no-colors, grays and browns, evergreens: what’s left of the woods when autumn’s come and gone. And though he died, Dad’s here, still forgetting he’s no longer married to Annie, that his own mother is dead, that he no longer owns a car. I told them not to make any trouble or I’d send them both home. Surprise half inch of snow. What good are words? And what about birches in moonlight, Russell handing me the year’s first chanterelle— Shouldn’t God feel like that? I aspire to “a self-forgetful, perfectly useless concentration,” as Elizabeth Bishop put it. So who shall I say I am? I’m a prism, an expressive temporary sentience, a pinecone falling. I can hear my teacher saying, No. That misses it. Buddha goes on sitting through the century, leaving me alone in the front hall, which has just been cleaned and smells of pine.